#Then someone had to step up

[christiansinglebabes]

Kabru getting a taste of his own medicine

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[starry-bi-sky]

Thinking about the CFAU and marveling at how much Danny and Jason care for one another. Does anybody else figure out that Danny is going to kill the Joker, or is that knowledge Jason exclusive? I can't see Danny being close enough to any other Batfam member to disclose his plans, but I wonder if he drops hints. They're a family of paranoid detectives. I'd be surprised if they don't figure out Danny has a PURPOSE for being in Gotham at some point. Whether Danny's able to disguise it as wanting to be closer to Jason or not is another burning question.

Its def Red Hood exclusive! You're right in that Danny isn't close enough to disclose his revenge plot to any of the batfam members -- hell, not even Sam and Tucker know his true motives for returning to Gotham, and they're his best friends right after Jason! And Red Hood knows only because Danny accidentally slipped up ;].

I do also think that the Waynes kinda think something might be up with Danny -- at least Dick and/or Bruce might since they're the only ones who actually know him beyond brief mentions of him. Tim knows about him due to his stalking, but doesn't really know him -- and Danny plans to keep a healthy, friendly distance from the family so he can carry out his plans.

It's not that he holds any dislike towards them -- quite the opposite. He appreciates what they do for Gotham and recognizes the hard work that goes into keeping their Rogues Gallery at bay (even if he is bitter about Joker, but there's an obvious reason for that) -- but, well. He knows they're the vigilantes, he doesn't want to risk them sniffing out his murder plot before he can even go through with it.

Luckily for him he can excuse any distance he puts between them as just being busy with life and trying to settle in, and they're not close enough to him anymore to find it suspicious. I do think they figure out he's back in Gotham for a reason, Danny's not going to exactly hide the fact that he's back to find some kind of closure -- but what that closure is?

I think the only person who might suspect something sinister going on would be Bruce, who saw the sinking rage in Danny's eyes at the funeral -- it was part of the reason he didn't tell him who killed Jason (beyond secret identity reasons). But that depends on whether or not Danny reveals some of his hand, and the fact that he was still holding onto that rage (somewhat unwillingly) all this time.

[thechy-fychannel]

y'all ever think abt how it was julie having the affair and it is even said multiple times that she was the one who left him, yet wilson was still the one who left their home and moved in with house. like. he couldn't bear to stay in their home alone. he immediately ran to house and stayed on his couch for weeks. suffered through his pranks and his laziness and his manipulation. telling him he wants him gone while sabotaging his attempts to leave. and he only left once he got a girlfriend again.

[thearchercore]

stop trying to make ollie max son happening, everyone knows ollie is charles kid

god forbid a child has two parents who love them

[donamasu]

"My child, how you've grown!"

Is a parent someone who teaches you to hold a spoon? Who apologizes when they hurt you? Who takes care of your body? Who's just glad you're here?

[thorin]

i think i saw someone make this meme the other way around but i wanted to make one that was more true to myself

[thenotoriousscuttlecliff]

Seeing people say that we never see the Doctor and Ruby talking for more than 30 seconds makes me think 73 Yards and Dot and Bubble has just clouded their memories because the first four episodes of this era are almost nothing but the Doctor and Ruby talking and bonding.

Yeah, the Doctor-lite episodes meant we haven't had as much lately, but so many are going on as there's been none at all, as if every episode before 73 Yards was like Rogue where they were mostly separated in their own plotlines.

[felsicveins]

When you're talking to Patty, you only have male family members. REMEMBER THAT

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[pepsimanan]

#28 Sachiko

[konaizumi]

i need bonus content of tattoo, arun, and hoy practicing that presentation

[spitblaze]

Listen. Listen to me. Having privilege in one form or another, even situational and conditional privilege, doesn't de facto make you a bad person. A transmasc that applies to a job with their chosen name, whether or not that transmasc passes otherwise, will have privilege over a transfem applying to that same job, because of societal sexism. That doesn't suddenly mean that transmasc is a violent asshole putting transfems at risk, it just means that as a transmasc you gotta be more cognizant of how you navigate the world. It doesn't mean you don't experience oppression. It doesn't even mean you don't experience oppression unique to being transmasc! What it DOES mean is that whether you like it or not, your relationship to women and non-men are inherently different than they would be if you were a woman. And you're gonna have to reckon with that. You can't stop women you don't know from viewing you as a potential threat, but you can use what privilege you may have if you're stealth or pass to advocate for women, and trans women, and other trans men, and to. Y'know. Check yourself once in a while and make sure you're not falling into the toxic masculinity and patriarchal mindset so many of us have already suffered at the hands of.

[ccbatman]

only accepting cass and terry as the future's batman in the sense that cass is everything batman could, should and hopes to be while terry was everything batman needed to be. do u understand what im saying.

[mrs-n-uzumaki]

Erik stares with incredible wonder, who is this boy?