#There's so much more I could say

[salparadiselost]

The New Gods AU looks quite interesting. So is Dick the god of spectacle and Tim the god of deduction?

Thank you!

The New Gods AU is dear to my heart <3

SO

Dick and Tim (and Jason) are all godlings, meaning they are directly formed from a human emotion attaching to something. Strong enough emotion with enough time can turn a more nebulous thing into an actual child-shaped godling, which can then be either raised by a god or grown up by itself.

As a godling develops, they will need to find something that feeds them and sustains their life. That is what they are 'the god of' though it isn't really like they control the thing, they more relish in it and can develop powers associated with it. They need a thing however, or else they will fade. The stronger and more prevalent that thing is, generally the stronger the god though there's usually competition over resources. Concepts do go extinct too. The things that could once support gods can fade into obscurity, so often gods must adapt their godhood to survive. It's kinda like starting from square one in terms of power, but hey you don't fade out.

Dick was a godling born in the Roman Coliseum and among all the blood and spectacle that came with it. He loves the vicious sport of competition and a crowd screaming the players on. He doesn't so much mind how much pain comes from it; it often makes a better show. Bruce caught him when he was young and though he would have been in his rights to letting Diana snuff out Dick's life in fear he was attaching to concepts that were too violent and vicious, Bruce took him in. Bruce has worked towards getting Dick attached to less... bloody spectacles. He's been a god of many types of shows and events, though circuses both Roman and modern are his favourite. He searches for anything with showboating and performance of impressive feats. Today, he mainly gleans power from in-person events such as concerts or sports shows (like WWE) though he isn't picky. He's also recently been exploring the power associated with TikTok stunts.

Tim is a godling that was born around the same time that the printing press was developed. Lots of godlings spawned during the advent of mass communication and Tim started attaching himself to rumours, lies and mysteries hidden in between letters. He loved watching how lies could destroy someone, destroy a life, or completely hide truth from another. Now, Bruce's job as a god deals with lots of mysteries (which is a whole 'nother can of worms) so Tim kinda... just started following him along until Bruce adopted him. Tim was attracted to the mysteries built into Bruce's 'job' and he also doesn't mind recreating the death (Bruce does not like this or ask for Tim to do this). Today, Tim has adapted to focusing on cold cases and true crime. He absolutely adores the true crime podcast boom and has probably shown up on your favourite 'make-up and murder' get ready with me without you even knowing.

[damian-al-ghul-wayne]

what do you think of your family? ⚡️

my family is very lovely, but I do not think I belong apart of them. I feel as if I'm an outcast despite being the only one who's biologically related to my father. I can't help but feel jealous of my siblings and my father. There is so many expectations set for me that I know I will have trouble achieving. I do not want to disappoint any of them, yet I feel as if I already have. A part of me wishes that my mother would come back and take me away. Even then, I will be disappointing both sides of my family whatever I do because of the standards and expectations that are expected of me.

[basaltbutch]

Blaseball has been a constant background presence throughout pretty much the entirety of my adulthood life so far, and it feels weird to think the official source is gone.

I never meant to get into blaseball. At most, I figured it'd be a common interest between me and Moss (genusniebla). I picked my team entirely at random. And yet.

It kept me sane all throughout the initial lockdowns, when I didn't leave my house for an entire year. I tuned into the sim on nights I couldn't sleep, watched lore jams and liveshows and listened to podcasts about it while I gardened. Even when I started meandering into the rest of the world again, blaseball was a talisman, a comfort. The first patch on my backpack was a homemade one for the Hellmouth Sunbeams. About half the ones on my crustpunk pants were at least inspired by blaseball.

The music, most of all, has completely changed me. The Garages have been the soundtrack of my life, my number-one listened to artist, since I first discovered them. I skipped my own birthday celebration to watch the premiere of the Discipline album! There was a period of my life where I listened to solely (and I mean solely) the Garages for (at least) six months straight. I am going to continue to listen to the Garages until the day I die.

And the people!! Oh, the people. I've met so many wonderful friends and people because of this game. The community around blaseball has always been such a warm and welcoming environment (not just saying that because my team is the Hellmouth Sunbeams) and I'm truly lucky that this game has let me meet so many amazing people.

I hate to say it, but the game couldn't go on forever. It would lessen the impact of it. As far as I believe— we've won. Our teams have always won. We were always the driving force behind the cultural event of blaseball, the final bosses. It's over. No one has to play anymore.

Rest in violence, blaseball.

[rainbow-crane]

Piping hot take apparently but. Maybe if you're going to criticize a thing for poor writing you should actually watch it first

[igniferrus]

I can't believe the BBC's The Adventures of Merlin peaked at S01E04 "The Poisoned Chalice."

OBVIOUSLY I love the absolute absurdity of Merlin and Arthur trying to die for each other after knowing each other for like a week. Just for the vibes and for the Merthur implications, however; this episode is the one that does the characters and their interpersonal relationships the most justice, in my opinion.

Now with a read more, because this got out of hand, fast.

We start with the Gauis and Merlin father-son relationship, with them bantering in the hallways about work. Gwen and Merlin get to giggle together at the feast, and then we see their bond as Gwen worries over Merlin (and her blaming herself when he 'dies').

Merlin is also a wonderful sunshine boy in this episode. The weight of his destiny hasn't worn him down yet, he's still riding the high of finally understanding the reason he was born as he was. He perks up when Arthur tells him he's going to the feast, he treats the guests as guests (no immediate suspicion, trying to impress Kara/Nimueh), and we get to see some of his best cheeky moments - like calling Gaius out for making up a proverb, telling Kara he runs the castle, pestering Arthur about his smelly clothes and the food fights, and, of course, when he wakes up mock scolding Gaius for hugging Gwen, and then claiming not to be alive but his own ghost. He's still a silly boy, especially when he wakes up and says he doesn't remember what happened after drinking the wine.

But what I think this episode does particularly well is the Pendragons, especially Arthur.

We get Morgana ready to cut a bitch immediately when things go wrong at the feast, but also see her compassionate side when she allows Gwen to go tend to Merlin. Her relationships with Uther and Arthur are phenomenally well done. Uther scolds her (off-screen) for wanting to bash people about the head with ladles at the feast. But she also gets to stand up to him and show her displeasure at his choices.

When Uther rants at her after Arthur leaves, she agrees with his every point, sarcastically. His ordering Arthur to stay "worked like a charm" and "[her] lips are sealed" when he tells her to knock it off. She calls him out for oppressing Arthur and not letting him make his own choice, telling Uther "[He] can't chain [Arthur] up every time he disagrees with [Uther]" and "Arthur's old enough to make decisions for himself"

But Uther wins this argument (or is at least conceded to), because he asks Morgana if he should allow Arthur to make his own choices, if that means Arthur will die. And Morgana has no answer for him. Which is especially interesting as Morgana was the one to push for Arthur to go.

There is a lot to be said for Morgana and Arthur's relationship in the show as a whole, and this episode too. I could probably write a whole post about them just using The Poisoned Chalice. But I'll keep it to two main points here.

The first, and most important one, which I think is overlooked in a lot of people's take on their relationship, comes from a short line in a transition scene. There is a total of six pieces of dialogues, split between Morgana and Gwen, as Gwen fills Morgana in on the Merlin situation, which includes this bit:

MORGANA: Don't worry, I'm alright. How's Merlin? GUINEVERE: If Arthur comes back with the antidote in time, he'll be fine. MORGANA: Then he'll be fine.

Just like that. If Merlin's health relies on Arthur succeeding it is a forgone conclusion for Morgana. Arthur will not fail. She has enough faith in him that she is no longer worried about Merlin's fate. I don't think enough people consider this angle of their relationship. She knows who Arthur is. He is a good, capable man of honour. He will do what needs to be done. She never says this to his face, and actually implies the opposite when she thinks he won't go and rescue Gwen in a later episode, but that's sibling banter and desperation, baby! She's his older sister, she can't be seen hyping him up. Even when she gives him the chance to talk about his success at the end of the episode, she frames it as "bragging." C'mon. He just traveled to a place where few people come back from, defied his king, and still managed to save a man whose life was already deemed "worth less" that the cost of saving him. It's not bragging, it's a true achievement.

There has also been plenty said for Morgana being a guiding figure at first. When Arthur is stuck with indecision about going, when Uther has gotten into his head about this quest being an abandonment of his people, it is Morgana who encourages him to go, saying his people want and deserve a king who will do what is right. Which is all Arthur ever wants to do, despite the way Uther raised him.

Which brings us to the Uther and Arthur relationship. Uther prohibits Arthur from doing what is right. Calls into question his judgement ("jeopardise the future of this kingdom"? Realty, Uther?). Arrests his son. Locks him in the dungeon. Does his best to throw away all that Arthur sacrificed for to teach him a lesson about not doing things the "right" (Uther's) way. Continued to lie about Arthur's birth and magic, when given the perfect opportunity to come clean.

And yet.

Uther loves his boy. He wants to kill Bayard with his own hands, if it was true that he was going to harm Uther's son. Rants and raves to Morgana and Arthur leaving (and disobeying), putting himself in danger (could never say he's worried to his son's face, though). And in that moment, uses the exact justification he told Gaius wasn't good enough. When Merlin accuses Bayard of poison, Gaius claims "he's just a boy" and should be given leniency, which Uther refutes, saying Gaius should have taught him better. But when it's Uther's own (older) son, "he's just a boy" Morgana, not old enough to make his own decisions.

And at the end? When Uther does tell Arthur he's proud of him, despite it all? Arthur pulls this face, almost a kind of grimace. Like he doesn't know what to do with this information. How often does Uther say this? Not enough, obviously. Uther is a tyrant, a hypocrite, a terrible parent, and a father who cares so very deeply about his child(ren). The love is there, but it is not enough to redeem him. This, along with Beauty and the Beast (especially part two) are some of my top Uther episodes. Because they show how much he loves his boy, and it doesn't change anything. It cannot help either of them now.

Finally. Arthur Pendragon. My main man, in all forms, across all media.

He is at his best in this episode. In every conceivable way.

Aside from the excellent insight into his relationships with his family, in a way with more depth and nuance than most episodes, we get to see the Best Arthur, both physically and mentally.

As a man, he excels. He shows up for the diplomatic aspects of the position as Prince. His teases and needles Merlin, but it is less mean spirited than some episodes portray him. The silly hat is hilarious, but I also think putting Merlin in Pendragon red, with the family's crest emblazoned on his chest was a smart move. This is a new, incredibly untrained servant, with no idea of the decorum of the court. It wasn't Merlin's fault, but he really put himself in a bad light during the tournament by accusing Valiant and not being able to back up his claims, and he did recently confess to sorcery to the entire court...... Arthur all but putting his name on Merlin definitely would have afforded some protection if Merlin's trouble had been a little less dire. Calling Merlin an alcoholic may have been a bit harsh, but impugning Merlin's intelligence had already worked once in getting Uther to let him go, so I see why Arthur would stick with what works. Especially if defying Uther regularly gets him clapped in irons himself.

People routinely call Arthur honourable, and he really shows it in this episode. He tries to drink the poison himself to protect Merlin, after all his other attempts fail. He refuses to allow Merlin's sacrifice to go unrepaid. Even when he hears about how dangerous the quest will be, and that few who try it make it back alive, he says "Sounds like fun." There's no reality where Arthur doesn't want to go. Not even Uther pressing on Arthur's sore spots makes him want to abandon the quest, it just makes him wonder if he should. Also. On a time-sensitive quest that is more likely to kill him than not, he still stops to offer help to an apparently battered servant. It was the wrong choice, but the honourable one none the less.

He's so incredibly clever, too. I talked about my interpretation of his choice of Merlin's outfit already, but the scene with Gwen in the dungeon is so well-written. He's already in trouble. Uther has all but sentenced Merlin to die, twice. Once by forbidding Arthur from leaving the castle, and again when he crushes the flower to teach Arthur a lesson. The guards have to know this, along with the fact that the prince is out of favour enough to be in the dungeon for a week. And yet Arthur uses their perception of him, as a spoiled arrogant prince, to help Gwen smuggle the flower out. It is an exceptionally well-laid and executed plan. He has been studying to be a king (and kill) from birth. By necessity, Arthur is a skilled tactician. He wouldn't lead the army if he wasn't - Uther punishes failure harshly.

Arthur also gets to show off his physical skills in this episode. My man is STRONG and SKILLED. He carries Merlin from the hall to the physician's chambers. I don't know how long of a walk that it, but we've seen there are plenty of stairs up to Gaius' tower, and Arthur gets there without being out of breath. Incredible. Plus, in the cave, Arthur supports his entire body weight with one hand while hanging off a ledge AND waving a sword around to fight off a big spider. In chainmail. This man is Strong As Fuck. I don't think I could hang for very long, even using both hands, much less fight a monster.

We also get to see Arthur's skills with a sword. I've mentioned somewhere before that I understand Merlin was the protagonist and therefore got to be the hero most of the time, at the expense of Arthur. But damn. The cockatrice is the main reason why people don't return from this quest, a single drop of its venom is deadly. And Arthur takes care of it without a single thought. It lunges, he rolls under it, and then he THROWS HIS SWORD and spears it. How much did he have to practice to be able to throw a sword with accuracy, and enough power to be lethal? Absolute unit of a man. He fights off the spider mentioned above, and then climbs the cave wall to freedom. His arms must be so jacked. The only thing he can't carry is the weight of his father's disapproval.

This is also the only episode where we get to see Merlin and Arthur working perfectly together as they were meant to. In other episodes, Arthur is unconscious or unaware of Merlin's magic; or at the end, he is simply an audience to Merlin as the reveal at Camlann doesn't give them enough time to have a healthy Arthur and Merlin team up. Arthur only watches Merlin-as-Dragoon at the battle proper, or is too weak to do anything after.

But in this episode, Merlin, fever-ridden, dying, miles away in Camelot, is still able to provide Arthur magical aid in the cave. He lights the way, showing Arthur the spiders and the route to the exit. It is one of the few times Arthur is exposed to "good" magic. Could you imagine a world where the best swordsman in Albion and the most powerful warlock to walk the earth get to fight side-by-side? With Merlin providing magical support and Arthur the physical aspect? it would have been amazing, but this is the closest we come to it.

It also adds an interesting dimension to the idea of Merlin and Arthur being two sides of the same coin. Merlin's connection to Arthur despite the distance, knowing what Arthur is facing, should have been explored more. We only see it again when they are separated at Camlann, and Arthur wakes, seemingly knowing something isn't right with Merlin. Absolutely underused concept.

This has ended up criminally long, and didn't even cover everything I thought about during my rewatch of the episode. Thank you if you took the time to read all this.

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[poorly-drawn-mdzs]

Soup solves everything.

[chloesimaginationthings]

Michael Afton knows the FNAF Mimic’s secret..

[timelessbian]

actually that ao3 post about calculating kudos-to-hits ratios to decide if a fic is worth reading has me so pissed off. someone put real time and energy into something they are SHARING WITH YOU FOR FREE on a site where you can quite literally filter and search by anything you want and you're STILL trying to find a foolproof method to find stuff that's "good enough to read"???

YOU ARE NOT THE TARGET AUDIENCE FOR EVERYTHING

you don't have to like or read everything in a given fandom or tag, but you also don't have to be a cunt about it and imply that it's not worth reading. this is the kind of shit that moves people to stop creating altogether, and to see people agreeing in the tags is so disheartening. absolutely unserious behavior.

[meltedmush]

Sorry! 😭

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[bookalicent]

yeah so this was insane

[forbidden-royal]

The seasons change, and the sun will rise again.

Wow, just wow. @somerandomdudelmao, your series was incredible. I only found your comic in July and I didn’t become an active tumblr user/follower till September, but I’m so glad I got to watch this project come to a close. The ROTTMNT fandom wouldn’t be the same without you and your comic. You’ve inspired so many people, including me, and I just want to say thank you, Cass. Thank you for making my year a little bit brighter. Thank you for reigniting my love of art. Thank you for creating. Thank you for existing.

You’re no longer just some random dude lmao. You’re the creature who fixed the apocalypse, the creature who brought together thousands of people and built a family. A family of turtles and fans.

In honor of C.A.S I wanted to color and animate the final panel of the comic. Im still learning color theory and digital art but you’ve inspired me to improve, and what better way to start than with the end? It was a beautiful ending, so perfectly paced and full of a peaceful hope twinged with a bittersweet sadness. Your comic might be done, but this turtle family will live on forever.

Now go take a well-deserved nap and relish in your success!

[lukellios]

What a difference six years makes

[trans-androgyne]

Remind yourself that this is temporary.

“This will mean I can’t transition” could be more accurately framed as “parts of my transition will have to be delayed.”

This won’t last forever. One day, your body is going to feel like a home. One day, you’ll have people who call you what you want to be called. One day, you’ll look in the mirror and see yourself. Please make sure you’re around long enough to see it. Sending you so much love.

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love