#There are other exceptions of course.

[forsakens-favourite]

One thing I really appreciate about TMA is how literally none of the characters can make a good choice to save their lives.

The statement givers? Either survived their encounters by sheer dumb luck, or made their statements before being killed (or worse).

The protagonists? Can't communicate with each other about anything, repeatedly make the worst possible decisions in every situation, and can't for the life of them see how harmful their respective behaviours are towards not just people around them, but themselves too.

The side characters? The antagonists? Either dead, soon-to-be dead, or going out of their way to be harbingers of fear and despair.

The only exception is Georgie Barker. And Agnes Montague, who didn't have the luxury of choice.

[naturecalls111]

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[eerna]

the live action HTTYD remake being promoted as "respectful to the source material" and "made with love"... the Ls start coming and they don't stop coming and they don't stop coming and they don't stop coming and they don't stop coming and they don't stop coming and they don't sto

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by

[yardsards]

some people on here make Hating All Social Rules such an obnoxiously large part of their personality that you could say "it is polite to avoid farting in a crowded elevator if you can help it" and they'd call you an oppressive puritan who hates the incontinent

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[chasiufan]

Some ssilky doodles that I slapped color on I have not been drawing -_+..

[gallifreyanhotfive]

The Doctor to the Sycorax (and many others): No second chances. *let's them eat shit*

The Doctor to the Master: Oh....you committed genocide??? 😔 You hurt many of my friends?????? 🥺 That's okay--I believe you can be better. 😌 You're my oldest friend, you know. ❤️ I believe you can be beautiful. We could travel the stars, you and I, see everythi--oh no, he escaped. 😕 Til next time!

[forgettable-au]

What was Wingdings and Sans’ school life like? especially early on when Wingdings couldn't talk without some sort of translation. Did they ever get bullied?

Not too important for the story, i'd assume, but you just gotta love the little things-

Yeah... this is probably not gonna matter to the story a lot...

BUT I ALSO LIKE THE LITTLE THINGS SO I'LL ANSWER!!

I'm gonna add a keep reading here because I'll probably yap a lot

Okay, so you would assume they would have been bullied... But they weren't!! not really?

Probably in a more realistic world they would have been, but usually, monsters are pretty nice!! (with some exceptions)

SO! I'm gonna talk about how I think it would have gone

Monsters were nice to Dings, friendly! But there was always the inconvenience of not being understood. And Sans was there to help him but I don't think Wingdings liked that, he wanted to do so himself or not at all And as I've said before, at some point, Wingdings gave up on making friendships work, he isolated himself and focused and what really mattered!!

Sans did have friends! But his first priority was his brother, if he had to skip friend time to be with Wingdings he would do that

So he never really made close friends, just friends

Going back to Wingdings, there were probably some mean monsters that did bother him about the dingbat font at some point, but that wasn't a usual thing! Usually, monsters were nice! And though there was definitely a barrier, they didn't care all that much? BUT WINGDINGS DID CARE, HE KNEW HE WAS DIFFERENT TO EVERYONE ELSE AND WHAT THAT COULD MEAN, so why even bother?

When I was thinking about this I remembered that one scene from Meet the Robinsons:

AND JFKFJKDCJDSK

Small Dings was kinda like that

He was usually outcasted, but no one really disliked him?? They just didn't know him at all because he didn't even try talking to anyone

So no one approached or talked to him, if anything they found him intimidating

Sans was there with him the whole time! So it's not like he had no one at all, but uh,,,, yeah

[thetrinitytest]

[my-rose-tinted-glasses]

Peaceful property is a bl even if it's not. It's also about so many other things although not really delivering on a consistent message.

I thought about adding my thoughts to this thread but it was getting long and I started to get sidetracked so I decided to just make my own post about it and share my thoughts on it. @lurkingshan @bengiyo and @twig-tea all made good point about why this show is faltering with its own themes, and @respectthepetty made a compelling argument that the show knows what its doing.

I think no one is wrong and I land somewhere in the middle with it. As in, depending on what I choose to care about. Much like @respectthepetty, I am bias about this show. For different reasons tho. I like Tay and New a lot so I lead with that instead of my critical thinking. just as a personal aside, I tend to do this when my brain and heart don't align. I ignore when my brain tells me that the show is doing something wrong so that I can enjoy the rest. This works particularly well with QL for some reason. I am after all a person who liked Dangerous Romance even when my brain kept trying to damper my enjoyment with logic. And also sometimes I'm a hypocrite and there's no reason for why I like a show and not another. Ok, there's usually a reason but it's most often not a good one, or a rational one at least. That's just how it is.

Anyway. Because of all the excellent points made by that post I decided to fully engage my brain and I've been thinking about what this show is trying to say and I agree that unfinished business is the main thing in the ghost stories but I would have to shut off my brain completely to not see how class factors into all of it as well.

The ghosts up until now, except the chef, were all lower class and one can argue that it played a part in how they died or what happened after. I'm not including episode 7 for reasons that I will explain in a bit. Even if Ride's unfinished business was about love, the fact that he was the only rider doing deliveries in the rain, at least to me, read as he was driven by the need to make money in the first place. Even in the chef's case, the customer that Peach basically poisoned was rich and it was a part of the headlines about it and the reason for the restaurant getting shut down. Also most of the individual stories didn't get deep into these issues, case of the week usual issues, but it was always an underlying theme. Also as @twig-tea said all the parallels work even better because this disparity also exists between Home and Peach.

All this gets me to how I started this post. This is a bl even if it isn't. The choice to include the tragic bl storyline in the middle of this, in my own brain, can only be explained if I believe this is a bl. (The tragic bit was thematically consistent with this show.) Specifically a gmmtv bl. Cause ultimately they have a tendency to forsake narrative consistency if it stops serving the main romance. It's also the only way I can explain having a bl pair mirroring the other bl pair on screen. So in that way it's consistent with gmmtv. Just brush aside anything that can get in the way of the couple not having a happy ending. This is also how I explain my biggest issue with it. Pangpang. She's the shipper. She's been the shipper from basically the start.

Home basically killed her brother, why would she be the driving force in getting him forgiven? Because of my previously admitted bias, I forgave Home almost immediately. It's New and he didn't mean it, it was an accident and he wanted to call for help and do the right thing but his family interfered and.... I could come up with a lot of reasons because I want to forgive him. So everything else can be ignored. But all this obviously doesn't apply to Pang. So it can only be the bl in the not a bl show.

Now, on full brainy mode, this last episode makes no sense with everything else this show has been saying until now. They used a branded pair to ignore any class disparity between our mains, since the last ghost story didn't really parallel that, and over the forgiveness part, and jump straight into Peach has forgiven Home and will probably now become his saviour. Don't even get me started on the fact that Peach is still broke but saving the rich dude that turned his life to crap will be the most important thing right now. I wonder if gmmtv has ever ignored class disparity between a main couple and instead focused on the richer dude's drama while ignoring the struggle of the other one, all in favour of the main romance and lovey dovey moments 🤔. But I guess I'll reserve full judgement on that until the next episode.

yeah, so basically this is where I am at with this show. My two sides are fighting but come next wednesday my brain will take the back seat for 45 minutes so I can enjoy Tay and New and after that maybe I'll think about it some more.

[sholmeser]

ary scheffer / justus knetch / snake & ocelot

[m1ssunderstanding]

People have probably already seen this because apparently it's been on YouTube for a week but I hadn't so here you go if you want! Spoilers (I guess) in the tags so for people that don't want to watch this sneak peak and ruin their movie experience, don't read my tags :)

[sundayinthcpark]

[virgothozul]

Ok. I have listened to the people. I have watched the thing. It is very wholesome.

Kazu comes home. He is hopeless and tipsy. And he swings between excited and wasted.