#Think about it: Hearts altering or creating new timelines because he can or out of spite- | Explore Tumblr posts and blogs

furornocturna · 8 months ago

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Yeah the ambiguous timeline leaves a lot of flexibility for creative liberties.

And the character exploration potential you could do with this is something I frankly have invested far too much hyperfixation energy and time into. Because THINK ABOUT IT.

Luigi growing up under Count Bleck’s wing since birth, being sheltered and only knowing what he’s been told by his adoptive family. Having little reason to question or believe their word as anything but genuine or the truth. This “man in green” would not have to be brainwashed/hypnotized by Nastasia to have his loyalty or to serve the Count, as because of his upbringing, why would he not want to help his family? At least, until he’s put into situations that do challenge and have him really questioning things, torn between loyalties and morality, befitting his stance as the determinator of which prophecy prevails.

Count Bleck is also fascinating to dissect on how he would operate as a parent post-loss of Timpani, but pre-start of SPM. Because on the one hand, his main focus is on fulfilling the omnicidal prophecy of the Dark Prognosticus. Raising a child is prob the last thing on his mind (never mind something he’d likely even consider doing without Timpani in the picture). But with finding Baby Luigi and the “man in green” being such an integral figure in the prophecy’s success, this can be used to his advantage to ensure his plan works. That’s certainly how it would start out, and he’d try to maintain some distance at the start as he is a dysfunctional, grieving, certified MESS, but (I might need to look it up again) I believe it was in Garson’s stories that we hear about the Ancients and how powerful their emotions are/how they feel them.

The Pure Hearts/Purity Heart is originally created from the concentrated power and manifestation of their love. And the Ancients’ wild feelings led to many a wild tales, such as Merlumina’s many affairs and misadventures with her many suitors/partners, her sister marrying King Sammer I and having 100 KIDS WITH HIM, but also how Count Bleck himself (the Tribe of Darkness being an offshoot of the Tribe of Ancients) fell so deeply for Timpani then simply could not handle the loss of her that he sought to destroy everything. He’s still a villain and a bad guy for his choice to do so, but if I felt my emotions at the constant 11, 1000% that the stories seem to imply the Ancients did, I see why it drove him so mad.

And I also bring this up because while Bleck claims to have shut off his heart after losing his love, we still see how he cares for his minions. It wouldn’t be out of the wheelhouse to then suggest he’d gradually come to genuinely care for the child he’s raising under him as well beyond for his important role in the prophecy. And not just as a boss to another minion, but a parent for his child. Perhaps he’d alter the plan as a result. Instead of his secret true plan to bring everything to oblivion and leave it in ruin… the “lie” of creating new perfect worlds from the ashes no longer stays a lie. He still wants to punish existence for his pain and loss (bro imagine the angst of this man AGONIZING over the pain of “what could have been”, of Luigi never knowing the woman that would have been his mother, how Timpani would have ADORED Luigi, the family they could have been together, etc), and while he cannot get her back, he can still avenge Timpani and create a new universe devoid of pain so that their son never has to go through the suffering his father has.

Bleck would still be a disaster parent, though. He tries his best, but there’s a lot of messiness going on that would for certain create some unhealthiness. One, he would be controlling and overprotective as shit. Initially because he can’t have “the man in green” turn against him rendering all that time invested a waste (plus it would hurt the others who are also attached), but after getting attached himself, it’s also him going to extremes to keep Luigi safe from harm and spared from the worst of the horrors, suffering and evils in the universe. Look what it did to him, to O’Chunks, Mimi and Nastasia. They’re all traumatized. And remember, Blumiere/Count Bleck’s response to losing his wife was to commit omnicide; if he lost his child after allowing himself to more truly open his heart to someone else again and it was his fault, that would break him beyond salvation all over again.

In line with this, I don’t believe he would be honest to Luigi about a lot of things for most of his life. Obviously, he can’t exactly tell a young child he’s gonna kill the multiverse for good and wants the kid to help him do it in good conscience, but back when Baby Luigi was just a tool, he still needed to start planting the seeds for loyalty to him. Count Bleck has already lied to his other minions sans Nastasia about the true plan, so he’d lie here too, only sanitizing it further for a younger child. Then he got attached, plans change, but he still doesn’t come clean to anyone not in the full loop about it as why would they need to know when it no longer matters? Except it absolutely would come back to bite him in the ass, creating a lot of strain between him and Luigi who’s now questioning everything he’s been told growing up: questioning how irredeemable the multiverse really is to deserve the violent cleanse by the Chaos Heart, if he was kept so sheltered because it was actually dangerous or because it kept him ignorant to a truth he was intentionally kept away from which kept him more “pliable”… questioning if whether his Count/father actually cares about him as a person, if he ever did, or was only ever a tool.

There’s also the other elephant in the room with “the man in red”, the hero of prophecy and the Bleck fam’s biggest op, being revealed as Luigi’s bio twin brother. Did the Count know this? Was he truly “abandoned” at all, as the Count had claimed for so long? Did his twin ever look for him? Miss him? Want him? Did the Count intentionally keep them apart? Was he ever going to learn about this detail? Before or after the Count, or the others, or even Luigi himself killed the hero for the success of the plan? Ever?

Then imagine poor Blumiere/Count either coming to realize or being accused directly of being “just like his father” before him. The father who also imparted very strict rules and expectations on his child to uphold for what the elder wanted of them, going to extreme and even cruel measures to assert that control justified as “protection” and “for your own good”. …Which he does end up doing to Luigi in respects here. That would be shattering.

Dimentio would absolutely exploit all of this to its fullest as well, manipulating both further against each other to draw Luigi to him instead (going in depth with everyone else in Team Bleck’s relationships with Luigi is gonna take a whole nother post). All of this has provided him with more fodder to hurt Bleck with and twist the knife for his up-and-coming betrayal. Taunting him with the idea that his wife is actually still alive and has been with the heroes this whole time now coming to kill him to stop the Void? Effective, sure. But turning his child against him, too? That would hurt.

But when that doesn’t go as planned, imagine he “kills” Luigi/Mr L (another discussion for another post) and leads Bleck to believe the heroes were responsible for it? Making all the Ch8 battles far more ruthless and grueling because the heroes aren’t just facing the villains to determine the the fate of all reality, but a family grieving the loss of one of their own that’s very fresh, and under the impression that THEY’RE his murderer(s). Count Bleck would on a dime fall back to that original plan to destroy everything permanently after losing someone he loved all over again.

Nearly killing the very people he’s grieving over in his madness and nihilistic self-destruction.

Then Dimentio makes him watch as he mind controls his son and weaponizes him into the apocalyptic monstrosity per his destiny in the prophecy to then kill him and all else?

Sorry this got so long, but I have sooooooooo many thoughts with this concept as you can see…

I love seeing so many people share their appreciation of Team Bleck being a family and wholly adopting Luigi as one of their own. Now I’d like you all to consider:

What if… Count Bleck found Baby Luigi while he was separated from his twin, and then he and the other raised him as part of the family into adulthood?

NOW THATS INTERESTING... we don't know the timeline at all of when count bleck lost timpani and also recruited the other minions so you could really get flexible with this one i imagine

a grown-up luigi encountering the red-clad hero of prophecy and being so startled because it's the first time he's ever seen someone who looks like him...

#mothra answers #mario #super paper mario #loooong boi #long post #au ideas #hope you don’t mind my ramblings #this took hours to write what am I doing

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animebw · 2 years ago

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Short Reflection: Trigun Stampede

Serious question: do I dislike Trigun Stampede on its own merits, or do I just dislike it for not being Trigun?

It’s a question I’ve been struggling with all throughout the past few months, watching studio Orange’s modern revamp of this 90s classic. I only watched Trigun a few years ago, so I’m far from a nostalgia-blinded fanboy griping about a show not living up to his childhood memories. On the other hand, I am a huge fan of Trigun. Its unique blend of Sat AM cartoon goofiness and hard-hitting sci-fi morality play resulted in a wonderful space western extravaganza that still holds a special place in my heart. I’d argue it’s even better then Cowboy Bebop, but that’s a discussion for another day. So its possible my lukewarm feelings on Trigun Stampede are because it’s so deliberately different from the version of the show I fell in love with. And that wouldn’t be fair to it; stories get re-imagined all the time, and Stampede doesn’t deserve to be unfairly criticized just because it’s not my preferred take on the material. But still... man, this show just did not click with me. Maybe I wouldn’t be as grumpy about Stampede if I wasn’t comparing it to OG Trigun every second, but even if I went into it blind, part of me feels I’d still come away thinking it was mediocre. So let’s untangle that big ball of conflicting feelings and see if we can figure out what's going on, and whether or not this show is actually as Not Good as I think it is.

The broad strokes, at least, remain the same. It’s space, it’s a western. and Vash the Humanoid Typoon is the most wanted man in the galaxy. But when the intrepid Meryl Strife finally tracks the legendary criminal down, it turns out he’s just a lovable goofball, and the crimes attached to his name are the result of bad dudes leaving carnage in the wake of their attempts to catch him. And said bad dudes are being led by Vash’s sinister, mysterious brother Knives, who is determined to prove Vash’s pacifistic, cohabitational philosophy wrong whatever it takes. But inside those broad strokes, Trigun Stampede is steadfastly carving its own course through the series’ mythos. Characters are changed around, plot points are retooled, most of the designs are tweaked in some way, even certain character movitations and foundational lore details are altered. And, of course, instead of the nostalgic crunchiness of pre-digital cel animation, this show is brought to life with the most bombastic, slickly produced CG animation money can buy. The Stampede team wanted to create something entirely new out of this franchise, and whatever else might be said about this show, they clearly succeeded in that goal.

But of course, it’s a bad idea to change things around just to change things around. There’s gotta be a point. And unfortunately, my ultimate feeling on Stampede is that basically every change it makes is a change for the worse.

To start with the most obvious: yes, Milly Thompson’s absence is sorely felt. The goofy banter between her and Meryl was one of the most endearing parts of Trigun, and losing that chemistry is a serious detriment to the show’s charm. It doesn’t help that the guy they replaced her with, the amusingly named Roberto de Niro, is about as generic a grizzled older authority figure archetype as I’ve ever seen, and while his banter with Meryl isn’t awful, it’s definitely a huge step down. On the bright side, this season does end with confirmation that Milly’s gonna show up in season 2, so better late than never, I suppose. In a strange way, you could almost consider Stampede a re-imagined prequel that shifts around the timeline to have Meryl and Vash meet and have their first adventure before settling into their eventual status quo from the original story. And I may end up feeling kinder toward the show if season 2 is better able to capture that Trigun charm. But for now, we’ll have to wait and see on that front.

Circling back to old Roberto, though, his inclusion is actually part of a much more serious issue than simply replacing a beloved character. Part of what made Milly and Meryl’s dynamic so entertaining is how fresh it felt. They were two put-upon insurance agents grinding through low-level grunt work, facing the mundane stupidity of the world as equals. Even as they get embroiled in Vash’s increasingly cosmic affairs, they never lose that sense of down-to-earth naturalism. You don’t see that kind of energy too often, especially with a pair of female characters. Meryl and Milly were women in charge of their own destiny with their own parts to play. But with the addition of Roberto and Meryl’s job changed from insurance agent to Roberto’s junior reporter colleague, that refreshingly forward-thinking dynamic becomes just another example of the tired “experienced, world-weary dude and his naive female subordinate who still has her moral compass intact.” I have seen this dynamic everywhere; it’s in at least two other shows this season! Why mess with one of Trigun’s most entertaining dynamics if you’re just gonna replace it with what everyone else is doing?

And sadly, that’s a bit of a theme all throughout Stampede. Almost every change or addition it makes to the story and mythos results in something far less interesting and original than what it took away. Vash’s backstory, the motivation for his pacifism, Knives’ plan... so many of the specific details that make Trigun, Trigun have been watered down and made more generic than they were ever supposed to be. And because of how cramped the pacing is, the delicate tonal balance is lost as well. The original Trigun was so good at balancing the goofy, Bebopian space western antics of Vash and his pals with the heavy, dramatic space opera stuff that eventually took over the story. It gave you enough time to soak in the grit and tactility of the slummy desert planets so it felt significant when Knives and his machinations dragged Vash into darker territory. But in Stampede, Knives shows up in episode three. We only get two episodes to appreciate Trigun at its cartoony best before it’s washed away in a tidal wave of bombastic melodrama. As such, Vash, Meryl, Wolfwood and Roberto never get a chance to develop the camaraderie the old versions of them did. They’re pushed into Serious Dramatic mode before you even get a chance to appreciate them at their most human. There’s a moment in the first episode where Vash is cackling like an idiot while hanging upside-down from a scavenger’s trap, and it has more of the original’s heart and soul than anything past episode 2. That’s the Trigun I wanted to see. Not this overly dramatic slog through overblown action setpieces and overthought lore that rushes through plot points too fast for them to sink in.

On the bright side, I can at least appreciate how fantastic those setpieces look. Studio Orange has always been pushing the boundaries on what CG anime is capable of, but their work on Stampede really is incredible. The scale and complexity of this action would not be possible without the tools CG makes available, and they take full advantage of that fact. Dizzying camera tricks, dynamic use of environment, countless spectacular spins and flourishes as things grow increasingly superhuman... on a pure spectacle level, I doubt few shows will even come close throughout the year. And even outside the action, the character animation and cinematic visual language ensure that Stampede is never anything less than impressive to look at. It’s also, pretty significantly, the first time that Orange has proven they can animate human characters well. Sentient rocks and furries are one thing, but the way Vash and Meryl and all the rest move and emote never once feels like a cheap approximation of hand-drawn animation. They feel human, even when the writing helping them out. And i love how it isn’t afraid to still experiment with stuff like Wolfwood’s backstory being done entirely in painterly 2D. It’s almost a cliche to say now, but Orange really is proving once again that CG anime can be as artistically brilliant as its 2D counterpart.

Honestly, it’s kind of funny. Going into this show, the thing I was most worried about was how well Trigun would work outside the specific visual language of tactile 90s hand-drawn animation. But the translation to slick, high-budget CG is far and away the most successful change Stampede makes. It’s nothing like the original, but it’s doing its own thing superbly and charting its own path inside the franchise. That’s what I wanted from Stampede; not the same thing, but something just as good on its own merits, remixing the familiar into something new and spectacular. And had the rest of the show been as good as the animation at justifying its new take on the material, I would have very little to complain about. Sadly, it feels like every other change was a change for the worst, not for the better. Instead of creating something unique from the tools the original left behind, it stripped away what made the original unique in the first place and left something far less special in its place. I hope the second season manages to course correct and deliver on that promise. But for now, I can only lament that Stampede is a much less interesting take on a story that deserved so much better, and I give it a score of:

4/10

That’s it for the full reviews for Winter 2023. Next up? The seasonal reflection. See you then!

#anime #the anime binge-watcher #tabw #Trigun #trigun stampede #winter 2023 anime #winter 2023 sr

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amplifyme · 3 years ago

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I'm on the "keep the miracle pregnancy" side-- but C'MON CC. You had all of S7 to lead up to his finale, admitted the whole crew/actors knew it was leading up to Requiem's twist, had Amor Fati spaceship (and possibly En Ami chip), so much time and build up you could have done aaaaaand no. You literally threw up your hands, gave us a post-humous IVF timeline that can't fit in S7, gave no explanation for Scully's pregnancy and had everyone dancing around it. 1/2

The best moments of S8 were Doggett and Skinner friend bits and MSR (of course)-- and the MSR was only as good as it got because DD had his micro-expressions and most of Empedocles was add-libbed (even in the scripts it said something along the lines of "they'll know what to do here" or "they do something in this scene.") I HATE Essence/Existence. If I feel all soft and snuggly, I'll cue up Essence's monologue, some of Mulder/Doggett, the babyshower, and SKIP to the last 5 min of Existence. 2/2

The polite person in me wants to say "sorry for the rant" but the petty side of me says "direct all annoyance at CC, he started this." And that's another thing! CC has every right to torpedo his own series; and I'm pretty hands off and will just say "that's not canon", dust my hands off, and move on. But to then turn and point the finger at fans, who were invested (and continue to be in part) in his work and blame them? Wild. ANyWaY, thanks for letting me rant~. ;DDD 3/2

Hey, I’m always up for a good rant myself! 🤣

I’ll support your support for a miracle pregnancy, even though just the thought of it makes me break out out in hives. I’m a believer in live and let live, and the idea that there is no right or wrong way to be a fan. Having said all that...

To put it bluntly, Chris Carter shit the bed when it came to pretty much anything post-Je Souhaite. There are certain moments in what came after that I enjoy, but I can only do that if I’m able to view them as AU, something completely separate from the series I came to know and love. And it’s not just that I object to the mangled storylines and characterizations, or the blatant retconning he had to do to untangle the mess he himself created. It’s that’s so much (IMHO) of what I loved about the series and these remarkable characters wasn’t there anymore. Everything was dumbed down and simplified and painfully pedestrian. I didn’t recognize anyone anymore. Frankly, I didn’t care to.

You’re correct that CC had every right to torpedo his own series. But here’s the thing: you’ll never convince me that he will ever consider the notion that he’s the one responsible for its steep decline. I think he still believes that everything he touches is golden and he makes no mistakes. Now most of us, if we’re self-aware enough, learn from our mistakes and alter our behavior going forward to integrate those lessons learned and at least try to do better the next time. Instead of doing that, CC gave us IWTB and the My Struggle episodes in the revival. Not just one or two, but four of them, each more badly written and nonsensical than the last. And he still thinks they’re masterpieces of film making and writing. But I guess if you’ve been fed a steady diet of ego-stroking and consume only positive press over a few decades, it becomes difficult to pull your head out of your ass and take a good look around.

As an aside, I took on the challenge, this new year, to finally watch S9, none of which I’ve seen - with the exception of The Truth. I made it as far as Mulder taking a shower in his black boxers and Scully’s, “He’s gone. He’s just gone,” explanation before I bowed out. I can’t do it. I just can’t. More power to everyone out there who enjoys what came after S7. I wish I could see what y’all do, but I can’t. Neither my eyes or my heart are up for the task.

#ask and answer #xfiles #amp rants #love the great kahuna for giving us mulder and scully #but will never forgive him for what he did to them #they deserved so much better

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arachnesbich · 3 years ago

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Batman x Lab Rats crossover

The thought of some trauma-driven, angsty boy, like the Red Hood, being pulled into an emotionally-open, light heart-ed family, like the Davenports is incredibly entertaining to me. So, I've been having little plot bunnies pop into my head.

I haven't watched Lab Rats in a long while, but recently I've been looking back on it. If I remember the timeline correctly:

Adam, Bree, and Chase are Douglass Davenports' children.

Then Donald Davenport takes them and disowns Doug, because Doug planned to turn them into bionic super soldiers.

Doug meets Victor Krane, who collects bionic children behind Doug's back and those children later inhabit the Davenport Bionic Academy.

(In this AU Doug tries to make one more bionic human before just building Marcus. That person ends up being Jason.)

The crossover timeline in my head, is roughly:

Jason dies and comes back, is found by the League and put in the Lazarus pit.

(Talia kinda-cares in this one) He recovers a little bit and Talia sends him to train with multiple people.

One of those people is Doug (to learn about hacking, coding, robotics, something mechanical (because Doug does know what he's doing))

Doug and Jason bond over their want for revenge against their family. (Doug keeps the "experimenting on my own children and making them super soldiers" thing quiet)

He recovers, trains and comes back to Gotham as the Red Hood (IDK his cannon age, but in this he is a year or two years older than Adam, Bree, and Chase)

Eventually, Jason continues his training and then returns to Gotham.

Timeline continues as usual and something happens that seriously injures him (either it's Hood giving Batman the ultimatum between him and the Joker or something else)

(The more I think about it, the more I like the 'something else' option, for drama's sake.)

Apparently, Doug has been following Gotham news on the Red Hood, because he wanted to be close by for the Hoods "final showdown" (to celebrate with him if he get what he wants or to support him if he doesn't)

Doug finds Jason, saves him and brings him back to his lair to help him.

(Similar to what Doug would later do with Leo.) Jason gets bionics while he's passed out, when he wakes up Doug breaks the news and Jason finds out why his brother actually took his kids.

(I don't think Jason would want powers and I think Doug would know he wouldn't be given a willing test subject (that's probably why he used his own kids))

The chip is something Doug has been working on to "improve upon the previous models", but altered last minute to help Jason heal and recover. (This boosted healing ability helps Jason heal from the Lazarus rage in the long run)

Jason is upset and angry (for a multitude of reasons) and leaves. (Doug takes this as the sign to stop focusing on bionics and is spurred into creating Marcus(and later works with Krane))

Jason starts traveling the world and hunting criminals, starts to recover from the Lazarus Pit as well.

While on a mission, he discovers his ability to Geo-leap and starts to look back into the Davenports. (he was under the impression that he only got accelerated healing (Doug mentioned the chip was experimental, but he left soon after))

Using what Doug had mentioned before, Jason began looking for more about Donald Davenport. (Jason is suddenly very concerned about the three missing children (because Don raised them in his basement??))

(This is taking place before season one btw)

Jason finds Donald, has a dramatic reveal about the chip (and his revival, because Don is a rich man who used to occasionally goes to galas) and asks for some help.

(Not really clear how this actually plays out. Donald knows that Doug gave Jason a chip "a while ago", not that he's the Red Hood or that Doug is alive (Jason has no reason to trust Don any more than he now trusts Doug, so he keeps most details to himself))

Don thinks Doug gave him a chip before he was adopted by Bruce Wayne(because Jason was homeless(and I can only assume, the children Krane 'acquires' were also homeless orphans at some point.)) and that the bionics were triggered after his death.

He also assumes that the Jason didn't actually come back to life, just that maybe his heart stopped, his bionics triggered and kept him alive in a seemingly dead state, and then slowly healed him.

(Don wasn't close to any of the Waynes and doesn't follow Gotham news (I doubt there were many public details about Jason's death to begin with) so he's not familiar with the details. All he knows is Jason was in a bad accident and passed away)

From there, Don introduces him to Adam, Bree, and Chase (Jason's glad to see they are, in fact, alive) and Jason stays with them while he trains his Geo-leaping. Afterwards, Jason just comes and goes.

I know this probably doesn't have any kind of fanbase, but chances are I'm gunna continue writing parts and snippets of this AU. The concept is just so comical to me that my mind keeps coming back to it.

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cardentist · 4 years ago

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I haven’t been in the star trek fandom for very long (I’ve only just started binging the series in the last couple months), so it’s been pretty surprising to find out just how negative the perception of the reboot movies are.

this isn’t coming from the perspective of someone who grew up with the series, so it hit different for me than it might for people with a different relationship to TOS, but I thought it was genuinely clever and Respectful with how it was handled.

To quote leonard nimoy: “Well the alternative timeline gives them license to escape from canon concerns. I can’t see people saying ‘they shouldn’t do that because…’ or ‘that doesn’t tie in to such and such’ because it is a different time and place. Am I right about that?” [Link]

the entire Premise is that the original series happened as it was presented in TOS, but an event late in Spock’s life caused the creation of a parallel universe in which everyone’s lives were significantly altered through two key changes to the timeline. this gives them the freedom to Both revel in fanservice And explore different facets of the characters and their relationships.

the destruction of vulcan Vastly impacts the characters and the plot moving forward, and its a detail that a lot of people take issue with. but the emotional impact of sarek admitting Directly to spock that there is value in his humanity, that his feelings Aren’t wrong, that sarek married amanda because he Loved her cannot be understated. you can read all of these things into sarek as he was in the original series, but he Never had an open conversation about these things with spock. this creates a Believable and Rewarding change in their relationship, where we get to see a different facet of them Because of the changes made. and that’s exactly the appeal. showing us pieces of these characters that we never got in TOS that are nevertheless undeniably Them.

everyone is Different yes, but they’re also fundamentally the same people at their core and that matters.

kirk’s personality obviously takes the biggest change, with him experiencing trauma at a young age, losing his father, and having an implied abusive father figure after that point. he has a harsher personality in reaction to harsher conditions, he’s spikier and harder to love. but he’s also still fundamentally a Good person whose willing to risk everything to help people. he still has what made kirk prime a good captain and a good friend.

I’m not gonna say that it’s the most nuanced story in the world, but it explores a version of kirk that was born from even Less fortunate circumstances than kirk prime, exploring a kirk brimming with potential who learned to bite back after he was kicked down. exploring those themes of trauma and loss, of insecurity and growth, and coming to the conclusion that Fundamentally He Is Capable Of Good isn’t a Bad thing. you don’t have to like it, but his growth into a better person is The Point. they deepened his flaws (all of which were present in a less exaggerated form in TOS) To Show That Growth.

and then of course there’s his relationship with spock.

people are totally justified in not liking that they had a rough start to their relationship, I usually don’t like to see that kind of thing in reboots or hollywood adaptations either, but the way people talk about it is just unfair.

Yes kirk and spock and bones have a very strong relationship in TOS, they also already know each other by the time the show starts. to look at them having to learn to get to know and trust each other when they first meet and say that it’s Bad because they were already full on ride or die for each other in the og series is silly. TOS kirk and spock had to meet and fall in love with each other too, it didn’t just happen over night kings.

secondly, the entire point of the first movie is that Even With reality itself being altered to pull them apart they are fundamentally compatible people that are Bound to each other. they meet each other on bad terms because of circumstances outside of their control, and yet they’re still pulled into each other’s orbit and find the other slotting into place next to them as if they always belonged. one of the first things that spock prime says in the movie is “I am and always will be your friend,” spock and jim are Meant for each other and the movie goes out of its way to explain that. which is what makes it so Weird to see people complaining about how they don’t like each other.

it’s a Different relationship, but it’s absolutely no less steeped in yearning or queer subtext.

speaking of queer subtext ! some people are Very unhappy with spock’s relationship with uhura.

first thing I wanna say is that making the argument that they’re doing anything that the original series hasn’t done is just, completely untrue. kirk has fallen in love with more girls in the og series than he knew what to do with, leonard nimoy was a heartthrob in his time (and he deserves it, awooga) and spock reflects that ! Spock usually turns the women who come onto him down (or when he doesn’t it’s because a plant has literally altered his mind), but there are exceptions to even that. all of three of the main boys have plenty of romance subplots, it happens. if that takes the possibility of them being queer off the table for you (which it shouldn’t, m-spec people exist) then I’m sorry to say that TOS is not exempt.

now, I can understand why Specifically This Relationship could rub people the wrong way or being disappointed that they didn’t outright depict kirk and spock as having a relationship (if not in the first movie then in the following ones after they’ve gotten to know each other), but even in that context the way I’ve seen people talk about it comes off as insensitive.

no, the relationship did not come out of nowhere. they considered having spock and uhura date each other in the original show (and you can see signs of this in the earlier episodes, where uhura very obviously flirts with him and they spend time together in their down time) before they decided against it, and spock was originally going to kiss uhura until shatner insisted that he wanted to do it (because it was the first interracial kiss on tv). [Link 1, Link 2, Link 3]

nichelle nichols was asked about this exact thing (spock and uhura’s relationship in the movie), you can read the interview in full here [Link] but I’d like to highlight this paragraph in particular:

“Now, go back to my participation in Star Trek as Uhura and Leonard (Nimoy) as Spock. There was always a connection between Uhura and Spock. It was the early 60’s, so you couldn’t do what you can do now, but if you will remember, Uhura related to Spock. When she saw the captain lost in space out there in her mirror, it was Spock who consoled her when she went screaming out of her room. When Spock needed an expert to help save the ship, you remember that Uhura put something together and related back to him the famous words, “I don’t know if I can do this. I’m afraid.” And Uhura was the only one who could do a spoof on Spock. Remember the song (in “Charlie X”)? Those were the hints, as far as I’m concerned.”

the film makers looked at the fact there were Hints for uhura and spock, that they were Interested in exploring an interracial couple for the first time (both before and immediately after interracial couples won the right to legally get married) but Couldn’t because of the circumstances of the times and decided to Make that depiction. you don’t have to Like their relationship just because of that fact, but it’s Incredibly reductive to play down it’s significance as just a No Homo cop out. explicitly queer relationships are not the only progressive or culturally important relationships in fiction.

moreover, if you can’t imagine polyamory in the communist utopian future that’s on you.

moreover, this perception that this was a soulless cash grab is just, unfounded.

leonard nimoy returned to the role as spock for the first time in 16 years (since 1991) and this was Entirely because of the respect they had for nimoy, spock as a character, and the franchise as a whole.

Lets look at some quotes from nimoy in interviews regarding the film:

Leonard Nimoy: When I first read the script (...) I immediately contacted J.J. and said “I think it is terrific…I think you guys have done a wonderful job. There is still work to be done, but it is very clear that you and your writers know what you are doing and you know how to do this movie and know what it should be about….and I am very interested.” Then as time went by we worked things out with Paramount, but the most important things were J.J. and the script. (...) I am very pleased about that and I am very comfortable with where this is going. I think the writers have done a terrific job. They have a real sense of the characters and the heart of Star Trek and what it is really all about.

(...)

TrekMovie.com: Now in the case of the new movie you have been retired from acting for years. What was it about this one that made you want to act again and go through the make up again? What was it that made you say ‘I really want to do this?’

Leonard Nimoy: You are right, this is a special situation. First it is Star Trek and so I have to pay attention. I owe that to Star Trek. Second place is that it is J.J. Abrams who I think very highly of, he is a very talented guy. Then came the script and it was very clear that I could make a contribution here. The Spock character that I am playing, the original Spock character, is essential and important to the script. So on the basis of those three elements it was easy to make the decision. So those three things: Star Trek, J.J. Abrams, and an interesting Spock role.

[Link]

Praising the cast playing younger versions of characters from the original 1960s TV series, he [Leonard Nimoy] said: “Let me take the opportunity to say this. Everybody at this table [the cast] are very, very talented and intelligent people.”

“They found their own way to bring that talent and intelligence to this movie, and I think it shows. (...) When Karl Urban introduced himself as Leonard McCoy and shook hands with Chris Pine, I burst into tears. That performance of his is so moving, so touching and so powerful as Doctor McCoy, that I think D. Kelley would be smiling, and maybe in tears as well.”

“The makers of this film reawakened the passion in me that I had when we made the original film and series. I was put back in touch with what I cared about and liked about Star Trek, and why I enjoyed being involved with Star Trek. So, it was an easy way to come on home.”

“[In this Star Trek] they said things and showed me things, and demonstrated the sensibility that I felt very comfortable with, and I think that shows in the movie. I like it.”

[Link 1, Link 2]

again, you don’t have to like it just because leonard nimoy did, you don’t have to Agree. but the idea that nobody working on the film Cared is provably false. near everyone working on the project was already a fan of the series or were excited to be involved and did their homework. it’s genuinely a Miracle just how much of a labor of love this was, and in my opinion you can feel that through the movie itself. I’d highly recommend looking into interviews and behind the scenes details about the movies. they had a respect not just for the source material, but for leonard nimoy as a person.

there’s definitely more I Could say about this, but it’s 4 am now so I’m gonna shelve it jklfdsa

that said! it’s Fine to not like the movie, not everything is going to be suited to everyone’s taste, but the specific criticisms I’ve seen feel very off base

#star trek #kirk #spock #uhura #nichelle nichols #leonard nimoy #star trek aos #aos #star trek tos #tos #meta #long post #hello followers I write essays about star trek now

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moontheoretist · 4 years ago

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MCU timeline, if they actually cared about the characters as much as we do:

Phase 1 (setting up the universe)

- Iron Man - Incredible Hulk (+ Bruce’s DID is included and well represented, Hulk is not shown as a monster which cannot control himself so much he hurts everybody around including Betty, in fact he is shown to avoid hurting anybody who isn’t actively shooting at him, Dr Samson and Rick Jones are a must for this origin story, post credit can stay the same) - Hawkeye (includes: his childhood with an abusive father, his brother Bradley, his past in the circus so basically his origin story, his deafness, him being conscripted by SHIELD, and post credit scene with him choosing not to kill Natasha) - Black Widow (includes: her childhood in the Red Room, the fall of USSR and change in Russian politics, KGB being dissolved, Natasha’s breaking of her programming, her leaving the Red Room thanks to meeting Hawkeye, the assassination of Dreykov’s daughter, What Happened in Bucharest, Natasha joining SHIELD, and post credit scene with her taking place of the PA which was supposed to apply to Stark Industries) - Iron Man 2 (+ more info about Howard’s abuse of Tony, Natasha is there, but it’s not her first appearance, and also she isn’t shown as if she knew she was in a movie) - Thor - Captain America: The First Avenger (I think that his stupid behavior in CW is completely set up by his origin story, so I wouldn’t change anything if we wanna have that conflict with him being more concerned about Bucky than literally anything else going on) - Captain Marvel (because her existence makes Fury think about Avengers and explains why Fury wanted to create them in the first place, also action happens mostly on Earth) - Avengers (+ Jane Foster and Darcy are part of the science team and greatly contribute to the plot as scientists, because I am fed up with women being sidelined)

And because Avengers has a post credit with Thanos we should get some movies in space now related to Thanos first, before Iron Man 3.

Phase 2 (we learn about the ultimate badguy)

- Guardians of the Galaxy - Thor: The Dark World (but hopefully better written, + no damselling of Jane) - War Machine (Rhodey’s only movie, Tony is busy doing whatever) - Hawkeye 2 (how Clint dealt with everything which happened during Avengers, how SHIELD agents treated him, introducing his family?, maybe bringing back Barney and showing his relationship with Mockingbird and stuff like those) - Iron Man 3 (without the ableist meta message that all disabled people just wait to become murder machines, but still introducing Extremis) - Black Widow 2 (could be the same story as we got in 2021, introducing Yelena Belova) - Quicksilver and Scarlet Witch (includes: their childhood, how their parents died (Yugoslavia being bombed by NATO, but I doubt Hollywood would ever wanna say it out loud), them growing in orphanage, possibly attending university (universities for citizens in Serbia are free and because Sokovia is based on Serbia, and it is a slavic country we can assume they have that system as well, and there are also social support programs available from both the government and possibly the university as well), the difficulties of a life in which they have to cover their costs of living themselves, because they have no parents, American army stationing in Sokovia, twins getting radicalized, protesting against foreign influences in their country and joining Hydra, experimentation, if they were trained by Hydra to use their powers or not and how were they trained, Sokovia being shown to be normal country instead of breaking apart state which Americans see each time they think about it) - Falcon (Sam’s origin story, his mission in Afghanistan and stuff - I don’t know his origin story, so I dunno what to say here) - Captain America: The Winter Soldier - TV show about the consequences of the movie above. Possibly something akin to Agents of Shield. What happened to the agents, how world reacted to Natasha’s “fuck you”. - Ant-Man (introducing Hank Pym) - Avengers: Age of Ultron (Ultron is Hank Pym’s like in the comics, but in some versions of this Tony helped or provided tech so he still wpuld feel quilty afterwards, + no dying Pietro)

Phase 3 (everything gets complicated, but they prevail)

- Incredible Hulk 2 (what happened to Bruce and Hulk and how they dealt with the idea that Steve literally had his well-being in his ass by inviting Wanda and Pietro to the team, what is going on with Thaddeus Ross and Betty Ross, we meet Jennifer Walters) - Black Panther (different one than the one we got, introduces T'Challa and his family) - Spider-Man: Homecoming (could be earlier, just after Avengers, but *shrugs* this story is written in such a way it is better after Iron Man 3 and Age of Ultron) - Captain Marvel 2 (basically setting up why she didn’t participate in Civil War, my idea was to depower her, but not take her powers away, so she could have some more down to earth stories instead of stories set in space, maybe even explore her alcoholism that way) - Quicksilver and Scarlet Witch 2 (deradicalisation, becoming heroes) - Captain America: Civil War (Accords are better explained, Matt Murdock or Jennifer Walters show up to do exactly that, RAFT is explained as American prison not related to the UN, Steve this time has valid concerns about the Accords, but he still goes ape shit over Bucky, still lies to Tony about his family, because those traits were all set in his origin movie) - The Wasp (Hope’s origin story) - Hawkeye 3 or Hawkeye TV series - Black Widow 3 (something something about Ross hunting her, but Red Room was already taken down, so different story is here instead) - Ant-Man 2 (Wasp is here too, but this is Scott’s movie, previous Ant-Man and The Wasp) - Black Panther 2 (about Kilmonger and T'Challa’s scuffle for the throne) - Guardians of the Galaxy Vol. 2 (didn’t know where to put it, because it is mostly unrelated to any other movies with this story about Ego, but it develops Nebula more, so let’s be here) - Doctor Strange - Thor: Ragnarok (I am not opposed to Planet Hulk, but I am more inclined to not put Bruce into a movie which is supposed to be about Thor and Loki so… more time for Brunhilde) - The Winter Soldier (solo Winter Soldier movie) - Avengers Infinity War/Endgame (it makes no sense to make two movies if we can have one, the snap was used as a plot device more than actual defeat of the Avengers, so it can last less than 5 years and also no time travel which then you have to explain why TVA didn’t put everybody in jail for that, Tony doesn’t die and Carol and some other powerful people (LIKE HULK, Hulk is NOT less powerful than Thanos or fearful or something) take down Thanos instead and Tony finally retires and is left alone by everybody goddammit)

Phase 4 (new era, some heroes retire, others take their place, while different ones just get the grip of whom they truly were all along, and also we get a new ultimate bad guy and possibly set a stage for his defeat) <- this one not really well set up, because we don’t know most of the movies and TV shows which appear in this phase so dunno how to set them.

- Spider-Man: Far From Home - Photon (origin story of Monica Rambeau) - War Machine 2 - WandaVision (or Quicksilver and Scarlet Witch 3, adjusted, so it would not repeat some facts and would only remind about the most important stuff. Also, Pietro lives in this timeline so no Bohner guy lol, he is just insufferable brother-in-law to Vision, and weird uncle to kids) - The Falcon and The Winter Soldier (but with Steve who didn’t go back in time, because there was no going back in time in this timeline, he just finally is learning what accountability is and has to forfeit his shield, because it’s time to retire) - Falcon 2 - Winter Soldier 2 - The Wasp 2 - Loki TV series (Loki survives Thanos and is taken by the TVA, it basically doesn’t force the story to make him quickly develop feelings in the first episode and bypasses that issue, + more Loki Variants, all genderluid and presenting in various ways in the show) - Incredible Hulk 3 (Bruce and Hulk finally start communicating and Hulk becomes gradually smarter, and we meet Bruce’s another alter Grey Hulk and the circus with getting along starts all over again, because Grey Hulk hates Green Hulk xD, is setting up She-Hulk) - Shang-Chi and the Legend of Ten Rings - What If…? TV show - Ms Marvel TV show - Eternals (feels like should be in different phase) - Spider-Man: No Way Home - Doctor Strange: In the Multiverse of Madness - Thor: Love and Thunder (about Mighty Thor - Jane) - Black Panther: Wakanda Forever (about Shuri?) - The Marvels (Captain Marvel 3 basically) - Ant-Man and the Wasp: Quntamania (setting mutiple Kaangs I suppose) - Moonknight TV show - She-Hulk TV show - Guardians of the Galaxy Vol. 3 - Blade (feels like should be in different phase) - Fantastic Four - Avengers (in which they fight Kaang?)

I was going with the idea that every superhero should get at least 3 movies ONLY about them. As of now, I managed to put 3 only for a few, and some were swapped for TV shows instead to fill the place and better show the character and what they’re up to, because TV shows have more hours than movies.

I know there are supposed to be TV shows for Armor Wars, Iron Heart and Secret Wars, but I dunno when, so no idea where to put them.

#mcu critical #mcu #mcu au #marvel cinematic universe

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kozzax · 4 years ago

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so recently the folks over at @petrichormeraki have been working on a silent tommy au because of a few asks talking about mute!tommy. and one of the things that’s canon in that au is the fact that xisuma is the only mortal hermit. i took this as free reign to work out why each of the other hermits is immortal. some of them are gods, some of them are demigods, some of them are supernatural beings, but none of them (except xisuma) can be killed through feasible means.

because of the sheer amount of immortal hermits there just to live out immortality in peace, i like to think hermitcraft is sometimes referred to jokingly as ‘the retirement zone’ by other immortal beings. most mortals outside of hermitcraft wouldn’t know the hermits are all like... gods and shit.

hermits + their immortality under the cut because oh god this was supposed to be a fast post but i accidentally wrote... a lot. whoops!

Grian is a watcher. He was a watcher before he joined hermitcraft. That’s... just. Canon Grian Lore TM. Not much to explain with him.

Cleo and Joe are both immortal by virtue of no longer being capable of being mortal. As both of hem are undead beings (cleo a zombie and joe a ghost), killing them again isn’t... possible. In addition to this, at some point during their afterlife, they managed to gather enough power between the two of them to be labelled as the “Twin Gods of Life and Death”. Which one is life and which one is death? That depends on the day.

Cub and Scar are definitely not gods. But the deals the two made with the Vex are almost more of an insurance on their immortality. The Vex protect their ConVex as a dragon protects its hoard. Not only can the two of them hold their own in a fight, but their respawn is insured by the fact that even if they were to permadie, the Vex would bring them back anyways.

False is the Queen of Hearts, Heads, and Body Parts. She’s also a vampire. In a similar vein, Ren is a werewolf. Both of them can only be killed through very specific means, and neither can die of old age. Throughout their many years in the worlds, they’ve gathered tons of skills and allies. Although now they’ve both stepped down, content to enjoy their peaceful lives and chill out in Hermitcraft, each of them was once a ruler of their respective factions. The ‘queen’ part of False’s title was never just a title.

Etho was granted immortality by a council of gods, after they took a liking to his interesting antics and kept an eye on his longstanding worlds.

Doc, BDubs, Beef, and Etho (again) were all brought to Hermitcraft as the last ‘mortal’ members to join. The general idea was that maybe they could give Xisuma some company and relief from the antics of his immortal and godly friends. This did not happen. Instead, the universe decided it was going to give all of them godly powers in their own right. Etho himself may have been immortal, but he and the rest of the NHO all grew infinitely more powerful after leaving the jungle of season 5.

Stress is a dryad. She can control and warp the nature around her in strange and beautiful ways. In addition to this, were her body to ever get fully destroyed in a way that would prevent her from respawning, a new body would instead form for her out of the nature wherever she died. This is how ice queen stress came about in season 6.

Impulse actually bullshitted his own way into immortality. Where most of the other hermits were either brought into it by someone else or born into it, Impulse actually discovered the secret of immortality while he was trying to figure out how totems of undying were made. He now knows how to create totems and how to become immortal, though he won’t tell anyone else if they ask. Part of the process of creating totems involved...

...Tango, who is a demon. As a demon, his powerset includes but is not limited to both pyrokinesis and an affinity for very very large and very very deadly animals. He doesn’t use those abilities on Hermitcraft often, but they’re in his skillset for sure.

As a byproduct of the immortality, Zedaph showed up in the current timeline. His immortality is... strange, because it’s not technically immortality. Zedaph, as a person, is mortal and can die. Zedaph, as a being, though, is one of billions of Zedaphs in the universe; each of whom is nearly identical to the others; and whenever one Zedaph dies, he is replaced instantly with a new Zedaph; a functionally identical Zedaph to the one who died. Nobody’s quite sure how this process works, but Zed claims it’s through “time travel”.

Jevin, as a slime, can actually inhabit any portion of his slime that he wants; no matter how small the amount. Even if he were limited to one singular molecule of slime, he could still exist around that molecule and regenerate slime until he was fully present again, though it might take a little while for him to complete that process. The only way to kill Jevin is by fundamentally altering the chemical makeup of every single molecule of slime he’s ever had anywhere. It simply won’t happen. He does use his abilities to get out of conversations, if he’s feeling particularly annoyed at the time.

TFC is potentially one of the most interesting hermits, in his prior responsibilities. It’s easy to forget that he’s not mortal, considering how frighteningly average he acts in his day to day life. One peek into any of his bunkers, though, and you’re hit right in the face with a bold reminder. TFC used to be one of the gods responsible for shaping the very worlds players would walk on; more specifically, he was in charge of cave systems and mineshafts for a long time. He’s retired from that life and is having a lovely time in Hermitcraft, just vibing.

Wels gained his immortality through a deal with the patron god of the kingdom he grew up serving. He made this deal as a young knight and watched for decades as the kingdom grew and prospered, Wels himself known far and wide as quite probably the best warrior of them all. After being dismissed honorably by the kingdom, as he’d been protecting them for many decades now and the rulers honestly felt he deserved a break, the god he’d made a deal with finalized this immortality. He joined Hermitcraft not long after, and has taken up a spot doing his part to protect the hermits.

Iskall was somewhat of an enforcer, for the gods. Were a god to be acting particularly out of line, Iskall would be called in to bring them to the council for trial. Sometimes his targets came peacefully, sometimes he’d have to use force to bring them in. No matter what he had to do, there wasn’t a single target he missed. He both can and will kill a god if he must. Technically, Iskall’s still on call, but generally councils don’t call on him unless absolutely necessary anymore.

Hypno made a deal with a god many years ago, trading his mortality for the ability to see hundreds of thousands of alternate paths for the future. He wanted to chronicle them, and he still spends one or two days a week writing out winding paths of the future. When he’s not working, he wears his bandana to cover up the third eye that allows him this insight. This helps him focus on the now, rather than the futures that may or may not be.

Xb is an eldritch being with reality warping abilities. He has them under fairly good control, most of the time. They really only become an issue when he gets too much pent-up magical energy at once; examples of this being things like season changes. His season 7 base is built around what happens when he needs to release. It’s a post apocalypse world, and the apocalypse was him.

Mumbo is definitely both magical and immortal, but the specifics of his powers are incredibly unclear. The hermits know it has something to do with redstone, maybe, and that the unpredictability of Hermit Challenges are a reflection of his strange and confusing powerset, but nobody’s really sure where his immortality stems from. Every time you ask him he gives you a different answer. The mumbonis are all different joking theories as to where his powers came from.

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stressisakiller · 4 years ago

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Hello Sunflower

Bucky Barnes x Reader Soulmate AU

Hello Sunflower Part 1

Summary: Your soul mark appears on your 18th birthday. What do you do when your father is a part of Hydra and your soul mark binds you to the Winter Soldier.

Warnings: Mentions and slight descriptions of torture, violence and brainwashing

Word Count: 2.6k

A/N: 4/23 New edit: fixing some timeline issues and integrating a little of the steve x reader I’m working on. Ok guys I reread this and decided to edit it and make it longer and add more dialog. I hope that you like the changes. I plan on going back and editing the other chapters as well, but that will be between writing and posting new chapters. Let me know what you think and if you have any requests for future parts. Also I originally got the idea for this after reading Wolf, Partner Gloves... by @revengingbarnes so check it out!

Series Masterlist

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You have always hated your dad. For as long as you can remember you have hated him. Every time he dragged you with him to "work" at Hydra that hatred grew. It came to a point when he decided that you would be the perfect subject for their new round of super-soldier serum testing.

So, here you are at 10, 10 years old, on this freezing metal table with a syringe in your arm screaming your head off as the serum burns through your veins. Pain. All you can think about is the pain. It feels like every single one of your nerves is on fire, and at the same time, they feel like ice. The pain blazes through you as your DNA is rewritten turning you from the child you are to the soldier that they want you to be.

Faces come in and out of focus as the scientists look you over, studying you to see how the serum is affecting you. Your head is fuzzy, only catching every couple of words that are being spoken around you. Everything is coming into view as your eyes adjust to the lights and the new information that your DNA is sending. Flexing your hand on the table you feel pins and needles from the tip of your fingers up to your shoulder, causing you to wince. A couple of tears slip from the corner of your eyes from the overwhelming ache the is present throughout your body.

A voice drifts in through the door. A voice that you know all too well, your father.

"She survived?" You have never noticed how sinister his voice sounds before.

"Yes sir, and it seems like the serum took, we aren't sure how exactly it has altered her yet." The other voice is weaker, trembling, scared of the man in front of it.

"Begin testing on her then, we need to know before we begin training her."

"Yes sir."

One set of footsteps retreats down the hallway while the other comes closer. You look towards the door, waiting to face the man that is about to walk in. You make sure your face is blank when the door opens, you don't want him to know you heard the whole conversation.

A slight sniveling man steps through the door and you immediately decide that you hate him. He walks over to you and undoes the straps on your arms and legs.

"Come little soldier, it's time to find out what you can do." He orders, his voice is a little stronger now that he isn't facing your father. He leads you down a maze of hallways, your bare feet make no noise as you follow after him.

Entering a different room you are met with the site of another metal table as well as a two-way glass mirror, a treadmill, and a large set of weights. The man points you to the treadmill and the tests begin. They force you to run, full sprint until your body shuts down and you fall to the floor, flying off the belt as soon as you hit. When you come back to consciousness they force you to lift more and more weight until you feel your arm muscles give out. The weights come crashing down on you breaking multiple ribs. You are given a day to heal before they begin shocking and beating you to figure out what your pain tolerance is, before cutting you in different places at different depths to discover how quickly you heal.

You aren't sure how many days have passed before you are thrown into your new "bedroom" to rest and heal. A meal of bread, milk, and some sort of meat substitute is all they give you to eat. With every test and beating your hatred for Hydra and the man who called himself your father grows. You haven't seen your father at all during the testing but you know that he has been standing behind that stupid mirror and watching as you are put through every test that the scientists could think of. As soon as he had taken you to be injected, you had decided that this man was no father of yours. No real father would willingly subjugate their child to this torture and watch as it happens.

You are given no rest before they begin to train you, throwing you into a ring with the other assets, teaching you how to shoot every type of firearm imaginable. You are taught how to throw knives and how to use poison, how to kill a man without leaving a trace and how to evade arrest. They make you into their perfect little child soldier, and you despise them for it.

Your memories from that point on are disjointed, you know that there is a machine that they would force you into, you can remember the pain, but not much else. Then there are these words, six of them. The scientists say them and you lose all control of your own body. But then they take you back to that other machine and you fall into blessed whiteness. After an unknown amount of time, they decide that they no longer need to take you to that machine or to use those words. All you have ever known is Hydra, after all, there is no way you would turn against them. That's their first mistake. You bid your time, and slowly they give you more freedom. The idiots.

As your 18th birthday had approached you set a tattoo appointment. You would rather die than let Hydra find out what your soulmate mark would be. You had decided beforehand that you would go in and get multiple tattoos on your birthday to mask the one that would betray the person that fate had deemed you destined for.

Waking up the morning of your 18th birthday you run to the mirror. Seeing the markings on your skin you die a little inside. It can’t be, he can’t be your soulmate, how are you going to be able to save yourself and him? There on your hip, the size of a nickel, in bright red ink is a star, not just any star but the blood-red star that is a prominent feature on the arm of the Winter Soldier. But that isn’t the only thing that catches your eye. You have another tattoo, on your left bicep a bouquet of marigolds, white daisies, baby’s breath, and yellow gladiolus, with the howling face of a wolf emerging from the center. You hurry around your apartment, hiding your marks with a heavy layer of makeup. You can’t run the risk of anyone seeing them now, not before you have the chance to cover them.

You rush to the tattoo parlor in a panic and tell them the two tattoos you want. You insist that they do both of them while you are there. You cut through the protests assuring them that you have a high pain tolerance and that you heal very quickly. In the weeks preceding this day you had contemplated what exactly you needed. You had reasoned beforehand that just one tattoo would be too suspicious, but now that you have two marks you decide that you only need to get one other tattoo. You know that you will be punished for this but it is worth it, he is worth it.

To cover the soulmate mark on your hip you get a galaxy with stars of all different colors that make up multiple constellations. It takes them most of the day to finish it, walking over to the mirror you study the new art on your hip. It stretches from the middle of your thigh up to your bottom rib. It's large enough that the stars fade into the background, making it practically impossible to tell that one of them is your soulmark.

The second tattoo is a bird in a cage that spans across the ribs on the opposite side as the galaxy. You have them make the bird abstract, using all types of different objects to create the shape of the bird and the cage. You leave the other soulmark alone, it is impossible to tell that it is a soulmark or at least who it pertains to, not with the other two tattoos vying for attention.

You leave the parlor late that afternoon and head home. As you open the door to your apartment you are met by the overly happy face of your father. You had expected him to be there but the look on his face causes you to pause.

"My daughter, where have you been? I have been waiting for you almost all day?” the fake concern in his voice makes your teeth clench. In response, you shrug noncommittally,

“I had to run some errands and they ended up taking longer than I expected.” He is suspicious of your lie, but it won't take long for him to discover exactly where you were all day.

“No matter my child, you are here now. As you know you turned 18 today, which means your soul mark has appeared. Show it to me so that we may begin to look for the man who will hold your heart." He oozes smugness, believing that he will soon have the key to keeping you in check. You stare him down, you will die before he finds out who your soulmate is.

"Sorry to disappoint dad,” you spit, “ but I had it tattooed over. I didn’t even look at it. So I will never know who my soulmate is but neither will you." as soon as the words pass your lips your father's face contorts. His rage at your defiance shifting him from your father to the lead scientist of Hydra.

His grip is bruising as he drags you from the apartment and to the lab. The table is freezing as he straps your half-naked body to it. He snarls at you as you glare up at him.

“You think that you can defy me and not face the consequences? You think that I would not punish you because you are my daughter? I don’t give a shit about you except for what you can do for the cause. You are nothing but a puppet for us to use.” he walks away ordering for you to be tortured until you reveal what your mark is. The only condition he gives is that you are not to be killed, after all, they still have use for you.

You spent days on that table, days of being tortured with every instrument they could think of. You were waterboarded, choked, burned and they paid extra attention to cutting every inch of skin that was covered by tattoos. At the end of every day your father would come in and ask if you had something to tell him, and every day you spit in his face.

After three days they decide to brainwash you, they can’t wipe you since they need you coherent enough to remember what they want to know. The words wash over you, and yet to your surprise, you still have complete control. You quickly use it to your advantage. You allow them to think it worked, answering their questions as if the soldier is in control. You tell them what you told your father. You didn't look at your mark, you immediately had it tattooed over. They believe you.

After all that must be the truth, you are their soldier and their soldier cannot lie. You are just relieved that they have finally given up, you aren't sure that you could have made it another day without blacking out or losing it.

When they drag you off the table and throw you into one of the cells you can barely move or even think. Curling into yourself on the hard cot, you allow sleep to take you. Your father doesn't allow you to rest for long, as soon as your body is in mostly working order you are thrown back into training.

“Fight or die.” He states, looking down at you as though you are the scum of the earth. “It matters not to me which you choose.” You act as their soldier and obey their commands as well as you can without losing yourself. Walking into the training ring you are dismayed to see that you are fighting none other than the winter soldier, your soulmate. You fight with everything you have, your hatred for Hydra growing with every bruise and cut you are forced to bestow. You use the moments you have alone in your cell to plan.

When you were younger you were forced to watch as Hydra wiped and programmed the soldier before they made you into one as well, at this point, you know his words by heart. You start to wonder, if they can make a series of trigger words to turn him into the Soldat, maybe you can come up with a phrase that will help bring him back. You spend the rest of the night creating the sentence that you will use, deciding on a nickname for him that has meaning to you.

Sunflower, that is the name you decide on. They are, after all, your favorite flower and if fate is to be trusted then he is to be your favorite person. The next day you begin implementing your plan, taking the opportunity to speak with him in the moments that you have him pinned down or he has you pinned down.

Every time it's the same phrase, spoken to him in Russian, “Hello Sunflower, the sun is up and your dreaming is done." This continues for months until one day Hydra decides that you are fit to go on missions with the Soldier, they believe you to be thoroughly under their control.

Every mission you find a chance to say the phrase to him. In the time you spend with him you learn to read him. He isn’t expressive, Hydra made sure of that, but when you pay enough attention you start to see the minute changes in his eyes or stance. You begin to notice a difference in him whenever you speak the phrase, no matter when his last brainwashing was. He begins to recognize you, even when in full Winter Soldier mode. When you speak to him while training his hits get a little softer and less aggressive, and when you are on missions he speaks just a little bit more.

You are 23 when the unthinkable happens, while on a mission, without the winter soldier, you fall into a river in some backwater town in Europe. You are saved from drowning by a man that you just shot. A man you have only read about in the soldier’s files. Steve Rogers. After retrieving you from freezing water, he takes your unconscious body back with him to the medical wing in the Avengers tower.

As you wake up your first thought is where am I, your second thought is this bed is way too fucking comfortable for Hydra. Your eyes shoot open. The blinding light of the room causes you a headache to make itself known. You start to move, feeling a tug at your wrists, you slowly open your eyes and look down. You are cuffed to the railing of a hospital bed, great. You flop back onto the bed, cursing your luck and hoping that whoever has you is willing to listen. Your gaze shifts to the door when you notice a figure behind the glass. The glass doors slide open, and Steve walks in. This revelation causes you to tense up, even more, you did shoot him after all.

“Oh good you're awake,” he says, noticing your open eyes and tense figure. “Now I get to ask you all of the questions I’ve been wanting to ask for the past three days.” He takes a seat next to you, his whole body screams intimidation. "Who are you? Why did you shoot me? What were you doing in that town and where did you get these?" He questions not bothering to hide the anger in his voice.

He is holding up Bucky’s dog tags in front of your face and waiting impatiently for you to answer. You want to snatch them out of his hand and place them back around your neck, after taking them from his file about a month ago you haven’t taken them off. You were going to give them to him after you got him out, which you were planning on doing within the next couple of weeks. But now you are stuck here and there is nothing you can do to get back to him. You look at Steve, desperation coloring your voice as you explain, praying that he will listen.

"My name is Y/N, my father is Hydra and forced me to become an experiment, a soldier for them. I was planning on escaping but I never could, I couldn’t escape and leave him there. Not when I could do something to save him. I couldn’t leave him there all alone." It came out in a rush. Your heart shatters as you realize that you have done exactly what you have tried so hard not to, you have left your soulmate in the hands of Hydra. You have to convince Steve to help you get him back.

"Wait a minute, you're Hydra?" He spits at you. Fuck, you forgot that he knew what hydra is and that he hates them with a passion. Well, at least we have something in common.

"Not by choice." You answer quickly, not liking the vehemence in his voice, yet unable to hide the hatred in your own. You notice the way his jaw relaxes the tiniest bit when you say that, if you hadn't had years of practice watching Bucky for the tiniest hints of himself you would have missed it.

"Alright then, who is this ‘he’ you keep mentioning?" Steve leans back, crossing his arms as he waits for your answer.

"My soulmate, the Soldier, the man on the dog tags, James Buchanan Barnes." Steve's eyes immediately narrow, his body goes stiff,

"You’re lying. I watched him fall from that train” His teeth are clenched as he speaks. “I watched him die! There is no way he's your soulmate!" you can practically feel the anger rolling off of him.

"I'm not lying! I swear!” you are terrified of what he will do if you can’t convince him. “Hydra got to him. They made him into a weapon, they brainwashed him and put him on ice when they didn’t need him so that they could control him better. I swear I'm not lying!" You can’t stop yourself from becoming slightly hysterical. Usually, you would remain calm in this type of situation, but this time you can’t. This time it’s Hydra and this time it’s James.

A girl, that you had noticed in the corner earlier, steps forward, resting a hand on his shoulder. You hear her murmur something to him, but you aren’t able to make out what exactly she says. His countenance softens when he looks at the girl and you are reminded of how you sometimes look at James. Turning back to you he stares for a moment before he making a decision,

“Fine, I can’t fully trust you and I can’t let you go, so you will have to live here in the tower, under surveillance. If you want us to trust you, you will have to prove yourself trustworthy." He stands, unlocks your cuffs, and strides out of the room, you understand, what you just told him is a lot to take in.

The girl that was with him turns to you, “I’ll make sure that they have a room ready for you as soon as you are well enough to leave the hospital.” She gives you a soft smile and turns to leave, pausing for a moment at the door.

“I have just one more question.” You nod at her when she pauses, you will try your best to answer it. “I know you shot Steve.” she starts. “But you missed anything important on purpose, didn’t you?" You just smile at her, she's right, but you know nothing you say will change anything. She studies you for a moment before walking out of the door.

Your arrangement works for a year. In that year you have become close to the avengers that live there. During the first six months you and Steve’s girl, Sarah, spend every morning together. She wants to learn how to fight and you are willing to teach her. You become close, she is the first person in the tower to trust you. In return for teaching her to fight she teaches you sign language. Apparently, one of her siblings was born deaf so her whole family knows how to sign. You become closer to Steve during this time as well, he still doesn’t fully trust you but he is willing to tell you more about his best friend. He always calls him Bucky and you find yourself calling him that too. But they end up moving to DC, leaving you in the compound with mostly Tony for company. Natasha and Clint are in and out of the tower and you come to a mutual understanding. You and Natasha have similar upbringings and it forms a bond, not friendship, but definitely trust.

Then after about a year of freedom from Hydra shit hits the fan. Fury is shot and Steve discovers that Hydra has been a part of Shield since the beginning. You have to escape the tower before Hydra gets to you, so you do. You keep an eye on Steve and Sarah, at a distance, of course, you know they will send Bucky after him and that will be your chance to get to him.

Then the bridge happens and you see your soulmate for the first time in a year. Your heart feels like it’s beating out of your chest as you run towards him. You watch as he attacks Steve, you see Steve's shock as the mask falls off and you hear his heartbroken voice when he calls out for his friend. You hear Bucky’s crushing answer. You run, tackling him to the ground, just like you had done so many times in training. He fights back, you knew he would. You struggle with him, dodging punches and his knife. You are finally able to flip him onto the concrete and pin him down. Your heart in your throat as you stare into the eyes of your soulmate, praying as you speak that he will remember. Knowing that he has an unconscious reminder of you etched on his skin in ink. Here goes nothing.

“Hello sunflower, the sun is up and your dreaming is done."

Tagged users: @calwitch @writerwrites

#bucky x y/n #bucky imagine #bucky barnes #bucky x reader #marvel #marvel imagine #soulmate au #hydra #james buchanan barnes #james buchanan bucky barnes #bucky barnes fanfiction #hello sunflower

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beautifulterriblequeen · 4 years ago

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I keep thinking about Silmarillion, and I was wondering : what do you think of Fëanor ?

I don’t know exactly how it should be seen...

Ooh, Fëanor. Gosh, okay, let me change the channel in my brain.

Fëanor is, at heart, a Capitalist Inventor. He's Dark Tony Stark. He creates endless things for the world to use, but what truly drives him is the bone-deep belief that he and his chosen ones deserve his most prized possessions more than anyone else. And he's willing to kill anyone on both sides to get them back. He swears an oath to fight until he gets what he wants, and thus seals the doom of untold thousands he'll never even meet.

That's an antagonist. Which is not the same thing as a villain. But Fëanor is very much an experience to be survived - or not - rather than any kind of ally. Much of what he does in the Silmarillion is imbalanced, driven by emotions he doesn't seem willing or able to control. And because he's an elf among elves, and they all live a very very long time, the effects of his choices carry forward for thousands of years. This one dude got a lot of people killed, directly and indirectly, including his whole family. For an elf was supposed to love the stars, he wasn't very stellar. Our Man in Valinor was way more into fire.

The part that bothers me about his character - and this is a modern take looking back at JRR Tolkien and his world in the last millennium - is that Fëanor is born this way. He is flawed from birth, and he's just Like That, forever. No chance to change, no encouragement to be different, to be softer, to be better, to corral his spirit of fire into something more light than heat. He's just dangerous chaos from start to finish. He comes into the world sucking his mother's spirit dry so she dies, he lives his life disagreeing with everyone around him except his sons, and he goes out encouraging those sons to hold to their unholy oath to retrieve the Silmarils or die trying. Which they do - the "die trying" part, anyway.

He's a piece of work.

He was also a brilliant, god-tier craftsman. I guess that's what happens when you study under the Vala Aulë himself, who literally shaped the physical world into existence.

He created the Silmarils, capturing the combined light of the Two Trees into three brilliant gemstones in a way no one ever did before or since.

He crafted the palantíri, which not even Sauron could replicate later.

He invented Tengwar script, which is the swirly elven writing we all associate with Middle-Earth.

He crafted the mysterious Feanorian lamps, which are crystals that emit blue light and cannot be doused.

He was constantly thinking up new ideas and crafting them. Eru only knows what he made that has been lost. You'll notice none of these things he made are swords. Yet he led an attack against the Teleri on his way out of Valinor, and the Teleri defended themselves, so I kind of assume he was also a weaponsmith, trying out new ideas in metal form if nothing else.

Brilliant and misguided, a flawed juggernaut, destined to drag the entire world and countless lives off course. The earlier these characters show up in the timeline, the more destructive chaos they end up causing.

I do not like Fëanor. He's a White Guy, doing as he pleases with no thought for the consequences, to himself, to those of his family he actually likes, or to anyone else. He holds enough privilege and power that people keep following him into disaster, and then he just goes and does it again, without learning a damn thing from his imbalanced approach. He even dies thinking he did nothing wrong ever in his life. Like... Bitch.

Having power is no guarantee that you deserve power, and Fëanor is a prime example of why.

This has nothing to do with the objects he made. Those are just tools, free to be taken and used for good or evil, as the palantíri were, and as every message ever written in Tengwar was. Would the world have been better off without the Silmarils at all, or the palantíri? Would a different language script have somehow altered the world for the better? Since it's fiction, we could just decide that Yes, Yes It Would, or No Actually Not.

What's not fictional is my distaste for presumptuous assholes with a bit of power but no self-awareness, because I've already met too many of them who weren't fictional, either.

You want my unvarnished opinion of Fëanor? He's a billionaire. And I'm glad he got eaten. It wasn't nearly soon enough.

Eat your billionaires before they get all crusty, kids. They taste best fresh and plump. Nom nom.

Still here? Oh, then it's time to compare Fëanor to TDP! Because as much as I despise him, he makes for excellent storytelling angst and conflict, and vicarious conflict is how we learn to avoid it in our real lives - if we're paying attention.

I've said before that I'd like to see some kind of Oath of Fëanor effect in TDP. The absolute horror at seeing good characters get yoinked into bad deeds just because they promised? Ahahaha, horrible, thank you, I'll have some more. If the Moonshadow assassins have something like that behind those creepy binding ribbons, I'm gonna be cackling in between my tears, fam.

But Fëanor himself? Oh, do you see, that's Aaravos! He's even got that craftsman side, since he made the relic staff, and boy is it swirly.

(Does that make Ethari a Celebrimbor type, separating himself from the dark deeds of his forebears yet still massively talented, creating amazing magical devices?)

Aaravos is the main villain of TDP, as far as we've been told. He's crafty, in both senses of the word. Did he have some angsty complex family life with half-siblings and a mother who died because she birthed him? Maybe. Stars can be born from the detritus of other stars that exploded and died, so there's a sciencey metaphor there already.

Of interest: Fëanor had seven sons, and the world of TDP has seven kinds of magic. Aaravos created at least one of them. Did he create primal magics too, from the deep magic that came before? Might there be some kind of oath involved there, with the first elves to wield differentiated magic?

How about those primal stones that look like palantíri? How many of those did Aaravos craft? Can he use one from his library to spy on people who have them or something? That would mean he could already know a ton about Viren even before he came to the Storm Spire and stole the mirror. Woah.

What about a Silmaril equivalent? Are there especially glorious magical gemstones in Xadia? Did Aaravos wear them in his crown and now he's mister Grumpy Glam without them?

Did he create the original runes that diverged into all the elven languages? With his sloppy handwriting? Heh, the other elves must've been very patient.

You know... Aaravos has been called a Promethean figure, gifting humans with knowledge and skill they didn't have. But that gift was the gift of fire. A tool. A tool employed by craftsmen.

Fëanor literally means "Spirit of Fire."

In the end, Fëanor was consumed by his own spirit. He never learned to vibe with it, and it destroyed him and many others. Sounds a lot like dark magic.

Maybe the real Oath of Fëanor in TDP is one you have to speak backwards.

#asks #Fëanor #tdp #tdp speculation #silm #oath of feanor #just fantasy things #aaravos

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mxgilray · 4 years ago

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Loki Season 1 Thoughts

Overall, I really liked this series. It has some issues without question, but I sincerely don't think it's the dumpster fire so many viewers on this site treat it as. Did it go how I expected? Not at all? Did I enjoy the heck out of it and look forward to it every Wednesday? Hell yeah!

Loki's Good Guy Personality

A big complaint many have had with it is how much Loki's demeanor has changed and how his emotional growth feels rushed or his personality is ooc. Truth is, he saw his entire future, saw what his angry, power hungry, I-work-alone persona would get him in the end, and it snapped him back to reality. He has always been shown to be quite emotional and craving attention and lacking in self assurance, it's just in the past movies he's masked it with violence and fake narcissism, and he's always been a secondary character so his perspective is rarely shown. But if you really pay attention it's obvious he isn't truly villainous; we all know that, it's largely why he has such a huge fan base.

Right after meeting Mobius, Loki got an infodump of his future, saw his parents both die, found out that free will means jack shit, and learned he's absolutely powerless in this realm. On top of that, this is 2012 Loki, fresh off of being under Thanos' control, suddenly being shown that the guy who controlled him is going to end up killing him. Frankly,, I think it all broke Loki. He was too shook up by it all and by the sheer helplessness he found himself in at the TVA that he let all his barriers down momentarily. Just long enough for him to open up to Mobius about his motivation and his lack of self confidence. And you know what I bet? Loki felt relieved after talking to Mobius. A weight was lifted, because he bore his heart to someone and wasn't rejected or laughed at or treated like a psycho. And after letting his walls down fully, Loki didn't feel the need to put all of them back up. He stayed guarded around other people, but he didn't need to pretend around Mobius. Mobius has seen under the mask, so Loki doesn't feel pressure to perform as an all knowing, all powerful God around Mobius. That freedom is life changing.

People who gravitate towards broken, pseudo-villain characters do so because we relate to their internal conflict, their mental illness, their need to fake it around everyone close to them. Their turmoil and depression and self destructive behavior are familiar and we see ourselves reflected in their actions. Now, when a person really truly let's their guard down, drops all their layers of facade, and embraces themself, they tend to change demeanor and even personality pretty drastically. It's jarring in real life, so of course when it happens to a fictional character who you usually relate to it is going to be jarring, maybe even more so because it feels like a change you yourself would never go through. I know this sounds bad and people might get at me for it, but...

I believe the issue here is that a large part of Loki's fan base doesn't want him to get better. They don't want him to move past his mental illness, to learn how to cope with anger and disappointment in healthier ways, to be happy. They like his damaged persona, they like the internal conflict. Maybe it's because they're still at that low place themself and feel like a relatable character is getting taken away from them, maybe it's because they don't understand how much being at peace with yourself can alter a person and to them it feels like he's been changed too much. To those of us mostly on the up and up from battling depression and mental illness, it's comforting to see Loki getting a chance to be genuinely happy and accepting of himself.

Sylki and Lokius

First things first, I'm not anti anything. Ship what you want, idc. Personally, I do not see the Sylki dynamic as romantic, but I get why people read it that way. I thought the series did a good job of showing unrequited love, namely Loki falling for Sylvie and Sylvie feeling zero romance towards him. This was aware of his attraction and in the end used it as a distraction so she could get the upper hand. The show played up the potential romance because we are viewing things from Loki's perspective and he's become smitten as a kitten. I do think in the long run they'll have a more sibling-like dynamic, one Loki realizes that you can feel extreme love and care for a person without it being romantic. I enjoyed how the show explored their relationship, though I do wish they hadn't had every character under the sun mention their moment on Lamentis-1 like it was some big deal to bond with someone you're about to die with.

I'm bitter towards the development of Lokius. It had a strong start in the beginning, and in ep 5 had some potential reignited, but then they had Mobius not know who Loki is at the end. I'm still hoping they're playing the long game with this ship and that it'll come to fruition partway through season 2. The chemistry is there, and Mobius knows Loki very intimately and isn't put off by his past. Loki also feels much more at ease around Mobius than he does around Sylvie. It's the comfort of a deep loving bond with Mobius verses the nervousness of a new crush that he feels for Sylvie.

I don't think Loki is quite aware of his feelings for Mobius, simply because it's based in friendship and mutual respect and isn't a hot and heavy lust. Plus, as soon as he was away from Mobius he was thrown into a near death experience with Sylvie and developed a surface crush during their heart to heart. Since Loki's still figuring out what genuine feelings are beyond anger and sadness, he sees the simplistic crush he has on Sylvie as love and the intimate bond he's been forming with Mobius as friendship. He doesn't understand his own feelings yet, but I think he'll figure it out next season. I mean, he was probably already rethinking his feelings for her after she kissed and betrayed him, mentally kicking himself for expecting her to not pull a Loki betrayal like he would've in the past.

The Time Variance Authority

I really like the concept of the TVA, the structure of it, the methods they use, the deeply fucked way they recruit employees, the cult like motto, shady Miss Minutes who is definitely playing her own long game, and the blind acceptance TVA agents have of the Time Keepers' will. It's all very well done... until your dig into the core, aka He Who Remains. They built up the idea that the Time Keepers created the TVA to prevent a multiverse war and that they created agents to enforce their will. Then the creating agents turned out to be fake, the Time Keepers were fake, I expected the reason for the TVA's existence to be fake to. It felt too simple to have it genuinely exist just to keep the multiverse in check. Why the anonymity, unless it's to keep from having agents target and prune versions of himself which.. songs like a decent solution. HWR made it sound as though the multiverse war was just a bunch of versions of himself screwing shit up, so why isn't the TVA's focus on eradicating every other variant of this guy? Sounds a lot easier and nicer than fucking with the free will of every other living being. So either Marvel made a bad call when choosing what HWR's motive was for creating the TVA, or he was lying about it all to cover up something sinister.

Overall Storyline

I'm fairly happy with the plot as a whole. There were some pacing issues and I think a few missed chances for deeper conversations between various characters. While I enjoyed the Loki variants, I honestly would've been happier seeing Tom playing most the variants (except Kid Loki and Classic Loki since they are clearly different age ranges). If there is supposed to be one sacred timeline, it seems off to me that Lokis would be allowed to vary so extremely without it causing a nexus event(an alligator, whose nexus wasn't that he's an animal who obviously can't do any magic much less command Thanos' army, but that he ate someone's cat) and not just in appearance but in life path (ie boastful Loki collected all the infinity stones but it wasn't till he had 6 that he caused a nexus event even though him gaining control of the Soul, Power, and Time stones should've each caused nexus events since on the sacred timeline he never interacts with those 3 and taking any one of them would've fucked up a lot of other timeline parts)

I love the display of Lokis raw power, and 2012 Loki coming to the realization that he's way more powerful than he ever thought. And it wasn't just Classic Loki who spent thousands of years alone honing his skills, 2012 Loki reversed time on a goddamn falling building! I also liked the small magic, the fireworks, the tablecloth blanket, Loki yanking Sylvie away from HWR with just magic.

As someone who is both bisexual and genderfluid, I would've really loved more concrete representation. The comment about there never being another female Loki hit me in the gut; it undermined the Easter egg "Sex: Fluid" on Loki's TVA file. With how big a deal Sylvie being female was made out to be throughout the season, I expected her gender to play a key role in taking down the head of the TVA, like it was foretold that only a female Loki could end it all or some shit.

I don't mind the idea of Loki finding love in a straight passing relationship. I don't even mind the selfcest all that much. It just feels so obvious to me that Sylvie is written as not having any romantic inclination towards Loki, while Mobius is clearly written as falling in love with someone he shouldn't and trying to maintain an heir of professionalism to keep from wrecking his bond with Loki. I really really hope they come through on season 2 and give Lokius the canon relationship and proper representation they deserve.

Mmkay I thinks that's all the thoughts I've got right now. If you've been feeling cheated or clowned by how things went this season, maybe my perspective of things can help ease your pain.

#loki spoilers #loki series #loki #mobius m mobius #sylvie laufeydottir #lokius #sylki #tva loki #time variance authority #marvel #mcu

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clarenecessities · 4 years ago

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As my followers may have picked up from my long, spiraling rants, I’ve undertaken a new research project, courtesy of the death grip She-Ra has on my brain. And guess what? It’s finally at Disseminate Information Stage! So I’m going to lay out all of the gods, demigods, and godbeasts of the Masters of the Universe. With sources!

This table is more of a cheat sheet. We’re gonna tackle this god by god, with a section on Actual Lore & a meta section to help you decide how valid you think they are, because frankly some canons are more canon than others.

Asklepia, Benevolent Snake Goddess

Lore: Asklepia is one of two snake goddesses, the benevolent twin sister of Serpentia. We know very little about her abilities, but the Snake Clan (a clan of human warriors) were said to worship her, and they were famed for their architecture and healing. She had the ability to curse and deform people--to what extent is uncertain, but she’s known to have condemned a fallen priest named Ka, whose disfigured likeness now adorns Snake Mountain.

Behind the Scenes: First appearing in the 1987 comic “Il Nero Cristallo Del Potere“, Asklepia remained nameless for over 30 years, until Masters of the Universe Classics (MOTUC) released a few choice bios. For the unfamiliar, MOTUC seeks to reconcile the often contradictory canons into one overarching narrative, which is great in theory, but in practice is kind of like putting ice cream on a hot dog. And calling it a Chilly Dog ® as if that makes it taste better. But I digress. In 2019 they released a bio for the Staff of Ka which finally put a name to the less-evil Snake Goddess, in an obvious nod to Asclepius and the asklepian (that staff+snake icon people put on medical stuff).

Sharella, the Green Goddess and/or “Avatar” of Asklepia

Lore: Contradictory

Long Version: Okay I’ve put avatar in quotes because it is... contentious. Basically, and you’ll see here why I felt the need to make this post instead of relying blindly on the wikis, Sharella was introduced (in the ‘87 licensing guide) as a tribal leader who had joint custody of Gray, the original name of He-Ro’s alter ego, while he was growing up. This was further developed by Emiliano Santalucia’s concept work, wherein she was the leader of the Green Tiger Tribe (GTT) specifically. While the comic concept was not run through licensing & is thus not “canon”, the idea of her leading the GTT persisted. This teeny tiny image of her from Tytus and Megator’s 1987 Italian box art was all we had until 2008, when one of He-Man’s accessories described her as the “warrior woman ally” of Queen Veena, “who had been changed into the immortal green-skinned avatar of the Goddess Asklepia”. In 2009, MOTUC released a figure for The Goddess, apparently forgetting they’d done that shit the year before because the packaging did say “K’yrulla” was her real name. They had to cover it up with a sticker.

So who’s The Goddess? Way back in the days before Mattel solidified any of the lore around MOTU, there were mini-comics released with the toys. Initially, the Goddess served a similar function to the Sorceress in the cartoon, and was in fact sometimes called the Sorceress. She facilitated He-Man’s transformations, gave him missions, was generally magical and mysterious, etc. If you know who the Sorceress is, and you can picture Teela, but green? That’s about it.

Back to Sharella, though. The Third Ultimate Battleground rolled around in 2015, and for the first time since some packaging in the 80s, we saw Sharella in action! She was shot through the heart with a poison arrow. Yeah. But don’t worry, she received a blood transfusion from Moss Man (who we’ll get to later), and was transformed into the Green Goddess! She’s immortal now. How Asklepia figures in here is sort of unclear, which is weird since this is still part of the MOTUC line, but whatever. Whatever! Queen Grayskull (the aforementioned Veena) received a bio in 2015 as well, which described Sharella as her apprentice who became “The Goddess”.

Horokoth, Aspect of the Mother Goddess

Lore: DC went a little batshit (pun intended) with the lore for the Eternity War. Here the Goddess is three combined aspects, “Serpos” (Serpentia) for the Snake Men, Zoar for the human “Eternians”, and a third, invented deity called Horokoth, who represents the Horde. Horokoth is “the coming destroyer. The darkness at the end of days.” and is represented by a bat.

Behind the Scenes: That last link has a clearer picture of her, it just didn’t crop well. Also, I confess I couldn’t bring myself to read Eternity War. As thrilling as the prospect of a cohesive narrative is, if I wanted to see Adora slit her brother’s throat there’s the edgier side of deviantArt to peruse. Therefore I know little of Horokoth outside of a few still images of Hordak. The bat was almost certainly selected for the Horde’s vespertilian emblem.

Hordeous, God-Beast of Horokoth

Lore: A “primordial”, bat-like godbeast of Horokoth, created in response to the god Saz’s feline races. Their face was “forever infused“ on the surface of Horde World by Horde Lord (Hordak and Horde Prime’s father in the MOTUC canon) to grant their family power and immortality.

Behind the Scenes: Yes they’ve used some words wrong, but they’ve got the spirit, right? Hordeous was (allegedly, this is secondhand) an invention of the MOTUC crew in answer to Horokoth. Now, the Horde Supreme bio predates Horokoth’s introduction by about 3 years, but obviously the comics were in production already. There’s an undated sketch of Horokoth Hordak from an undated interview (thanks for nothing you useless website) but in that same gallery there’s an orko sketch labeled 2012 so. We’re good right? That makes sense, timeline-wise. Anyway the comics slam dunked Horde Prime out of existence and combined him with Horde Lord so it’s contradictory anyway. ¯\_(ツ)_/¯

Serpentia, Malevolent Snake Goddess

Lore: The evil counterpart of Asklepia, Serpentia is the goddess of the Snake Men. The priest Ka of the Snake Clan forsook Asklepia in her favor, destroying Asklepia’s sacred orb and stealing the Serpent Ring (an artefact capable of transforming humans into Snake Men) from the Ophidian Spire with King Hsss. In DC’s triune interpretation of the Goddess, Serpentia (here ‘Serpos’) is blood, passion, and desire. A primal and primordial force appearing to the Snake Men in their own image.

Behind the Scenes: Okay yes I’ve reused the Asklepia pic but in my defense they are twins and this is the easiest one to crop. So here’s the thing about Serpentia: we only got a name for her in 2019. We knew there was a snake goddess, and she was pretty evil, or at least hostile towards mammalian life (see: the source of the pic I chose for her). Where Asklepia references the asklepian, ‘Serpentia’ is a much more heavy-handed snake reference, even though Anguis was right there. Those Masters Mondays came through for us, though, with the shield and staff of Ka, Ssssylph, and of course MOTUC’s Dark Despot Skeletor, which is. something. Though only recently named, Serpentia has been a shadow over Eternia since the Snake Men’s introduction in 1985 (or, depending on how much of the presented backstory you accept, even sooner in the form of Skeletor’s lair, Snake Mountain).

Serpos/Sarcedon, God-Beast of Snake Mountain

Lore: Contradictory, but the gist of it is he’s a very large snake with elemental magic and a grudge, that was turned to stone and became Snake Mountain.

Long Version: Snake Mountain was conceived of towards the end of 1982, but wasn’t revealed to the public until September of 1983, with the debut of the Filmation cartoon. For another year, the snake coiled around its summit was simply a carving, its mouth hollowed out for Skeletor to stand in and loom. But in 1984 the Snake Mountain toy was released, completely discarding the Filmation design in favor of the hewn face of the figure we now call Ka. Instead of a snake carving winding its way up the peak, the Mattel toy featured a ‘striking serpent’, alive and attached to the mountain itself. From there, it was an easy leap to make to ‘this carving comes alive’. So easy, in fact, that they did it twice!

First attempted in 1985 in the newspaper storyline “Vengeance of the Viper King”, the snake was here called Sarcedon, the World Destroyer. At the dawn of time, he was said to crush Eternia within his deadly coils. He burrowed deep into the ground, causing fearsome storms that nearly destroyed the planet. Only a fearless hero (implied to be He-Ro) could defeat and imprison Sarcedon. Using a macguffin called a Mirror of History, He-Man forced Sarcedon to behold his own reflection in a reference to the Medusa myth that kind of missed the point of it being reflective. Sarcedon was sent back in time, Snake Mountain was restored, the good guys win, blah blah blah.

That was the last of it until the MYP cartoon in 2004. Serpos as a name was actually first invoked by Mer-Man in a 1982 minicomic, but like it probably wasn’t about the snake. Anyway in the MYP cartoon the Snake Men get this thing called the Medallion of Serpos that lets them un-petrify the snake around Snake Mountain, grow two more heads, and unleash his godly wrath. He breathes fire, trashes Eternos, beats up He-Man, then turns his attention on Castle Grayskull to consume the Orb of Power (containing the strength and wisdom of the Elders, who had first trapped him in stone). He-Man cuts off Serpos’s extra heads with a sword upgrade, the Elders are somehow magically restored to life, and they re-petrify him. Snake Mountain is restored, the good guys win, blah blah blah.

Zoar, the Fighting Falcon

Lore: Contradictory, but it sure is a bird!

Long Version: While Sharella’s backstory is fraught because of the comics couldn’t decide what they wanted her to be, Zoar was similarly tangled up by the toyline. Initially male, he went through several color schemes, some prettier than others. Though there was a vague association with the Sorceress before the cartoon (recall that pre-Filmation, the Sorceress was just the Goddess), Filmation made them literally inseperable by designating Zoar as the Sorceress’s falcon form, to which she was confined when leaving Castle Grayskull.

Some of the comics and Golden books showed Zoar as being flipping enormous & ridden into battle as a steed by Teela and Man-at-Arms. Pre-Filmation, Zoar was always referred to as male, but post-Filmation, always female, as an incarnation of the Sorceress.

The Eternity Wars comics describe Zoar as the third aspect of the Goddess, the ‘Great Preserver’ whose light would shine through the universe for eternity. They pull off a sort of tripartite priestess thing where it’s Serpos/Zoar/Horokoth represented by Teela-Na (the Sorceress)/Teela/Evil-Lyn.

MOTUC, of course, had to reconcile all of these contradictory canons. How’d they do it? “In the folklore of Eternia, the golden falcon symbolized the godhead Zoar, a powerful deity of Preternia. As a god, Zoar could appear in both male and female guises and while the blue-tipped female falcon was associated with the Sorceress of Grayskull, the golden falcon represented Zoar's masculine nature.” So Zoar is genderfluid now, and the Sorceress is merely borrowing their form when transforming into a falcon. This bio also established that Zoar had anointed the first Sorceress, Veena (Queen Grayskull), which explains why she has wings for no apparent reason.

Also it’s not offically MOTUC but the scultors of the line, Four Horsemen, made a single anthro Zoar for Power-Con 2013. In case you need that for some reason.

Glorybird, Emissary of Zoar

Lore: Many millennia ago, there were three siblings, who were very poor and mistreated by their stepmother, but had hearts filled with kindness and love. Zoar, recognizing their resilience and desire to help people, sent an emissary named Glorybird. Glorybird bestowed upon each sibling a divine gift, but as they used their new powers to fight for good, their stepmother revealed herself to be a Celestial Witch & attempted to sacrifice them to Zoar’s “greatest enemy”, Horokoth.

Backstory: Okay, so the Star Sisters (and Glorybird) were in exactly one episode of She-Ra, primarily to set them up as new toy designs. While prototypes were made for these, the figures weren’t actually produced until MOTUC released figures for them in 2012. Though they were referenced in Princess Prom, and we saw a brief cameo in a background, Glorybird was absent until the introduction of the Star Siblings in Season Five.

That’s right! This bird is a god, and there’s nothing you can do about it.

Saz, God of All Felines

Lore: One of the “Gods of the Multiverse” (he is the only member named explicitly), Saz was a blue-furred, feline deity responsible for the creation of all cats, humanoid or otherwise. He transformed himself into an enormous cat-beast to defeat Serpos and Hordeous, whose progenitors created them in envy of his children. Though Serpos was defeated, Hordeous escaped into the cosmos, and Saz himself vanished mysteriously.

Behind the Scenes: “By the whiskers of Saz!” is a fun pseudo-swear made by various cat races throughout MOTU, first in He-Man’s “The Cat and the Spider” and later in She-Ra’s “Magicats”. That was the only real mention of him until... okay, so MOTUC bios aren’t always attached to the product. Starting in 2018, they did this thing called Masters Mondays where they put unposted bios on the org forums. So while we’ve had the sword since 2010, we didn’t get the background on it until March of 2020. And then a couple weeks later, the Cat Mask of Catra bio referred to him as a “mystical being” instead of a god, but the mask was from 2011 so. He may not have been a god yet. It really depends on when the bios were actually written.

Saz wielded a blade probably best described as a falchion, whose quillon & langet formed a vaguely triangular shape around a deep red gem. I want to be clear that while it looks totally rad, this sword would be very impractical and have poor structural integrity were it not made by a literal god. Do not make swords like this. Also it’s almost certainly riffing on the Sword of Omens from Thundercats (affectionate).

Sabe-Or, Son of Saz

Lore: A green-furred, orange-striped paladin, Sabe-Or is one of the only named Ancients. He inherited his father’s blade upon Saz’s mysterious disappearance, and lived for centuries more. Upon his death, he transferred his “heroic essence” into a group of Eternian tigers, forever transforming them into the Green Tiger Tribe, whence both Granger (steed of King Grayskull), and Cringer, steed of Prince Adam.

Behind the Scenes: So “Battle Cat Man” is a concept that’s existed since they decided to make their hero ride a wicked tiger into battle. If you show a kid a superhero, and a supertiger, apparently the natural inclination of most children in the 80s was to combine the two. There are so many custom action figures. So, so many. Sabe-Or is visually a clear reference to this concept, and canonically seems to be the closest we’re going to get outside of the Thundercats crossover, unless you count Cowarros from 4H’s Mythic Legions line (I do, because it means Purrrplor is also canon and I fucking love calling him that).

Moss Man, Ancient Eternian Nature God

Lore: An ally of King Grayskull, Moss Man was something of an Eternian cryptid in the centuries leading up to He-Man Times. He has control over all plant life, the ability to meld with plants, and apparently can imbue sentience to said plants.

Behind the Scenes: Moss Man wasn’t featured in many episodes, because he’s a little... incredibly over-powered. He’s literally Bigfoot from 5000 years ago with magic powers. And like, since I don’t think the writers appreciate how long 5000 years is, you know what happened 5000 years ago? Stonehenge. This bitch is Stonehenge-old. But sure, you can trace a direct line of descent from his contemporary. smh. Anyway according to MOTUC his real name is Kreann’Ot N’Norosh so make of that what you will. Also his toys were pine-scented. I just love that.

Evil Seed, Rebellious Creation of Moss Man

Lore: Created by Moss Man to help fight in the Great Wars, Evil Seed betrayed his master and turned to evil (who could have foreseen this...), finding joy in corrupting all forms of plant life for his own amusement. Moss Man imprisoned him in enchanted chains, keeping him restrained for many millennia.

Behind the Scenes: According to MOTUC, his real name is Sero Malustro, clumsy New Latin for “(to) plant evil-burnt“. Why his name is New Latin and Moss Man’s is... whatever that is, I have no idea. As you can see from the image I included, he originally had an artichoke head, which was upgraded for the Mike Young Productions (MYP) cartoon. Personally I think the artichoke rules.

Volcana, the Fire Goddess

Lore: Canonically, she’s a fire goddess, and the mother of the Volcano Magus. Together, they are a rising force that seeks to conquer Etheria in the wake of Hordak’s defeat.

Backstory: Volcana has taken a long a twisted journey, but was first revealed to fans at Power-Con 2016 in a panel revealing previously unseen concepts and characters. After the first wave of She-Ra toys, a second wave was planned with a snow focus, to bring more attention the Filmation-neglected Frosta. This began with the introduction of a fire villain, an “evil lady that glows with heat” who would attempt to melt Castle Chill. That concept actually refers to a character named Amber (not Ember, as one might assume) who was reworked into a benevolent counterpart, Volcana’s twin sister.

Volcana was later fleshed out to be a Fire Goddess with flame-red hair, x-ray vision, and arms sculpted with flames. Her cape flew up with flame detail that rose up to control the volcano (of Volcanica, a proposed toyset that seems to have been reworked into the Crystal Falls). She was emphasized by Mattel to not start fires, which, honestly, is probably why they scrapped the character. He-Man couldn’t use his sword as a sword; a woman made of fire was basically doomed.

Now, though, we’re several decades in and lines made for collecters that are largely in their 30s and 40s can say whatever they want! So she’s canon, even if Amber isn’t. Yes there’s only one mention of her. Amber technically was mentioned in an unproduced episode titled “Amber Waves of Flame”, but as it was unproduced, it’s noncanonical.

Volcano Magus, Sinister Son of Volcana

Lore: Living within a dormant volcano, the Volcano Magus of the German audio plays was the source of most of Catra’s power and all of her evil intent. He supplied her with magic for spells and schemes with which to assail the Crystal Castle, but neither she nor Clawdeen were aware of the dark influence he held over them.

In the MOTUC canon, he’s specified as the son of Volcana, a demigod from the “Region of Volcanoes” who craved the nature magic of the Whispering Woods. When he learned the Twiggets were inextricably linked to that magic, he used his powers to petrify the former Rebels (this was after the Horde's defeat) and kidnap three Twiggets to drain the magic from their souls. Twiggets, for the uninitiated, are like purple tree-elf things. According to MOTUC, Razz is a Twigget, though the ‘real’ name they assigned her doesn’t fit their naming convention. She is purple, I guess.

Kowl, who avoided petrification, read Razz's spellbooks to find a way to save his friends, and learned of an Entrapment Gem that she hid in a shoe, for some reason. He confronted the Volcano Magus, spoke in the ancient tongue of the First Ones, and sucked him into the Gem.

Backstory: Admittedly this stuff is second hand, as I don’t speak German & they only have transcriptions/translations for the He-Man tapes anyway, but if anybody can find me an audio file I will do my best to verify. The MOTUC stuff at least I can confirm 100% because it’s from 2019 & I do speak English, for better or worse.

Oak, the Jackal God

Lore: Oak was the terrible Jackal God worshiped by the denizens of Zhar, an ancient civilization that once existed in a remote, forested region of Eternia. Long ago, Oak was imprisoned within a statue which could be found within the Temple of the Jackal. When Skeletor removed the statue from the temple, Oak broke free of the enchantment which imprisoned him and wreaked havoc on Eternia. Although the Jackal God was immensely powerful, he could be weakened by the elements of nature and was ultimately foiled by a rainstorm conjured by the combined powers of He-Man's sword and the magic of the temple's guardian priest.

Backstory: I have lifted this from a He-Man guide word for word as I cannot for the life of me find a copy of the Brazilian Editora Abril comic he came from, O Templo Do Chacal (1986). The description is like, suspiciously similar to the plot of the He-Man episode The Cat and the Spider, except the Grimalkin was never described as a god. The rest of it--statue, Skeletor, storm defeat--plays out almost the same. True pity I can’t find the original source, but I do trust this guidebook. You may be interested in Ceres from the UK comics--another dog-slash-statue who frankly might as well be a god himself, but as he’s not called one in canon he’s not going on the list.

The Bitter Rose Goddess

Lore: As Man-at-Arms told the legend, “Every day, a woman climbed Rose Mountain to look for her husband to return from the war. Alas, he never came back. Her tears poured from her cheek and entered the ground. One day she disappeared, but where she stood was a single, solitary rose. It’s the only thing that grows on Rose Mountain.”

The Insect People, who lived at the base of Rose Mountain, believed that the Bitter Rose is all that held the mountain together (and when it was picked, they were proved right). After the flower was restored, it transformed into the Bitter Rose Goddess herself, who explained that she had been a prisoner of her love's sorrow, so bitter that she refused to allow anything else to grow on Rose Mountain. She blessed the surrounding area, blanketing the jagged peaks with roses, and disappeared.

Backstory: She’s kind of... barely a god. She showed up in one episode and no other media & has objectively less power than like, every single demon they ever brought in. I almost didn’t put her on this list.

Mask-Ra, Goddess of Masks

Lore: A goddess who created the magical Masks of Power.

Backstory: Mask-Ra was first mentioned in 2019 and like, look, I’m gonna be real. I don’t respect her. She’s an invention of MOTUC (unless they were drawing on this concept art of Maska-Ra, which I doubt bc he was a Man-E-Faces precursor) and they retconned her into having created Catra’s mask, which is kind of redundant given the entire episode Magicats. This mask did not need two bios. There are no other mentions of her in any canon.

Potential other Masks of Power: The Deemos and Tyrella masks from the He-Man episode “Masks of Power”, lizard and canine masks from the mini-comic “Masks of Power”, Lord Masque’s Demon Mask from the He-Man episode “House of Shokoti, Part 1″, and whatever the hell Red Shadow has going on.

Procrustus, Giant Guardian of Magic

Lore: During the creation of the various dimensions (5 in MOTUC canon but demonstratably higher everywhere else), the gods installed the four-armed, immortal giant Procrustus to guard their secrets at the heart of Eternia. There lay the Starseed, from which the entire dimension was created. It still held immeasurable power, and could be used to conquer entire universes. Hordak, in an attempt to access the Starseed, cracked Eternia in two with the Spell of Separation. Though he was (mostly) thwarted, from then on Procrustus was forced to hold the two halves of Eternia together from within, lest the planet break apart and the Starseed be exposed.

Backstory: First appearing in the mini-comic “The Magic Stealer!”, Procrustus is a lot more tangible than most gods. We know where he is, at all times, and he seems confined to one size. His powers appear to be largely physical, as he had to burrow out of the ground to investigate in the mini-comic instead of teleporting or like, magicking the dirt away. This was his only appearance until MOTUC released a figure for him in 2012. He also showed up in the Subternia map the next year, holding Eternia together.

Standor, Cosmic Creator of Power

Lore: “Before time began, the great Gods of the multiverse convened in the Hall of Power to create all that was and all that will ever be. Head architect of this great task was Standor. A cosmic being of unlimited imagination, Standor helped lead his fellow deities by fueling their energies with raw creative force.”

Backstory: Released for Comikaze 2013 to celebrate the partnership of Mattel and Pow! Entertainment, Standor is literally just Stan Lee But a God. The prototype was called Standar--idk why they changed it, but I think it’s because it’s too easy to confuse with “Standard”. They made a bio for his sunglasses. I don’t want to talk about it.

Bash-Or, Slain Mystic God-Beast

Lore: Very little is known of Bash-Or, the Ram. His last remnant was sealed within the Ram Stone by the ancient sorceror kings of Zalesia, imbuing it with his divine power to overcome any barrier, magical or otherwise.

Backstory: Bash-Or was revealed in the bio for the Ram Stone, September of 2020, but his spirit (previously referred to as ‘the Spirit of the Ram Stone’) was twice utilized by Skeletor in the MYP cartoon, to great effect, before the stone was destroyed.

#she-ra #spop #motu #he-man #clare shares notes #edited to actually include the gd graph

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arizariia · 4 years ago

Text

Clerith And Vincrecia

My third eye has opened and now I'm enlightened.

I just realized just how similar Vincrecia and Clerith are in FFVII. I even want to be so bold as to claim that this parallel is going to be story important in Remake.

The first similarity about these ships is the similarities between Cloud and Vincent. Cloud is an "ex-member of SOLDIER". He was impaled by Sephiroth. He survived but was unfortunately found by Hojo. He was then subjected to Hojo's experiments. Vincent is an ex-Turk. He was shot by Hojo during an argument. He died, experimented on by Hojo, and was then resurrected by Lucrecia.

In terms of personality, Cloud and Vincent do share similar traits as well. Cloud made a persona where he's overconfident, arrogant, and headstrong. He also became emotionally withdrawn from others. His most memorable line is, "Not interested" and the man originally didn't care about saving the planet. The truth is he's socially awkward. He is bad at expressing himself and displays poor communicative skills. The people that Cloud is closest to recognize this. They know he's a soft, caring person.

Vincent is a cold man whose life has been severely devastated by Hojo. At one point in time, even Cloud thought that Vincent didn't care about the planet. He's a natural loner and doesn't speak much about his past at all. Even though he has a cold exterior he is a kind-hearted person.

The following part is how alike Aerith and Lucrecia are. In terms of physical appearance, the two women are remarkably similar. Both have pale skin, brunette hair, and have similar mannerisms. What's extremely interesting are their hairstyles. Aerith and Sephiroth were initially siblings. They were given similar bangs as a result of this. Even after the story was altered and the two were no longer siblings, their hair didn't change. Lucrecia initially didn't have the "Sephiroth bangs" but when it came time for her to appear in Dirge of Cerberus, she gained them. Hence, Lucrecia looks like Aerith because they both were designed to somewhat resemble Sephiroth.

Personality-wise, Aerith is a lively person. She is compassionate, stubborn, and can even be smug at some points. She has even flirted with Cloud on many occasions. The most significant thing about her is her desire to want to her own decisions and defy fate. She wants to stop Shinra and Sephiroth from causing further harm to the planet.

Lucrecia, on the other hand, is also a kind person who was known to tease. She was also seemly fond of nature and even enjoyed a picnic with Vincent. Her primary goal as a scientist was to further her research on the study of Chaos and Omega. This was to find a way to prevent Omega from ending the world.

So how similar is the ship dynamic? Let's start with Clerith. Clerith doesn't begin until Cloud falls into Aerith's church in the Sector 5 slums. After Reno enters the building, Aerith asks Cloud to be her bodyguard. Their relationship hinges on this. Cloud is her bodyguard throughout the entire story of FFVII after this. He makes sure she gets home safely in chapter 5. He crossdresses so Aerith doesn't have to enter Don Corneo's mansion by herself in chapter 9. Cloud even sneaks into Shinra HQ to rescue her with the help of Tifa and Barret. This just from the beginning of the story. At this point, Cloud has, surprisingly, only known Aerith for around two days.

With Vincrecia, Vincent was assigned to be Lucrecia's bodyguard from the very beginning. He was tasked with making sure she was protected and being mindful of her wellbeing. When Hojo was neglecting Lucrecia, Vincent was the one to call him out on his behavior. When Vincent died, Lucrecia was the one who wanted to resurrect him. Even though Lucrecia placed an enormous burden on him, she was more concerned with him being alive again.

Now, it's time to discuss imagery. Since we have only seen Lucrecia in Dirge of Cerberus, there isn't much to work with. However, what is present is fascinating. The first piece of significant visual similarities is when Lucrecia wakes up Vincent after she discovered him sleeping outside. This can be compared to when Aerith wakes up Cloud after he falls into her church. Something to mention is that both men are sleeping around flowers.

The following thing is something that I mentioned previously. Lucrecia and Aerith have similar body language. They both tend to lean forwards with their hands behind their backs.

After that, we have when Cloud looks at Aerith when she's at the Forgotten City and when Vincent looks at Lucrecia in her crystal.

Here we have Aerith reaching out to Cloud just like when Lucrecia reaches out to Vincent.

So how does this relate to what I mentioned before? That I believe these elements are vital to FFVII Remake? Well, the story of Lucrecia and Vincent is a tragedy. Even though they loved each other, Lucrecia's guilt and Vincent's reluctance to admit his feelings are what drove the two apart. Their story was a love that could never be. But hold on a moment. That's how Cloud and Aerith's story is in the original game. Even though Cloud genuinely loved Aerith and her death shattered him, he never confessed his feelings for her. In Remake Aerith explicitly states in Cloud's resolution scene that he can't fall in love with her. She knows she will die if fate isn't defeated.

Aerith hints from the very beginning that she either has already lived through the initial events of FFVII, or she simply has knowledge of what is supposed to happen. When she first meets Cloud, she gives him a flower. She says, "Lovers used to give these when they were reunited."

When they reunite in the church, she says, "Bodyguard work's not too different from merc stuff right?", even though Cloud never told her his profession.

You can argue that the reason why chapter 5 includes additional substance compared to the original game is that Aerith wants to spend more time with Cloud. Cloud didn't gather flowers and perform odd jobs around Sector 5 until Aerith made the suggestion. I'd argue that Aerith put a bunch of junk on the second floor of her house to make it harder for Cloud to sneak out. Aerith also hints she knows that Don Coreno wasn't joking about dropping the Sector 7 plate.

When the cast defies fate and defeats the whisper harbinger, this leads to a new timeline being created. I believe that this means that Aerith dying can either be avoided or that event may not happen at all. After all, after Aerith died Cloud never truly moved on. Even in spinoff titles, Cloud is Aerith-focused.

In Kingdom Hearts, Cloud becomes more like Vincent. He grieves for Aerith just like how Vincent grieved for Lucrecia.

In Final Fantasy Tactics, Cloud is searching for Aerith. When he sees a flower girl that looks like Aerith, it furthers his resolve. In World of Final Fantasy, Terra calls out Cloud for hunting down Sephiroth instead of helping Lightning. This conversation speaks volumes.

Even at the end of the original game, Cloud says "I think I'm beginning to understand. An answer from the planet... the Promised Land. I think I can meet her... there." The 2015 trailer for Remake talks about the reunion and we see Aerith's flower. When do we hear about any reunion in Remake? When Cloud and Aerith meet for the first time in Sector 8 and she gives him the flower.

Cloud is going to defy fate and save Aerith's life. At least that's what I think. I think that the song Hollow supports this claim. I believe that Hollow is a Clerith song. It was said by Uematasu that the song describes Cloud's inner feelings. Not only does it play in the Sector 5 slums, Aerith's home, but the lyrics describe her as well.

Smile bright Once more This time I will never let you go

Need I say more? This is my conclusion. If the whole point of Remake is to defy fate then preventing this tragic loss is possible as well. The story is about not repeating the same mistakes as the previous generation to make way for a brighter future.

And before anyone says that Aerith only likes Cloud because he’s like Zack, here’s what she says after she’s done talking about Zack.

And Cloud’s response to Aerith telling him not to fall in love with her.

I’m placing my bets now. Let’s see how right or wrong I am in a few years. If I’m wrong I will eat a bowl of peas.

#final fantasy vii #ffvii #clerith #vincrecia #aerith gainsborough #cloud strife #lucrecia crescent #vincent valentine

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marshmallowprotection · 4 years ago

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so… I’ve always def thought about what the connection between unknown/SE saeran is in comparison to Ray and Suit… how do you think those are connected?

Like is Unknown just what became of Suit and Ray without MC’s intervention? Or just a different alter that isn’t explored during ray’s route?

Okay. I've explained this a few times but I'm always happy to do it some more. Ray and Suit Saeran are two separate people within the same system. I believe GE Saeran to be an unplanned fusion that is able to form after the events of Ray Route, making him made up of those two and becoming someone entirely new as well.

Unknown and SE Saeran are the same person, just pre-and-post the events of Common/Deep Routes as well as the Secret Ending. So, it means that he's the same person in that situation and it's not quite a similar situation to Another Story. You have to understand that a lot of people do not connect AS and SE.

Some people think they do not connect and exist in different worlds. So, that plays into how people write and look at Unknown, SE Saeran, and the Another Story boys. I'm someone that believes in connecting the two so that plays a lot into how I'm writing with the boys. I read into AS happening before the events of everything, but the difference is that—

Ray doesn’t get saved by finding an MC.

He winds up working isolated and alone, until he can’t function anymore and it brings Suit Saeran to come out as Ray goes into dormancy and he doesn’t try to come back out at all. Suit Saeran manages to survive for quite a while on his own in Mint Eye because he thinks he’s strong in a way that will keep him alive and sound.

But, the pressure eats away at him just as it ate away at Ray, and something happens during the two years before MC arrives to the apartment and those other routes have a chance of happening. Suit Saeran can’t function living that way forever, and because of this, a split occurs. He fractures and Unknown is born because of that emotional split.

I do not see Suit Saeran and Unknown as the same person. Their actions and reactions simply do not correlate for me. Saeran is bound by emotion all of the time and Unknown simply lacks many emotions because Mint Eye drained him for a reason. Unknown comes to exist because neither Ray nor Saeran could let go of their hearts.

My theory is simply that. Unknown is born from a split from Suit Saeran. Now, because of this belief of mine, that’s why in my MC’s personal timeline that is connected to the SE, Ray and Suit Saeran actually resurface in the bunker at different times, revealing themselves to Unknown who had no clue that they were there.

Meaning that Unknown wouldn’t come to exist if not for the fracture from Suit Saeran. So, Unknown, and by extension, SE Saeran, would not exist within the confines of Another Story where an MC comes in to be the tester for the game that Ray created. I hope this makes sense. I’ve never been able to see Suit Saeran and Unknown as the same person but I feel like they’re connected in this way, at least.

Links:

[Here's a post about some overall thoughts with the boys.]

[Here's some thoughts on Unknown and SE Saeran.]

[Here's a post on Suit Saeran that leads to some branches that can make sense of fusion.] + [This one is also in the same realm.]

[Here's a Masterpost on Fusion that leads to GE Saeran.]

[And, if you’re curious about my Secret Ending variants of Ray and Suit Saeran!]

#masterpost #unknown #saeran choi #choi saeran #ray choi #choi ray #se saeran #ge saeran #saeray #ask #akaashi-bby #mod kait #mm #mysme #mysticmessenger #mystic messenger

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sserpente · 4 years ago

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Synopsis: After his lucky escape, the Tesseract takes Loki on new adventures--but unfortunately, his journeys through space do not go unnoticed and he soon ends up on TVA’s radar. The deal is a simple one: Become a recruit and help the Time Variance Authority fight time crimes to earn your freedom again eventually or die. Loki accepts the challenge. It would not be long until he could use their own weapons against them, after all. If only that, however, were his only concern. Least of all did he expect that with his reluctant arrival at TVA, a woman would step into his life and wreak havoc in his heart. He does not know what it is about her that he seeks her presence like a bee hunting for honey--but he is determined to find out.

A/N: Gaaaah, I haven’t nearly pre-written as many chapters as I would like to have pre-written before starting to post but I just can’t wait any longer! I finally want to share this story with you guys, I am so hyped about it! So, without further ado--enjoy the first chapter of “Pastel Blue”! I hope you like it! ♥

Chapter 1

Tick Tock. That clock on the wall was driving her crazy, it had been ever since she had been assigned to this dull office. She spent most of her time in the lab, working in midst of dangerous and highly sensitive equipment and delicate devices.

Tick Tock. She was going to smash it—with a big hammer, perhaps, or even better, a jackhammer. It was ugly too. Made of wood and obviously antique, late 18th century probably. What had Mobius been thinking?

Oh yeah, him. Mobius M. Mobius, her I-am-not-your-father-but-I-will-treat-you-like-my-daughter supervisor and babysitter, thank you very much. Granted, he was old enough to be her father, taking into consideration that in her mid-twenties, there wasn’t much need for a parental figure in her life anymore.

Tick Tock. She sighed. The pile of paperwork she had been handed this morning had seemingly not shrunk by even an inch. She could swear she had not been stalling today. Breakfast, work, lunch break, work… Tick Tock. She rolled her eyes. No. This was unreasonable. Grunting a few not so decent swear words, she gathered the spreadsheets and dozens of handwritten notes, sending the calming ruffling of paper through the air and exited the room without so much as thinking about what Mobius would think about her wandering places around the TVA during work hours again.

Besides, the kitchen and common room right around the corner of her desired destination was equipped with the best coffee machine modern technology had to offer. Hot chocolate with mint and a hint of vanilla? Oh yes, please!

At this time of the day, the lab in question was deserted. Pens, pliers and other small tools lay scattered all over the metal tables as if someone had just finished their work for the day. Some of the devices in here could cause major damage if activated accidentally or even at the wrong time. Now there was the thrill, the proximity to endless possibilities.

After turning a few laps around the tables to see if anything had changed or improved at all since the last time she was here (which would be yesterday), she eventually made herself comfortable at the huge desk fully equipped with a cup holder, sockets and a fancy table lamp. The chair was the best part, enabling her to swirl around whenever she felt like she needed a refreshing spin.

She had just pulled out her burrow from her hair, having twirled it around one of the lighter strands. Her guess was the sun had bestowed its warm kisses upon her chocolate brown hair in the summer. Leaning over her papers, she got back to work.

But it was only five minutes until she heard the heavy metal door with the see-through glass panel being pushed open, followed by someone clearing their throat.

“Jess, do you have a moment?” Mobius asked. Jess tilted her head, the slightest frown accompanied by a gentle smirk decorating her face. What, no chastising for changing work locations today? She swirled around on her chair, expecting to see the man in question in his grey suit and the signature scar across his nose stare her down with arms akimbo. Instead, he was holding on to the door tensely, right next to him, seemingly out of place in the threshold, a man with raven hair and the most stunning pair of blue eyes she had ever had the pleasure to lock her gaze with. Her eyes were blue as well—Loki’s, however, seemed to shimmer green in the artificial light of the lab. She didn’t get much daylight, all the way down here.

“M?” Jess smiled. She rose, ignoring the slight trembling of her knees as she approached the two, keeping a safe distance. Her heart skipped a beat with every single step, her chest resembling a magnet pulling her towards Loki like a powerless needle.

“I’ve told you, repeatedly, to stay in your own office.” Ah, there it was.

“I have asked you, repeatedly, to re-locate my office here.” She retorted with a smug expression, eyes darting over to Loki. Mobius shook his head. “An introduction is probably redundant. Jess, this is Loki.”

He was wearing the orange prison clothes TVA had manufactured a few years back. She had to admit, orange suited him rather well, bringing out his cheekbones and the dark hair framing his flawless face. His lips were thin, his jawline to die for. She would be lying if she denied his attractiveness. Loki was a god, after all. Most prominent to his appearance, however, were the shackles around his naked wrists and the metal collar hiding most of his long neck—a chunky but firm reminder his powers were all but a myth as long as the light was blinking bright red like a traffic light screaming stop at him like a sleep-deprived police officer.

Loki lifted his chin, allowing pride and confidence to flood his aura. Out of all the people he had encountered in this strange place so far, alterations of his very own self on an old-fashioned projector included, she was by far the oddest. Jess, so he learned, wore a colourful choker around her neck as well as two bracelets of the same kind. They reminded him of sugar pearls. If he had asked her about them, she could have revealed to him that they were indeed candy necklaces—and that she wore them because Mobius had stressed there were no edible snacks allowed at work. The elegant pieces of jewellery hanging down her earlobes, however, appeared to be non-edible. Two delicate silver charms, holding what Loki identified to be moonstones. They suited her, complementing the long brown hair and the outstanding colour of her eyes. Blue—just like his.

“The God of Mischief.” She completed, the fraction of a second after he had studied her conspicuous appearance. She added a court but polite nod. “I was kind of hoping to meet you one day.” And so she was. The rumours had spread across the entire facility like wildfire, reaching even the Minutemen based in different timelines. Loki, the Norse God of Mischief, had stolen an Infinity Stone and escaped his respective timeline—a timeline reaching all the way back to 2012—creating a new branch of reality entirely. Unsupervised, he could have caused serious damage to the very fabric of time and the multiverse. He had to be stopped, had to be captured, had to be persuaded.

Mobius had expressed his interest in getting the infamous Trickster to work for him frequently. Loki was skilled, intelligent, witty, a talented fighter and most of all, one of the most capable users of magic the multiverse had to offer. His stories of victory and defeat were known to most of the TVA and yet, they resonated with her to an extent her colleagues could never fathom. Above everything Loki had had to experience—above all Loki will have had to experience—there was a thick layer of loneliness clouding his aura like a blanket of ice-cold snow. It was a suitable comparison, given his heritage.

“I didn’t just hear that.” Mobius intervened. He sized her up like an unpredictable teenager. “The God of Mischief has retired. Loki here has just agreed on working for us.”

“With you,” Loki interrupted. “Not for you. Reluctantly.” That would leave her wondering what exactly it was Mobius had offered him in return.

Jess chuckled. “Now that is a matter of opinion, trust me. I would know.” Raising an eyebrow, she gave Mobius a challenging glare.

“I need you to cover a shift.” He responded matter-of-factly. Jess’ eyebrow rose even higher. “Reese just jumped back from 1792.”

“And?”

“He almost made his personal acquaintance with the guillotine. They’re patching him up in the hospital wing right now.”

Sucking in a deep breath, Jess took a step back, realising just what kind of favour, no, requirement Mobius would ask for. Reese had been in the TVA for more than three decades—he had not aged a day since his accession as a matter of fact—and his experience and excessive excitement over the Avengers had made him the perfect candidate to keep an eye on Loki while he was still not to be trusted—if he was ever going to be trusted, that was. He was the God of Mischief, after all.

“I’m on probation, remember? What makes you think I should cover for him of all people?” Loki rolled his eyes and for a moment, you almost felt sorry for excluding him from a conversation that was clearly about him.

“Call it an experiment. Prove to me that we can rely on you and I’ll end your probation.” Jess resisted the urge to shake his hand off her shoulder when he leaned forward to touch her in a fatherly manner.

“Sir, do you have a moment?” A Minuteman had appeared behind them. Jess had never quite figured out how they moved so quietly. Their shoe soles must have been made of feathers. In turn, the stilettos she usually wore to smuggle a few more inches to her height were loud and made satisfying noises ricocheting through the hallways when she walked, emitting confidence and even smugness. She needed that boost every once in a while.

Mobius nodded. As he released Jess’ shoulder and pushed past Loki—who did, much to her amusement, not move an inch for the senior manager—he pointed a finger at him. “Behave.”

The lab door fell shut behind him, drowning all noises from the outside like a soundproof recording room. Jess gaped at Loki for a second, her body once again threatening to overwhelm her with the magnetic pull she felt towards the Trickster, fascination setting her veins ablaze.

“You do not look human.” Loki suddenly said, breaking the uncomfortable silence. Jess pouted.

“Excuse me? I am hoping you meant that as a compliment, I am as human as I’ll ever be.” Loki frowned, then responded with a hum.

“I take it you hop timelines for him too then, fixing the damage others have done.”

“Me? No.” Jess shook her head. “I am not a Minuteman. I wish I was, trust me, but I have got nothing to do with that, unfortunately. I work in the linguistics department, spending all day translating protocols and time recordings from all sorts of languages. Now I know what you’re thinking. With its technology, shouldn’t TVA be able to translate everything using a smart computer program?” She shrugged. “Well, technically you’re right. But there’s a bunch of languages out there that simply don’t exist either here on Earth or any other known realm. We’re only human—and a computer program is only as smart as its creator. It can’t translate a language that does not consist of words, for example, that would go against the very human comprehension of its programmer.”

“Then how do you speak them?” Loki probed.

“That’s my superpower. I don’t know why I can understand them, I just… do. And what did it get me?” She raised her hands in a dramatic motion. “Paperwork. Lots of paperwork. The only way for me to get in on the real action is this place here. Take a look at this.” Loki watched her move towards what resembled a toaster, shaped like a metal suitcase that had been left open. Smiling, she reached for a shining red apple on the table and placed it on the black surface before activating the switch. She had seen the scientists do this dozens of times before. In fact, she was sure she could handle most of the devices in here in her sleep. As the small machine hummed to life, it sent a deafening vibration through the room and then, just like someone had hit fast-forward with a remote, the apple shrivelled and rotted.

“Pretty cool, huh? It works the other way around too once it recharged. They haven’t figured out how to make it work for living beings, including humans, just yet, though. This is just a prototype anyway, the real thing is supposed to help re-animate the dead for a short amount of time to solve time crimes and shit. I swear I’d get a major in science if I lived another life. My father was one. Before he died, that is.” Jess wasn’t quite sure what made her open up to the God of Mischief and tell her about her personal family drama. She usually babbled when nervousness got the better of her but this was a new level of openness entirely. They all knew her story, after all, but apart from Mobius, they all pretended they didn’t. “You see? TVA is not all bad, even if it may seem so at first. M can be an arsehole sometimes, I know. He calls our main timeline in which everything began,” Jess continued with a dramatic voice, “the Null-Time Zone. I never figured out why and he won’t tell me.”

“Because you don’t listen, Jess.” Mobius answered, holding the door open with the Minuteman who had asked for his advice impatiently but mutely waiting for his turn again behind him.

“So?” She probed, pointing at the God of Mischief with her chin, her arms crossed. “If I am to play babysitter for a while, where am I staying? Where is Loki staying?”

“Your place.” Jess blinked, incredulousness spreading on her face like a clean swipe of butter on warm toasted bread.

“My place?”

“Your residential unit is supervised and equipped with modern alarm systems, just in case you decide to make trouble again, remember? We’ll position security outside the door in addition to that, killing two birds with one stone. Besides, it’s only temporary. Reese should be up and on his feet again in no time. The blade only grazed him before he made the jump back.”

“That does not sound reassuring!” Jess stood up straight to prove her point and yet, even compared to Mobius, she was nowhere near tall enough to make an impact with her body language at this time.

“You can take the rest of the day off as compensation. Show Loki to your unit. Make yourselves acquainted. I’ll send security to collect him in five minutes—to the second!”

~*~

She seems familiar almost… like part of me has known her forever. It was a thought which jumped into Loki’s mind and implanted itself in his head like a parasite. A mere mortal, how could there possibly be a connection between them? But it wasn’t just magnetic fascination and intrigue. Loki felt a need to keep her in his presence much like she was about to be his cherished bride. Irritation crept up the back of his neck as he followed her through the branched corridors and back to the modern lift he had had to use upon his arrival.

He would only love to know just what it was that had gotten her on probation. Abuse of machinery for her own selfish purposes, perhaps? A prank which had gone too far and done damage to the organisation? Murder? No. Despite her toughness, he could not imagine the delicate mortal standing next to him in the elevator being capable of killing anyone.

When the elevator doors slid open again, the young woman gave him an almost sheepish smile. She hardly appeared worried by having to escort him all on her own, across empty hallways which were only too inviting to overpower her and escape. Something held him back. She did, so he realised with another wave of irritation electrifying his body.

“…the most dangerous missions they usually leave to Justice Peace and Death’s Head. Ever heard of them? They are like celebrities around here.” He heard her say just then. But Loki couldn’t possibly take less interest in this so-called Time Variance Authority. All he needed to know was that it was yet another, partially human-led secret organisation imagining with the naivety of a child that they held power over him. SHIELD had made this mistake in the past and they had paid the bitter price. TVA would be no different.

“The units here are labelled with our initials and the department number. This one.” Jess pointed at the first door coming into sight to their right and quite apparently, Mobius had not made any empty promises concerning Jess’ safety and surveillance. As they turned around the corner, they were greeted by a grimly looking security officer clutching one of those small devices Loki identified as a Taser, one which of the like Darcy Lewis had once used on his brother. He kept a straight face even as Jess unlocked the residential unit using her fingerprint and entered but gave him a provocative smirk before following her.

His own chambers back on Asgard—another life entirely, so it seemed now—were a reflection of who he was with their green accents, the countless books, the tidiness and the ancient parchment rolls on his dark mahogany desk from Vanaheim. If anything, analysing her personal living space to the very last grain of dust would satisfy his need to learn just why he felt so drawn her, perhaps.

The first item of furniture he took in was the long bookshelf towering all the way up to the ceiling, every inch filled with clearly read books about as thick as his wrist. He made a note to study the titles later. A coffee table full of empty peanut shells and a new package of peanuts still sealed neatly in their plastic bag, a caramel sofa on which he found more sealed peanut bags as well as a golden cushion with cheesy pom-poms. A drawer, a TV with large speakers and another electronic gadget resembling a fridge and two separate doorways which led to a bathing area, so he presumed, and her bedroom. Even with the overall lack of more furniture in the room, Jess had somehow managed to add her very own personal touch to the sterile residential unit.

“The bathroom is to the right, you’ll find refreshments and snacks in the fridge next to the TV. My bedroom is out of bounds. I hope you enjoyed the tour.” She chuckled, grabbing a blue leather jacket from the hook on the entrance door behind them. “Big meals are eaten in the cafeteria at certain times of the day though. Mobius wants to strengthen the team spirit but the cooks never say no to a late breakfast or a midnight snack if you ask them nicely.”

Loki narrowed his eyes at her. “Don’t you feel like a prisoner in this place?” A lackey for someone else to take the credit for your hard work, he added silently. He knew two of that kind—one being his brother, the other his alleged father. Loki suppressed a begrudged growl. Just in that moment and before she had a chance to reply to his provocative remark, there was a vigorous knock on the door.

“That’ll be your cue.” Jess announced. Loki had to force himself not to turn his head and catch one last glimpse of her as the grimly looking security man escorted him back to Mobius and, other than Jess, kept pushing him forward like cattle and yet, he was convinced he could feel her curious gaze resting on his back long after he had turned back around the corner, stepped into the elevator and even when he was reluctantly reunited with Mobius near the lab where they had first picked her up.

He was speaking to the same Minuteman who had interrupted them earlier—quietly, vividly and so engrossed in the seemingly heated conversation that he noticed Loki and his new bodyguard approaching only after his exceptional hearing had picked up shreds of information he made another mental note of using against them, sooner rather than later.

“You do realise that they’ll come after us with a vengeance, right? That could be the end of TVA once and for all, you know very well what he is capable of.”

“Let that be my concern. This is just a temporary solution—one which I am very curious about.”

“But it already—“

“I realise it already happened and that’s exactly why I’m doing this. All we need to do is stop it from happening again by observing the situation intently, stitch up the loop and we’ll be safe. This isn’t my first rodeo, Dave, you of all people should know this.”

“And what about the Tesseract? Wouldn’t it be smarter if we—“

The security officer cleared his throat, announcing their arrival.

“The Tesseract,” Loki interrupted with a glare, strutting towards them like the king he was born to become and despite his shackles, “belongs to me. It called out to me, it is mine.”

“You’ll find a lot of people in this facility who will disagree with you on that. Trust me. We’ll make sure you won’t get your hands on that cube again.” Dave snorted. “I hope you like your new lodging. Now come on, mischief maker. You’ve got a lot of work to do.”

~*~

A/N: And Scene! So what do you think, what do you think, what do you think? 🤯 I’m so excited to dive into this story! I literally recorded myself on my phone in the middle of the night a while back when all the ideas I had finally came together so I hope I’ll be taking you on an exciting journey with me!

Chapter 2

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