ist2018-blog

[darlingkikki]

wait need a 141 scare actors x reader blurb

Synopsis: A horror night worker sees you and gives his men a task; make sure you leave smiling. Pairing: TF141!Scare Actors x GN!Reader (first meeting vibes so nothing too crazy but Kyle’s too great for me to keep it lowkey lmao) Word Count: 3.6k (I think) Warnings: negative self-talk, reader is very lonely (reasons up to you) a/n: Let me know if I missed any warnings or did not keep it gender-neutral and I will fix it <3. You gave me the green light and you will pay dearly for how badly I wish I were a better writer. Happy Halloween!

A man with an interesting mustache and beard combo greets you at the gates.

“Admission for one?” He asks, glancing over your shoulder to check that your friends or partner aren’t lagging. 

The question pokes at the part inside of you that recoils into your shell when others notice how alone you are, the forever raw wound that no positive affirmations or small bouts with talk therapists have been able to scab over. It’s constantly bleeding, oozing thoughts in voices you both recognize and don’t. They cover a wide variety, though they lead back to you, a homing missile locked onto your actual self and not the warped beyond-recognition version they are about. The version no one who knows you sees. You’ve been told you’re actually not that bad; you’re still stuck on why they used the word actually in something meant to be complimentary. 

One therapist (the one you felt could help, but they decided a job in another state was more important than your problems), said that the best way to combat these thoughts is to fight them, think louder and harder in the opposite direction, even if you think you’re lying to yourself. So, that’s what you did. You psyched yourself up in the mirror for the better part of an hour as you pulled on your costume and repeated to yourself that this was normal. 

Why should an infamous horror night be such a big deal? People go out alone all the time.

“Yep,” you say with a forced smile. It’s enough, but it doesn’t feel like enough. So, you over-explain because your mouth never knows when to quit. “I love going to these alone, really puts me in the Halloween mood.” 

The man tilts his head to one side, observing that slight pinch of your expression. Your voice is light and measured. And that smile. You’re performing. Everything about this is fake, everything about you is fake, a mask worn when the switch in your brain flips to ‘social interaction mode’, so strangers think of you in a certain way. You want him to know you’re not the least bit insecure about being alone. Not at all. The distant sounds of screaming and laughter inside the park don’t carve into you like an ice pick.

You’re not fooling him—no one can, as far as he’s concerned. He’s posted at the entrance for a reason, not because he’s grown too old to run around and scare people with grotesque makeup or prop weapons. He’s an assessor through and through. One brief conversation and he knows whether someone will be a good sport or one of those rude assholes that think it’s cool to scream back at the actors or posturing snobs who shit all over their efforts. You may be lying to him and yourself, but you won’t be a problem. 

Something about you reminds him of someone. He draws the comparison only after you school your smile to a blank expression. You have smile lines around your mouth, evidence that the muscles aren’t under-used, he just wonders how many are genuine. 

You’re still staring at him as he extends his hand towards you, palm up. 

“Give it here,” he orders and gestures towards your own, which has been clutching the fabric of your costume as if you think it’s trying to escape.

You stretch out your fingers, persuading them to relax and hold out your clammy hand so he can press a stamp down on the back of it. The design glows a bright lavender when light catches it at a certain angle, indecipherable enough that you can’t figure out exactly what it says or depicts. You’re about to pull away when he stamps you again. You don’t ask why, assuming it’s because the first was too light or smudged. With a gentle parting squeeze, your hand is your own again. You start towards the exit as he’s stuffing the stamp back into his pocket. 

He speaks again just as you’re about to be past his shoulder. His voice is soft but gritty like a smoker's. “You have yourself a hell of a night, alright?” 

“Yes, Sir.” You curse yourself for your unnecessary use of the title as you make it past the entrance to the park. You don’t know why you called him that, but it makes more sense than it should. He has a natural ability to garner respect, you felt it even in that brief interaction. He chuckles, rough and deep, as he pulls his phone out to make do with his mission.

You take a break from screaming and scurrying away from zombies and slashers to do something fun.

And what’s more fun than blowing too much money on playing carnival games until you win one of the large plushies? It seems easy enough after the woman running the stand explains the game to you—until you’ve sunk twenty bucks into it and only manage one ring on a bottle. The others have bounced off and landed on the ground. 

The stares of the wide-eyed plushies feel less like they’re cheering you on and more like they’re mocking you. Are you seriously playing a child’s game alone? And losing? Why? So you can win a dumb stuffed animal? You’ll leave here the same way you came and you deserve it.

There’s no way one is even worth the amount that you've lost so far. You’re ready to throw in the towel when you sense something behind you. 

It shouldn’t be something that spells danger, not with the woman who has been pocketing your money standing just a few feet away, but your body seems to ignore that fact and react as though Michael Myers himself is lurking behind you. 

You whirl around and your bones turn to ice when you find yourself face-to-chest with a tall, imposing figure. You’re too aghast to scream, mind-body connection severed, you’re left gaping up at the man like a fish out of water. He can’t have been there long, but you’ve been so caught up in the game that he could’ve been standing behind you the entire time. 

The man does not react to your fear, just meets you with an uncomfortably realistic-looking skull mask and unblinking eyes. His posture is rigid, like one of the decorative scarecrows you saw near the entrance. His eyes rake over your body in a way that reminds you of an x-ray, lingering on something for a prolonged moment. Whatever he sees, it pushes him to speak to you. 

“This one’s fuckin’ awful.”

His eyes crinkle at the corners, dark pools glinting with humor, but you’re too busy trying to calm your racing heart to respond. He’s used to people being afraid of him beyond the context of working at events like this, so he steps around you and picks up the pile of rings on the table. You press a trembling hand to your chest and take deep, pacifying breaths.

In and out, you tell yourself, over and over, until your heartbeat no longer resembles the sound of galloping horses. In the time it takes you to collect your bearings, he's thrown each ring over the tops of three bottles effortlessly. Anxiety dissolves into confusion, even more when he turns to you and then jerks his head towards the higher shelves, ignoring the slightly annoyed woman behind the counter. She was probably hoping you’d spend another couple of dollars.

“Oh.” Confusion melts into realization. Your lips curl upwards, but something still doesn’t feel right. He’d broken character to help you for seemingly no reason. “Thank you, but you didn’t need to-” 

“Already did. Pick the one you want.”

His insistence is sharp but harmless equally. The prize is yours, so no use in trying to out-polite the man. 

When you look back at the shelves, it’s with a radiant smile. Even though you hadn’t exactly won one yourself, the kindness of the skull-faced stranger was enough to silence your worries. The perfect one picks you before you pick it. There’s a lone skeleton with cutesy eyes and a squishy body surrounded by a sea of adorable plush pumpkins and black cats. You point to it and the woman behind the counter hands it over with a half-hearted “congrats”. The stranger in the mask smiles at your choice, though you’re not looking at him. When you’re done giving testing squeezes to the plushie, you turn to the man to thank him again, but he’s nowhere to be found, gone just as quietly as he’d appeared.

Sometime later, plushie in your arms, you find the line for a walk through the cornfield. It winds around plastic dividers like a snake, but what else can you expect from the major attraction when the night is in full swing? You join the line, picking at the white tag sewn into the leg of your plushie. There’s a couple in front of you dressed in matching costumes; they decide the wait is the perfect time to get reacquainted with one another. A worker ropes off the divider so no one else can enter and the distracted group of friends in front of the couple doesn’t notice or care about them, so no one else accompanies you in the awkwardness of listening to smacking lips and affectionate hums. Bitterness swells in your throat like you’ve swallowed a pill without water. Stroking the soft underbelly of your prize helps—somewhat. You think about the sweet, albeit intense, scare actor until the giggling couple with now identically smudged makeup walks hand-in-hand through the entrance.

There is little to no light inside of the field. The brightest thing is the moonlight, which makes walking down the dirt path between corn stalks an even more eerie experience. It’s almost peaceful, ignoring the creepy props lining the paths and the random actors hidden in the stalks itching to grab at your ankles or jump out at you (three have accosted you so far). And soon to be a fourth as corn rustles in front of you, leaf blades bouncing off each other harsher than when skimmed by the wind. 

Another couple of steps and a man in a bloody burlap sack-like mask pops out with outstretched arms and a loud “boo” to top it all off—you yelp, nearly dropping your plushie on the ground.

The man responds with a laugh, infectious and warm, before tugging off his mask. Odd, you think, because none of the other actors had prolonged the interaction after leaving you short of breath. Well, none but one.

“I’m Kyle,” he introduces himself, flashing a disarming smile. It’s dazzling, you almost miss him holding out a hand. “Sorry for…you know, just doin’ my job and all.”

Without the disturbing mask, he’s quite pretty, the kind that makes you immediately comply and give him both your right hand and name. Your stamps glow under the moonlight, and he sighs in relief, shoulders relaxing. He thought you’d have left by now.

“Nice meeting you,” he says, bowing at the waist. 

He’s prince-levels of charming, much too relaxed for the environment. His costume is more normal than scary without the mask, just a deep red tunic and dark-wash jeans. You can make out small bits of hay stuck to his hair and clothes. It makes for a dorky and cute visual. 

He does not slink back into the corn as the actors before him did. Instead, he straightens, making a face at the stuffed animal you’re holding.

“You win that for yourself?” 

“Tried to, but one of the actors ended up helping me, actually.”

He quirks a brow. “You pick it because it looks like him?”

You don’t know how he guessed so quickly, but you nod, sheepish that he’d caught you clutching it so protectively, like you were holding a dear gift from a loved one. 

It’s just a stupid toy a stranger won for you. Won for you. You hold it tighter.

Kyle shakes his head, muttering “smart bastard” under his breath and then his eyes are on you. He has that deep shade of brown that’s impossible to say no to.

“The way to the exit can be a bit borin’,” he explains, his lips pursed in thought. “You alright with some company?”

And now you’re even more confused. Was he even allowed to? And why would he care if you’re bored?

“Will you get in trouble?” You ask, glancing towards the quiet path, trying to gauge how long you’d be pulling him away from his job. From what he’s saying, you can assume the exit is near, but you can’t see it from here.

“Nah, you were the last one coming through, so I’m free to roam,” he shrugs, stepping out of your way so you can walk side-by-side.

You soon discover Kyle is even more of a gem than you’d initially realized. He's more than just a beautiful person to look at, he’s funny, and more friendly with you than strangers ought to be. He asks about you. You don’t know what to say at points, but he doesn’t seem to mind. When your voice wavers or your tongue fumbles, he’s patient. He’s genuinely interested, actually listening, and those pools of brown are as distracting as you thought because soon you’re walking underneath the cobweb-decorated archway signaling the end of the walk.

Your heart clenches. You’re not ready for your night to be over. You’re not prepared for your time with Kyle to be over, to face that tonight has been one of the few times you’ve been the target of considerate treatment and could very well be the only time.

You miss the reflected disappointment in his features because a harsh sound cuts through the air, similar to the rev of a car engine. Then it happens again, just as cacophonic followed by maniacal laughter, and a large man barrels through the corn so quickly you scream and nearly fall over into Kyle’s arms. 

“Fuckin’ hell ‘Tavish, you nearly killed my new friend here,” Kyle laughs, patting you on the back. Reassurance. You’re in no danger. 

The chainsaw wielder lets the act go rather quickly, lowering it to the ground and regarding you with a mischievous grin. 

“Just doin’ my job,”—the man waves off the accusation—“Not my fault Price chose a screamer.”

You squint at the man who’d nearly given you a heart attack. Price chose you? Who’s Price? Kyle claps the man on the back of the head. They interact as old friends, brothers. 

“Sorry,” Kyle turns to you, apologetic. “Should’ve warned you about the main event. Got a bit distracted.”

In fairness, you were too. You don’t mention that it was because of his eyes..

“Apology accepted,” you say, “Though your friend is on thin ice.”

“Me?” The man in question scoffs like you’ve accused him of a grave sin. His lips press together to keep his laughter at bay, though he’s got about as much tact as the hair on his head, which is shaved on both sides, leaving a strip of hair down the middle. He’s cocky, you can sense that. Cocky people are to you what salt is to a snail, though Kyle doesn’t seem the type to surround himself with the bad kind, so you try not to curl in on yourself.

“Not jus’ his friend,” he says, sending you a wink, “I’m John, Johnny if yer feelin’ brave.”

Kyle rolls his eyes and nudges you with his shoulder to get you walking towards the park exit, a straight shot from the cornfield. “Come on, we don’t need to take this.” 

“You scared me too,” you remind him as Johnny takes up the space on your left side, “Don’t think I forgot about that.”

He snorts, “Touche.”

“A screamer an’ not afraid to knock you down a peg,” Johnny notes, “I like ‘em already.” He hasn’t stopped staring at the side of your face. You wipe your hand across your cheek in case something is on it. 

The walk through the park is quiet, save for Johnny and Kyle throwing friendly jabs at one another. Most people have already left; the last few actors send looks in your direction and carnival game runners are shutting off their lights and closing down for the night.

“You have fun tonight?” Johnny asks you once the parking lot comes into view. Only a handful of clusters of cars remained in contrast to when you’d arrived.

The most fun you’ve had in a while. You’ve grown used to that heavy chunk of loneliness sitting in your chest like a rock. You drag it around behind you, a life sentence. Let it tether to your emotions and bog them down, anchoring your feet in some instances and letting the ground swallow you whole in others. You’re going home with a small part carved out. A crevice where something less bitter and more sweet can wedge itself in and find a home, spreading far and wide if you’re lucky.

The two exchange toothy grins when you respond positively, a cheerful smile cracking your face open for them to see. The look withholds a meaning that you aren’t privy to. Price was right, as always. A special someone deserved more smiles tonight, and they’d accomplished their mission.

“Found you any earlier an’ I would’ve won you one of those too,”—Johnny gestures to your plushie—“Ah’ve got an arm on me, a mean one when it comes to the bottle toss.”

Kyle and you roll your eyes. You assume the people in his life have grown quite comfortable doing so. Your initial descriptor of cocky was accurate, but he’s endearingly cocky in a way that doesn’t put you off too much. 

“Watch it, the big guy will take your head off,” Kyle warns.

“He’s not even here. I can say wha’ I want.”

“He’s right behind you.”

“Nah, he’s—” Johnny spins around and gasps, similar to how you’d reacted earlier, though he is a bit more dramatic. “Steamin’ Jesus, where’d you come from?”

You turn as well, hoping it’s who you’re thinking, and it is. The man who’d won you the plushie you’re holding.

He looks at you in the same way as before, though his imposing figure seems more relaxed than it had been. You presume these men are all friends. They seem comfortable enough around each other to be.

“Price wants to see us,” he says, his deep voice rolling from his chest the way water does over the smoothed rock on the bank of a river. You can hear it much clearer now that your heartbeat isn’t thrumming in your ears. 

“Can it wait?” Kyle glances towards you. “Wanted to make sure they made it out alright.”

Another chip at that loneliness, but you don’t want to jeopardize anything with him and Price—who you assume is his boss—even if you’d prefer he continues lessening the weight holding you down beneath your rib cage.

“You’ve done enough, Kyle,” you say, pointing behind you with your free hand, “I can see my car from here, anyway. I’ll be fine.”

“We cannae let ‘em go without makin’ sure, Simon,” Johnny insists, echoing Kyle’s sentiment and steamrolling over your assurance. 

Simon, finally a name for the face, or at least the parts of it you can see. Kyle and Johnny had shed their costumes, yet he wears his like a second skin. His stiff demeanor from earlier seems more of a costume than anything he’s wearing. 

Simon glances over your shoulder to where you’d pointed, dark eyes impossible to read. Johnny turns up the dial on his charm. At least that’s what you think he’s doing when he gives Simon a wide-eyed, puppy-like expression, pressing his palms together in front of his face and tipping his head forward. The picture would be complete if he sunk onto his knees with a bible in his hands.

He has the energy of the youngest son in the family. The visual brings a laugh tumbling from your lips and Simon relents, shoving his hands in his pockets.

“Go on then, we’ll watch from here.”

So you do, waving at the group, who murmur their goodbyes, and then walking to your car. 

You walk slower than you need to, relishing in the experience of people wanting to ensure you made it anywhere safe. It’s a luxury. You strive for it like people dream about vacationing or owning a house. Unfortunately, time stands still for no one.

Chancing a look at the group of men as you climb into the driver’s seat, you find six pairs of eyes. Kyle smiles broadly, you get another wink and smirk from Johnny, and Simon blinks at you from behind his mask. You barely know them and yet their reactions are all so distinctly them. You beam, holding up the plush skeleton and waving one last time like an Olympic athlete holding up their medals before resting it on the passenger's seat.

Alone again, you push your key into the ignition and your car comes to life. The dashboard bathes everything in a golden glow. Come morning, when you’re bathed in a similar hue by the rising sun, you’ll think about this night. You’ll think about them, each of them, and you’ll wonder. Hugging your prize from the night, you will implant the memory into the grooves of your brain, where it can sit safe and snug, just as looked after as you’d been. You’ll wonder if any of them will end up in your life again, and hope the answer to that question is ‘yes’.

[dyns33]

Flufftober 2024 - 29 Eddie Brock / Venom

Y/N had met Vee during a Halloween party.

A little intimidated by the crowd and not knowing anyone, she had stayed in her corner for a good part of it, until this giant with his incredible costume came to talk to her.

It would be a lie to say that she had not found him adorably charming, and she would have liked them to be more than friends, if he had not spent most of the time talking to her about his Eddie.

It was obvious that there was something strong and unique between Vee and this Eddie, even if he did not seem to appreciate him at his true value.

"He never agrees with me… He wants to control everything !" he had sobbed against her shoulder. "He says that I won't even be good at cleaning toilets."

"That's not nice. Maybe this relationship is not very healthy."

"But I love Eddie. He takes care of me and even though he's a stupid loser, he tries a lot. Maybe… Maybe I'm too hard on him."

"It's normal to have expectations from your partner. You need to sit down and communicate, to see what's wrong and find solutions."

"You're right, little morsel ! You're a good friend !"

Obviously very busy, Vee kept in touch with her by calling her almost every night and sending her messages, but never having time to see her.

He used Eddie's phone, while he slept. Before meeting her, Vee had never seen the point of having one, and he contacted her secretly because he found it funny to have a secret all to himself.

"But I'll tell him at some point, because we share everything. We're in symbiosis, we're one."

"That's cute. Do you think he'll be angry ?"

"No. Scared maybe."

"Oh." she wondered. "Is he the jealous type ? He'll be afraid that I'll steal you from him ?"

"I'd rather be afraid that he'll steal you from me, I think he'll love you a lot. And that's why he'll be afraid for you. He'll think I want to eat your brain."

Sometimes she didn't understand everything he said, but she found him funny and considered that he simply had a particular sense of humor.

But after several months of talking to him, he finally ended up running into him while a guy was trying to take her purse in an alley.

Vee jumped from a rooftop, growled at the thief, grabbing him with one hand, before biting his head off. Then he turned to Y/N, smiling.

"Eddie, she's my friend."

"Y/N ?" a voice that seemed to come from inside him asked. "Great, Vee, she's not going to freak out at all because you just killed someone. I already told you to go get some chickens if you were hungry."

"You never let me do anything ! He was mean ! He was attacking my Y/N !"

"Let me talk to her, okay ? So I don't traumatize her more than necessary."

In the end, Venom was an alien, and Eddie his host, a man not as horrible as she had imagined, simply trying to keep his symbiote from doing too much mischief so that they wouldn't be spotted by the government.

They fought often but they couldn't live without each other. Literally for Venom, even if they also loved each other too much to want to be apart.

As he had expected, the human had panicked a bit when he learned that he had a friend, that she didn't really know what he was, and that they were therefore putting her in danger just by talking to her. But Eddie had understood that she was important. He had felt it.

When Vee said that they shared everything, he was dead serious.

"I showed him a picture of you. He got an erection."

"Vee !" Eddie shouted, trying to silence the head floating next to his shoulder. "Shut up ! Those are not things to say ! Excuse him."

"Why ? I like Y/N, and you like her too, and she likes us. Her pheromones don't lie."

"Vee ! You're making everyone uncomfortable, stop."

"See ? He never agrees, he controls everything."

Y/N saw clearly, now understanding many things that had seemed a bit strange to her. She could have run away, but despite this surprising discovery, she really liked Vee, and Eddie seemed as charming as he was.

So she suggested that they spend the next Halloween, all together this time.

[riverssongs13]

While we're all agonising over waiting for the last 2 episodes, I'd like to take this time to talk about how Lilia Calderu, seer extraordinaire, Queen of Cups, singlehandedly waged war against the harmful stereotypes witches have endured in literature, in history, and in any and all media in general. This endeavour requires a rewatch of all the episodes but I'm just going to eyeball it by what I can remember for now.

In episode 3 Through Many Miles of Tricks and Trials, Mrs. Hart, maiden bless her soul, said "A witch is really just another name for a bad girl, is that right?" Lilia immediately says, "That is extremely reductive. We are not a monolith."

Lilia is the oldest member of the coven (after Death, I guess), and it goes without saying she has lived through and experienced all the horrible things witches were subjected to throughout history. In which, I would like to posit a slight correction: she has lived through all the horrible things POWERFUL WOMEN experienced under the hands of misogyny and patriarchy.

In episode 5, Darkest Hour Wake Thy Power, the coven was being actively chased by the Salem Seven, and needed a quick escape from The Road. Teen, with his precious innocent soul, suggested they fly to escape their pursuers. After getting very negative feedback from the coven, Lilia explains how "brooms have been co-opted by the holiday industrial complex as an absurd emblem of our culture, and an obvious symbol of female domesticity."

Death's Hand In Mine, episode 7, also had Lilia commenting on how "demeaning" it was to be portrayed as wearing the typical witchy trope costumes when they got inside the Tower. Quite tongue-in-cheek as well how Lilia was Glinda the "good witch" while Jen was the Evil Queen in witch disguise.

Going back to episode 3, it was also Lilia who vehemently refused to "climb inside an oven" after completing their first Trial. She added that the same thing happened to a friend, one with a lovely house, and ended up, well, we can recall what happened to the supposed "captor" of Hansel and Gretel.

In episode 4, If I Can't Reach You…, it wasn't so much as Lilia mouthing off another witchy trope, but her inside the recording studio. The powerful image of her looking at the portraits of all the women who were persecuted during the countless witch-hunts throughout history. The abject horror of being thrown into these witch trials by mere suggestions, and these women were oft sentenced to the most horrific deaths even without evidence. Lilia looking at these women being burnt at the stake, boiled alive in a vat of tar, maimed, flayed, and I wonder how many of these scenarios are being played from memory.

Within the same episode Lilia said, "You know the worst part of being a witch? All the misconceptions and rumour mongering." And this basically sums up the experience of witches around the world -- of POWERFUL WOMEN -- present yourself with even a modicum of power, motivation, and ambition, and if that threatens the fragile ego of man, you best believe you'd be persecuted for it. (I find it even a more compelling message after having re-watched Patti's character in Penny Dreadful, burned at the stake for standing up against a man. Great show. Check that one out.)

I'm certain there are more instances I'm unable to recall and include, but right now I'm swimming in anticipation and anxiety over the last 2 episodes, I honestly do not wish to pore over the previous ones with a fine tooth comb. I may do that in the future, but today is not that day.

Which is to say, I love how Lilia has played the part of the wise sage correcting all the wrongs her kind has resolutely endured for countless centuries. I love how women are slowly being given back the power in their own narratives, without the need to insert the story of man for it to be relevant. I love how this show is very unapologetically queer, and about women, and about reclaiming that power taken away from them.

To add cherry on top, I love how Patti LuPone herself said in a recent interview, that the whole show is making it about "what we are initially: we're all witches because we are powerful women; women are powerful. The power has been robbed from them for centuries. BY MEN. Its kind of great to see a show that represents witches as women with power."

We may be lightyears away from an ideal society where women are no longer oppressed and boxed within their own existence at the insistence of men who wish to reduce them into something they could fit within their egos and minds, but it's quite nice to think that this show about a ragtag team of women and a teenage boy is taking a step into the right direction.

Thank you, Lilia Calderu and Patti LuPone, we all say in unison.

[agatharkn3ss]

I'll see you at the end.

I can't believe we are here already. I'm excited and sad in equal measure.

This show has been such a delightful surprise. I went into it without expecting anything in particular - I loved Wandavision and I loved Kathryn Hahn and that was that. I didn't expect to be literally bewitched by the magic I saw on the screen.

Put simply, the power of AAA is that it is clearly a product of love - from Jac Schaeffer, the actors, the writers, the directors, the set and costume designers, the composers (and THE GODDAMN LOPEZES!), the producers... I could go on.

That level of dedication shines despite (or maybe BECAUSE) the low budget, and it has two massive effects: 1) it creates a truly compelling and stunning story; 2) it sends a very loud, clear message that representation not only matters, but is NEEDED.

Of course it's not the first show that does this, but I cannot tell you how refreshing it is to me to watch something in mainstream media that is centred around sapphic women where their sexuality is NOT the plot of a show. It is not something anyone ever needs to ask about or question. They don't pretend to be younger characters either, they are all 38+ and proud of it, as they should. Instead they focus on what actually matters - their rich, complex stories.

But the diversity is also within the creators - of the producers, half of them were women, headed by superb Mary Livanos (a queer woman herself), costume designer Daniel Selon (also queer), all of the directors were women and there is also of course a diversity of ethnicities. I am a big believer of the power of diversity as it allows you to go places you wouldn't normally consider, and really round the story. And I love this quote from Jac Schaeffer who states "My prerequisites for writers who work with me are first, they have to be kind, respectful humans."

And what stories the writers tell! In the limited time they had, they managed to create these seven multidimensional characters that were all different, yet similar in a lot of ways. My only criticism would be that we really could do with longer episodes to actually allow some more meaningful conversations and connections. All beautifully complemented by the visuals - the practical sets as well as the costumes. I love how the costume designer took his time to consult with the actors for their interpretations, before even starting to create every single design.

And on top of the great character stories and visual , we then have an engaging plot with mysteries to solve on the way. I cannot emphasise enough how fantastic it felt to follow the breadcrumbs. To spot all those little details that would foreshadow what's to come. The different ways they appeared - through dialogue, visual clues, music themes, lore symbolism and so so many art and literature references. The knowledge and confidence that they were left there on purpose too, because the creators took the show seriously - it literally felt like finding little personal messages!

This is why I've decided I need to pick them up and then try to piece them all together - just to see if I could make my sense of it, since the creators clearly put so much love and effort. No other show has ever made me do it to this extent. And it's been so much fun! I loved I wasn't alone with this and that I could discuss and read others' theories too. It's like we've formed this awesome coven.

So in my post-AAA blues, I don't think I will have it in me to just take my "murder board" down. I feel there is still so much to explore so I will probably keep looking for any more cool details to cheer me up.

I've not been actually particularly precious about whether or not my theories could be right or wrong. If some of them are - great, bonus! If not, also great, I am looking forward to being surprised!

Although we haven't seen the ending yet, I have ultimate trust in Jac. After all, she once said:

"I believe so strongly in sticking the landing and it's always up to the audience whether or not you truly stick the landing. But I believe that you have to put all your energy toward that. It's your job to try the best you absolutely can to stick the landing. You have to plot your mysteries, figure out what they are. It’s like a good murder mystery. The feeling that you want at the end of a murder mystery is you want to be surprised, but not. It still needs to feel within the realm of possibility, right? It needs to make sense and still surprise you." 

So I trust we will have a solid ending, wherever it lands. And afterwards - I will always remember the time when a show has made me feel this way. Thank you!

[white-cat-of-doom]

White cat of doom do you have a favorite and least favorite jellylorum leotard? Also, in your opinion which griddlebone costume is the best?

Thank you for giving me an excuse to stare at Jellylorum and Griddlebone photos for a while, Anon :). Even within a respective production, there are a number of different unitards that are assigned to both the principal and Swing performers, leading to some great, subtle variation.

It is hard to pick a definitive favourite. I have always leaned slightly more towards US (Broadway) style unitards with the added yellow colour, but I do really like the UK (London) style design as well, so it is not by a wide margin. I think melding them together would be my preference, and certain productions, like Hamburg or the RCCL (and more) throughout the decades had designs that incorporated both.

The best is seen here with Katie Hahn as Jellylorum in Cast 10 of the Oasis of the Seas, and today this would be considered my favourite, as it retains the UK and US designs in some level of harmony. Plus, there is good variety of colours in the fluffies! (I am pretty sure the two pictures are not the same costume, but Katie did tend to have more colourful unitards, to me at least, compared to other RCCL Jellylorums, notwithstanding the really nice one that Jackey Good had in Cast 14).

If we want to go full colour, look no further than Japan! Here is Misaki Ono from Tokyo in 2018:

The new John Napier design used in the UK/International Tour 2022/2023 departed from the more strict UK-based design, and it will be interesting to see what future designs will look like.

In terms of least favourite, I almost feel bad giving a choice. There is a more stark white unitard that was seemingly created for the Broadway Revival in 2016 (and used through the end of US Tour 6 last year) that was used primarily for Swings that I think looks slightly off. The white is very bright and this is tied-in with the fact that the hatching and colour of the design is somewhat lacking.

Case in point, Megan Ort covering Jellylorum in the Broadway Revival and Madison Mitchell covering Jellylorum in the Equity portion of US Tour 6:

There are some great unitards that were used in the US Revival productions, however, so I cannot be too negative.

I wish we had more pictures of the very first Jellylorum unitard ever, used when London opened in May 1981 and which Susan Jane Tanner wore, as it is probably the most unique replica design. Maybe one day.

For Griddlebone, the first thing that comes to my mind is Japan. The design has a fun pink colour and unique cream-coloured armwarmers in addition to the gloves seen in other productions. I absolutely LOVE her!

Here is a photo from Tokyo in 2006 (left, I am legally obligated to show this picture when talking about Japanese Griddlebone) and one from a promo in Tokyo in 2018 with Miki Okudaira (my favourite Japanese performer).

I hesitate to call the (recent) Japanese design my favourite, however, because it is in direct competition with the greatly detailed Hamburg design (and Valentina Kozhanova in 1993) with the massive floofy tail, that I think wins by a slight margin based on the sheer drama. She has the gloves! She has the floof! She has the detailed pink corset (with added floof!) and pink shoes! The excess is there, and for Griddlebone it should not be any other way!

I also really adore the RCCL design as they were among the first ones I ever saw of Griddlebone, like Jackey Good in Cast 8. The added more jewels to the heart and made it a more noticeable pink, which is fun.

Thank you for the question!

[bacchuschucklefuck]

binging drawtectives... have u seen them. have u frickin seen them!!!

[words-be-upon-ye]

There are a couple tropes I really love in the space of Miraculous Ladybug fan works, but quite possibly my favorite is when the miraculous holders just get creature from using their powers.

Like yeah, I would say that hosting the power of an abstract concept given sentience, that got shoved into the shape of an animal and bound to a piece of jewelry, would kinda mess with your body a bit.

The little bit of this we get in canon is basically that Adrien loves being a cat and the whole Tikki munches incident.

But I love it when people give them ears and wings and tails, give them eyes that aren't quite human anymore. Fuck with their gender and their sense of body. Sometimes it's body horror, sometimes it's just aesthetic. Love it either way.

I just think it's so fun, a lot of the time it's combined with the like "when a holder and the kawami really respect and bond with each other there's nothing that can be done except having magic bleed into the holder" I think that's fun, but also just making the animal of the kwami a bigger deal is fun. Like if you're going to make it a ladybug you might as well give her wings and antenna and mirrored eyes.

[coolsvilleprincess]

All it took was trying to draw in the style one time for me to decide that me personally, I enjoy the vibe of the Be Cool art style, it's goofy and silly and fun and I had great time trying to capture it. Except Scooby himself, because his proportions confused me and it stressed me out

[bittersweet-mojo]

holy fucking mother fuck its actually GOOD???!???

[petermorwood]

37 Years Ago Today...

There are many phrases which ease the tension of a wedding rehearsal.

"Cuff keys? I thought YOU had them..." is not one.

There are many phrases used during the course of a wedding ceremony.

"One Ring to Rule Them All, One Ring To Bind Them..." is not one.

Not even when the wedding takes place at a Science Fiction and Fantasy Convention where the phrase "Hey, great hall costume!" from a small child suggests the small child has either Failed To Get It...

...or is Witty Beyond Their Years.

Don't use the phrase "Oh good, it IS you!" at this point...

... or "Will you marry me?" at this point.

Just get on with things.

We've been getting on with things for 37 years as of 10 AM Eastern Standard Time today, and we intend to continue doing so for a good few years more.

Love you, hon.

Happy Anniversary!

[simpingland]

Hi hello how are ya I'd like to request something

Can you write something with Ewan Mitchell and his co star (fem pronounce) where they're at an interview and goofing off, reader joking about getting sleep while they're putting on wigs for hours and stuff like that, maybe a little more serious talk about their characters

(Readers character is jaces twin and aemonds love interest)

Thank you!

Flirting and sleeping// Ewan Michael x fem!actress.

Summary: playing Aemond's love interest have the perks of giving you a flirty partner during promotion and a comfortable shoulder to sleep on set.

Gif not mine

~~~~~~~~~~~~~~~~~~~~

The last interview of the day, after a whole week of promotion. Always the same questions, always the same answers. Keeping your outfit spotless for a whole day, with your make-up intact and hours of sleep accumulated.

"How is it possible that you are always sleepy?" Your colleague Ewan asked you when he saw you yawning.

"I'm a very reflective person, the night inspires me" you joked, and watched as he shook his head, smiling.

"These things feel like an eternity," he complained.

You were about to agree with him when the new interviewer sat down opposite. She greeted you, and Ewan, as always, was a gentleman, serious and attentive.

You, however, found it hard to pay as much attention. You glanced sideways at Ewan's every gesture, and he seemed to make a great effort to listen. After all this time you had learned to read his expression of feigned listening as well as his real one.

"After so many serious scenes, I suppose you keep your spirits up between scenes...are you bored on set or are you too busy?" The girl looked at the two of you.

"I tend to stay focused. Getting into Aemond's mind is quite complicated..." Ewan's tone amused you. He turned to look at you. "What?"

You let out a laugh, the interviewer looking confused at the scene.

"Sorry honey," you turned to the girl, "but Ewan is lying to you. He was concentrating at the beginning, when he took his job very seriously."

You watched as Ewan leaned back in his chair, hiding a smile and waiting for you to tease him, which he quite enjoyed.

"This guy was scary on the first day."

"It's thanks to the costume and make-up team," he interrupted.

"Oh, no, Ewan, I mean the day of the script reading. That sweatshirt was terrifying." What you said made the interviewer laugh, and Ewan joined in the fake discussion you had formed.

"You speak out of envy," he replied, crossing his legs.

"For this kind of thing, he's very formal. They always put together nice outfits for him, but in real life, it's nothing like that. "

"And what's Ewan like in real life?" Ewan himself asked.

"He's weird... weird and kind of flirty."

He turned red, shaking his head as the interviewer let you speak. You were basically getting more information out for her than she intended to get.

"Yeah, yeah...there's nothing shy about this guy here. He makes all the girls on the set smile with his 'good morning, love'. And they all love to put him his wig in the morning, his patch..."

"Why don't you let the girl do the interview?" Your partner interrupted you with mock seriousness.

"Excuse me, but I'm answering the question. Ewan was very focused at first. No one dared speak to him once he put on that wonderful costume. But as soon as Susan in make-up told him he looked 'sexy'..." you snapped your fingers. "He became a sex symbol on set and enjoys it like nobody's business. He doesn't get bored on set because he spends the hours between scenes practising with his sword, chatting with the crew when he goes to get his coffee..."

"You should tell her how you spend your breaks..." he grinned mischievously. You looked at him, hiding a smile. You mostly spent them with him, but people didn't need to know that.

"You tell her."

"She spends her dead hours asleep or breaking things." The interviewer let out another laugh. "Oh, yes, she's snored through her make-up. I've had to put up with her nodding her head every morning. And the few times she was awake, she would steal my wig to take pictures. Remember what Susan said to you when she caught you?" she looked at you as if to scold you, and you looked ashamed.

"That I was going to mess it up..."

"Exactly! This girl is a mess on legs. The first day of shooting, she tore the fabric of her cape. The first day we shot together, she almost broke the carriage window... and the wine glass. Let's not forget the wine glass on the last day."

"I dented it," you confessed to the girl.

"The whole team was praying you'd fall asleep before you touched any more stuff." Continued your partner looking back at you.

"I've had the broken stuff deducted from my pay, you know."

"Yeah? And how much money have you earned then?"

"Let's just say...I've gone into debt to HBO..."

You laughed at your own joke as Ewan tried to refocus on the poor interviewer. You really had been the clumsiest person on set, and that was in stark contrast to the careful attitude Ewan had had in that same period. Many times, you had led him astray, getting him involved in a game where you both could let off steam while the sets were being set up. He loved to show you his swordsmanship, and of course, he was good at it. He had experience.

But on some other days, when it was anynof your turns to act, Ewan was much more focused, and although you were embarrassed to entertain him at first, he always made a point of sitting next to you. He helped you revise as much as you helped him. And while your gallery was filled with pictures of you making an idiot of yourself with his wig, and Ewan making an idiot of himself with his wig too, Ewan had his gallery filled with pictures of you asleep in the most unlikely places on the set, and pictures of you posing with whatever mess you had made. And Tom had been in charge of recording those occasions when you slept leaning on Ewan's shoulder while he reread his script. That would stay between you two, and you'd been going through the photos before bed for months, unaware that Ewan was doing exactly the same thing, grateful to have an excuse like promotion to be near you all the time.

"The relationship between your characters has been a much-discussed topic on the network and among fans. The girl changed the subject to a more serious one, to the one that really mattered, the series.

"You mean incest?" you asked.

"More like the feud between Blacks and Greens."

"Oh, right..."

"That's the thing with this series," Ewan interrupted. "The incest is the least of your worries."

"Right, silly me," you said wryly.

"It's common sense, of course."

You smiled at each other, admiring each other fondly, perhaps too fondly, as you always did, leaving the girl a bit of an outsider, and were surprised when she asked again.

"The good thing is that you don't look like each other. The relationship you have in the plot is a parallel to Romeo and Juliet. How do you approach this dynamic? Do you want it to be really romantic or something toxic like Rhaenyra and Daemon?"

"That I suppose can always be left to the audience's opinion," reasoned your partner. "For me there's certainly something romantic about it. Aemond is a character that transforms into something perverse but at the beginning he didn't seem to have such a strong quality. The writers wanted to make him that way, evolved. And I think her character is designed not to contrast but to show that there is something good in Aemond." You smiled downward as you listened to him, you had already talked about it during rehearsals. "When we did the casting, the director told me that they were looking for an actress with a sweet aura, well, so that ond couldn't naturally react violently towards her. They introduced me to this arse next to me and... you get a bit attached to her.

"I love working with Ewan, he's always so flattering..."

The girl smiled at you before asking.

"You're okay with the romance?"

"Well..." you thought for a second. Of course, the kiss you two had just rolled around was too passionate for it to be a toxic relationship. You shot the kiss as a very intimate scene, where Aemond approached your character with some fear, and it took you a moment to return the kiss. It was a slow kiss, tense and sweet. But when you return it, it was hard to separate again. Of course, what was left to shoot that day was done with flushed cheeks and dodging glances. Sparks had been flying between you and Ewan since the day you were brought together in that room for the test.

"Yes, I think it's different from Rhaenyra and Daemon. There's a lot more respect and a lot more equality between them. From the very beginning, we were going to treat our plot from the 'first love' trope, and we saw no better way to recite our lines than the longing and desire they have for each other. And how much Ewan and I love each other transcends the screen too much."

You saw how intensely he looked at you, maybe you had said too much. You were silent for too many seconds. You put on that mischievous grin again. "As much as Ewan is a great actor, I don't think anyone can pretend to hate me."

"Wow, that means the next season is going to be very promising for your fans. Thank you so much for this time, and for the tidbits from the set."

"It's been a pleasure, honey," you dismissed her.

"Our pleasure, I love your t-shirt, by the way," said Ewan, the girl was wearing a t-shirt with a poster of Daemon and Aemond on it.

You didn't know how to look at him after that. Had your answer been something of a confession? Maybe the kiss hadn't been that intense for him and you had just made a fool of yourself. Of course it was a bit weird the last ten minutes of your promo day.

You shared a taxi to the hotel, with silly small talk. When you arrived, you were walking up a flight of stairs when your heel broke.

"Oh my God, I can't believe it! My stylist is going to kill me!" You picked up your precious heels, Ewan didn't laugh at you, but he did smile at your desperation.

"Don't worry, we'll ask someone to get us some glue."

"A branded heel fixed with glue?"

"Well, it certainly wasn't made of steel, if it breaks easy it's easy to fix."

You walked all the way up the stairs barefoot. Ewan stopped.

"What are you doing?" You asked as you saw him stand back and pull out his mobile phone.

"Smile and show that heel," he asked. When you did he took the picture and smiled to himself. "For the collection. "

"Thanks to your tip-off they won't get me for period films, you know."

"You started it, I remind you. You've taken away my reputation as a serious, up-and-coming actor."

Ewan grabbed your heels from your hand as he saw you with your hands full with your mobile and wallet.

"The truth is, that poor girl was trying to be professional and we got into a play fight in front of her."

"I think she had fun. Of course, after always answering the same thing, this time I remembered why I like this job so much."

"I hope I didn't offend you, Ewan. You know it was all a joke."

You stopped at his door, yours was just opposite.

"All of it, all of it?"

"What do you mean?"

He licked his lips, thinking about how to phrase the question. You knew what he meant, now came the awkward part. Why the hell did you start talking about love?

"All the weeks since I've known you have been filled with something...special. And you were right when you said that I can't pretend to be repulsed by you, because... I definitely feel the opposite. I like every minute that you are beside me, not only for how talented you are but...how sweet and funny everything is with you. You're also quite gorgeous if I am allawed to say. And no, it's nothing of a method actor if I tell you that I have a crush on your bones just because Aemond would be... I want to make sure this feeling isn't just mine."

"You're telling me you like me?"

"Yeah, basically yes."

"And you're asking me if I like you?" You were clearly in shock.

"It's good to know you understand me...now I need an answer."

Yes, OF COURSE YOU DO. For some reason nothing came out of your mouth, and you could only look at him. Ewan read that silence as a definitive no and, after swallowing his breath, he nodded and gave up without losing his gallantry.

"I'm going to call room service and have them bring some glue."

He turned to open his door as you suddenly became aware of everything. You didn't know what he was babbling about when he opened it, but when he turned again to offer you passage, you jumped on him. You grabbed his face with impetus, and kissed his thin lips again as you had that day on the set. This time there was something even more authentic. Ewan held your waist as he regained his balance. This kiss surpassed the one in the scene, this one felt completely free, completely real and without consequence. Needless to say, you didn't go back to sleep in your room for the rest of the promo tour.

[wonderjanga]

JL meets C.C.

So, the Justice League goes back in time to 1957 because some villain, let’s say Lex Luthor travelled to back then too for whatever reason. So now they have to stop him. Cue shenanigans and then while they’re trying to find Lex, John (I think this is my first post with John Stewart as GL) sees a newspaper that has C.C. and Marilyn on it. The newspaper talks about an Incan artifact they found. As they have literally nowhere to go, they go to see if C.C. can help them as they could use the extra firepower. (They think he’s Marvel and also literally everyone is against them, Lex turned the government against them by calling them foreign invaders. Remember this is both less than 15 years after WW2, and this is also two years into Vietnam.) C.C. would get dragged along because Lex thinks he’s Marvel so he’d also get shot at and all that. Here’s some interactions I think would happen:

Batman: *Takes off cowl because there’s no way Marvel should know him, and future Marvel already knows his identity*

C.C.: *stares at Bruce for a bit and thinks he’s Thomas Wayne* “Hey… you’re Patrick’s boy, right? Why’re you running around in a bat costume? Also how did you age thirty years in the two months since I last saw you?”

(Let’s say this is the same universe as the Great Grandpa Wayne and C.C. post)

Batman: *Gets flashbacks*

or

*Under heavy fire from robots because Lex teamed up with the government to mass produce robots for the war effort, money and so he could kill them. C.C., Flash, and GL are all kinda laying on the floor while bullets rain above them*

C.C.: (By the way, all of them are yelling over the sound of the bullets, cause bullets are really loud) “Can we wrap this up? I want to get back to my wife.”

Flash: “You have a wife?!” *completely shocked and betrayed one of his best buddies didn’t tell him this*

C.C.: *grabs some stuff from around them and starts making something* “Yeah.” *pauses his making his thing and sighs dreamily* “Marilyn.” (Bro really loves his wife) *goes back to making whatever he’s making*

GL: “What’re making?”

C.C.: “What?”

(Again, they’re yelling over a bunch of bullets)

GL: “What are you making?”

C.C.: “Oh! A shrapnel grenade!” *Finishes and throws it out of one of the many holes made by the bullets*

*loud explosion, guns stop. The three lay on their stomachs on the ground in silence*

GL: “Why do you know how to make that?”

C.C.: “I wasn’t able to dodge the draft.”

or

C.C.: “You’re an Atlantean?” *Slowly looks over to Arthur* “Tell me everything.” *pulls out pocket notebook that’s decorated with stickers, courtesy of a seven year old Mary*

Aquaman: *Happy to share anything about his culture and people* “I can tell you anything but its location.”

C.C.: “Fine by me! I just want to know everything.” *suddenly gets super intense*

*League looks at each other cause this is a rare time Marvel is actually actually serious*

[rosenclaws]

rainy days | Leopold Mountbatten x reader

summary: You run a small bookshop and expect a slow day when a storm rages through New York, until a very handsome stranger walks through your doors.

a/n: I watched Kate and Leopold and I am certifiably obsessed and totally normal. I apologize if any of his dialogue sounds off I'm not used to writing the way he talks. Anyways please indulge my new obsession and I hope you all like it!!

part 2

You sigh as you listen to the rain hit the windows of your little book shop. A hot cup of tea is sitting by your side as you flip through one of your books. You love your bookshop but today is definitely a slow one.

Though you do see people hustle past with their umbrellas, clutching their bags and dressed too nice for the rain. So for now you settle down for a quiet day. That is until the little bell rings, a sign someone has ventured through the storm to your little shop.

"Hello, Welcome in!" You say cheerfully as you look up from your book.

Your eyes widen as you see a man, a very handsome man, standing in the entrance way. His clothes soaked by the rain. Still he looks as put together as ever as he stands tall at your door. You notice the weird clothes he's wearing. It almost looks like a costume. His wet hair sticks to his forehead and you wonder how he got stuck out here without an umbrella.

"Forgive me, I am still unfamiliar with my surroundings and I appear to have gotten lost." You clock his accent immediately, a tourist perhaps? Though he smiled kindly you could tell he was confused.

"It's no problem, here come in." You hurry around the counter.

He silently shivers as he tries to stay away from the many books you have around your store. Fearing that he may ruin them with how much water was dripping off him.

"I have a few towels upstairs if you don't mind waiting." You offer, taking pity on the man.

"Not at all." He bows slightly as you leave the room which you think is a little weird but polite nonetheless. You grab a towel and rummage through your drawers before finding a pair of sweatpants and an old hoodie an ex boyfriend had left a while ago.

"Okay, I have a towel and some clothes that I think will fit you..." You trail off as you look up and see that he has taken off his jacket as well as his shirt.

Your brain short circuits for a moment as he turns around and it takes everything you have not to gawk like a creep. Water drips down his chest as he shakes his head to try and rid some of the water from his hair.

He meets your eyes and you both share a look. You can only hold his gaze for a moment before looking down at the ground, attempting to save yourself from any more embarrassment. You hand him the towel and clothes and gain the courage to look him in the eyes again.

"I apologize profusely, I did not hear you come down." He quickly grabs the clothes and you cough awkwardly, stealing a look at his bare chest.

"Bathroom is down the hall, you can change in there." He thanks you again and leaves you alone.

Oogling strangers isn't exactly polite or great for business but god was he handsome. Handsome and polite and an accent? It's almost too much. You hear a loud rumbling of thunder and watch the sky grow darker. Looks like the storm isn't going away anytime soon. You hear the bathroom door open again and you quickly try to busy yourself, choosing to go back to your book.

"I must apologize again, It was highly inappropriate for me to be," His neck turning a slight shade of red as he scratches the back of his head. The clothes fit him and it's almost a crime how nice he looks in a shirt and sweatpants.

"In such a state of undress."

"It's okay, you were probably freezing in those clothes so.." You smile warmly which he reciprocates.

"I truly appreciate your kindness." He glances around your shop, admiring the collection of books on your shelves.

"So, are you a tourist?"

"Oh, I have yet to introduce myself how rude. My name is Leopold, I grew in England but moved to New York." So that explains the accent, the ridiculously charming accent.

"Well Leopold, it's nice to meet you." You introduce yourself and hold out your hand. Instead of shaking it he takes it and kisses your knuckles. You can't stop the smile that spreads across your face.

"What a beautiful name, Is this your store?"

"Yeah, I bought it a couple years ago and well, I'm still here. All my friends think I'm crazy for opening a bookshop but I love it."

"Books are a wonderful thing, as a child I relied on books to occupy my time. Such intricate and beautiful worlds created from words on a page at the tips of our fingers. I think it's a very noble profession." He speaks so eloquently, his eyes filled with passion.

You rarely meet a man who has such an appreciation for books. He notices the book sitting on the desk.

"May I?" You nod your head and he picks up the book.

"Alice's Adventures in Wonderland," He smiles fondly as he flips through the page.

"I picked up a copy myself when it released before I left England. I thought it was one of the most imaginative and fantastic stories I had ever read." He flips through the pages, admiring the colorful drawings that adorn your copy. Gently, he closes the book and sets it down.

"Though I must admit, I have a new found respect for the book myself." There's humor in his voice though you don't quite get the joke.

"When it came out?" You question. The book came out in the 1800's, unless he just means a new release.

"Yes, It was quite difficult to get my hands on one but I managed."

There's something more to this man for sure. Even the way he talks is unlike anything you've heard before. The pieces start to fit themselves together as you take notice of every oddity surrounding this man. The clothes, the way he speaks, claiming to have been 200 years ago.

"You're not from here are you Leopold? Like 21st century here " You ask, he seems surprised at your question. He's surprised that you aren't calling him a lunatic. He admires how quick you are to accept the unknown. It's admirable.

"Quite the perceptive one, smart and beautiful." He flashes a smile and you swear you almost melt on the spot. He doesn't deny your claim and it makes you want to know more.

"I must admit it is a long story but seeing as there appears to be no end to the rain, perhaps I could tell you." You lean on the counter and rest your chin on your hand. He mirrors you, his brown eyes not shying away from yours.

"Tea?" You ask playfully. He stands up and offers you his hand. A spark electrifies your whole body as your hands touch.

"It would be my honor."

[that-trans-autistic-guy]

The Adventures of Orbwin and Chorb: A Masterlist

This is where any information pertaining to Orbwin and Chorb is stored for any use and for all to see. Written by that-trans-autistic-guy, with an assist by @technically-human who made the first depiction of the orb boys. List is to be updated, please message @that-trans-autistic-guy to request an addition to the list. Posts/fics tagged with the tags attached to this post will be easier to find for everyone who loves the orb boys :D

Traits, Attributes and Ideas

Ship name is Chorbwin

The orbs can purr in the same way cats do. Results in a visual vibration and soft sound. They have limited awareness in orb form, so it follows the feelings of safety and comfort.

The gravitate towards each other slightly, not unlike magnets

Often just soft, warm light but can occasionally be in their hero colors: blue for Edwin, red for Charles

The orbs give off warmth, one the dead and living alike can feel

The girls call them “The Orb Boy Detectives”

Charles made Orbwin a tiny ghost costume

Fanfics

Carry These Torches For You - that_trans_autistic_guy

You Said, “I’ll Never Leave You Alone” - Aster_Flower114

A Better Place, A Better Time - TheFanficMustFlow

Why Do I Tire of Counting Sheep? - carpediemma

The Many Forms of Phantoms - thegirlofthorns

Orbing With Edwin and Charles - grammarglamour

Frippery - Baby_Spinach

Professional Networking - RoseGanymede95

This Little Light of Mine, Let It Shine - ingridmatthews

Let Me Watch Over You - waywardsonsanddaughters

They’re in Lorb (Orb Love) - DarkStars

First Time For Everything - Anonymous

Orbwin’s Day Off - Quicksweetdreamer

A Blue Cap and a Red Jacket - williamvapespeare

The Glow That Dazzles My Eyes - Cesare

Other Types of Intimacy - Asidian

Fanart

Recharging - @technically-human

Recharging II - @technically-human

The Infamous Puppy Debacle of ‘94 - @technically-human

Niko and Orbwin - @gaypanicattackonlegs

Orbwin in Charles’ Jacket - @fellow-fandom-fruitifier

Portable Boyfriend - @jube-art

Portable Boyfriend Part 2 - @jube-art

The Girls and Chorbwin - @arisprite

Chorbwin But Colored - @terresdebrume

Cherishing Each Other’s True Forms - @a-jasminator

ORBWIN - @random-art-p3rson

Painland Week Orb Boys - @etheriiart

Chorbwin is my new OTP - @fellow-fandom-fruitifier

IRL Orbwin and Chorb (Glass Boys) - @neurodivergent-fangirling

Chorbwin Accessories - @aceofturtles

Confession: Orb Edition - @every-moment-a-different-sound

The Best Orb I Know - @every-moment-a-different-sound

Chorbwin in Elysian Fields - @acheel-and-cat

Spaghetti and Chorb - @aceofturtles

Chorbwin w/ Accessories - @edwinspaynes

Notes from Circles?? - @thesfromhms 

Tiny Orbwin and Chorb - @technically-human

Gay - @sawtism101

DBD Brain Takeover - @disgruntled-rat

Mirror Chorbwin - @marbearmarigold

Lantern Chorbwin - @aria-hannah

Death Chorbwin - @marbearmarigold

Eternity Chorbwin - @marbearmarigold

Happy Chorbwin - @minkbumblebee-blog

Light Orbwin - @beetlebug—1

Earring Orbwin - @margo-mania

Fem!Orbwin - @technically-human

Misc. Chorbwin Posts

Simple Orbs - @crosnt

Great Orb Incident of ‘02 - @edwinspaynes

First Sighting of ‘Chorbwin’ - @ace-misplaced

“ChOrBWIn” - @pippin-katz

Hyperactive Chorb - @khrorazir

Chorbwin Comic - @2ndfannypack

The Orb Boy Wizard - @succstosucculent

Cursed Chorbwin Gifs

[chaoticallyfluffy]

I want more of the JL acting like normal celebrities.

Batman and Chappel Roan working together on a competitive cooking show against teams of Kylie Jenner and Danny Devito, Kanye West and Kesha, Taylor Swift and Superman, etc. They are a surprisingly good team who work together great. They end up winning the whole thing and a bunch of wholesome memes start trending about the two of them adopting you after your awful parents kicked you out. Superman and Taylor Swift are surprisingly a TERRIBLE team. They’re disqualified because they never finished cooking their meals as they were too busy arguing. They are memed to be the parents who kicked you out and desperately need a divorce.

Wonder Woman going on a survivor-like reality show about a bunch of celebrities stuck on an island together and all the contestants are whining about things like “My hair is so frizzy and Chad is SO hot, I don’t want him to see me like this omg” While Diana has already chopped down multiple trees, used the wood to make a cabin for everyone, hunted a wild boar which is currently roasting over a campfire she also made with the leftover sticks and leaves, and cracked the coconuts from the tree. The rest of the show is mostly a normal reality show. The other contestants never have to lift a finger and can peacefully gossip and have drama while being well fed, housed, and hydrated. The only real difference is that every few minute the camera switches to Diana wresting a grizzly bear or catching fish with her bare hands.

The masked singer where there’s a person in a colourful parrot costume singing on stage and everyone has to guess who it is. People have guessed many celebrities like Oliver Queen, Bruce Wayne, or even Lex Luther, but they mostly guessed famous singers because the guy is GOOD and there’s no way he doesn’t sing professionally. He sang songs like “Party in the USA”, “Call Me Maybe” and “Never Gonna Give You Up”. People were going crazy trying to figure out who he is. The time finally comes for the reveal. The man slowly takes off his parrot head and... it’s Batman. The crowd goes wild.

The Flash (Barry) and Green Lantern (Hal) make a podcast and spend the entire time going on long rants about their respective interests. Flash talks about forensic science and chemistry for an hour while GL hums in interest or asks questions every once in a while. After that GL rambles about airplanes and engineering for another hour while Flash enthusiastically nods and adds in related stories every so often. Twitter diagnoses them with autism.

Captain Marvel has a TikTok account where he posts himself trying suggestions from his fans. Some of his most popular videos include him juggling a bunch of chainsaws (perfectly, btw), pranking JL members, bedazzling Mr Minds prison jar with fake crystals and speech bubble stickers that make it look like Mr Mind is saying things like “I’m DUMB”, and his most popular by far, citing The Santa Clause rules to Black Adam and convincing him that since he killed his father technically that makes him his new dad (the horror stopped Black Adam in place mid battle, giving Marvel the perfect opportunity to punch him in the face. The punch has been slo-mo’d and memed to oblivion). His Batman mandated PR team has been begging him to stop for months but in response he posts himself TikTok dancing (terribly) in front of a green screen in the background showing an image of the emails while asking for more suggestions.

If anyone has any ideas like this or fics to recommend plz tell me In the comments, I love the Justice League just casually being celebrities.

[jorrated]

Redid my Maya Knux gijinka! Now with notes and sources on how I did the design (It's kinda long, around 2k words jsyk):

The hairstyle:

Knux has pretty long spikes, so I knew I wanted to give him long hair! Braids or dreadlocks look pretty fitting, so I tried looking for references of hairstyles to see if any fit what I was looking for:

Source: Mayavase.com (Photograph by Justin Kerr)

http://research.mayavase.com/kerrmaya_hires.php?vase=1092

http://research.mayavase.com/kerrmaya_hires.php?vase=1453

http://research.mayavase.com/kerrmaya_hires.php?vase=694

http://research.mayavase.com/kerrmaya_hires.php?vase=1340

While all the vases show a variety of interesting hairstyles, I particularly loved the look of the braids in K694 (the third picture). Being tied upwards wouldn’t really fit Knux however, so something like the man in K1340 (fourth pic) with his hair fully down, or the 5th man from left to right in K1092 (first pic) with a cloth holding the hair would be really nice!

I didn’t want to give him a headpiece, if only to not clutter his head, but also I didn’t think it’d fit Knux as a warrior. The ruler’s headpiece in K1453 (second pic) however allows the hair to come off it, and seems to have some dangly adornments on the end of the strands/braids/locks, which I found super pretty. Plus:

“Elite Mayan men and women styled their hair to show off their pointed heads, crafted through the careful head flattening they experienced as children. Women gathered their long hair on top of their heads in flowing ponytails. For special occasions they braided their ponytails and decorated them with ornaments and ribbons. Mayan men grew their hair long but burnt the hair off their foreheads to accentuate their elongated profiles. They would bind their hair into one or many ponytails or tie it in a bundle on top of their head. Mayan slaves had their hair cut short as one visible mark of their inferior status.” p.399

Source: Fashion, costume, and culture: clothing, headwear, body decorations, and footwear through the ages (Sarah Pendergast and Tom Pendergast, Sarah Hermsen as Project Editor), 2003.

https://archive.org/details/fashioncostumecu0000pend/page/n5/mode/2up

Taking all of that! I settled on tight braids with a few adornments made of jade and wood, with a red cloth to keep his hair from his eyes. Almost all of the braids are pulled together into a ponytails, but there are some smaller braids loose.

It’s somewhat of a mixture of styles, combining ornaments of special occasions, with the long hair of elites on a character like Knux. But I kept these ‘contradictory’ aspects of the design to remember that Knux kinda learns about his ancestors on the go, through murals, writings and technology, so I doubt he’d have a great grasp on what he should and shouldn’t wear. I think it adds character as someone who’s trying to figure out himself, his history and his place in the world.

Shoes and Accessories:

For footwear I kept it simple, just turned Knux’s existing shoes into sandals:

“Ancient Aztecs and Mayans of Central America adopted a thick-soled sandal with a protective legging attached at the heel, while the top of the foot and shin remained exposed.” p.135

Source: Encyclopedia of Clothing and Fashion (Valerie Steele), 2005

Although my gut instinct was to cover Knuckles from head to toe in accessories, I also tried to keep it simple like the shoes. He’s a very mobile fellow so he can’t have too much weight or annoying bits flying everywhere and getting in his face. So I kept his moon necklace, like in Fleetway, just adjusted the shape to have a bit more of details:

“The jewelry worn by the Mayan, Aztec and Inca people was rich in variety and quite beautiful. Without metalworking skills, Mayans made jewelry from many materials. Mayan men wore nose ornaments, earplugs and lip plugs made from bone, wood, shells and stones, including jade, topaz, and obsidian. Necklaces, bracelets, anklets and headgear were made with jaguar and crocodile teeth, jaguar claws and feathers.” p.402

Source: Fashion, costume, and culture: clothing, headwear, body decorations, and footwear through the ages (Sarah Pendergast and Tom Pendergast, Sarah Hermsen as Project Editor), 2003.

https://archive.org/details/fashioncostumecu0000pend/page/n5/mode/2up

As stated here, Mayans didn’t have metalwork, so I imagine this is an artifact that his ancestors got from another group of people.

Just a page before they also mention how the Maya people used to file points into their teeth, to make their mouths more appealing. This includes shaping them into pointy teeth, (like the classic shark teeth), but they could also file them into other shapes, like in this picture:

Source: https://www.archaeologynow.org/blog-3/blog-post-title-two-txwxl (I’m pretty sure this isn’t the source of the image, but I couldn’t find an actual source that wasn’t an uncredited blog)

The Maya people are also notorious for their good dentistry, as seen the stone ornaments in the teeth above. I think the filling is something Knux could do on his own, but anything that would involve actual dentistry would be too much. But it’s still interesting to read about!

(Here’s an article named “Mayan Esthetic Dentistry: Using Modern Techniques and Digital Imaging Technologies to Link the Past to the Present” by Yassine Harichane if you want to learn more!)

While a non-permanent version of stones on teeth seemed cool, like Jade incisor-coverings, at the end of the day I don’t think Knuckles is too vain, so I didn’t add that to the design. Although I think he’d definitely try out a bunch of things like this, just to try to understand them.

For additional outfits I gave him a red layered cape and a green huipil! The red cape is just to bring back more red into the design, since I gave him a lot of green. And the huipil is a nod to his poncho in the comics! (Although huipiles are commonly associated with women and girls, I still wanted to give him one, not only to bring up his partial detachment to his ancestors, but also because Knux probably wouldn’t think much about gender in general let’s be honest)

Source: Mayavase.com (Photograph by Justin Kerr)

http://research.mayavase.com/kerrmaya_hires.php?vase=638

Somewhat based the red cape on the 4th man in this picture, from left to right, but I kept it simple, as maybe just some fabric Knux found around the island, nothing too fancy.

For the huipil I wanted to do something more detailed but was having a really hard time coming up with designs. And I didn’t want to straight up plagiarize someone’s else work, so I kept it vague, maybe some day I’ll sit down and give it a more detailed version. I did come across a very nice store/ catalog that sells traditional Maya textiles, and this one was very gorgeous! Highly recommend give this and the other textiles a look!

In the end I made the huipil look vaguely like the ones shown in page 128 of the following book:

“In the Museum collection, costumes that looked very much alike usually turned out to be from villages that shared a language. Among Cakchiquel villages, dialect differences were usually mirrored by costume differences. Working on this principle we were surprised by the striking similarity of style in the huipils of San Antonio Aguas Calientes (fig. 195) and San Martín Jilotepeque (fig. 196). These villages, while both Cakchiquel, spoke very different dialects and were separated geographically (map, below). The similarity of their huipil was so remarkable we felt the need to investigate these two villages more thoroughly and found that a multi-cultural history probably accounted for these unexpected similarities of style. Huipils from these villages may well illustrate the earliest examples of pan-Maya acculturation after the Conquest.”p. 127

Source: Threads of identity: Maya costume of the 1960s in highland Guatemala (Patricia B. Altman, Caroline D.West), 1992.

https://archive.org/details/threadsofidentit0000altm/page/n7/mode/2up

Lastly on accessories, which I don’t know if it counts as an accessory but I didn’t know where to put it: the body paint. Last time I gave Knux a human design I couldn't find a good resource on Maya people painting their bodies. Every source mentioned and was in consensus that some of the people did paint their bodies, but that was the extent of the info. I wasn’t able to find any patterns or meanings of the body paintings, or even good visual reference for it. But! This time I was able to get a bit more:

“Body painting was a common Maya practice. Classic Period murals and polychrome vases depict warriors covered with red or black paint; sometimes their bodies were striped with red paint. Paint was also used around the eyes and nose to give a fierce expression. In the 16th century, these practices continued. Women also applied red paint to their faces and bodies, but presumably to make themselves look beautiful, not fierce. Small paint jars of red hematite mixed with mica were found in the houses at Cerén, and these may have been for cosmetic use. Unmarried young men painted their bodies black, and so did those who were undergoing periods of ritual purification and fasting. Priests often wore blue body paint. “p. 338

Source: Handbook To Life In The Ancient Maya World Lynn (V. Foster), 2002.

Source: Mayavase.com (Photograph by Justin Kerr)

http://research.mayavase.com/kerrmaya_hires.php?vase=2800

http://research.mayavase.com/kerrmaya_hires.php?vase=2573

http://research.mayavase.com/kerrmaya_hires.php?vase=7996

I of course wanted to give him red paint, and I really liked this design of the red lining the cheeks on the face down to the neckline. However in most of these depictions the red on the body is accompanied by the white face, which I can’t actually tell if the face has white paint, or the body has black paint, like described in the quote before. Either way I chose to only use the red, to keep in line with Knux’s original design.

(It’s worth mentioning that these vases shown depict rulers, as you can see the intricate thrones and altars, which isn’t really fitting with Knux. But again, I want to keep some mismatched aspects into his design, not only warrior-related things.)

The main outfit:

Last but not least, the main outfit. Don’t have much notes on this I’m going to be honest, I just tried to keep in line with descriptions of warriors clothing:

“While some warriors may have been resplendent on the battlefield, the common Maya soldier fought with little clothing other than loincloth and body paint, based on battle scenes in the few Maya murals that remain (see figure 2.9, page 54).” p.147

Source: Handbook To Life In The Ancient Maya World Lynn (V. Foster), 2002.

I considered putting him in a loincloth for accuracy, but tbh I was scared people were going to be weird about it, and so I gave him a skirt with some fabric that emulates the look of a loincloth and some scrap fabric around his waist and limbs! He actually ended pulling up a lot from the dude I mentioned in vase K1092 (the very first ref pic in this post) lol!

And that´s all, hope y’all liked it :P