#because there are actual critiques you could be making

[funhouse-mirror-barbie]

I may go into more detail about “Sinsmas” later, but I did want to talk about what I considered to be the one scene/sequence that I thought was very well done and that I truly enjoyed—Octavia’s song, “I Will Be Okay”.

(Song/Character Discussion below)

Octavia’s song is almost everything I could have asked for. A somber echo of Stolas’ song from season 1, Octavia’s I Will Be Okay, finally, finally, gives Octavia a voice and the chance to express her grief over her father’s abandonment.

For the first time in the series, there’s no one to tell Octavia that she should give her dad some slack or that she should forgive him. She’s finally allowed to be upset, to fully mourn her relationship with Stolas and to get mad about what happened. She’s finally allowed to start working towards accepting the ways Stolas’ neglected her, and begin healing from that pain and trauma.

Octavia’s experience is both terribly heart-wrenching and, in the most painful way, freeing. The lyrics reflect that perfectly, with Octavia acknowledging that while she’s not okay now because of everything Stolas put her through, she WILL be okay, and will grow into her own person without him.

The song is a direct response to Stolas’. Octavia is answering him, saying “Yes, I will be okay. Not because of anything that you were supposed to or failed to provide me as a father, but because I will forge my own path, and in doing so will heal from the pain you caused me.”

It’s a bittersweet song about finding the strength to cut contact with someone you loved who has repeatedly failed you in the worst ways, and who isn’t going to change.

I do have one “criticism” for this song and sequence, not because anything from it was poorly done, but because, in my opinion, the song’s visuals could have been even better.

The following scene was in the original storyboards for “I Will Be Okay”, and was changed in the final episode:

I think the decision to change the visuals for these lyrics in the song was a mistake. Please don’t get me wrong, the animation in this entire episode was fantastic, my critiques of Helluva Boss are almost never about the animation.

But the above sequence just has so much more emotional weight to me. It’s the visualization of Octavia realizing she can’t rely on Stolas, that she has to look to herself for comfort.

Octavia taking her younger self from her neglectful father’s arms, symbolizing that she’s accepted that Stolas cannot be depended on and that she’ll have to take care of herself now, is such a powerful image.

It really is a shame to me that they cut this scene, because I think it fully encapsulates everything Octavia has been through in such a simple and effective way. I think the scene really loses something by cutting this visual.

With all of that said though, Octavia’s song, and the scene where she FINALLY calls Stolas out for his behavior were very cathartic for me. I know that the scene’s intent was most likely to make us empathize with Stolas for losing his daughter, but I found myself empathizing only with Octavia, and hoping that she gets the time she needs to heal.

I would love it if the show actually let her decide whether or not she wants Stolas back in her life, but given the way HB’s writers portray women, I worry that it’s likely some big event will happen that “reveals” Stella to be awful, and Octavia will forgive Stolas just like that, and will probably end up apologizing to him instead (like in “Seeing Stars”)

Anyway, just like Octavia being the only good thing in Stolas’ life, “I Will Be Okay” was, in my opinion, the only good thing in “Sinsmas”. (well that and Octavia calling Stolas out)

[alpaca-clouds]

Arcane & Disability - From the Perspective of a Sensitivity Reader

Alright. I promised this a month ago, but just did not get around, because university and work were all too stressful. But still, it is a topic that keeps to be on my mind, after the end of Arcane season 2. While season 2 was a mess in general, when it comes to pacing and characters and dialogues, to me – a disabled person – one of the biggest issues really is how the series treats disability. This was already a problem in season 1, but because of the bad pacing and the fact that a lot of characters clearly did not get as many scenes as it was intended at first, making this issue worse.

So, before someone asks, who am I to judge this: While my main job is in IT, I usually do at least one book or other project in sensitivity reading per month. I just rely on the IT job to know I have a constant income, if I do not manage to get a SR-job for once. But yes, it is part of my real-life job to critique writers on this kind of stuff.

So, let me talk about the disabilities in Arcane – and what is the issue there. I will go through different characters for this.

Spoilers for season 2, obviously.

Zaun and the Chem Lords

Let me start with something that mainly is in the background. We do see the Chem Lords once in season 1 and once in season 2 – though there for a prolonged scene. And a lot of them are disabled in some way and most of them are disfigured in some way. We also do see some of the “normal people” in Zaun, who are often disabled – using some sort of prothesis – and also often disfigured. And while, sure, the show portrays it as part of the tragedy that Zaun is so exploited that there are so many people who are very disabled, but at the same time the Chem Lords are not at all portrayed in a sympathetic light, and even those background characters of Zaun (like the woman, who lost her child to Jayce and Vi) are not exactly treated sympathetically.

Before anything else, we need to establish one important thing about disability in this show: Pretty much all disabilities in this movie are acquired disabilities. Which is fair. By far most people IRL who are disabled do acquire their disability during the course of their life. Through sickness, through accidents, and also through simply aging. However, there is some issue to the fact that we see very little in terms of variety to the disabilities.

Sure, you could argue, that technically Arcane has more disabilities, than pretty much any other western media project – and you would be right. But let’s face it here: The bar is on the ground – if not underground.

But the main issue is, that for the most part the Chem Lords and a lot of those minor disabled roles in the movie are not at all portrayed sympathetically. The Chem Lords are just minor cannon fodder background villains, while the background characters are also mainly villains. Sure, I have seen a lot of fans a bit more sympathy for their motivations. But in the show? Well, we mainly see how they attack main characters and almost kill them.

This could work, mind you – if we had a counter example of good disabled characters. But that is not quite the show that we got. For the most part.

Sevika

If season 2 had not been the mess that it was, Sevika probably would be the one counter example to all of this. While in season 1 she mainly is just “the goon” for Silco and we get very, very little in terms of motivation for her, season 2 (or rather what was probably originally multiple other seasons) clearly at some point had a character arc in mind for her. Even as it was, we did learn a bit more about her motivation and such.

While I had originally just taken Sevika mainly as someone who was working for Silco, because it was the most promising opportunity for her (given there are not a lot of chances in Zaun). Not because of some ideology.

But Season 2 proofed me wrong, there. We learn not much about Sevika here, but we learn that she actually was with Silco out of conviction that what Silco was ultimately doing was making Zaun better. She understood that Zaun needed a leader figure and she thought that Silco was possibly the best leader they could have had. Now that Silco is dead, she tries to prop up Jinx as the new leader, because she understands that this is needed.

Given the place that Sevika ends up in – as a councilor for Zaun – I am gonna assume there was some version of this (one with more seasons) where Sevika had gotten an arc, this would have been more of a focus. Her learning that instead of popping up someone else as a figurehead, she had to be the one to lead people. However, we clearly did not get that version of the story.

Still, I am possibly going to argue that the fact that she did not get this arc, is less connected to her being a clearly disabled character, and more to her being not a champion in the game so far. So generally speaking, I would still argue that despite it all, she is the one disabled character in this show, who I think is generally portrayed the most favorable.

Silco

I know, some people will now ask: “How the fuck is Silco disabled.” But for once, yes, he uses a cane at times, but also, he has a facial deformity, which is in fact counted under the disability umbrella. While technically speaking a facial deformity does not always stop people from being capable of working, the discrimination of people with facial deformities has to do a lot with the favoring of healthy bodies, and how this is connected to beauty norms.

And Silco… Well, how to put this best? From what is there in season 2, I am going to assume that there was a version of this, where there had been more time to tell the story, and we would have gotten a more sympathetic portrayal of Silco, where we went more into his motivation. Season 2 does hint at the fact that indeed, Zaun under Silco was a lot more stable than in any alternate scenario, and that Silco did in fact really try to make life better for the most possible people. But that is it: It very much hints at it, but never fully goes into it.

We know this is all bound to the lady who was the mother to Vi and Powder, but how we never get explained. And yeah, this is an issue. While I do not think that originally Silco really fell into the typical trope of “person has a facial deformity to signify their evil” (something that shows up in a lot of media – including Disney movies and a ton of James Bond movies), the fact that we never really go deep into his background and motivation, he somewhat falls into the trope here. And that really just because probably all the stuff that went into him as a character was just cut for time. And yeah, fuck. It is a big issue here. If the rest of the show was not as messy as it was, it would be less so – but given the state this show is in and the way the other disabled characters are portrayed… Oh boy, this is a problem.

Singed

I actually thought a lot about whether to put Singed in here. Because yes, he clearly is disabled and has deformities. But also, in the version of the show we got, he almost feel like a footnote of a character. However, I decided to at least go quickly into him, because again: You cannot put in most disabled characters as villains, and then make someone who is very, very responsible for a lot of the bad stuff that happens in this show and make him disabled as well. And yes, I get that Singed is disabled in the game, and that he is a somewhat bad character in the game as well. But that does not undo the harm this does within the narrative of the show. And you need to understand that. While yes, you can argue that his end goal (reviving his daughter) can be considered as somewhat sympathetic, it is not addressed enough to make him a complex and nuanced character. And again, he very much is responsible for many of the bad things that happen.

Jinx

Okay, let us talk about Jinx. She is the character, who I had the biggest problem in season 1 with – and season 2 did not really make it better. Because yes – until loosing her finger in season 2, generally her disability is her mental illness that clearly is chronic and unlikely to ever fully get away. And this is a big, big issue.

Because Jinx’s mental illness is from about the same line of mental illnesses that villains in the Batman comics have. Like sure, we can argue that there are some aspects in there of some sort of Borderline, PTSD, Dissociative Identity Disorder, and such. But for the most part her mental illness exists mainly to be edgy, and weird, and strange – much like Harley Quinn’s and the Joker’s disability. We know that those two characters were major influences on Jinx.

And look, I will admit, that Harley Quinn is a character I do generally enjoy. But that does not change that yeah, Harley like Jinx is a bad character in terms in representing actually mentally ill people. Because the focus of the character is to be weird, and cool, and somewhat entertaining. While yes, some of the symptoms that Jinx is showing are based on symptoms of real mental illnesses, as mentioned above, the way she is experiencing them is mainly there to be nice in a visual and entertaining kind of way. And that is… Well, it is an issue. Especially given that her mental illness mainly does also show in her violent tendencies.

Don’t get me wrong: I have known people with some of the diagnosis that one could probably read into what we see in her, and some of those people were in fact quite violent. At times only verbally, but in some cases they would also have a hair trigger before they would start and try to shove and punch people. So yes, this part is not technically speaking a thing that is unrealistic.

However, if someone was going to hand me a book, where the one character, who very clearly is written with a mental illness is depicted as a sort of maniac, who is part supervillain, and part manic pixie dream girl, that mainly exists and is the depicted the way she is to cater to a presumed straight male audience. That really is an issue.

Nothing that I can say about Jinx is exclusive to Jinx or Arcane in the grand scheme of things. A lot of these tropes are around for decades now. But that does not make them less harmful. On the contrary. They are actually worse because of it, as this kinda will play into the confirmation bias of people, who do not have to deal with mentally ill people very often. And I wish those tropes would die.

Sure, we can argue the fact that at the very least Jinx is portrayed in a somewhat more positive manner (just as Harley Quinn is these days), is at least a tiny step forward. But it is still not a good way of portraying this. Just not the worst way anymore.

And of course then there is the fact that for now she actually dies in the end of the show, just as pretty much most disabled characters in this show do. And that… is just not a good look.

Isha

Oh boy. Isha is something that came out of nowhere and really was one of the main reasons of me wanting to write this thing. Isha is mute. And here a little bit about muteness in real life: Most mute people are deaf-mute. So they are mute, because they were born without the ability to hear properly, and hence never learn how to pronounce properly, despite technically having a voice box. People who can hear and are mute – like Isha – probably are mute because of some mental illness. Some people go mute because of trauma, some neurodivergent people are non-verbal (so they don’t speak) or can be non-verbal under stress. (I fall under this, at times. I do have days on which I just cannot properly speak.)

With Isha we never learn why she does not speak. She just doesn’t. She shows up, attached herself to Jinx, and then is basically Jinx’s own Manic Pixie Dream Girl, just in the “little sister” way, rather than the “romantic” way. She mainly exists just to bring Jinx back into functioning enough that she can partake in the rest of the plot. And once she has archived that, well… She dies. Again, like almost all disabled characters in this show fucking do. She is merely a plot device.

And again, given some of the hints that are dropped, I do assume there was at some point more to her story. But we did not get that version of this story. The version we got? Well, she is the mute manic pixie dream girl, who gracefully offs herself once her plot function has been fulfilled. And this more than anything to me is so fucking egregious. If she was not disabled this was already bad enough, but given she is disabled? This is fucking horrible – especially again in the context of a show where most disabled characters die.

Basically what the show tells me – a disabled person – is that my main worth as a person is to die for ablebodied people. Thanks Arcane, needed to hear that. Great job. Hope y’all are proud for creating this show.

Viktor

Lastly there is Viktor. And mind you, there was a moment in this where I had some hope for his arc in terms of disability representation. Because while I will usually rage a lot about “healing disabilities” in fantasy and scifi media, his case was one where it was understandable. He was not trying to heal himself because he so desperately did not want to be disabled anymore, but because his never properly defined sickness, that was responsible for his disability, was degenerative, and he was going to die very early without a cure. And even with that in mind, once something bad happened because of it – when Sky died – he stopped it, because he realized it was too dangerous. While I had some minor notes of how this was handled in season 1, I thought it was fairly good.

And in the beginning of season 2 I actually kinda liked it too. It was not him who chose the healing, but Jayce. And once Viktor woke up from his coma after the magic healing, his first reaction was to be angry with Jayce about it. Partly because of the danger he understood, but partly also because Jayce violated Viktor’s bodily autonomy. I liked that. It was good.

However, it only went downhill from there. Because whatever anger Viktor had from that moment on, it was gone. Sure, you can argue with Viktor’s actions how much of it came from the core/the hextech/the arcane, and how much came from him. But never the less: He quickly is fine with being healed, and then becomes a sort of villain. And also goes ahead to heal other people of their illnesses and disabilities. Some of them consensually, which is somewhat fine though again for the aforementioned reasons of the eugenic implications of the “healing the disabled” trope has, but in some cases also non-consensually. And that is just… not good.

And then, in the bloody finale, he is kinda the final boss. He, the disabled person. Sure, Ambessa is the leader of the fascists, but Viktor is kinda the final boss.

Sure, I could say something about it being nice to have a clearly queer disabled character. But you know what? All of that pales against the fact that in the end of it all, Viktor has to be sacrificed for the happy end for the ablebodied people.

You know, in some other version of events I would have liked the fact that Jayce does acquire a disability in those last few episodes. While it is not quite clear whether this disability is gonna be chronic or not, it does not matter, because he, too, gets sacrificed. Guess he is no longer as valuable given that he is disabled now. Or at least that is the feeling that comes up.

Conclusion

Look, here is the thing: None of the characters in question are written in a way that is so egregious that if it was just this one example it would be a problem. And hey, some part of me is like: “Hey, at least there are multiple disabled characters,” given that this is still fairly rare in western media. (I am currently getting spoiled by Japanese shows. Ranking of Kings, Sign of Affection and so on are doing a much better job at portraying disability.) But given that most of these characters are villains or end up as villains on the long run, and most of them end up dead? Yeah, fuck Arcane. You do not get points for depicting disabilities in a way that clearly communicates that actually the lives of disabled people are less worthy than those of ablebodied people.

Look, whatever you have been told about Sensitivity Reading: Like editors in book publishing, Sensitivity Readers have little power. All we can do is say: “Hey, this is some really unfortunate implication here. Maybe you should change that.” But authors and publishers can absolutely ignore our feedback. Talking with other sensitivity readers there were a couple of examples where all the feedback was ignored.

I do not know whether Arcane had a Sensitivity Reader who gave feedback on the depiction of disabled people in this show. But I am going to assume if there was, they were very probably ignored. Because yeah, I am sorry. This is just overall not good.

Yes, this show has more disabled characters than most western shows. But again: If those characters are mainly villains, and mainly die by the end of the show… Yeah, sorry, Arcane, you do not get a gold star for including them. In fact, given how the characters are shown, frankly, I would probably have preferred it if the characters had not been disabled in the first place.

[shsl-analyzer-guy]

Piping hot take apparently but. Maybe if you're going to criticize a thing for poor writing you should actually watch it first

[autisticrosewilson]

Um if you write Jason having to get drugs for Catherine I want you dead btw. Not only does it tell me you assume the average drug dealer would give the hard shit to a very small child and then not supervise them at all (classist stereotype that all drug dealers are inherently evil + lazy writing with no grasp on reality) and you genuinely think that Catherine was CONSTANTLY high, as if that's even possible without overdosing far sooner than she did. That's without even getting into the bad mom Catherine propaganda.

[cogentranting]

The Hunger Games succeeds (and more so achieves sort of mythic effect) because it approaches dystopia through the timeless-- it (and Ballad) brings these universal ideas to a very personal lens and asks questions like "how do we begin to excuse evil in our lives" or "how do you hold on to goodness in the midst of oppression". And because it is so invested in the transcendent it lends itself to very powerful symbols, which give it that mythic feel.

Orwell's books (Animal Farm and 1984) both succeed through a very different approach to dystopia (Animal Farm isn't really a dystopia in the traditional sense but it has a lot of the elements). Orwell succeeds through real perceptive insight into the inner mechanisms of the subjects of his critiques. Orwell has vision that can cut deep into the way that things like propaganda or 'controlling the narrative' work and then, having dissected them, hold those tactics up for all to see.

And I think a lot of dystopias fall short because they get tangled up in the Idea of their story. The "what if" they've created. Either focused too much on the Issue-- too narrowly to be universal, too broadly to be revealing-- or too disconnected from anything genuine. And because they get stuck at that particular point they don't have much more to offer than "wouldn't this be bad?" And if you get a pretty good writer they can make that feel insightful but really it doesn't have much more to offer than whatever absurd YA book comes to mind first when you hear "bad dystopian novel".

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[epickiya722]

"The finale is bad."

Damn, we didn't even get it officially released out yet.

[scattered-winter]

it's not even that I think rwby is perfect because I KNOW there are a lot of flaws in the writing and how some things were handled (particularly the faunus racism plotline) but I will also be defending that show to my last breath because the only people who ever try and "critique" it are angry dudebros who can't STAND that the story revolves almost exclusively around women. and most of them haven't even watched past season 3.

[coffeeandcalligraphy]

rereading the worst scene I have ever written in my entire life and why did harrison have to drag lonan so hard here:

The sound of Lonan’s voice is like crashing into a concrete wall.

[ectoplasmer]

hyping myself up by thinking of ryou praising me every time i finish a contract in phasmo

[rotisseries]

omg guys my narines playlist fucks so hard

[13eyond13]

.

[chaotic-history]

I will die on this hill

[idolomantises]

I haven't drawn Hazbin Hotel/Helluva Boss redesigns since last year and the fandom still regularly tags me/picks fights with me over them. I did not think a couple drawings would live in people's heads so rent free.

Like you can go find my redesigns on twitter, they're still very public. I just label them as "Angel Dust redesign" or "Alastor redesign". The only time I think I explicitly called a design bad was when I said I found Beelzebub's design atrocious. Which it is. It's an overdesigned mess that doesn't convey the sin at all, I'm allowed to say I don't like it. And even still, when I posted the art, I still labeled it as "Beelzebub redesign".

I'm not going to forget when you fans regularly stalked my account and PATREON just to figure out when I would upload the redesigns. You think I forgot about when I posted my Angel Dust redesign which was just meant to improve my old design and you people harassed me for days? You accused me of "baiting" fans because you are so self-obsessed you think everything I do is explicitly to upset you. You people misgendered me, told me to kill myself, called me a fucking cockroach and flat out threatened to assault me multiple times. Sure I was harsh about my critiques, but I didn't resort to homophobic and transphobic comments like you people did with my Angel Dust redesign because for some unexplained reason you diehard fans who have been following this project for 10 years didn't know that he's meant to be a drag queen. When I did a quick redesign of Katie Killjoy on my personal tumblr, guess what? You people flipped the fuck out, AGAIN.

I can't even talk about my own religion without you sad, paranoid losers thinking I'm trashtalking hazbin hotel. You made up some rumor that I block all Hazbin Hotel/Helluva Boss fans (despite being mutuals/friends with people who are fans of the shows or actually work on them) just so you could justify harassing me even more. You told me for years that I should wait until the Hazbin series dropped to get my full thoughts out and when it did you people still freaked out and berated me.

Even when I talked about my situation after posting my Angel Dust redesign, instead of apologizing, fans claimed I planned this hostile reaction to begin with to make the fandom look bad. That I was "pulling a transphobia card" for sympathy. I didn't do shit. You people have gotten more aggressive about your hate towards me because people finally saw how incredibly inappropriate and vile you people act over a midtier cartoon written by someone who has so many allegations of bullying, transphobia, racism and workplace abuse that it's become harder and harder for you to deny, so you take out your unrepressed anger on me.

I know the only reason you people target me is because I'm a big artist who doesn't kiss Viv's ass. You want me to be a diehard fan of hers like every other big artist you people bully into worshipping Viv and her show and I won't do it. So you just obsessively stalk and monitor my account and accuse every little thing I do as a spiteful attack so you can justify your little harassment campaigns again. It's pathetic.

Seek help, find a hobby, stop obsessing over people who don't like the same thing as you. It's getting sad.

[snaileer]

Practice Your Skills

“You ever look at someone and wonder how hard it would be to get past their defenses and stab them?”

Damian snapped his head to the side, looking at the young boy now standing beside him.

The boy put his hands up in front of him with a wince, “Not that I ever do that. Totally not, whaaaat???”

Damian huffed and turned back around to watch the gala participants.

“It’s just you kinda looked like you were contemplating the logistics of stabbing Mrs.Halterguild for squeezing your cheeks.”

Damian scowled. Then, after a moment’s beat, “It would not be very difficult. She is nearly blind in her left eye, I would be able to approach without repost.”

The kid hummed, turning back as well before motioning to another group to the far right, “What about Mr. Beckensmith, he’s a retired vet right?”

Damian rolled his eyes and scowled harder, “The man has only seen the battlefield of an office as he bribed his way from being fully enlisted and instead managed to pay for increasingly higher ranks and medals. He is a disgrace.”

The kid cocked his head to the side, looking suspicious for a second and then nodding with concession, “Fair enough, I bet I could get close enough too.”

Damian scoffed.

“What, don’t believe me?”

Damian leveled a doubtful glare at the civilian, making it clear by looking him up and down, “Hardly.”

The other smirked dangerously, “If I can get close enough to poke him and get away without being noticed, will you believe me?”

Damian narrowed his eyes but nodded succinctly and watched as the boy immediately took off, making a few loops around other people before finally backing up to Mr. Beckensmith and poking him on the opposite side as a group moved past.

Damian pursed his lips. Interesting. Certainly better than he would expect from an amateur. And an amateur civilian at that.

When the boy returns to his side Damian brushes off the asks of meaningless praise.

“Come on, I did it, now you have to go poke Mrs. Halterguild without getting caught.”

Damian sneers, “And why would I do that?”

“Because I don’t believe you either, the woman’s old but I bet she sees you and squeezes your cheeks again. Old ladies just have a sixth sense for that stuff you know.”

Damian nearly growls but sets off on his task. He makes sure to stay on her left side, but the woman turns at the last second, forcing Damian to use a passing waiter as cover to remain hidden and finally get close enough to poke her gaudy dress.

Then he sidles back up to the boy on the edges and provides his best ‘I am more capable than you’ scowl. The boy simply laughs and says, “Who’s next?”

They spend the night like that, choosing each other’s targets to attack non-lethally as though they were attempting to stab them, and Damian finds the gala going by in a significantly less tedious manner.

Right up until the boy laughs at him when he chooses a target. Only one bark of laughter escapes, but it is enough for Damian to consider stabbing him as well. If only with a butter knife.

Instead, Damian grinds his teeth and asks, “What is so different about Masters, do you really believe you would be unable to succeed?”

The other gives a breathless chuckle, “I’m pretty sure even you wouldn’t be able to successfully stab Vlad Masters,” The boy’s shoulders sag even as his jaw tightens with irritation, “He sees everything.”

Damian narrows his eyes. Something naws at the back of his brain but currently the critique of his capabilities takes precedence.

“I would be capable of stabbing Masters even without my favored sword,” Damian scowls and stands taller with annoyance.

“Sure you can, man,” At this, the boy quirks a sharp smile, “If you can actually get him, I’ll personally get you a magic sword,” he says with an air of amused indulgence. Like he thinks Damian is some insipid child saying he will find a fairy.

Damian grits his teeth and shakes the other’s hand, then immediately sets off after his target. How dare this civilian question him! He is the Son of the Bat, this is not even a challenge!

Damian growls as his approach is thwarted for the third time by the man turning in his direction and almost spotting him. How dare he! He will not fail!

Just as he reaches to jab the man in the side, already poised to make his escape, Masters whips around and clamps his fingers around Damian’s wrist with a vice grip.

“Really Daniel I thought we were over-“ Masters pauses, looking at Damian critically as he glares at the man’s offending hand, “You are not young Daniel.”

“Remove your hand from my person at once,” Damian growls.

Instead of listening to Damian’s very sensible directions, Masters tightens his grip and twists his arm, most likely in an attempt to hurt him.

“Now why is a child attempting to-“

Damian doesn’t wait to hear the rest of the man’s words, sliding a dagger into his other hand and swinging towards him, until that hand is caught mid-movement as well.

“Heh-Hey there!”

Damian snaps his head to the side just in time to see Grayson take his dagger and slide it into his pocket. He ignores the bark of laughter he hears from across the room.

Masters’ hand disappears from his arm suspiciously fast, “Mr. Wayne, what a pleasure!”

Damian looks over his other shoulder to see his father standing behind him, a thin smile on his face, “Vladimir!”

His father’s figure quickly obscures his vision, putting an arm over Masters’ shoulders in a way that clearly makes him irritated but forces him to follow as he is steered away.

“Dami, I thought we talked about the stabbing at formal events,” Grayson says through a strained smile as he looks over the crowd to make sure no else saw.

“Tt, it was merely a demonstration of my skills, he was in no real danger until he refused to release me. I simply sought to correct that mistake.”

Grayson pinchesthe bridge of his nose, “Demonstration for who, Dames? We all already know your skills.”

“Tt,” Damian scowls and turns away.

Instead of pushing it, Grayson simply sighs heavily, “Just stay out of trouble for the rest of the gala okay? We’re almost done.”

Damian scoffed and waited for Grayson to leave. Once he does, Damian finally looks over to where he had been lingering with the boy.

Gone.

Clearly he’d taken the cowards way out when he’d seen that Damian had been accosted by Masters.

Pitiful.

Damian spends the rest of the night scowling from the wall and looking surreptitiously for a head of black hair and blue eyes unrelated to him.

Of course it’s not until they are actively leaving that Damian sees him and immediately splits off of from his family.

He approaches with irritation, preparing to grab the other by the shoulder when suddenly he turns around and blue eyes meet Damian’s green.

“You,” Damian sneers.

“Me,” The other shrugs. He has an amused smile on his face, though it’s strained at the edges.

They stare in silence for a minute, before the other’s smile grows and sharpens once more, “I didn’t expect you to actually try to stab him, y’know,” A slight laugh escapes him, “Not that it was unwelcome by any means, but still, unexpected.”

Damian scowls again, glaring at this foolish civilian.

“Oh, I never introduced myself did I?!”

The boy exclaims and holds out a hand, smile dangerous, “Daniel Fenton. Or if we’re being technical,” a pause as Damian finally returns the gesture and finds his hand trapped, “Daniel Masters, a pleasure to meet you Damian.”

“Hurry up little badger,” A voice says beside them, and Damian notices that it is indeed Vladimir Masters.

The man approaches, placing a heavy hand on Fenton’s shoulder, making the boy go taut, and then they both step into a dark car, leaving Damian on the front steps.

Damian’s anger flares and he shoots a glare directly to the boy getting into the car. It dies the moment they meet eyes and Damian sees the fear hiding in the other’s eyes.

Fear that Damian is all too familiar with.

Fear that reminded Damian of himself. Reminded him of his own eyes when he’d been under his grandfather.

But why did Fenton look like that?

[to-be-a-dreamer]

I can’t stand that TikTok trend that’s like “just saw Hadestown and my boyfriend is walking the entire way back to the hotel without looking back at me to prove Orpheus was a chump” because not only do they not get the whole point of the Orpheus and Eurydice myth they also Were Not Paying Attention to the musical they just saw.

Hate people who see WSS as “just a Romeo and Juliet retelling”. Hate people who see Hadestown as “Just an Orpheus and Eurydice retelling”.

Hate people who watch a musical that takes a classic story everyone knows and uses it to explore/critique our modern society and only see it as a funky retelling.

Not Getting The Point of WSS is one thing because it’s more subtle and it can be really easy to just see it as a modern R&J, especially if you don’t really know R&J.

How the fuck do you watch Hadestown and see it as just an O&E retelling? It is one of the most heavy-handed political musicals out there how are so many people missing the point?

Orpheus has to fail. Not because that’s how the Greek myth ends but because that’s the whole point of the message of Hadestown.

Social reform is hard. Changing the world is one of the most challenging things you can try to do. So often we see people try to make a difference in society, to change some kind of injustice in the world. And so often we see those people fail. It can feel so impossible to actually do some good in this fucked up world because we see these people who are smarter and stronger and more qualified than us fail over and over again.

Why do we even keep trying?

Because we have to.

Because one day, someone will try and they’ll succeed.

One day Orpheus won’t turn around.

One day the people of Hadestown will get to see someone escape and they’ll know they can escape too. Only then does the world get to change.

So we have to try. We have to keep singing the sad song, no matter how many times Orpheus turns around, because one day he won’t.

In the Greek myth, Orpheus fails because he loves Eurydice.

In Hadestown, Orpheus fails because we fail.

We try and we fail to make a difference. We try and we fail to change the world for the better. We try to see the world for what it could be and it keeps letting us down.

But we don’t give up. We don’t stop singing.

Hadestown is genuinely one of the best musicals ever. Full stop. This musical is one of the reasons i wish I was smarter because I would love to be able to do an entire thesis on this show and all the themes and messages in it. Some of them are subtle. Some of them aren’t.

It is not just an Orpheus and Eurydice retelling. I am begging people to hear the real message.

Never stop trying to change the world.

One day we’ll make it out of Hadestown.

We just have to keep singing the song.