#This cast is way too attractive for queer people

[candied-cae]

Real talk y’all?

They musta put something extra special in his water this season because - lord have mercy - he is GLOWING and I am ON MY KNEES. I keep coming back to this one just to look at him. Look at him, y'all. LOOK AT HIM!

HE'S SO FUCKING GORGEOUS I'M GOING TO DIE!

JUST ONE CHANCE- JUST ONE CHANCE IS ALL I ASK-

[thealogie]

picture this. you're michael sheen, beloved queer-friendly welsh actor and recent twilight saga vampire. you want your favorite book to become a tv show, and you want to be the lead. so what do you do? you befriend the author. he wines and dines you, you become a confidant in the scriptwriting phase. and in the process of the GO script you decide you don't want to be crowley, actually, you want to be aziraphale. you put in the work for months to influence the author to the same conclusion. so when neil gaiman comes to you one day saying, "i know you joined on to be crowley... but how would you feel about playing aziraphale?" you say, what a novel idea! i was feeling the same way, i just didn't want to say anything! let's do it.

you're michael sheen, the lead in the adaptation of your favorite book. you meet david tennant as your leading man, a rising star (and vocal fan of yours) you've had a few vague interactions with in the past. on set you immediately find the closest friend you have ever and will ever find in your life, and you know this. the romance you have in your (yes, your) show is ambiguous, but you're michael sheen. you think that romance needs to be explicit. so what do you do? you become a nightmare on set. you get really hands-on; you make costume choices, you make story decisions, you tell your author friend at the very end of filming: aziraphale is in love with crowley and realizes it in 1941. now go do it again.

so the author goes and does it again. you get a season 2. you get 1941 part 2. you're michael sheen, and you are the lead of the adaptation of your favorite book, and the romance you littered into the character you built from the ground up has become unambiguous. everything goes according to plan. but, you see, you have a problem: the author you have baby trapped is acting a FIEND on twitter and tumblr. he's saying everything he can to imply aziraphale and crowley aren't sexually attracted to each other. he's getting a bit too bold with his character assumptions, is all i'm saying. so here's what you're going to do: you play it up with your pal david tennant. you made a show with him during lockdown. you're going to depict your lives as even more intertwined and homoerotically codependent as previously possible. you grow even closer. your wives become best friends, too, because how could they not? this has been the plan since the beginning, too. your lockdown show ends. it wasn't enough.

so you, michael sheen, of course you put in the work. if david tennant's there, you're damn sure you're there physically, spiritually, biblically, in whatever capacity you can be. it's not hard. david tennant is a big fan of yours, after all, so he MAKES SURE you're always in the conversation. you have him wrapped around your little finger, this lovely little boy, and so you know what you do next? you become neighbors. you make your directorial debut casting your best friend's wife watching her husband and male neighbor initiate sex with each other. you play into the swinging rumors (that you, michael sheen, had started). you create a narrative that you and david tennant are two homoerotic besties, and is there more going on in the background there? any deeper conspiracy? who really knows, but what you do know is that the world is talking about it.

and you, michael sheen, your entire acting career has led to this moment, your gay quips, your oscar wilde sex scene (and the interviews following), all of your queer roles, EVERYTHING has brought us to this conclusion. you have created the lab perfect conditions where season 3 must have an explicit gay sex scene. i'm sorry neil, my hands are tied! the people are clamoring for me and david tennant to have sex-- i mean aziraphale and crowley to have sex, the public decided this all on their own! i really don't think you have much choice. but of course, i would never deign to tell an author how to practice his veritable craft. i concede to whatever version of series 3 you create, and i will happy to bring this beloved character to his deserved ending.

and why do you say this? because you're michael sheen. you're just an actor who incidentally stumbled his way into leading the queer romance adaptation of your favorite book that wasn't a romance, and you just read the script the way that it was given to you. and if series 3 means an explicit sex scene between you and your best friend david tennant, then what a lovely coincidence that you had absolutely no part in making happen. because what power do you really have?

This is my favorite book I’ve read so far this year. A rare occasion where the author pulls off use of the second person pov. I really felt like I was a beloved welsh actor crossed with Machiavelli when I read this

[lavendermoonlitskies]

I wanna talk about why I think Dead Boy Detectives means so much to so many people after only 1 season

So, we’re all angry and sad and confused right now and I think Netflix needs to understand why canceling this specific show was so upsetting to so many people, myself included.

First of all, they’ve made this a habit. The list of shows that they cancel after only one or two seasons is growing longer and longer, and there doesn’t seem to be any conceivable reason as to why. They hardly advertise their own show, they ignore its impact on the audience showcasing itself right in front of their eyes all over the internet via trending hashtags and campaigns to binge the show so Netflix doesn’t cancel it, and then they cancel it anyway.

The main question is why. Why do they keep canceling these shows that are so well received and manage to grow a passionate audience so soon in its run? The shows aren’t all necessarily similar to each other in the writing, casting, mood and what-have-you, but they do seem to have one thing in common: the audience is full of queer people. Regardless of how society has progressed in the way of LGBTQ+ acceptance, big corporations still have no interest in adding to that if it will hinder their financial gain in any way.

Whoever’s in charge over at Netflix HQ is not interested in taking risks. They seem to have forgotten that a show is rarely going to have record breaking numbers after one season, and if the show doesn’t specifically cater to a cishet audience, that’s all the more reason to pull the plug. That’s why shows like Riverdale go on for so long, that’s why Stranger Things hasn’t been cancelled yet (yes I know there is one single openly gay character in that show, but they’re not actually going to do anything with that and you know it), and that’s why there are countless shows with interesting and entirely unique plots and characters and settings who only get 8-12 episodes in total. Shows that cater to a cishet audience are safe, and despite the fact that Netflix is a multi-billion dollar corporation that can absolutely afford to risk having faith in something that diverts from the norm and attracts the weirdos of this world who just want to watch something that makes them feel seen, they just won’t do it.

I can’t really speak for a lot of these other shows, but Dead Boy Detectives was one of the most unapologetically queer shows I’ve ever seen. In just one season, it left us with some profound commentary on the horrors of hate crime against minorities and how when it occurs, it is all-too-often swiped under the rug and justice never comes. Edwin and Charles were victimized for being different and it is a very real-world issue to see kids like them simply ignored until it’s too late. Do you know how many queer kids saw themselves in Charles as we learned about his abusive father and all around terrible home life? Or how many saw themselves in Edwin when we learned what happened to him? That’s basically a tale as old as time but Netflix must’ve decided that it’s too uncomfortable to bring up to a cishet audience, once again deciding that going with what’s safe for them is better than giving an audience who needs it something to make them feel seen and heard.

It’s even more insane when you realize that the very first Netflix original series was Orange Is The New Black, because now it’s as if they’re going backwards.

[foxglovegames]

Trouble Comes Twice - the Postmortem

We celebrated Trouble Comes Twice's anniversary around a month ago! We'd hoped to post this postmortem back then as well, but it's taken us a moment to find the right words haha.

Anyway, we hope that this postmortem can give our players and other visual novel devs some insight into what the development process looked like for us. It's also a great way for us to look back at what went well and what went less well.

We'll be taking about the ideation phase, our (lack of) marketing for the Kickstarter, and also sharing (what we can) on our earnings from the game!

Coming up with Trouble Comes Twice

The original tone of Trouble Comes Twice was a lot more comedic and packed to the brim with anime tropes we enjoy. Most didn't make it into the final game, but some stayed and evolved e.g. all of the love interests are based on popular visual novel archetypes - the childhood friend, the tomboy, the shy girl, and the bad boy. 

Some, like Cameron and Zoe, changed a lot from their concept while Adrian and Stephanie stayed quite loyal to our original ideas of them. Cameron's character actually underwent the most changes after the initial reception to the demo, where a lot of people felt like he was too much of an ass haha. (Fortunately, he became a fan favorite when we dropped the new demo!)

The premise with the bet was something we invented to create some drama and establish a common plot thread throughout each route. Honestly, looking back, we would probably have approached the bet differently if we wrote it today and a lot of our pre-planning was... clumsy, at best. Still, it was a labor of love and I'll never forget the fun and excitement we had everyday balling ideas for the characters and coming up with their designs.

As Melli and I are just writers with limited coding experience, we worked with a past game jam friend to code the GUI and set up the base for the game (though the actual scripting was done by us and Melli put everything together in the end). Our biggest expenses pre- and post-demo was the character art and CGs, meanwhile we relied on free music and BG packs to save money.

Why a bisexual romcom?

So, this was sort of a no-brainer to us. We had decided right from the start that both twins could date both the male and female love interests, and (at the time) we feel that a lot of similar games had playersexual MCs rather than established bisexual/pansexual MCs. While playersexual charas are also awesome, we wanted to write a romcom where the main cast are always queer regardless of who you end up romancing. 

At the same time, bi/pan people don't all approach romantic relationships the same way e.g. Cameron is confident and has experience dating people of all genders, while Adrian's demi and Jace still struggles a bit with his attraction towards men. We know that some of our players felt like that made certain routes less romantic than others and we hear you on that feedback and have 100% taken it into consideration for our future romance games. But anyway, that was our thought process behind Trouble Comes Twice's romance dynamics!

Preparing for Kickstarter & the actual Campaign

Our Kickstarter launched at the start of August and let me tell you, we were nowhere near as prepared as we should have been. 😭 We hadn't set up a Steam page yet, we were trailer-less, and we only had a couple of hundred followers across our socials at best. I feel that there's a lot more successful Kickstarter projects to refer to and even a lot of marketing guides and advice now, but mostly it's on us for not researching more. 

The Kickstarter campaign did surprisingly well despite the lack of promotion and only having a rough alpha demo - we were even able to double our goal! - but we  wouldn't recommend what we did for other devs.

You should invest time into making a good demo, spend time building an interested audience before launching your campaign, and research so you've got some kind of marketing plan. We were lucky with word-of-mouth and that other visual novel devs with larger followings helped share our game, but we should have made more effort reaching out to bloggers, streamers, and game sites. Some crowdfunding successes may seem like they came out of nowhere and were just pure luck, but there's usually a lot of grinding behind-the-scenes that you don't notice.

The post-Kickstarter era, at least for us, was the harder bit. We now had 353 loyal backers who had expectations based on promises we had made and we had to make sure we met those expectations while also staying true to our wants as the devs. It was a learning process for sure, but we're fairly proud that we always did our best to keep our backers in the loop. It's frustrating to write an update explaining that the game has been delayed again, but backers are more open to being understanding than you think as long as you communicate!

A tip we'd give to new devs considering Kickstarter: Don't overestimate what you can do, but overestimate what you need. There's always hidden costs, unexpected taxes/fees, and other unknown obstacles that might eat up your budget. In our case, we made enough to make the game as planned, but had to change CG artists around halfway through development which meant our original budget didn't cut it anymore. Fortunately, we had earned a decent amount from our Patreon and pre-orders that we were able to use to complete the CGs, but that isn't always going to be an option for everyone and that also meant we were unable to use that money ourselves. (We didn't take any money from the original Kickstarter campaign, so whatever was earned through patreon and pre-sales was our only "salary" at the time.) 

Writing the game

Writing is, for obvious reasons, one of the most important parts of a visual novel. Melli wrote Jace's routes and I wrote Hazel's routes, which removed some pressure off our shoulders compared to trying to write over 300,000 words all on our own. 

It's fun working with another writer, but there are also some unique issues and considerations that come up when you're writing a game with two protagonists split between two writers. Especially because at the time, there weren't many visual novels with a similar set up to refer to.

The main things we learned, were:

Consistency. We wanted each couple to have their own dynamic, but the characterization needs to remain consistent between routes. You don't want Adrian in Jace's route to feel like a totally different character in Hazel's route. Additionally, we had to be careful that the tone and writing style of the protagonists' POVs still felt like you were playing the same game. Some routes can be more comedic than others, but we've got a problem if Hazel's routes are all (unintentionally) more serious/angsty in tone than Jace's or vice versa.

Watch out for your word count! Longer does not always equal better and writing eight routes, we had to put some restrictions in place. Even when writing on your own, it can be tough to guess how long your story should be, and it was important to us that the routes were roughly the same length so that none felt more "canon" than the other. However, with two writers who have different writing styles and ways of planning, it was tricky to compare our outlines and we struggled at times when it came to matching each other's word counts. Moving forward, we're probably going to be more lenient when it comes to word counts - some routes have to be longer than others, it doesn't mean that route is automatically more "important". We're also doing more regular meetings and frequent check-ins to make sure we're on the same page. In the future, we hope that should save us a lot of trouble when it comes to pacing! 🙈

Balancing your own wants with the wants of your players. In theory, these overlap most of the time. But making a commercial game (that people had already "bought" through the Kickstarter), there is some pressure when it comes to meeting certain expectations. We can't always just write what we want and assume everyone else is going to love it, but we also don't want to neglect what we personally like. We had a survey for the beta where we were able to get regular feedback and a lot of helpful advice. We definitely want to continue with surveys in the future - they are a great way to gather opinions from different players and figure out what works versus what doesn't! 

We took on too many tasks outside writing that distracted us. This bit is sort of inevitable for indie devs like us. 😅 Working with a limited budget and limited resources, you just end up having to wear a lot of hats! We think we did quite well sharing these duties though, and moving forward (thanks to you guys) we can afford more hands on deck to help us out. 

Marketing

The bane of every indie game dev's existence... although secretly, I kind of enjoy marketing but don't tell anyone that!

Having learned a thing or two from promoting the Kickstarter, we spent more time researching games marketing but in the end, trial and error was the best teacher.

As we got closer to the release date, we were posting almost daily on social media and grew our Twitter to over eight thousand followers. We didn't have any viral posts, but we saw a consistent growing interest in our game and it was such a motivation boost to see comments from potential players being excited for the game. We know a lot of devs have said that Twitter didn't help their game much but according to our stats, a decent number of our players found us through the platform. 

We saw less success here on Tumblr. Perhaps we haven't cracked the code here yet or maybe we're just comparing our numbers from Twitter unfairly! We're not hung up about it though, we love it here because it feels easier to connect with our followers and other devs there, and it's nice because we're able to write longer posts like this one! 💓

Aside from posting on social media, we reached out to several streamers and some bloggers prior to release to send them free game keys. 

We also commissioned some art from other artists to share, as we obviously couldn't reveal ALL our CGs before the release lol and visual posts tend to do a lot better in our experience. It was so much fun to see the characters in other art styles and we hope we can afford to commission guest art pieces a lot more frequently in the future!

In hindsight, we definitely regret not releasing a trailer sooner! We underestimated how much interest a good trailer could garner and delayed setting up our Steam page because of it. Steam was the platform where we sold the most copies and most of our buyers found the game through Steam itself.

Also, posting your trailer on youtube adds another site where you're promoting your game so there's really no reason not to get that trailer done as soon as you can. 

Final Notes

After the initial stress, we were pretty happy with our release! Although there were some things we would go back and change if we could,  that's just the nature of these kind of things. For the most part, we're proud of what we achieved and happy that we have learnt so much from Trouble Comes Twice that we can take into consideration for future projects.

We can't share exact numbers, but we wanted to open up a bit about our earnings for the game to help other aspiring devs: As of writing this, Trouble Comes Twice has earned close to 85,000 euros. This counts our profits from 2020 to now (the Kickstarter, Patreon, pre-sales, and actual sales). Removing fees, taxes, the salaries of our talented artists and other freelancers, as well as the money invested into our next game, our personal pockets did not see anything close to those numbers. But we're super proud of how much our little game has made and so grateful that it's allowed us more creative freedom with our next title! 

So, what's next?

You might have heard but for the past year, we've slowly been working on the demo and upcoming announcement for our next visual novel:

A 17+ supernatural neon-noir romance game about monsters, love, and other horrors. 

Play as vampire detective Circe (female protagonist) or hellhound cop Dante (male protagonist) and delve into the mysteries of North Haven, where demons, vampires, and supernaturals hide in plain sight among humans.

The game features six routes, with three romance options available to each protagonist. Dante only has male romances and Circe has both male and female romances. 

The game tackles a darker, more angsty tone compared to Trouble Comes Twice. Still, we hope that those who decide to check it out will enjoy it! We plan to announce the game this coming Autumn. Follow our Twitter (we're still not calling it X sorry) or Tumblr to stay up to date.

[starstruckbyacomet]

On the Break-Up

Tarlos vs Tevan

People had mentioned that Tevan's break-up is similar with Tarlos', which may indicate a reunion in the near future. The only similarity I can think of is that both happened because one half of the pair wanted to move the relationship forward, while the other half was reluctant. On the other hand, I find several differences between the two which are quite alarming:

1)) Rafael Silva was/is a main cast. He wouldn't go anywhere. Lou is just a guest star.

2)) Tarlos is the only queer couple on Lone Star. 9-1-1 OG has already one queer couple: Henren. So far, I haven't found any shows marketed towards the general audience, which have more than one queer couples who got a happy ending.

3)) Both Tim and Oliver agree that Buck is always a bit promiscuous. This trait is even deliberately shown when Buck was tackily eyeing a woman in the middle of his anniversary dinner with Tommy! Neither TK nor Carlos has this trait. During 5 seasons of their up and down relationship, neither TK nor Carlos has ever shown attraction to other people. Tim also posted a video in his Facebook page about how a character shouldn't change so much on a TV show. It could be an indication that he has set Buck as an eternal bachelor, who was destined to always search for love, while bedding multiple love interests until the season finale.

4)) Tarlos' break up didn't feel out of character. Although it happened off screen, and the reason was disclosed much later in the storyline, the explanation made sense. On the other hand, Tevan's break up is out of character for everyone involved:

Tommy used to be very mindful about other people's feelings. In 7x04, he was aware that he had created a wedge between Buck and Eddie, so he visited Buck to clear the air. This Tommy wouldn't get into a relationship, if he knew he couldn't move to the next step.

Buck who had always been clinging and pursuing people who had left him (Abby, Maddie), would not let Tommy go without fighting for their relationship.

Bobby who has said Tommy was good for Buck, and Henren who have questioned Tommy about his intention with Buck, would not standby watching the break up without saying anything to either Buck or Tommy.

5)) Although in the middle of a break up, there was a sense of continuity in Tarlos' love story. We saw both TK and Carlos struggled with the break-up. We saw people around them were concerned and questioning, as if they want Tarlos to be back together. This doesn't happen in Tevan's break up. The only sign that Tommy has been struggling is #TommybubblesBuck. We see mostly only Buck is struggling, while people around him indicate that they want him to move on (by hiding his phone instead of encouraging him to talk to Tommy like an adult!). It feels like the purpose of showing how much Buck has been struggling is to remind the audience that Tommy is as important as Abby for Buck, because Buck was also struggling when Abby left.

6)) Buck didn't even seem struggling while he was interacting with his team or Brad on episode 8x08 "Wannabes". This is different with TK and Carlos who carried their feelings almost all the time during their break-up period.

7)) Overall, the way Tarlos' break up was executed more thoughtfully indicates that it is an important milestone in their continuing love story. Tevan's break-up seemed poorly written and rushly executed, as if just to put a lid on a box. It seemed that the way Tim viewed Tommy is similar like he viewed Gerard and Ortiz: as loose ends from the prior season which need to be tied up asap, before being discarded like used tissues. Tim even preferred to give more attention to Brad Torrence, his shiny new toy. This was not happened in Tarlos break up.

Despite all the discouraging signs, I couldn't put off the tiny hope which is still flickering in my heart. I love Tevan too much, and it feels like I have been fighting more for their relationship than for my own 😅. With all the above signs, I'm afraid that the only chance for their love story to continue is by:

keeping the rating/viewership low until Tevan reunited on screen.

[vintagetvstars]

Bea Arthur Vs. Lily Tomlin

Propaganda

Bea Arthur - (Golden Girls, Maude) - Okay okay where do I even start!! Bea Arthur is incredibly attractive. She has a SUPER deep voice (stunning), a sort of regal, statuesque way of moving and talking, and she can kill you with a single piercing look. Like seriously. Her Looks have become a thing in both shows she plays a lead character in. Did I mention: TWO characters were *written for her*!! When she did Maude in 1972, she'd appeared on All in the Family as a side character and the people there loved her so much they went "this woman needs her own TV show". SO THEY WROTE IT. And made 6 seasons of it. That's how good she is. When the pilot for The Golden Girls was written, creator Susan Harris described the part that Bea would end up playing as a "Bea Arthur type" before they'd even cast her in the role. She was Jewish, she served as a typist and truck driver in the marines during WWII, she had a whole career off and on Broadway behind her by the time she started her career in television, and she was an ally to the gay community — there's even a shelter for homeless queer youth named after her. And did I mention her voice?? Because she can sing too!

Lily Tomlin - (Rowan and Martin's Laugh-In, Saturday Night Live, Murphy Brown) - “Lily Tomlin is, I believe, a great artist. I find that her work succeeds on every level: She is a great actress; she is a brilliant comedienne; she is a coruscating commentator on our times and on her place in the world; she is frighteningly clear in her ability to see and to share what entered her mind and her heart; she is amazingly generous with her material. The final point is one that you will not understand until you begin to create your own work, and you will know the brutal difference between those who give a great deal and those who give according to fashion and whim. Trust me when I tell you this is a brutal point.” — Tennessee Williams

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Bea Arthur:

She was just so funny and compelling onscreen. She had great timing. And she was beautiful no matter what age and she was an incredibly LGBT+ ally.

I think it's a very common experience to start watching The Golden Girls and immediately develop a crush on Dorothy Zbornak - and it's not a coincidence. Between her statuesque figure, her regal poise, her sharp wit and her wonderful, deep voice, Bea Arthur brings so much to the table that it's impossible not to be head-over-heels in love with her from the very first moment she appears on screen. Career-wise, she's a legend of the small screen; she received the third most Emmy nominations for Lead Actress in a Comedy Series (an incredible 9!). Her guest appearance as Maude in All in the Family impressed both the public and the executives so much that they made a spin-off series *especially for her*. She led Maude - the sitcom - for six incredible seasons to critical and public acclaim, and this would already be enough to nominate her among the greats, but then - as the true queen she was - she went on to star into *another* legendary show, The Golden Girls, as *another* legendary character, Dorothy, and won another Emmy (as well as several nominations) for it, just because she could. As for her private life, she was known as a private, introverted person, who loved the simple things in life; all her fellow TV stars (including Angela Lansbury, who was a dear friend of hers) recall her as a kind, decent person and a wonderful professional, with impeccable work ethic and truly immaculate comedic timing. We do not support the military complex here, but we do support girlbosses winning, so let me just mention that she was one of the first women (ever!) to join the US marines; she was also a licensed medical technician. All in all - a legendary lady who definitely deserves your vote!

how many people can dress up as the Statue of Liberty and look this good?

have you ever seen a woman so beautiful you started crying

MOTHER

soft butch queen. Who else could rock a papillon like that?!?

1982 Bea Arthur - Fifty Percent.avi

Beatrice Arthur, Down in the Depths, 1980 TV

Lily Tomlin:

She's beautiful and hilarious! Her smile is so bright! photo of her and her partner Jane Wagner:

[anonzentimes]

Hii!! I agree with your points and your interpretation is valid. But just wanted to say that I think that using a guy character not acting like a pervert and borderline assaulty around women as a proof of them not being attracted is a very flawed and harmful logic (talking ab the scene of Komaeda falling under Mikan’s skirt you mentioned). I’m attracted to women but if I fall under girl’s skirt or witness an embarrassing situation I will be uncomfortable too. Komaeda’s reaction is how a normal respectful person would react and I’m very saddened that the amount of pervert anime characters has normalized such behaviour

That's super fair! I only realize now I am using it under the expectations of Danganronpa since there are so many perverted characters in the franchise, you're right and thank you for pointing that out. That actually is really upsetting now that you mention it, yeah I'm going to edit that out ew.

I've made posts on twitter of small, even if silly, praises about how Nagito seems to really value consent. He's always the loudest and most annoyed about teruteru's behavior, and within the franchise he's the one who's the most respectful and realistic when it comes to the problematic subjects. It's sad that not every character is as respectful as him. In fact almost all of the dr2 male cast is crushing on girls, some being gross about it, the only ones who don't are Nekomaru and Nagito. Crushing on girls is definitely not the issue, but half of them being gross about it is.

Just to redeem the example because I'm upset by it here's some instances of his weird somewhat lack of interest in women that we've seen or general vagueness

Chiaki saying this isn't as straightforward but it still implies her being sexy wouldn't work to get Nagito's attention which still says things about his possible disinterest or respectful nature maybe even both.

During fan service scenes in every manga adaptation he never blushes while every other character does

He avoids the question of sexuality every time it's asked, he either doesn't know it himself, doesn't think about it because he thinks he's unworthy, or has to beat around the bush because he's closeted. Although outside of characterization wise it may just be kodaka staying vague because that's the common pattern Lmao. The question is avoided during Q&as and during ultra despair girls he just ignores Kurokoma altogether lmao (would add more but image limit on mobile is my worst enemy)

i've seen multiple interpretations for this so just ???

Either way the status of canon is: Nagito shows interest in men and we see he has sexual desires, he's anything that isn't straight or aroace. He doesn't show evident interest in women and there's been no official word on his sexuality, it is up in the air when it comes to specifics. He is absolutely a queer coded character, whether he's gay, pan, bi, or something else there's no doubt about that. I believe Nagito is gay because there's a lot of evidence supporting this, I think it also makes his storyline more impactful. But at the end of the day there is no said canon and people are free to headcanon what they want to, whatever people say that isn't invalidating important parts of his character we actively see is preferred.

[superspecial-awesome]

s0 queerosexual hcs. for pride month

basically my interpretation of the cast in this regard is that theyre a bunch of annoying queer teenagers who will never discover this about themselves because they live in 1990s japan and all think there's only gay and straight and that being the former is grounds to be beaten in the streets

Yugi: the only one who has his shit figured out. transmasc and bi and he plans on taking that to his grave. he has a strong preference for women though so that part never really comes up. "attracted to every woman ever and one guy i met at a gas station six years ago" disease. also bonus points anzu knows he's transmasc and helped him figure out binding and shit

Miho: huge lesbian but "oh no it's just that girls are objectively more attractive than guys everyone knows that, i just haven't met the right man yet, besides every girl wishes they could date women instead that's why bakura is so popular it's because he looks like a woman." I also like to imagine that in an ideal world, she'd fuck with genderfluidity

Bakura: aroace and agender transfem. he gives me he/it/any vibes. I think partly due to The Mega Autism he never really understood the deal with traditional masculinity so he feels disconnected from manhood as a whole and would be a lot more comfortable being able to exist as something entirely detached from gender. I also think the swarms of girls at all times made him view women as some sort of other species entirely and he's got a lot of deep-rooted misogyny going on about it, but tbh anzu and miho could fix him. and make him into the vague girlthing he always was

Anzu: Idk what label to slap onto her but I don't think physical appearance or gender plays any role in her being attracted to people at all. maybe like demiromantic asexual. but i dont think demi is the term im looking for. definitely ace though.

Honda: "WOW I LOVE BEING A MAN I LOVE WOMEN AND RULES AND ORDER I DON'T AT ALL FEEL LIKE I'M CURSED TO FIT MYSELF INTO A BOX THAT'S TOO SMALL FOR ME" and he believes that wholeheartedly and then wonders why he needs to constantly prove himself over things that don't matter to avoid his mental health crumbling to dust. I don't think he's trans though I just think he needs to chill out. also he's bi and poly and the single most useless hopeless romantic ever.

Jonouchi: bi but i think his refusal to accept that as a possibility has made him very aware of a lot of other things he has going on psychologically. like his homophobia has somehow made him a more self-aware and chill person. "honda put his hand on my shoulder for more than 0.5 seconds and my entire nervous system took a screenshot does this mean im g--wait no im just touched starved huh i wonder if that has ever impacted my poor decision making in the past." also him being used for the cartoon standard "guy wears girl clothes and likes it" joke is grounds for me to hc him as genderqueer. I could absolutely see him getting really into fem presentation.

Yami Yugi: gay gay homosexual gay

Kaiba: transfem in the super dysphoric way but will absolutely never find this out because any time she becomes remotely aware of something bothering her about herself she just looks in the mirror and says "no." i also wanna say arospec and aspec but idk she's fully either. i think if i wanted to give you an accurate idea of how attraction works for her i'd have to pull up the homestuck quadrants and i'm not joking.

Yami Bakura: agender is a way that's like "dude I'm a ghost in a ring who cares." If you called him a she he'd be like "what" and then after you got two words into explaining he'd go "nvm I underestimated the amount of shit I don't give about this." His sexuality is no time for dat goku

[hawkfuller]

interview with the vampire (2022) deserves better promotion

another corn on the plate situation: amc's marketing strategy, if it even exists, sucks.

we've known this since season 1. personally, i was lucky enough to get on-board with the series early enough back while it was airing in 2022 because my algorithm knows me, knows i like (queer) dramatic pieces of media that will fuck me up emotionally for the rest of my life because i got too attached to the unstable character(s). i then convinced my equally insane friend to watch it with me (didn't take much convincing, honestly) and we've been hooked ever since, annoying people enough to tune in too.

and i know i'm not the only one. most of this show's marketing relies on its passionate fanbase, which amc is lucky to have, but mouth-to-ear promotion becomes frustrating when it seems to be the primary, and almost only, marketing tool (i say “almost” here because outlets like tvtime – thank you – have been doing the most to feed us interviews).

as of now, we've mostly gotten 2-pixel quality interviews over zoom. while i appreciate watching them because it's “better than nothing” and i love getting more content of them, whose interest does it pique other than people already invested in the fandom? we need more mainstream media news outlets to interview the cast – amc headquarters should consider themselves lucky to have cast members who love each other so much, why not use that to their advantage? give them a buzzfeed puppy interview! a gq agree to disagree interview! jacob anderson is your main actor, get him an elle song association interview! ladbible's food battle – uk vs australia vs america? get them to guess parisian vs new orleans slang? best friends test?

what will it take for amc to invest in a show that clearly deserves its already-received praise to gain a wider audience?

not only such exposure would gather more fans, but it would attract award critics attention – which the crew & cast deserve in masses. and if they wanna talk money, well, they should know the show's potential would bring a lot more capital. (it's already keeping them afloat...)

marketing investment goes a long way.

[silenthillmutual]

💛, 🏳️‍🌈, 💙 and 💖 for patho!

Sorry if anyone’s already sent these four of patho was originally only gonna do three but I have an issue with uneven numbers so I had to send four!! If someone’s already asked these for patho then swap them out with x files or silent hill?

felt you on the uneven numbers front; luckily no one has asked these for patho yet so stay winning my liege!

💛: What is a popular ship you just can't get behind, and why?

peter/rubin. i can understand where pretty much any other ship is coming from even if i don't like it or particularly agree with its logic, but peter/rubin really is just so nothingburger to me. part of this is being a stakhdrey kinda girlie (i think they fit together thematically in terms of them both having inferiority complexes and anger issues, esp in p2) and part of this is just... i mean there's nothing between them. there's nothing in canon in which to base this. it's kind of like The Example in patho of "people will ship two guys who don't even know each other before they'll ship two women who are practically married".

🏳️‍🌈: Which character who is commonly headcanoned as queer doesn't seem queer to you?

this is kind of a difficult one for me because i do headcanon i think the entire cast as queer except for like. vlad sr. which is not bc "he's too evil to be queer" or whatever, i just don't see anything that lends to queer reading of him. my headbutting normally comes from feeling they're queer in a different way (like as opposed to seeing georgiy as gay, to me he's aroace. he just seems like a guy totally uninterested in romance & sex he's doing wizard shit). i guess if i had to pick one character who doesn't really feel queer to me in the game itself, it's vlad jr. i'm fine with people seeing him as bi, it doesn't hurt me or anything, i just think that of the bound he's the most likely to be cishet.

💙: Which character is not as hot as everyone else seems to think?

i don't get the hardon people have for vlad jr. it isn't even to do with his politics, clearly that doesn't matter to me much in finding a character attractive (considering alfred bloodborne), i just don't think his design is all that interesting and his character doesn't do a lot to make up for that. it doesn't help that his p2 incarnation looks like my cousin patrick. i'm glad people are having fun slutting him but i do NOT get the allure. rubin is a leather daddy in classic and has those big beautiful brown eyes in p2, where is all the art of him slutting it up?

💖: What is your biggest unpopular opinion about the series?

i don't believe in comparing & contrasting classic & 2 as though they were the same game trying to do the same thing. it pisses people off so bad that i have things that i like about pathologic 2 and things that i dislike about pathologic classic. i think they're both great games with their own sets of issues, but i rarely see classic fans actually talking about those issues. like, for example, none of classic's endings acknowledge the kin even exist... there's more things i could think of, but then we'd be here all day. that can be something to address in another ask lmao.

[justanotherhh]

hold up wdym fizz is word of god demi? did a cast/crew member confirm it?👀

hey hello howdy!

before i get into anything i need to disclaim, for my own health, so bear with me:

first of all, i want to stress that word-of-god is fundamentally meaningless in the sense of actual canon (being a teenager under the reign of that book series about a magic school written by a bigot + the whole 2010s fondness of declaring characters to be gay maybe if you keep watching *wink wink* only to turn around and call queer fans deranged for caring too much... ive got no time for that nonsense)

on the other hand, i think there's also something to say for a show that's about 99.999% canonically queer characters and that sometimes narrative is showing not telling... that is to say... even if there hadn't been any kind of word of god, especially in a verse in which relationship structures are built along fundamentally non-heteronormative dominant lines, one gets to analyse different forms of queerness with far more deliberation than one might in a Very Straight Show In Which We Are Aware That This Was Not Intentional

on the... third? hand. specifically aspec identities, still very underrepresented, still very disputed, still very hard-done by, even when the visuals really do lean into a show-don't-tell obviousness (see: all that marketing for alastor being very aromantic and supported by his narrative in the canon, and it's still not "enough," often simply because many people haven't even heard of ace, never mind aro... i digress, but i think, for relevant reasons), so fizzie being read as demi by people who know

what the heck demi even means

have the ability to engage with an aspec-analysis lens

is probably still the vast vast minority!

all this to say. it's not canon, in the way that, say, his being gay is canon, or blitzø being pan is... more canon (in the sense that the word "pan" may not occur to everyone, but it's more obvious within the queer community and those without may at least land on "bi" and be in the correct ballpark) and moxxie being bisexual is 100% indesputably-stated-out-loud canon

in order for it to be canon, it would have to imo:

either be stated out loud in canon (and even then, we get the word "ace" on hazbin and it's StiLl DiSPuTeD okok im calm...)

fizz would have to have a narrative or speech or some kind of important Beat explicitly dedicated to the fact that he Does Not Feel Sexual Attraction unless he's in love (which... honestly... if that were in connection with some kinda beat in blitzø's narrative about feeling like he's unworthy of love... im just sayin.... + it would lean very neatly into exploring fizzmodeus' being an in-universe very non-normative relationship)

in this case, i do think it's a neat little easter egg, without being pandering or *pat pat on the head,* that is supported by the text, and so yeah. fun. if they backtracked on that and in some way decided fizzarolli has had tons of casual sex that he's enjoyed/pursued... i mean, honestly without the word of god, i'd think that was kinda out of character, which leads me back to "yeah, fun easter egg, only canon insofar as it's not disputed by canon!"

disclaimer over:

this tweet stating the creator said these words, liked by the creator, this was my original reblog of it (although I do note the original poster seems to have taken it down since then)

[bittersweetcanary]

Arcana Twilight BUT it's queer as FUCK

Coming in hot to throw some cannons at your head- Here are some of my basic head cannons of the cast! I mighhhhht use these when writing in the future when making stories for my persona in an artw au.

[Disability | Neurodivergence | Mentions of sexual relationships(no details but sort of NSFW) | Disorders | Cute shit | I love them]

Viewer discretion is advised beyond this point O-O

・┆✦ʚ♡ɞ✦ ┆・

Alpheratz HCs

The First Sorcerer of Andromeda

Gender/Pronouns: No gender, any pronouns. Alpheratz doesn’t care what pronouns you use.

Sexuality: Doesn’t care to explain, too much energy. Will remain uneducated.

Health-Related Content: Mana Fluctuation.

Magic Specialty: Excellent Overall.

Love Language: Likes to Give: Quality Time / Gift Giving. Likes to Receive: Quality Time / Physical Touch.

Alfie’s Flower: The Pink Camellia, it symbolizes longing.

Other

Alfie's spell book(catalyst) feeds off the wielder's mana to remain bonded thus leading though this isn't the cause of the fluctuations it does worsen them if the book takes from him when his mana is low. Alpheratz is almost always fatigued, due to the reasons above he sometimes refers to his condition as Chronic Fatigue.

Nap time with the Summoner is Alpheratz's favorite way to spend quality time. With cuddles of course!!

As Sirrah in Alpheratz’s past life Alfie once took down a flying whale with Polaris, they were close but how close? At the beginning Alpheratz doesn’t recognize the Summoner as Polaris nor does Alfie trust them, warms up to them slowly, but as Alfie gains memories of Sirrah, Alfie is noticeably more fond of the Summoner.  

・┆✦ʚ♡ɞ✦ ┆・

Arcturus HCs

The First Sorcerer of Bootes

Gender/Pronouns: Unlabeled he/she

Sexuality: Asexual/Panromantic is a term that describes people who can experience romantic, or emotional (but not sexual) attraction to any person, regardless of that person’s gender, sex, or sexuality.

Health-Related Content: ADHD.

Magic Specialty: Inducing Magixs.

Love Language: Gives: Words of Affirmation / Quality Time. Likes to Receive: Physical Touch / Words of Affirmation / Quality Time.

Arcky’s Flower: The Yellow Rose is a symbol of sympathy and empathy. When your friends get sad or sick, you can entertain and brighten your friends days. 

Other

Those with ADHD have difficulty completing tasks due to a lack of motivation because their brains have an extremely low quantity of the chemicals that reward you with happy vibes if you complete it so they tend to hyper-fixate on whatever gives them that bit of reward.

Arcturus, as typical of people with ADHD though not all, tends to get that reward when she completes tasks for others or helps them, but she tends to hyper-fixate on this and forget to take care of his own needs, like eating, drinking, and using the toilet. Please remind her Summoner!!

・┆✦ʚ♡ɞ✦ ┆・

Pollux HCs

The Second Sorcerer of Gemini

ESFP-T

Gender/Pronouns: Genderfluid [he/they/she] usually goes by he/him

Sexuality: Pansexual, fluid. A term that describes people who can experience sexual, romantic, or emotional attraction to any person, regardless of that person’s gender, sex, or sexuality though he feels this change from time to time and doesn’t prefer to stick to any singular sexuality, not even Pan.

Health-Related Content: Bipolar disorder is a mental health condition that causes extreme mood swings that include emotional highs (mania or hypomania) and lows (depression).

Magic Specialty: Destruction Magic.

Love Language: Gives: Physical Touch. Likes to Receive: Gift Giving / Words of Affirmation / Physical Touch.

Polly’s Flower: The White Rose, this flower represents pure and innocent love.

Other

Often needs time alone to just decompress, Alpheratz typically keeps an eye on them just in case they ever need help.

Everyone has a case of cuteness aggression towards him whenever he is near, Alpheratz is always the first to act on it and coo at him!

Sirius was dating him for a time, or so Pollux thought but it was never made official. It was more like sexual benefits. Pollux would like to think they’d at least been Friends with Benefits. He behaves hostilely towards the Summoner at first because Sirius began avoiding him, giving him the cold shoulder in favor of the Summoner… Pollux warms up to the Summoner after they are there to comfort him despite his hostility.

Sirius previously referred to Pollux as Bunny in a sexual way. Arcturus once looked over Pollux’s shoulder at his phone screen and asked what that meant. Pollux was mortified and refused to answer.

・┆✦ʚ♡ɞ✦ ┆・

Sirius HCs

First Sorcerer of Canis Major

ENTP-A

Gender/Pronouns: Mirror Pronouns. Your pronouns are his, and he is running away with them. His legs are too long, you will never catch him!! (I tend to use he/him for Sirius when not mirroring them to other characters though any other usage of pronouns or just his name would work)

Sexuality: Omnisexual. Similar to pansexual, it is used to describe people whose sexuality isn’t limited to those of a particular gender, sex, or sexual orientation

Health-Related Content: If he has any, well, you don't know. Sirius isn't one to let others know such personal information... Though Polaris might know.

Magic Specialty: Transformation Magic.

Eyes:

Red: Love, desire

Orange: ? Haven’t seen them but I assume they’d be joy & love

Yellow: Delight, joy

Green: Jealousy, anger?, annoyed

Blue: Sadness, dissapointment

Icy Blue: Shock, surprise, worry

Purple: Fear, determination, anger?

Squinted, blank Purple: Desperation

Red/Purple: Love and Determination

Love Language: Gives: Gift Giving / Physical Touch. Likes to Receive: Physical Touch / Words of Affirmation.

Siri’s Flower: The Purple Rose represents individuality and artistic flair but the closer to black they are their meaning could double with Black Roses which symbolize, grief, anger, hatred, unrequited love, mystery, subversion, resistance, and dark side of desire and passion.

(Definition may vary from other sources because I tailored it to Sirius.)

Other

Sirius just likes to occasionally visit the Summoner while they are studying in the library. If the Summoner is short he���ll pick them up, sit down, and place them on his lap like it’s nothing. The Summoner has become used to this, they recognize his presence before he even approaches so they are already mentally prepared- but when Sirius begins whispering in their ear he becomes quite the distraction.

Loves playing with your hair, especially if it’s long enough to style!!

Has no idea how to react when you actually flirt back or make a move, possibly tenses up or asks if what you did was a cruel joke… (poor baby has self-esteem issues)

Does shit to make you distrust him because he doesn’t trust himself

Very torn up about Polaris not quite being there as they once were for him. 

Sirius likes to roleplay as your student sometimes, maybe he was Polaris’s student once and he wants that time back.

Sirius cannot let go of the idea of Polaris, he will often project onto the Summoner when roleplaying with them and tell them vague stories with minor changes about himself and Polaris in hopes of triggering memories.

Sirius adores you, the Summoner, Polaris, seeing you as his only safe space but still he has trouble opening up because he knows you aren’t his Polaris but so very much wishes you to be… To an unhealthy degree, wishing that in the first place is unhealthy and projecting.

Floor 8-17 The Summoner asks Sirius if he knew Polaris personally, he asks them what they think. Sirius did and does.

Pollux was his rebound. Sirius never thought much of their “relationship”, he never intended to make it one.

・┆✦ʚ♡ɞ✦ ┆・

Spica HCs

The First Sorcerer of Virgo

Gender/Pronouns: Cisgender Man [he/him]

Sexuality: Bisexual, a sexual orientation that describes people who experience sexual, romantic, or emotional attraction to people of more than one gender. Old man energy. Prefers binary, cisgender, individuals with few exceptions. Uses it like one would use Pansexual. When Spica quotes himself "When I was younger Bisexual was the “pansexual”." the others refer to it as Spicaism. Spica lectures them over their supposed misuse of grammar.

Health Related Content: Severe OCD(Obsessive Compulsive Disorder)

Magic Specialty: The Half of the Traditional Sorcerer. (I assume that refers to magic that is considered traditional to practice, possibly to his home or family.)

“Spiky Spica, you aren’t spiky but your personality is sometimes!” - A Summoner Quote

Love Language: Gives: Acts of Service / Physical Touch. Likes to Receive: Words of Affirmation.

Spiky’s Flower: Yellow Tulips symbolize of unrequited love, though this is an older tradition and less relevant today.

Spica CANNOT sleep till he has completed everything necessary and then some each day leading to barely even getting 4 hours of sleep a night! Summoner make him SLEEP, please!!

Everything in his room is COLOR and ALPHABETICALLY ORDERED. If even ONE THING is out of place he will not stop till it is back in its rightful place.

Washes his hands like a million times or they aren't clean enough to him. Germs... ... Everything is sanitized. Daily. Possibly more. Arcturus helps him not go overboard.

・┆✦ʚ♡ɞ✦ ┆・

Vega HCs

The First Sorcerer of Lyra

Gender/Pronouns: Transmasc/enby he/it

Sexuality: Demisexual because the only attraction he’s felt was the crush he has had on the Summoner since childhood, despite being apart for so long it didn’t take long for those feelings to rekindle.

Health Related Content: Autistic

Magic Specialty: Pathfinding Magic

Love Language: Gives: Acts of Service / Physical Touch. Likes to Receive: Words of Affirmation.

Vaggie’s Flower: The Pink Camellia, it symbolizes longing.

Other

Due to sensory processing disorder, common in Autistic individuals, he will need time to decompress for a variety of reasons likely related to that or socially.

Vega often avoids non-packaged yogurt tube foods because the textures are overwhelming for him, though he'll try whatever the Summoner makes it's best to keep it separated and simple to not overwhelm it as this could cause a sensory upset

Alpheratz tries finding Vega new safe foods whenever old safe foods aren't safe anymore.

Vega sticks to a very strict routine, typical of Autistic individuals. If anything throws off his routine he may need to take a break before trying to get back on track or won't.

All his clothes are made with soft sensory friendly fabric, including uniforms. Contell Academia makes sure to accommodate all its student's needs.

Likely possessive due to his abandonment issues, he doesn’t want the Summoner to disappear again.

Incredibly possessive of Summoner to the point of threatening Sirius and attempting to have their magic sealed once they reconnect with Ursa Minor and find that they were once Polaris.

THIS 'TIS THE END MY LOVELY READERS, thank you for being here, existing, and reading this :3 buh byeeeeee~

[lesmurples]

I rewatched season 1 of Our Flag Means Death after getting bored with Veilguard, and I was surprised by how many similar character types and themes the two (loosely) share:

Therapy-speak loving mediator as the leader of a ragtag group of mismatched weirdos

A character realizing their nonbinary identity

Background elements of colonialism/imperialism and slavery which our intrepid heroes must resist

Queer found family vibes (tho with DATV the queerness is mostly incidental and does not seem to inform the characterizations much)

Pirates are there

Except while these are some of my favorite aspects of OFMD, I despise how they’re executed in DATV. The overwhelming corporate stink on Veilguard really interferes with the writing’s ability to talk about queer or anti-colonial themes meaningfully.

Comparing the two has actually helped me work through what it is that bothers me about the lackluster character writing of Veilguard and how it could have been better (besides, yaknow, comparing it against the much better-written previous games - they were far from perfect, but god Veilguard makes them look amazing by comparison). To be fair, I’ve yet to finish the game, but I’m privy to like, 50 hours worth of content at this point between playing myself and watching my sister’s playthrough, so if the game finally improves on these points after that long it feels like too little too late.

If you want to read a waaaay too long screed comparing these largely unalike properties, then boy oh boy is this the post for you!

1. The therapy speak:

So uh, the thing about OFMD’s anachronistic, HR-approved managerial therapy speak is that it’s a joke. OFMD is a comedy first and foremost, so this fits right in with the overall tone of the show, and it’s pretty damn funny if I say so myself. Watching Stede - this campy, middle-aged, 18th century theater kid - tell a bunch of hardened pirates to talk through their feelings is hilarious. And really all it does is alienate him most of the cast - the first episode is about his crew planning to mutiny and kill him as a result of his bizarre behavior.

But, as time goes on and Stede and the crew work through hardships and get to know each other a little better, they form a bond of trust and learn how to communicate more effectively. Stede still tries to mediate and resolve conflicts peacefully among the crew, but more directly and with less artifice, while the crew grows more patient with him and realizes the potential benefit of some of his ideas. It’s pretty basic character progression writing overall, but it’s competently executed, which is more than I can say for Veilguard.

In Veilguard, Rook’s youth pastor energy as they mediate every petty squabble between their teammates casts a bland veneer over a deeply bland cast of characters. Disregarding the fact that Rook is the most milquetoast DA protagonist by far, their involvement in every character interaction leaves me feeling like I’m meeting with HR, and not in a funny way. And Rook seems to attract HR-approved pep talks just as much as they dole them out, particularly from Varric but also from Solas and Morrigan of all people. It’s pep talks all the way down!

Where this flavor of therapy speak was used with intention in OFMD to say something about the characters (and to get a laugh), here its purpose just seems to be to nip all interpersonal conflicts in the bud so our cast can be a big happy family. Teamwork! Yay! Except we started with everyone on the team being more-or-less cordial coworkers, and then we end on them being… more cordial? A bit friendlier? There’s no meaningful progression for the audience to enjoy, no real change. Every argument starts bland and it ends bland, and the few that are allowed to continue through companion dialogue are so inconsequential as to be pointless.

The previous DA games had an obvious fix for this: make the characters socially and politically opposed to each other and let them duke it out, all while having to maintain an alliance against a common enemy. The player could get in on this too if they disagreed with someone - twas a grand time. These interpersonal conflicts were a microcosm of the larger political conflicts of the story, and it allowed the characters to explore the influence of their respective cultures upon their current viewpoints. The progression and tension thus hinged on whether the influence of other characters was able to change their perspective, and if it did, what the consequences would be. A somewhat different emphasis when compared to OFMD, but both understand that allowing your characters to come into conflict with each other and resolve it over time is far more engaging than fixing every little issue right off the bat. This isn’t a sitcom where we need to resolve family tensions before the half-hour mark - it’s an 80+ hour game.

(oh god i swear i’ll try not to make every entry this long)

2. The nonbinary identity storyline:

Alright, there is one thing I like about Veilguard (shocking I know), and it’s the option to be trans/nonbinary. I’m nonbinary and have never played an rpg where that was an option before, so that was pretty dope. I think Bioware’s approach to nonbinary and trans inclusion in the character creator was fairly well done and reasonably flexible - definitely better than the trans options in Cyberpunk at any rate. I also like that we have a nonbinary companion, especially since I totally called it when Taash was revealed and felt super smart and vindicated. The execution of Taash’s nonbinary journey though… eh. It’s mostly left me kinda cold.

I won’t be the first to state that the use of modern terminology for nonbinary gender identity is offputting in this setting, and others have explained it far better than I could. It’s a missed opportunity to think through the question of what gender really means in this setting across different cultures (beyond some lip-service to the Qunari being strict about it, which besides being a retcon doesn’t really tell us much), and whether there are existing nonbinary spaces that would potentially align with Taash’s experience of the world, rather than having one transplanted from our modern sensibility. Third genders have existed irl throughout history and are embedded within cultural understandings of gender, and interpreting Taash’s gender through a more historical and/or speculative mode that better fit the setting would feel far less alienating. As it is, Taash’s story just doesn’t seem to fit comfortably in this world, not least because we’re having them discover their identity rather than already have an understanding of it. Their self-discovery story feels out of place in a narrative focused on a high-stakes, end of the world scenario, unless I’m missing something. It reads more like a fanfic that was accidentally tacked onto the source material. (I love fanfic, but the tone just doesn’t mesh here.)

This is perhaps why the writers felt the need to connect Taash’s gender journey with their bicultural experience, which… hoo boy, that didn’t go well. We have to make a binary choice for which of a nonbinary character’s cultural ties should be discarded? Disregarding the fact that this is not how culture fucking works, why are we making this decision for another person? This is the Cole situation all over again, but worse.

Our Flag Means Death, on the other hand, gives us Jim. Jim has lived most of their life presenting as an AFAB woman, but when the show starts is in hiding as a cis man with a fake nose and beard. After their disguise is revealed, Jim goes through the awkward process of addressing the cis dude-heavy crew’s inane questions about them “being a woman now,” indicating that they’re not really sure if they are one. They tell the rest of the crew to treat them like normal and continue calling them Jim, and that’s that. From then on, they’re referred to with they/them pronouns - maybe they had a talk with everyone about it off-screen, or maybe the show wanted to lean on a sort-of magical realism vibe where everyone just knows Jim goes by those pronouns now. Either way, it fits within the tone of the show and doesn’t need to take up much more space than that. We later see where Jim grew up and learn about their background getting trained by an assassin-nun to murder her family’s killers - we got bigger fish to fry.

Does every queer identity story need to be handled like this? Of course not - there’s space for a range of queer stories, whether the queerness be incidental or integral, discovered or established. In OFMD’s case, they perhaps could have spoken more about Jim’s nonbinary experience and how it fits into the setting, but they didn’t really need to. They established what they wanted to about Jim’s identity, and they decided not to go into the issue of misgendering from that point forward. I personally like how normalized it makes Jim’s presence feel, even if they perhaps could have done more. But OFMD is a limited series about a large ensemble cast of different queer folks, and they chose to be economical about how some of those queer identities were communicated onscreen.

Dragon Age is likewise made up with an ensemble cast, and considering its high stakes end-of-the-world plot line, maybe it should’ve taken a leaf out of OFMD’s book and not spent quite so much time on Taash’s personal gender journey when we could’ve focused on something a bit more outwardly relevant (a big ask for Veilguard’s very personalized, individualistic style of character writing). We could have certainly related their sideplot back to their gender, but there had to be a better middle ground than what we got.

Anyway, while OFMD is fairly comfortable with anachronism, limiting the explanatory dialogue for Jim and other characters’ identities probably also helped to not break immersion. Bioware likely didn’t want to go this route for Taash, but if I might make a suggestion for our consideration: Krem. Krem was a great example of an integrated trans character who talked about his experience through the context of the culture he grew up in. Turns out, it’s very doable, and in a Dragon Age game no less.

(oh god they’re all going to be this long aren’t they, what have i done)

3. Background colonialism/imperialism and slavery:

Something that Veilguard and OFMD have in common is that the wider context of colonization, imperial conquest, and slavery that each story takes place in is more-or-less kept to the background. The characters and plots are certainly informed by this context, but the main storylines don’t often engage with it directly. And herein lies the problem: this is arguably an appropriate approach for OFMD given its comedic tone, while for Dragon Age - considering that its previous installments engaged very directly with these themes - it reeks of erasure and sanitization.

Hell, OFMD engages far more directly and frequently with these themes than Veilguard’s bloated, 80+ hour runtime, and it’s a 2-season long TV show! It’s 20 hours total at most! It explores the heterosexism of settler colonialism that chased a very gay Stede away from home, the racism and classism of the English naval crew they encounter, the power and constant threat of colonial fleets, the fact that colonizers have been slaughtering indigenous peoples, the presence and mistreatment of African slaves, and so on. They do this all while avoiding direct depictions of traumatic colonial violence, but they don’t shy away from its presence.

This has been argued to death by the community at this point, so I’ll try not to go too far into it, but Dragon Age as a series has always been interested in sociopolitical conflict and systemic oppression. It pulls quite a lot of influence from real-life history - one could say too much, perhaps - to create a fantasy world informed predominantly by the sociological forces of hierarchical society.

Past games have struggled to portray DA’s analogies for real-life racism unproblematically, but I don’t think the answer was to cast them aside or minimize their presence in Veilguard. This only trivializes the systemic oppression of this world retroactively; elven enslavement and oppression (especially in Tevinter) and Tal Vashoth and Qunari as otherized minorities are barely a blip on the radar of the game that is a) heavily focused on Solas’s past as a freer of elven slaves and b) set in goddamn Tevinter, where both elven enslavement is widespread and a longstanding war with the Qunari is still ongoing.

Yes, these story elements been handled poorly in the past, particularly with how elves mirror both African enslavement and Indigenous oppression in a way that creates unfortunate connotations when written carelessly, and how the Qunari have orientalist, Islamophobic undertones. They should not be portrayed through violent, traumatic scenes or within the same problematic scope as previous games, but they should not have been minimized to the extent that they were. It’s a structural writing issue if nothing else - the foundations of Dragon Age’s worldbuilding rely so heavily upon these forms of systemic oppression that removing and minimizing them makes the story incoherent. These elements cannot be written out of the story without completely transforming it, and because they were not willing to do that with Veilguard, we’re left with a gutted husk of a story missing most of its core elements.

Couldn’t we have just, you know, hired some sensitivity readers? Or - god forbid - BIPOC writers? Christ.

4. Queer found family vibes:

This one is bit of a stretch since the characters of Veilguard are not brought together through shared experiences of queerness; rather, they are collected randomly like Pokemon from all over the globe for their dubious skills. However, I do believe the writers are clumsily implementing found family tropes whenever you gather your team together, and they are all queer by default so that Rook can fuck them no matter what. At least that Dragon Age staple was respected if nothing else - The Characters Must Be Fuckable.

But I do think this is why we’ve been saddled with all this corporate HR team-building therapy-speak throughout the game: someone on the writing team thought this is how you write that found family thing the kids these days are so crazy about. Everyone’s super supportive all the time, no one fights too much, and when they do your character steps in to correct them (you do not get a choice in this - all of your dialogue options as Rook are effectively the same mediating bullshit). They’re all growing into a happy little family, and isn’t that sweet. Except that none of these characters are fully fleshed out because that would require giving them backgrounds that connect to the story’s wider lore and worldbuilding, and the writing team were either unwilling to do this or incapable because of production restraints. So it’s really just a bland group of pretty people being blandly nice or blandly rude to each other all throughout this bland, bloated game.

All that said, maybe we could’ve had a (queer) found family at the center of this game and actually made it work. There’s no law that says there have to be people on your Dragon Age team who will never get along or are too politically opposed to ever see eye to eye (even though I vastly prefer that in a DA story and think it reflects the series’ themes better *cough*). Absolution did a decent job of it from what I remember, though I think there were still a few conflicts between the members of that team that were used to communicate worldbuilding to us - that’s what character conflicts in Dragon Age mostly do. That is the narrative function they serve, and it’s not surprising to me that in a game with minimized companion conflicts, we likewise find minimized overall worldbuilding with respect to the various cultures of the current setting.

Anyway.

To be fair to Veilguard, I do not think we needed everyone’s entire life story in order to successfully execute the found family trope. Take Our Flag Means Death - the only character we really get much backstory for is Stede, with Jim coming in second at my estimation, and Blackbeard third. You don’t really find out that much about their histories overall, and you learn barely anything about the rest of the crew. For example, we know Lucius used to lie to his mother that he liked girls and was a bit of a pickpocket, which was not cute - and that’s all we get for him. We can infer that he was probably upper crust to a degree since he’s literate (and just from his overall vibe), but that’s about it, and the other characters are much the same.

The thing is, while I would welcome more information about the OFMD crew, I don’t actually need it. The characters are portrayed in such a way that you can infer most of what you need to know about them through the actor’s overall performance. OFMD was blessed with a wonderful cast who do an excellent job acting both scripted lines and the heavy amount of improv that was encouraged on set. Their character voices are finely honed and well-delivered, and so I’m able to get a strong sense of who these characters are, what motivates them, and how they relate with each other through their well-executed sense of voice.

Veilguard struggles quite heavily with character voice. The companions as written have some distinct qualities, but they never really have much life behind them. Davrin comes the closest to having a naturalistic voice, and I think it’s because he’s a self-serious straight man (comedically, not heterosexually). The rest of the cast relies on much more exaggerated and whimsical character tropes - a noir detective, a quirky gadget whizz, a perky necromancer, etc. - and the character writing just cannot summon level of energy these characters would usually have. We’re given a few fluff scenes with them that are sweet, but outside of that, none of these characters actually have much personality. Taash comes close with their moody teen affect, but it never quite sits well within their character arc, so it often feels incongruous.

And this brings me to my most damning criticism of the game: it is not funny. At all. Okay, maybe that’s not fair - it got a few small chuckles out of me within the 50 or so hours I’ve seen/played, but not more than like, 3 times. These characters just aren’t funny. Taash is kinda funny at first, but it dries up pretty quick. The script is just not capable of consistently good comedy. The only real humor I experienced was from Ghilan’nain acting like a goddamn Looney Toon, which was completely unintentional. Like everything else in Veilguard, the humor is bland, bland, bland.

Previous DA companions are brimming with humor, and it’s a huge part of what makes them so enjoyable. Comedy does a lot of work endearing you to a character, and you can use it in a variety of ways - it can highlight their cleverness, or reveal vulnerabilities and undercut them, or create chemistry or tension between multiple characters, all while giving the audience a sense of surprised pleasure that opens them up to connect with the characters emotionally. With a story as busy and occasionally dark as Dragon Age, using humor helps to quickly endear the audience to your characters and encourage engagement in their stories, while also releasing tension after harsher story beats.

It also works the other way around - when tragedy comes or characters are made to suffer, it can hit that much harder because you’ve become so endeared to them. When the Grey Wardens fail to halt the blight at Ostagar in Origins and are all but wiped out, the sense of loss is best communicated through Alistair, who up until this point has been a friendly, wise-cracking presence at your side. Seeing his grief and sense of despair in contrast to his usual good humor signals what’s been lost better than just being told, and because we are (assumedly) endeared to Alistair through his humorous attitude, we can empathize with his struggle and feel the weight of this story beat more effectively. It’s also shockingly, darkly funny when Morrigan is completely unsympathetic and later calls him a whiny pissbaby for missing all his dead friends. This helps to transition us out of the previous scene’s lower mood, and it tells us a lot about her character and her dynamic with Alistair.

And humor is an extremely valuable tool in executing the (queer) found family trope. Humor not only does a lot of work for characterization (especially with a larger ensemble cast), but it can also signal comfort and trust between characters, as well as highlight tensions without fully compromising the feeling of security offered by the found family. If tragedy strikes, it then offers a contrast against the usual comedic tone that can emphasize a scene’s drama to good effect. Humor isn’t absolutely necessary to pull this off, but it’s highly effective at establishing characters and their relationships quickly and enjoyably, and so it can be a valuable tool for large casts and plot-heavy stories where you have limited time to spend learning about each character.

Comedy is subjective, and so maybe Veilguard’s humor works for you in a way it doesn’t for me. Likewise, maybe the humor of the previous games and even OFMD don’t work for you the way they do for me. However, my main sense of Veilguard is that less investment was put into any comedy writing as versus the previous games. Less time is given for jokes, both in character dialogue and in the outer world, from what I’ve seen of it (I cannot imagine anything like the Golden Nug merchant in Orlais happening in this game). At best we get sorta sarcastic comments from Rook, but even Rook’s “funny” dialogue option only prompts any kind of humorous or sarcastic response like, maybe half the time. The writing staff just did not prioritize humor in this game seemingly at all, either by choice or necessity.

Add to this the lack of character depth and detail with all your companions, and they just have nothing for you to grab onto. They have so much potential with their quirky, surface-level descriptions, but no one did the work to flesh them out or make them engaging. Good humor or a strong character voice could have saved them even with the lack of detail and dimension, but it’s just not there. And because there is no real depth, detail, or good humor to unite the characters with each other, the found family trope falls flat and every interaction just feels like an office event.

If you like queer found family feels and haven’t seen Our Flag Means Death, check it out - highly recommend it. That show nails found family like a fuckin pro, doesn’t even break a sweat. And it’s gay as fuck.

5. Pirates:

Both have pirates. I vastly prefer the OFMD pirates over the Lords of Fortune tho. In case you were wondering.

OKAY. This insanely long post must end. It started as a thought experiment to see what we could learn from OFMD’s successes and if they could be applied to Veilguard, and then it turned into me giving unsolicited writing advice. All I can really add is to tell you that any time I’m playing or watching Veilguard, I’d rather be watching Our Flag Means Death.

Or playing the other DA games. They were pretty good. Yes, even Inquisition - at least Inquisition was funny.

[correctproseka]

Ok but- and I am saying this with respect for your point of view bc I think you are correct on a wider societal level- I keep seeing this argument of 'There is more m/m fanfic therefore this fandom is lesbiphobic and misogynistic' and it has bothered me for a long time. As a queer girl myself, asexual and somwehere on the aro spectrum, who has many wlw ships and enjoys looking at art for them... I don't enjoy reading wlw or straight fics bc I subconsciously project myself into the relationships too much (this is also why i generally avoid reading straight romance books lol). When I read mlm fic, there's a degree of separation from me that means I can enjoy it without getting anxious about imagining myself in that position.

I'm not trying to be like 'oh woe is me i cant read yuri', im just explaining my own reasons, and trying to get across that other people have their own reasons for what they enjoy- ranging from long winded explanations like mine to 'idk I'm attracted to guys and I like writing about them'. People have preferences, and that comes across in most fandoms, even in heavily female casts like prsk. Like I mentioned, lack of wlw content IS an issue.... when it comes to mainstream media. But when it comes to fanfic... the majority of writers are queer, many are women, hell, some of the most prolific writers of mlm fic I know are lesbians. People have their own reasons for writing what they like, and they do it for FREE. I think it's silly to say a fandom is misogynistic when most of these fandoms are full of queer female writers writing what they want to write.

And again I say this with respect because I do see where you're coming from- instead of saying 'write less mlm', because absolutely one will listen to that.... say 'write more wlw'. Write what you want to see in the world! More fics are always a good thing!! And if you don't want to read about guys, that's what the ao3 filters are for lol.

If you actually read all this, thank you, I really appreciate it. Sorry for yapping in your ask box LOL I just wanted to express my opinion on this topic bc it's something that I care about a lot. Also, like I said, while I don't read fic for it I still love wlw ships so..... ANHANE YURI FOREVER 🌈🌈🌈🌈

See, the thing is, i agree with you, but is that really the only reason for A LOT of people?

What im advocating is not for people to write less mlm, is for they to look at themselves and wonder why they like it more, i know a lot of people who claim to like the boys more for this reason or that, then turn around and act completely misogynistic 5 seconds later, some of them in this fandom, even.

Im just saying that in a fandom with way more girls than boys, it makes not much sense how much more content of the boys there is.

The ao3 filters exist, yes, but they dont stop me from having barely any content even on bigger wlw shipps, from rereading the same fics over and over again because that's all I have for days/weeks, months even on the leoni/mmj side of fandom.

Sincerely, I have myself over 50 prsk fics, only one includes mlm and that one is a multi, focused mainly on platonic ships, and is still somehow my most famous fic.

I see your point, really, and I agree with it, but it only comes so far in a fandom like prsk where there's way more girls, or Alien Stage, that my friend got me into and the girls have been canon for so long but the boys have nearly always been more famous, even before they became "canon". As a wlw enjoyer its tiring to see this over and over again in every fandom im in, you know?

Plus, its not just not writing girls, its how the fandom ACTS with them. Saki as just a fodder for Tsukasa angst, Honami might as well not even exist, Mizuki themselves exist only to be a friend to Rui to a lot of people, An and Kohane? They're only backgrounds on Akitouya, that is when An doesn't get in between the ship, of course. Emu can't even be shipped with one of the boys, because she's a child obviously, but she can be shipped with Nene, just leave her to the side its alright.

Its a lot of double standards, and not only "not writing fics", the fics are just a quick way of showing what I mean.

[riverstixxelf]

I love the SPN fandom but honestly it’s so stressful sometimes 😭

For example earlier today I googled “Misha Collins girlfriend” because I heard a rumor that he has a girlfriend, I couldn’t find much besides stuff talking about Vicky so I scrolled down and saw a tumblr post saying something about Misha being attracted to men (which I don’t necessarily disagree with, but I don’t want to tell another person what they are) and women so I clicked on it and it was a huge post (like, a couple paragraphs) talking about some strange things. I don’t remember exactly but at one point the user brought up the “fact” that Misha makes jokes about women and sex?? As in making jokes at the expense of women… and I was like… are we talking about the same Misha here? He DOES make jokes about sex but I don’t recall him ever making jokes at the expense of women. Only thing I can think of is that one story about one of his earlier acting jobs and he didn’t know the “no tongue rule” but that was mostly at the expense of himself. Then I scrolled and found another post that was pretty disturbing…

Someone had screenshotted a regular instagram caption that Jensen posted just talking about how he just got done traveling, he wanted to take a nap, something like that—nothing sexual about the post at all or anything that would suggest that—and someone captioned it with something talking about him and Misha rubbing their [babymakers] together??? I audibly laughed out loud because wtf 😭😭

I don’t want to shame Jenmish shippers (I say Jenmish because Cockles is just a… very interesting name), even though I think it’s the slightest bit strange to be shipping real people… but again I never want to put anyone down for anything because I myself have said some stuff about Jensen and Misha that might suggest something between them.

Another thing is just the amount of hate for various cast members. Mostly the hate I see is for Jared and Misha; J2 fans who hate Misha, Jenmish fans who hate Jared, etc. There’s a lot of love in this fandom but ohmygOD there’s so much hate too. I guess that’s true for any fandom, but it’s so tiring sometimes.

Also, in this fandom, you’ll get hounded for any opinion you have. If you don’t like destiel, you’re homophobic. If you do like destiel, you’re also homophobic for some reason because queer bating or whatever… for the record i’d like to state that I am a proud destiel shipper just fyi. But I see so many people take it to the extreme, make little things into big things or something along those lines. Same thing with cockles shippers I was talking about earlier. I feel like I have a pretty neutral viewpoint on stuff regarding destiel; I see most things how they are, and I make my assumptions based on CANON things. I don’t say “Dean and Cas are definitely fucking”, I say “Dean and Cas love eachother but they cant express it, because Cas wasn’t even sure what love was and Dean’s highest ideal of love is family, which is why he says Cas is like a brother to him”. Now, if you don’t agree with me, guess what… that’s okay! If you don’t think destiel exists, that’s a valid point, and i’m not gonna dox you just because you have a different opinion than me. Because that’s just it, it’s an OPINION.

I could get into Sam haters and Dean haters and stuff… but I’m tired. Actually, you know what, screw it. I WILL GET INTO IT!!!

I’ve had a few experiences with Dean haters especially, and most of the time they just ADORE Sam and thinks he’s done nothing wrong. Let me clarify that I don’t hate Sam- like- at all. Then again, Dean haters who happen to be Sam stans have warped my view on Sam a little, but I won’t let that get in my way of honest judgment.

Sam. has. done. bad. stuff. DEAN. has. done. bad. stuff. Please don’t compare their trauma, they both have their own issues, one isn’t better than the other.

I might be biased because I relate to Dean so much (like a crazy amount it’s not even funny…), but for the millionth time in a row I DO NOT HATE SAM. I saw someone saying how Dean was the cause of almost every single world-ending event that happened in SPN… like honey no. Another person replied to their comment listing all of the world-ending events… and guess what… Sam was the cause of most of them!! Does that make him a hate-worthy character? No!!

I don’t know what point i’m trying to make here. I just think there’s so much in-fighting within the SPN fandom and as much as I love being in the fandom sometimes you just gotta have a break from all the drama. If you made it this far… go outside or something don’t pay attention to me i’m chronically online.

[cloudroots]

Happy Pride 2024🎉🎉

Hope it’s been a good pride month for everybody! Wanted to celebrate it with something before the month ended :)

Here’s three of the Cloudverse cast that I mentioned are queer in their bios. Here we have Eminence Rays, Center Stage, and Andante. Pretty much all my character are queer in some way, these are ones y’all are familiar with! Don’t care too much that the progress flag might not make sense in Equestria, I wanted to use it :)

Em and Cici usually celebrate pride together. They like to get all dressed and go to pride parades and such, they like to be loud are proud. Center especially likes to go all out and cover herself with sparkles and the colors of her flags.

Andante always knew that she was queer in his attraction to all kinds of ponies, but only recently in her adult life did they realize that they were genderfuild too. She is overjoyed in her new identity and has pride in it, but just doesn’t show as loudly as others do. Especially compared to Center and Em.

People celebrate pride in so many different ways, which I find absolutely wonderful! Hope whatever way y’all celebrated was a fun one, and wishing a happy rest of Pride!!