#This is not the end of these characters' story

[lunameimei]

Eddie whines about how his life was great before Venom... WRONG ❗

Your life was great with Anne! But you ruined it and were going to jumр оff a bridgе, you piece of a piece >:[[[[

Like

I get it

In the first movie they just met, in the second they were were suffocating by everyday problems a joke about how the couple's romantic period ended and began a routine but in the THIRD movie??

You expect their relationship to develop, not suddenly regress.

Symbrock has gone from queer coding to queer baiting. And it's really depressing.

“Venom definitely isn’t permanently dead don’t be sad”

I’m not upset Venom died and I’m not worried it’s permanent, I’m mad that their relationship and character development somehow regressed. I’m upset that it looked like Eddie didn’t give a shit that his “best friend in the whole world” just died for his sake in front of him. And instead of giving us any sort of emotional reaction from Eddie we got what looks like a TikTok edit made by a fourteen year old on CapCut. Eddie should have at least, like, cried or something. Though realistically that man should have been sobbing on the ground screaming “please don’t leave me! I need you!” In the first movie when Venom is sacrificing himself Eddie shouts “Venom no!!!” And they had been together for, like, three days. You really telling me that the death of your year long companion doesn’t make you shed a single tear???

Also! All of this is emphasized by the fact that Eddie spent the entire movie bitching and moaning about how much stuff sucked that when Venom died it kind of came across as Eddie being relieved of Venom as a burden on his life. It kind of seemed like Eddie was happy about this outcome and it left a bad taste in my mouth.

[irrealisms]

everyone in mcyt fandom talks about bad inventories but i feel like we don't talk enough about the different types of bad inventory & the ways that inventories can be characterizing. i took most of these screenshots but one or two of them aren't by me and i've just had them saved for a few months sorry. i'm taking inventories from various people across various servers (wild life, dream smp, hermitcraft, lifesteal, and 2b2t) to illustrate my point here

like there are inventories that are bad because they're empty:

but then there's also inventories that are bad because they're full:

and, like-- the different ways an inventory can be bad are also characterizing? an inventory can be bad because the items aren't stacked; or because it's empty of anything useful; or because it's so full of building/fight supplies that there's no slots left for doing anything else; or because it's full of random junk. it speaks to a character's position (compare tubbo's diamond sword and empty inventory to ranboo's netherite sword or zam's full inventory of potions) and the rules of the server they're on (tubbo's not wearing elytra because elytra aren't allowed on the dsmp; zam's inventory has chorus fruit and wind charges but no ender pearls because ender pearls aren't allowed this season on lifesteal) and what their priorities are (building, pvp, lore) and how organized vs scattered they are and so much more. another inventory i like:

like!!! that's so instantly characterizing, for both the character and the server!!!! 5 stacks of end crystals + obsidian. 6 stacks of tnt. 3 stacks of god apples and a stack of chorus fruit as your only food. the bucket of lava and bucket of water for lavacasting. the fact that the flint and steel is enchanted with unbreaking. that's a STORY--of the character but also of the server! this is not the sort of inventory you have on most servers! it's so focused around griefing--explosions, lavacasts--and pvp, and the stacks of god apples as primary food source are an instant warning sign for widespread duping. the chorus fruit not for fights--ender pearls are strictly better, and he's got some so he clearly has access to them--which means it's for escaping traps, which means that's a live concern. it's got a lot of pvp supplies but it's so wildly different from the lifesteal inventory in ways that speak to the differences in server rules and cultures. like, horrendous inventory in many ways. also, very good inventory in some ways. also also, delightful inventory! fascinating inventory!!! inventories are such a delightful source of instant characterization i love them so so much

[sanfangzhu]

📢Spoiler Warning📢

It includes the story and endings from the game.

This comic features additional settings and my own ideas.

In the game, the main character is female; in the manga, I depict the character as genderless.

The characters use a special language, and the dialogue may not be very smooth. I expanded on this in the comic

✤ Had an argument ✤ + ✤ Borrow an umbrella ✤ + ✢ Feeling down ✢

✤ Dance ✤

When facing off against Mr. Scarlet, it feels a bit like battling a boss… but his shattered personality in the end is such a twist, and I really like it 💘

✤ Hug ✤

[always-just-red]

Hi!

Can I request a fic where the reader starts realizing they have feelings for Sylus and gets so nervous around him that they can’t resonate anymore?

And Sylus thinks that the reader is scared/disgusted by him again so the reader is forced to confess their feelings to not create a bigger misunderstanding

Thanks!

- 🌻

The moment I got this request I was like HELLO— sunflower anon, you just get me 😌 Anyway! Am back from my break and I hope everyone’s ready for some Vulnerable Sylus™️, because I have got him hot to go!!!

A Gentle Touch

Sylus x Reader 🩸

Summary: You really can’t let Sylus into your head this time— he’s living there rent-free already.

Genre: Angst + Fluff (& some Luke and Kieran shenanigans because they were not feeling the angst)

Warnings/Additional Tags: f!reader, injury detail, mentions of possible trauma, humour, some intimacy at the end 😘, Luke and Kieran are having the time of their lives

| Word count: 3.2k | Masterlist | Opt-in to my taglist here!

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

If you asked, Sylus would tell you.

You catch glimpses: dark, sharp flickers of something monstrous, maybe even infernal. Blood, everywhere— thick in your mouth and your nose. All over your hands. You feel it, too: a yearning, so intense, and you couldn’t say whom it belongs to. Then there’s death. Searing white. Bottomless black. In the middle of all of it— crimson eyes like dying stars.

Every time you resonate, it envelops you, is laid out bare before you: a nightmare you’re caught in the centre of but forced to watch from outside. An other, a spectator. It’s a show, just for you, but it isn’t quite ready yet; someone’s still rehearsing their lines.

If you asked, Sylus would let you see it. It’s a power you have over him, a constant, self-sacrificial: you want it? It’s yours. So you don’t ask. You never ask. Like words mumbled in a haze of wine or sleep, you let him hold onto it. His hands are open, yes, but you don’t have to take.  

Besides, you have your own, world-changing little secret, and he’s going to see it too.

He’s slumped in front of you, blood sheeting down from two bullet wounds just below his shoulder. He catches his breath— one, two— before he peeks over this desk you’ve overturned for cover. You should be peeking over as well: should be counting your enemies, scouting your next move.

Instead, you’re looking at him and holding back. One minute ago you had no idea where he was, how he was, and it’d been eating away at you from the moment you got separated. Now he’s with you— he found you— and the relief is desperate, gushing; it has to escape somehow. It drips: forbidden daydreams, one after the other, like…

How you want to hold his face and urge him to speak so you can just hear his voice.

How you want to press a hand to his heart and feel the beat of it beneath your palm.

How you want to kiss him, want to taste the blood on his split lip, because this is your story, isn’t it? Messy. Violent. Defiant.

He looks at you, that same blood carving a thin line through the pale of his chin. It drops down onto his silk shirt. “What are you thinking about, kitten?” he grins. His best guess: “This is a fine mess we’ve gotten ourselves into, hmm?”

It’s a fine mess he got you into. “Yeah.” You make yourself look away from him, glancing over the desk to assess how much worse the situation is getting. The answer? Significantly. 

Sylus chuckles, drawing your eyes back as he reloads his gun. “Don’t say I never treat you to anything, sweetie.” He fires a few rounds towards the encroaching danger.

Voices go up across the room. Gunshots ring out, louder. Sylus slinks back down, wincing, holding his shoulder, and his fingers turn red. He deftly undoes the first few buttons on his shirt, peeling it back so he can examine his wounds. His jaw clenches; the punctures aren’t closing over fast enough. It’s too much blood, too quick, and he’ll—

He catches you staring. There’s a sheepish sincerity in the way he smiles, as honest and vulnerable as the holes in his shoulder. He holds out his hand. “Time for an energy storm, don’t you think?”

“No,” you snap. “Save your energy. We might need it later.”

“Oh?” An eyebrow perks up in interest, and it’s just like him to spot a double entendre in the midst of all this chaos.

But you’re staring at his chest through his open shirt and you’re such a hypocrite. “Things might get worse,” you explain.

“Worse?” he repeats as bullets fly over your heads, striking the wall across from you and scattering plaster over the floor. He watches it crumble. “Paint me a picture, kitten— what would worse look like?”

Even Rafayel might struggle with that particular creative prompt.

“Come on,” Sylus insists, using the excuse of your silence to push his hand closer to you. “Now’s not the time to play coy.”

“Sylus, I really don’t—”

He grasps your hand, his fingers locking with yours and squeezing tight. Your heart jumps at the touch. It strangles the protests in your throat and stays there, strung up by anticipation and dread.

You’re feeling so much that it takes you too long to realise nothing is happening.

Sylus’s eyes are fixed on your connected palms. He’s squinting, concentrating, and when that doesn’t work— when your hand is paling in the vice of his— he loosens his grip, his thumb feathering over yours as he mumbles a quick: “forgive me.”

He doesn’t let you go. You can still feel him, all of him, imploring to just let him in.

You don’t, and his eyes meet yours, for a moment— like another bullet has bitten through his flesh. Your mouth drops in fake surprise; you’re always so innocent when you pull a trigger on him.

This time, there’s no wound you can push your hands against in a guilty effort to staunch the bleeding. You have to apologise. Have to stitch it up with every word you’ve been guarding, saving, and it isn’t supposed to be like this. “Sylus, it’s not what you think. I—”

Something metal clatters across the floor behind you, bounces like a failing, stuttering heartbeat, then explodes.

…

“Good news, boss! We figured it out!”

Sylus groans, looking up from a report he’s not really been reading as two figures crash into his room. Not good, he thinks, as Kieran flings himself into the nearest armchair. Whatever this is, it’s not good. Luke settles on its arm.

With a sigh, Sylus removes his reading glasses. They stay, hooked on a finger, as he pushes his hair back like he can feel a headache coming on. His eyes flutter closed, and when they open, the twins are both leaning forward, bristling with excitement.

“Ask us,” Luke whispers in a way that makes Sylus think he might not realise he’s speaking out loud.

Another sigh. “What did you figure out?”

Kieran whips out a tired-looking notepad from behind his back. He clears his throat— “ahem!”— then starts to read: “Reasons why Miss Hunter was not able to resonate with you. Number one...”

“How did you find out about—”

“Sshhhh,” Kieran interrupts, putting a finger to where his lips should be. Sylus’s eyes widen in indignation, and Luke comes to his twin’s rescue, silently indicating Mephisto with a few tips of his head. The crow shrinks down on his perch.

“Number one,” Kieran repeats, matter-of-factly. “Your height.”

“My… height?”

Luke nods solemnly as Kieran continues: “humanityandconquer.com/power-dynamics describes tallness as a ‘natural advantage when trying to dominate a smaller individual.’ You are very tall. Try crouching when you speak to Miss Hunter.” He glances over the top of his notepad. “If you approach her at her level, she’ll know you mean no—”

“Nope. Next,” Sylus dismisses, waving his hand in a fast-forward motion. That headache is coming on.

“Reason two,” Kieran acquiesces, gaze falling, “your eyes.”

“Oh, for gods’ sake—”

“They’re red,” the twin pushes on, “and red means danger. In fiction, red eyes are symony—” he stops, spells it out— “synonymous with the supernatural. Vampires especially. Plus, lots of bad stuff is red.” He’s going off-script. “Blood. Fire. Sunburns.”

“Sunburns are pink,” Luke muses.

“No, like, bad sunburns, y’know?”

“Oh right, yeah.” There’s a shrug of agreement.

Sylus’s will to live is hanging by a thread, and they really don’t have a care in the world, do they? It must be nice. “Thank you,” he murmurs, “for your little investigation. If that’s all, I would—”

“Reason three!” Luke chirps, wiggling the same number of fingers, and Sylus’s head lolls back against the sofa.

“Miss Hunter is struggling to separate this version of you from your first impression,” Kieran says.

Sylus looks up. “What?”

Luke is rubbing his hands together eagerly, like they’ve finally gotten to the good stuff. “Well, you remember how you and Miss Hunter met,” his twin explains.

Words won’t do it justice, apparently, because the man begins to act it out. He reaches to grip Luke by the throat and Luke pretends to choke, fingers clawing at the grasp. Then Kieran stands up— throws Luke down into the chair and pins him there with his foot before snatching up his hand.

“See what I mean?” Kieran asks over his shoulder. “I mean, it must have been pretty traumatic. You kinda tore her away from everything she knew. Forced her to use her power, et cetera, et cetera.”

Sylus has gone quiet. He’s vaguely aware that the twins are moving, saying more, but he can’t hear it. He feels sick. Then he feels something different: someone poking at his arm. A hand is waved in front of his face, but he doesn’t react.

“Oh, we so got it,” Luke whispers conspiratorially behind him.

“Hell yeah we did!” Kieran whispers back.

There’s the sound of them high-fiving, and it spurs Sylus into action. He’s up out of his seat, out of their shadows, and then the door as well— long before they can stop him. He needs to breathe. He needs the cold night air and the quiet, and his strides drive him towards it, but not fast enough.

He’s about to use his Evol. To let himself evaporate so he can be whole again somewhere else, somewhere easier, but then he stops. He’s by an open door, glancing in at a decadent living room, where you’re sprawled over a black leather couch. This isn’t easier. This hurts, and it hurts more as he forces himself to close the distance between you.

You’re still asleep. You’ve been unconscious ever since that grenade went off, and it’s for the best, really; getting out of that place was… messy. Sylus’s shoulder still aches, the blood on his shirt now crusty and dark. Some of it’s his. Some of it’s yours.

He’s not sure why he’s still wearing it.

The twins did a pretty good job of patching you up, but— looking over you— he would have done better. It was his role, after all. His duty to you, or maybe just a reason to get close to you. He couldn’t do it today. Couldn’t touch you, no matter how noble the intention. And a little part of him was glad for the excuse; his hands always shake.

A blanket is half on your legs, half on the floor, and Sylus stoops to collect the edge of it. He draws it over your shoulder, adjusting it around your arms— at rest by your face. He’s close, now, and he…

He can’t help himself. When has he ever been able to help himself? He lifts his hand slowly; he wants to kiss you. Even though your blood is still drying on his shirt and it’s all his fault.

…

Someone’s hand is on your face.

The touch draws you back into consciousness, tender, careful, then suddenly sharp. “Ah,” you hiss. “Sylus?” Always first on your mind and your lips.

“Not even close,” quips the shadow above you.

“Kieran?”

“Bingo.”  

You use your hand to block some of the room’s light as you open your eyes— a birdlike silhouette taking shape through the gaps in your fingers. “Where’s Sylus?” you ask, teeth clenching as the twin applies a thin strip of surgical tape to a cut on your cheek. “Is he ok?”

“Sheesh, relax. He’s fine,” Kieran tuts, then seems to reconsider, “well…”

“He’s brooding,” chimes a voice from behind you. “Out on the balcony.” Luke.

You rub at your eyes, still drowsy with sleep. “Why’s he brooding? What did you do?”

“Told him he traumatised you,” they speak in unison.

“What?! Why would you say something like that?”

“Because it’s true,” Kieran shrugs. “That’s why you and boss couldn’t, you know…” He twinkles his fingers.

Resonate? Ugh. You slide your feet onto the floor, sitting up straight for a solid second before you bury your face in your hands, omitting a few, pained whines. This is such a mess, and it only got worse while you were asleep. First that stupid grenade, now the twins.

A hand pats at your back. “There, there,” Luke soothes.

You turn to glare at him. His hand retreats.

Forget it; you have to find Sylus.

…

You step out onto the balcony, head full of apologies you’ve had all of a minute to prepare, and it isn’t enough. It felt fitting, in the middle of a shootout— everything was allowed to be frantic and from the heart. Here it’s calm, and if you ruin something— break anything— it’s going to be obvious. There’s no other violence to blame.

Sylus must hear you join him, but he doesn’t turn. He’s leant forwards against the rail, one arm folded upon it, the other outstretched: sporting a glass of liquor that hangs from the tips of his fingers and that he swirls gently, his gaze far away.

The twins really weren’t kidding.

“Hey,” you greet, and it’s sort of pathetic, but you don’t know what else to say.

“Hey,” Sylus returns, “are you—” he looks back at you over his shoulder— “are you alright?”

“Yeah,” you smile warmly. “I mean, the twins are giving me a headache, but that’s, like, standard.”  

He smiles back: a courtesy. You’ve seen him grin through almost every type of pain imaginable, but this one is new. Think about what Luke and Kieran said. What he must be thinking. “Sylus, I—”

“You don’t have to explain,” he stops you, turning his body towards you. “Honestly, I’d… rather you didn’t.”

“Why?”

“Why?” he chuckles, masking a deeper hurt as he lifts his glass to his lips. “You’re really going to make me say it?”

You are; you hold his gaze as he takes a deliberately slow sip of his drink. He smirks, surrenders at once and admits: “I’m really not that strong, sweetie. That’s why.”

“What if I want to explain?”

The smirk falters, and his eyes make their own, sad, silent confession. If you want to explain? He’ll let you. He’ll stand here, listening patiently while you call him a thing of nightmares. While you break him, bit by tortuous bit, by reminding him just how frightening he is.

He turns back to the view, shrugs, but none of the tension leaves his shoulders. “Go on, then.”

“Sylus?”

“Mmm?”

“You don’t scare me, you know.”

His hand tightens around his glass. “Don’t.”

“Don’t what?”

“Pity me,” he grimaces. “I don’t need it. I know what I am. I’d just… forgotten what I was to you.”

Your captor. Your monster. Except that was a lifetime ago and he’s been so many more things to you since then. Tell him. “Sylus…”

“I felt it,” he snaps, because your voice is still so reluctant, and he’s going to save you the trouble. “When we tried to resonate, I felt it— your fear— just as deep as it used to be. I heard that same voice in your head, the one saying you wouldn’t let me in, couldn’t let me in, so don’t tell me I don’t scare you, sweetie.” The term of endearment tastes sour, you can tell. “I know how you feel. I know—”

“I like you, Sylus.”

“…What?”

You couldn’t take it anymore. “I like you,” you say again, and your heart is beating too quickly for eloquence, so you just have simplicity. “You don’t scare me at all, Sy. I care about you. A lot.”

Sylus stares at you, his eyes wide. There’s no confidence. No smile or drawn-out breath of relief. He sets his glass aside on the railing, gaze leaving yours for a moment, and you get the feeling he needs that moment as much as he needed the drink itself.

Then he looks at you again. Asks in a way that makes you ache: “do you mean it?”

Look at him. Your throat stings. “Of course I mean it.”

“Say it again.”

“I mean it, Sylus. I care about—”

His lips are on yours and the rest of your words are lost in his mouth. You, you say with the way you kiss him back, soft and slow, like you’re relishing something that might slip away. You, you insist— your hand finding his face, his hair, as he kisses you deeper, and you, you, you, when he doesn’t stop.

“Is this alright?” he murmurs, his fingers around your chin and his thumb tugging at your bottom lip.

“Mmm,” you confirm, equally breathless.

He laughs as he withdraws a little, still caressing your face like you’re something of a dream. “You’re not making this easy, kitten.”

“Worried you might traumatise me again?”    

It's a low blow. He scoffs. “Luke and Kieran said—”

“Luke and Kieran once bought arts-and-crafts feathers for Mephisto because they thought the colours would make him, and I quote: more aerodynamic.” You pinch his ear playfully. “I can’t believe you let them get to you.”

“I know,” he groans, lifting your hand so he can press chaste kisses along the line of your knuckles. “Not my finest moment.” He guides your palm to his cheek— leans into it as he leans into an idea. “They said you hated my eyes,” he pouts.

You can’t help giggling. He frowns. “I mean— aww, no,” you scramble, but you’re still laughing. You can’t stop. “Your eyes are… yeah. So pretty.”

“You had to think about it?”

“There were just too many adjectives, y’know? I was struggling to—”

He kisses you again, saving you: crushing your laughter with his own, lightheaded smile. His hand finds yours as his lips move against you, your fingers interlocking as you resonate— chasing an instinct, a need to be impossibly closer— and you let him see everything. Feel everything.

It’s a mad tangle of opposites. Heaven. Hell. Life. Death. You don’t know what any of it means, but it’s yours and it’s his and it doesn’t scare you half as much as it should. Sylus breaks your kiss. He pushes his forehead against your own with a sigh of contentment, and it doesn’t scare him, either.  

Savour each second. Think of some better adjectives, while you still have the time.

He’s going to earn every single one.

…

✨Epilogue✨

Inside, staring out through the floor-to-ceiling windows that separate the room from the balcony, Luke and Kieran stand, looking awfully smug.   

“Mission accomplished,” Kieran nods, flipping closed his notepad, aptly titled: 101 Ways To Get Boss Laid! (There are only, currently, fifty-two.)

Luke’s arms are folded. “We’re like, the best wingmen ever.”

Kieran is silent. He repeats carefully: “Wingmen. Wingmen.”

The beaks of the crow masks gradually turn to face one-another. There’s a mutual epiphany, and both twins almost fall over laughing.

[aaronsinferno]

Rambling here but….

This has truly hit me harder than I expected it to. I feel completely blindsided by all of this. It’s as if the rug was just pulled out from under me. As a gay man, this was a hard punch to the gut and not just for me but for everyone who found representation in these characters. I hate this especially for Lou, though. After Oliver’s recent comments, it’s clear now more than ever that Lou was the one person who truly cared and was the most invested in the relationship and its potential. He believed in the story and wanted more for it. To think about how he endured so much vile, hateful, and disgusting attacks online for months on end and stayed silent through it all without a single cast member standing up to defend him sickens me. All for him and his character to be discarded like this…without any care at all. it’s upsetting. It’s unfair. And I’m sure Lou himself doesn’t take any of it personally, but still. it’s just all so….

I’ve never experienced anything like this in a fandom before.

I feel spat on.

[rainrot4me]

Jeff the Killer General Headcannons

Summary: Basic, SFW, and NSFW head-cannons. My personal thoughts, feelings, and opinions about Jeff as a character.

TW: NSFW below the cut, minors dni! Above the cut is sfw!

Words: 2.6k

Basic:

- Big isolation guy. He enjoys pestering people or hanging out, but when it comes to personal things like missions or killing sprees, he prefers to be alone. His head’s already loud enough that he doesn’t need to add to it when he’s trying to focus.

- Blunt. Like to the point it’s a drag to even talk to him sometimes. He doesn’t really give a shit about anyone or anything besides himself, so why would he need to hide what he actually wants to say?

- Dangerously short temper. It barely takes one nasty remark or even a hint that you have ill intent towards him before the killer is on your ass. Would rather beat the shit out of you than take the time to reconcile.

- A STARER. Has absolutely no remorse when just boring his eyes into someone, eyes wide and horrifying. He loves to watch every expression as he’s ending someone’s life, every bit of anger or fear, but especially the blank stare in their eyes afterward. You catch his glance all the time, and instead of looking away politely like a normal person would, he just smiles as he glares even harder.

- Loves story based video games that Ben shows him. Life is Strange, Night in the Woods, and What Remains of Edith Finch. Has to play them all in their entirety before he can do anything else, so he’ll be glued to the couch for days.

- Has a difficult time with names, so he comes up with nicknames or terms to make it easier. “Twitch” - Toby, “Sockets” - Jack, or “Glitch” - Ben. Don’t worry, he’ll give you one, too.

- A laugher. When he’s in pain, when he’s sad, when he’s happy, that man is laughing. Choked out dry heaving chuckles or tipsy short airheaded giggles, it doesn’t matter, he will be laughing.

- Terrible sleep paralysis and nightmares keep him up during the night, the most sleep this man will ever get is a little over 3 hours. It really doesn’t help his mood, either.

- The scars on his cheeks used to bleed and get infected so bad he could barely shut his mouth due to the swelling. He would numb it down with pain killers and anything he could find, but it wasn’t until Slender tried to make him into a proxy that they eventually sealed and scarred over, creating wide gashes (weird cryptid powers).

- Thinks about his brother every waking moment. He feels so much pent up regret and sadness concerning Liu, but refuses to search for him or even shed a tear. This sends him into mental breakdown episodes, and sadly, the only relief is just to create more carnage.

- Actually really hates violence unless he’s the one delivering it. Doesn’t like violent movies or music because they romanticize everything he hates about himself. Any media he enjoys is either really bland or really toned down, stuff that won’t trigger him.

- Cuts his own hair, and yes, he’s horrible at it.

- Messed up his appearance to make himself ‘beautiful’, but just ended up so disgusted and ashamed of himself in the long run. When his mental fog gets bad, he’ll just stand in front of the mirror and stare at himself, letting every negative thought wash over. Outside, he’ll brandish it like a weapon, something to get victims to submit. But on the inside, it’s just a nasty reminder.

- Showers only when it gets to the uncomfortable point. He doesn’t have the time or energy or wash himself every day, but when it gets to the point he feels the blood and grime subconsciously, he’ll get over it. Even if he does wash himself, half the time actually in the shower is just letting the water run over him and staring at the tile wall.

- Gets all of his money and random trinkets from victims. Proceeds to spend all that money almost immediately after on a pack of Blue Moons. No orange slice, either.

- Messy, disgusting room. Has no healthy habits of keeping him or his space tidy, so it’s always near disastrous.

- Even though the media and lots of outlets perceive him as this insane maniac killer, those were all big stories from his teenage years. Even though he doesn’t feel like he’s matured, he’s definitely found a happy medium away from spree after spree of slaughter. He still itches to take down a whole neighborhood, but he’s found his ways to cope.

- Very good at hand-to-hand combat. He wields a knife if things get a little rough, but prefers to use his hands to do the dirty work. Makes it feel more personal to him.

- Late-night kitchen demon. You’ll find him rummaging the fridge or making a bowl of cereal in the complete darkness, but he’ll swear up and down it wasn’t him.

- Annoying, painfully so. Hell wrack EJ’s ear off or pester Toby about little things, but he can’t help but get giddy when he sees he’s ticked them off just enough.

- Really agile. Had a thinner build, but muscle definition and tension really adds to the aesthetic. Really defined v-line and hips bones, as well as carved out shoulders and collarbones. Looks like a beefier skeleton, but hot.

- Lip piercings. Snake bites. They’re not healed and they’re not pretty, but he thinks they look badass.

- Scars and jagged pieces of flesh everywhere on his body. They’re either from mission aftermaths, rough targets, or his own doing, but they’re all gnarly and barely healed half of the time. They hurt terribly, but he’s constantly cracked out on painkillers that he doesn’t even care anymore.

- Enjoys the shoegaze music genre. Aldn, Wisp, Elita, Deftones, and surprisingly, The Cardigans and The Cranberries. They remind him of his childhood.

Dating Him/SFW:

- “Baby” “Babe” “Cunt”

- Big words of affirmation guy. He’ll act disgusted and shove you off, rolling his eyes about your sweet words- but in reality, he’s gushing so hard he can’t stand it. Reassurance makes him feel more loved than anything.

- The fastest ‘enemies or lovers’ troupe you’ll ever experience. It’ll only take one face-to-face argument before you both get too close and he’s pulling you in for a rough make out. He’s bad with emotions, what makes you think he wouldn't be bad at reading love/hate signals too.

- HATES to show any sign of weakness or adoration. If you’re laying with him or holding his hand, as soon as someone enters the room he’s shoving you off. It’s not that he doesn’t love you, it’s a deep-rooted fear that someone will use you against him.

- If he’s spent the night in your bed, he will always be gone by the time you’ve woken up. Out of fear of vulnerability, he will only fall asleep after you and wake up before you, otherwise he just won’t stay with you at all.

- He’s like dealing with a little kid. Yes, he’s been through heaps of mental anguish and trauma, but he’s gone through all of that without a hand to hold. In some sad way, he sees something motherly and comforting in you which drives him to latch on and become dependent. It's weird, but so is he.

- Jealousy problems. Big time.

- “He touched you. So I cut his arm off. What is so hard to understand here?”

- Needs to be bossed around. He can and will rot in his bed all day unless you tell him to get up and do something.

- Absolutely melts when you kiss him unprovoked. When he doesn’t force you or tease you into one, but when you decide to kiss his face or hands on your own terms. It’s his favorite thing.

- In his manic brain, he wants something calm, someone who can settle him out. You offer him stability and a chance to unwind and that’s really all he needs.

- As a nervous response, he’ll intentionally push you away if he knows you like him. He holds a lot of regret, so he doesn’t want to drag you along with the rest of his baggage. Will say and do things he knows will hurt your feelings so you leave on your own.

- “And what made you think I’d want you? Because we kissed? Hah! How cute.” Meanwhile, he’s in his room pining himself to shreds.

- Watches you sleep constantly. Doesn’t matter where you are or how far, he will trek through your window or into your bed to watch you snore quietly against your pillow. He likes the vulnerability of it and acting as your ‘protector’, like you have no choice but to rely on him in this state.

- You are the last person Jeff wants to break down in front of, but when it eventually happens, and you’re there with open arms- the killer can barely breathe from how full his heart feels. The feeling of just being able to sob and bury into your shoulder while you rub his back is incomparable.

- Possessive AND protective to a fault. Wants everyone to know you’re his, but at the same time, really enjoys when you flaunt yourself so he can stare down the wandering eyes and really show them who they’d be messing with. Either way, eats it up when you feel good about yourself and safe in him.

- Nasty, terribly toxic relationship. You both bounce off of each other and are constantly arguing, but you both get over it because you’ve grown codependent. There’s nothing ‘casual’ about the two of you, you’re either fuck buddies or desperately clawing at each other for survival. Jeff is an obsessive guy, he either wants everything to do with you or he’ll hide away and tear himself apart over you.

- Jewelry is such a yes for him. If you’re wearing thick earrings or chunky necklaces that brighten your face, he eats it up. He’s such a sucker for silver.

- Does not ask for kisses, he takes them.

- “C’mon baby, I can’t help it. You’re just so fun to mess with.”

- Since he doesn’t sleep much, likes to lay on his back while your head rests on his chest/shoulder. He’ll tangle his fingers through your hair or brush your cheek with his thumb while he stares at you or the ceiling. Even when he has doubts about you loving him, your body always subconsciously shifts towards him while you’re snoozing, and it makes him feel just a little better.

- Fake punches/hits you when he’s bored. Will hold his hands up and box at your face but never making contact, just enough to have you side-eye him. He thinks it’s funny.

- Shoulder kisses.

Dating Him/NSFW:

- Can and will touch you inappropriately no matter the circumstances. His rough hands groping your ass or shoving between your thighs to give flirty little touches in front of everyone, his shit-eating grin when you get embarrassed.

- “Stop glaring, sweet cheeks. I know you want me.”

- Will fight to his dying day that he’s a top, but as soon as you even give him a glint of dominance or snap at him, he’s folding so fast. Dominant person, submissive lover.

- Killing machine on the field, pathetic ass bottom in bed. It takes forever to get to that point, but once he’s mentally checked out and half-drooling on the mattress, he’s so pliable and lightheaded he’ll take it with ease. You have to really work for it, but Jeff trusts you/wants it bad enough subconsciously that he’ll force himself to go into a subspace.

- All-time favorite position is laying you out on your back, one leg up on his shoulder while the other is being held down at your side. It really opens you up and gives the nastiest, most lewd noises that have him pussydrunk. Bonus points for reaching a hand in to choke you.

- “And to think you were beggin’ me to stop while your pussy is soaked. I mean, look at you, babe. You’re suckin’ me in somethin’ awful.”

- CHOKING. Either you or him, he gets off on it so bad. Choking you is so satisfying, he loves the resistance and struggle as you gasp for air, face flushed and eyes rolling with his fist around your throat. Meanwhile, if you’re choking him, his body nearly convulses from the pleasure. He loves the lightheadedness and pressure of it, hoarse chuckles as both of your hands grip around his neck and just squeeze. He thinks he could cum just from being strangled.

- “What’s wrong, baby? Lil’ too much? Ah- You’ll get over it, just open up f’me.”

- Hair pulling, strangling, biting, smacking—really anything that’ll cause pain.

- Standing side-by-side in the mirror, his body is littered with nasty cuts and scars while yours is littered with pretty bite marks and hickeys. He loves it.

- Eating you out is so tiring, but it’s all worth it to look up and see your heavy, glassed-over eyes beaming down at him, lips parted as you’re gasping.

- Hard, quick thrusts that have you gasping and yelping. His hips snap against yours rhythmically until you throw your head back, then he leans in close and shifts his knees closer to really speed up. He never has a set pace, but prefers always adjusting to whatever has you making the most noise.

- “C’mon… Louder- Hah- I’m not stoppin’ till you’re cryin’ for it.”

- A bitch fight every time you two get together. Bickering with the other about ‘who can last longer’ or ‘going until you beg for it’ and it irritates the shit out of both of you. Gets you both riled up that you’re more fighting than fucking, but by the end, you’re both dead exhausted and reduced to panting messed laid out on top of each other.

- Refuses to pull out. He can’t get you pregnant, Slender made sure of that (God help if this heathen was allowed to procreate), so it’s either in your cunt, ass, or mouth, nowhere else. Even if he’s jerking himself off, he’ll wait to cum until he can get to you and finish himself out.

- Stands over you and stares hard enough until you’re reduced to your knees, words never even leaving his lips before you’re unbuckling his belt and shifting his jeans down. He’s fought you enough, sometimes you like to just be good for him.

- Pulling him in by his belt >>>>>>>>>

- Eating you out or sucking you off so much that drool leaks from his scars, eyes so hazed and soft as he hums and moans against you.

- “You’d like that, wouldn’t you?”

- Fucked you with the handle of his knife because you read something about it in a book and wanted to see if it actually felt good. He was weirded out at first, but when he watched you jerking your hips and mumbling for him to fuck you, he’s never fucked his cock in faster while rubbing the blunt of the handle against your drooling clit. Same thing with running the blade against your skin. It just elicits some reaction out of you that he can’t understand, but it turns him on terribly.

- Has a big thing for cop x prisoner roleplay actually.

- “What? Officer, how am I supposed to finger you with these handcuffs, hm? I guess you’ll just have to let me go, yeah? Or do you not want it as bad as your pussy leads me to believe?”

- Really loves fingering you while he’s buried in your ass. Curling his fingers up to make you arch your back just a little more, having your head spinning from the overstimulation… yeah.

- A 2-3 round champion. He’ll never be able to just cum once and be satisfied, regardless if you’re ready to stop or not, he’s forcing his cock back into wherever it was or in a completely different hole and riding himself out to his next orgasm. If he’s not shaking and on the verge of passing out after sex, it wasn’t good enough for him.

- “Jeff, stop! We could get caught!” “Or you could just shut up and take your panties off. You’re soaked, there’s no point in fighting me when I’m already this hard… C’mon, baby, give me your hand or something…”

Thanks for reading!

Comments and reblogs are appreciated!

[moomimania]

Comet in Moominvalley 🌠 alternative ending (or not ending... of course, the comet doesn't hit)

As the family was about to take shelter in the cave, they stopped at the sight of the raging comet cutting through the clouds and revealing the impending disaster. They all knew then, yet no words were spoken between them, for there was nothing left to say. This was the end.

I was left utterly speechless at how poorly this story was adapted in Moominvalley. There was no impact, no sense of urgency or drama. In the book, as well as the 90s film, there is this constant sense of dread from the comet looming in the sky. Even though disaster feels inevitable, the family keeps going and stay together till the end.

In Moominvalley, the comet isn't a threat until we're halfway through the episode, leaving very short time for building up the tension. And yet, even after the reveal, the comet still doesn't feel threatening, because nobody seems to care?!

And don't get me started on the thing with the Groke 😤 what even was that.

At the bare minimum, they could have given us a moment like this to let us feel the emotional impact of when the characters believe this is the end. Just something to make us care. Also, by having Snufkin grab Moomintroll's paw, it could show the continuation of Snufkin's arc of learning to love and depend on his friend, rather than running away. Plus, it seems like a fitting "show, don't tell" solution to what he never got to actually say at the mountains episode 👀

This was just supposed to be an animatic, but I apparently can't help myself, so oops, I animated it instead lol

[lgbtlunaverse]

I feel like too often people frame Nie Mingjue's issues as ignorance borne from safety. Like, they think that because of his privilege as a sect leader he doesn't know what it's like to be in danger and forced to make hard choices to survive. And I disagree. Strongly.

First of all, Nie Mingjue is very familiar with death not only from war but from. You know. Actively dying since the age of fourteen. Let us not forget Nie Mingjue is dead! Super dead! And maybe he didn't die the exact way he expected to but he did, absolutely, know he was going to die. To act like Nie Mingjue is unfamiliar with the scenario of "do something you find morally reprehensible or die" is to ignore that he has been living that exact scenario and chose death.

Nie Mingjue knows death is a risk for someone like Jin guangyao, in fact he explicitly acknowledges it even in his worst moments like the stairs in chapter 49. Had his issue been ignorance, then he would've responded to Jin Guangyao saying that he's in danger and has to sacrifice others for his own safety with "No you aren't you'll be fine." But he doesn't. He accepts the fact that jgy is in danger with no qualms and says: then you should die.

That's not him betraying his values, those are his values. He is, essentially, pro-suicide. Jgy is like hey I have a moral dilemma what should I do and nmj straight up goes "Kill yourself" and earlier that same chapter when he was faced with a moral dilemma he went "I'm gonna kill myself." He believes the solution to moral dilemmas is suicide! He is extremely consistent about this! When it's pointed out to him that it would have been dangerous for Wen Qing to oppose Wen Ruohan it doesn't phase him because he thinks putting yourself at risk to do the right thing is the only moral choice. The idea that he can only hold this belief because he is himself somehow not in danger, again, requires you to ignore that he is dying the whole time. And it doesn't deter him. He is the idea of self-sacrifice as a moral good taken to its absolute logical extreme. Someone who is ready to die and demands the same from everyone else.

It makes him a very fun case study for fandom, because a lot of fandom spaces also tend to revere self-sacrifice as the ultimate good, and yet we get very uncomfortable when someone starts demanding it of characters we love. Like woah, hold on, that's a bit too far isn't it? Only we the audience get to do that!

[bugboybuck]

my recs of things for ppl to watch to recover from the 911 suckfest

brilliant minds

yes it's an ongoing show so nothing is guaranteed, but the main character is a gay man played by a gay actor, he has one significant love interest who the story is already progressing with, and it has the fun case-of-the-week procedural style while also having genuine heart and empathy

roswell new mexico

does 911's messy writing, weird pacing and insane soap opera plots appeal to you? but you wanna watch something already complete, where the bi man and his boyfriend are soulmates who get a 100% definitively happy ending? here u go

911 lone star

here's the most obvious one, but if you've held off checking out LS so far, now's the time to go there instead. tarlos are a beautiful relationship who are main to the show, their relationship is prioritised, they're both played by queer actors, and they are gonna end the show as husbands with minimal nasty surprises. it has the usual 911 flavour with a little more diversity.

schitt's creek

a later-in-life coming out storyline between a gay man and a bi/pan man actually being handled well? with heart and an adorable happy ending? revolutionary!

the long call

i doubt many ppl have heard of this one, but it's a UK crime miniseries that i personally rlly enjoyed. the main character is a gay detective in his 30s who is happily married, and he and his slightly older husband are great support systems for each other. if you like the more serious procedural side of 911 you may enjoy this. (it doesn't seem they intend to make more episodes, but if they ever did, it's based on a book series ive read all of so u know the couple will stay together). perfect length to watch in a day or two to cleanse ur palate right now

if anyone has any other recs of shows with mlm couples in their 30s+ with happier endings, please share 🤎

[louiseyesinsky]

I will love u forever JJ Maybank. You will never be forgotten.

[fnafbminecraft]

If not, you have to scratch out fanartists too. They draw INCREDIBLE drawings, both traditional and digital. But it's not their characters and sometimes not even their style. They earn money of their talent by borrowed characters.

There are other media this happens to too, music. There's so many songs, I dare say most songs in existence, have borrowed parts feom other songs. Some needs to be paid to use, others are so used and popular it's free.

It is not easy to make smth completely original. But more than that, people always fantasise about other ways the story could've gone. Some people just have the talent to write it, draw it, sing it, drum it. "Oh what if Harry Potter did this instead of that? Would that make the ending different?", "hmm, let me think of a whole new version of this existing story and then spend hours writing, editing and publishing this."

reblog if you believe fanfics are as valid as books that were published and sold by authors who write as their main careers. I'm trying to prove a point

[averymcrgan]

like I am well aware that this is just a tv show and these are fictional characters and relationships and it literally isn't the end of the world but I will never understand how a show can have such a good thing going and then they just go and fuck it up. like, this whole thing was completely out of left field, and for what reason? you have such a beautiful coming out story for a main character after 7 years and you give him a boyfriend and it looks like it's going great, they're supportive and smitten with each other and you even hint that there might be love already there and then you have them break up in that same episode? hello?

[maybefae]

If you were written into a book, what would be the story? (Fictional tropes?)

Pile 1 - Pile 2- Pile 3

Remember, this is a general reading and it may not resonate for everyone or completely. Tarot is a tool to help guide but you are responsible for your actions and life, you choose your path.

Pile 1

Tarot: King of Wands, The Tower, Three of Pentacles, Ten of Cups, Two of Swords, Five of Cups, Page of Swords, Three of Cups, Temperance, The Empress, Ten of Cups, Ace of Cups, Two of Wands, Judgement, The Sun

Oracle: The Cartographer, The Founder, The Scholar, The Captain

I am getting two versions but with the same “ending.” And I originally was gonna use the deck I picked for your pile a couple days ago but I kept shuffling and nothing was coming through so I had to use a different deck. But some of the previous cards did come through! I believe that the deck situation does actually play into the story I am getting too. 

The situation has to do with a switch in power. This story starts with a king and this king could either be your husband in this book or your father. (I’ll let you guys decide what version you like best.) 

If it was your husband, this was an arranged marriage and one you really didn’t get much of a say in. Your family could’ve needed financial help and you being married off to royalty probably helped them. You probably went through with it just so your family would be happy. But the king was selfish, wouldn’t see any other way but his. He didn’t care much about you, liked the look of you on his arm, but would bed any other woman or person he’d like because he’s king. You didn’t have room to grow during this part of the story.

However, there is a turning point where you had enough or your kingdom was in trouble with his ruling and you end up killing him. And you probably made this murder look like an accident. I do have the idea that you probably had a servant or night that helped. This knight could be a love interest that you end up with in the future. But this is your big tower moment where you then are put into power without much knowledge on how to rule. 

But the people of the kingdom as well as the workers that were for you and the King actually adored you. They knew how disgusting, selfish, and greedy the King was; they saw how the King treated you. That’s how he treated them as well! And so the workers helped you, taught you how to rule. And you did a lot of studying, independently but also getting word from around town. I’m not gonna say that it was easy being put in a position of power, but you did it as gracefully as you could. It has a lot of found family vibes. The other kingdoms may have had an issue that you actually helped your people and weren’t greedy and self-centered but there are also hints that you actually end up uniting a bunch of lands. But you did grow into a well-loved ruler.

It’s like the quote, “Is it better to be feared or to be loved?” And in your case, it’s better to be loved because the people would go to lengths to defend you and the land. They have something to be proud of. 

If you wanted a love interest, I believe you get one and I have a feeling it is the knight I picked up on earlier. Or there could be a character added later on for book two of your story.

Pile 2

Tarot: Knight of Pentacles (The Entertainer), Wheel of Fortune (Life Map), Eight of Cups, Three of Pentacles, Page of Wands (The Wanderer), Nine of Pentacles, The Tower (The Shore), King of Wands (The Protector), Five of Cups, Seven of Cups, The Hierophant (The Phoenix)

Oracle: The Pathless, The Fate, The Alchemist, The Walker, The Sentinel

So I wanna start with the fact that there are two cards about “fate” here. And there is a blatant story that is shown here. This story has to do with time travel and you, as a character, having a hard time accepting fate. 

In this story, you have a partner that you were madly in love with, as were they with you. But this could be a historical fiction where they are drafted or they sign up to go to war. And while they were deployed, they would send letters promising a future. However, you end up getting news that they died in war. And you are hysterical. You don’t want to believe it’s real and will go to whatever lengths to get them back. 

Thus, this is where the time travel part comes in. I don’t necessarily know how time travel would happen in this book but I keep getting the vision of you going through time line after time line trying to find the one where they survive and make it back from war. A time line where you both can live out the future you planned. But each one, they end up dying. And your character is supposed to accept this moment as a thing that was supposed to happen. No matter if you went back and changed something in the past, it was bound to happen anyway. It’s like you can’t change someone else’s life. Your love wasn’t wasted. And I see a being, personified death, try to tell you this and you’re just sobbing and begging death for help. But it’s like you just ask, “What am I supposed to do?” And you don’t ask how you can bring your lover back. You want to know how to live. And Death ends up telling you something, but in my vision it’s like it zoomed out and I can see the both of you. His mouth is moving while you look at him, listening to his advice. But I can’t hear it.

It reminds me of the letter a soldier wrote to his lover.

Pile 3

Tarot: Nine of Cups, Seven of Cups, Page of Wands, Nine of Pentacles, Nine of Swords, Two of Swords, The Star, Ace of Pentacles, King of Swords, The Hierophant. Page of Swords, Eight of Pentacles

Oracle: The Waker, The Sentinel, The Chiromancer, The Miser, The Guide

I’m getting a few books or pieces of media that can correlate: Pride and Prejudice, Little Women (Jo and Laurie in particular), and Anthony and Kate (Bridgerton).

I believe that your story revolves around the complexities of the “older sister” role. You are the character that needs to control and look after everything or else you think the world will fall apart. But there is also an energy here of high standards and “why do I need a lover if I already have everything I need?” or the anger of someone wanting to come in, love and take care of you but you get angry because you have had to do it all by yourself. The anger of wanting this person when you needed them but now you don’t anymore, so fuck off. 

This pile is definitely for the enemies-to-lovers fanatics. There is an energy here of one-sided feelings but it’s more that your character does like this person but the unchecked/unhealed anger overrides all good feelings. This story is a journey of letting go and letting yourself be loved despite how uncomfortable and scary it is. The female rage, the anger of the older sibling…figuring out how to deal with the anger, letting go of control now that you don’t need to live in survival mode anymore. It’s the older version of you protecting a younger version of you, protecting your heart…

The love interest is charming. They can come off cocky and a flirt but may say things the wrong way which makes you “hate” this person. You think they’re a town bicycle, everyone gets a ride with them. But they truly do have feelings for you. They like the chase and fall deeper in love with you the more they have to work to break down your walls so you can see how serious they are. There could be events in the book where they come around to help and they could be the only ones that do come around to help you when everyone else is blind to your struggles and pain. And over the course of the book, you see that and finally take down your wall, slowly, brick-by-brick. And even if they like the chase, they don’t lose feelings when they finally get to hold you in their arms. They are completely serious, completely in love with you. And you get to have the safe home you’ve always dreamt of in the end. They are your defenders, even though they know you can handle yourself. The slow burn was worth it, I promise. 

Decks Used:  Ophida Rosa Tarot by Leila and Olive, The Rider-Waite Tarot Deck, The Citadel: A Fantasy Oracle by Fez Inkwright, Ethereal Visions Illuminated Tarot Deck by Matt Hughes Dividers: @inklore

[solxamber]

Trash Novel Chronicles Masterlist

1. Please Let Me Live || Vil Schoenheit

You get isekai'd into the worst novel you've had the misfortune of reading because apparently your life is a cosmic joke. Now all you have to do is not act like the character you've possessed and it'll be fine, you think?

Your fiancé being Vil Schoenheit makes it a little harder to behave like a human being with functional braincells, but hey, atleast he likes you, you think?

2. Villain System vs World || Riddle Rosehearts

You have a guilty pleasure: trashy villainess stories. So when you die a frankly, humiliating death, and end up in one of the worst ones you've had the pleasure of reading as the villainess, you're in denial. Then the villain system shows up. Well, there goes your second chance at life So what do you do now? Do villainous things and cause as much chaos as you can, of course. And maybe, just maybe, bag the male lead, Riddle Rosehearts while you're at it.

3. I'd Rather Date the Male Lead's Dad || Lilia Vanrouge

When you end up in your best friend's favourite but absurd novel about breaking a fae prince's curse as the heroine, you didn't expect to get attached to his little family too. Even more unexpected? You fell for the male lead's dad, but hey it looks like he likes you too.

4. Accidentally Falling for a Fae Prince || Malleus Draconia

When you get dragged into a novel which ends with the heroine in a polycule with the most annoying men in literature, as the heroine herself, you decide that you're gonna skip town. ...Only to trip over the fae prince, Malleus Draconia.

5. Not Another Royal Mess || Azul Ashengrotto

As a proofreader who gets isekai’d into a cringeworthy novel as the villainess, you decide to take revenge on the heroine and male lead for their awful story. With Azul—who just wanted to sell you a magic rock—pulled into your chaos.

6. Love Triangles and Royal Rumbles || Leona Kingscholar

When you get isekai'd as the male lead in the novel where your favorite character, Leona Kingscholar is the second male lead, all that's left to do is rewrite the romance!

7. I Want To Retire! || Idia Shroud

You write a novel that reads like a dumpster fire and while trying to delete the draft, you accidentally get isekai’d into it.

Now, as the villainess, you have to get Idia Shroud on your side as well as survive high society. You have your work cut out for you.

8. Stealing the Plot for Drama || Jamil Viper

The book you've been looking forward to turns out to be a piece of crap, and you have the bad luck of getting pulled into it as the villainess.

So you decide to steal the main character's show, just for sport with the help of your fiancé, Jamil Viper.

9. Falling for the Sun in a Cold Empire || Kalim Al-Asim

You lose everything you've worked after getting transported to the novel that you read when you were a teenager after a freak accident.

As the villainess. It's time to rebuild yourself, one step at a time with a little help from Kalim Al-Asim, your betrothed.

10. My Consort Calls Me Shrimpy || Floyd Leech

You get isekai'd into a novel where the perfect Empress got absolutely wrecked by the plot, and now you have to juggle a bland heroine, 15 weird consorts, a traitor and a delightfully unhinged eel who’s oddly good at solving your problems.

[chanafehs]

My Veilguard review:

Note - I will be honest in saying this is very long and very negative. If you enjoy this game please don't let me be the one to ruin that for you and skip on this post. I will be discussing spoilers. This is just my opinion so please don't crucify me for it.

I think my thoughts about this game were shaky to begin with as I had been exposed to different spoilers and information before the launch. I wasn’t actually expecting this game to be amazing but as someone whose favorite Dragon Age game is Dragon Age 2, which is arguably the weakest in the series (until now), I still went in with the impression I would have a good time regardless. I did not have that at all, in fact towards the end of Act 2 and the beginning of Act 3 all I wanted was for the game to be over. 

The problems for me really started right in the beginning with the Inquisitor character choices and their characterization. No choices for your Warden, no choices for your Hawke, and only three choices for your Inquisitor out of the dozens you made in Inquisition. The romance option just felt like a very polite way of asking if you romanced Solas or not, especially after completing the game where your non-solas romance will only get one letter for you to read, outside of that, the Inquisitor will not even mention them. Disbanding the Inquisition meant basically nothing and vowing to stop Solas felt like it had little bearing on what my Inquisitor said when she showed up. 

The time frame to make Dragon Age 2 was just over a year and somehow included more choices from Origins than Veilguard did with over ten years of production. That is the information that's been banging around in my head throughout this entire game. In Dragon Age 2, we get the consequences of our decisions with Alistair’s fate and we get extra dialogue concerning Isabela/Zevran/Leliana/Anders/Nathaniel + some sidequests. Veilguard couldn’t even give us so much of a mention of our Inquisitor’s friendships and the consequences of those friendships outside of Solas. The Inquisitors themselves are locked into one personality type as well, and regardless if you choose to stop Solas or not, they are very amicable toward him. 

During the second cut scene you get with the Inquisitor in Dock Town, they will go on to ask you about your progress and then go on about Solas. Mind you, my Inquisitor is extremely unsympathetic to Solas and I chose the option to stop him no matter what, so why is it that every time I speak to her, she keeps trying to ask me if Solas is being genuine and that he was her friend? That doesn’t sound like someone who has vowed to stop him. They will also try to draw parallels between you, Rook, and Solas. Even at the end of the game, they will still try to appeal to you to see reason with him. That is essentially all the Inquisitor is there for. Incredibly frustrating. 

Throughout the game you will get missives from the Inquisitor detailing the devastation that is being brought to southern Thedas and every letter feels like more and more of an insult. To keep it short: Southern Thedas as we know it has been essentially wiped out. I think that deserves more than a footnote in some missive most players aren’t even going to see.

So the setting we spent all three games in, that we saved countless times, had our companions and protagonists die for, gets demolished in the background where we cannot see it. Skyhold had to be taken back from demons and whoops, that's not actually something you can do anything about. Nothing the Warden, Hawke, or the Inquisitor ever did mattered at all and it renders everything from the previous games absolutely irrelevant. 

With that aside, the companions are also another issue for me. I found myself having trouble getting attached to any of them and every single time I recruited one I had the internal question “Why are you even here?” None of their companion quests really tie into the story at large, save maybe Harding and Davrin, and they are incredibly boring save for a few cool moments.

The main appeal of Dragon Age for me is the companions, it’s why Dragon Age 2 is my favorite of the series. Despite the overused environments and the rushed production I still had a great time with it because of the companions. I was actually eager to do the companion quests and learn more about them and how they all fit into the main narrative. Even characters I didn’t like, I still understood why they were important to the story. Like I can’t stand Anders but I know why he is there, he has a purpose.

Every companion is painfully amicable towards you even if you decide to be “stern” towards them. I found myself not caring what dialogue option I chose about them because it made absolutely no difference. There is nice, funny nice, and gentle parenting. That is really all you have to work with in terms of the dialogue wheel. It was more difficult to get disapproval than approval and I can probably count on my fingers every time in this game I actually got companion disapproval. There is only one companion in my playthrough that became hardened, Lucanis, and it had virtually no impact on his character other than the fact he leaves for a couple of saves and comes back to kissing your ass. 

Something I actually really liked about BG3 and the previous Dragon Age games was working for your companion approval - this meant actually learning about your companion and what made them tick. If you don't understand them well enough you get disapproval, when you actually listen to their ideas and thoughts you get approval - there is an active effort to get these things. In Veilguard this does not exist and you are essentially promised approval no matter what, meaning there is no encouragement to know who these people are if they're just going to support you regardless.

I have to agree with the Skillup review they made about this game saying that every dialogue option feels like it was made with HR in the room and I one hundred percent agree. This is not how real people talk to each other. This is how teachers talk to toddlers when they want to explain the virtues of sharing toys with their classmates.

It felt honestly insulting at times to be treated like I don’t understand the concept of bigotry, I still have no idea what they were trying to go for with this, like were they trying to appeal to a market of high school boys who hadn’t discovered what empathy was yet? There is zero trust in the player and every dialogue and decision you make in these moments feels handhold-y and preachy. Like Pixar levels of life lessons you learn.

In the moments where I had to settle arguments over coffee and companions not respecting each other's interests, I could not honestly believe this is the same universe with Loghain Mac Tir, Meredith Stannard, fuck even Corypheus. Humor has always existed in Dragon Age and I love the comedic banter between the characters but it was always humor that served as an escape from the oppressive and dark situation around you, here the dark and oppressive situations feel like an escape from the unrelenting friendliness and tone deafness of your companions. 

The companion I probably had the most issue with was Taash and the way they were handled. I’m not going to get too deep into the Bharv scene because even thinking about it makes me cringe but If someone messed up my pronouns and then immediately dropped to do pushups I am most definitely killing us both. Isabela’s explanation is extremely preachy and she proceeds to do the exact thing she says she hates about people messing up pronouns. Anyways. Moving on. 

Taash I think is a good example of how to not write a multiethnic character. I don’t expect a white person like Trick Weekes to understand the first thing that comes with being multiethnic or having strict parents that intersects with that identity but it is most definitely not whatever the hell this is. 

The only thing I can offer here is that as a multiethnic person (my father is Palestinian and my mother is mainly Irish and Seminole) is that there has never been a point in my life where I felt like I had to choose what culture I am let alone give that choice to someone else in my life I just met.

That’s not what being multiethnic is. I do not have to choose between anything - I am whole and I don't need to cut myself into halves and quarters to be accepted.

It also feels subconsciously like you are supposed to choose Rivain as the Qunari are depicted as bigoted and oppressive as they always have been in this game. Knowing all of this really tainted my experiences with them as a character and I understand a lot of other non-binary individuals love the representation they brought on that level but personally, I’m just tired of “queer representation” always coming with racist undertones. Again, this game feels like it always had white queer people in mind, not lgbt poc. 

These kinds of comments are really only made worse knowing what the Qunari take inspiration from - primarily Black and Brown SWANA Muslims. Why should Trick Weekes have any authority over a questline like that is beyond me. 

Also, this sucked. Especially because they said it to Neve too. I don’t really want my non-binary representation sprinkled with Misogyny as well, especially since we can’t really call Taash out on this comment unless you’re playing a woman (as far as I know).

Aside from Taash, I thought the writing around Harding was strange. Don’t me wrong, I love Harding, but I do not remember her being this friendly and people-pleasing in the Inquisition. If you play as a Dalish elf the first thing she says is she’s surprised that you would care about anyone else - there is absolutely no inclination of this kind of perspective in Veilguard. Additionally, despite knowing everything Solas has done and the consequences that had on her ancestors, she still tries to push you to reason with him?

All of her quests about learning about the Titans, experiencing and embracing their anger, and you still want to appeal to Solas? That was another thing I found so weird about this game, throughout the entire story you are being told again and again that Solas cannot be trusted, he is to blame for everything, and will stab you in the back and yet it seems like every companion tries to push back on you if you agree with this viewpoint? 

Also, something I didn't know at this point of the game but I do now is that Solas had killed Varric and she does know this so why is she acting like this knowing Solas had killed her friend who she spent years with?

Genuinely this whole game felt like: Devs: Solas is a villain

Rook: okay understood

Devs: actually nvm you don't understand him if you think he's a villain

The only companion quests I was actually genuinely interested in were Emmrich and his thoughts around death and becoming a lich. Lucanis' quests had the best boss fights for sure. Outside of that, it felt like “Go here with Bellara” or “Go here with Taash” and it got so grating I couldn’t wait for these quests to be over so I could progress with the main story. It felt like an annoying back-and-forth game to finish a main quest just to finish all the companion quests and then go back to the main quest. Like a list of chores to get through before you can have any fun. 

The inclusion of characters like Morrigan and Isabela in this universe was extremely hollow and they do not feel like the Morrigan and Isabela we know at all. With Morrigan there is a bit of an explanation to this with the essence of Mythal however she reiterates that it is still herself and it is only the memories of Mythal that remain inside of her.

In my canon playthroughs of Dragon Age, I romanced both Morrigan and Isabela, so I was curious to see how the developers would address their pasts with our Warden and Hawke. Unfortunately, the answer is that they don’t address it at all. Morrigan hardly mentions her past, leaving us to wonder if Kieran even exists. The game implies that the relationship between Morrigan and the Warden is insignificant; a codex entry oddly suggests, in a very slut-shamey way, that Morrigan had more lovers than there are trees in the forest. Isabela doesn't reference Hawke either, as she fondly remembers Kirkwall for found family and friendship. It seems that if you romanced Isabela or Morrigan, congratulations—your canon doesn’t exist.

I will echo the statement others have made about all the cameos feeling like mascots because that is really what they are. There is no substance to any of them, Isabela only feels like she is there to be a supportive voice for Taash, Morrigan will only really talk about Solas and Mythal-Dorian is the only one who actually gets a substantial quest related to him. I thought he was fine minus the "illegal slavery" bit because what is illegal slavery Dorian. Next up we will discuss legal murder.

Another thing that genuinely broke the immersion for me in this game is how awful the armor is. It is a Dragon Age game so I wasn't expecting Haute Couture but the design is all over the place and nothing looks right. Not to mention the extremely weird orientalist undertones that follow the Lords of Fortune everywhere. The outfit Isabela is wearing is even worse in person and I tried to give this game the benefit of the doubt by thinking we would be getting some underwater mission with her and that would be the explanation behind her bikini outfit - this did not happen.

The belly dancer-esque outfits with the coin-bedazzled turbans were pretty egregious and made me want to limit my time in Rivain as much as possible. For a game released in 2024, I am disappointed we are still dealing with the same Orientalist fantasy tropes. Even the Qunari are more naked in this game than I had ever seen previously. At least DA2 and DAI gave them pants. But hey the Antaam are all blighted and evil so who cares right.

Speaking of the Antaam, a lot of the antagonist motivations for this game genuinely did not make sense to me. The Antaam are suddenly giving up their fear of magic to pair up with...the Venatori? To fight for the elven gods? It honestly felt like they had no idea who to make fight for the Evanuris so they just pulled two of the baddies from the Inquisition and went "We can just use them and call it done". When you press for information on why this is the answer is always a mustache-twirling dialogue about power. Nothing much deeper from that than any of the villains besides Solas. All of the villains, especially Elgar'nan and Ghilan'nain, are extremely one-dimensional and have no motivations other than being evil and striving for power. At least Corypheus had cool lines.

I'm not going to get too deep into lore changes since I know a lot of things happened in the comics, books, and TV show (all of which I did not read or watch) but I honestly do think it's a bad idea to have a "soft reboot" while needing to read several books to understand everything. That's not being welcoming to new players that's homework. If you wanted a soft reboot probably don't start off with half your plot and characters coming from various comics and novels people need to catch up on.

The portrayal of the Dalish in this game is inconsistent. When we inform them that their gods are evil and planning to overthrow the world, they respond, "Okay, heard you." How can they accept this explanation so readily? In previous interactions, Solas shared that the Dalish did not listen to him and even threatened him when he revealed this truth. Yet, when we present the same information, they believe us almost immediately. Is there no pushback or skepticism? The Dalish accept everything about the evil elven gods meanwhile Andraste’s followers remain completely unaffected by these revelations.

I think what frustrated me even more was watching our elven companions express grief and regret over the actions of the elven gods like they had something to do with it, painting the Dalish as adjacent to oppressors when they themselves are oppressed in every way. The only thing that remains consistent is the sad boy Solas act about it.

At the end of the game, two of my companions - Harding and Emmrich- were killed. Emmrich's death was unfortunately overshadowed by a zoom-in on a rock and I had no idea he had died until I got the popup. Still, all I can think about is just going "Rock moment" when he died. I don't really have anything negative to say about Harding's death other than the way she went out was fitting for her narrative. Bellara got blighted and there were no consequences for this and she walked away from it - forgive me but I am still under the DAO impression that if you get blighted that's game over but all the rules about the Blight have been changed in this.

I decided to trick Solas, and honestly, I don’t have anything negative to say about it, except that Solas should have noticed me holding the fake dagger since it was clearly in his line of sight. I liked the idea of outsmarting the god of trickery. While it wasn’t extremely satisfying, but I’m okay with how it turned out.

Even as the credits began rolling I still have trouble believing rook's role in any of this. Just the persistent nagging idea that they really just have no place in this story at all. In the beginning I wanted to see how Rook is looped into all of this and how they become central to the fight against Solas but just like with most of the companions, I have no idea why they are here. This should've been the Inquisitor's story to finish.

I'm not going to pretend that everything about this game was irredeemable and terrible. There were genuinely parts I enjoyed and had a good time with. The romance ending scene with Neve was fantastic, even though it took a long time to get there. Davrin was an unexpected aspect of the game that I actually liked, as I never cared much for Grey Wardens before, but he changed my perspective. Harding's mention of the Inquisition was also very sweet. Although I wasn't particularly invested in Emmrich, I loved the conclusion to his quest when he became a lich lord.

While I'm not the biggest Solas fan, I actually really enjoyed the cutscenes between him and Rook because one of my aims with this game was the ability to be mean to Solas and kick him while he was down. They definitely delivered there even though everyone else kept disagreeing with me.

The worlds are beautiful and the CC is definitely the best we've gotten in any Dragon Age game, I spent probably a solid hour in there. The hairstyles are great and the four unibrow choices? Bioware you shouldn't have <3.

Overall I definitely didn't have the best time with this game and towards the end of act 2 I was incredibly bored and the combat became repetitive and stagnant enough that I turned down the difficulty to get through it faster. I can't see myself replaying this any time soon and I am unsure what my stance on Dragon Age is now, do I Ignore this game ever existed or do I carve out everything I liked and pretend this is the Dragon Age I love? I have no idea, I am disappointed at how this game leaves us off and I really wanted to sit here and say It's good but I can't.

I think this game will reach out to and resonate with a different group of Dragon Age fans than me, I just wish I could enjoy it as much as I see other people doing. I was originally going to give this game a 3/10 but knowing you can pet the cats I will give it a very generous 3.5/10.

[kinardscake]

The reason why Tommy’s speech was so out of character is because he already knew what he’d signed up for.

He said yes to a potential heartbreak and pain the minute he said yes to Buck’s coffee invitation.

Tommy knew he was Buck’s first and he knew how it could possibly end. And he still said yes. To all of it.

While I absolutely loved Lou’s acting, Tommy’s speech feels … like some made up story. Untrue and bizarre. It just doesn’t line up with the way Tommy has been written even just one episode prior.