#This fic prompt is great @_@

[ghostbsuter]

There was a teen in the cave.

A teen no one knows and looks like he could be a wayne, stands in the cave.

"Actually, I'm a wayne." He says with a shrug.

Bruce, Batman, carefully thinks of the implication.

"Not yet," The teen, Danny, doesn't say anything. Simple smiles. "You're not a wayne, yet. You will be. But not yet."

Then Bruce sighs, dropping the batman mask in order to take in the teen.

"Does future me know of the time travel?"

Dannys smile grows into a grin, deciding to take pity on the man. "You, grandbat, have..." He makes a vague gesture. "Theories, which none of your children ever confirmed."

The bat's mind short-circuits at the choice of words

Dick is sputtering incomprehensibly, there are Baffled expression all around.

Because.

Because that child isn't Bruce's, but one of theirs.

"Who is it?" Jason demands, hand clenching his gun uselessly.

Danny continues to smile, a hint of mischief now peeking out.

The cave is filled with theories, some yell, some sob, yet all eyes leave danny.

All but one pair.

She had known the moment his body language switched just enough for her to read.

She had known the moment he disappeared before the clan.

Had known when his hand found hers, shoulders bumping.

Her heart clenches, throat dry and memories of her childhood flooding to mind.

So she asks, voice soft and hesitant.

"Am I a good mother?"

And danny looks up at cass, adoration and pride laid out plain for her to see and accept.

"You're the best."

And so they both watch the clan together, silent and comfortable.

(Cass doesn't question when she finds him, how and why. All she knows is that she's more attentive when out on patrol, looking and waiting.)

(This is how Cassandra Cain-Wayne returns one night from patrol, a child, barely out of toddler stage and clinging to her form.)

(This is how the Batclan officially meets one Daniel James Cain-Wayne, freshly washed and clothed, a cookie in hand and hiding shyly behind Cass.)

(When they meet, all they say is "Welcome home, danny," and "Good to see you again.", Danny doesn't necessarily get it, but that's okay. Maybe his new mom will explain it one day when he's bigger.)

[wandixx]

I've seen a lot of different takes on Fear Toxin/other fear causing stuff (Yellow Lanterns Ring or something)(later just called Fear Toxin cause I'm lazy) but here is another one.

Danny seems like he isn't affected by Fear Toxin because his biggest fear is that his accident changed him so much he is no longer human, he can no longer truly experience human things.

So when he gets lungful of fear Toxin, he feels normal. He was antsy before, because c'mon, it's a rogue attack but it's not worse. Or so he thought. Because the anxiety lingers. Not enough to register as abnormal just this slight hypervigilance that makes you see things about yourself and your surroundings that you'd never realize otherwise. He'd realize he doesn't blink as often. He'd realize that if he doesn't consciously focus, he sometimes seems to not touch the ground. Forgets to breathe. He can't feel his own pulse at time. He'd realize people will miss him when he's walking down the street as if he was invisible (people just don't care about everyone they pass by). When he'd look straight into his reflection, he'd look slightly to the left. Not enough to actually name anything that was wrong but just stretched enough to fall on the wrong side of the uncanny valley. If he just caught his reflection in the peripheral vision, it'd be vaguely shadowy creature with glowing green eyes and white smoke instead of hair. Overall he'd be just wrong enough to be distinctly not human.

For everyone else, he'd be just a dude. Literally couldn't find more normal dude than this dude. Will pass as absolutely normal human unless someone is specifically looking for ecto-ghost stuff. Even most magic users wouldn't clock him at the glance

Tldr: Fear Toxin makes Danny perceive himself as some sort of eldritch horror but not enough to make him believe he'd actually be affected, while from outside perspective he's Just A Dude™

[bluebird8683]

dc x DP familial hanahaki idea

Tim gets familial hanahaki, for the batfam, but no one notices since he lives alone and it starts off v mild.

Then he runs into Danny who catches him puking petals in costume after patrol and offers support, since he had the same issue, but with his parents… and it didn’t turn out well- he had to get ghostly intervention (Frostbite) to save his life. So he offers Tim a fall back- he comes clean to his family about the situation and if it doesn’t go well, Danny now knows how to remove the flowers without surgery- though the feelings/memories will still be gone. Tim doesnt know why he trusts Danny, but he does, so he spends the night at manor, packs up the last of his things ( just in case ) and goes on patrol with them for the last time before telling them and coming clean. Except they don’t react to the news. Stunned/shocked they stare at Tim as he shares his predicament ( in horror) uncaring. So Tim flees, promises he will get it fixed and runs off to meet with Danny, who gives him a small smile and knows. The bats are unable to cat ch up to Tim before Danny takes him to the Realms to make sure he got everything, leaving only a bouquet covered in blood for his frantic family to find.

[the-witchhunter]

You know, I’m just imagining Danny hanging around John Constantine trying to scare/haunt him and how poorly that would go

1) Danny canonically sucks at scaring people. He resorted to stealing Fright Knight’s sword because he knew he wasn’t beating Dash making a haunted house. I repeat, the ghost could not compete with a human when it came to making a haunted house

2) Danny Phantom is rated TV-Y7, Hellblazer was printed under DC’s vertigo publishing house, meaning it 18+, John has seen some seriously messed up shit. He’s dealt with serial killers, demons, the Newcastle incident(iykyk) been to hell multiple times, has seen a lot of people die, was homeless in New York during the AIDS crisis

Danny could not traumatize that man but boy is he going to get accidentally traumatized if he hangs around John

It’s not even a power level thing, genuinely messed up things happen around John that Danny is not prepared for

[ultravioletbrit]

“murder” - Jegulus microfic - @into-the-jeggyverse - 312 words

“I want a crow.” Regulus announces as he passes the last of a joint back to James.

Regulus and James were bored. It’s a Sunday night, they don’t have any classes tomorrow, all their friends are busy, and James had a joint left over from the party last weekend.

One thing led to another and now Regulus is lying on his back on the floor with his hands in the air. He interlocks his thumbs and is flapping his hands like a bird.

“You want a what?” James giggles from where he’s lying on the couch.

“A crow.” Regulus repeats. “You know… like the bird.” He flaps his hands in James’ direction for emphasis.

“Why do you want a crow?”

“Because they’re really smart and if you’re going to get a bird, you should definitely get a crow.” Regulus tells him.

“Who said I wanted to get a bird?” James asks.

“I did! Right now. Aren’t you listening?” Regulus drops his hands and rolls on his side to look at James.

“Sorry, love. I thought you wanted a crow.” James smiles at him.

“We should both get crows. We should get a whole murder of crows!” Regulus says excitedly as he crawls towards the couch.

“You want to murder the crows?” James asks with wide eyes.

“No, silly, that’s what a group of crows is called.” Regulus giggles and climbs up on the couch to snuggle in beside James. “We should get a whole group of crows, and we can feed them, and they’ll bring us little gifts.” Regulus yawns and cuddles even closer to James.

“Will they, now?” James says sweetly and wraps his arms around Regulus.

“Yup. That’s what they do.” Regulus says but his words are slurred with sleep and his breathing evens out almost immediately.

James squeezes Regulus one more time before he also falls asleep and has a very weird dream about crows.

[musette22]

Orpheus & Eurydice || Steve & Bucky

Moodboard for the @wintershieldbingo

Square: Mythology AU ✔️

I've always felt that the story of Steve and Bucky, particularly as told in Captain America: The First Avenger, had a lot in common with the Ancient Greek myth of Orpheus and Eurydice. For that reason, I have chosen to fill the Mythology AU square on my Wintershield Bingo card by creating a moodboard to draw narrative and visuals parallels between these two tragic love stories.

Orpheus & Eurydice

Orpheus was an artist, the greatest lyre player in the world, who was happily married to the love of his life, the beautiful Eurydice. Their happy life together gets cut short, however, when Eurydice is bitten by a viper and dies, leaving a heartbroken Orpheus behind. Orpheus cannot accept his true love’s death, and so he travels to the Underworld on a quest to get Eurydice back.

Orpheus manages to overcome various hurdles, such as getting past Cerberus, the three-headed hound who guards the gates to the Underworld, and finally pleads with Hades, the king of the Underworld to let Eurydice live again. Hades allows this on one condition: Eurydice is to follow behind Orpheus while walking out of the darkness of the Underworld towards the light of the land of the living, but Orpheus should not turn to look at her before she is fully out in the light again. However, as they begin to ascend towards the land of the living, Orpheus, afraid that his lover is no longer behind him, looks back to make sure she is following, causing Eurydice to tragically fall back into the shadows and be trapped in the Underworld once more. 

Steve Rogers & Bucky Barnes

Steve and Bucky are very close friends and most likely even lovers, who live a mostly happy life together in Brooklyn. When World War II breaks out, Bucky is drafted and joins the army, while Steve stays behind in New York. In Italy, Bucky's squad is taken by the enemy, and he is kept prisoner in a dark, abandoned factory housing the lab of Hydra (incidentally also a multi-headed beast from Greek mythology).

When Steve, who received a superserum which turned him into the world's greatest soldier (as well as an artist), eventually also joins the army and gets to Italy, he is told Bucky is most likely dead. Steve point blank refuses to accept that, and embarks on a one man rescue mission - a quest, if you will - to get Bucky back. Armed with a wooden shield, the shape of which bears a similarity to a lyre, overcomes numerous obstacles, fighting Hydra goons and even Red Skull, who looks like the devil incarnate. Steve manages to free Bucky and even jumps over what strongly resembles the fiery pits of hell to get to freedom, only to lose Bucky again a short while later, when Bucky tragically falls from a train and is subsumed once more into the Underworld, i.e. Hydra’s claws.

Aside from the many narrative parallels, many visual parallels also exist between depictions of Orpheus and Eurydice in classical art and various scenes and images in CA:TFA. The moodboard above attempts to illustrate these parallels and similarities.

[tennessoui]

Would you like to do this one for Obikin ? 👀

22. “I’ve seen the way you look at me when you think I don’t notice.”

💯

[from this list of prompts]

[2. 'have you lost your damn mind?' (LATEST) - 5. 'are you jealous' - 13. 'kiss me.' - 14. 'hey, i'm with you, okay? always.' - 18. 'this is the stupidest plan you've ever had. of course i'm in.' - 19. 'the paint is supposed to go where?' - 24. 'you're the only one i trust to do this' - 27. 'i'm pregnant' - 28. 'marry me?' - 29. 'i thought you were dead' - 32. 'i think i'm in love with you and i'm terrified' - 37. 'wanna dance?' - 44. 'if you die, i'm gonna kill you' - 41. 'you did all of this for me?' - 46. 'hey, have you seen...? oh']

22. 'I've seen the way you look at me when you think I don't notice.'

"Oh," a very familiar voice says. "I wasn't aware you were attending the banquet tonight."

Anakin stares down at the empty plate before him. The servers are moving around the tables as guests rise from their seats and begin to chatter amongst themselves. Anakin thinks for a moment about trying to catch his master's eye, but Qui-Gon is across the hall in deep conversation with the representative of Alderaan the last time that Anakin checked. And anyway--he's not sure his master would intervene to help him with this problem.

Even though, technically speaking, this problem is half Qui-Gon's problem. Or, like. At least a quarter of it.

Probably.

"Though I suppose I would have known if you'd responded to my comm-message," the voice says in a lilting and crisp Coruscanti accent that Anakin knows is as much of a ruse as the rest of him.

Anakin scowls down at the table and counts to five. He is here to represent the Jedi Order as a senior padawan. He is not here to start a diplomatic incident by stabbing Prince Kenobi in the hand with a shrimp fork.

Or is it Lord Kenobi?

He thinks, yes, technically probably a lord. Or maybe it was a knight? A duke? Anakin can never remember all the words that make up Kenobi's title. He just knows that Kenobi's elder brother married the queen of Stewjon, so he's now the king consort, and Obi-Wan got to claim a bunch of useless titles without even doing any of the hard work.

And so Obi-Wan Kenobi gets to call himself a prince now when once, he'd called himself a padawan.

Once, even, he'd called himself Qui-Gon Jinn's padawan.

Anakin counts to five again and gathers up all the diplomatic words and scripts he's learned over the years. Then, he actually turns and faces Kenobi, and all of those words fly out of his mind.

Kenobi looks unfairly good in the ivory white of his outfit. The top half is mostly lace, which--isn't it cold in space? Isn't it cold on Stewjon?

He's wearing a small, ceremonial circlet atop his auburn hair, and the glinting gold of the crown offsets the white of his robes nicely. He just--

He looks so beautiful, even as he's lounging in the chair next to Anakin, eyes pinned on his face as if he'd wait all night just to hear him speak.

That sort of look is dangerous. Anakin knows that intimately well. That sort of attention...Anakin isn't built to withstand it for long. Not without succumbing to all and any of Kenobi's demands. He's sure he has a backbone, but it just melts when he's around Kenobi.

But not anymore. Anakin's twenty now, and he's going to be Knighted any day. He's above such weakness.

"I'm sixteen years your junior," Anakin bites out, hand becoming a fist in his lap. "Don't you think maybe it's a little inappropriate to be comm-messaging me without my master's approval?"

Despite the venom he tries to weave through what should be a cutting rebuke, Kenobi's eyebrows raise. He doesn't look ashamed nor does he look particularly discouraged. "After all the rest of the inappropriate things we've done together, darling, I'd think you'd overlook a comm-message."

Anakin's scowl grows exponentially, but Kenobi continues without pause, "Though if you'd like me to get your master's retroactive approval for every time we've interacted, I shall of course. Do you think he'd approve of your judicious but creative use of the Force when you used it to hold me up against the Senate Commons wall and kriff me silly before my meeting with the Chancellor, or should I leave that out?"

Anakin can feel his face flushing, and he's quick to stand, throwing his napkin onto his empty plate and striding away. He needs--he needs to be further away from Kenobi. He needs to not look at the man, not hear him. Then, he'll stop wanting him.

He must stop wanting him. It's ruining his life.

So of course Kenobi follows him because there's nothing he loves more than ruining Anakin, apparently. He's not even being subtle about it anymore, grabbing Anakin's wrist in plain view of all and sundry and using his grip to tug him out of the banquet hall and into an unused nook of space.

It's small enough that there's not much room to stand apart, but Kenobi at least makes the good faith attempt to drop Anakin's wrist and step away from him. In the Force, he feels strange. Worried, almost, which is not an emotion that Anakin has ever felt from Kenobi. Kenobi, who crafts an air of not caring about anything or anyone whenever Anakin and his master are near. Kenobi, who's purposefully disrespectful to Master Jinn, acts purposefully slow and air-headed and conceited.

He could have been one of the best of us, Jinn had told him once. It was the only time he'd ever talked about Kenobi. He made different choices, and I suppose he still blames me for them.

"Come now, Anakin, tell me what's wrong," Kenobi says, nudging at him almost clumsily in the Force. The touch startles Anakin. It's been twenty years or so since Obi-Wan left the Order. Or since Master Jinn refused to take him back as his padawan after a mission on a civil-war struck planet and Obi-Wan had had no choice but to leave the Order.

Jocasta Nu told him once: all stories have different endings and beginnings when the teller changes.

He thinks that's especially true when it comes to whatever tension exists between Kenobi and Qui-Gon. Though Anakin wasn't wise enough to keep himself out of it, he's certainly not stupid enough to shove his nose so forcefully into the middle of it.

"I've seen the way you've looked at me tonight when you think I'm not looking," Kenobi is saying, wheedling really, as his Force signature rubs even more insistently up against Anakin's, like a--like a loth cat winding around his ankles, searching for affection it knows it will be offered.

No. Not anymore.

"Enough," Anakin snaps, throwing up his highest shields and pushing away from Obi-Wan.

"Just tell me what I've done, darling," Kenobi says. Pleads, really. A part of Anakin thinks it's a very good look on him, and then hates himself for thinking it. Weak. Kenobi makes him weak. "It's not that you don't want me anymore, or you'd have spent less time gawping at me all night."

The words are cruel in their truthfulness and they hit unerringly at Anakin's shame, and so he's snarling back at him before he can stop himself: "Everyone was gawping at you, you're dressed like a schutta."

Kenobi doesn't look to be offended, which riles Anakin further.

But then--then the man steps closer and rests a hand on his chest. They're of a height now that Anakin's grown another two inches over the summer. Obi-Wan's eyes are right there. His lips, also.

"And yet who have I dragged off into a dark corner to ravish me?" Kenobi asks, voice pitched low and eyes blinking sultry blue at him from beneath his eyelashes.

"Yeah," Anakin bites, "only because even after twenty years you're still trying to get back at my master for throwing you out like trash. But the stupid thing is that he doesn't even think about you anymore."

The words hit the way Anakin had meant them to, but as he watches the way Obi-Wan's eyes shutter, the way his mouth tightens and the way he takes a step back and his hand coming up to hold his elbow, Anakin realizes that he didn't--he didn't realize what it would look like, to hurt Obi-Wan.

He hadn't realized Kenobi could be hurt, that Anakin had that sort of power.

And maybe he doesn't really, maybe this is just Anakin's master hurting Obi-Wan all over again, but it's still Anakin wielding the weapon. Anakin who was trusted enough that Obi-Wan did not see it coming.

"I see," Obi-Wan says, and Anakin can't hide his wince at the tone. He doesn't like that tone. Didn't realize how warmly Obi-Wan spoke to him until the chill set in.

But it's not as if what he said was wrong, Anakin tells himself. And it's not as if Obi-Wan's been fair to him either, using Anakin like that.

And--and sure, maybe when they first started...whatever this is--was--maybe Anakin had wanted to use Kenobi too. After all, he'd been eighteen and charged with guarding some rich senator at an event just like this one. And Padmé Amidala had been there, and Anakin had been so desperate for her attention that he'd thought--maybe if he could make her jealous by talking with Kenobi--

And talking had turned into kissing had turned into bedding, but it hadn't been about Kenobi, not really, not that first time. It'd been about Padmé and how much Anakin had wanted her to notice him, see him for the man he'd become.

And he's sure that Kenobi had bedded him with ulterior motives too--not to make Qui-Gon jealous, of course, which is a thought that Anakin doesn't even like to think about, honestly--but to make Qui-Gon upset. Master Jinn didn't like the slimmest reminders of his old apprentice. To find out that his old apprentice had bedded his new one...no, Master Jinn did not, in fact, appreciate that.

So they'd both had ulterior motives the first time they slept together, and they'd probably had them for a while after too. It was an arrangement. A casual affair.

Before Anakin had gone and developed feelings for Kenobi, of course.

And now it's not fair. None of it's fair, because Anakin's in love with him and Kenobi's still just sleeping with him for the sake of some bruised pride he's been nursing for twenty years and now Anakin's gone and hurt him, genuinely hurt him, and he doesn't feel the way the Chancellor had told him he'd feel when he told the prince where to shove it. He just feels awful, like he'd been hurt too.

"I apologize for wasting your time, Padawan Skywalker," Kenobi is saying when Anakin tunes back into his voice. His face is hidden behind a cool mask of untouchable indifference. His arm is still crossed in defense over his chest. "I was mistaken in the understanding we had between each other, and I have thus overstepped erroneously."

It's not fair, Anakin thinks wildly as Obi-Wan steps away from him like he's going to move out of the alcove altogether. It's not fair that Obi-Wan's apparently so good at the diplomatic script of the Jedi that he can fall back on it at any moment, even after all of these years, and it's Anakin who can apparently only ever use his words to hurt.

So Anakin doesn't use his words. It's instinct, probably the first one he ever learned, to reach out in the Force instead. Nudge their Force signatures closer together and drop his shields so he can feel--truly feel--the heat of Obi-Wan's presence in the Force entangled around his own.

It's easier after that to reach out his hand and catch Kenobi's wrist. Then it's easier than anything else to use that hold to push him up against the wall and bracket him in with his body to keep him there.

Kenobi doesn't fight against his touch, but he doesn't bloom under it either, the way Anakin's gotten used to him doing. He doesn't even look at him, keeps his eyes on the neck of Anakin's Jedi robes.

"No, I'm sorry," Anakin murmurs, squeezing Obi-Wan's captured wrist. "I didn't--I didn't mean that. Not at all."

"If you didn't mean it at all, you wouldn't have said it," Obi-Wan points out, which is...well, correct, technically, but Anakin doesn't like to hear it.

"I was just...someone told me that," Anakin admits. "And I--I mean, I know you and I know--what we have. And what it is. And I'm fine with that, I understand it. I just let it get to me, that maybe you only like me cause you're still out for revenge against my master. But, um."

Obi-Wan is looking at him now, something soft and quizzical and confused coloring his gaze.

"I thought I couldn't stand being nothing but revenge to you," Anakin makes himself say, even though his breath feels caught in his throat. Danger, danger. He is skirting too close to the truth. He is saying too much. But if he doesn't say anything, what then? "But that's not so bad, I guess. It's better than being nothing to you at all."

Which is a lesson that Anakin has just learned and is eager to never experience again. Even if it makes him pathetic and weak and spineless and some prince's playtoy, or whatever else the Chancellor had implied. He'd like to see the Chancellor stand up to Obi-Wan's dignified yet wounded eyes.

"Darling," Obi-Wan says, and for a moment his hand cups Anakin's face. It's just long enough of a touch that Anakin can't help but to lean into it with an exhale. "You've never been nothing to me."

Anakin gives into the urge to kiss him. It's a miracle that Obi-Wan lets him.

It's also nowhere near enough; Anakin is a greedy sort of man. He doesn't want nothing or a little more than nothing from Obi-Wan. He wants everything.

[bonebrokebuddy]

I get that this is due to people not read comics but, if you want a fun lighthearted batfam dynamic, I cannot recommend enough putting your story and characters in the Silver Ages. I see so much fanon material that would fit in this setting perfectly and it pains me that it’s not more popular or well known.

If you don’t know what the silver age of comics is, I’d recommend checking out this article!

And here for the 1956 Comics Code Authority.

It might not be in continuity anymore but the silver ages were such a large era of comics that defined the characters. And the format & restrictions of the silver ages allows you to easily bypass several common issues folks have with plots. In modern comics, there’s constant interpersonal drama because there has to be, if you resolve all those issues then you can’t sell more comics & they lose a lot of tension.

But due to the Comic Code Authority that is no longer an issue!

Randomly ignoring a dark past that makes connection between characters difficult [the poor aging of Jason’s bag of heads making it difficult for him to reunite with the rest of the batfam, for example] because it doesn’t fit with the theme you want?:

Comics are episodic in this era. Think of it like a early 2000s TV show. Things that happened in past comics/episodes often won’t affect the current story at all as the setting resets to default at the start of every comic. Additionally, literally all gore, torture, or explicit descriptions of murder is banned due to CCA restrictions, so you can choose to have it simply never have happened!

Characters that don’t fit at all in a story but you want a crossover for?:

The Silver Ages had SO MANY crossovers of heroes solely bc it sold comics. How compatible they are doesn’t matter in the slightest. The thinnest of reasons why they met works perfectly. You can even just have the characters know each other already and go “I know who can help me with this case! [Insert character you want here]! I met them in my last trip to Antarctica!” You only need maybe one sentence, two if you’re feeling frisky, to explain why they met and then you’re free to run wild.

Want a character to randomly acquire a superpower or meet a long lost cousin they have for one comic and then it’s never mentioned again?

I cannot state how frequently this happens. Silver Age comics were pretty much written cover first. Meaning the cover was made and the story was written after with the philosophy of “if my comic cover is more bizzare and eye catching then kids will buy it!” Like, there are multiple comics where Superman’s head got turned into an ant and Batman gets powers practically every other World’s Finest issue. Like it’s not even an “au” to do these things. That’s just what the Silver Ages were like.

Comic science and comic physics run rampant as well as bizarre villains! You can have so much fun with this!! Heroes often play the straight-man in bizarre scenarios with over-the-top villains in this era, making that aspect shine brightly can make for an inherently funny plot. You could either keep it fun and light or turn it into a psychological horror as the characters realize they can’t disobey the CCA code and have to follow a specific plot.

Also the restrictions of the CCA at the time would also help create some fun and unique plots if you wanted to keep the plot time-period accurate.

There’s a lot of restrictions but there are still many ways to create conflict in your fic! Plenty can come from the CCA directly!

Canon or HC LGBT+ characters could be pressured to not come out or face tremendous backlash. Time accurate homophobia, essentially.

McCarthyism and paranoia ran wild. Oh no someone suspected your blorbo of being a communist/socialist and now it’s ruining their life!

Characters dealing with how the CCA’s restrictions/their reality is inherently bigoted and can’t be themselves. (See: comics on topics of racial & religious prejudice aren’t allowed, characters can’t speak in “slang” or “vulgar language” and “good grammar” is emphasized (often targeting minorities), and the sanctity of family must be respected (no divorce, no queer people).

Also! Crazy over-the-top villains with deadly stakes are played with a lighthearted tone. Play it straight and suddenly your comic changed genre into horror if you think about it for more than a second.

Characters that used to be antihero’s are just straight up villains now or suddenly wake up with massive gaps in their memory and no one else can tell them why. There is no grey with the CCA. Just good and evil. Because that would make the villains sympathetic and we can’t have that!

If you want to just have a fun, campy and lighthearted tone however, that’s the Silver Age’s bread and butter. While keeping the CCA’s code in mind is good to keep a Silver Age story feeling time accurate and Silver Age-y, it’s definitely not necessary to follow each and every rule.

Here’s some more links to free silver age comics and places you can go to find information on silver age comics if you want to learn more that aren’t fandom wikis but rather made by nerds with a passion to catalogue and share their interest to others.

Your local library has a decent chance of having an omnibus of 50s-70s comics or you can order one from a nearby library if your local one doesn’t carry them.

A local comic shop or bookstore. Silver age omnibuses & “50 year anniversary/best of” type collections are usually present and have a good variety of silver age comics.

Jenny Blake Isabella (the creator of Black Lightning) has delightful reviews of the Batman Silver Age Omnibus on her blog that add context, critiques, and overall are a delight to read

Takes some hunting but this Silver Age Comic blog has a bunch of single issue reviews of Silver Age Batman comics.

Want a specific issue to read? Here’s super brief summaries of soso many issues curtesy of The Comics Archives blog.

The Internet Archive also has a few:

Batman & Superman world's finest. The Silver Age. Volume one

Justice League of America, the Silver Ages volume 1

Batman: the dynamic duo archives. vol 2 (I cannot find volume 1)

A good tip to find legal and free comics decently intact is to search [comic run title/character hero name & issue number if you have it] + “blog” + “review”.

There are so many in-depth reviews of comics in blogs by comic fans out there that practically share most of the comic panels in the post while giving context to past issues while the poster adds personal insight and opinions on the comic. Is it going to give you the whole issue unfiltered? No. But it allows newbies to get insight from old fans and old fans to get a new perspective on a comic they’ve already read. Blog reviews are such an underrated way to get new fans into comics considering how great of a resource they are! Don’t know if you’ll like a comic run? Read a bunch of reviews on it from different blogs! It’s truly so underrated.

I see a lot of dc fans that don’t read the comics because they don’t like the violence and dark tone of modern comics or don’t know where to start. Simple solution: Why are you reading reading modern comics then? Give the Silver Ages a try! They’re utterly corny and campy & I love them dearly.

They fit all of those bills with the CCA. Plus, with the episodic stories of that era, you can just pick up an omnibus, open it at a random issue and start reading. Hell, you can toss a stack of silver age issues in the air 52-pickup style and read them that way and you’re still be fine. You rarely, if ever, need knowledge from previous comics as they’ll often directly explain what happened to you. If you really need previous context, just like modern comics, they’ll directly tell you which issue(s) to read first.

Lastly.

It’s good to keep in mind the “By it’s time. For its time. Of its time” rule of comic analysis when reading old runs. Comics are: relevant during their time of publishing, for its intended audience (in this era, young american boys with a non-nuanced worldview) & with little care of how it’ll age, just that it’ll sell.

How history ties itself to comics is fascinating but also it’s good to be a little “👀👀 uh zoinks scoob that was a bad narrative or character decision that didn’t age well” and not dismiss it because that poor interpretation does have historical value as how it shows the moral, social, and political conflicts of the time in a neat little bow. Even if that bow is like, puke green.

Writers of comics will follow the misogynistic and racist ideals along the historical & social conflicts and ideals during the time of the comic’s publishing date. It’s uh, just kinda something ya gotta deal with when reading a lot of old comics runs. Most collections of silver age Batman/best ofs don’t often have comics that aged super badly but if you end up encountering any, it’s good to keep this in mind.

If anyone is inspired to write something based off of this, please tag me so I can read it!

[tiger-grace]

SOMEONE LET HER OUT OF HONG KONG. SHE IS NEVER NOT IN HONG KONG. LET MY GIRL COME HOME 😭

[hitlikehammers]

Early November, 1984 and all Eddie wanted was to light up behind the Byers' place in peace🚬

he went all that way and all he got for it was a maybe-dead💀-but-definitely-unconscious-king👑-slash-maybe-babysitter(?), plus some shithead children directing his van🚐 to those fucking abandoned labs that may as well be lit up in neon lights screaming 🚨THIS IS A FUCKING TRAP🚨

Eddie shouldn’t be here. Like, not in a it’s forbidden kinda way, but more in a, there’s no real reason for him to fucking be here.

Save for the obvious.

It’s just…after the whole dead-not-dead thing with the youngest kiddo, the property around the Byers house has kinda turned into no-man’s-land; easy place to get high when Eddie wants a change of scenery, basically, with no one trying to break his nose, or call the pigs.

Or snatch his supply.

But when he hears that fuckface Hargrove call out, the tone on him—and Eddie’s real sensitive to tones, he can guess between the lines for everything he can’t read—he perks up; listens in. Stays put out of sight.

(And no, he does not cream his pants when Harrington calls back, Jesus; taunts like the cocky prick that he is—

And no it is not a close thing or…whatever.)

Point being: he hears more than sees what happens. Up to and including a gaggle of literal fucking children dragging Harrington toward wha Eddie thinks is Hargrove’s eyesore of a car, one of the sheepies crossing around like they’re planning on driving it, and Eddie’s not one for the rule of law or anything—definitely not if it’s Hargrove’s property that’s on the line—and fuck yes Eddie’s driven without a license, and far below the age to get one, but, but—

He’s tripping over himself to turn the keys in his own ignition and swinging the van around quick enough to kick up dirt before he leans over and throws open the passenger door.

“Hey,” he hisses, low but not quiet, he needs them to hear but he doesn’t know if Hargrove’s gonna storm out any second, it’s a delicate balance; “hey, get in,” and he’s crawling over the seat to open the back, too, to push things to the side to mostly leave it flat, tossing blankets to the middle with no care for their cleanliness because there’s no time for that shit, there’s no time and then he’s grabbing the hinges of the doors and flinging his whole top half around to eye this hoard of strange ankle-biters and what’s revealed quickly to be their still-weirdly-attractive-when-beat-to-shit charge in Steve Motherfucking Harrington, trying to project some degree of meaningful trustworthiness, because he is trustworthy, here and now, but they’re kinda in the fucking clock of crazy-eyes-Mc-West-Coast stumbling out of the house, so Eddie’s kinda gotta urge these rugrats with real feeling, waving his hands to the point where his fucking wrists hurt:

“Get in.”

And of course these little urchins still and just, raise a fucking eyebrow at him. Like they’re not working on an inexact sort of fucking timeline—

“Who the fuck are you?”

Yeesh. He wasn’t off when he said they were ankle biters; the little lambies have teeth.

“I just wanna help,” Eddie tries to say it with as much of the genuine concern that he really and truly feels, and not get weighed down with the probably-suspicious-off-the-bat vibe of pulling up in a random van just to start the exchange out with waving some strange kids into the back of it.

Jesus, that sounds terrible, wow, okay.

He gets it.

“No,” oddly, not the ringleader girl who eyed him first but it’s the curly headed boy now who stands up, squares his shoulders, and stares Eddie down with an only-slightly-less-menacing glare. “No, you’re not gonna hurt Steve.”

“I don’t want to hurt him, I swear,” Eddie’s honestly surprised by how unmuddled his tone bleeds put as desperate, versus irritated by this motley crew of munchkins trying to fight him when he is risking his own neck to help them.

And…King Steve, but then: can he be that motionless, hanging awkward from the noodles limbs of a handful of preteens (at most)?

“I just want to get you out of here, somewhere safe,” Eddie bites his lip, wonders where the fuck he intends to go and realizes he was probably just going to drive toward his home and hope for the best; “Er, somewhere safer than here,” and they don’t fucking budge, little assholes, and Harrington doesn’t fucking twitch, and just, just…

Ugh.

“Come on,” he urges them again, just shy of begging; lets how fucking nervous he’s getting seep clear into his tone a little, but he honestly doesn’t think he’d have convinced them to move if not for the crashing of something in the house behind them, and—well.

Nothing like impending doom to speed shit along.

“I wanted to drive,” the redhead’s muttering with a scowl as they heft the body they’re barely keeping off the ground and awkwardly feed Harrington head-first up to Eddie where where he’s crawled properly into the back of the van to help, and Eddie thinks these little fuckers just might be more wild and feral and insane even than he originally would have guessed for how they make to scramble behind their Steve; only just manages to steady and lower the royal body as careful as he can before the hoard clamors in and denies Eddie so much as a moment to press his finger under Steve Harrington’s flop of bloody hair and touch below his jawline where those stupidly infuriating moles of his speckle his skin, marks that Eddie’s hasn’t ever really paid attention to ever, nope, Eddie only needs now to assess whether he’s just accepted a dead fucking body into his van but: no.

Maybe a little sluggish, but pulse’s strong. Which: Eddie doesn’t care about past the legality of it all. Beyond getting saddled with a murder charge or some other bullshit.

No other reason. Of course. Yeah.

The only thing that floors him more than the Hardy Boys-plus-Girl on steroids tearing onto the cushions around where their unconscious charge is laid out, as Eddie shifts into gear and makes to get the fuck out of dodge, like, yesterday, is the even-louder voice in his head that asks probably the most pressing question:

The fuck did the King do, and how, and why, to make these children this loyal?

What follows all that is quite arguably—actually more than that; definitely a strong contender for—the most surprising thing that’s ever happened to Eddie. That could maybe ever possibly happen to Eddie, in any circumstance for any reason within any universal construct or reality. And he’d been really marinating in his Munson Doctrine this year, too, having been forced to reevaluate some shit after the letter arrived to hammer the most disappointing nail in the coffin of Eddie’s first senior year, but then…fuck everything, then there were the stupid little sheepies and their stupid gorgeous goddamn babysitter—which still, still: what the fuck was that, who the fuck even was Steve Harrington?—and Eddie’d barely even put the ink down to dry before all of them banded secretly together and shredded that motherfucking document before it could even properly take root in Eddie’s brain.

All while something else entirely started to take root in his chest, in his hea—

Well. Something. Something that wasn’t even remotely recognizable inside his most recent—and most polished to date, if he does say so himself—draft of the Doctrine like, at all.

Which is the point.

Because Harrington was indeed alive, and did indeed wake up, and clocked Eddie quicker than expected, even by name—Munson? What the fuck?and hell if that hadn’t fluttered between Eddie’s ribs an indefensible amount that no one would ever know about ever, thank you very much, but still: Jesus H. Christ—

But all his own humiliating discombobulation at the not-even-hands-just-voice-and-presence-of-the-golden-boy aside: it’s a damn good fucking thing Harrington wakes up, and is definitely not dead, because Eddie knows where the King lives, and he knows he’s not driving in that direction but had instead been foolish enough to give these shitweasel munchkins the benefit of the doubt here, like that there maybe was a safe house or some shit, fucking sue him, he was a little prepccupied, yeah—by the threat of a chase with that Hargrove fucker and then by the absolutely spectacle of Harrington screeching at the wayward waifs like a harried mother at the stovetop, because fuck, but Eddie nearly crashes them into three ditches and at least five trees for for trying to watch and he can’t even pretend otherwise—but the end result is definitely not a fucking safe house, and these little asshats have directed him in the wholeass wrong direction, if the undeniable fact of the old abandoned labs at the edge of town looming big through his windshield, looking at least slightly less abandoned (as if that’s not goddamn terrifying in and of itself), what the fuck has he literally driven into, is he an accomplice, and to what, and just, just Jesus—

“Hey.”

Eddie is honestly wholly jolted out of his spiral for a lot of reasons, here. The low tenor exhale of a sound in a voice too kind and open and invested, to much like music given what it does to Eddie, what music means to Eddie and what this voice shouldn’t fucking mean too straight out the goddamn gate. The proximity of a body close enough to feel the warmth of each breath. The indefensible feeling of it being nearly erotic out of nowhere and with no justification at all—just the reality of Eddie’s world right now, to feel the barest brush of the side of a body alongside his, leaning forward where he’s still in the driver’s seat. All of that would tip his world at the very least into a different sort of spiral pattern, breathless in a completely other way.

But.

What knocks Eddie hardest and most effectively in one go is the hand on his shoulder, braced to comfort and steady, and the realization in the flesh of how fucking big it is, how the span of that palm, those fingers, because Eddie knew those hands looked big, not that he’d studied them with any real…attention or anything but feeling them was something entirely other, and the touch, the touch is…is—

“Hey,” and Harrington’s breath is close enough then to tickle Eddie’s hair, goddamn: “breathe.”

And where Eddie hadn’t been wholly aware that he wasn’t, y’know, doing the breathing thing so well, either for the absolute insanity of the evening or the ominous spread, all proper D&D-style foreshadowing of nope don’t go there not now not ever waiting where these menaces had directed him to drive; but whatever the reason, where Eddie now takes a gulp of air in now that fucking burns, there’s Harrington, leaning over a little more, a second hand on Eddie chest to steady him as he falls all while he’s fucking squeezing Eddie’s shoulder, only a second before he’s getting ready to jump out of the van like he wasn’t just beaten unconscious like, five fucking minutes ago.

What the actual flying fuck.

If Eddie weren’t a goddamn idiot, he’d put the van in reserve before anyone could get out the back, fuck the way they’ll be thrown against the sides, at least they won’t be walking—willingly—into whatever the fuck’s waiting, all angry red and kinda…pulsating in the distance in a way that may or may not be a trick of his own paranoid mind, and then spewing little glowing motes into the air like lightning bugs.

Which could be charming, if it weren’t way fucking past the season for that shit.

And in fairness, the whole experience of Steve Harrington touching him and leaning close and breathing near him and telling him to breathe? That shit does carry him through—mostly—the hours that will follow, cliche and genuinely fucking embarrassing as it is, as it will be, to acknowledge at all.

But in the now—

“Thanks, man.”

And…oh, well, fuck.

As in point number one: that hand—bothhands—really are distracting as all hell but then also, simultaneously, very much point number two:

What the actual fuck.

“What?”

Apparently sending Eddie-usually-eloquent-enough-to-spin-some-pretty-bullshit-on-demand-Munson reeling outta nowhere is this fucker’s MO. Probably for the best that Eddie’s been writing him off as a pretty airhead for years now—if for nothing more than his own sanity.

Or else, like…relatively speaking.

“You got us here,” Harrington gestures out the window and…yeah.

“Here?”

That’s the relative part. And the insane part to be thanked for. Because where they’ve ended up is definitely the DoE labs that were supposed to have shut down or whatever, after people disappeared and came back and disappeared again and also didn’t and were never gone and fake bodies and whatever.

No one thanks anyone for bringing them to a place like this.

“And it’s more than I could have asked someone to do,” Harrington’s going on like it’s a casual thing, a favor like walking his goddamn dog and not more like what’s actually staring them down inside the fencing, namely the building that doesn’t look as abandoned as advertised by half, and definitely doesn’t at all look like the only thing it’s missing is a big neon sign blinking TRAP! FREE TRAP! IN THE MARKET FOR A QUICK PAINFUL DEMISE AT THE HANDS OF THE WORLD’S SHITTIEST TAINT FACTORY EAST OF ARMPIT-IAPOLIS? STEP RIGHT UP! ALSO REMINDER: CLEARLY A TRAP!

“Harrington,” Eddie doesn’t love the way his voice trips over a bonafide gulp. “Steve.”

He also doesn’t love how much feeling sneaks into that part because one, where the fuck’d that even come from and two, he…

Eddie doesn’t think he’s ever said this guy’s first name out loud. As in…ever.

He doesn’t love how nice it feels, how scary but bubbly-warm it tingles at the base of his throat and the pit of his stomach.

So there’s all of that.

Still set inescapably under the threat of the non-existent-but-no-less-real-neon-sign-of-death and…stuff.

“We know what we’re doing,” Steve’s pats Eddie’s shoulder again, moves the hand from his chest like he’s pulling away, like he’s leaving to go toward the trap and Eddie whips his head around just in time to catch Steve shrug sheepishly and add:

“Like, mostly.”

It is not at all lost on Eddie, how Steve doesn’t even try to sidestep that he’s walking into the gaping maw of probably death, here.

That might be the most terrifying part of this yet.

“I could,” Eddie’s voice is a crackle, so he tries clearing his throat, licking his lips; “I could at least try to help.”

That comes out a little stronger, but not steadier, and he doesn’t really think he’s making his point very well at all.

But then there’s Steve, and his hand back full on Eddie’s shoulder, saying:

“You could,” like he believes that; “and we’d be grateful,” added in like he means that too.

And most unbelievable of all of it, what he tacks on last with a squeeze of his hand and a lower pitch for no reason Eddie can figure save to catch inside the clench of his pulse so it takes to jittering like fucking mad as the King himself exhales:

“I’d be grateful.”

And what the fuck does that mean, said with eyes so bright when the night’s so dark?

And what the fuck does it mean when Eddie’s heartbeat starts jittering, a butterfly between cupped hands, until:

“I need you to be safe though,” and the words have physical form, brush Eddie’s frizzled curls straight behind his ear like…tenderness, delicate.

What. The. Fuck.

Eddie blames the way his heart goes form butterfly to battering ram, ready to crack through his ribs for no reason save a feeling he can’t justify, but’s too real to pretend away as less when he half-fucking-moans:

“What about you?”

Because Steve’s shepherding the kiddos. He’s keeping Eddie on the sidelines, safe. He’s charging into battle with a handkerchief and a bat and a goddamn pair of rubber gloves found from somewhere, sticking out his back pocket like he’s flagging in day-glo, holy hell—

But who takes care of Steve?

“I’ll see you at school,” Steve winks, leans this time to bump one shoulder straight to Eddie’s and then he’s jumping out the back of the van, and he’s moving too fast and—

“Harrington,” Eddie calls, suddenly forgetting he’d ever been trying to keep quiet, to avoid attention of whatever they’re going out to face, Hargrove or harbingers of worker fates, or both at once; “fuck, fuck,” he hissed as he trips over shit that got shifted back in his way as he stumbles to the doors and yells:

“Steve!”

And it’s like maybe saying his name does something to Steve himself, too, because he pauses, and even for the distance, the little curve of his lips isn’t a smirk, it’s a smile.

It’s fucking beautiful.

And then he’s saluting cockily before he turns on his heel with just one last parting shot;

“See you on the other side, Munson.”

And the tunnels beyond only let him watch so long, see so far. The weird shit in the air, and the bandanas he can see a scuffle over, to make sure they’re tied over noses and mouths, lit by weird pulsing colors, obscene squelching noises he can hear the echoes of even this far back and just, just…

Typical eldritch fuckery from a monster manual.

That doesn’t belong in real life.

It’s a fucking trap, Admiral. Good fucking god.

And Jesus H. Christ, but Eddie hadn’t even had the chance to light up tonight as he’d planned, as he’d explicitly driven out to do.

For fuck’s sake.

>>>part two 💚

For @miraculousmultifan, who requested Post-S2; 'Now, I’m not going to deny that I was aware of your beauty. But the point is, this has nothing to do with your beauty. As I got to know you, I began to realise that beauty was the least of your qualities. I became fascinated by your goodness. I was drawn in by it' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST—very late, obviously, and MID-S2, rather than post but it ENDS UP being post-S2, promise 🖤

✨permanent tag list: OPEN (lmk if you want to be added/removed): @ajeff855 @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @grtwdsmwhr @gunsknivesandplaid @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @kimsnooks @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @ollyxar @pearynice @perseus-notjackson @pretend-theres-a-name-here @pukner @ravenfrog @sadisticaltarts @samsoble @sanctumdemunson @shrimply-a-menace @slashify @stealthysteveharrington @swimmingbirdrunningrock @theheadlessphilosopher @theintrovertedintrovert @themoonagainstmers @theohohmoment @tillystealeaves @tinyloonyteacups @tinyplanet95 @warlordess @wheneverfeasible @wordynerdygurl @wxrmland @yesdangerpls @yourmom-isgay @1-tehe-1

divider credit here

[smileposting]

what are your feelings on inspekta being both a sympathetic character and a (now former) fascist?

WELL. first of all, i think it's Probably worth noting that even while GGG's representation of the conditions that can give rise to fascism are Uncannily accurate at times (as outlined in this very excellent post by elkian) it is Also a story in which the central message is "maybe talk to your friends instead of conspiracy-posting when you start to feel bad about yourself, dipshit," and therefore its representation of fascism/fascist thought As A Whole is very... how do i say this without sounding disparaging. "saturday morning cartoon"-esque. i think this is pretty apparent in how the worst that the bizzyboys' reign of terror ever gets is banning The Concept Of Art and not, like. genocide. the only Actual fatal threat (the rift) is saved for the very end, and inspekta/hector is talked down before it can actually cause any fatalities -- otherwise, inspekta and the bizzyboys would be very different antagonists that would require the narrative to treat them much more harshly, and this would result in a very different game overall (although not one i would be opposed to playing.)

second of all, i wanna talk more about the idea of GGG being less of a game about taking down a single power-hungry fascist and more an examination of the conditions that can eventually lead to fascism if left unchecked. for just one example, we can see that even before inspekta came into power (or at least, before he started his corruption arc) and even in a world where every god is genuinely kind and just and deserving of their position, it was generally The Norm to not really call them out To Their Face - any displeasure a character voices with a god's (apparent) decision is directed to each other and the godpoke, not to the god themselves, even when that god is perfectly open to visitors and/or feedback. and this is bad because despite the gods no longer being Physically human, they are still just as fallible - they have a tendency to jump to conclusions, they let their devotion to their interests or one another cloud their judgement, they struggle with showing vulnerability (which, ironically, makes them more vulnerable than they would be otherwise.) not only does the grove benefit from regular contact with the gods to make sure that their needs are being met -- it benefits the gods, too, by way of keeping them from getting lost in their own heads and losing touch with their own humanity.

i think it's also worth noting that the bizzyboys are not the only characters we see buying into fascist rhetoric, or at least stuff that benefits fascism in the long run. you could argue that anyone who bought into inspekta's framing of king in the first place also counts, given that to do so would probably Also require one to believe that the gods are infallible. it's also worth noting that a Lot of the more notable supporting characters who fall into this are also doing so out of a profound sense of alienation; saul can't remember the last time he talked to any of his friends and he thinks nobody takes him seriously, pollina's students don't sound like they're being taught much of anything about milldread's history and therefore they have very little to actually connect them to milldread, nobody likes rick brick and he has no interiority to speak of By Design, etc etc. all of these characters, however, are also treated with a fair amount of empathy - ol' bloom turns out to be Correct in believing that saul doesn't have what it takes to kill him and once the issue of the harvest is solved, he's welcomed back with open arms, pollina's students are like 8, and even rick brick's story ends with him beginning to realize that maybe it's okay if a story only appeals to its author and nobody else.

tl;dr: if ggg was even Slightly less cartoony than it actually is, this aspect of inspekta would come across as pretty jarring, but given the aspects of fascism that GGG chooses to focus on and how it treats smaller antagonists, i can't really imagine inspekta's story ending any other way. if i Did have any actual concerns, i'd say maybe it's that the bizzyboys being from the drain + the drain having such a negative connotation can get kinda dicey? something about the idea of fascism being an Evil Foreign Entity and not something that can just as easily start at home doesn’t sit quite right with me. but ofc a lot of emphasis is placed on the bizzyboys' humanity and potential to do good if not for inspekta's own Complexes getting the better of him (and even inspekta's own genuine capacity for leadership before that happened) so that's probably more of a potential bone to pick with fanwork, given how little exploration drain actually Gets in canon.

also i hope this doesn't Need to be said but just to be clear: i'm not trying to like, call out limbolane or Inspekta Himself, just examining what this aspect of his character was trying to Accomplish + how it relates to the game's themes and such. with that said i am very much still a novice when it comes to political analysis of media so if anybody more well-read than me wants to chime in, Please feel free to do so lol.

[phoenixcatch7]

Oh yeah story idea: percy Jackson reaches his emotional/mental limits) (annabeth gets knocked down during a huge fight and nearly gets killed) and goes absolutely ape. We're talking hurricanes, earthquakes, a zillion exploding water sources, blood bending, poison bending, pounding rain, the works.

And it starts to kill him. Like eating too much ambrosia, his mortal body is burning up, too much power too quickly.

But through sheer force of will and the amount of divine energy he's putting out, he keeps clinging on as his body crumbles to ash, divine power building stronger and stronger and higher and higher.

And he accidentally brute forces his way into godhood.

And what would have been a true power reveal and two deaths, Percy being punished for his strength ala Frank, abruptly becomes a pseudo divine political drama, with percy at risk of any dozen horrific fates the frenzied council are slinging around (minus poseidon, who is also frenzied but unwilling to let his newly immortal son die) whilst dealing with all the ramifications of divinity and the new social strata of the immortal pantheon (and EVERYONE having opinions), all while trying to get back home.

But Annabeth survives because of it, so he can't really complain.

[yutamayo]

[ithilien-writes]

Hiii I love your recent ficlet of buddie running into Abby and I was wondering if you could do one of them meeting bathena on a date night :)

aaah thank you! 💜 i decided to go with secret relationship buddie and as much as i appreciate everyone's headcanon that bobby is the og buddie shipper i personally think oblivious/frogboiled!bobby is just funnier 🫶

(to anyone reading: this was written really quickly and without much editing, so please take it in that spirit. i'm past the block that sparked the original call for prompts, but you can still always feel free to send me some more!!)

---

Just Like That [buck/eddie, bobby/athena, G, ~700 words]

Bobby is feeling pretty pleased with himself as they enter the restaurant, he has to say. It was not an easy reservation to get and Athena is practically glowing, absolutely stunning in a brand new dress she bought just for the occasion that Bobby is valiantly trying his best to enjoy without jumping straight to imagining it on their bedroom floor at the end of the night.

He's... at least partially successful.

But he's definitely distracted enough that it's no surprise he misses them at first. So it's Athena who ends up pulling him slightly away from where the server had been leading them, stopping in front of a different table entirely.

"Well, look who it is," she says.

Her voice is warm, but her eyebrow is also raised slightly. And sure enough, there's Buck and Eddie, both dressed in dapper suits and looking up at them in surprise.

"Ah, Cap!" Buck says, he and Eddie both standing to greet them. "Athena. Hey! This is- that's so-"

He looks to Eddie, who smiles in way that Bobby might almost call a grimace if he didn't know better.

"It's great to see you both," Eddie says. "Date night?"

"It's our anniversary," Bobby tells him.

"Congratulations," Eddie tries to say, but Buck's voice cuts in at the same time, talking over him a bit.

"We were just- just hanging out, n-no special occasion here."

Athena's other eyebrow raises to match the first, but Bobby just chuckles slightly, unfazed. The server coughs discreetly behind them and Bobby nods his head, his hand moving to the small of his wife's back to gently steer her back towards their intended table.

"Well, you two have a nice night," he tells them, and Eddie gives him that same grimacing smile again.

"Oh, yeah, we- uh. You too!" Buck says as they turn away, both he and Eddie moving to sit back down again.

It's not until they're seated at their own table across the restaurant that Athena reaches over and hits Bobby on the shoulder. Hard.

"Ow," he says. "What was that for?"

"When were you gonna tell me about that little development?" she asks, and Bobby tilts his head slightly, still rubbing at his shoulder.

"What?" he asks again, eloquent as ever.

His wife rolls her beautiful brown eyes at him.

"Buck and Eddie," she clarifies. "You could have told me they were dating."

Bobby can't help it, he laughs a little, though it turns into a bit of a cough when he sees Athena's unimpressed glare.

"Sorry," he says, after a moment, "it's just- honey, they're not dating."

Athena's eyebrows both return to her hairline.

"You saw that just now, right?" she says.

Bobby nods, bringing his hands up in a slightly placating gesture, still chuckling a little despite himself.

"Trust me, that's just how they are," he tells her. "I have to work twenty-four hour shifts with those two, remember? I think I would know."

"Bobby, sweetheart, I love you," Athena says, somehow making the words sounds like, you are so dumb, "but this restaurant has a six-month waitlist for reservations. No one is taking a friend here for a casual hang out, and that's not even to mention Buck acting like a teenager caught with his pants down just now."

"That's just... how Buck is," Bobby tells her - determinedly not thinking about the time he actually caught Buck with his pants down.

Athena sighs deeply.

"I'm not even gonna touch that," she mutters, as the server comes over to take their drink orders.

Once the server leaves again, she takes his hand across the table.

"It's our anniversary, so I'm gonna let this go for now," she tells him. "But after your shift tomorrow, I'm gonna need us to circle back so you can tell me how right I am."

Bobby smiles.

"So just an average Wednesday then," he teases, and Athena's responding scoff is ruined by the way she grins into it, clearly pleased.

And well- Bobby should really know better by now than to bet against his wife. But given the way the rest of the evening goes for him - because God, that dress really does look even better on their bedroom floor - he'll gladly take the 'I told you so' he has coming with grace.

[softmangoes]

First, I just wanna say, I adore your writing. From your word choice to the way you convey every emotion, it is nothing short of stunning.

I binged all of your writing, and I was so thrilled to find your DoL fics!!!! If you’re feeling inspired, I’d love to see your take on the LIs reacting to the PC becoming a Fallen Angel, especially if the PC fell for them (like, letting them take the PC’s purity).

In game, it feels kind of tragic falling, especially when doing the quest for the spear, but on the other hand, the whole, who needs a God’s love when I have you is a special type of romantic that I really love.

I hope you have a wonderful holiday season if you celebrate! If not, I hope you’re having a wonderful winter in general!!!

hi hello!! thank you for all your kind words and i'm so glad you liked my dol fics!! 💛

the graciousness of your message has filled my well of inspiration, so here you go and i hope you also enjoy this 🥭

"why me?" pure!sydney says between breaths, between kisses that only make you both yearn for more. your skin is hot against his, while the wall of the library's private study room is cold against his back. he knows he shouldn't be doing this, that the temple would strip him of his status, and that your embrace marks the end of something he's been building all his life.

so why him? you are a holy thing, after all. untainted. pure.

and yet, as you grind against his length, the slickness of you irrestible now that his cage lies beside him in fragments, he finds no trace of regret within him - only reverence, only devotion. only the urge to take your breast in his mouth and to finally slip his length inside you, savoring the warm wetness that anoints him with the miracle of your consummation and the sound of your song.

"because it's me," he murmurs, his hips finding the pace that makes you shudder. after all, why can't a study room be a holy place? who says the bruises from his lips can't count as praise? when he feels you tighten around him, your feathers smoldering as your voice cracks in pleasure, he has his answer. "because," he gasps, reverence threatening to spill. "there's no one better to worship you."

"all saints die," corrupt!sydney murmurs, breath hot between your thighs. his fingers are digging into your hips. the marble altar is cold against your back. you both know you aren't supposed to be here, but there is a thrill in the forbidden.

he dips his tongue into your warmth, the sensation of his veneration smoldering even moreso than the feathers charring on your back. "what is this, but another apotheosis?" he muses, pulling his midnight hair into a ponytail. "another transformation?"

you feel thrilled at the comparison, knowing how you have both changed each other.

a dark force churns within you, tight and coiling. you recognize it as hunger, as the lust you have denied yourself so long in the face of virtue. but what use is virtue, when it can be easily cleaved by the warmth of a hot tongue? when the eyes that behold you in worship reflect the same golden light that used to grace your skin every day? as if sensing your hunger, sydney slips his fingers inside you, filling you. your hips sway into his touch, wanting more. wanting to burn together.

you shake in whitney's embrace, whimpering at the pain, the burning, the visions of the world cracking open and corruption spilling through like so many hungry tentacles reaching to engulf the light. and yet, you would do it all over again to feel his breath, his skin, his desire for you all for the first time.

"hey," he says, scooping cold water onto your tender back. it does little against the fire you feel in every feather, the taint eating away at each filament. "stay with me." there's a tinge of panic in his insistence. you aren't quite sure whether it's real or a hallucination. although he is your former tormentor, this is a kind of pain he is unfamiliar with, yet committed by his hand all the same.

your eyes dull. whitney adjusts his weight, water sloshing in the bath. he jostles you, willing you to stay conscious. whatever the fuck is going on with you, you can't leave him. you can't go before he knows how to help you.

before the darkness takes you, the last thing you hear is him telling you he is sorry.

there are tears in kylar's eyes. "it hurts?" he says, daring to touch your half-singed feathers. you nod, straining to unfurl them to reveal the slow fire eating away at the soft ivory. your halo is cracked, bleeding inky corruption that sizzles upon contact with the air. "it's because we...." his voice shakes, the guilt lancing through the pleasure of your skin just moments ago. "we..."

how dare his selfishness cause your agony. if only he could unmake a moment, exercise even a minute of restraint. perhaps then, you wouldn't be in this pain. his fingernails dig into his palm, teeth sinking into his lips as tears stream down his face freely.

but your mouth covers his, your soft tongue lapping at the blood beading on his lips. your kiss, so gentle, feels nothing like lament. only the delicate grace of forgiveness.

"you're beautiful," eden says, mouth hot against the hollow of your neck. when he first saw you, wings unfurled in the light of the clearing, he thought that you were some kind of strange bird. right as he leveled his shotgun to take aim, he remembered you turning to face him, a look of surprise gracing your features as you beheld the man who would have been your end.

it was a while before he first touched you. your skin burned. the air in the cabin would ripple from your heat. even the bars of the cage threatened to warp. in the cold of the winter, your rage radiated at your confinement, a prized bird trapped in crude metal.

the hunter knew that he was not worth your beauty. your very presence made the shadows of his past all the more darker. you were an angel, a being of pure light, and all he wanted to do was take your warmth for his.

then one day, like a miracle, you came for him. he had collapsed into the cabin, his body stiffened by the cold. hair cracking with ice. he had fallen into the lake while fishing, the ice sheet far thinner than what he originally estimated. he looked at you, glowing in the dark of the cabin, teeth chattering as he unlocked the cage with his hand outstretched.

"go," he rasped as the door swayed open. "it won't be long until -"

warmth spread across his body the moment your mouth pressed against his. you tasted like honey, like sunlight, like every summer he never thought he would live to see. to his surprise, he found you breathless, lips at his neck, telling him to take you.

"why?" he asks, voice hoarse. his fingers run through your hair. because he fell, you tell him, and it was only right that you would as well.

"something's burning," robin says, fear tinging his desire. "is it you? we can stop -"

you silence him with a kiss, tongue tasting his lust for you. your feathers are charring, your halo cracking. before this, you had both talked about the consequences of what would happen. once you were intertwined, there would be no going back. the both of you would be burned into each other's lives forever.

besides, this moment feels less like falling and more like flying: robin's warm eyes on you, his soft mouth parted in pleasure, each sway of his hips bringing you both closer to sweet oblivion. all you can do is card your fingers through his hair as he whimpers against you, sending you both soaring into the heights of a new heaven.

"the moon waxes and wanes," the wraith says, tentacles tracing the darkness of your once brilliant wings. one of them prods at the shards of your halo, corruption leaking from its fragments. you wince, the pain sharp despite the gentleness of the abomination's touch. "and even when it bleeds, it is beautiful."

tendrils, thick and strong, knead along your shoulder blades right where your wings protract from your back. this earns a sigh of relief from you - one that he drinks eagerly with his cold mouth.

"flight must make you ache," he says, his voice nothing less than a sonorous purr. "i may be able to assist."

with his lower pair of hands, the wraith lifts you against the walls of the ruin. he slips inside you with ease, your fingers grasping the silver threads of his hair as you take him. his countless tendrils suckle and writhe against your skin, drawing sounds that echo into the darkness of the ruin. the wraith is a force, a wave of pleasure that does nothing else but pull you further and further into its depths.

after all, you chose to sacrifice the love of a god for the heart of a monster. what else can he do, except devour you?

[beefcakekinard]

💖💖// bucktommy - ohithankyou/zahraa <333

💖 rough kiss / hot and heavy / making out (hi zahraa!! i'll tag you so you get the notification: @ohithankyou 🥰)

Buck is about ready to crawl out of his own skin if Tommy doesn't touch him in the next five minutes.

They're on Tommy's couch - this is already one of Buck's favourite places to be, it being (a) in Tommy's house, which smells warm like cinnamon and warm like Tommy all around him; (b) unfairly comfortable; and (c) a conveniently flat surface he can leverage against to climb his boyfriend. Case in point: he's straddled across Tommy's lap, pressed as close as he can get from chest to crotch, rolling his hips in unconscious, twitching little bursts, as unfulfilling now as they were half an hour ago when Buck first dropped himself into Tommy's lap.

"How are you doing?" Tommy asks more or less directly into Buck's mouth. Buck groans in frustration and bites Tommy's lower lip.

"About to crawl out of my own skin if you don't-"

"Copy that," Tommy chuckles. He presses a kiss to the corner of Buck's mouth. His hands slide up Buck's thighs to his belt, and as they work on it, Buck kisses a path from Tommy's lips, to his cleft, down his jaw to the spot on his neck where he's most sensitive.

The only sound in the room is both of their panting for breath - it's joined for a moment by the metal clicking of Buck's zipper. Tommy lifts his hand to Buck's face, and Buck licks up his palm with a wet noise. The sound Buck makes after that, when Tommy wastes no time in getting his hand around him in a firm, warm grip, is nothing short of wanton.

The skin of Tommy's neck is hot and damp from Buck's open-mouthed breathing. He drags his teeth across it and Tommy gasps just as he slips his thumb across the head of Buck's dick, pulling a whine from Buck's throat. The pass of Tommy's hand up and down Buck's cock, the silky, unrelenting drag of his grip, grows slicker.

"C'mere." Tommy's voice rumbles in his throat, against Buck's teeth, his lips. Tommy threads his free hand into Buck's hair and pulls him up by it, up and into a clumsy kiss.

Buck clutches Tommy's shoulders and rides the back-and-forth teetering pleasure between rutting into Tommy's hand and being held fast in a kiss. He sweeps his tongue up the roof of Tommy's mouth and swallows his groan; he fucks into Tommy's fist and loses his breath at the perfect in-and-out slide. Caught between the two, Buck feels scraped raw and primal, instinctive, following what Tommy and his body are telling him feels good. When he comes, he's pulled in two directions, caught between the competing sensations. Tommy pecks sweet little kisses over Buck's lips and wipes his hand on Buck's already-stained jeans. Buck loosens his white-knuckle grip on Tommy's shoulders, knocks their noses together, and grins.

He's just getting started.