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#This was the process I went about when animating myself and I think it looks quite great! šŸ’™
stardestroyer81 Ā· 2 years
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Y'all wanna watch Star TV?
Perhaps one of my favorite aspects of Pizza Tower is the TV HUD element, which shows our portly paisano's reactions to pretty much everything that happens to him in-game (For better or for worse), and given that I've drawn myself in the game's style, I wanted to attempt making a HUD TV for myself on top of practicing Pizza Tower's trademark wiggly lineart animation! šŸ’™šŸ•āœØ
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zosanbrainrot Ā· 23 days
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part 06!! and the end of Act 1
01 02 03 04 05 06
OK SO THAT'S THAT
I don't have anything else storyboarded right now, I have the dialogues for Act 3 written down, but for the 2nd Act I'm gonna have to rewatch parts of WCI. I'm also thinking of a different approach, more like a series of illustrations not a comic, but idk yet, I'll have to rewatch and see!
It's not like I'm actually using a 3 Act structure as in 'a method of writing a story', I don't know how to and I haven't tried learning that (YET). I just think its neat and reflects how I divided my artistic process. I've always seen this story in my head as 3 parts.
And before I delve into part 06, I can't stop myself from saying that....... part 05 really needed another closeup on Sanji's face. If I ever try and repost it to another site then maybe I'll add it (between the panels of Ichiji & Zoro and the closeup on the spear, it would help the rythym but also strengthen the emotional connection, before Sanji shuts himself off)
Anyhow part 06
Most panels were a breeze, but the last two, my god, I just couldn't get them right for the longest time. In the end my favourite panels are the closeups of Luffy and Nami, I should really draw them more.
Here's how this panel in particular went:
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I did like how the pose was looking in my first rough pass, the face is scrunched, the shoulders are high with tension, the direction is consistent
Couldn't execute it though... I think in the first rough sketch the camera is looking at Luffy slightly from above? Like he's leaning into it. That's why the shoulders can be so high up, but I didn't realize what it was when trying to clean it. So when cleaning the sketch I drew the head on the same level as the camera which made the whole pose look flat, also in this weird angle, like it's not fully 3/4, but it's not facing forwards either.
I didn't know what wasn't working, so I doubled down and tried with the lineart, but it didn't magically help. It just looks like he's slouching.
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4. so I tried to rethink the pose and commit to a 3/4 view. I like that more of the neck is visible now, you can feel that he's leaning forward with the scream, but I think I could have pushed it a bit more still
5. with linework I made some small changes, like a bit shorter hair, smaller nose and the eyes pushed back a bit. I also added the scratches and filled in the black parts
6. added flat colors & shading!
Last panel with Sanji was even harder to draw hehe
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so I thought this would be easy bcs I wanted to basically redraw the panel from the anime
that's why my rough sketch was extremely rough, I didn't think about it much
and then I had so much trouble with it lmao You'd think that it would be easier when you're covering the character's face, but I was in this undecided space of on one hand wanting to show the pain on Sanji's face and staying truthful to the anime scene on the other. I also found it super diffucult to show the emotions without the eyes
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4. The pose in 3. also wasn't working so I tried to make him more slouched, like he's curling in on himself more, it was definitely a better direction. I tried going into lineart from here but I didn't like how the fingers were turning out
5. So I decided to get a new ref and took a picture of how I'd make this gesture myself. With this pose I also changed the position and angle of the face slightly, bcs it would have created a very small space between the hand and the nose and I wanted the two shapes to connect
6. I really liked the hand, but was having trouble with the hair, it felt too short, still couldn't get the face right either
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7. so I elongated the hair and worked on the face some more and was finally happy with what I had!
8. added colors! At first I had it colored like the other panels, color just on Sanji then gradient on the bottom helping it fade to black, but it wasn't sitting well with me. Maybe because the space above his head was too big and I didn't want to have a background here and also wasn't adding the little floating pieces to the carriage scene (these were reserved for the grass battlefield)
9. SO! I made Sanji's figure darker and also added a darker shade to the whole scene and I think it ended up working really nice. Like he's drowning in the darkness, the only element piercing through it are Luffy's words. It also just fills up the space better lmao, feels less empty visually
Its gonna be A WHILE, before I have updates for this, I'm gonna have to start with the rewatch anyway. Right now I'm gonna have to focus on finishing my extra pieces for the @rdtriozine !! If any of you read this far you may as well check it out lmao I have a full illustration spread there and gonna have spots for a fic too ā¤ļø I just need to draw them!!! AGHHHH
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foldingfittedsheets Ā· 7 months
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In the bloom of my youth I found myself on an evening with my best friend in the park. We were young and it was a beautiful warm summer night to be out. At sixteen in a small rural town our options for entertainment were limited but it had been a good day.
Park is a somewhat generous term for the locale, what it amounted to was a cleared space with some planters and bushes, a tiny podium, and a square of trees round the perimeter. We had been hanging about with our friend who needed to leave, and waiting to be picked up ourselves, carless plebeians that we were.
So there we were, two teen girls in the park alone as the last of the light faded. Neither of us had cellphones, and my nana was collecting us right from the park as weā€™d agreed earlier. We were in no hurry, knowing sheā€™d arrive when she arrived.
Until my friend said, ā€œWhat was that?ā€
I looked up to where she was pointing but I didnā€™t see anything. ā€œWhat?ā€ I asked.
ā€œI think it wasā€¦ someone streaking?ā€
It was absurd to think. Our little town, tiny and rural as it was, with a streaker. But I loved my friend, so instead of laughing I said, ā€œLetā€™s go see.ā€
Iā€™m not sure what I thought it was, but I was confident sheā€™d be less nervous if we investigated and found a plastic bag or a jogger in white. And Iā€™ll admit I was curious at this anomaly. We made our way across the park to where sheā€™d pointed.
Thatā€™s when I saw it too. A flash of pale skin under the streetlights, moving too quickly through the shadows and shrubs to see clearly. My friend clung to my arm, shrinking in on herself and I felt the first twitch of fear. Investigating no longer seemed like the thing to do.
I was determined to protect her from whatever was lurking, so I changed course and started cutting away from the movement, heading for the small shopping center not too far outside the park.
Our progress was suddenly arrested as the mysterious figure launched into our path. A man crouched on the pavement before us, fully nude except for a loincloth. His hair was in white people dreads. It was in every way like Tarzan had stepped out of the animated movie into real life.
My friends fingers were digging painfully into my arm and we stood stock still, staring at this bizarre apparition. He was still a good fifteen feet away from us. He stared back, making soft simian ā€œooh oohā€ sounds.
I was struggling to process that a man in a loin cloth was right there when he started to move toward us. It was in his monkey half crouch, a few shambling steps, slow, with his eyes fixed on us.
ā€œLeave us alone!ā€ I declared.
He stopped, tilting his head this way and that. Then shifted like he would take another step.
I was fully afraid now, but I was also furious that he was menacing us and scaring my friend. I dropped her arm, marching forward with wrath in my eyes and said, ā€œGet out of here before we call the cops!ā€
At my approach he turned and bolted back into the bushes. I whipped around and zipped back toward my friend, grabbing her arm and power walking us out of there. We arrived at the nearest business and darted inside, conveying what had just happened in garbled snippets.
The workers were outraged to hear our story. They let me call my nana to tell her where we were, then asked if weā€™d like to call the police. I shook my head. I emphatically did not want to deal with the police.
In the safety of the store my fear had started to feel ridiculous. It was probably just some bored prankster.
As we waited for my nana my friend quietly admitted she would rather liked to have called the cops. I apologized for not asking. We lapsed into silence. She said, ā€œI canā€™t believe you went toward him.ā€
I couldnā€™t either. I didnā€™t remember planning on it, only I wanted to be between him and my friend. ā€œDo you think he was crazy or was it just a prank?ā€
She shook her head. She didnā€™t know either. All these years later I still donā€™t really know what happened that night. If he was on a dare, or cosplaying Tarzan for fun, or if he was unwell. A lot of the details have hazed over with time but the utter dissonance of seeing a man in a loin cloth pop out of the bushes is seared into me.
I also remember back then, in a whisper both scandalized and fascinated, my friend admitting, ā€œI saw his penis.ā€
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art Ā· 6 months
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Creator Spotlight: @chaaistheanswer
Hi everyone! I am Clara, but you can also call me chaa! I am a digital artist based in Auckland, New Zealand, with a bachelorā€™s degree in Creative Media Production. After graduating from uni, I moved out to pursue my art career and Iā€™ve been a freelance digital artist ever since. I love concept art, especially character design! Creating characters influenced by my love for fantasy is what I live for. Thank you for stopping by, and I hope you enjoyed my art! And thank you, Tumblr, for this opportunity!
Check out our interview with Clara below!
Did you originally have a background in art? If not, how did you start?
I specialized in art in high school and have a bachelorā€™s degree in Creative Media Production from Massey University with an animation pathway. For our thesis film, which I worked on with several of my classmates, I took on the role of producer, art director, and concept artist. Our short film was featured in the Wellington Film Festival Terror-Fi in 2020. After graduating, I went on to become a freelance artist, but my goal is to work for the gaming industry as a character concept artist. Ever since I first picked up a pencil, I knew I wanted to become an artist!
Have you ever had an art block? If so, how did you overcome it?
Art block is quite common among artists, and unfortunately, I too have fallen prey to the affliction. I have several ways of overcoming art block: watching movies, playing games, reading, or going out for a drive with my sister. These are just a few things I love to do to help keep my creative juices flowing!
What is one habit you find yourself doing a lot as an artist?
I tend to obsessively research about completely unrelated topics while I draw. I find learning new things helps improve my concept designs, especially in creating backgrounds for my characters.
Over the years as an artist, what were your biggest inspirations behind your creativity?
Video games and anime were my biggest inspirations! Anything with a captivating story thatā€™ll send me to the edge of my seat, and loveable characters. Iā€™m particularly drawn to high and dark fantasy.
How has technology changed the way you approach your work?
Technology has made a huge impact on us artists over the last few years. I used to draw a lot on paper, but since getting a tablet, I find myself searching for the undo and redo buttons and even trying to zoom constantly while I draw on paper. I used to only draw for myself as well, but after posting my art online, I now have an audience to whom I can share my art. Because of this, I am able to earn a living doing what I love by creating illustrations for clients.
What is a recent creative project that you are proud of?
I am very proud of this recent commission Iā€™ve done for a client! Fortunately, the piece turned out exactly how I wanted it to look, and my client was very happy with the result. I am also in the process of working on a Webtoon, which is going as smoothly as I hoped it would be before its re-release!
What advice would you give to younger you about making art that's personal or truthful to your own experiences?
The best advice I would give my younger self is to never hold back! Try not to think about the negatives of creating and sharing art that you believe in. Embrace vulnerability, and donā€™t be afraid to dig deep into your own emotions and experiences. Always explore, and donā€™t limit yourself to your own bubble. And most important of all, stay true to yourself! Stay true to your values and beliefs, and never compromise your own authenticity for the sake of pleasing others. Your art is a reflection of you as a person.
Who on Tumblr inspires you and why?
@yuumei-artĀ has been an inspiration to me since my early Deviantart days. I admire how she uses her skills to focus on environmentalism and cyber activism. @nipuniĀ is another inspiration of mine. I found her when I was in the process of recovering fromĀ Dragon AgeĀ Solavellan hell. I admire how she manages to capture faces well while also sticking to her style. Her paintings are so beautiful and very pleasing to my eyes!
Thanks for stopping by, Clara! If you haven't seen her Meet the Artist piece, be sure to check it out here. For more of Clara's work, follow her Tumblr, @chaaistheanswer!
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meanbossart Ā· 7 months
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Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)
As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.
Lets use this drawing for example (the character on top of DU drow belongs to @namespara )
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I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:
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I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.
Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:
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Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.
Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.
So, with the reference in hand, I go over the sketch again:
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Now you may notice that I don't stick to the reference 100%. There's three reasons for this:
posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.
In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!
While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).
Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.
Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)
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Now, for the question many of you may want to ask:
"Can I trace this junk?"
And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.
However,
If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.
Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".
So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.
Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.
A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.
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poeticallyyron Ā· 2 months
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ALL YOU NEED IS ME
summary : your naughtiness is just an opportunity for her to reassert her dominance over you
warning(s) : dark!wanda maximoff, toxic relationship, emotional and physical dependence, mental manipulation
authors note : It's my first time writing something like this, also my first language is not English so this may contain grammatical errors
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Enough. It was enough. Every day, every moment, was just a game to her, a manipulative game that made you fall deeper and deeper into her macabre plan. You couldn't even remember what your life was like before her, you tried to remember but you never could, there was always a thick fog in your head and when you realized it... the lights went out and you were asleep.
The sound of her heels clicking against the wood made you shiver, you stood up and watched as she approached, her gaze was cold, her eyes were dark, as if there was nothing, as if she had lost every little thing that made her human. Standing in front of you the woman smiled, a smile that for anyone would be calm, but you could see it. "Time to eat my little dove" she said in a soft but deep tone of voice, her hands moved without giving you a single moment to think and when you realized she was holding the spoon in front of your lips about to feed you "I can do it by myself"
A thick silence settled after that, Wanda hummed and dropped the spoon, then her gaze hardened, her aura denoting coldness. "You really think you can do it? Well, if you're so sure... I want to see you try" she said, looking at you and then at the plate of food, encouraging you to do it. Her eyes showed a dark river that the more you looked at it, the more it dragged you along.
For a moment you were afraid, afraid because you knew she was angry, afraid to take the spoon, because if you did that would trigger a series of painful consequences for you. When you realized that, you moved away from the plate, regretting your decision, your action caused Wanda to frown and bring her hand to your chin, squeezing hard, you almost felt the pressure of the grip breaking your teeths. "Didn't you say you can do it on your own? The, come on. do it.
With an angry growl she pulled your face closer to the table, then let go. With a shaking hand you tried to grab the spoon but you couldnā€™t, it was like it was stuck to the plate, you tried with all your might but it didnā€™t work, unknowingly the tears in your eyes began to run, no matter what you did, no matter how hard you tried, you could never get away from her. There was no escape, never. The tears kept running, staining the table, a macabre laugh was heard loudly and when you turned to look at her you saw red, her eyes were shining, she approached you and whispered in your ear "What's wrong bunny? I thought you could do it, what's happened? You're so useless that you can't lift a simple spoon?"
She took the spoon from your hands and pulled it away from you, throwing it away, its sound echoing in the silence, her hands now pushing your face colliding with the food and staining it in the process. "Then I guess you'll have to eat like an animal"
"Eat everything" she finished moving further and further away from you, the spoon breaking on the floor thanks to his magic, leaving you alone in the place, hungry and crying for her help. For sure, the only thing you need is Wanda
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sumikatt Ā· 10 months
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(Has alt text.)
AI has human error because it is trained on ā€œhuman error and inspirationā€. There are models trained on specifically curated collections with images the trainer thought ā€œlooks goodā€, like Furry or Anime or Concept Art or Photorealistic style models. Thereā€™s that ā€œhuman touchā€, I suppose. These models do not make themselves, they are made by human programmers and hobbyists.
The issue is the consent of the human artists that programmers make models of. The issueā€”as this person did correctly identifyā€”is capitalism, and companies profiting off of other peopleā€™s work. Not the technology itself.
I said in an earlier post that itā€™s like Adobe and Photoshop. I hate Adobeā€™s greedy practices and I think theyā€™re evil scumbags, but thereā€™s nothing inherently wrong or immoral with using Photoshop as a tool.
There are AI models trained solely off of Creative Commons and public domain images. There are AI models artists train themselves, of their own work (I'm currently trying to do this myself). Are those models more ā€œpureā€ than general AI models that used internet scrapers and the Internet Archive to copy copyrighted works?
I showed the process of Stable Diffusion de-noising in my comic but I didnā€™t make it totally clear, because I covered most of it with text lol. Hereā€™s what that looks like: the follow image is generated in 30 steps, with the progress being shown every 5 steps. Model used is Counterfeit V3.0.
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Parts arenā€™t copy pasted wholesale like photobashing or kitbashing (which is how most people probably think is how generative AI works), they are predicted. Yes, a general model can copy a particular artistā€™s style. It can make errors in copying, though, and you end up with crossed eyes and strange proportions. Sometimes you can barely tell it was made by a machine, if the prompter is diligent enough and bothers to overpaint or redo the weird areas.
I was terrified and conflicted when I had first used Stable Diffusion "seriously" on my own laptop, and I spent hours prompting, generating, and studying its outputs. I went to school for art and have a degree, and I felt threatened.
I was also mentored by a concept artist, who has been in the entertainment/games industry for years, who seemed relatively unbothered by AI, compared to very vocal artists on Twitter and Tumblr. It's just another tool: he said it's "just like Pinterest". He seemed confident that he wouldn't be replaced by AI image generation at all.
His words, plus actually learning about how image generation works, plus the attacks and lawsuits against the Internet Archive, made me think of "AI art" differently: that it isn't the end of the world at all, and that lobbying for stricter copyright laws because of how people think AI image gen works would just hurt smaller artists and fanartists.
My art has probably already been used for training some model, somewhere--especially since I used to post on DeviantArt and ArtStation. Or maybe some kid out there has traced my work, or copied my fursona or whatever. Both of those scenarios don't really affect me in any direct way. I suppose I can say I'm "losing profits", like a corporation, but I don't... really care about that part. But I definitely care about art and allowing people the ability to express themselves, even if it isn't "original".
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zeyris-daydreams Ā· 1 year
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I tried to get a tighnari ai to behave the way I wanted it to but it did not work. Instead I wrote a tighnari fic myself
// sexist tighnari, implied sexist Cyno, non-con, tighnari and reader without a vision, kidnapping, breeding
怌ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”Ā·ā™”Ā·ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ā€”ć€
Tighnari was nothing but kind and patient to you. Sure, you had to be dragged back to Sumeru by your feet given how idiotic you were, but it was your own fault.
It all started when you went to Sumeru after hearing your traveler friend say what kinds of things Sumeru has while they were in the process of traveling there. Back and forth, their life sure must've been interesting. Not only trying to find the missing sibling, but seeing so many nations and knowing so many people.
As much as it wasn't the life you wanted for yourself, that itself was inspiring enough to get out of the unchanging surroundings to visit Sumeru. It sure meant to be a one time visit, just seeing the mushrooms, trees. Exploring the culture, people, their way of being. You were fortunate to stay in Sumeru while the conflict with dendro archon was finally resolved, and the Lord of dendro freed herself from the oppressive hands of akademiya. To think they'd hide away their once beloved God just because she was no longer the size she used to be.
That itself was a story full of inspiration, and just like that you stayed in Sumeru longer, as far as allowing your friend to introduce you to the people they met. Paimon sure kept talking the whole way, but alas you were there. After meeting Cyno you met the forest ranger called Tighnari; it wasn't the first time you met a person with animal body parts, as much as his huge ears always shocked you. After exchanging pleasantries traveler explained what Tignnari does, and he agreed to let you learn from him about the forest. As much as you weren't a person to like the outside world, the beauty of sumeru had you captivated for a while. To the point you didn't even realise that something from the forest made you sick. Weakening you, you hardly had the energy to leave the village, it sure wasn't related to Tighnari.
Yeah, right.
You knowing other people was irrelevant, as you spent more and more time with Tighnari, completely oblivious to the fact that you had an effect on him. It was confusing the other, Collei had a vision. He could teach her, given that Celestia was kind enough to even accept her input. Collei was just a girl after all, but you? An ordinary person with no vision, expecting to get some knowledge? Tighnari didn't know whether to find it hilarious or astonishing, and yet he fed you with the thought that you were in fact learning valuable things.
Sure, the mushrooms he taught you about aren't really that common, so there's no need to learn about them, but he had to have a reason to tell you about the plants that definitely will not heal wounds? When you asked about essential information, he only said you had more to learn before you'd be able to gain that top knowledge.
It frustrated you to no end, after all you didn't plan to live there. Tighnari refusing to share essential knowledge was sickening, and yet you clung to the idea that maybe he will tell you something important.
From not caring, you became a person who's sole idea was to get Tighnari's approval. Your weird weakness didn't go away and only grew worse, and for some reason the only relief you could get was to not be exposed to Sumeru for the most part.
"Let's see if staying inside does you any better."
He said. And you didn't expect that to work, in fact you didn't expect him to say it again a week after.
Your skin felt less itchy, but as soon as it started to get better, the sensation of your clothes against your skin was the key to your irritation. As much as staying inside helped, now the clothes kept bothering you. And whenever you as much as stayed in something looser or shorter, Tighnari would look at you for a moment, before he'd continue doing what he did before.
It remained unclear wether that was the intended effect, and one could only assume it wasn't what the ranger intended. Still, that being a side effect made it all more convincing.
And yet to him you were nothing but trying to tempt him. Make him snap, which is what you'd get if you weren't careful enough. And after a few weeks he regarded to you with some sort of coldness, some sharpness to his speech.
And still, you remained as kind as ever, as much as sometimes it annoyed you. You were offered a drink or two by Tighnari at some point, and he drank some as well. After all he only taught you how to get rid of witherings by a long distance, if he ever needed your help. And you stupidly believed he finally began to treat you like a friend, only to end in his bed, crying out, spread open. All because you gave him the permission, and maybe it was your own fault for being too relaxed around the fennec.
After that Tighnari began acting weird around you, closer. More touchy. There he'd pull your hair from your face, other time he'd tickle your chin. You thought it was going better, your weakness finally fading ever so slightly.
One time when he was telling you about the completely irrelevant topic of sumeru roses, you mentioned briefly if his dendro could dry them up or preserve them so you could take them to your homeland. Show these beautiful flowers to people you knew. If he could help you take more.
That was met with an expression filled with blankness, before he jokingly said something along the lines of. "we will see"
He didn't take you seriously though, and after you mentioned it again, he seemed irritated as ever, long ears pushing themselves back on his head as Tighnari fought the troublesome feeling in his gut. But he agreed to let you see if his dendro can work to preserve later. And you, like an idiotic human you were, agreed.
Only a day later did you see that your weakness returned, and that it only came in the morning. Tighnari blamed it on allergies and pollens, that "these flowers aren't ones that you grew around. That's what makes you weak, possibly."
Confused, you never understood why. It was only when you were looking for Colleis medicine did you knock over a bottle that spilled down your shirt, and within a moment you felt your body burn. The effect truly was invisible, the substance clear as water. The first thing you did was to wipe it off, the sensation so terrible it took you a moment to connect the dots. It felt the same as when you'd step out of the house, the same as when you'd put on more layers. Was it someone's- was it Tighnari's doing?
The idea made your stomach curl, and you were quick to try and confront him. But all you've been met with was Tighnari telling Collei you seem to be getting worse, making up stories about him.
"I didn't expect local flora to affect you that way, we will be more careful next time"
And when your whining was finally over, now that Collei walked somewhere else, you had to deal with what you've caused.
To think someone like you could try to make Tighnari, the beloved caretaker of the forest, look bad. You couldn't forget the look of disappointment on Collei's face when she walked out, remembering the gloomy look on the foxes face. The memory had your hands shaking.
"To accuse me of such things. I really do wish to know what I might've done that you try to make me look bad" and yet you already knew what face hid behind that mask. Any protest you brought up was muffled by his hand, fingers easily making you drink a vial. Being pressed against the wall with his fingers blocking your nose was sure one way to get you to swallow it whole.
It made you dizzy rather fast, and he managed to just about lay you on the bed before you fell unconscious. Tighnari panicked, he had to find a backup plan. He couldn't let you leave him with that issue, leave him stranded till he'd die.
Sure, you were just a human girl. A pathetic little idiot who thought she'd get away with getting on his nerves, teasing his nature. And then planning to leave, he couldn't let you be away without a consequence.
And not once did he mention the weakness of his kind, to him, his manipulation was just means of ensuring your stay. And now that you had clear plans to move, Tighnari made it sound like he was used by you.
Maybe him not telling you why you couldn't leave was also means to keep his own shame to himself. He'd whine about this to someone, and not bring the issue up with you. and since you pretended to deserve knowledge, to be so knowledgeable, maybe you should've known what you've done when you let Tighnari have his way with you.
You hated everytime he turned it that way, and Collei didn't look too keen to touch the topic anymore. Because as longest as you didn't try to leave, the forest ranger didn't mention the topic to anyone. You'd be good, let him do as he pleased, and you'd be fine.
That's until your friend was back from Fontaine to meet with you up again. Tighnari dreaded that visit, traveler always could tell when something was wrong. And you were meant to be gone from Sumeru by that time, so after a while of planning he made you behave. By some miracle you had your hands on herbs that would help you with not conceiving the first and last time you let Tighnari act up, and you thanked Archons for that opportunity.
But this time, Tighnari was straight about it. And if you dared to as much as make a wrong look, he'd make sure you'd be swollen with kits before you'd be able to say another accusation. Before you'd able to leave and not depend on him anymore.
And so, when Traveler and Paimon finally arrived, you did your best to behave. Using their visit as means to distract the forest ranger, you had a plan. After all he couldn't chase after you when they were there, so you waited carefully for the time they'd arrive, and dressed up. Earlier you didn't do that, because of the odd feeling on your skin, usually wearing loose clothing. That was preffered by Tighnari's standards. You were a silly woman, easy access was what was preferable.
And the moment you were alone for as much as a moment, you ran. You ran on your feet fast, you ran for a while. And even if the pain was like needless, you pushed through, just to make sure you weren't there anymore. And even if you were faintly aware that someone was after you, you landed in the famous sumerian port. Only then did you realise how long you haven't seen this place, and before that someone could catch up to you, you sneaked on the container ship. It rather fast sailed away, leaving the person who followed you rather angry.
Traveler did ask Tighnari where you went, and as much as the ranger tried to hide both his anxiety and anger, he assured it must've been to get Collei's medicine. Shortly after the traveler was gone though, Cyno met face to face with the other.
"She sailed to Inazuma, now that the decree in Inazuma is lifted, a lot of merchants move their things there." He started. Ah he was annoyed, Cyno didn't want to disappoint his friend like that. But he almost had you, almost.
"It will take three days for the boat to arrive to the port in inazuma, but there's no other boat available for at least a week" and yet Tighnari couldn't bring himself to be angry at the general. It was his own issue. "Thanks for letting me know that."
Cyno scoffed. Although not earlier mentioned, Cyno met with you quite a bit. Everytime he visited Tighnari, you exchanged glances. And these weren't pleasant. You knew Cyno was aware of everything, and Cyno didn't care either. As longest as his friend was happy, he couldn't care less for an opinion of a woman. Even more so, one who thought she could handle taking care of plants and forests without any real talent.
Or a vision, to show her ambition was worthy of attention.
You tried to gain knowledge to be able to develop more solutions for the problems of your nation, and now you were not only chased by a crazy fennec, you also had a general from Sumeru on your tail.
First days in Inazuma were nothing but an issue, and you eventually managed to ask the sweet girl you met to find you a job. Ayaka already knew where you'd be useful, and so you ended up as the main caretaker of her garden. Her estates garden that is. Even though you hardly met her brother, Thoma was good enough of a friend. Although nothing was between you two, it took you some convincing to make Ayaka hide your traces in Sumeru.
You cried to the Celestia itself that day, just how blessed you were that someone as kind as her was willing to help you out on your second day in Inazuma, keeping in mind your impromptu arrival. After all you didn't get ready for this at all, maybe it was better. Maybe that cursed Ranger would've known something was up otherwise. Regardless, you were happy that Cyno couldn't show up. General in Inazuma could cause some diplomatic issues, and even if he sent men here in disguise, they'd never find you.
That is what you thought, because when the traveler came there to meet with people again before their new journey, you were sure you'd collapse.
"Paimon meant to ask, after the last visit in Sumeru we didn't see you for a while. Paimon is curious, do you not like the sumerus climate?"
She could be sweet, and yet that question itself seemed to fill you with anger. By then the fear of the ranger turned into anger faster than it could be seen that you were scared.
You said something unpleasant, after which paimon didn't ask about that at all. In fact, paimon didn't ask you anything again, and the guilt you felt in that moment was enough. You told the traveler that there was nothing to worry about, keeping Tighnari's little threat in mind.
He wasn't there, and it filled you with fear nonetheless. "Try anything, a word. Any weird movement, and I'll fill you with kits enough times for you to understand who you belong to." So that you wouldn't be able to leave.
It was sickening.
To bear the children of your captor was the last thing you'd want, and even if he wasn't there, that fear didn't go away.
Alas Traveler ended up hanging out with Ayaka for the most part, and it was peaceful for another week. That time spent in Inazuma felt great, refreshing aside from the constant paranoia. That whenever Ayato wanted something, you assumed he'd send you back to Tighnari. Or whenever Ayaka would take you out in her limited time, you'd look around, back and forth to try and see if someone is waiting to snatch you.
It took you another week to calm down and grow accustomed to the people, but it didn't last much longer.
One day that you finally felt fine enough to walk out on your own, you bought Ayato another rather weird combination of ingredients. And you weren't even there to carry it in, only remembering the blunt pain to the back of your head the moment you turned to walk back to the estate.
From the sound of it, it wasn't Tighnari to be the one to drag you back. He was quieter, but these steps were rougher, heavier.
Whoever that was, you woke up on the boat again, tied to the wood that kept the floors of the boat separated. The column of that wood was thick, and with how you were tied, you couldn't even shift to the side.
There he was, you saw the light colour of his purple vision in the darkness. It seemed he stayed on boat, because in the end he really came for you. "You're lucky Tighnari can't leave Sumeru for more than a few days." Cyno spoke. "otherwise he'd smash your skull in the moment he saw you"
You knew it didn't mean to make you feel better. In fact it only brought more fear to your gut, tears swelling in your eyes as you bit your lip. You wouldn't give him any satisfaction, silent whenever he spoke.
Coming to Sumeru was a bad choice. How could you not notice the way you were treated just because of your lack of vision? Just because you weren't from Sumeru, because you weren't a man. "he was worried sick for this past month, and here you are, parading with some other men like a whore"
Cyno murmured, looking down to you again. By then he was stood near you, and you couldn't help but hiss. Only hearing him made you fill with anger.
It ended as soon as it started, and soon you were led out of the boat by force of course. After making sure you were unconscious again, you were driven back to Ghandarva vile.
Ah Cyno kept complaining just how worried Tighnari was the whole time you were on the ship, and now even if you were unconscious, you could hear his annoying voice repeat that.
And you didn't care, to you, they both could die. They could just go at eachother if that's how Cyno cared for Tighnari, you didn't care.
More than seeing Tighnari, you dreaded waking up. Dreaded the consequence of your own action, facing him after knowing what you did. And how angry he'd be.
As soon as you opened your eyes you saw you were stuck in the similiar office again, with the soft bed, and the unfortunately similiar figure at the desk.
At least he seemed to be composed for now, eyeing you in silence before you were lectured. He'd leave the physical punishment for later, firstly telling you just how idiotic you are.
"You sure are pathetic, such a weakling like you going away. I sure hope you had fun, that was the wrong way to beg for my attention" he started, putting down the mixture of herbs he was mixing.
Tighnari stood up, his fluffy tail twitching. And it was clear he did his best to keep his ears straight, so they wouldn't betray any emotion. And yet they kept twitching backwards in annoyance. "I never wanted your attention, asshole-"
At least you managed to have some of your sass, his fingers squeezing your chin to tip your head up. You almost forgot you had your arms tied behind your back. "quiet, let the adult speak."
"To think you can toy with me and my feelings is truly disgusting" he started, scoffing. "you really are pathetic, getting me to bond with you to then try and leave me forever. How cruel can you be, y/n?"
Your face twisted in confusion, repulsion. You felt dreadful with how he turned the blame on you again. "I never wanted any of this, Ti-"
"You didn't! Ah, yes tell me all about it then!" Forcefully you moved your head away from his grip, and that did not seem to please him. "You know fully well we mate for life, and you just got up and left. What is actually wrong with you!"
"First you start showing yourself around me, carelessly showing off to tempt me. And when I finally had enough, I am to blame?" At that point you knew that speaking would rile him up more.
It wasn't the Tighnari you used to grow fond of. He was nice, he cared for you ; and now he's just awful. He didn't deserve any more words to describe his behaviour. And whenever you brought it up earlier, you were met with 'if you behaved, I could be nice around you again'.
Now wasn't the time to think about that, because he hissed. "I'm a man for Archons sake! You lured me in and then dared to-" he spoke with utter disgust. "Leave like nothing, are you really that dumb to think we wouldn't find you?"
It seemed the anger pent up and he didn't know how to express it anymore. Especially with his recent heat, where he couldn't cope with it anymore, crying from pain at the thought of not being able to get it out on you. It wasn't as bad before you two had sex that time, but now, now that he craved you, the pain was bad enough to make him throw up. That thankfully was a few days ago, now he was way better. It still brought a lot of anger and frustration, but you not seeing him in that sorry state was the most convenient.
"Or was it just some competition?" He started. "make yourself my mate and then fool around to make me prove myself like a pathetic little cub, all for your own amusement? That must've been what you wanted. To make me show how well prepared I am to care for you and our little kits-" oh no. No. "Ah, to test me like that, you sure are not trustworthy"
"But now, that..that will change. You won't leave me again to entertain other men" he started, leaning to look at you. By how he looked at you though- The threat from before finally sank in. He wouldn't let you leave. You wouldn't be able to leave.
You'd be stuck there with his kits, unable to go anywhere anymore. You'd be a good girl and stay in Sumeru, and you wouldn't make yourself visibly available to any other men as he assumed you wanted.
"Tighnari I'm- ssorry please ddon-t do this-" before you knew it you were already crying, his finger wiping off the tear as he sighed. "Don't cry, I'm only doing what's best for you, please, understand it" it wasn't time to focus on how angry he was. Because oh how happy he was to finally have you back.
For a brief moment that caring voice returned, even if it was nothing but condescending. By that time Tighnari was already sat on the bed, pushing you back to lie down. And with your arms tied, you couldn't as much as sit back up, shaking your head when he tugged you by your legs.
Like that he was sat between your thighs, looking at you.
Oh he'd rather do it when he'd be in heat, but he knew if he waited more, his little darling would find a way to leave.
Again.
And Tighnari could not have that in any way, he could not have you as much as think about it. "calm down now.."
Despite saying that he took your top by it's edgee, ripping the buttons off to open it up. "tighnari nno-" another whimper.
Squirming away was of no use, he held you down, and within moments your bottoms were off as well, face buried in your neck as his fingers dragged across your clothed heat. At least your underwear was still on.
You dared to try and hiss again, this time his hand dug into your waist, making you wince. After he made sure to bite your neck he spoke, maybe he enjoyed seeing your face twist in that pain.
Either way his other hand didn't have the glove on it anymore, fingers moving beneath your underwear to move up your folds, index one rubbing your clit in circles.
You really were just crying, whimpering for him not to do that, and each time he'd say something along the lines of. "Let me take care of it.." or "behave now, you brought this upon yourself" and even if he didn't speak it harshly, it was clear he was belittling you, focused on how easy it was to slick you up, his fingers easily entering you.
Tighnari shivered, oh it felt nice. You were so hot, squeezing his fingers in a way where he couldn't just wait to sink into you. And yet he was careful, dragging them over your walls, scissoring them lightly with each move until you were whimpering.
Each move made your body tremble, shivering. Your thighs squeezed him in a pathetic attempt to try and slow him down, or discourage him, but Tighnari only took it as a challenge, gripping your thigh to move it open.
"H-nhho- I'm ssor-Ssorry let's- nh- ttalk it o-ooUt.." your pathetic crying mixed in with the whimpers, breath hitching each time his fingers dragged out of you.
"It's far too late for discussions, mate" mate. Only then did it click he couldn't have been lying. Was it really your own fault for letting him use you that one, single time? No. You couldn't let yourself be tricked, he did it himself. He should've thought about what he did.
Tighnari's fingers felt undeniably nice, and despite the weak kick you tried to give him, your thighs only shook, funny feeling in your gut tightening, curling. Your little struggle only made him tip his head a little, did you really think you could do anything? Weakened?
He knew how to pick you apart, so when you felt close, he made you come on his fingers against your will.
The forest ranger knew how to make sure you weren't distracted, and once he slipped the remaining fabric off your legs he undid his pants, taking our his mostly hard length out.
Mostly hard- he must've gotten off to the sounds of you whimpering and asking him to stop. Fucking degenerate, you didn't understand how someone could get off to that idea. You couldn't even tell him how disgusting he was, Tighnari's tip already moving over your heat to slick himself.
Moving into you easily he groaned, the sound melodic as your heat tried to push out the unwanted intrusion. But it only made him let out a whimper, Tighnari bottoming out inside you soon after, pressing into you, almost grinding as he nibbled on your neck again. "ggonna stuff you sso good-" ah it's been so long-
He really really missed it, that's how it was supposed to be. You were his mate for archons sake! And as a good mate you were supposed to fulfill his desires! Not run away and make him hurt and ache!
After all it was your fault for allowing him to have sex with you that one time. It was your fault he couldn't stop himself from wanting you so much, you should've known. You should've asked. And you were selfish instead, now paying the price as he slowly moved his hips away from you, just to bottom out again with a shaky groan. That was right, you were his.
"N-nnari please don't-" you knew the nickname usually worked, pace smoothly picked up as he shook his head. "N-nhh.. shhut up-" another grunt followed. "Bbe good and take it- Nhh fuck- you're sso tight.." it's been some time since someone did that to you, and Tighnari felt somewhat grateful that, by how you reacted, he was the last one you laid with in this way.
All you could do was whimper through tears, your body feeling funny. For some reason your body reacted in a way that betrayed your mind, it wasn't what you wanted. And yet it only grew warmer, hiccups leaving as you stared at the ceiling.
"nGh.. you'll bb-be a good girl- take it-" the ranger started again, the softness of his tail tickling the underside of your thigh. "Look at you already- hheating up like that.." he was aware this was a punishment, but to Tighnari, - before he'd let his anger take over and destroy you - the punishment would be better if it was taken slow. Your body betraying you, violatiing you in a way where you couldn't control yourself.
You enjoying it would only make it more humiliating, and he really did want to make you ashamed enough not to get any more funny ideas.
With each move the pace picked up, hand tight on your waist as you let out a shaky hiss, other hand sliding down your thigh so his thumb could press to your already aching clit, giving it slow rubs.
It all made you feel tight again, abdomen growing tense as you tried to use your legs to shift away, digging your feet into the bed to move up. But his grip was too tight, Tighnari's hands forcing your hips back onto his cock.
"Don't- hhn.. don't ffucking try that--" the thrusts grew sharper, and you had no choice but to look away. That gave you some sort of control, distracting yourself from what Tighnari was doing. You wouldn't give him the satisfaction of coming on his length like a cheap whore.
He seemed to catch on with your plan, his thumb pushing into you even more to make you wince. "Don't annoy me even mm-more, y/n- you know what's.. hha.. gonna happen otherw-wwise-"
You thought back to the traveler. To Ayaka and Thoma. You used their kindness up and were snatched without a warning, you didn't even get to say goodbye.
You imagined yourself taking care of the garden there, remembering the way you had to use the knowledge provided by Tighnari to do that. That itself made your brain focus back on reality. "Look at me, nnow-"
Once he was ignored he decided to let your hip go, hand gripping your chin tight to make you look at him. His eyes were narrowed, ears pulling themselves back in annoyance. It took you a moment to realise how rough he had become, uncontrolled cry following. Were you really moaning pathetically while thinking about Inazuma?
"You'll look at me-" Tighnari hissed, thrusts nice and hard. Oh god. You'd break.
"And see everything-"
Another harsh thrust. You'd spill.
"I'm doing to you-"
With that your core went tense again, the orgasm you so badly avoided making your toes curl, shaking your head. But his grip was too firm.
It was understandable, he was rather good with his how.
"Y-you understand?"
Unfortunately for you, you weren't able to hiss again, shaky and quiet cry leaving as you arched into the other unwillingly. That itself had him shudder, feeling you come against him like that mare his hips stutter into yours.
"H-mhh.. ggonna fill you-" oh no. "You wwant to be a mommy?"
You cried out that no, despite it being muffled. You whined and tried to kick at him after realising what he really meant, but it was useless. He was too strong, he was too fast.
The pace was all funny, ah he was close it seemed, face lowering back again so his sharp teeth could graze your neck. "g-ngh.. you're ggOnna- nhh llook soo good swollen with my kkits-"
That outcome was to be expected. You did that to yourself.
And now you had to pay.
You recalled that before all of this, when that mistak between you happened, he pulled out right after he came, but now, now that he finished inside you, he only stayed in, the discomfort only now settling in.
He felt odd inside you, did you tighten or did he thicken? Even if you tried to shift your hips it only made you wince, Tighnari's ear giving a small twitch of satisfaction.
"We will be stuck like that for some time. This gives you time to reconsider what you've done"
You really were crying up to that point, salty and hot tears streaming down your warm cheeks as you hiccuped, shaking your head.
He was nothing but manipulating. Always talking like he cared about what you had to say, always behaving like he could resolve the issue when in reality, you were never listened to.
"It's fine if you don't feel talkative this time. We have much more opportunities to talk it out tonight"
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shitsndgiggs Ā· 1 month
Note
Hii Kaya!šŸ¤
I was wondering if u could write where YN is dating Kenan, but only Cubanito his friend knows that. So when YN go back to Kenans apartment to grab something she forgot, she accidentally go in on Cubanito and Kenan doing a livestream gamingšŸ«¶šŸ¼
UNPLANNED REVEAL - KENAN YILDIZ
Revealing your relationship on stream was not a part of the plan
Kenan Yildiz x fem! reader
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Dating Kenan had been an incredible experience so far, but weā€™d chosen to keep our relationship privateā€”at least for now.
The only person who knew about us was his best friend, Cubanito, whoā€™d promised to keep our secret under wraps.
Kenanā€™s life was always in the spotlight, and we both wanted to enjoy the early stages of our relationship without any added pressure.
Thatā€™s why I didnā€™t think twice about heading back to Kenanā€™s apartment to grab my phone, which Iā€™d forgotten there earlier in the day.
He was usually busy during the evenings, so I figured I could slip in, retrieve it, and head out without disturbing him. Little did I know, I was about to walk into something completely unexpected.
I let myself into Kenanā€™s apartment quietly, not wanting to make too much noise. The place was familiar and comforting, a second home for me by now.
I knew Kenan was likely in his gaming room, so I made my way to the living room where Iā€™d left my phone on the coffee table.
As I grabbed my phone, I noticed the faint sound of voices coming from the gaming room down the hall. Curious, I took a few steps closer and realized that one of those voices was Kenanā€™s, sounding unusually animated.
The other voice belonged to Cubanito, his signature laugh echoing through the space.
They were gaming, as usual, but something about the tone of their conversation caught my attention. I hesitated at the door, wondering if I should just leave quietly or pop in to say hello.
Before I could make up my mind, I heard Cubanito mention something about being on stream.
It suddenly dawned on me that they were live, and I had no idea how long Iā€™d been standing there, potentially within view of the camera. Panic set in, and I quickly decided to sneak back out before anyone noticed me.
But just as I turned to leave, the door creaked loudly under my weight. I froze, hoping they hadnā€™t heard it, but my luck ran out.
ā€œHey, is someone there?ā€ Cubanitoā€™s voice called out, followed by a brief pause. I heard the sound of a chair scraping against the floor as Kenan stood up.
ā€œYeah, I think someoneā€™s at the door,ā€ Kenan replied, his voice closer now. My heart pounded in my chest as I frantically tried to think of an excuse.
Before I could react, the door swung open, and there stood Kenan, his eyes widening in surprise when he saw me. ā€œY/N?ā€ he said, his voice filled with a mix of confusion and concern.
I was caught. There was no way to slip out of this without making it look even more suspicious. Cubanito, who had turned his attention toward the doorway, also seemed taken aback.
ā€œUh, hey,ā€ I said, giving them a sheepish wave. ā€œI just came to grab my phone. I didnā€™t realize you were streaming.ā€
Kenan glanced back at Cubanito, who looked like he was trying to stifle a laugh. ā€œYeah, weā€™re live right now,ā€ Kenan said, clearly trying to process the situation.
ā€œWait, wait,ā€ Cubanito said, holding up a hand as if to stop everything. He grinned mischievously. ā€œKenan, is this who I think it is?ā€
Kenan shot him a warning look, but Cubanitoā€™s grin only widened. The chat on their livestream must have been blowing up, but I couldnā€™t see the screen from where I stood.
Realizing I was in full view of the camera, I awkwardly stepped further into the room, not knowing what else to do. ā€œUm, hi, everyone,ā€ I said, offering a nervous smile to the camera.
Kenan sighed, running a hand through his hair. ā€œYeah, uh, guys, this is Y/N,ā€ he finally said, making the introduction. ā€œSheā€™sā€¦ sheā€™s my girlfriend.ā€
The room went silent for a moment, and I could see the shock on Cubanitoā€™s face as he realized what had just happened. He quickly turned back to the camera, muttering something in German as he tried to manage the situation.
ā€œOh, no,ā€ I whispered under my breath, feeling my face flush with embarrassment. This was definitely not how we planned to reveal our relationship.
Kenan looked at me, his expression softening. ā€œItā€™s okay,ā€ he said quietly, reaching out to take my hand. ā€œWeā€™ll handle it.ā€
I nodded, squeezing his hand back. The tension in the room started to ease as Cubanito, always quick on his feet, turned the situation into a lighthearted joke, making everyone laugh and diffusing the awkwardness.
But as the reality of what had just happened sank in, Kenan ended the stream earlier than planned. The second he clicked the "end stream" button, our phones started buzzing with notificationsā€”tweets, messages, and missed calls from friends who had tuned into the stream.
We looked at each other, a mix of shock and amusement on our faces. Then, as if we couldnā€™t believe the ridiculousness of the situation, we both burst out laughing.
ā€œWell,ā€ I said through my laughter, ā€œI guess the catā€™s out of the bag now.ā€
Kenan pulled me into his arms, still chuckling. ā€œYeah, I guess so. But honestly, Iā€™m kind of glad. Now I donā€™t have to keep you a secret anymore.ā€
I smiled up at him, feeling the warmth of his embrace. ā€œYeah, me too.ā€
Cubanito, who was still laughing at the absurdity of it all, walked over and clapped Kenan on the back. ā€œYou two are something else, you know that?ā€
Kenan just grinned, his arm wrapped securely around me. ā€œYeah, we are.ā€
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gabrielsbubblegumbitch Ā· 7 months
Note
How do you think the Vees reacted to waking up in Hell for the first time and seeing their new demon appearance?
Velvette was really fine with her looks. She thought it was sick. I mean, I wish I had something more interesting to say, but look at her - she's just a pretty lady, so she obviously didn't have a lot to process about this change. Maybe after seeing other sinners, she became a little annoyed by her own averageness. She's a short and angry woman, and being one myself, I know she often thinks, "the things I would do if I was a 13ft half dinosaur, that would be over for you fuckers."
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Valentino had wings, four arms, sharp teeth, antennae. That was some bad trip stuff. So, he went through a short panic attack, obviously, but when he realized everyone looked weird and he was in hell, he immediately loved it. I think that Val's new body very much aligned with his personality. He was violent and now had four arms to hit people or hold guns. His wings looked fabulous, and he could fly. He was tall, muscular, and sexy. Though he couldn't see well in light, he still had excellent dark vision, which was accurate because he was a predator hunting under the cover of night (This one is based on my personal headcanons because moths are nocturnal animals and those generally cannot see well in daylight; it's just too bright. It makes more sense to me than Val just having bad eyes. That would explain why guns are still his weapon of choice - he can be a good shooter, just only in the dark. That's why he wears sunglasses, not corrective glasses.). Not a single con, it almost felt like his form was an eternal reward.
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For Vox, however, his new body was eternal punishment. When he woke up, he was terrified. He had been very handsome; he had made a living with his face. Then, he didn't even have human features. He stood out even among sinners. We saw some messed up forms, yeah, but his head is literally an object. It must have felt horribly dehumanizing. Additionally, it was extremely inconvenient in day-to-day life and fragile. This new body was everything he feared, vulnerable and freaky. Later, he came to terms with it but it took much work (I wrote about Vox's relationship with his body more here).
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mysteryanimator Ā· 2 months
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Here ye here ye, another breaking down processes post from yours truly!
For this animation, my plan was to make something I'm proud of AND also something to force me to take my time since with all previous animation works they were all rushed. I normally tend to speed through work as someone whose illustrations are painterly and I like to keep them rough. Also lets be totally honest my other plan for this animation was to animate Mizrox being so sickeningly sweet.
Fun fact, this animation was going to be longer. I had tried to plan out Olrox climbing on top of Mizrak during the kiss to lay on his chest. There was an attempt trying to rough that out and several ref videos It was scrapped because for the life of me I could not figure it out. Also hypothetically if I was going to keep it, I would cut to another angle (perhaps Mizrak's face close up) and then cut to another angle that would make it easier to see that climbing over the top. OR, consider Olrox already sleeping on his chest (im just rambling now but this is basically 'if you were able to do this again' section).
I wish I actually went through a more proper tie-down process because the jump from going from my rough straight to clean was rough (badum tsk) for the first few seconds. Defintely learnt my lesson ALSO Olrox is surprisingly really fun to draw from behind.
I challenged myself to see if I could get the idea of "bigger movements, less in-betweens, smaller/slower movements, more in-betweens." Though the effect of Olrox rubbing his face against his arm may be a little too jarring and I steered quite a bit away from my rough and self-reference video in hopes of making the face rubbing more apparent because I thought the character acting was too subtle and wanted a contrast to the other half of the scene. I reconfigured my CSP animation workspace for this too so it definitely made the process less tedious when cleaning up the animation.
(Which by the way I do record a lot of self-references depending on the section! For things I can't do/uncomfortable doing, I'll end up looking up videos. It's the easiest for me to catch subtle things in body language and also get a feels for the motion.)
Also I'm really satisfied with Olrox's anticipation before his smooch and the shoulder roll at the end even though technically the arc doesn't complete itself. MIZRAK THOUGH, when cleaning up I realised my rough wouldn't make sense because he's already looking at him so there's no need for a turn, and then the lack of a shoulder movement felt jarring, so all of that was done without any thought, wish I did think about it more though.
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Now compositing was a monster in its own right and basically me jumping back and forth between turning on and off different layers, but here are all the new things I did; I duplicated and blurred the lines of the lineart, beveled the shadows so it was lighter on the inside, and added a rim of blur so the focus drew towards the couple. Also will absolutely admit that my fanboy ass went "... be crazy and try to mimic the show." The final did not go that route because I thought it was more important to emphasize the mood/atmosphere (Also Olrox is intentionally stylized differently because i wanted him to be softer here and I had to give him eye highlights for plot HELP). THOUGH to say I did not try to mimic the style, the #2 lighting test was my 'attempt' LOL šŸ˜­ I can never consume media normally.
Here are the lighting tests I went through. I definitely knew I wanted to go with a morning vibe, though I tested out a night ver for fun and did some edge lighting which led to mixing both version #2 and #3 to make #4.
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Fun fact, I almost went with #2 due to fear of getting too heavy-handed with compositing and therefore losing the animation (even though I really liked #4 at the time). Thanks to a friend, they also shared the sentiment of liking #4, though pointed out it felt like midday and encouraged me to make the colours warmer and deepen the shadows. It is a really tough balance but I think for a softer scene like this, the more additional layers of comp worked out in the end.
The edge light was a last minute thing because someone told me to add sound and to have light stream in. Also at this point I deadass forgot that you know, Olrox, is a vampire, but hey rule of cute overrules. We can pretend its light not from the sun LOL
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Also yay I got to show off my own style a tad, I love paintingggg. It's not as completely fully rendered coz I knew that it would get covered up but I still made sure it was quite clean regardless. I didn't realise how much of it would be covered up even though I did make sure they would fit/make sense for bg LOL
Now we are done!
If you've gotten this far thank you! There's gonna be less frequency of these animations due to the semester starting back up soon and I don't get many opportunities to actually 2D animate (despite it being an animation degree RAH). Also I remembering cringing and laughing a lot when I immediately started putting colour down going "oh i can see the end of the horizon, i have too much power as an artist, people will see this i cant let them see me be crazy"
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[Here's some memes I drew over while my friend was reviewing my work]
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#331
ā€œWell, well, well.Ā  Lookie here.Ā  When I heard that there was a faggot in the woods behind the rest area shithouse taking load after load in the early morning, I didnā€™t give it a second thought.Ā  I figured it was one of those San Francisco flag waving faggots passing through.Ā  It wasnā€™t until my truck driving buddy sent me a video of you getting plowed by this farmer looking guy and you were begging him to breed you right after you took my buddyā€™s load in your cunt and he pissed in your face.Ā  I had to see for myself.Ā  And here you areā€¦.
ā€œYou are handcuffed, naked, on your knees, head bowed, and crying like a total bitch.Ā  You know somethingā€™s up when I didnā€™t bring you in to the station, but rather took you here.Ā  You have been kneeling in that position for twenty minutes processing whatā€™s going to happen to you.Ā  Well, let me tell you.
ā€œNormally, had you been one of those faggots from the city, your ass would have been hauled in.Ā  But you are local, granted from the other side of the mountain pass. Yeah, I grabbed your clothes including your ID after I handcuffed you and placed you naked in the back of my squad car.Ā  After a quick search through my systems and then some independent internet searches I see you are a 52-year-old divorced father of four, three of which are on their own and the fourth lives with your ex-wife across the state.Ā  Being 6ā€™ 4ā€, itā€™s obvious from the pile of hairy beef kneeling in front of me that your 320-pounds mostly comes from a long history of working as foreman at Hilbert construction after twelve years as a Sargent in the Marine Corps. Your ID says your name is Doyle Allen Delong, but I see you like to go by Allen or even more informally your initials, DAD to your crew.
ā€œI did find that twenty years ago you were arrested for public sexual indecency at a public bathroom outside San Diego, but that charge got dropped.Ā  Interesting.
ā€œNow I bet due to the torrential rain last night and the rain forecasted for this afternoon, construction has come to a halt today.Ā  That gave you the opportunity to be a cumdump for truck drivers beginning their day, and you made a bee line here.Ā  Now did I get any of that wrong?...
ā€œYour silence speaks volumes.Ā  And I am assuming you are invoking your right to remain silent.Ā  Well let me address your rights here.Ā  You have none.Ā  You ainā€™t being arrestedā€¦.Ā 
ā€œWell that changed your demeanor.Ā  Look up.Ā  Look at me.Ā  Yeah, I figured as much.Ā  You are still hungry for cock, and you are salivating staring at my cock.Ā  Well bitch, you are going to get it.Ā  This isnā€™t some random spot I pulled you out of my cruiser.Ā  This is the backside of my property.Ā  Behind you and over the hill is my stable, and then another hill to my home.Ā  Since your work day went to shit, you have the entire day to spend buck naked in my stable like a beast that needs to be broken.
ā€œI donā€™t need to ask your permission; your hard on tells me everything I need to know.Ā  Damn!Ā  That is one giant pecker you have there.Ā  Too bad itā€™s going to be ignored for the rest of the day.Ā  When I approached you spread over that fallen tree, I saw you had your cock and balls tucked under your belly so no one can see.Ā  I bet you did that so that no one would pay attention to it.Ā  Ā I donā€™t think you can fit into my biggest cock cage.Ā  Fuck, you are leaking.Ā 
ā€œDamn, this is some slimy leak.Ā  So you like being naked on your knees, hands cuffed behind you, your dick betraying an idea of you being any type of alpha male.Ā  I bet it kills you to be a foreman, bossing your men around knowing they are more of a man than you.Ā  I bet you fantasize about them pulling a train on you. Ā I was a First Lieutenant in the Army.Ā  I know that you Marines are all alike.Ā  Either you are a sadistic bastard or the most depraved cumdump animal.Ā  Either you want to control, or you want to be controlled.Ā  Thereā€™s hardly a middle ground.
ā€œYou havenā€™t said one damned thing yet.Ā  You know itā€™s true.Ā  You know you want to be under the control of a natural superior, one who will put you in your place and expect you to remain there.
ā€œI assume you have no plans for this weekend.Ā  If you do, you will be canceling them.Ā  You are going to be my beast, my animal.Ā  Iā€™ll lock a hood on you, and a remote-controlled shock collar made explicitly to control animals.Ā  I have about 8 to 10 guys that I will invite over to use you.Ā  Your cunt and toilet mouth will be used continually throughout the weekend.Ā 
ā€œSo will your cock.Ā  I think I'm changing what I said earlier. There is no way that baseball bat is going to be ignored.Ā  Iā€™m in control of it.Ā  There will probably be slaves over; their owners will want to see them get fucked by a beast like you.Ā  The thing is beasts donā€™t show mercy when they fuck, neither will you.Ā  The more savage the better.
ā€œWhat you say, you want to be my beast, my animal for the weekend?
ā€œā€¦Are you cumming?Ā  Jesus Christ!Ā  You are.Ā  Fuck!Ā  Let it go.Ā  Damn!Ā  I've never seen a no handed eruption like that. Thatā€™s an impressive load.Ā  I hope you can remain hard throughout this weekend, if not, there are injections to keep you hard.Ā 
ā€œI donā€™t care if you lose interest.Ā  You will be expected to perform continually.Ā  As you can tell, I am horned up.Ā  My dick needs attention, and you ass is going to provide it.
ā€œJesus!Ā  Now that is a fuckable ass if ever I saw one.Ā  Here lean forward, let me guide you down.Ā  Get that cunt up in the air.Ā  My driver friend said you were a sloppy fuck.
ā€œAnd he was right.Ā  How many loads are up here?...Ā  Shut up!Ā  Animals donā€™t fucking speak.Ā  Grunt your answer.Ā  Four?Ā  It feels like a lot more.Ā  Fuck!Ā  After I dump my load in you, Iā€™ll plug you up.Ā  Then tonight, Iā€™ll have you dump the cum stew on the concrete in front of everybody.Ā  Then I will have you lick it up so they can see what kind of disgusting animal you are.
ā€œOh fuck, Iā€™m getting close here.Ā  Clamp down.Ā  Jesus!Ā  You arenā€™t all stretched out.Ā  Here it comes.Ā  Uh! Uh! Ahhhhh!Ā  Ah!Ā  Fuck!
ā€œFucking hell.Ā  Clamp down further; Iā€™m pulling out.Ā  There.Ā  You made a fucking mess on my trousers.Ā  Iā€™m going to have to change them.Ā  Let me get you over on your back.Ā 
ā€œYouā€™re a fucking mess.Ā  You are probably thirsty.Ā  Open up that toilet mouth, and drink what you can.Ā  Ahhā€¦.
ā€œDamn, you are one beefy beast.Ā  Normally I shave my slaves, but there is no way in hell I am going to touch one hair on you.Ā  Your chest is perfect.Ā  Your nips look a bit soft.Ā  Titty clamps will be in your future, angry ones.
ā€œClose your mouth.Ā  We need to get you collared, hooded, plugged, chained up, and installed in the stable to start this weekend.Ā  Is there anyone we need to notify? Ā I need to call a guy to get your work truck here.Ā 
ā€œIf you work out this weekend, you may be spending a lot more time here than you did at that rest stop.
ā€œGrunt me your ā€˜Thank you SIRā€™ā€¦Ā  Atta cunt!ā€
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purgemarchlockdown Ā· 1 year
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How Magic Depicts Pain
(also known as: I told myself to hold back on Amaneposting but the new process shots have made me think)
So in-universe, Magic is a watered down and sanitized version of what actually happened in the cult that switches between from Milgram's usual anime artstyle to a papercut/felt-like storybook one. The general tone of Magic is very high energy and happy. It's a very colorful MV all around.
This doesn't stop the darkness from seeping in of course, most notably in the lyrics and at the end of the MV which involves a stylized depiction of abuse.
I'll get to that part, but before the ending of the song we get two showcases of pain.
The game show scene:
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And the stage light scene:
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We will get to the stage light in a bit but let's talk about the game show first! The metaphor isn't subtle. Amane messed up, she said the wrong thing, made a mistake, and so, she gets punished.
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It's not treated as anything too serious though, Amane makes silly cartoonish facial expressions, her movements are over exaggerated and silly. It's comedic, it's nothing to be taken too seriously.
Even afterwards Amane gets helped up by (presumably) Yuri, you don't Have to worry. It's all fine and good and not that serious, and even if it, was the two of them help her up! It's a perfectly fine situation with nothing dark lurking under the surface that might suggest otherwise.
Now since the Milgram MVs are taken from the person's mind, most likely, Amane is downplaying the severity of the abuse done to her. Not only that but she's portraying her own pain as an exaggerated and comedic reaction to it. It's not that serious, she's just overreacting.
Amane does this a lot throughout the song and in outside material, she tends to downplay to abuse or explain why it's actually a good thing.
But itā€™s not scary at all, because itā€™s love I can really think itā€™s great. See isnā€™t it a great thing?
Amane Momose Does Not Consider Her Own Pain as Something Serious, or at least when it's pain caused by her abusers.
Moving out of the gameshow and into the stage light, the cat's pain is treated in a similar way at first. The scene even directly parallels the game show scene:
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Like with the game show, the reaction to the pain is depicted as something childish, a tantrum over a small scrape, nothing that really needs to be fret over.
Until we switch over to Amane's View:
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The camera is shaky, the cat isn't crying but hyperventilating. It's still a scrape but instead of the exaggerated criss cross, its a row of scratches on the cat's face, there's even a few on the cat's cheek. It's depicted seriously, there's actually weight to the injury here.
Now, what does Big Sister Amane do? Big Sister Amane who Yuri (after Gachata hurt her) helped just a few moments ago? Big Sister Amane who wants everyone to be happy? She helps.
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She grabs a first aid kit, I don't know How she got it but she does and she does the best she can to to fix the cat up. She's hiding away as she does this, she knows she isn't supposed to but she does it anyway because it helps someone!
And it works! You can see how happy the cat looks in the image. It's not just a vague "we will support you" gesture like the hand Yuri gives Amane. It's an actual tactile action that Helps Someone.
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And they can't have that. They can't have Amane help someone out like this.That's against their rules, that's against their beliefs, that's a threat to their control.
So they punish her.
Let's talk about the ending scenes, and the possible torture that Amane went through.
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I'm not going to show all of them as that's a whole other post on it's on really, but it's notable that, the most egregious acts of violence and abuse in the entire MV, are sanitized. There turned into storybook images, Amane has exaggerated and cartoony expressions, the mentor figures are far away from Amane and are standing to the side as she's getting hurt.
We know from the process shots that a taser was involved and yet in Magic it's depicted as this:
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It's...still bad, it's still depicting electrocution, however instead of a taser being used against her it's an abstract electrical burst. Even now there's a distance between what actually happened and what it shows.
And yet the pain still comes through, even with the storybook visuals, it's not the same as the Game Show where it was turned into a finger flick. It's still depicted as something Painful, just distanced from reality.
It transitions back to the regular art style after Amane prays, or more accurately, begs, that she can be better. She's given a wand (pipe) and wings and is told that yeah she Can be a better girl!
Not that she's already a good girl, only that she can be, eventually.
And, after all, aren't good girls supposed to have hope no matter what?
(End Notes: I hope people like the way I formatted the screenshots lol, I had a lot of fun with it so I hope it flows well!)
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stormz369 Ā· 7 months
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The King of Hell and Me: Ch 2 - Molting
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Chapter Guide Ch 1 Ch 2 Ch 3 Ch 4
Summary: Lucifer goes missing because he's embarrassed. Preening ensues. Wolf-demon reader. Warnings: fluff, Lucifer being bad at vulnerability, animal characteristics, implied arousal, rated mature (maybe?) Word Count: 3k
Lucifer had his own home, of course. But since the hotelā€™s grand re-opening, heā€™d been staying in his suite here. To be closer to Charlie, or to get himself out of his depression funk, or maybe both, it wasnā€™t clear. Either way, weā€™d found ourselves spending a lot of time together. We ate breakfast together most days, he told me all about his most recent duck-based inventions, and he was the only person I let into my office while I was doing my work for the hotel. Charlie had hired me as an all-purpose consultant, letting me work on any projects I wanted, and I dove straight into the advertising/community outreach/PR side of things. My work didnā€™t typically look like much until I had a completed product to present, so I didnā€™t like to have people watching my process, and as long as I kept her in the loop Charlie didnā€™t mind my secretive ways. But Lucifer was a creative mind too. He understood that sitting at my desk apparently doing nothing wasnā€™t actually nothing, and he let me be.
He was also the only person allowed to put things in my office, but that was only because he felt it was odd that I was a wolf without a pack, -because ā€œEven hellhounds have packs, dear girl! Wolf-demons arenā€™t that uncommon, you need a family!ā€- and had started making one for me, a slowly growing pack of rubber ducks with wolf ears and fluffy tails. Every so often Iā€™d find a new one in my office, and each one did something unusual. A pair facing each other on the windowsill had a laser between them that would alert us to intruders, but most were silly things like duck-wolves that could jump and growl, or were actually soap dispensers or changed color with the weather.Ā 
It actually worked out to be a mutually beneficial relationship. We both had a tendency to dive headfirst into our hyperfixations, and when one of us did, the other usually managed to keep them from spiraling too far. Heā€™d comb my hair and fur, and remind me to take breaks. Iā€™d bring him dinner and get him out of his room when he was getting frustrated. One time I even sat in the bathroom taking notes while he talked so he could shower without losing his flow. We weren't exactly romantic, but it was far more emotionally intimate than any romantic relationship Iā€™d ever had. And, with no one else filling that role for either of us, we did end up on the receiving end of a lot of ā€˜old married coupleā€™ jokes.Ā 
And thatā€™s why, when he suddenly just wasnā€™t at the hotel one morning, I got a bit nervous. And, Iā€™ll be honest, frustrated. I reminded myself that just because we typically spent breakfasts together didnā€™t mean we had to every day. Just because heā€™d told me every time he was leaving the hotel for the last few months didnā€™t mean he was beholden to me. We were friends, but he wasnā€™t mine and I couldnā€™t tell him what to do. I had no right or reason to be put off by this unexpected change to my routine. So I ate breakfast alone, went down to my office to work alone, and ā€¦ couldnā€™t get into it. I couldnā€™t focus, everything was just a bit off. I should be able to hear his breathing, see his faint glow out of the corner of my eye, feel his hands in my hair. But I was entirely, soul crushingly, alone.Ā 
I texted him every day for the first week. Then once every few days, which quickly became once a week, but he never responded. He didnā€™t even look at them. I was starting to think he might be mad at me, but I couldnā€™t imagine what I could have done to upset him so much. I started working evenings, finding it less uncomfortable to be alone at night, but I had trouble getting much done either way. Charlie started bringing me breakfast in my office when everyone else had dinner. I appreciated that she was making sure I ate, but I was just as worried about her as she was about me. Lucifer hadnā€™t reached out to her either, and he wasnā€™t taking her calls, and her calm facade was starting to crack. At least she had Vaggie though. I was just alone.
A month into his disappearance I was working late again. Everyone was in bed, and I was trying to finish up this advertising campaign mock up for Charlie, when I heard the door of the hotel creak open. My ears perked up, and I cracked my office door open, listening carefully. I couldnā€™t make out who had come to visit. There were footsteps, light and airy but far too heavy to be Lucifer. I sniffed the air, glad for my more animalistic senses, hoping to catch some kind of clue. Friend, or foe? Welcome, or defend? The air smelled ā€¦ musty, and damp. Something was very off.
I flicked my wrist, extending my claws, and made my way silently down the dark hallway. The intruder stumbled up the stairs, it would be silent to those without acute hearing, but I heard every step. I followed along, trying to visualize where they were from the sounds. They made their way past the elevator and up more flights of stairs, and I tracked along behind them, staying a floor below them to avoid detection. I wanted to know who they were, but I also wanted to know what they were looking for. When they finally made their way down a hallway, I glowered. They were on Charlieā€™s floor. I waited, listening halfway up the stairs so I could pounce if needed, until I heard them stop at a door. I jumped up, landing a few feet away from the short, trenchcoat clad figure. They jumped, pressing themself against the wall as if they could disappear through it, and dropped ā€¦ a key?
ā€œ... Lucifer?ā€ I whispered.
He turned toward me, a sheepish grin on his face. ā€œ... Heeey ā€¦ Iā€™m home!ā€
I sighed, scooping up his key and unlocking his door, gesturing for him to go inside. ā€œDonā€™t wake Charlie.ā€
He nodded, darting inside. His footfalls were too heavy, he was hunched over a bit, and his back looked bulky under his coat. Something was wrong. He sat awkwardly on the couch, kicking his feet a bit. ā€œSooo ā€¦ Howā€™ve you been?ā€
ā€œHow have I been? ā€¦ Luc, where have you been? ā€¦ Y- you didnā€™t call, you didnā€™t tell anyone where you were going, or when youā€™d be back, you sneak in in the dead of night in whatever that is, you smell like a drowned bird, and youā€™re walking like an injured dog. And you ask how Iā€™ve been???ā€ A deranged laugh ripped its way out of my throat as I collapsed onto the seat next to him. ā€œ... Do you even care that weā€™ve all been worried sick? ā€¦ I ā€¦ you didnā€™t text me back ā€¦ You were just ā€¦ gone.ā€
He flinched a bit, hesitantly reaching for my hand. ā€œ... I .. Iā€™m sorry, puppy ā€¦ I didnā€™t mean to scare you. I just ā€¦ I had something to attend to.ā€
I sighed softly, letting him take my hand. ā€œWhat was so important that you couldnā€™t even tell us you were ok?ā€
ā€œI ā€¦ just had to ā€¦ā€ He sighed. ā€œLook, itā€™s kind of embarrassing, ok? I ā€¦ā€ He mumbled something, a low whine in the back of his throat masking his words.
ā€œ... What was that?ā€
ā€œIā€™m molting, ok?ā€ He whined, shifting uncomfortably. ā€œIā€™m molting, and I canā€™t comfortably put my wings away until itā€™s over, and theyā€™re ugly right now! So I just ā€¦ I thought Iā€™d just go to the manor until it was over. I was only coming back tonight to get my sketchbook so I could work on a projectā€¦ā€
I blinked a bit, trying not to laugh. ā€œ... Right. ā€¦ Just so Iā€™m clear, cause I didnā€™t really interact with birds on earth. Molting is the one where birds lose a bunch of feathers and get new ones, right?ā€ He nodded. ā€œAnd itā€™s a yearly thing?ā€
He nodded again, ā€œFor most birds. Angels get a little one each year, and a big one each decade. It takes forever! Itā€™s ā€¦ unpleasant. Messy ā€¦ā€ He grumbled softly; ā€œhumiliating.ā€
ā€œHumiliating? Itā€™s just part of having wings, isnā€™t it? How is that humiliating?ā€
ā€œ... Youā€™ve seen my wings, what did you think of them?ā€
I let out a sigh, thinking. ā€œ... Theyā€™re bigger than I expected, but that makes sense since youā€™re not a bird. Theyā€™d have to be pretty big to lift you up ā€¦ unless youā€™ve got hollow bones and theyā€™re just ostentatious?ā€ I chuckled a bit, hoping to lighten his mood, but it didnā€™t seem to work. ā€œ... Theyā€™re beautiful, and they look really soft ā€¦ You look so majestic when you fly ā€¦ā€
ā€œExactly. ā€¦ Beautiful. Majestic. Thatā€™s what theyā€™re supposed to be ā€¦ but when the molt comes theyā€™re ā€¦ really not that. ā€¦ Molting is messy, and itchy, and ā€¦ gross! ā€¦ I look like a plucked chicken under this coatā€¦ā€ He whined softly, frustrated tears pricking at his eyes as he hid his face in his hands. ā€œAnd the worst part is that I canā€™t even rush it along like we did in heaven, because I canā€™t reach!ā€
ā€œ... Canā€™t reach? ā€¦ Do you have to pluck something, or?ā€
He nodded. ā€œAt the end of the molt the new feathers have these keratin sheaths that have to be removed ā€¦ In heaven weā€™d get a few trusted angels together and circle up, but I canā€™t do that here! So I just have to wait for them to peel off on their own!ā€
I frowned softly, gently stroking his shoulder. He whined softly, looking at me hesitantly. ā€œLucifer, ā€¦ Iā€™m sure this is a ā€¦ sensitive topic, and Iā€™m sure thereā€™s a reason you didnā€™t ask, but ā€¦ if you wanted to ask, ā€¦ I would help. And I promise, I wouldnā€™t judge you for what they look like right now, or talk to anyone else about it, or anything like that ā€¦ Itā€™s just like when you got that matt out of my fur, that was pretty embarrassing for me, but I couldnā€™t see it well enough to get it out myself. So you sat down with me, and you took a set of combs, and detangling spray, and a pair of scissors, and you fixed it for me. ā€¦ You could have just cut it out, but you didnā€™t. You sat there and meticulously detangled it for hours, and then you trimmed everything so it wouldnā€™t get bad so easily again. Remember? ā€¦ I could do the same for you.ā€
He nodded slowly, sighing softly. ā€œI just ā€¦ I didnā€™t want you to see ā€¦ you donā€™t understand, they look really bad right now ā€¦ā€
ā€œSo did my neck.ā€
He thought for a moment, sighing before he carefully slipped the ugly beige trench coat off. His wings were pressed firmly against his back, almost trembling. He turned away, letting me get a good look at them. The majority of his flight feathers had already gone through the process, but about half of the fluffy down feathers were still encased, or partially encased, in cylindrical sheaths. I smiled softly, gently stroking down his spine. ā€œIt really doesnā€™t look so bad, Luci. Letā€™s get comfy, ok? Do you wanna lay down somewhere?ā€
A shiver went up his spine, and his wings attempted to puff up in response. It did look a bit sad, but I wasnā€™t gonna tell him that. He was feeling uncomfortable enough as it was. His wings were usually a source of great pride for him, I wasnā€™t about to make this harder for him. He slowly nodded, and carefully got up. I followed him to his bedroom, a little concerned by how wobbly he seemed.
ā€œ... Luc, is the molt really the only thing thatā€™s going on? You seem a bit ā€¦ off?ā€
He collapsed onto his bed, pulling a pillow under his chest and crossing his arms under himself. ā€œItā€™s enough ā€¦ The little molts take a lot of energy, but the big ones ā€¦ The big ones really suck ā€¦ Iā€™ve been in bed pretty much since I left ā€¦ā€
I nodded, sitting next to him. ā€œI see ā€¦ so, I just start peeling these things off the feathers?ā€
He nodded. ā€œGently, please ā€¦ You can roll them a bit if they resist, but if that doesnā€™t work move on to the next one. Most of them should be ready though.ā€
I hummed softly, gently taking the wing in front of me and carefully extending it. He groaned softly, following my movements compliantly. I let the wing rest on my legs and began carefully sliding my fingertips over the little cylinders. Most of the keratin sheaths started to flake and crumble away under my touch, and I carefully rolled the slightly more resistant ones between my fingers. Under my touch, fluffy down and contour feathers began to emerge. I gently brushed the debris away, careful of my claws. I knew I had to do this perfectly; to prove he could trust me with things like this. He wasnā€™t moving or making any noises though, and I wasnā€™t sure if that was a good thing or bad.
I worked methodically from the bottom where his wing attached to his back, up and out to the wingtip, periodically brushing the detritus away and stroking his freshly exposed feathers. I finished the right side and got halfway through the wings on the left before I ran into one that started to peel away, but then didnā€™t want to budge. I was about to move on like heā€™d told me, but I paused when I heard the first noise Lucifer made since I started touching his wings; a high pitched whine. He squirmed uncomfortably, and his wings ruffled up a bit.
ā€œ... Luci? D- did I hurt you?ā€
ā€œNoooo ā€¦ I want it off ā€¦ā€ He whimpered softly, pressing his face into the pillow. ā€œ... C- Can you scratch it a bit? Just a bit!ā€
I nodded, humming softly my agreement, and carefully ran a claw along the sheath. His high whine returned, but this time it seemed a bit more ā€¦ pleased? I scratched again, watching little bits of the sheath peel away. After just a little bit more the sheath fell away entirely, releasing its fluffy feather, and Lucifer sighed happily.Ā 
ā€œOhhh fuck~ ā€¦ Oh, thatā€™s so much better! Your hands are magic~ā€ He moaned softly, bringing a blush to my cheeks.
I cleared my throat; ā€œ... Iā€™m glad youā€™re liking it, Luc.ā€
I carefully continued to the tip of his wing. There were only a few that hadnā€™t been ready to go yet, and his wings were back to their full, shiny, fluffy glory. He sighed happily, but didnā€™t move to get up, so I just continued to stroke his feathers.
ā€œAhh~ ā€¦ Puppy, thatā€™s wonderful~ ā€¦ But y- ā€¦ you do know, wings are sensitive, yeah?ā€ He slowly lifted his head, looking over his shoulder at me. The heat on his face made me squirm shyly, and I shakily removed my hands.
ā€œS- Sorry ā€¦ I ā€¦ā€ I blushed bright red, scooting backwards. He whined softly, slowly sitting up and facing me.
He shakily reached for my hand, running his thumb over my fingers. ā€œ... I wasnā€™t trying to make you stop. ā€¦ā€
I blushed even more, looking up at him shyly. ā€œ... So ā€¦ should I continue?ā€
He slowly lifted my hand to his lips, kissing my knuckles gently. ā€œ... Only if you wish to.ā€
I nodded slowly, shakily pushing him to lay back down. He did, watching me out of the corner of his eye, and I straddled his hips, stroking his wings gently.
ā€œ... Theyā€™re so beautiful, Luci ā€¦ You are beautiful ā€¦ā€ I was mesmerized, letting my hands trail along the soft feathers.Ā 
He sighed happily, settling under me. ā€œ... I cannot believe I let this go on for a full blessed month when I could have had your hands on me this whole time ā€¦ā€
I chuckled softly, continuing to preen him gently. ā€œNever again, yes? You come to me for this, whenever you need it. Or even if you just want it. ā€¦ You take care of me, and I take care of you.ā€
ā€œBecause weā€™re an old married couple.ā€ He nodded, yawning softly. ā€œYes, love, anything wifey wants~ā€
I blushed brightly, trying desperately to stop the squeak from leaving my mouth. Others had called us a married couple before, mostly to tease us, but we had never said it. ā€œ... Thatā€™s right, husband. Anything I want.ā€
He smirked slightly. ā€œHusband ā€¦ I like the way that word sounds when you say it ... If youā€™re not careful, I might just make you my wife for real ā€¦ā€
ā€œ... And what exactly would ā€˜being carefulā€™ look like?ā€
ā€œOh, you know. Not letting me touch you anymore, keeping me out of your office, making fun of my ducks. ā€¦ Taking your hands off my wings would definitely count as being careful.ā€
I chuckled softly, steeling my nerves and leaning forward to kiss his cheek. I whispered against his ear; ā€œsounds like a horrible way to live. I think Iā€™ll take my chances.ā€
His eyes flew open, looking up at me. A bright red blush spread across his face, and a hesitant smile graced his lips. ā€œ... I agree. A horrible way to live.ā€
He carefully slid out from under me, turning around so I was in his lap instead, and gently cupped my cheek, rubbing gently with his thumb. I leaned into his touch, sighing happily, and he slid his hand up to stroke my fluffy wolf ear. An almost electric feeling shot through me, leaving me gasping, and I hesitantly looked up at him. He smirked slightly, pulling me closer and kissing me softly before he whispered in my ear; ā€œNow donā€™t give me that look, love~ Youā€™ve been doing it to me this whole time~ā€
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positivelybeastly Ā· 2 months
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Donā€™t know if youā€™ve answered this before but what are your unpopular opinions on Beast? Iā€™ll go ahead and make myself look bad to start by admitting that, while I hate how Trish went about it, I honestly donā€™t know if I would find myself attracted to cat Beast if I had been actively dating him up to that point. It would cross the line for me from ā€œhuman covered in furā€ to ā€œliteral anthro animalā€ and I have never been a furry, personally. Itā€™s donā€™t know if thereā€™s any ā€œgoodā€ way to break up over that, and Iā€™d hate myself, but I can at least relate to Trish on the changeup.
So, here's the thing, Anon - I don't think you look bad by admitting that you don't think you'd be able to handle Hank's change from humanoid to leonine. Hank himself could barely handle it. And it brings to mind a clip from Star Trek: The Next Generation, from an episode called The Host.
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Basically, Beverly here has seen a romantic partner, Odan, change bodies twice in a very short space of time due to emergency circumstances, and now Odan is in a female presenting body, which compounds Beverly's confused feelings about how to process a very tricky and complicated situation.
I don't think anyone can really blame her for finding it hard and saying no to the relationship, honestly? She's open and she's honest about her feelings, and Odan is disappointed, but they understand, because this has been hard for Beverly just like it's been hard for them. And that's where Beverly and Trish differ.
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Like, the way Trish did it? Over the answering machine? Like, just. No. That's the kicker. That's always been the kicker. And the way that she said it? Like, you had every opportunity in the world to delete that message, stop halfway through what you were saying and start again, say it in a way that didn't hurt Hank's feelings - and you chose not to. That's always been the part that's hurt the most.
This woman has presented live news coverage. She knows the importance of choosing her words carefully. She should know better. Which implies that this is just the best way she could see how to handle it, and that is a bad look. It speaks to a lack of empathy and a lack of emotional intelligence, which is on brand for Trish, given how she treated Warren after his wings were damaged by Harpoon, but it's still very, very disappointing to me.
There's never an obligation to love someone after they change. There is an obligation to treat them with kindness and respect, especially when they're struggling with the change, too.
Anyway! You wanted some unpopular opinions?
The X-Men use Beast and don't provide him with adequate emotional support afterwards, in part because they're all too wrapped up in their own problems, and in part because Hank does too good of a job of pretending that he's all right when he's really not. This is compounded by the fact that Hank's closest bonds are with the O5 and not the second generation team (Logan, Ororo, Piotr, etc), so the instant he's on a team that doesn't possess an O5 member, or it possesses an O5 member that he's on bad terms with, things go sour for his mental health, especially if he's expected to do something morally unscrupulous. There is intense significance to the fact that Hank left Utopia after Warren shut him out of his life, Bobby failed to provide emotional support after his torture, and Scott continued to change into a man Hank didn't recognise or approve of.
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2. Beast's moral decline was not inevitable and it could have been completely avoided if only the X-Men would stop dragging him into their bullshit and pressuring him to do things he doesn't want to do. Furthermore, the complete lack of taking responsibility by Cyclops, Xavier, Storm, Rogue, Wolverine, or any of the other team leaders who asked Hank to compromise his morals upon seeing where he ended up in X-Force is disappointing, but not unexpected. No, Domino, he was not "always like this."
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3. The 'lack of consequences' that Hank suffered as a result of his mistakes and errors in judgement prior to X-Force are not his fault, and are an indictment of poor story handling from 2012 onwards rather than him trying to avoid responsibility for those actions. Hank is, when properly characterised, a person who believes in personal responsibility and owning his decisions.
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4. Hank is blatantly obviously bisexual and/or gay. If you ever say that he is the 'straightest X-Man' as a pejorative, I will immediately, and without hesitation, block you.
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5. Ben Percy is a fatphobic hack and wanted to write furry blue Mr. Sinister. His characterisation of Beast is, without qualification, embarrassingly bad, and it's clear that everything he knows about the character has been gleamed from Wiki skims. Jordan D. White also holds some of the blame here for not putting his foot down and saying, no, that's not how Beast would act, but frankly, I'm not surprised a modern Marvel editor was failing to do his job on both a micro or macro level.
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6. Beast's physical strength has largely been forgotten about by many modern Marvel writers, and further exemplifies how little they care about leveraging what is unique about the character. He was the original X-Men's Big Guy. He is strong. He is fast. He is nimble. He is a threat on the battlefield and can go toe to toe with Captain America. Stop making him job like he's Worf and reducing him down to his intellectual capabilities only, I'm tired of it.
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7. The idea that a two dimensional war criminal (no, the idea that you're doing something bad for good reasons is NOT a nuanced one) is somehow more 'interesting' than a intellectual character being forced to battle his morality, bestial instincts, pessimism, and existential dread, is insulting, and betrays an immature approach to characterisation that I can only hope people grow out of.
Characters should grow and change, absolutely. But if that change is making the character worse, stripping him of everything that makes him unique, and shitting on years of better stories? Then it's a bad change. That's not my nostalgia talking, that's my storytelling instincts alerting me to the fact that you're an edgy 14 year old, in mind if not in actuality.
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8. Cat Beast is fucking hot, I don't give a fuck if that makes me a furry. Give me his phone number right now, I'll do what Trish Tilby was too cowardly to do. (No judgement on you, Anon, I'm just an unrepentant monster fucker.)
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9. S.W.O.R.D Hank is cute as fuck and I absolutely love him in this art style, y'all just need to be more open minded about artists who exaggerate for effect and believe in good expression work at the expense of realism. It's comic books. Let characters look goofy.
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10. Beast wasn't being an obstinate bitch on Utopia because he didn't like Scott, he was being an obstinate bitch because he was heavily depressed, morally and emotionally compromised, and regularly having chunks taken out of him physically. He made the correct, healthy decision to remove himself from a situation that was destroying him by inches.
Cyclops was correct to make the calls that got mutantkind through, but Beast was just as correct that a lot of what they were doing was morally abhorrent, and someone had to remember that and remind everyone what they were losing by doing these things, because if you don't, that's how you end up with supervillains. It's not a random coincidence that Cyclops ended up disbanding his version of X-Force later on, because he knew it went too far.
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11. Hank is not a traitor to mutantkind. No, he did not 'side' with the Inhumans with Inhumans vs. X-Men, he wanted to abide by the treaty that they had established, work to maintain a peace, and, when that wasn't viable, he didn't want to be part of a pre-emptive strike against an allied power that broke rules of engagement in order to inflict cruel and unusual punishments on people, including sensory deprivation, mental hijacking, and imprisoning people in fucking Limbo.
If you want to blame Hank for 'betraying' mutantkind, are you also going to hold Emma accountable for trying to commit genocide with Sentinels, or Storm for being a fucking idiot and starting a conflict over nothing, when she could have just let Hank go and tell the Inhumans what he'd found out, and the entire conflict could have been avoided? Either IvX is non-canon garbage or it isn't, but own your fucking decisions. Don't pick and choose so you can shit on Hank. This applies just as much to the fandom as it does the writers.
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12. Beast is underutilised in fan works because a lot of writers don't feel comfortable writing his unique dialogue style and artists struggle with his myriad mutations (which I don't blame them for, professional artists struggle just as much, if not more so). He is a friend to everyone in the X-Men, someone that they would feel comfortable talking to about their problems with, and every time you reduce him down to just being a plot device, you do your story a disservice.
Yes, this may or may not be influenced by the AO3 Hank McCoy tag 70% stories where he delivers medical/science exposition, 20% First Class AUs, and 10% fics that dive into Hank as a character. 5% of which are probably written by me, because I have a problem.
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Those unpopular enough for ya, anon? :P
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herrscherofmagic Ā· 3 months
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i've spent nearly 47 hours over the last ten days drawing nothing but kiana (and hov)
yeah.
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anyways, since I've had about enough of drawing Kiana for the rest of my life (/hj) I'm gonna put a pause on this project; but I'll turn it from a sprint into a marathon and try and work on it occasionally instead of all at once
I want to draw other things again x-x
Close-ups of the drawings below, as well as the reference image set, and some other misc. thoughts
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Portraits drawn from imagination
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Started the process by trying to draw Kiana's head from imagination; then after each drawing I'd pause, look at some references, see what mistakes I made, then put away the references and drew from imagination (and referring to previous drawings) again. I also took breaks at two points to practice drawing eyes & hair before going back to drawing Kiana
For the last 4 portraits, I'd draw a head from imagination as a warm-up to a drawing session, and then do another head much later on instead of doing it immediately. Around halfway through this "phase" I started the other phases at random points, and finished this portion of the process in the first ~10-15 hours of drawing time. The rest of the time was split across the other exercises
Also I gave her an angry expression because I felt it was the easiest for me to do from memory since I've drawn HoV more than just "Kiana" herself. I also used a boring level 3/4 view without much perspective because it forced me to really make sure I was doing everything accurately and with care.
Basically my thinking was that if I could make a boring level 3/4 portrait look good enough, then I'd have no trouble getting it to look good in other perspectives. That seemed to be true when I got to the stage where I was doing expression practice and had to deal with more head tilt and other perspectives, lol
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Studies of still images from screenshots of gameplay, character art, and stills from animated shorts
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Did rough sketches first, then drew with solid color over the sketches on a separate layer. not much else to say here, lol
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Full-bodies
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Started with an anatomy model loosely based on the proportions of Kiana's in-game model, and then two attempts at doing full-body drawings from imagination before realizing that it's bloody insane to try and do that much detail from imagination and I have much better things to do with my life than that x-x
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Color studies
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yaaaay color! yippee!
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Action sketches/"gesture" drawings
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"Gesture" is in quotes because I was way too slow with these for it to really count as proper gesture drawing, imo. But the intention was to start with gesture, and I got closer to that as I went on.
It's way too tempting to start adding detail so I had to metaphysically slap myself with a frying pan to keep myself from getting derailed by that >.>
To get references for this, I did screen recording of gameplay on the PC with OBS studios, then used DaVinci Resolve to play back the recordings.
On PC, when using the mouse controls you can hold the camera fairly still when doing an attack sequence, making it awesome for getting unique angles. For instance, when I recorded Void Drifter's attacks, I was able to get at least 4 different PoVs of her attacks: from the left, the right, behind & above, and in front & below.
Unfortunately, though, it was a bit of a hassle to get good recordings because I had to go into an actual combat stage to record it instead of being able to use an empty testing stage.
With DaVinci Resolve I could "split" clips to make cuts in the timeline that let me easily mark the spots where different attack sequences started, and I could also easily play it in .5x speed to help me figure out how the animations were going from one set of frames to another.
Plus if you close the program after saving, when you open it up again it remembers which frame you were last on and takes you straight there, making it easy to continue from one day to another.
I used White Comet, Herrscher of the Void, and Void Drifter attack animations here, but I also did recordings of Knight Moonbeam and Herrscher of Flamescion, and I might give those a try someday.
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Facial expressions practice
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Started with the set of rough sketches (first image), then did some expression practice from imagination (second and third images) to try and get used to how the proportions of the face change slightly with movement of the eyebrows/eyelids/jaw, since the shape of the eyes and mouth is especially important when doing stylized faces (like the anime style that HI3rd uses)
Then this morning I started working through the original rough sketches and developing them one-by-one, getting through 8 before I decided to call it quits and wrap up the project for now
So the facial expression practice pretty much the culmination of all my practice. All the practice with proportions, the contours & forms of the hair, monochromatic shading, line quality, shape design, etc.
This was also one of the few times I've ever taken stylized references and actually adapted them to some extent instead of directly copying them!
This is especially noticeable in the hair, where I used a more standard style for the hair, in contrast with the variety of hairstyles and shapes used in the various manga references (i.e. black-and-white Escape from Nagazora Kiana's messy hair vs the neat and solid hair in the colored Gratitude Arc, AE Invasion, and Moon Shadow Kiana)
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Reference images
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