#Throughout the entire trilogy

[scrambledd3ggss]

When I think of female rage I think of Pippa Fitz-Amobi finding out about Max Hastings being “innocent”. I think about her pouring coke on some jerks head and shoving one of her friends against the lockers and holding him by the throat for accusing her of lying. I think about her breaking windows and painting “Rapist I will get you” on Max’s door. I think of her shoving protesters and breaking signs at Stanley’s funeral.

[webley-art]

Wolf of the West and Bee

Also just a little aside, almost all of the paintings I've posted are for sale! Comissions are also open. Feel free to pm for more info!

[witchyvixie]

I keep thinking abt how what makes po the dragon warrior is literally just ADHD

[cozy-the-overlord]

Clone Wars makes this even funnier because in Slaves of the Republic there’s a scene that pays homage to the escape from Jabba scene (Anakin, Obi-Wan, and Ahsoka all hide their lightsabers in R2 and there’s a whole setup where Anakin mirrors Luke, Obi-Wan mirrors Han, Ahsoka mirrors Leia, and Rex mirrors Lando) except it fails so miserably. Everything that can go wrong does go wrong and they all get violently captured and separated and it takes the whole next episode to escape.

So I get such a kick out of the idea of R2 being approached by Luke with this plan that almost exactly mirrors this absolute disaster from like twenty five years earlier, and just kind of shrugging like “eh can’t get much worse than last time” and going along with it.

Or even better, R2 being the one to suggest it, going to Luke like “hey so your dad was in a semi similar situation back in the day and tried out this crazy nonsensical plan that failed in literally every possible way, but I still think it has potential worth revisiting because it would have looked so cool if it worked” and Luke was just like “AWESOME LETS DO IT”

[mekatrio]

hate these kind of posts sm

[wheatormeat]

If there's anything I've felt about ace attorney since playing through the original trilogy, it's how cheated I've felt about the fandom interpretation of it. Y'all were so caught up with your gay boys and your Miles Edgeworths I didn't realize how much of this game was about WOMEN. THE CORE OF ACE ATTORNEY IS IN ITS FEMALE CHARACTERS. From Mia jumpstarting Phoenix and guiding him throughout the whole trilogy even after her death, her presence being the primary connecter of Phoenix and Maya, Maya and Godot, heck even Dahlia and Iris and the whole lot of them. From Franziska's earnest faith and consolation of Miles Edgeworth, even begrudgingly, pulling him out the trauma of his childhood with the face to face confrontation of a bullet wound in the same spot as the man who killed his father. Lana and Ema dragging Phoenix back into the thing he does best. Lana and Ema who's tragic story lies in a pair of sisters ruined by the heinous law system and their unconditional love for each other. Dahlia and Iris with a different version of sisterly tragedy, struggling through generational trauma in separate settings and support systems. The matter of the Fey tradition looming over the entire narrative and all the legal and social terror that comes with it. CAN WE TALK ABOUT THE ACE ATTORNEY WOMEN.

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[your-local-granny]

okay before i forget. i've been trying to put my finger on why people saying phoenix and maya are 'sibling-coded' pisses me off so much and I think a big part of it is how important mia is to both their introduction and also the foundation of their relationship and how calling phoenix and maya 'siblings/sibling-coded' waters down all of their relationships

phoenix wishing that maya was mia is a very big part of maya's arc as well as a big sticking point in phoenix and maya's relationship. phoenix spends the majority of turnabout sisters wishing that 'the chief' was there and when maya fails to channel her he shows outward disappointment. this is something that maya obviously picks up on and internalizes as we see throughout the rest of the games. most notably maya shows remarkably little self-preservation, throwing herself at von Karma's taser and in contempt of court to help edgeworth (and by extent, phoenix). she openly admits to feeling useless when she can't channel mia and phoenix never refutes this out loud until he of course presents the bullet to her showing that she wasn't useless. phoenix is notably bad at expressing his thoughts/ and feelings so its honestly debatable whether this gets through to maya but thats neither here nor there

on the other side of it, maya wishes that phoenix would be the caring adult figure that she was missing for most of her life (and especially after mia dies) and phoenix does not do a great job of being that figure. he likes her sure, and they're good friends, but he's definitely not nurturing or sensitive whenever maya is in distress. at the end of turnabout sisters when mia tells maya to "take care of phoenix" for her, maya starts calling him nick (because that's what mia said phoenix's friend calls him) and their dynamic for the most part is solidified. maya is not able to find mia in phoenix and accepts him as his own person and a part of her life as a friend.

phoenix has a more complicated journey with viewing maya as her own person partially because of the whole spirit-channeling thing, and partially because maya is younger than both the chief and himself. phoenix is constantly looking to a mentor for guidance and feels out of his depth for most of the cases in the trilogy. he frequently wishes that mia could be there, and is shown to value maya's ideas less, or at the least question them more at face-value. nevertheless, by the second game phoenix relies on maya greatly as shown with how he copes (or fails to cope) with her absence in rfta and 2-4, and 3-5. phoenix views her as both an integral part of his life and support structure, but also views her as someone he has to put on a brave face for, much like pearls. maya is phoenix's young friend that he leans on and wishes to protect.

maya's love for her sister is a core theme that spans the entire trilogy and culminates in maya almost dying in 3-5. phoenix's love for mia is a constant driving force that pushes him past what he believed himself capable of, and encourages him to trust those who become those closest to him. phoenix and maya's relationship is colored by their own relationships to mia, and how they view each others relationship with mia. they both represent a part of her that they never knew as well as a part of her they can keep loving in her place after she is gone, but most importantly, neither of them will ever be mia. no one else can be maya's big sister and no one else can be phoenix's mentor. they meet each other as two strangers set adrift by the same lost mooring, and though they'll never be secure in the way they were before meeting each other, they have a friend to help keep themselves afloat.

[skydaemon]

Okay I’m awake again and something that really stood out to me with TSC was how different jean and neil are as protagonists. I expected they would be, but the thing I really noticed was how distinct their reactions were.

So, these books are HEAVY. There are many many traumatic events and the characters spend a lot of time in high-stress situations. Even when they’re not being attacked or threatened or XYZ, they’re often in a state of heightened physiological arousal (their sympathetic nervous system is going haywire). As a psychologist, the thing I find really interesting is that we see very different reactions that are all aligned with different adrenal responses, and I wanted to talk about it.

As a baseline, when your sympathetic nervous system is activated, you typically experience what some psychologists call the four Fs. Fight, flight, freeze, and/or fawn (some people use another word here but I don’t like it and think it’s less accurate to the situation). These can occur simultaneously or alone. And of the four characters who are most showing this response are the ones who are consistently in the highest stress situations, but who are also traumatised in such a way that even when they’re not actively in danger their sympathetic nervous system is overreactive and heightened.

So first off, we have Neil. He’s pretty clearly shown to have two responses: flight and fight. For his entire childhood, he’s been fleeing from danger and in the earlier parts of AFTG, we see this response - he tries to run as far as he can possibly get from anything that might be a risk. As a side point, this is pretty clearly a learned response from his mother. As Neil begins to feel more secure and his flight response is impeded (he can’t run away) we see the emergence of his other primary adrenal response - fight. I don’t feel like I need to explain this one, tbh, we’ve all seen how he runs his mouth. Fight is also typically shown when you believe you can defeat whatever’s threatening you, so I love what this says about how his confidence develops across the trilogy.

Then you have Andrew. He’s not a POV protagonist but I feel like his response might be the most obvious. His primary responses are fight and freeze (Andrew Minyard runs from/fawns for no man). Fight is pretty obvious - he’s a very violent person - but I feel like the most clear example of this is stopping Riko from attacking Neil. Andrew is obviously wired and his instinctive response is to protect. I love that for him. His other primary response, unfortunately, is freeze. Based on the most obvious time we see it (during Drake's attack), this is probably a response he developed as a child, before he felt strong/safe enough to fight back. God, these books make me sad sometimes.

Next is Kevin. He has a slightly more varied response - i can see the argument for him freezing, although i wouldnt say it's a primary response - but his main two responses are fight and fawn. Fight isn't necessarily literal, btw - the most obvious example is covering his tattoo. His fawn response is slightly more expanded on in TSC (mild spoilers if you haven't read that yet) when we see him responding to Riko's attack by begging first Riko and then Jean to intercede and stop the violence. he's trying to appeal to their affection for him, which is absolutely heartbreaking. Kevin i love you.

And finally, we have Jean, whose primary responses are only really made clear in TSC, although they are backed up by his appearances in the trilogy - freeze and fawn. We see freezing in Jean's response to sympathetic nervous system arousal, often from hearing about or recalling upsetting events/information. He closes in on himself and becomes unresponsive. Fawn is slightly more complicated, as we see it somewhat throughout AFTG. when he's loyal to riko and doing things he thinks riko will like in hopes of reducing any potential pain/threat he will experience, i'd call that fawning. an example at usc is him getting on his knees and handing coach rhemann his racket - he's not just submitting to punishment, he's trying to be helpful and well-behaved in hopes of lessening it. it's honestly a really strong response from him and it absolutely breaks my heart. jean in tsc is really struggling and i hope the last book brings him some peace. i also find it really painful that he's the only one of these boys without a fight response - he's never felt capable of winning against his abusers. i really hope the trojans and bee are able to help change that.

[snailwitdamail2]

if this doesn't happen what's the point of these new movies honestly

Noa is Caesar's descendant this. Mae is an astronaut that. Ya know what i really want in Kingdom? Grape juice plus.

Bonus points if this time around, an ape is the one to introduce it to a human.

[ohnoitstbskyen]

Since I asked you about Sephiroth, I also wanted to ask about what you think of Aerith’s character and her characterization throughout the franchise.

Hhh oh god. Yeah.

So, again, Aerith begins in Final Fantasy VII as a seemingly intentional semi-subversion of the Princess Holy Maiden White Mage JRPG trope.

Mechanically she is absolutely a classic white mage, but she's also a street kid with way more life experience than Cloud, who both connects instantly with him due to his similarities with Zack, her dead ex (because, of course, Cloud is directly copying Zack's entire personality), but she also notably pushes back against him, and repeatedly refuses to let him treat her like a damsel in distress, and takes direct agency over where the story is going and what's going to happen.

As she becomes more and more conscious of her Magic Special Lineage, she changes, of course, and... arguably falls a bit more into a straight rendition of the Holy Maiden trope. Albeit I have always quite loved the reveal that Aerith isn't killed by Sephiroth just as a big tragic fridging to advance the story through Cloud's pain, but as an intentional gambit on her part to ultimately defeat the villain. The translation of the game is famously a bit wonky, but my reading of the story is that she

realizes that Sephiroth is manipulating Cloud as his primary agent in the world and that she needs to get away from him

realizes that in order to cast Holy and defeat Meteor she needs to enter the Lifestream, so

she manipulates Jenova/Sephiroth into killing her in the one place on the Planet that has the strongest connection with the Ancients so she can take advantage of their knowledge to figure out how to make Holy work.

It also kinda seems to me like she realizes that Cloud is the best chance the planet has of a champion who can defeat Sephiroth and unblock the Lifestream for the Holy spell, and maybe she sacrifices herself in part in the hopes of breaking Cloud out of Sephiroth's influence. which, yeah, that is definitely some fridging-trope nonsense.

The original game absolutely isn't perfect on how it handles it, but Aerith is (especially for the late 90s) a remarkably active player in the story, with a lot of agency entirely separate from the male protagonist, who comes into a role that requires her to separate herself from the main party and go off to set her own plans into motion.

I am overall less fond of how she got portrayed in media after the original FF7, where she really did seem to get boxed into an entirely unironic Holy Maiden trope - especially by Advent Children which casts her as a literal lover/mother to Cloud, whose especially pure and holy influence heals the blight of Geostigma once her darling Cloud overcomes his personal conflict. And certainly, a lot of portrayals of Aerith I've seen tend to focus way more on her mystical, divine Cetra Chosen One-ness than on her actual upbringing as a scrappy sassy street kid.

The Remake games... have generally walked the line okay, I think? Aerith with the steel chair might genuinely be my favourite gif from any videogame ever,

(she's just so happy to be beating the shit out of this man)

although I do feel like her portrayal in those games make her a bit too much of a Love Interest To The Protagonist character. I feel the balance in the original focused a lot more on her coming into an understanding of her role in the story separate from her attachment to Cloud, but I also have massive nostalgia glasses on my face about Final Fantasy VII, so I recognize that I am biased here.

I'm curious how the Remake trilogy, which is a wild metacommentary on the legacy of its own original, will ultimately handle her, and I really do hope it doesn't confuse the idea of a "good ending" for Aerith with the idea of being romantically paired up to a male character, or with the idea of literal or metaphorical motherhood or some other bioessentialist nonsense.

[sir-davey]

Need to take a moment to talk about these books I have lol.

These books about David/Jonathan, I love and hate. Idk, like, I just can’t point out exactly, it’s probably the way David/Jonathan are depicted, but it really does frustrate me a little while reading this David/Jonathan trilogy.

It’s genuinely written well, like the writing isn’t corny or overly detailed lol. But it’s written with a Christian perspective, so David and Jonathan aren’t gay in this (sigh). 😞 But in these books, usually each chapter goes back and forth from Jonathan and David’s pov, and I love that.

The first two books are in David and Jonathan’s pov, but in the third book “My Father the King”, it’s in David and Mephibosheth’s pov. I get a lot of inspo for Mephi’s story from this book, but I actually have yet to finish the book because I’m too scared to finish 😭 (it’s literally just like my situation with the Prince’s Psalm atm lmaoo)

But just from reading the first two books, it’s so obviously written for them to be in love. The books are literally about their relationship. David and Jonathan meets, they connect, they share their deepest secrets and feelings, they fight side by side, and David even saves Jonathan from dying in battle!! Jonathan gets shot by arrows, and David wouldn’t stop visiting him. And you know what, Jonathan also saves David from dying in battle! And there’s a moment where David and Jonathan finds a waterfall, and Jonathan would playfully shove David into the water, and they would swim together on a cool night, just like the Simba and Nala water scene from The Lion King with “Can You Feel the Love Tonight” playing in the background if you know what I mean 😭 like AAAABABBAAAKSK, and throughout the books, even in the third book, David won’t stop yapping about how he constantly sees Jonathan in his dreams, as well as Jonathan who can’t get David out of his mind 😭 LIKE- NAHHH ☠️ hello??? Yeah, they’re definitely not in love or something… 🤔

But you know what, reading these books frustrated me so much.. The author made sure to constantly pull out the “we’re just friends!” card, so often 💀 it honestly doesn’t make sense to me ngl, from they way wanted to depict David and Jonathan’s relationship. Let me just say- if you’re going to dedicate an entire trilogy about David and Jonathan’s relationship only… there’s no fucking way you can pull it off as them just being “friends”, idk, it’s just not possible to me. The author would do this by, of course, “giving them a wife tactic”, but literally in the book, they cared more about each other than their wives LOL.

But yeah, my little review of this trilogy that I’ve been wanting to talk about. You can always check it out for yourself, I’d say I only recommend it if you like David retellings in general and if you want some Jonathan angst. Not kidding with the Jonathan angst 😭 he is so angsty in the books and a literal punching bag because every bad thing would happen to him. Like I would read about David going on some adventure, and when I turn to the next chapter, Jonathan is absolutely doomed by something 😭

And also, if you can handle the random preaching in the books where David breaks the forth wall and says that G-d is awesome or something and Jesus is coming, y’know, then perhaps you’ll enjoy the series 👍 (or maybe not)

[this-tastes-lemony]

Falsettos Food Theory

Okay so someone asked what this is and I really wanna explain! So the falsettos food theory is that food represents love throughout the Marvin trilogy.

In the show, In Trousers, Marvin is very strict about what kind of food he wants, and he gets very upset when he doesn’t get it imminently or the way he wants. For example, in the song ‘How Marvin Eats his Breakfast” there is the lyric,

“No one looks busy in this kitchen

And my breakfast isn't ready

And my stomach aches.”

This is in reference to that no one at that moment is giving him the love that he wants, and that he aches for it. Later in the song he also says ,

“I don't want miracles from heaven

Just some eggies over spinach over toast

No, I will not apologize!

She should win a prize:

Very best emoting

That girl can't cook”

When he says the first line he doesn’t literally mean he just wants a basic breakfast, he means that he doesn’t want much, he just wants to feel loved. By saving “that girl can’t cook” he doesn’t mean she’s lousy at making food, he means that she doesn’t give him the kind of love that he wants. One of the other ladies says

“maybe she can’t cook, but have you seen her milk a cow?” Implying that sexually she “provides” to Marvin, even if he doesn’t romantically like her (obviously this means nothing, just because they can be sexually active does not mean that it is love).

Another one is in Whizzer Going Down he says,

“he hates my wife

I hate his food”.

He’s saying he hates when Whizzer shows him love because he is not ready to accept the fact that he can be loved and he can love another man.

There are many more references of this in the show In Trousers and if anyone wants to hear them I’ll gladly go into it in another post!!

The ones in Falsettos are even more obvious references to love. In the song Tight Knit Family, Marvin sings,

“We all eat as one

Wife, friend, and son

And I sing out as they cook

I love my tight-knit family

I love the way they cook linguine”

They all eat as one meaning they are all receiving love from one another, even if it isn’t good. The next line being “I sing out as they cook” (singing out meaning to say or shout something loudly, most likely implying the unhealthy relationship he’s in with his family) this line is saying that while they provide him love and what ever he asks, he continues to complain about it.

However, in the next line he says “I love the way they cook linguine” which is a considered normal traditional meal for a lot people. This is showing that he enjoys when they provide him with basic normal love, instead of arguing or disagreeing with him.

Another reference later on in the musical is in the ENTIRETY of the song “This Had Better Come To A Stop”. The first set of unique lyrics though is what I’ll cover.

“Whizzer's supposed to always be here

Making dinner, set to screw

That's what pretty boys should do

Check their hairlines, make the dinner

And love me”

This is saying that Whizzer is supposed to always be at Marvin’s command, loving him and giving himself to Marvin sexually at all times. He mentions making dinner twice in these lyrics, again implying that he doesn’t want Whizzers love unless it’s later in the day once he’s gotten his love from his other family ( breakfast specifically).

Another general reference to food equaling love is Cordelia’s entire character. All she does throughout the show is provide food and such to the characters, this being her giving them constant love. Since Cordelia was giving Marvin so much food (presumably) during the two year gap during intermission, we can assume that her unique and (sometimes) not so great food taught him that he doesn’t always get to choose what to eat, but that he should be greatful someone is cooking for him anyway. I think Cordelia is one of the most amazing characters in the story.

For all of the song “Days Like This” she’s trying to get Whizzer to eat something, meaning she’s trying to share her love with him.

In the song “Jason’s Bar Mitzvah”, Dr. Charlotte says

“She's cooked for some 200 guests

[CORDELIA]

We number not that many

Actually... we're seven”

This shows that she has provided so much love for all of these people, even though there’s only seven. Only a couple lines later, she tries the food Cordelia made, and says that the food “tastes really yummy.” (in the pro shot Trina nods her head to agree).

This is important to me because it shows that Cordelia finally found a way to show/express her love with the rest of the characters, and have them reciprocate it for the first time on stage, showing that they are all at peace and finally love each other.

Just like in trousers there are hundreds of more references in Falsettos so if any of you would like me to go more into it I’d be happy to!

This is all speculation of course, we don’t know if any of this was intentional, buts it’s by far my favorite thing to talk about that’s falsettos related. Hope you enjoyed reading!

[punkpandapatrixk]

💫Current aenergy Check-In ♦︎ Timeless Pick A Card

You’re done learning, right? Where are you going? What are you getting? Your wish fulfilment, your karmic/cosmic rewards, your Life Purpose and self-actualisation, your raison d'être; everything becomes ever clearer from here.

Just a reminder, the term ‘Life Purpose’ may seem heavy and serious and all, but the truth of the matter is, everybody’s purpose for being born here is to remember to have a good time! Time you stopped being a slave to the pigs of capitalism XD

In you lies the power to cause a miracle to stir🍻

Miracles for all begin when a bunch of individuals believe in their innate magick. As the percentage goes up the whole world gets lifted. If this reading has appeared in your Interface of Reality, know that you’re well on your way to manifesting your Highest Intended Good.

The peeps who are going to resonate most with this PAC are probably those that have been walking a thorny path of spiritual awakening. You’ve sacrificed so much just for Humanity; damn, this world doesn’t even deserve a Soul like yours. But your happiness is just about to burst like crazy.

And even in your living your happy life you’re serving this Matrix. When you’re happy and spiritually fulfilled, the sounds, the cheers that you make, will echo throughout the world. This Matrix becomes a happier place with more happy people in it.

Where are you going? What are you getting? I didn’t put a year on this reading, so that whenever you find this in the future, that’s the timeline you’re on~

SONG: この星のどこかで (kono hoshi no dokoka de; Somewhere in This Star) from DORAEMON Nobita’s Legend of the Sun King

MOVIES: The Lord of the Rings trilogy LMAO

deck-bottom: Page of Pentacles Rx, Gold Physician (Hippocrates), Priestess of Wishes

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – It’s Perfectly Safe to Follow the Love in Your Heart

VIBE: Merry & Pippin, Arwen

how you’re doing so far – Knight of Cups

Of all the Piles, you seem to have been on a strict path of following your heart. It’s like, you’ve been being showered by so many signs and synchronicities by your Higher Self and team of Spirit Guides. I’m not sure if this is because you came from a rather lax background or if you’ve had to fight for your freedom, but you’ve definitely been following your heart towards a sense of autonomy.

The thing is, that adventurer spirit of yours might have caused you to come face to face with some dangerous situations or perhaps you’ve been met with some catastrophic failures along the way. I think you became somewhat scared of following your heart now due to such past experiences. You know there’s that quote that says: ‘I’m not following my heart anymore. That bitch gives bad directions.’

Up until fairly recently you could’ve thought like that, for a bit maybe. But I think you know deep down that such a statement is not entirely correct. I think you know that following your heart, although it’s met you with some crazy adventures, has shown you the path to total liberation. Aren’t you glad you’ve been able to carve out an existence of your own~?

rest of the year – Ace of Pentacles Rx

This card being in reverse, one might think… ‘What? I won’t have money until the rest of the year?!’ It’s not like that. This is saying you’ve paid everything forward. For a number of years now you’ve been working so hard on all planes of your existence. It’s unimaginable to most people just how much ‘work’ you’ve worked to make things work! They’ll never understand it because in their eyes, there hasn’t been much, if at all, result that you’ve managed to produce.

It kinda didn’t make sense just how little the Universe was giving you for all the spiritual and inner work you’ve done on yourself. I think you could’ve felt cursed or something. Abandoned by all the forces of Light or something. So, I don’t know why it’s had to be like that, maybe some spiritual challenge or another, but you’ve paid all of that hard work in advance. Your good will didn’t go unnoticed, OK? All that you’ve prayed for and dreamt of, the Universe has a record of all of that.

The rest of this year? Please don’t work hard anymore. Don’t be afraid of the other shoe dropping. You’ve paid it all forward. The rest of this year is where your story takes a turn. Your riches are coming effortlessly. You can eat all you want when you want. You can sleep as much as you want to recover from prolonged stress. You can simply blink and your money bags are still going to refill faster than you can spend. Rejoice, baby~!

where you’re going from here – King of Swords Rx

It seems to me that your ‘previous Life’ was one where you had to live with the utmost logic. You thought and analysed everything so hard. You played by the book. You followed all the rules. You were a law-abiding citizen. But logic…I think now you know that logic only gets in the way of magic. That’s what your Higher Self and team of Spirit Guides wanted you to unlearn.

I know it’s been so hard, but it all ends here. You’ve graduated all of those hard lessons of unlearning and relearning what it means to be a Divine Human on Gaia. You’ve learnt to trust yourself! You’ve learnt to distinguish between your ego misleading you and your heart guiding you. There is so much that you can teach other people, you know. Teach them how to navigate their fears. And you’re an example of how that can be done, because you’ve crawled through hell and back again triumphant.

From here, your Life will be nothing short of magical events and encounters back-to-back again. You’re back on your natural high-frequency again. Welcome back. In fact, it’s already playing out serendipitously in recent weeks, hasn’t it? Do not fear the other shoe dropping; you’re floating now! It’s safe for you to glide where your heart is guiding you~ This is exactly where your story takes a turn. Congratulations, Champion!

CURRENTS🔻🧡

fare thee well – Silver Astronomer (Galileo Galilei)

Life’s grand adventures – Priestess of Inspiration

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – Don’t You See the Sun Already Peeking from Your Window?

VIBE: Sam & Frodo, Galadriel

how you’re doing so far – XIX The Sun Rx

‘Bad things only happen to me because I’m the main character, so it’s only part of the plot.’ This is the first thing that comes to mind as I tap into your aenergy. My gosh, this card here is telling me you haven’t had a single day of sunshine for a stupidly long time. You’ve had to go through a Sam & Frodo arc, it seems. Walking barefoot to Mordor to destroy some evil old paradigm that you’ve likely inherited from a stupid part of your bloodline.

An ancestor some lines back, some time, some when, some where, fucked up big time and you’re fixing shit for everybody. Just like those little Hobbits who totally ain’t got any relation to some war 3000 years prior but they’re the ones suffering the MOST the entire story! XD It’s kinda been like that for you for some time now. My god, I feel for you! But, the fact that this card has appeared here only means that things are turning around for you :D Your eternal sunshine is rising!

Well, haven’t you noticed that its ray can already be seen from your window? Hasn’t it got warmer even the slightest bit now? Things have gotten significantly easier even if they’re only small improvements, right? You’re currently travelling back to Rivendell on the backs of the Great Eagles. It’s easy-peasy from now. You can relax. Take a deep breath. Breathe in that chlorophyll from the Nature around you~! XD

rest of the year – 5 of Pentacles

What a strange card to appear here, but this is essentially saying that you’re rebuilding what’s been broken and reclaiming what’s been stolen. Your whole world—your ‘normal’—was destroyed by some forces and you had to unlearn what you took for granted as ‘reality’, and again, relearn what it means to be a Divine You whilst existing in society. All that was destroyed, stolen from you…none of it was the real you anyway. So it’s okay that it all disappeared.

You were able to discover the pure gem that is the real you that was hidden beneath those ‘identities’, habits, customs, norms, and everything else you were told you should be, when in reality, you were always somewhat different somewhere deep in your psyche. You weren’t like everybody else and you didn’t even want the things they wanted. But you conformed because it was a matter of survival.

Rest of this year, you’re still going to heal from all of that bullshit. More like, healing from the aftermath of fighting for your true Divine Identity as your I AM essence. The rest of the year, you’re healing more than doing or jumping to the next adventure. All good Souls deserve a good rest after a good battle! You’ve won against the Matrix; you’ve won against society and/or tradition. For now, celebrate this huge win~

where you’re going from here – Ace of Cups Rx

After this healing period, I see that you’re only beginning to find your bearing again in the world. It’s OK that these things take time. All good things take time to rebuild. If you want to speed up your manifestation with subliminals, try those that contain perfect self-concept affirmations to solidify your sense of self-worth ;P The Sun is rising and it’s getting brighter and bigger in your world.

Soon, you won’t even remember being this gloomy creature that you’ve been for a while. I see that in time, you’ll find yourself being creative again, being motivated, and clear about what you want and can do in this world. So many of your natural talents are going to burst out of you, making you work endlessly for a goal that truly matters. So as you can see, cherish this healing phase.

The solitude you’re in now is serving your highest good. This time is making space for you to heal, rehab, grow (or grow back), and release even more remnants of your old self, old world. This isn’t going to last forever and if you can heal in quiet, isn’t that ideal? Nobody’s gonna know you in this healing phase that sometimes can get a little awkward, cringe, or downright ugly XD

CURRENTS🔻💙

fare thee well – Silver Astrologer (John Dee)

Life’s grand adventures – Priestess of Healing

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – In the Full Embrace of Your Higher Self, Spirit Guides and Cosmic Ancestors, Go Forward!

VIBE: Aragorn & Legolas, Gandalf the White

how you’re doing so far – 4 of Swords Rx

Of all the Piles, yours carries the strongest feeling of ‘action’. You’re being carried somewhere more suitable for your frequency. In many ways, you’re also being carried where you’re needed. This can differ for everybody but the majority of you will still feel a sense of calm and belonging though. So it isn’t like you’re being thrown into a war zone just because you have the capacity to fend off enemies or heal wounded soldiers XD

Not like that. Not really. This aenergy is a bit convoluted… But basically, up until now you’ve been a fighter of sort, just like Aragorn, Legolas and Gandalf. Fighting for something important, defending causes that matter. Up until then, you were Gandalf the Grey, and then at some point you died, and now you’ve been reborn as Gandalf the White. That’s about the gist of how you’ve been doing.

Sooner than later, the forces of the Universe are going to make you move places or jobs. There’s a strong sense of being moved to a different location. But if that doesn’t resonate, you could be improving your house or like there’s this sense of a change of scenery, one way or another. It’s deeply needed. You’ve been breathing in muddy waters, you know.

rest of the year – XX The Last Judgement Rx

The fact that your cards are all in reverse is indicating a waiting period until you’re thrown into your next mission. Yeah, like Gandalf the Grey in waiting to become Gandalf the White. Rest of the year you’re gaining momentum. I think you could be hearing some good news from something you’ve applied for? Or this could signify the advent of a once-in-a-lifetime kind of opportunity suddenly presenting itself to you.

The clarion call is clarioning LOL This is why I think you’re being called to a different place, but if not, then a higher plane of existence. So this could also mean a job promotion or a new, improved way to earn your keep. There is a sense of finally serving your highest purpose with a talent or spiritual gift you’ve been refining, polishing in recent years. You could be healing people in ways that don’t necessarily look like ‘healing’.

You know? You could be elevating other people’s spirits and helping them transmute their own bullshit by just allowing them to connect or work with you. If this is your main pile, you’re definitely an aenergy worker. A spirit worker. Maybe even a miracle worker. All thanks to your insanely high-frequency. Babe, you ain’t even in this realm anymore XD

where you’re going from here – Page of Cups

I feel very strongly that you’re someone who possesses wisdom beyond the mundane. You’re practical, you’re sensible, but you’re so Universal that all your wisdom is timeless. You’re someone who has the ability to connect with all peoples; young and old, female and male, rich and poor, famous and regular, what have you. Your words reverberate through the ages.

I feel that you’re somebody who holds timeless wisdom and not just ancient or occult. Your highest religion, so to speak, is Love and Respect for all people. So, no matter what you have to say and share with the world, most people will be able to see that you come from the highest place of Love. That you possess the desire to heal and empower all people.

That said, you’re going to be put in a place where you can connect with all kinds of people, all for you to inspire Love in them. Yes, Love, and it comes in all kinds of different ways, right? First and foremost, I see that you’re someone who can teach people how to love themselves first. How they can expect more, better, for themselves. And only true Love can provide that sense of fulfilment.

Old people are going to be rejuvenated by you. Young people are going to be inspired by you. That’s your superpower that needs to be witnessed by the world <3

CURRENTS🔻💚

fare thee well – Red Astronomer (Johannes Kepler)

Life’s grand adventures – Priestess of Contemplation

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

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[rillils]

some days i'm okay, and then i remember that not only are steve and bucky so in love it hurts, not only are they best-friends-since-childhood, inseparable by definition, they are first and foremost family. and not by blood either - they found each other. they chose each other.

and that's literally all they've been telling each other throughout the entire fucking trilogy

“I choose you”

“I choose you”

“I choose you”

“I choose you”

“I choose you”

“I choose you”

“I choose you”

“I choose you”

AND BY THIS POINT I'M NOT OKAY ANYMORE

[evellynssocbrainrot]

I really wanted to make a post for Nina and Inej, so here I go.

Inej and Nina are genuinely one of my favorite dynamics in all of literature. Especially concerning a friendship with two girls, I think it's safe to say that these two take the crown for being by far the best. Trust me when I say that I've seen far too much media in which I've been thoroughly disappointed with the f/f friendship. (The most recent examples for me are the Grisha trilogy and The Cruel Prince)

Inej and Nina are two girls who likely got along from the get go. One never had an open or secretive grudge against the other. Their scenes in SOC on the Ferolind are so so so heartwarming and sweet. You won't believe the smile that came to my face when Nina burst out crying for Inej's wellbeing, when Inej told her to sing to provide a distraction from her thoughts, when despite Nina's awful voice, Inej did not judge but instead sang with her, when they were so honest and open with each other.

And the best part was that they remained that way throughout the whole series. They were the epitome of true best friends as they always had each other's back, they encourage each other's personal goals, they respect one another and even support each other's relationship with their respective love interests simply for each other's happiness. It's sickeningly adorable and it means the entire world to me.

I will never romantically ship these two. One because I am very loyal to Kanej and Helnik :3. Two because I'm not really a multi shipper. And three, the most important of all, is because their friendship is so beautiful, I don't want anything to ruin it. Not even romance. I mean, especially not romance. I don't like romanticizing every single dynamic I see or read. Like I said, what they have as best friends is one of the most gorgeous and realistic things I have ever read. I even see myself with my own friends in them so I don't want anything to take that away.