#This ended up more rambling than expected

[alchemicaladarna]

I'm gonna be honest, out of everything that has happened this week, I didn't expect to become so attached to tr!Pili (and tr!Pangi by extent). Like, I'm being so legit whenever I say they make me insane/sick/ill (in a /pos way ofc). Because *head in hands* they literally met each other about a week ago. THEY DIDN'T KNOW EACH OTHER BEFORE THEN WHICH STILL BAFFLES ME BTW BUT ANYWAYS-

Like, sorry for the ramble, bear with me for a second. Pili!! Saying he doesn't care about his own life and safety!! So long as Pangi is safe because it always comes back to him!! No matter what!! These two care so much about each other that they're willing to die and sacrifice their lives for the other.

Allying with Bad (which is a bad idea btw and I'm saying this as a devoted ghostie) and being kinda used by him for his own gain to some extent because it keeps Pangi safe since Bad is one of the most powerful people on the server, and well, they are technically still allies at the end of the day. He couldn't care less about his own life, being antagonized and being buried knee deep in lies to keep this charade up when it's so easy to just tell the truth so long as Pangi!! Is!! Safe!!

Also, their little moments where Pangi is reassuring Pili and saying he is worth so much more than what he thinks he is. Those moments. Make me so insane. It's just so fucking sweet I'm on the floor crying actually.

One more thing, whoever is making the pangili edits (I'm sorry I don't remember your url yet 😭) pls keep making them because you are actually doing God's work and I just go O(-( every time I watch them.

[rrezshifts]

theodorian, the son set to inherit a multi-million dollar wine company, made headlines for bringing a date to a grecian celebration. it’s not common for the son of one of the richest men in athens to bring dates to these types of events. when he had though, it was his friends and clearly stated as such. most of the man’s quote-on-quote relationships, never made it past the bedroom according to gossip articles.

the last the public had heard of these relationships was through gossip that the man had found a new paramour, a different person than who theo is seen with now. however, the greek was said to have been seen leaving parties alone less than a week after that gossip came out. more weeks went by as social media pages were dry with any gossip on theo and who he may or may not be with.

now, not too long after the celebration, theo has come out as in a relationship with the date he brought that night. that date has no reports of being a long past partner of the man either. theo and this man have graciously agreed to do an interview on their relationship with me, in hopes of satiating the fans need for gossip and information.

< interviewer > hi! it’s great to meet the both of you!

< theo > you too!

<???> great to meet you too!

< interviewer > let’s start with what everyone wants to know, who are you?

<???> my name is chrysanthos of athens, you can just call me chrys though.

< interviewer > do we get any other information on who you are?

< chrys > um… go ahead.

< theo > he is an actor! and a damn good one. he’s so incredibly talented! he’s a kind man, caring, and determined. he’s also very honest and he’s a hard worker!

< interviewer > is that so?

< chrys > he’s better at describing me then i am. i gave him permission to answer those kind of questions before hand.

< interviewer > to start, theo is a well known name in greece, but especially in athens. did you know about him before you met?

< chrys > not much… i would see newspapers with his face on it and a headline talking about his love life. i had assumptions, but i didn’t think of those assumptions too much. i was more focused on my career, and i was never one for gossip.

< interviewer > did those assumptions affect your first time meeting him?

< chrys > *chuckles* very much so. i met him at his family’s party, i’m rarely invited to parties, especially ones this lavish and big. and i had caught him staring at me numerous times throughout the first couple hours of this party. i had assumed he wanted to sleep with me. so when he approached me, i was expecting confidence and boldness. but instead i was met with awkwardness and stammering. he shook my hand, introduced himself, and when i introduced myself back he said, and i quote “i know.” i raised an eyebrow at him and he rambled out an explanation before making up an excuse to run away. i was shocked to say the least.

< interviewer > do i get an explanation on how you knew chrys’ name?

< theo > why not! a week prior to this party, i had gone to see a play at Dionysus’ theatre as i do regularly as a devotional act for Dionysus. it was a play i’d seen many times before. and every time the same actor played the main character. that night however, chrys had taken his place. i was entranced by him and his talent and the way he performed on stage. i had grown a crush in those first 5 minutes he was on stage that continued until the end of the show. i ended up looking in the plays program to find the slip of paper that explained the veteran actors replacement and what his replacements name was.

< chrys > he had looked me up on social media too.

< theo > no stop! that sounds creepy *covers his face with hands*

< chrys > *chuckles* and i later found out he was the reason i was included in the theatre troupes invite to his family’s party that night.

< theo > me staring at him for two hours straight was me just trying to work up the courage to talk to him.

< interviewer > from the stories the public has heard about you, some would say that’s very unlike you.

< theo > it is! he just made me very nervous. because this time i cared if i fucked it up… shoot! can i swear?

< interviewer > *nods* yes you can theo

< theo > oh okay good! he was one i couldn’t risk fucking shit up with in any way. and it felt like i did! i was terrified! i just ran away convinced i ruined everything!

< interviewer > so how did that first meeting turn into where you are now? or another way to put it, how did you find out you didn’t ruin everything, theo?

< theo > after about 15 minutes of me panicking and anxiously rambling to my best friend, i had felt a tap on my shoulder. when i turned around it was chrys. he wanted to know if we could continue talking somewhere. i looked to my friend and she just motioned for me to go. i told him yes, and he asked if there was somewhere more quiet so i took him to the balcony, which is usually locked during our parties.

< interviewer > chrys, were there any plans going into asking theo if there was somewhere more quiet? sounds very risqué.

< chrys > oh my god, no! it was just really loud and i think i was starting to hear moaning, and i’d never been to a party like that before, so it was more of just a chance to escape.

< interviewer > theo did you think he was trying to get you into bed with him?

< theo > honestly i don’t know what i was thinking other than panicking, trying to focus on my breathing and be as calm as possible. but i believed him when he told me he had no plans to try and seduce me.

< interviewer > so what did you guys talk about on that balcony?

< chrys > i asked him about himself, he asked me about myself. we talked about our family and our childhood. we talked for what felt like hours, but the party still had not died down. half way through someone brought us wine, i barely noticed, didn’t ask. but we both drank away. he asked me about my dreams, offered to talk to people and pull some strings to get me a better leg up but i refused. told him why-

< theo > and i fell for him ever harder because of it.

< chrys > *chuckles* yes, he tells me all the time how much he adores my ambition, and my need to succeed on my own.

< interviewer > and how did the night end for you two?

< chrys > it barely did if we’re being honest.

< theo > *awkwardly laughs* well as you can expect after numerous glasses of wine, and mutual interest, flirting began between us. nothing raunchy more so just…

< chrys > romantic. i would say at least!

< theo > yes very romantic. we would compliment each others appearance in soft ways, compliment each others personality even… then he escalated the flirting to more than just romantic, and next thing i knew i was grabbing his hand and leading him around the corner of our wrap around patio, down the stairs that led to the second floor wrap around patio, and brought him straight into my room.

< interviewer > so you two slept together that night?

< chrys > yes… to be fair though, he did tell me we didn’t have to, that we could just talk in his room. though, fun fact, when i asked if he took all his hook-ups to his room this way, i also found out that his hook-ups think they’ve seen his room, but in reality only see a guest room on the fourth floor.

< interviewer > oh wow! so chrys was important to you, huh theo?

< theo > very much so! he spent the night, ate breakfast (or more so brunch) with my family, and stayed a little into the day until i finally let him leave muahaha !! though i was scared he wouldn’t want to see me again. i brought up seeing him again at breakfast, and he told me, “i was hoping i meant more to you than just one night given that i’m sat in your sleepwear eating omelettes with you at 12pm.”

< interviewer > so i assume you two saw each other again due to our current setting *laughs*

< chrys > *laughs* yes, we saw each other again.

< interviewer > how did you two view your relationship prior to the red carpet event where you, theo, took chrys as your date?

< theo > from the beginning i viewed him as so much more than what any of my past encounters have been. the goal was never just sex with him. i just wanted him in my life, no matter if it was just friends or if it was more. when things evolved, i don’t think there was a label that could be assigned to it. but i basically viewed him as my almost boyfriend, i mean if he asked me to be his boyfriend any time after we woke up the night after, i would have said yes… which some say would’ve been dumb. *laughs*

< interviewer > and you chrys?

< chrys > at the beginning, i was worried i was just one of his conquests. i knew his hook-ups were never just one night for him, and i thought that was my fate. i viewed it this way until, not long after, he asked me to hang out. not have sex, but hang out. then i thought… maybe he wants friends with benefits? which then got quieted down as theo began singing my praises in the most romantic ways, as well as when i began noticing how he looked at me in the most heart wrenching ways. and these actions were consistent, he told me he was seeing no one else, and that he didn’t plan on it either. it was just me. and soon i saw it the same way he did… we were almost boyfriends! until he asked me out the same day he asked me to be his date to the event.

< interviewer > so what was the timeline of you two first meeting and then becoming boyfriends?

< chrys > i would say… theo saw me preform. a week later we met. three to four weeks later he asked me out.

< interviewer > that’s so short! i can’t imagine how sure you two have to be with that timeline! it’s very cute. are you worried about what people may say when they see that timeline?

< theo > personally i am not because i’ve lived through this kind of attention and constant scrutiny from the public my whole life. but i understand chrys has not had that kind of attention and i know he’s worried. which makes me worried for him. i wish i could make that shit not affect him, but that’s not how it works, so i’ll be there for him when it does.

< chrys > there’s so much i know i have to be ready for, and i know it’ll suck. but it’s worth it to be with theo, truly. as long as we’re happy, i don’t care.

< interviewer > that’s very sweet, i wish the best for both of you! thank you so much for speaking with me!

< theo > thank you so much, it was a pleasure.

< chrys > yes, thank you.

genuinely thank you if you read all or any of this !! i’m also genuinely so proud of this even if it’s a bit ass. so thank you if you gave it even a little of attention 💕🫶

[donteattheappleshook]

Not Broken at All Chapter 18/?

Summary:

A season 1 Neverland AU. Emma is still trying to adjust to her new life as Sheriff of Storybrooke and mom to Henry, who still believes everyone in town is a fairytale creature. When she finds a badly beaten, one handed man while patrolling, she’s convinced he’s crazy. He is, after all, rambling about fairies and shadows and crocodiles. But when Henry is suddenly taken out the window of a house everyone believes is haunted, the madman in the hospital might be her only hope of getting her son back. Whether he likes it or not.

Rated E

Catch up on Ao3 (where my italics work) or on Tumblr 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

Oh hey! What's up everyone?

I know it's been a while (shocking) but it's Solstice today and the muse decided something needed to be posted for this fic in honour of the fairy orgies XD

This was written super fast and not really re-read because it's already 10pm so I'll probably edit it later but I'm giving it to you all now.

Happy Solstice and I hope you enjoy this chapter! <3

********

Part 18

“Doesn’t look so bad,” Will shrugs when they stand outside the mouth of the cave the next morning. Emma and Wendy roll their eyes at the same time. It does look that bad. For a place called Echo Cave she’d had expected something bigger, something louder. But all she can see as they approach is a narrow tunnel in the rockface, no sound escaping from within. So she jumps when Tiger Lily’s voice suddenly comes from within. 

“You’re late.”

“Apologies,” Killian nods. “The forest has changed a fair bit since I last made the journey - it took us longer than anticipated to find the path.” 

“You have a habit of doing that,” Tiger Lily scoffs. “Misinterpreting time.” 

The reply is so quick, and Killian’s sigh so exhausted, that Emma has to hold back a snort of laughter.

“We came as fast as we could.”

“Come then, let’s not delay any further. The others have gathered.” 

“Who are the others?” Emma asks Hook quietly as they follow.

“The eldest of those who were here before Pan. They were barely more than children when it happened, but They have some memory of how things were.” 

“I thought you said they’d forgotten all their magic.” 

“We did not forget,” Tiger Lily snaps from the entrance. Emma watches as the faint, gold dusting of magic that covers their skin, the only light in the otherwise pitch black cave shimmers and slides over their arm, cascading like water down through their fingers  that they trail along the  rocky wall, leaving flecks of sparking, gold dust in their wake.  “It was taken from us. Through slaughter and cruelty. When the children who were left behind grew enough to become a threat to Pan, we were forced to lock away what little we remembered or meet the same fate.” 

Every time she thinks it can’t get worse, it does. The massacre of Tiger Lily’s people and the destruction of their history, the torture and killing of the Lorelei, the horror of the murder of those boys on the beach. There’s no end it seems to Pan’s cruelty, to his thirst for blood. 

Emma reaches for the shimmering of light that remains along the wall, glittering and moving with the flow of the rough surface. It glows brighter beneath her touch and something swells from deep within her, rushing to meet it, warm and electrifying, before she yanks her hand back and stumbles the rest of the way though. 

The walk is long, this cave buried deep in darkness and stardust. She’s not sure she even hears it at first, a small whisper of a voice from far away, the words too quiet to make out, but repeating. As they continue along and a dim light starts to appear in the distance, they grow louder. It’s a child’s voice, rolling against the walls of the cave - wish I’d never come here… just want to go home. Just want to go home. Just want to go home….

She feels Killian’s hand on the small of her back and realizes she’s stopped walking. “It’s alright, love. It’s just an echo. The last secret that was shared here.” She still hesitates, not wanting to get any closer to the haunting voice. “Whoever they were, they’re not here anymore.”

“His name was Ruffio,” Will says, nearly as quiet as the first echo. “He’s been gone a long time.” He only meets her eye for a moment before clearing his throat and continuing as though he hadn’t said anything. She can’t blame him. She knows by now that nobody in Neverland ever goes home. “Come on - we’ve got secrets to spill.” 

The light ahead grows until finally they emerge into a massive cavern. The stone that surrounds them black onyx - gleaming faintly against the dust that covers the ceiling like a galaxy above them. The space feels boundless, endless like the darkness could go on forever and she’s reminded of their flight here, of the endless sea of stars they’d sailed in on. 

There are four people standing in the center of the chamber on a platform of the same black onyx, all of them with the same sharp, androgynous features as Tiger Lily, all with the same loose-fitting clothes and cropped hair, and all with that same shimmer of living magic glowing faintly in the dark. Tink stands with them, waiting. None of them are any older in appearance than herself, but she knows better by now than to judge age or power by appearance on this island. 

The Constant. 

They follow the rest of the way to the narrow, stone bridge that connects the ledge to the platform on which the others stand. When Emma takes a step to follow Tiger Lily onto the bridge, Killian puts an arm out, halting her in her tracks. Emma watches, heart in her throat as the bridge crumbles after Tiger Lily, stone falling away behind every step until they reach the end and there’s no bridge at all. 

“The Constant keep no secrets,” Killian explains. “The cave can’t compel anything from them. We, on the other hand…” 

“Of course they don’t.” No wonder they wanted to use this place. Easy to make others share their deepest darkest secrets when you’ve got none of your own to divulge and nothing to risk. “What about Tink?” she asks, nodding at the fifth person standing with the Constant.

“The fey have wings.” 

Right. “So how does this work?” 

“From what I remember, you step out onto the edge and call out your secret. If it’s truly your darkest, the cave will echo it back to you.”

“And then we get across?” 

“Aye, easy as that,” Killian attempts a smile, but it comes out as a wince. “I’ll go,” he offers though he looks like he’s dreading this as much as she is. She’s just thankful she doesn’t have to start.  He lets out another sigh, bracing himself and then, “I kissed Emma.” 

Fuck. Her heart drops into her stomach. He’s been a pirate for two hundred years - How the hell can his darkest secret have anything to do with her?

Will smirks. “Kissed? Is that what they’re calling it these days? And I think you’re forgetting that we were all there when she jumped you at Solstice.” His smirk deepens. “And when Emma came back all wet.” If Emma could reach him she’d smack him. 

“I literally walked in on you,” Wendy deadpans.

“I’m not talking about Solstice,” he sighs, not rising to the bait. “It was…” She knows when it was. We’ll keep each other safe, they’d promised. She doesn’t need everyone else to know though. Not when she’s not even sure what any of it meant or what it means now. “It doesn’t matter,” Killian shakes his head. “It was what the kiss - what all of it - exposed.” Fuck. fuck. fuck. fuck. “My secret is… I never believed that I’d be capable of letting go of my first love, of my Milah.” He breathes her name like a prayer and a wound. “To believe that I could find someone else.” His eyes lift to hers and it’s only by sheer force of will that she’s able to stop herself from taking a step back, from running away from the way he’s looking at her. Because she needs to hear this. They all do. If she wants to get across this fucking bridge, if she wants to talk to the fucking Constant, if she wants to get her son back - she needs to hear this secret as much as he needs to tell it. “That is, until I met you.”

She doesn’t know what to say or if she’s supposed to say something, can’t bring herself to look at Wendy or Will or look away from his eyes still burning into hers. And then before she even can do anything, Killian’s voice echoes through the cave, ‘until I met you’ called back to them like a ghost. A rumble follows as a section of the fallen bridge rises back from the depths below them, rock by rock, rebuilding itself. 

Killian lets out a humourless laugh. “So, who’d like to go next?” 

“I will.” Wendy stands with her shoulders straight, like she’s ready for a fight rather than a confession. Emma gets a sinking feeling in her stomach from the way she’s making herself look at Killian, with shame and guilt. He doesn’t look surprised - he looks like he expected this to hurt. “Sometimes… Sometimes I wish you’d never found me. Sometimes I wish you had just kept on walking that day when Pan left me to die.” She winces. “I’ll always be grateful to you for saving my life, for taking me in but…” 

Killian nods when she hesitates, her eyes damp with unshed tears. “Go on, it’s alright.”  

“You trapped me here, Hook. You’re the reason I have to live in this neverending nightmare. Forever. You knew what that water would do to me and I know you couldn’t ask but… you didn’t give me a choice. And I think that if I had one now - if I could have had a say in the next hundred years of my life… I’d rather you’d just let me die because this -” she gestures at herself, at everything around them.  “It’s worse than death. And because of you I’ll never leave.” She lets out a bitter laugh. “I can’t even die if I want to. Not unless Pan decides that’s what he wants. You forced this life on me, Killian, you cursed me to live because it made you feel better and I don’t… I’ll never forgive you for that.” 

Tears stain her cheeks now, jaw tight as she refuses to let any more follow and Emma can see the heartbreak on Killian’s face. “Wendy…” but she shakes her head and he stops the step he’d taken towards her. 

“I’m sorry,” she chokes and he shakes his head this time. Her secret echoes around them like a taunt this time - ‘never forgive you for that’ - and another piece of the bridge rebuilds itself. The silence hangs between them, louder than any echo, until Will steps up. 

“I suppose I should go next - while we’re on the topic of never being forgiven.” He takes his own steadying breath. “I’m dying.” 

Wendy’s face falls. “... what?” It comes out cracked and small and frightened. “What do you mean you’re dying?”

The look Will gives her - there’s so much guilt there, so much pain and self-loathing and love. Emma may not know much about it but she can recognize it now in his eyes, in the way he looks at Wendy. “I lied when I told you I didn’t know what Pan did to my heart. I’ve seen him do it before.”

“One hundred years…”

Will nods, a self-deprecating smile falling flat. “I really hoped that I could keep it from you for a little longer. Neverland will slow it down but… he squeezed a hundred years from my heart. I’ll start aging faster - a lot faster - and pretty soon…”

“How long?” He hesitates a beat longer than Emma can handle - and Wendy… gods, she can’t imagine. “How long?”

“I’ll be dead in a few months - three, maybe four depending on how long I would have lived if I’d aged like a normal person but - I’m so sorry, Wen. I didn’t want to tell you, I -”

Whatever he was going to say and whatever she might have answered  is stolen by the cave calling back to them in Will’s voice, ‘dead in a few months’. Nobody looks as the bridge puts itself back together, all of them too focused on the cruel revelation. He did it for her, Emma realises, for all of them but… he’s dying because of her. Wendy’s losing him because of her. Even Killian looks solemn at the news. 

“Your turn, Emma,” Will chokes out with the palest attempt at levity she’s seen him manage since she met him. “Wouldn’t want to be left out of all the fun, would you?”

She looks out towards the chasm between them and the Constant. She doesn’t even know what she expected to confess, or what she’d hear confessed by those with her, and now, with the truth of Will’s fate hanging in the air, nothing feels like it matters in the grand scheme of things. 

What even is her deepest secret? That she gave up Henry? That she had her heart broken by a selfish man who used her and then left her? That she spent a year of her life in jail? That she’s spent her whole life searching for the parents who left her behind? That between Neal and her parents she doesn’t think she could ever trust someone again - could ever let herself love someone again, or let them love her… That she might be anyway? None of it feels like enough; none of it even feels like a secret anymore, not since Henry found her and brought her to Storybrooke. 

And then, like bile and sick, she feels something being forced up from her throat, words clawing their way to the surface and past her lips of their own volition. She can’t stop them. She doesn’t even know what she’s going to say until they come spilling out. 

“I wish Henry had never come to find me. I wish he’d never brought me to Storybrooke.” The confession leaves her gasping, tears in her eyes as though she had been sick. She wants to be, hearing such a horrible truth being spoken out loud. Killian looks at her with sympathy, but she turns away from it. And once it’s started, she can’t stop it. “I never wanted to be a mother. I gave him away because I knew he’d be better off without me - but also because I knew I’d be better off without him. He’s a beautiful, amazing kid and I love him more than anything… but I never asked for this. Every day since he showed up at my door I’ve been terrified - every minute of every day. Those few minutes in the Fae forest when I couldn’t remember him were the most peaceful I’ve felt in months and when it all came flooding back it just reminded me of how much simpler my life was before I had to be anything to anyone. I don’t want to lose him. But I never wanted to find him either.” 

The bridge rebuilds itself, completing the path across as the worst thing she’s ever said, ‘never wanted to find him’,  is echoed back to her cruelly. She feels drained, numb, and she wonders if the others are feeling this horrible emptiness too. She looks out at where the Constant wait. If this is their idea of having them prove their allegiance, they better be ready to give theirs in return.

“Come on, Swan,” Killian tells her, leading her across the bridge. None of them say a word, Will and Killian both casting glances at Wendy who won’t look up from her feet, and the silence follows them the whole way across. 

“That sounded rough,” Tink comments when they reach the platform, the five Constant talking in harsh whispers in a language she doesn’t recognize. 

“How lucky of you to have missed it then,” Will snips. He must be feeling worse than Emma realized.

There’s an argument starting, still in that foreign language, but she can tell just the same. Every few words there’s a glimpse of something that feels familiar, a syllable from another language she’s heard, a word that could be French or Spanish, a glimpse of English, not one language but many - like every language spoken at once.

“This meeting has been a topic of some controversy,” Killian whispers. “But I think Tiger Lily might be on our side.” 

“You can understand them?” 

He shrugs. “One picks up a few things after two centuries.”

There’s a small scoff from Tink. “Yeah, all that pillow talk was really educational.”

Killian ignores the quip. “They’re the keepers of the last of the forgotten history of the old Neverland.” He nods at each as he names them. “That’s Philodendron, Halcyon, Alder, Jacaranda, and you know Tiger Lily.

“Tiger Lily is one of them?” 

“Tiger Lily was the oldest Constant to survive the massacre. They were just shy of a century when Pan took over.”

“A century?”

“The Constant are eternal, love. A century is nothing.” 

The Constant have gone silent, a tense, begrudging conclusion to their argument that Emma can feel even if she doesn’t know the words. 

Finally, Tiger Lily speaks. “Tinkerbell tells us you wish to unearth the secrets of the island - secrets that were buried to keep us safe.”

“Secrets that could return the island to the way it once was if you ally with us against Pan,” Killian counters. 

“If our knowledge could have defeated the boy,” Alder interjects, “we would have done so a millenia ago when he first laid waste to this island.” 

“Maybe your knowledge alone couldn’t defeat him, but we have the Lorelei on our side, and the fae,” Wendy adds, gesturing at Tink. 

Alder scoffs. “You have one fairy. One who’s been without magic for almost five hundred years, who’s magic was corrupted by the very demon you seek to destroy. Our magic was born from the innocence and dreams of children, the purest light magic there is, and even it was snuffed out by Pan’s darkness. What chance have you with a weakened fairy and the duplicitous sirens?” 

“We have more than that,” Tink interjects, bitterness and insult obvious in the bite of her words. “We have her.” It takes Emma a moment to realize that she’s the one being gestured at and now every set of eyes is on her. 

“Me?” 

“Her?” Wendy frowns. 

“You can’t honestly tell me you haven’t noticed. She practically reeks of magic. It’s spilling out of every pore. I clocked it as soon as she got here.” 

“I don’t have magic.” The Constant continue to stare, questioning, doubting. “I don’t. Don’t you think if I did I’d have used it by now to get Henry back?” 

“Not if you weren’t aware of it, love,” Killian offers gently.

“Okay but I’m not some fairytale character; I’m from Boston - the land without magic. I don’t have any power.” 

“Oh for…” Tink swears under her breath, crossing the room and grabbing Emma’s wrist. Faster than she can stop her, the fairy pulls a small blade from the complicated twist of pins and leather that keeps her mass of blonde hair piled on top of her head, ivory handle embellished with gold runes, and slashes it across Emma’s palm. 

“Ow! What the hell!” Emma shouts, yanking her hand away. That fucking hurt. Tinkerbelle doesn’t resist, the rest of their small crew moving to intervene, but all at once, they freeze. Emma follows their gazes to her hand, clutched tightly in a fist to her chest and her breath catches. There’s light seeping through the cracks in her fingers, golden and swirling like smoke, shimmering like the magic that flows over the Constant’s skin. 

Jacaranda reaches a hand out to her, palm upturned in a request and Emma looks to the others before carefully placing her hand in theirs. Carefully, the Constant unfurls her fingers, examining the light that shines from her wound with a careful touch. Their eyes go wide. “This is our magic,” they say, voice soft and tinged with awe. “Ours and… something else.” 

“May I?” Philodendron asks, extending their own hand. Emma nods, even as the urge to refuse shouts at her. You don’t have magic. You’re not magic. You’re a goddamn bail bonds person from Boston, not a fairytale character. Philodendron looks at her after taking a moment to examine the wound themselves. “This is light magic,” they confirm. “It’s raw and untapped but powerful, more powerful than anything I’ve seen since before Pan’s time.” They twist her hand a bit, trying to look closer, to read something in whatever they see that Emma can’t. “But this isn’t born of belief and dreams as ours is, it's the product of something else… of -”

“True love,” Emma breathes out, so low she doesn’t mean for anyone to hear it. Henry had said that hadn’t he? That she was supposed to be the daughter of Snow White and Prince Charming, that she was supposed to be the Saviour. 

“Yes, that’s it,” Philodendron nods slowly. “You were right, Tinkerbelle. This is more powerful magic than we anticipated.” 

“Can you use it?” Emma asks, still not believing it really, but if it means they’ll help her get her kid back, she doesn’t care what she has to do. 

“That depends,” Halcyon takes a step forward. “Can you wield it?” 

“No, I…” she doesn’t even know how this is possible. 

“I can.” They all turn to Tink, Emma cradling her hand to her chest once more. “If you tell me what we need to do, I can guide her. But you’ll have to let me.” The last bit is directed at her and she hesitates… Tink hasn’t exactly made a secret of the fact that she’s not a fan of hers, and she just slashed her damn hand open… Trust already isn’t her strong suit to begin with. “I’m not going to steal it,” Tink snaps and looks genuinely offended and Emma remembers that she knows what it is to have her power taken from her. 

“I know you won’t. I just… what if it doesn’t work?” How powerful could this magic be? She’s not anything special, she never has been. Why would this be any different? 

“Then I guess you don’t get your kid back.” 

“Tink,” Killian warns but Emma can’t help but appreciate the fairy’s bluntness. 

“What do we need to do?” 

“This cavern, ” TigerLily starts, taking a knee and placing a hand reverently on the stone, “used to be a sacred place. It held all of the secrets of Neverland, and the dreams of children who visited - the purest and most honest of truths of all - fueled the island as it did our magic. This was its source - the source of everything. 

“But then Pan tainted this cave with his twisted version of secrets as power, as something to be wielded, and forced us to sacrifice the last of the light magic that still breathed life into Neverland, the cavern shielded itself from his darkness. Now it echoes truths rather than accept ones taken maliciously. This place… has seen nothing but darkness for centuries. It has not been sleeping, but fighting, the last of the resistance against Pan right under his nose, keeping the darkness at bay and it has hardened. We need to remind it what the light looks like.” 

“It can have mine. Whatever this is. If it can help and if this place can defeat Pan it can have all of it.” 

Tiger Lily smiles kindly. “Not all of it. It would never snuff out your light. But even the slightest kindling can spark an inferno and with it you can breathe magic back into the island.” 

“How?” 

They nod to Tink who retrieves her knife again, slashing her own palm this time, the light that glows from her wound a shimmering green, and holds her hand out to Emma. Heat burns across her skin when she takes Tink’s offered hand, the light between them growing, shining and mixing. Tink places her other hand on Tiger Lily’s shoulder and the Constant flattens both their palms against the stone beneath them. After a moment, they look to Emma and she knows she’s doing it wrong. She’s not doing anything but she’s doing it wrong. 

“I’m sorry.”

Tiger Lily shakes their head, their smile not malicious, but understanding. 

“I have met so many lost boys and girls on this island. So many broken, hardened children lead here by fear and hurt and neglect, so afraid to trust, to love, to admit or even accept what they want, what they desire more than anything - what has been robbed of them. This place is born of dreams and truths and you, dear Swan, strong Swan, brave Swan… frightened Swan, have locked yourself away from both.” 

“But I already told this place my darkest secret.” But she doesn’t need Tiger Lily to tell her - this place echoes darkness, resists darkness. That secret was Pan’s magic - not Neverland’s. 

“What do you dream of, Emma? What truths do you keep from yourself?” Emma opens her mouth to speak but Tiger Lily holds up a hand. “Do not tell them to me. Tell them to the lost girl. Unburden her.” 

What does she dream of? Things she can’t have, things she’s never had, things that were taken away. She wants to find her parents, that’s no secret though, she’s always known that. She wants them to have never given her up in the first place. She wanted a family, the one she could have had with Henry and Neal if he hadn’t turned out to be the vile person he was, the life that she’d had just a glimpse of after one missed period, before everything went to shit. She doesn’t want that anymore. She hasn’t let herself want any of it since then, not love, not family, not hope… 

Her skin begins to warm, something flaring beneath the surface. Liar. She doesn’t know if it’s the cave or herself or her magic but it echoes through her like her secret against the walls. Tiger Lily accused her of locking herself away from her dreams, from her truths, but can they even still be truths if they’ve been silenced and stomped down for decades? 

She thinks of the lost girl she was, abandoned, a runaway on the street, burning the last of her childhood, of stupid fairytales and stories to keep warm in a world that was only ever cold. What had that girl wanted? Powerless, lost, alone. That girl who felt like nothing, who meant nothing to anyone, who had never mattered and never would, who had only herself to take care of her. She wanted to matter - to someone, to herself, she wanted people to matter to her, to be able to let them. She didn’t want to be alone anymore. Even as she pushed away every foster parent, every friend, every lover as she grew older, she didn’t want - she doesn’t want - to have to do it alone. 

That’s what she dreams of, what she refuses to admit that she dreams of. That for all of her rightly earned distrust of everyone, for all of her caution and her fear of abandonment, of love and hope, she wants to be able to let them in, let them matter. She wants to believe that she could have that happily ever after that she’s scorned all her life. 

Images flash in her mind as the heat builds, her body tingling, a faint glimmer of light shining against her shut eyelids. Henry smiling in her doorway in Boston, Mary Margaret offering her a home, Killian bringing her to Neverland, Wendy helping her hide from Pan, Will sacrificing himself for her, Killian nearly sacrificing Milah’s name - sacrificing his memories, all of them banding together to help her save her kid, even Tink now, helping her to wield magic she doesn’t understand. 

She’s not alone. She’s not in this alone. For the first time in her life she has people she can count on. People she can trust. She thinks of the smile Henry gave her when she let him know she wasn’t going to leave Storybrooke even though she could, of Mary Margaret’s pep talks, of shared hot chocolate and drinks and advice in their apartment, of Killian in that dank brig after one of the worst hours of her life - perhaps I would - of his words whispered in the quiet darkness of his cabin - I’m here. You don’t have to ask - of his confession echoing around them - until I met you. She does matter to people. She’s not nothing. She was never nothing. She matters and she has people who matter to her. 

Her whole body alights, the blood in her veins not blood anymore but something else, something powerful and she can feel it surging beneath her skin, pulled by a force as it rushes through her and towards that opening in her palm. The white of her light overtakes the green and Tink’s body jerks like the surge of magic is as jarring to her as it is for Emma. Tiger Lily gasps, the ground beneath them starting to glow, tendrils of golden light snaking towards them across the stone like rivulets. Their body starts to shimmer, the dusting of gold shining brighter until their skin is swallowed by it completely. 

Emma can feel sweat beading on her skin, the salt mixing with the tears she hadn’t realized she’d been crying. She doesn’t know how much longer she can keep this up, the power coursing through her overwhelming. Tink’s hand is shaking in hers, both their palms damp and slippery and white knuckled and she can’t imagine how much more effort the fairy is putting in as the one actually channeling all of this. 

“There’s so much,” Tiger Lily says in awe. “We’ve forgotten so much.” Their eyes are glowing with the same gold that covers their skin, their mouth pulling into a smile even as tears roll down their cheeks. 

“I can’t -” Tink starts, but doesn’t let Emma release her hand when she tries to stop.

There’s another moment, the light engulfing the Constant almost completely, so bright Emma has to look away, before finally, suddenly, it stops. The three of them slump against the ground with a gasp of exhaustion. Emma doesn’t even turn when she feels hands on her shoulders, helping her to sit up, she knows it’s him. Wendy is at Tink’s side helping to support her as well as the Constant circle around Tiger Lily, all of them holding one another in a moment that feels beautiful and private as joy and heartbreak play over their faces. 

“Can you. Stop him?” Tink pants out. 

“I… I think so. There’s just - there’s so much. I need time to sort through it all.” 

“We don’t. Have. Time.”

“All of the secrets of Neverland, millennia’s worth, have just been poured into my mind. It will take me more than a few minutes to understand it all and find what will help us.” 

“How much time?” Emma asks. Henry’s already been here too long - too long without knowing that she’s here, that she’s coming for him. 

“I don’t… give me a few nights at least. Come back in three days. That should give me time to make sense of what is needed at least.” Their eyes are far away, like they’re not seeing the cavern around them but something far bigger and far more extraordinary.  

Emma nods. “Three days?” 

“Three days. And then we’ll rid this island of its false king forever.”

***********

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[the-angst-chronicles-fanworks]

Steve likes to take dates to the carnivals and he always tries to win them stuffed toys because he’s cheesy and romantic and proud of it thank you very much

Only, he’s absolute ass at the carnival games. He’s only ever managed to win an ugly little cap, and Tiffany had not been amused when he’d presented it to her. It never stopped him from trying of course, but it’s a little discouraging

Fast forward to now, when he’s recruited by Claudia Henderson to drag the party out to the carnival. Robin refuses to join him because “I finally have a date Steve, I’m not going to spend it chaperoning your walking headaches”. So he recruited Eddie

Of course, the party doing want to be chaperoned and they’re really old enough to go to a carnival by themselves, so he agrees to let them go off by themselves as long as they stay out of trouble.

So he and Eddie go on a few rides and grab a bite to eat, and Eddie eats like three ice cream cones and feels too queasy for more rides. So Steve decides to practice carnival games so he can win something for the next babe he brings on a date.

With Eddie cheering him on as obnoxiously and flirtatiously as he can, Steve starts playing. And he starts winning. Not just the little prizes either. Along with normal sized stuffed bears and bats and what-have-yous, he also gets a comically large stuffed rainbow unicorn wearing sunglasses, a long dragon plushie that’s taller than he is, and other oversized paraphernalia

Since he isn’t here with a date, Steve just gives all his winnings to Eddie. Eddie jokes about how this was the most romantic date he’s ever been on (only it’s not really a joke, this not-date is more romantic than any of his trysts). Then Eddie starts complaining that Steve needs to stop winning because how is he supposed to carry all this? By the time they meet up with the kids, Eddie isn’t even visible behind the mass of prizes in his arms. He stumbles over, guided by Steve’s hand in his back, wrapped in the giant dragon, and the kids mock the both of them ruthlessly

Eddie keeps all the toys and names then after the party just to bug them. Steve delighted with that, and together they always tease the kids (“wooow, rainbow unicorn Dustin would never do this” is a favourite because it makes Dustin apoplectic)

When they start dating, Eddie keeps telling people that Steve “gave me 6 kids before finally putting a ring on it”

[therealdistortion]

I find it funny the way Jon blames himself for the apocalypse. Cause essentially what happened is that Jonah put a nuke in his lunch and he blames himself for it.

Like, imagine you got a sandwich for lunch. You’ve been looking forward to eating this sandwich for so long, you haven’t had one in weeks. Your friend got it for you from a restaurant and you are so so excited.

It looks amazing, it smells amazing, you are so excited. Then, you go to take a bite and there’s a fucking nuke in it. It explodes and kills everyone around you, except for you. Then you blame yourself.

You didn’t put that nuke in it. You didn’t know there was one there. You were just trying to eat lunch.

It was the guy from that restaurant, he put a nuke in your sandwich! And it wasn’t even like he put it in a random sandwich and you just happened to get it. No, he put it specifically in your sandwich so when you try to eat your lunch it will explode.

And you know that he put the nuke in your sandwich. Cause he wrote you a note explaining to you exactly why and how he did it. He told you it was so it would explode and kill everyone, and he told you that he put it specifically in your sandwich. And he hid the note so you would only see it after you started eating, at which point it was already too late.

And you still blame yourself. Even though you had no idea. How does that make sense?

Jon, it is not your fault there was a nuke in your sandwich

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[blueskiesandstarrynights]

They don't talk about it.

But there's no way Nate should know those things. No way the client could have told him, no way he could've figured it out on his own. Not when these things were nothing more than fleeting thoughts from the mark. But Sophie notices him quietly go for the scotch behind the counter and rub at his head in pain with extra vehemence some days despite the latest con having no personal connection to him.

They don't talk about it.

But someone should've recognized Sophie on that con. There's no way she could have that many characters per con. No way none of those diplomats didn't recognize her from any of her previous cons. Not when she didn't change any more than her clothes and accent. But Nate notices her features seem to flicker at the peace and safety of home when she thinks he isn't watching.

They don't talk about it.

But no one could've survived that. And certainly not looking the way he does. There's no way he didn't come out of that fight broken and bloodied to all hell. Not when instead he walks out with a purposeful stride and only a clenched jaw, rolling his shoulders. But when he's cooking and accidentally burns himself, Parker notices the unmarked skin left behind.

They don't talk about it.

But not all vents are human sized. They all saw the size of the vent cover as she exists with a grin. There's no way she could've fit in there. Not when the human body can't bend that way, a way that even the greatest contortionist can't bend. But some days Hardison notices as she seems to stretch and bend before his eyes when she's feeling relaxed and safe enough.

They don't talk about it.

But that's not how computers work. There's no way Hardison could access that kind of thing. Not when he describes how he did it like that. Not when he does it so quickly like that. Not when he says he's taken berries and the next thing they know he's recreated a colonial era journal to perfection. But Eliot swore he shoved a glass of water at him, not more goddamn orange soda.

They don't talk about it, the thing lingering over their heads as they conduct each con, the unacknowledged thing between the five of them that's a little deeper than just a desire to take down the rich and powerful.

They aren't perfect, they all know that- sometimes they're too good with their covers, sometimes they have to shift gears as the con unfolds before them, but somehow things always seem to work out.

But no one asks about it, so-

They don't talk about it.

[ontosgold]

I LOVE the way you drew ryomina they are soooo 🥺💖🥰🥺🥺🥰🥰🥺🥺💖💖

Curious, I would love to know if you have more personal headcanons for them! I love your art of Minato wearing glasses

Good luck in uni!!!! Hope you have an amazing day/night ^^

THANK YOU ANON :D !!!!!

and yes I have a few more hcs !! thanks for asking hehe now i get to ramble >:)

I have some hcs regarding fashion and such !! I've kinda been thinking about this a bunch ever since I made those casual outfits for ryoji

-ryoji loves expressing himself through fashion, he really enjoys experimenting with clothes and discovering his style

-he likes going on shopping outings with yukari (minato has been dragged along a lot as well) (yukamitsu ryomina double shopping dates !!)

-ryoji's a big fan of yellow and also just any bright colours that go well with it. he's a bright and colourful boy :>

-minato never really cared much about fashion or style, a t-shirt is usually just good enough for him (his style is just. if its comfy and it looks nice then its good) and he's not a fan of bright colours or anything that makes him stand out too much. ryoji's been trying to get him to experiment a bit

and here's some of my more general hcs for them ^_^

-ryoji's a lot quieter when its just him and minato and minato smiles more around ryoji (minato is completely unaware of how much he smiles in ryojis presence and he'll get a lil embarrassed if someone points it out)

-minato's sleepy and tired all of the time. chronically sleepy (<- lol). god's sleepiest soldier. but he feels super comfortable having naps around ryoji. sleeping when he's nearby just feels safe.

-if ryoji and minato are hanging out at the dorm together, there is a fairly high chance that minato will end up asleep.

-also i like to imagine that if the two of them have a movie night at the dorm, they'll both end up asleep by the end with koromaru all cosied up with them too (<- i should draw this sometime)

-minato's super introverted. while he loves spending time around the ppl he cares about, he only has so much energy for socialising. ryoji is the one person minato can spend all his day around without draining the social battery

-also minato's a pretty quiet guy, he's a man of little words. he prefers to listen to people, rather than be the one leading the conversation. and bcs ryoji and mina know eachother like they know themselves, they don't always need to communicate verbally. I like to think they spend a lot of their time sitting in comfortable silence together

-ryoji's super fascinated and interested by all the simple joys in life. whenever he's out with minato he'll point out things like pretty flowers, birds, the way the clouds look. and they'll stop to admire the sunset if they're out late. and of course minato takes a lot of interest in the things ryoji points out to him :>

also i hc ryoji as bi and minato as greyromantic ace ^_^ !! ryoji and minato's relationship is something so much more than a typical romantic relationship to me

[saurix5]

It may be simply Mordred refusing to see that Kara was executed for attempted regicide not being a magical Druid. Or that he is a teen blinded by rose-tinted glasses in regards to Kara's behavior.

But I believe Mordred knew very well about her beliefs and why she's in trouble. When Merlin confronts Mordred, the latter only brings up Kara being a Druid to correct Merlin about her being a Saxon and to appeal to him emotionally. When Mordred says Arthur will kill her, he knows it would be for attempted murder.

So why continue to vouch for her and even break her out? One, it's because she's his childhood crush, but also he knows exactly how she feels. Remember in s2, child Mordred was pissed at Merlin for trying to kill him. Since Arthur led his men to raid both camps, which threatened his life twice, it's safe to assume Mordred also hated Arthur at least somewhat. Of course, he eventually forgave by s5 and saw the kind of person Arthur is.

Mordred also likely met other sorcerers who held hate for Camelot for the Purge & continued persecution. So, Mordred knows where Kara's head is at, and if she continued to fight, her life would be on the line. That's why he was trying to convince her Arthur is a good man and things would change. Mordred was there when Arthur first interrogated Kara. When Arthur brought up Morgana, Mordred probably thought that Kara's words may be similar to Morgana, but many good people feel that way (him included at one point). Mordred's been out and about in the world, interacting with the rest of the magical community, Arthur has not.

Even so, Mordred still believes that he can make Kara more aware that Arthur is not Uther and that things can change, change her mind, and have her life spared.

"This girl, she is a danger. Not just to me. She's a sworn enemy of Camelot, ruthless to the cause." -Arthur

"No. I will change that. She'll listen to me." -Mordred

When Kara dies, Mordred doesn't turn to Morgana because "oh he killed her cuz she's a druid/has magic, so now I must avenger her" it's because he realizes this situation happened because of the ban. Because Arthur kept the ban in place, ppl still live in fear. Because of the fear, some ppl turn to violence to escape oppression. Mordred realizes that will never change. (When Kara asked if Arthur kills those with magic, he doesn't refute that but switches points) More ppl like Kara will turn to violence, get caught, and die. The only way to stop that is to destroy the system aka kill Arthur.

[prosebushpatch]

So I decided to restart my animal crossing new leaf for the 3ds file completely but I didn't know that Tom Nook would OFFER TO BUY the entire town and let you carry over the money to the new town and it's hysterical because the mayor basically peaces out, cashes in on 30 million bells, changes entire identity, and accidentally becomes the mayor in a new town. There's a fanfic there but I'm too lazy to write it.

[blackjackkent]

Slowly discovering the freeing power of the words "I know this is bad but I'll fix it in editing."

[all-seeing-ifer]

Found a new thing that bothers me about a hole in the world this time which is that they try and do this thing where Fred's insisting she can fight back against her infection and find a solution and she's determined not to be the "damsel in distress" (her words not mine). Which hypothetically I think is actually kind of an interesting character beat like the idea of a character who is so determined to fight and be a survivor and beat this thing bc they've always been able to pull themself through shit before but ends up succumbing to what essentially amounts to a terminal illness they have no way to fight is compelling and emotionally charged. But it just ends up ringing sooooo hollow bc Fred was pretty much always the damsel in distress anyway she never got to be active and solve problems and be a hero in her own right outside of occasional moments like the jasmine arc and other than that she mostly got reduced to a plot device for other people's character arcs.

Like I know I'm being a little hater about it all but I do think there is actually a version of this episode that works as a genuine and compelling tragedy but it would require the show to a) write Fred a lot better before this point and b) imo to develop fred and wesley's relationship outside of them being part of several annoying love triangles and wes being sad bc he thinks fred doesn't like him back. And idk. it's a shame that we couldn't get that

[altcvnningham]

lovely user who sent me frank woods request....... hold my hand

[cuerue]

they are soooooo

[loki-ioki]

“My name is.. Cynthia..

..Right?”

[agayconcept]

so i went to see The Wild Robot bc it's a holiday monday here and the theatre was p much empty, and hooo boy was that a lovely lil film and a good cathartic cry ♥︎