#UNA v.10

[freyafrida]

how certain the journey special DVD bonus features

LOL this is a thing i did on my old blog when i first finished come back home ages ago, and I thought it would be fun to do again :> kind of, different format this time around. more notes and fun facts!

General inspo for this fic: besides, obviously, the desire to write something happy and shippy after reading Rilla of Ingleside, I always go back and forth on Walter's death. There are times when I think it's a little too easy, you know? On the one hand, I get why it had to happen, symbolically, why Walter is the one who has to die: he's the only one who grasps the full scope and horror of the war, who knows what he'd be sacrificing, he's the kindest and most sensitive character, he has the potential to be great and famous, he's the protagonist's favorite brother, etc. Of course he has to die.

ON THE OTHER HAND. Walter's last letter sometimes feels a little too neat to me, too -- life will never be beautiful for him again, so it's better that he dies anyway; he goes out in that "white flame of sacrifice", thinking that at least he has made the world better, that it's worthwhile. And, well. Those of us in the future know that's not really how it worked out.

Even all that aside -- Walter is romantic, otherworldly; the books repeatedly remark that he's not meant for this world or to grow up and do mundane things like get an office job and pay taxes and live to see, idk, space flight and rock music. So...sometimes I think it would be more interesting for Walter to live, to have to adjust to the postwar world, to have to cope with preparing himself to die and thinking at least he doesn't have to live with all he's seen...only to find out that, surprise, he does.

What always interests me about Walter and Una -- about the Blythes and Merediths in general, really -- is that the Meredith kids have a much harsher upbringing than the Blythes, even if the books rarely (if ever?) acknowledge it. Walter talks to Rilla of being happy before the war, with their home and parents; the Blythes' adventures in Rainbow Valley and Anne of Ingleside are all fairly harmless and twee. On the other hand, the Merediths' story in Rainbow Valley is sprinkled with death and hunger and neglect (even if it all gets wrapped up with And Then Rosemary Marries Rev. Meredith and Everything is Fine). Una in particular is very sensitive to the loss of her mother, and moreover she knows things in her house aren't right, that people talk about the Merediths for having a chaotic house and the children never being dressed properly.

So Walter and Una's dynamic interests me on that level! For survived-the-war!Walter/Una, I don't think it's as simple as Una healing Walter through being gentle or whatever. Rather, I think they're simply able to find common ground in knowing the world can be ugly and painful and randomly cruel. Walter doesn't have to hide that from Una the way he might with his sisters and other friends; they can be honest with each other, and that's where their relationship grows from.

This fic owes a lot -- a lot a lot -- to "Keeping Faith" by m_shell and "The Piper" by Una-Blythe! (I'll do a proper fic rec post one day, haha.) "Keeping Faith" is really the Walter/Una fic for me, it's tonally so perfect and gentle and aching. (Fully borrowed Walter's injury from this fic because I couldn't improve on it! I did toy with having him be blind, or having a face injury, but felt I wasn't writing about it convincingly.) I also really liked how Walter in "The Piper" is actually quite bitter, and how he and Una don't end up with ten kids and a perfect family at the end. Big inspiration there. (Also fully borrowed incorporating LMM's other characters into the fic from "The Piper" -- the Blue Castle reference in ch. 19 of Come Back Home came from there!)

Other big influence was weirdly George Mallory?? I read a couple of biographies about him and other 1900s dudes for ~research~ but ended up being particularly interested in Mallory's life (coincidentally, they found the boot of his climbing partner, Sandy Irvine, just this year). That also got me thinking about Walter's legacy, how "The Piper" (the poem) and his fame might impact his life later on. The epilogue was also inspired by interviews with Mallory and Irvine's descendants and how they try to remember their famous great-grandparents/great-uncles later on. (This interview with Mallory's daughter was one of the things I read and found really interesting.)

I think, realistically...if Walter had lived, his fame would probably wane. I don't imagine he would ever write anything quite as timely as "The Piper" ever again. I also think his creative output would probably be sharpest when writing about the war, and he'd end up in a struggle between selling his work to an audience who was generally sick of war poetry, but not being able to write as powerfully about anything else. I think, too, that people would be more enamored of a young soldier who wrote one powerful poem before dying in the war -- someone who lives, writes many other works that are overshadowed by that one poem, and spends the rest of his life being bitter about said war is less romantic. I can imagine Walter also unintentionally suppressing "The Piper"'s fame by refusing to let it be used for things or refusing to recite it. (I did end up referring to "In Flanders Fields" as though it exists in the universe alongside "The Piper" -- if "The Piper" replaces IFF as the big poem of the war, I can imagine IFF's fame overtaking it later in life due to McCrae's death.)

I think, too, that Walter, if he lived, would sort of hold himself back in life. I don't mean for it to come across as disappointment or a negative thing, necessarily, in the fic -- I wanted it to be bittersweet; that yes, he doesn't get all that he wants or dreams of, but he sees giving it up as a way to atone and live with himself. (I think it's totally possible, in another life, that he lives in Jazz Age Paris and is a famous poet and has a bunch of messy, destructive relationships that interest biographers just as much as his work, and he's maybe a better artist for never making peace with himself, but he's also not happy.) He knows what he's capable of, the things he's done. I definitely think he...I don't want to say "committed war crimes" haha, but did some things he wasn't proud of, at the front, not really caring about consequences because he was fully expecting to die. I think he'd sort of -- slightly self-centeredly, because Walter can be selfish -- see his own capacity for violence as symbolic of what led to the war and work to suppress it in himself, in his life. I think having a quiet life, giving love to the people around him, would be again a way of atoning and proving to himself that he's capable of kindness instead of destruction. Postwar Walter fully believes he's the worst person ever like THIS IS THE SKIN OF A KILLER, UNA

Um. What else? Some other fun facts:

Was kicking around the idea of finishing this in 2022-2023 because it was nearly fully 10 years since Come Back Home was finished but I was also like "lol probably won't happen" but then got a v. nice ask from @batrachised and was like "Oh man people are still out here!! I could actually finish it!!" so big thanks there and to everyone who kept reminding me to finish <333333

Really meant to write more Jem in here but he just kept...not being relevant, SORRY JEM.

I got a couple of comments back in the day asking if the fic would save Stripey from being drowned by Bruce and I meant to get to it but couldn't really find room for it. One day, another fic, etc. (I was coming down on the side of still killing Stripey, SORRY STRIPEY, because I think it's such a perfect and tragic encapsulation of the book's certainty that sacrifice is worthwhile, because it has to be, and then you're reading it 100 years later like "oof.")

Walter having a school in Saskatoon named after him actually came out of researching Midnighters fic for the character of Jessica, and seeing that a good chunk of schools in Chicago were named after people with zero connection to the city whatsoever.

Came up with most of the first story in the bath and am wondering if this was harder to write simply because I don't have a bathtub anymore 🤔

i meant to take a photo showing my drafts of come back home and how certain the journey side by side, but can u believe, I LEFT MY WRITING NOTEBOOK AT WORK LOL. Fortunately there's nothing too crazy in there, apart from the reveal that I write fanfic and also some original fiction that probably reveals far more of my psyche than I want it to 😅 so i only have my old-ass notebook from 2012 on hand, NOTEBOOK RETRIEVED! here's how it started (my handwriting was v. v. jank 12 years ago) and the last few things i wrote:

anyway thank you again everyone for entertaining me and this fic all the way until the end i love you all <3333333

[peaceeandcoolestvibes]

Honestly, he’s annoying as hell and idk what he was thinking when he said he’d fuck him 24/7

[phjlavtia]

why is it Always so obvious when a guy has some latent misogyny he still has to process and identify

[killiandestroy]

HERE WE GO AGAAAAIN

[quitealotofsodapop]

Una vez mencionaste que Wukong hico una fiesta durante su tiempo como protector de los melocotones y hace tiempo hice este dibujo pensando que podría hacer un mini comic pero al final no pude ;v; 

Translated via google:

"You once mentioned that Wukong had a party during his time as protector of the peaches and a while ago I made this drawing thinking I could make a mini comic but in the end I couldn't ;v;"

Hah! I bet it was the post where I suggested that instead of his Havoc being a one-monkey bender, Wukong had actually called up all his demon brothers and their subjects into Heaven to partake in the Banquet that they were all barred from attending.

LMK Wukong in particular seems to be the type to want to "share the wealth" amongst his Brothers.

The first maiden or pageboy to check in on the royal orchard sees the demon equivalent of a 80s college frat party.

It goes on far longer than expected simply because every authority that *could* have crashed it early was unsuccessful or joined in.

Erlang Shen: "I could crash this party... but me and The Boys wanna party too."

Erlang Shen & the Plum Hill Boys: (*all start dancing terribly*)

There are some disapproving guests however...

Nezha: "Can I join?"

Wukong: "Heck no! You're like 10! You should be in bed mister!"

Nezha: "I'm centuries older than you!" >:(

Wukong: "Your liver ain't."

Nezha, whining: "I'm telling Tieshan!"

Macaque: "Good luck. I last saw her and DBK about an hour ago."

Don't ask where PIF & DBK were during all of this. They snuck off together long before the half-way mark.

Wukong can't remember half of what happened at that party - though he takes the fall for everyone who was there instead if revealing the names of who else was present.

I love the drawing by the way! Younger Wukong just chugging down a whole vat of peach wine XD

[taekooktimeline]

January 29, 2024 (released)-

Tae’s hairstylist, Mujin, is interviewed for Harper’s Bazaar Korea. He talks with the magazine about Tae’s beautiful blue hair, noting the process to achieve this ethereal look. He mentions the story and concept of the pictorial were planned in advance, with the male, coming of age, romantic drama “Call Me By Your Name” (CMBYN) being an inspiration.

Article snippet:

🗣️: In this <Bazaar> pictorial, V's unique transformation of blue hair drew attention. Why did you choose this color?

Mujin: After checking the overall story, design, and concept of the pictorial planned by 'Bazaar' in advance, the mise-en-scène of “Call Me by Your Name.”

Mujin also references the LGBTQ+ movie “Blue is the Warmest Color,” a female coming of age movie similar to CMBYN, and we can discern this because he says “warmest” then ‘blue color’ is placed in quotations, indicating he’s citing material that inspired their pictorial. His exact words are, “The warmest ‘blue color’ with a European sensibility rather than a specially decorated feel.” A Google search of “warmest blue color” will showcase the movie, and protagonist Emma’s blue hair color.

Another translation -

Tae’s stunning “Blue Dragon” look for this editorial -

Full interview - https://x.com/naver_taehyung/status/1751980774876958877?s=46&t=StSwHjW0_Domk_lHUFMaCg

Of course, this isn’t the first time Tae has mentioned his fondness for the movie CMBYN. On May 31, 2019, on the heels of pride month, he uploaded to the BTS Twitter page a snippet of him playing the movie’s OST on the piano.

On June 9, 2019, he recommended the movie to Hobi during a live.

Recap - https://www.tumblr.com/taekooktimeline2019/625212551783907328

On June 9, 2020 (during pride month), Tae read Elio’s father’s impactful speech on a live:

Recap -

https://www.tumblr.com/taekooktimeline2020/625387601649713152

And as an aside, I always found it interesting and noteworthy that the very next day, after reading Elio’s father’s monologue about living life on your terms and no one else’s, Tae responded to a fan on Weverse by saying, “I want to be happy too🥺”

Recap - https://www.tumblr.com/taekooktimeline2020/625387582497439745/june-10-2020-in-a-suspicious-chain-of-events

And on September 4, 2023, an article was posted on Weverse. Within the contents of the article, “Rainy Days”, a song from Tae’s solo debut album “Layover”, is noted to have followed the “tomato girl summer” trend, which was inspired by movies such as “Call Me By Your Name.”

Recap - https://www.tumblr.com/taekooktimeline2023/727548456756035584

And for visual references, these are the movie posters for “Call Me By Your Name” -

and “Blue is the Warmest Color” -

(CT Una for filling me in on the “blue is the warmest color” reference due to me currently being more inactive on social media)

[peaceeandcoolestvibes]

Yeah like one thing doesn’t mean the other but I find weird how contradictory the info his friends gave to these girls (‘he’s taken pls’ ‘his wife is gorgeous pls stay away’ ‘girl😳’ ’he’s taken’) while telling me the opposite or just doing weird shit to get us together LFMALZ 🥴😌

The damn staring 🫡😭

This sis @peaceeandcoolestvibes bags the men everyone ones. It’s incredible but she’s gorgeous inside and out so no wonder 😭 enjoy him lmao

[angelap3]

Il naso e la voce più belli del mondo.

“Volevo fare l’attrice. Diventai una cantante perché non riuscivo a trovare lavoro come attrice. Ero famosa a Brooklyn da quando ero piccola per la mia voce. Ero famosa per avere una bella voce e non avere un padre. Ero unica. Quando hai un vuoto nella vita e un’infanzia strana, diciamo, ti senti invisibile e disorientata. Volevo essere felice, volevo essere il massimo di ciò che potevo essere”.

È stata una bambina con un’infanzia complicata. Orfana di padre (morto giovane per un attacco epilettico), ha dovuto vivere prima dai nonni e poi con la madre e il secondo marito, “senza amore”.

È stata una giovane donna consapevole di avere una voce strepitosa, e subito dopo il liceo ottiene una borsa di studio di recitazione in cambio della cura dei figli della proprietaria di quella scuola.

È già una donna quando, rifiutata a Broadway, guadagna cantando nei bar del Greenwich Village.

Poi il successo planetario.

10 Grammy (tra cui un Lifetime Achievement Award e un Grammy Legend Award). 34 album pubblicati in studio. 145 milioni di dischi venduti in tutto il mondo. E poi il cinema: con Funny girl ha vinto l’Oscar come miglior attrice protagonista. La seconda statuetta arriva con astarisborn.

Nel 1983, con Yentl, Barbra Streisand è la prima donna a scrivere, produrre, dirigere e interpretare un film in un grande studio. Per la stessa pellicola, è stata la prima donna a ricevere un Golden globe come miglior regista.

Oggi compie 82 anni.

E accipicchia Barbra, che vita!

https://m.youtube.com/watch?v=a8DE5U6npkQ&pp=ygUyYmFyYmFyYSBzdHJlaXNhbmQgLSB3b21hbiBpbiBsb3ZlIHRyYWR1cyBpbiByb21hbmE%3D

[stregh]

La storia del vino a Roma è profondamente legata alle osterie, luoghi di convivialità e commercio. Nel corso dei secoli, i Papi hanno mostrato un interesse notevole per il vino, non solo per il piacere personale ma anche per le entrate significative che le tasse sul vino garantivano alla Chiesa.

Le normative papali erano numerose e gli osti dovevano attenersi scrupolosamente ad esse. Queste regole avevano lo scopo di moderare il consumo eccessivo di vino da parte dei romani, che spesso, dopo abbondanti festeggiamenti, si lasciavano andare a risse violente. Inoltre, si cercava di prevenire le frodi degli osti.

Una delle frodi più comuni era la "sfogliettatura", ovvero il servire il vino in boccali non completamente pieni. I recipienti dell'epoca, fatti di terracotta o metallo, non permettevano di vedere il contenuto. Per contrastare questa pratica, Papa Sisto V Peretti concesse all'ebreo Meier Maggino di Gabriello il permesso di produrre contenitori di vetro trasparente. In questo modo, si poteva facilmente controllare la quantità di vino versata. Nel 1588, il pontefice impose l'uso di queste nuove misure in vetro agli osti.

Da questa innovazione nacquero le tipiche misure delle osterie romane, che sono diventate un simbolo della tradizione enogastronomica della città e che possiamo ancora trovare sulle tavole di oggi.

La quantità di vino da rispettare in ogni recipiente, era indicata da una riga incisa nel vetro e questa riga in gergo si chiamava "er capello".

Ecco svelata l'origine del modo di dire "Stai a guardà er capello" e la sua correlazione con il vino.

2 litri – denominato er Barzillai (così detto dal nome dell'On. Barzilai che in campagna elettorale usava offrire il vino in questo formato)

1 litro – denominato tubo o tubbo

1/2 litro – denominato foglietta o fojetta

1/4 di litro – denominato quartino o mezza fojetta

1/5 di litro – denominato chierichetto o chirichetto

1/10 di litro – denominato sospiro o sottovoce

Fonte: https://www.facebook.com/romasegreta.gdg/reviews

[freyafrida]

(anne of green gables) how certain the journey (3/5)

how certain the journey - walter/una - pg-13

Walter leaves at the end of the summer. He kisses Una on the train platform, quickly, but with a warmth that cannot be mistaken for the kiss of a brother or a friend. It is as much of an announcement as anything, for one of the Reese girls is waiting for the afternoon train and is watching them from the corner of their eye. If there is anyone left in the Glen who isn't gossiping about them, Una thinks wryly, they surely will once they hear about this.

He'd written her a letter, with instructions not to open it until he left. Una had promised and has read it over several times since, blushing every time. Still, no amount of sweet words can replace having him here, and as September turns to October, Una finds herself feeling just a little melancholy. She doesn't mention it to anyone, knowing all the Kitty Alecs of the Glen will simply start talking about how Una is pining for Walter Blythe, and how she'll likely waste away, which apparently happened to a girl Sophia Crawford once knew.

ao3

[espressoristretto-patronum]

When you get this, list 5 songs you like to listen to, publish them, and send this ask to the last 10 people in your notifs! (Or just some people!)

Thank you anon for the ask and thank you @theladyofshalott1989 for the tag 😘

Instead of writing the same songs (Maledetta primavera, you're always my number 1 ❤️) I'll write this time:

[seriesdepelicula]

Colección series vintage, hoy STAR TREK : THE ORIGINAL SERIES (TOS) , en español se llamó VIAJE A LAS ESTRELLAS y también LA CONQUISTA DEL ESPACIO. Es una serie de TV de ciencia ficción creada por Gene Roddenberry y que salió al aire en tres temporadas entre los años 1966/1969 y con 80 capítulos con 29 para la 1ra , 26 para la 2da y 24 para la tercera y última, mas un capítulo extra en el año 1988. La serie esta ambientada en el siglo XXIII y sigue las aventuras de la nav e espacial ENTERPRISE NCC-1701 al mando del Capitan JAMES T.KIRK (𝗪𝗶𝗹𝗹𝗶𝗮𝗺 𝗦𝗵𝗮𝘁𝗻𝗲𝗿), su primer oficial el Sr SPOCK (𝗟𝗲𝗼𝗻𝗮𝗿𝗱 𝗡𝗶𝗺𝗼𝘆), el oficial medico en jefe LEONARD McCOY (𝗗𝗲𝗙𝗼𝗿𝗲𝘀𝘁 𝗞𝗲𝗹𝗹𝘆), la oficIal en comunicaciones NYOTA UHURA (𝗡𝗶𝗰𝗵𝗲𝗹𝗹𝗲 𝗡𝗶𝗰𝗵𝗼𝗹𝘀), los pilotos SULU Y CHEJOV (𝗚𝗲𝗼𝗿𝗴𝗲 𝗧𝗮𝗸𝗲𝗶 y 𝗪𝗮𝗹𝘁𝗲𝗿 𝗞𝗼𝗲𝗻𝗶𝗴) y el ingeniero de a bordo SCOTTY (𝗝𝗮𝗺𝗲𝘀 𝗗𝗼𝗼𝗵𝗮𝗻), todos ellos convertidos en celebridad con el paso del tiempo, algunos mas otros menos. Cuando la serie se estreno en 1966 no fue un éxito de inmediato pues la audiencia era baja y también los ingresos por publicidad e incluso antes de finalizar la 1ra temporada ya se hablaba de una cancelación.Su productor original Gene Roddenberry se alejó en la 3ra temporada y al final de esta, la serie fue cancelada. Sin embargo la serie fue extremadamente popular luego de una redifusión en la década del 1970, tanto que fue seguida de 10 series más y algunas de pronto estreno.

1-Star Trek: La serie animada: Se emitió entre 1973 y 1974.  2-Star Trek: The Next Generation: Se emitió entre 1987 y 1994.  3-Star Trek: Deep Space Nine: Se emitió entre 1993 y 1999.  4-Star Trek: Voyager: Se emitió entre 1995 y 2001.  5-Star Trek: Enterprise: Se emitió entre 2001 y 2005.  6-Star Trek: Discovery: Se emitió entre 2017 y 2024k.  7-Star Trek: Picard: Se emitió entre 2020.  8-Star Trek: Lower Decks: Estreno 2020 y concluye a final 2024. 9-Star Trek: Prodigy: Se emitió entre 2021 y 2024. 10-Star Trek: Strange New Worlds: Estreno 2022 y aún al aire.   11-Star Trek: Starfleet Academy: Se estrenará en 2025.

Obviamente que la franquicia no se quedo solo en la creación y emisión de series, sino que también se crearon películas, que hasta la fecha son 6 con los personajes de la serie original, el Capitán Kirk, Spock, Uhura y otros.

1-Star Trek:The Motion Picture (1979). 2-Star Trek II: The Wrath of Khan (1982). 3-Star Trek III: The Search for Spock (1984). 4-Star Trek IV: The Voyage Home (1986). 5-Star Trek V: The Final Frontier (1989). 6-Star Trek VI: The Undiscovered Country (1991).

Con el resurgimiento de la franquicia, gracias a una nueva serie llamada Star Trek: The Next Generation (1987), llegaron otra saga de películas con el Capitán Picard (𝗣𝗮𝘁𝗿𝗶𝗰𝗸 𝗦𝘁𝗲𝘄𝗮𝗿𝘁), que en total fueron estas 4:

1-Star Trek: Generations (1994). 2-Star Trek: First Contact (1996). 3-Star Trek: Insurrection (1998). 4-Star Trek: Némesis (2002).

La franquicia se tomo unos años de descanso, hasta que en el 2009, Lanza una película, que fue finalmente trilogía, con el Capitán Kirk mas joven, interpretado por 𝗖𝗵𝗿𝗶𝘀 𝗣𝗶𝗻𝗲.Las películas fueron:

1-Star Trek (2009).   2-Star Trek Into Darkness (2013). 3-Star Trek Beyond (2016).

También habra una película nueva, que retomará el personaje de la emperadora Philippa Georgiou, interpretado por la actriz 𝗠𝗶𝗰𝗵𝗲𝗹𝗹𝗲 𝗬𝗲𝗼𝗵, cuyo personaje apareció en la serie Star Trek Discovery (2017):

1-Star Trek: Section 31 (2025).

Quedo grabado para siempre en nuestros oidos el introito de la serie original y todas las demás, la voz de su capitán que decía “El espacio: la ultima frontera. Estos son los viajes de la nave estelar «Enterprise», en una misión que durara cinco años, dedicada a la exploración de mundos desconocidos, al descubrimiento de nuevas vidas y nuevas civilizaciones, hasta alcanzar lugares donde nadie ha podido llegar antes”. Mi puntaje para esta icónica serie es 8/10.

[wowthesewomen]

Strange New Worlds: Planets

10 - going to call this one by the episode, since it's had different Locations/ Planets - Ad Astra Per Aspera

Vaultera Nebula

No-Illyrian City

Illyrian Colony

Neera Ketoul's Office

Earth/San Francisco

Federation detention center

holding cell

lawyers meeting room

Head Judge Office

Court Room

others:

Starfleet Uniform Code of Justice

Una's Inmate Property

1 - Kiley 279 2- Persephone III and M'harit 3-Hetemt IX 4-Finibus III 5- Vulcan 6- Valeo Beta V 7- Majalan System 8 - Starbase 1 I and II

9- Cajitar IV

[noticiasarquelogicasjaponesas]

Sean bienvenidos japonistasarqueológicos a una nueva entrega de arqueología japonesa, en la cual hablaremos de Ruinas de Toro, una vez dicho esto pónganse cómodos que empezamos. - Ruinas de Toro, se localizan en la ciudad de Shizuoka, en la región de Chūbu, se construyeron en el periodo Yayoi y continuaron desde finales de dicho período e incluso se usaron el período Kofun siglos I al siglo V, a pesar de que fueron dañadas por las inundaciones. - En la publicación anterior hablamos, de que las ruinas fueron descubiertas en plena 2ww en 1943, lo que corresponde a la era showa, ya que se estaba construyendo, una fábrica de municiones para fabricar hélices para aviones de combate y accidentalmente encontramos objetos de barro y madera en el suelo, desde entonces se excavó hasta los años 1999. - Para continuar nuestro viaje por la arqueología de la posguerra, nos vamos a trasladar a la década de 1947, fue cuando se realizaron las excavaciones en masa hasta mitad del siglo pasado, en la que se descubrieron: 12 viviendas, 2 almacenes y 8 hectáreas de arrozales, del periodo Yayoi que datan de hace 2000 años de antigüedad. - También aparecieron: campanas de bronce, el lugar se reconstruyo en 1951. Por el motivo de una autopista en 1965 salieron más restos arqueológicos a lo que se le llama arqueología de salvamento, al final de 1999, se actuaron más excavaciones en otras partes del país en Kyushu, kinki y Tohoku hasta 2003. - Espero que os haya gustado os deseo una buena semana y nos vemos en próximas publicaciones del país del sol naciente.

-

日本の考古学者の皆さん、ようこそ！今回は登呂遺跡についてお話しします。そう言ったら、くつろいでいただき、さっそく始めましょう。-中部地方の静岡市にある登呂遺跡は、弥生時代に築かれ、弥生時代後期から続き、1世紀から5世紀にかけての古墳時代にも、洪水で被害を受けながらも利用されていた。-前号では、昭和に相当する2ww中頃、戦闘機のプロペラを製造する軍需工場が建設されている最中に発見され、偶然、土や木のオブジェが地面に落ちていたことを紹介したが、その後、平成11年代まで発掘調査が行われた。-戦後考古学の旅を続けるために、1947年の10年間に移り、前世紀半ばまで大規模な発掘調査が行われ、2000年前の弥生時代の住居12棟、倉庫2棟、水田8ヘクタールが発見された。-銅鐸も発見された。遺跡は1951年に再建された。1965年の高速道路建設により、さらに多くの遺跡が発掘され、サルベージ考古学と呼ばれている。 1999年末には、2003年まで九州、近畿、東北の他の地域でも発掘調査が行われた。-お気に召していただけたなら幸いである。良い一週間をお過ごしください。

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Welcome Japanese archaeologists to a new installment of Japanese archaeology, in which we will talk about the Toro Ruins, and once we have said that, make yourselves comfortable and let's get started. - Toro Ruins, located in the city of Shizuoka, in the Chūbu region, were built in the Yayoi period and continued from the late Yayoi period and were even used in the Kofun period from the 1st to the 5th century, although they were damaged by floods. - In the previous publication we mentioned that the ruins were discovered in the middle of the 2ww in 1943, which corresponds to the showa era, as a munitions factory was being built to manufacture propellers for fighter planes and we accidentally found objects of clay and wood on the ground, since then it was excavated until the 1999s. - To continue our journey through post-war archaeology, we will move to the decade of 1947, when mass excavations were carried out until the middle of the last century, in which 12 dwellings, 2 warehouses and 8 hectares of rice fields were discovered, from the Yayoi period dating back to 2000 years ago. - Also discovered: bronze bells, the site was rebuilt in 1951. Due to the construction of a motorway in 1965, more archaeological remains were unearthed, which is called salvage archaeology. At the end of 1999, further excavations were carried out in other parts of the country in Kyushu, Kinki and Tohoku until 2003. - I hope you liked it, I wish you a good week and see you in future publications from the land of the rising sun.

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More information: https://www.shizuoka-toromuseum.jp/zhcn/

[ka1rosnan]

꧁-La luz del mundo-꧂

Lee por favor: Apocalipsis 3:14-22

El evangelio en un año: Hechos 10:1-23

-He aquí, yo estoy a la puerta y llamo; si alguno oye mi voz y abre la puerta, entraré… (v. 20).-

Cada persona que te habla de Cristo es un toc-toc, cada mensaje que recibes en tu correo electrónico, whatsapp, Messenger, Facebook, Tumblr, Instagram, cada programa que miras en enlace TV, cada que escuchas una estación de radio Cristiana, cada que recibes un gesto de amabilidad de algún conocido o desconocido ese es un toc-toc, toc-toc…es Cristo usando personas, situaciones y escenarios diferentes para que abras la puerta…que significa “abrir la puerta”?, significa decirle adiós a la idolatría, a la hechicería, al adulterio, al alcohol, a las drogas y a todo aquello que a Cristo no perjudica pero que a nosotros los humanos si, es decir adiós y cerrar las puertas al enemigo de Cristo, abriendo la puerta cuando Él llegue a tocar, Dios espera con paciencia que le abras totalmente tu corazón…que tengas un lindo día y que Cristo siga bendiciendo tu vida y tu casa…

--Señor, gracias por el regalo de la salvación y por tu promesa de entrar cuando abramos la puerta. Ayúdame a responder a este regalo y a abrirte hoy la puerta--.

--Ábrele la puerta a Jesús; Él te espera con paciencia--.

te invito a leer la reflexión completa y otras más en nuestro sitio:

https://iglesiakayros.es.tl/

y redes sociales, gracias, shalom!

💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕

[whitesinhistory]

On July 31, 1963, almost a decade after Brown v. Board of Education prohibited racial segregation in public schools, the University of North Alabama, known at the time as Florence State College, denied admission to Wendell Gunn, a Black applicant, based solely on his race. The school’s rejection letter stated explicitly, “Neither the Alabama Legislature nor the State Board of Education ha[s] authorized the college to accept Negroes.”

UNA officials later admitted that it was evident from Mr. Gunn’s application that he had a “very good academic record.” At the time, Mr. Gunn was a chemistry major at Tennessee Agricultural & State Normal School, a historically Black college that later became Tennessee State University. Despite the fact that Mr. Gunn lived just 10 miles from UNA, he had been forced to attend college out-of-state because Alabama insisted on keeping its schools all-white.

Three weeks after being denied admission, Mr. Gunn filed suit in federal court. A U.S. District Judge ordered UNA to admit Mr. Gunn for the fall term, which began in September.

In response to the court order, white citizens in Alabama criticized UNA for discriminating in such a blatant, written form, rather than discriminating in the covert methods typically used. White citizens complained that the school’s actions “eliminated any chance of stalling tactics by school officials” and undermined “pieces of legislation carefully written to slow school integration.” Others predicted that Governor George Wallace would block Mr. Gunn’s admission by physical force, in defiance of the court order, as he attempted to do in June, when Black students Vivian Malone and James Hood integrated the University of Alabama. Due to the level of hostility in the white community and the potential for violence, UNA held a separate, after-hours enrollment session for Mr. Gunn, after white students left campus for the day on September 11.

Historically segregated public colleges in Alabama, like the University of North Alabama, which had been an all-white state-funded institution since 1830, declined to admit a single Black student in the nine years following Brown. Violent white resistance to integration necessitated federal intervention to protect Black students on multiple occasions in Alabama, but Alabama continued to defy federal integration orders, to deny admission to Black applicants, and to enforce discriminatory state laws that conflicted with the U.S. Constitution. To learn more about white resistance to integration in Alabama and across the country, read EJI’s report, Segregation in America.