#The only influence one of the characters weight has on the story is his boyfriend is baking him healthy treats cuz hes trying to lose weigh

[frobby]

Romance manga with a fat mc/love interest: :D

They were only fat because of trauma and now that theyre in a relationship theyre skinny: :(

[aihoshiino]

chapter 160 thoughts

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 17

Aqua Hoshigan Status: Incomprehensible

144 held out strong for nearly 20 whole chapters but 160 comes in like a beast to take its crown as Oshi no Ko Chapter That Has Baffled And Confounded Me The Most. The way it talks about the characters and arcs it's trying to convey to the reader is just mind boggling - some of this stuff just feels completely disconnected from the character arcs it's supposedly commentating on. It almost feels like an Oshi no Ko chapter from an alternate universe version of the manga.

I kind of suspect this is actually the case, in spirit at least. Akasaka has previously stated that he's had at least an ending for OnK planned at least since midway through Tokyo Blade based on when this interview was given. You would think the amount of time between then and now would have given Aka the time to organically work towards this but I think the opposite is true here - because the story has organically drifted and grown in the telling, as is natural for a serialized work of this length, the story that Akasaka ended up telling does not naturally lead into the ending he wanted to give it. And rather than compromise he's just… going ahead with it without making any adjustments, which leads to this bizarre sense of whiplash that's come from the last handful of chapters.

It's definitely possible that some of the stuff in here will read better when we're not getting this stuff bit by bit across however many break weeks but… man. I ain't getting my hopes too high.

To my relief, we start off on a note of confirming that Nino and Ryosuke were, in fact, both freaks about Ai way before Kamiki ever got involved with them. Even so, the story's framing of how he influenced them is just… weird. Based on the little flashback panels we see of their supposed friendship I'm inclined to think Kamiki is being truthful here just because whenever we see on-panel flashbacks in this way, they tend to be more-or-less factual accounts of events. Aqua tries to say he's lying, that he definitely intended to do harm but this is really hard for me to swallow, given that this 'intent to do harm' ball would've had to have started rolling back when Kamiki was fourteen at the oldest and long before he and Ai broke up.

Not only that but I have to stress, again; Nino and Ryosuke were already freaks about Ai at this point!!! They tracked down one of her loved ones under false pretenses and entered his life presumably for the purposes of crowbarring info about Ai from him!!! Wil from the OnK Brainrot server pointed out that this comes off much more strongly like Ryosuke and Nino taking advantage of Kamiki's naivety to prey on Ai, which I agree with and think lines up way more straightforwardly with the Kamiki we saw leading up to 154 and its conclusion.

It almost feels like there's two Kamikis; the victim of circumstance Kamiki who embraces monstrousness as an act of reclamation, who knows he can never again be good so he will surrender to being bad and the flatly evil Light Yagami ass Kamiki who's bad because uhhh he just is ok? It probably goes without saying which of the two I find more compelling and overall more consistent with what the story has been building up so far, but the way the story keeps abruptly switching between the two makes it almost impossible to get a coherent read on him.

At the end of the day, I simply find it very hard to swallow the manga's attempt to almost sweep Nino and Ryosuke's culpability under the rug or to transfer the weight of their actions to Kamiki and hold him accountable for them because of this supposed manipulation. A healthy, well-adjusted person with no tendencies towards violent or antisocial behaviour does not suddenly get mindbroken into a misogynistic murderer overnight because they saw that the subject of their parasocial obsession keeps a toothbrush at her boyfriend's house. I can believe that Kamiki certainly didn't help but the idea that he is solely responsible for turning Nino and Ryosuke into violent murderers is a stretch.

I feel like I'm kind of talking in circles on this point a lot because I'm struggling to articulate why it bothers me so much so I'll end this section by paraphrasing a section of Higurashi YouTuber Bess's deep dive post-mortem on the GouSotsu anime duology. that I think sums up where I'm at.

In it, Bess quotes the original author in describing the actions of the overarching antagonist as "giving a gun to someone who is being bullied and getting emotional" and says that she agrees but points out that if the victim chooses to fire that gun, they are the ones who hold responsibility for their actions and that being the victim of manipulation does not suddenly rob them of accountability for their violence, whereas the framing of GouSotsu is that the overarching villain is the sole person who bears responsibility.

I feel like this is the dynamic at play here with Kamiki and Ryosuke/Nino too - except Kamiki, in this metaphor, didn't even fucking give anyone a gun because both Ryosuke and Nino were already armed to begin with. BUT I'LL MOVE ON NOW I SWEAR…

Aside from ^ ALL THAT ^ I also feel like this chapter's attempt to define the white/black hoshigan dichotomy is also just kind of a flop. It's so overly specific that it doesn't actually match with how the black OR white hoshigans have been portrayed symbolically before (was Aqua using his super special dark and evil star powers to dominate and manipulate others when he was eating potato chips and pumping up a pool floatie? come on, man) but it's also just so on the nose and overly dramatic that it comes off as kind of goofy and hard to take seriously.

It's also really funny and kind of frustration to see this dichotomy established seemingly for the purposes of just propping Ruby up some more. Aqua insisting that Ruby is ~just different~ from him and Hikaru REALLY flops because like… IS SHE REALLY THO???

Understand that I don't say this to shit on Ruby but like. Ruby literally had a whole arc about going black hoshigan and using her talent to manipulate and use people for her own benefit! She effectively utilized girl power to put the jobs of an entire TV show's worth of people at risk so she could clout chase a little more efficiently!!! Literally everything Kamiki tries to assert about him and Aqua are also perfect descriptions of how Ruby behaved during that leg of the manga until it flipped off like a switch and she faced literally zero consequences and learned nothing from it.

This is another indication to me that this conversation is an artifact of Akasaka's originally planned ending because this whole bit gassing up how Ruby is just ~so different~ from Kamiki and Aqua simply does not cohere with a story where Ruby had an entire arc of her just being Aqua 2.0 that was never really resolved and she never really learned anything from. If the framing here was just a LITTLE different, I think it could work - maybe instead of Aqua acting like Ruby is just intrinsically, arbitrarily Pure of Heart or whatever, a point could be made that Ruby is actively choosing to be a good and loving person even after all the shit she's been through and especially after an accidental taste of the dark side. But as it stands the accidental implication of the story ends up being that Ruby's BH era was Good, Actually and the actions she took during it were also good lol.

I continue to have all the same issues with the B-Komachi concert as I did in my previous chapter review so I won't repeat myself on that. I will, however, point out that the song Ruby namedrops in this chapter is a reference to Spica (where we translated it as 'When You Wish Upon Your Star'), in which this is a song written and performed by Ai as a message of support for her fans. That is to say, we are once again seeing Ruby, from a narrative perspective, not being allowed to stand on her own as her own idol but relying on the imagery and legacy of Ai's idolhood.

Not only that but… again, I must ask: why is Ruby the center and narrative focus of Kana's graduation concert? Like, obviously, given that Aqua and Kamiki are talking about her the framing is going to focus on Ruby but why is this conversation happening during a moment that had been massively built up to be about Kana? Why is Aqua talking about Ruby as an idol like the rest of B-Komachi just doesn't exist? Why is the narrative unironically indulging in all the same favoritism and coddling of Ruby that, in-universe, tore apart the first generation of B-Komachi?

I guess at the end of the day my problem is that I'm just kind of fed up with Ruby as a character and the way the story has been bending over backwards to coddle her so it's hard to me to get invested when the story goes YEAAAAHHH WOOOOOO RUBY!!!! Especially when, like it has been for a while now, this coddling comes not just at the expense of other characters but also at the expense of Ruby herself and the coherency and consistency of her character arc. It sucks for Ruby as a character and it sucks for me, as a reader, who used to rank Ruby as one of their top three faves but now just feels kind of exhausted with her.

LOOK OUT KAMIKI HE'S GOT A KNIFE

God this whole bit with Aqua getting double white hoshigans while he pulls a knife on Kamiki is just kind of too goofy to take seriously lol. I have some thoughts about how this potentially recontextualizes some of Aqua's actions through the Movie Arc and during the previous confrontation with Kamiki but. I just keep coming back to Aqua being like "white hoshigans means love r something which i'm going to prove by killing you in cold blood" and just shaking my head. It really feels like a moment written just to be a cliffhanger so, like I have with the last three damn chapters, I'll hold back any commentary on it until we get a continuation of this thread next week.

honestly the part of this chapter I enjoyed most was that creepypasta ass full page panel of Kamiki's fucked up smile. that genuinely really alarmed me when i first saw it and even now I don't like looking at it for too long or i get the willies lol. Genuinely fire horror imagery from Mengo as usual. Can she PLEEEEEEEEASE do a horror manga next i'm BEGGING to get spooked by mengo-sensei

no wait i lied. the best part was that cute panel of ai and her babies. <3

justice for memcho and kana, tho, for real

And I'm sure as none of you will be shocked to hear……….. break next week.

[hisfavegirl]

Aegon Targaryen Maesterlist.

One Shot :

My good little baby - Modern!Aegon x Girlfriend!Reader

Pairing : Modern!Aegon Targaryen x Girlfriend!Reader Summary : Aegon loves to look at you when you can't do anything and is very ready for him

Your mine - Aegon Targaryen x Sister!Reader

Pairing : Modern!Aegon Targaryen x Girlfriend!Reader Summary: On Aegon's name day, you spent time dancing with everyone. But there is someone who is always watching you.

Little Dragon - Aegon Targaryen x Niece!Reader

Pairing : Aegon Targaryen x Niece Valeryon(Targaryen)!Reader. Summary : Your mother's decision to abdicate her throne and marry you to Aegon confused the entire kingdom, but you knew that your mother only wanted to avoid the war that would likely occur if she ascended the throne.

That One Ex - Modern!Aegon Targaryen x Girlfriend!Reader

Pairing : Modern!Aegon Targaryen x Girlfriend!Reader Summary : Aegon is a very jealous type of boyfriend, he doesn't like anyone getting too close to you. Until the time comes when you come with him to a charity party, you meet your ex who also comes.

Sweet little sister - Modern! Aegon Targaryen x Stepsister!Reader

Pairing : Modern!Aegon Targaryen x Stepsister!Reader Summary : You are attracted to your stepbrother, Aegon. every night after everyone is asleep you masturbate while thinking about him. Until one night, Aegon heard you moan his name.

Please Stay - Modern!Aegon Targaryen x Fiancé!Reader. (part II)

Pairing : Modern!Aegon Targaryen x Fiancé! Reader Summary : You are the best surgeon at your young age, your life is already in order with you having Aegon as your fiancé. but one day you can't do anything while he's lying on the operating table.

The Queen Grief - King Aegon Targaryen x TwinSister!Reader.

Pairing : King Aegon Targaryen x TwinSister!Reader Summary : Summary : After the incident where your son was killed coldly, you were drowned in anger and also hated.

My happiness - King! Aegon II Targaryen x TwinSister!Reader.

Pairing : King Aegon Targaryen x TwinSister!Reader Summary: you try to get up and come back for your two children after the tragedy, you also find out some good news that makes you even happier.

Our Fate - Aegon Targaryen x Sister!Reader.

Pairing : Aegon Targaryen x Sister!Reader Summary : Your marriage with Aegon has a good influence on you both, Aegon changes his character to be better and you also feel the changes in him day by day.

Shadows - Aemond Targaryen x Wife!Reader x Aegon Targaryen.

Pairing : Aemond Targaryen x Wife!Reader x Aegon Targaryen. Summary : your marriage to aemond was based solely on his obsession and regret for not being able to have your sister, helaena. you were just a shadow of your sister in his eyes, and you were determined to make him realize that he was wrong.

Choices - Aemond Targaryen x SisterWife!Reader x Aegon Targaryen.

Pairing : Aemond Targaryen x Wife!Reader x Aegon Targaryen. Summary : you were tired of being just a shadow, after that night something inside you changed. the choice you made that night changed your entire life.

Resolve - Aemond Targaryen x SisterWife!Reader x Aegon Targaryen

Pairing : Aemond Targaryen x Wife!Reader x Aegon Targaryen. Summary : the situation rewinds to when you found out you were pregnant, your mother made a tough decision for you and aegon.

The Twisted Truth - Aemond Targaryen x SisterWife!Reader x Aegon Targaryen.

Pairing : Aemond Targaryen x SisterWife!Reader x Aegon Targaryen.

Summary : story from aemond's side, when he could only stay silent without doing anything because he had destroyed you.

Series :

Fated Misconnections.

Pairing : Aegon Targaryen x Aemond Targaryen x Jacaerys Velaryon. Summary : This is the story of a girl born in shadow, raised in light, and bound by the weight of two fathers and one name. A girl whose beauty turned heads but whose bloodline could ignite a war.

[magpies-gold]

Character Age Meme - Errick

I'm running into situations during story development where I really need to know more of my characters' life stories and what they looked like when they were younger, so it's time to continue with these. I did Henry/Heinrich a while back already. I still have Elliot and Paul to do to finish off my cast of main characters.

Errick had a wildly different upbringing from Heinrich. Where Heinrich was the equivalent of a feral stray cat, Errick is the closest thing that you get to royalty in the base. His family has always been in command, ever since the shell sealed them in, and Errick grew up privileged, happy, and loved. He didn't even have much to worry about for the first few years: his older brother, Michael, was always supposed to be the one in charge one day, not him.

When he was around age seven, Michael was killed in an accident. Errick had never been especially good at making friends, and the loss of his big brother was the loss of his best friend, as well. It left a big hole in his life that he had a hard time filling, and it also dropped the weight of future responsibility as commander of the base squarely on his shoulders. It wasn't something he ever wanted, and not something he ever rose to the challenge of.

When he was nine, there was a debacle in the base surrounding a fourteen year old problem named Henry. In the aftermath of the chaos, Henry was, rather fortuitously, stuck in a holding cell at Alpha Base HQ while Errick's father tried to figure out what to do with him. This left Errick with an opportunity: a literally captive audience. He visited Henry regularly, and before long they were friends... whether Henry wanted it or not. Errick pretty much picked him out like a pet from the humane society and all but informed him that that they were friends now; its how Errick be and how Errick do). I wouldn't say that Errick was the sole reason for Henry getting to still have a future after what had happened, but he sure influenced the decision.

Henry and Errick got each other through some rough times over the next few years. Henry had a steep adjustment period from his past life to his present one and Errick had more personal tragedy to deal with. His mom died after a few years of illness when he was twelve, leaving him with just his very busy dad as family. One more loss and he'd be the last of the Rider family left. By this point he was also starting to understand how bleak his own future really was. More than ever, it was becoming apparent that Alpha Base's continued survival was not a sure thing past the next few decades. Nothing lasts forever, and one can only keep recycling the same material for so long before it all turns to dust. Dust was exactly what was uncomfortably near on the horizon. It didn't encourage Errick much in regards to taking his looming responsibilities seriously. What fun is it to be captain of a sinking ship?

When he was 19, that came to a head with the rise of the dreamers and the rebellion. The four key players of the rebellion were close friends of Heinrich's, and their ringleader was the sister of Errick's at-the-time boyfriend. The betrayal and the threat coming from so close by shook him badly and only made him more paranoid and more afraid of what was to come.

He had at least one more long-term relationship after that - with a woman named Laura - but his twenties and his early thirties were not wonderful for his mental health. The rebels continued to be a problem that Heinrich and Commander Christoph couldn't seem to get a handle on, the base was dying, the population was on a decline, it was getting harder to keep the lights on, and when he was in his late twenties, Errick's father started showing the first signs that he was getting sick. Christoph still had a lot of years left in him, but it was the very beginning of an end. The stress took a toll on Errick's relationship with Laura, and what they had fell apart in spectacular fashion.

Errick met Paul when he was 32 and Paul was 23. At the time, Errick wasn't necessarily looking for anything that would last, but they ended up being extremely good for each other. Paul thrives off of being needed and doesn't take much personally - he's got a very stable, steady personality. Errick does well with someone trustworthy, dependable, and loyal who genuinely loves him, loose screws and all, and that's Paul to a tee.

So Errick was actually doing all right for himself, finally.

And then, at age 37, the book begins, and so do a whole new set of troubles.

[tomboyjessie13-artblog]

Sorry for the long wait, I was really distracted and tired that I couldn't draw for a while. That being said, I decided to draw out Medea's ex-boyfriend Jason, the man himself(hurk) inspired by Greek Myth, and her future husband Keiji, who is a total sweetheart. 

I kept talking about Medea's love life during Part 3 and 4, so why not give them an appearance?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jason Lennon (ジェイソン レノン Jeison Renon), was a tertiary antagonist during "Stardust Crusaders". Jason was born in New York City to a fairly wealthy family. 

He and his parents moved to California for a fresh start and became best friends and later childhood sweethearts with Medea King. But despite his well off life, he was secretly jealous of Joseph Joestar for being more wealthy and influential than him, eventually transforming into envy, and would do just about anything to be in the old man's position. 

Medea protests that he didn't need Joseph's position to be happy and should be grateful with what he had, although claiming that she's right, he began to secretly resent Medea, believing that she doesn't understand his insecurities and started to slowly distance himself from her, even going as far as to cheat on her with his classmate Glauce Ono behind her back.

The fallout upon discovering this transgression resulted in Jason getting battered by Medea and her Stand, as well as her being forced to live with her grandparents in Cork, Ireland to escape his and his family's wrath. 

A year later, he physically recovered and joined the SPW Foundation as an intern, he soon joins the Joestar group at Hong Kong as a sailor for hire in hopes of finding a way to kill Joseph, he was the only sailor to survive the group's encounter with [Strength] but was traumatized by the experience. 

It was during the group's stay in Malaysia's capital that his ex-lover Medea, now one of DIO's servants, tracks him down and finally had her revenge with him by humiliating and almost killing him in front of Joseph with her Stand's poison, damaging one of his kidneys and getting him arrested by the SPW Foundation, this ruined his chances of ever overthrowing Joseph for his money. He was last seen being disowned by his parents for his crimes.

His current whereabouts are unknown.

~Name~ Japanese Name: ジェイソン レノン Romanized Name: Jeison Renon Namesake: Jason(Character of Greek Myth and Euripides' play) John Lennon(British singer and songwriter)

~Profile~ Age: 18-19 Birthday: 1969 Chinese Zodiac: Dog Gender: Male Height: 167 cm (5 ft 6 in) Weight: Unknown Blood Type: AB Nationality: American Occupation: High Schooler (pre-Part 3) SPW Foundation intern (Part 3) (fired)

~Favorites~ Color: Cobalt blue Movie: The Good, the Bad, and the Ugly Food: Cheeseburgers Band: Van Halen Hobbies: Reading

~Other Information~ Hair Color: Medium blonde Eye Color: Amber Goals: Overthrow Joseph Joestar for his money and influence (failed) Academic Major: Science Relationships: Unnamed parents (disowned) Medea King (ex-girlfriend) Glauce Ono (mistress)

Status: Unknown ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Keiji Tachibana (橘圭司 Tachibana Keiji), is a secondary protagonist during "Diamond is Unbreakable". He's an easygoing and cheery young man who works at the Sun Mart as an employee. 

He was born and raised in a Shinto household along with his older sister Yuna to his mother Sachiko Tachibana, his father, who used to be Morioh's most renowned Priest, died of a rare form of Cancer while Keiji was just a teenager.

In late-January 1989, he meets a depressed and guilt-ridden Medea King who had recently arrived to Japan after the events of "Stardust Crusaders". After hearing her story, he felt pity for the young woman and convinced his mother to give her shelter, Sachiko accepted under the condition that Medea pulls her weight around the house. 

At some point he learned that Medea has a Stand and welcomes them into the family.

Over the next few years, the two became close friends and later lovers(much to Sachiko's irritation due to Medea being a foreigner). Eventually they got married and sired a daughter named "Noriko" after Medea's late friend(whom Keiji later found out was the Kakyoins' deceased son Noriaki). 

In 1999, the mart he worked at got held up by a man being possessed by Angelo's Stand, [Aqua Necklace], with one of his co-workers getting held hostage. Thankfully he and the employee were rescued by Josuke Higashikata and his Stand, [Crazy Diamond]. 

He and his family would soon get caught up in more events caused by various Stand users, one of them being the infamous serial killer: Yoshikage Kira and his Stand, [Killer Queen].

He's one of the few non-Stand users to be aware of the Stands' existance and purpose, seeing them as gifts by the gods due to his family's spiritual background.

~Name~ Japanese Name: 橘圭司 Romanized Name: Tachibana Keiji

~Profile~ Age: 31 Birthday: 1968 Chinese Zodiac: Monkey Gender: Male Height: 170 cm (5 ft 7 in) Weight: Unknown Blood Type: O Nationality: Japanese Religion: Shintoism Occupation: Sun Mart employee

~Favorites~ Color: Orange Movie: Lupin III: Castle Of Cagliostro Food: Omurice Musician: Tatsuro Yamashita Hobbies: Painting

~Other Information~ Hair Color: Dark brown Eye Color: Brown (eyes closed when normal, opened when upset or surprised) Academic Major: Linguistics and language Relationships: Sachiko Tachibana (mother) Morioh's Shinto Priest (father) (deceased) Yuna Tachibana (older sister) Medea King/Tachibana (wife) Noriko Tachibana (daughter)

Status: Alive ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Trivia: *I tried my best not to make Jason look like his Greek Myth counterpart as depicted by "Overly Sarcastic Productions" because I wanted to do my own take on him, be a little original. Except for the thick eyebrows and sideburns, they can stay lol. Here's what I'm talking about: https://www.youtube.com/watch?v=b7WH30_8vos

*The reason Keiji knows about the Kakyoin family is because, while not confirmed by canon, i'm now under the firm belief that Noriaki is from Morioh after hearing about "Crazy Diamond's Demonic Heartbreak" and him being named after a building in Araki's hometown(whom he renames it to Morioh as to not piss off the locals).

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ OCs belongs to me

[nour386]

Meeting the not Heroic Family

My submission for @pinesconessecrets as the santa of @mothmanfactkin, His prompts included super hero au and awkward dinner. So I combined them together into one massive fic. I hope you enjoy this because I enjoyed writing this. (Also on Ao3!)

"Dipper, I'm not sure about this," Wirt tightened his grip on his boyfriend's hand.

"It'll be fine!" Dipper awkwardly bumped Wirt with his elbow. "They don't need to know that I'm dating the legendary 'Spirit of the Plants'."

"Dipper this is serious." Wirt said. "If your Uncle is half as smart as you say he is, he should be able to figure out my identity in an instant."

"Don't worry about that, we have your cover story remember?" Dipper grinned, "a humble library part timer fresh out of college, looking for work. It'd cover most of our bases."

Wirt didn't look convinced. He bit his lip and looked away. His mind raced with all the ways this evening could go wrong. A villain somehow reconsigning him, and attacking them through the window. A giant monster bursting through the ceiling, crushing everyone and splattering the walls with their blood. Or worst of all, his boyfriend's uncles deciding that he was a bad influence. Cutting his time with Dipper short.

"Hey, look at me." Dipper pinched Wirt's cheek making the lanky man wince.

"What was that for?" Wirt rubbed his cheek.

"You were doing that thing where you panic and over think everything and worry that the end of the world will come about because you dropped a spoon." Dipper rolled his hand as he spoke.

"There was no apocalypse this time." Wirt said in a small voice.

"That's not the point Pilgrim." Dipper sighed. He placed both his hands on Wirt’s shoulders. "I know you're worried, and in truth, I am a little as well; but nothing helpful is going to come from sitting here and stewing in our sweat. Let's go take this thing down together."

Wirt took a deep breath, and let himself be held by Dipper. The weight of his hands on his shoulders helped ground the young man. He looked into his boyfriend’s eyes and gave a small smile. 

“I think. I'll be fine.” Wirt said slowly.

“I’ll be with you every step of the way.” Dipper smiled.

The pair made their way down the long walk up to the mystery shack. Normally Dipper would have insisted on flying the pair over, but decided that letting Wirt get excited over the natural beauty of Gravity Falls might help him calm down enough to face his uncles. That judgement worked out swimmingly in his favour as Wirt awkwardly asked to stop every few minutes to observe some flower or shrub that he didn’t quite recognise. 

“I know you said the town was bustling with the unknown, I didn’t think that would include plants.” Wirt carefully touched the leaf of a shrub. 

“Is a small bush that impressive?” Dipper squated next to Wirt to observe the plant. The stem looked like it was covered in red polka dots. 

“Look! This shrub adapted its stem to look like it's covered in red ants to avoid being eaten!” Wirt said in an excited voice. He gave the leaf at the tip of the stem a small poke and gave a small twitter of delight as the stem curled up perfectly to make the polka dots look even larger. 

“Huh, I never noticed that.” Dipper taped his chin.

“Probably because you spent the better part of your time running for your life.” Wirt tapped a nearby tree. A sturdy branch grew out, just high enough along the trunk to help him stand up without groaning. “Thank you.” He whispered to the tree.

“You know, for a superhero you sure do use your powers haphazardly.” Dipper teased. He stood up, and led the way to the shack.

“You’re just jealous that your yearbook photo this year was captioned ‘plant killer’.” Wirt smirked,   following Dipper along the path.

“I told all of our friends to not get me house plants as gifts. But they never listen.” Dipper threw up his hands in exasperation. “I can hardly take care of myself. You think I can take care of a plant?”

“Thank your lucky stars that I didn’t decide to incarcerate you for crimes against greenery.” Wirt said.

“That’s not a thing and you know it Mr.’Hero’.” Dipper punched Wirt’s arm.

“Well it might be!” Wirt shot back. “And now the charge has changed to battery.”

“Oh no. how could you have stopped my dastardly crimes.” Dipper rolled his eyes.

“Who’s talking about crime?” came a gruff voice.

The pair looked ahead to find an older looking man. Greying hair that lay flat on his head, a red nose and square jaw. He wore a serious expression, his face behind his square glasses was twisted into a serious scowl as he looked at the two young men. 

“I-uh no-one Sir.” Wirt squeaked. 

Dipper on the other hand rolled his eyes. “Why? You want a cut of the goods?” “You’re damn right.” The old man smirked. 

“I wha-” Wirt looked between them.

“Are you sure you’d want to be associated with horrible criminals like us?” Dipper asked. “Wouldn’t want the press to find out and cause another scandal.”

“Those paparazzi cronies will swarm after anything. It’ll blow over in less than a day.” The old man chuckled.

“What?” Wirt tilted his head.

Dipper grinned. “Wirt, this is my Great uncle Stan, retired hero and ever active conman.” 

“Hero?” Wirt stared at the man. His mind raced to put a mask to the face.

“Autographs cost 50 and pictures with me are 100.” Stan gave a showman’s grin. “Keep in mind that those prices are mutually exclusive.”

“And if you want him in costume you’d be footing the tailor’s bill.” Dipper elbowed Wirt.

“Wait, who were you?” Wirt asked.

“Who was I? Who was I?” Stan looked as though he had the wind knocked out of him. “What kind of cave dweller did you bring to my house?”

Dipper rolled his eyes at Stan’s theatrics. He was well used to his uncle’s inflated ego about his hero career. Wirt on the other hand found difficulty picking up on Stan’s very subtle hints at playing a bit. He felt his stomach sink to his feet as the man’s voice grew in volume, his life flashing before his eyes as he tried to figure out which hero this angry looking man could have been. 

“Grunkle Stan, tone it down, you’re going to give him a heart attack.” Came a sweet as sugar voice from inside the shack. A young lady with her hair done in a long braid opened the mesh door and punched Stan in the arm. Aside from rosy cheeks and the lack of a beard, her face was identical to Dipper’s. It didn’t take long for Wirt to recognise his boyfriend’s twin sister, Mabel. 

She turned to Wirt and gave a warming smile. “Sorry about this old grump. He thinks his comedy routine should double as a horror show.” 

“It’s only horror if they’re too sensitive.” Stan rubbed his arm. 

“You promised Dipper you’d play nice while Wirt was visiting.” she crossed her arms.

“I also promised your uncle Shermie that I wouldn’t let you do any hero work while staying over. And look how that turned out.” Stan rolled his eyes.

“Stopping someone from stealing a car isn’t hero work.” Mabel shot back. 

“Sorry about Stan,” Dipper muttered under his breath. “He’s just jealous that his hero career was cut.” 

“Jealous?” Wirt stared at Dipper. “You said you didn’t tell them anything”

“He’s jealous of your youthfulness” Dipper squeezed Wirt’s shoulder. He leaned in close to whisper into his ear. “I haven’t told them a thing, I promise.”

“So he’s not mad?” Wirt clarified. 

“Nope, just a really bad comedian.” Dipper smiled.

Wirt closed his eyes and took a deep breath. He held onto Dipper’s hand to ground himself. It took a couple of moments but he felt his heart rate slow down. 

“Hey, is the kid okay?” Stan called from the porch. Wirt could hear the audible smack of Mabel’s fist against Stan’s meaty arms, followed by a hushed. “Ouch!”

“Ready to go in?” Dipper asked patiently, ignoring his relatives and their antics.

“I think so yes.” Wirt opened his eyes and gave a weak grin. 

***

The pair had wanted to spend the wait for dinner in the living room, enjoying the terrible public access television that Gravity Falls had to offer. However, Stan had other plans. Apparently Dipper’s second Grunkle, Ford as Stan called him, had failed to arrive in time to help like he had agreed. And now the couple were forced into the kitchen to help with dinner preparations. 

“Honestly you don’t need to help too much.” Dipper insisted as he kept an eye on the bubbling stew.

“I don’t mind. It’s nice to see the shack you talk so much about.” Wirt smiled. He carefully peeled an onion before dicing it. Dipper could have sworn the onion grew plumper when he handed it to Wirt.

“So he talks about this place huh?” Stan looked over his shoulder and away from his chopping board. “Better be talking about how great it was.”

“Oh but of course.” Dipper rolled his eyes. “The 5 star accommodations, and food to match? How could I complain?”

“Didn’t you say that the walls were riddled with splinters?” Wirt asked.

“They add character!” Stan insisted. He banged his fist on to the chopping board, launching sliced up carrots into Dipper’s bubbling pot.

“And a surprising amount of fiber.” Dipper said. He placed a lid on the pot. 

“What?” Wirt looked at Dipper. 

“The kid chews just about anything. I’m surprised his power wasn’t something like eating anything.” Stan said, he took the onion slices from Wirt and poured them into a pan with some oil.

“I don’t think that’d be very fitting.” Wirt said. 

“Oh? And why’s that?” Stan snapped his fingers, summoning a small flame at the tip of his finger, which he then used to ignite the stove. He raised an eyebrow as he stared at Wirt. Challenging him to back up his claim.

Wirt could feel his stomach twisting under the gaze of the older man, but a gentle hand on his shoulder helped the practising hero ground himself. He took a deep breath and put on what felt like a confident grin. “Well, for one thing Dipper would need an appetite for such a power to be useful.”

There was a beat, Wirt held his breath, expecting some snide remark about how he didn’t know what he was talking about. Instead, Wirt watched as Stan slapped his knee in laughter. The old man’s wrinkled face lifted with glee as his hoarse laugh filled the shack. He accidentally knocked over the pan he had just put on the stove. 

Acting quickly, Wirt grew a strong vine from the flowers on the window sill, easily catching the pan.

“And here I thought you were all talk about him being a smart alec!” Stan grinned. He clapped a hand on Wirt’s back.

“Thank you?” Wirt looked to Dipper for help.

His boyfriend gave him a small smile and a thumbs up. “Told you he could hold his own.”

“He still looks scrawny as hell.” Stan pulled his pan out of the vine’s grasp. “Pretty good with his powers. You sure he ain’t some mask behind your back?”

“Grunkle Stan, Wirt would never lie to me like that.” Dipper frowned. He looked disgusted at the suggestion.

“Not many regular people are quick enough to catch something that fast. Especially with powers they don’t use regularly.” Stan said.

“I do use my power often.” Wirt said honestly.

“And what does a librarian need chloromancy for?” Stan asked.

“It helps me put away books faster.” Wirt said. “Not to mention I had a very excitable younger brother. If I wasn’t keeping an eye on him, there was no telling how much trouble he’d get in.”

Dipper held his breath as he watched his Uncle’s reaction. The old man eyed Wirt up and down, before shrugging and moving back to his cooking. “Jeez you really are dating a goody two shoes, aren’t you?” 

“You know me. Can’t help but stick to the rules.” Dipper said with an awkward chuckle.

“Only when it suits you.” Stan remarked. “Now toast the bread, I didn't bring you in here to play 20 questions.”

***

‘Ford’ was still nowhere to be seen, but the family had decided to start dinner without him. 

“If he thinks I’m going to wait for him to eat then he’s got another thing coming.” Stan said. 

With the use of his plant powers, Wirt was able to set the table rather quickly. He wondered why Mabel hadn’t been asked to help, but when he saw several burn marks hidden under the table cloth, he realised the risk the ever glitter throwing Mabel could be to the kitchen. It wasn’t long before the table had been set and all food was served. The three Pines and Wirt sat together at the table, enjoying the delicious food. The sound of clinking plates filled the air.

All was peaceful until a loud crash came from the living room, followed by an angry shout.

“Stanley what did you do to my mirror!”

Stan didn't get up from his seat, in fact he  acted as though he didn’t hear what had just transpired. Wirt remembered seeing the old man reach for his ears before they began eating. ‘Perhaps he turned off his hearing aids?’.

Dipper gave Wirt a smile. “We’re in the kitchen Grunkle Ford!”

Wirt turned to the doorway just in time to see a man with a similar face to Stan’s but with a much deeper cleft in his chin and much poofier hair. He wore a trench coat and red sweater over black dress pants. His clothes were scuffed and were burnt in multiple places. To the untrained eye it would have looked like the man had run wildly through the woods from some kind of monster. However Wirt was familiar with markings like those that were all over Ford’s clothing. They were from stray bullets that had nicked his clothing, narrowly avoiding him. 

“Stanley, what was the big idea with putting my mirror behind the couch!” Ford marched right up to his twin, his face red with rage.

Stan lazily looked up at Ford, his mouth full of mashed potatoes. He raised a finger and swallowed his food. “I can’t hear anything you're saying Sixer.” Stan pointed to the kitchen counter, where his hearing aids sat, keeping him deaf to the world around him.

“You knucklehead! I almost got crushed!” Ford reached to punch Stan, but he was stopped by Dipper. The young man had jumped out of his seat and grabbed a hold of Ford’s arm. Dipper also summoned a vine from the window sill to keep his uncle restrained.

“Grunkle Ford, I’m really happy you’re back in one piece. I was hoping to introduce you to my boyfriend, Wirt.” Dipper said. He nonchalantly gestured to Wirt.

“Ah, yes. I had forgotten we had guests.” Ford’s cheeks turned red as he collected himself. “I apologise for my outburst. I’m usually much more composed. However, someone’s pettiness has affected that.”

“Still deaf as a post.” Stan pointed to his large ears. His mouth full of half eaten stew.

Ford rolled his eyes and walked over to Wirt. The old man wiped his hand on his dark pants before offering a six-fingered hand shake. Wirt politely returned the gesture with a firm hand. But as the pair shook hands, a painful realisation dawned upon them both. 

“You…” They both breathed. Their eyes locked into one another. 

Before Wirt could say anything, Stanford ran out of the room, and out of sight. 

Stan, Dipper and Mabel stared at Wirt, all thinking the same question. Wirt could feel their eyes boring into his skull, so he stood up, and excused himself. The young man made his way to the bathroom, closing the door behind himself. He splashed his face with some cold water and breathed deeply. He looked at the mirror above the sink, screamed, and tripped back into the bathtub.

“Calm down!” Dipper whispered. He stepped out of the mirror.

“How did you-”

“I’ve been copying Grunkle Ford’s power for ages.” Dipper said. “Now, would you mind explaining what that was just now?”

“So, remember how I thought I never met your uncles and was worried about a bad first impression?” Wirt asked. His tone sounded jovial despite his rattled nerves. “Well I don't need to worry about that anymore.”

“When did you meet Grunkle Ford?” Dipper asked. He sat on the side of the bathtub.

“I was doing a nightly patrol of our campus. The security guards had asked for some help from the local hero guild. Someone was breaking in and taking the latest data found by the scientific teams. I was already on campus so the hero guild put me to the job.” Wirt said. He kept in his awkwardly sat position in the tub as he spoke. The shower curtain tangled with his long limbs. 

“So as I was walking around, I heard the guards calling for help, turned the corner and saw the tail coat of a man run down the hallway. ‘The light of the moon shone through the windows, guiding me through the dark to his eventual capture’. Is what I thought when I saw him turn down a dead end. But instead there was no one. There was the one way glass of the nearby lab door; but it was securely locked. The guards checked it anyway and found no one.”

“Right.” Dipper nodded along, tapping his chin.

“I walked along the floor, looking for any signs of the intruder; but alas he had slipped my grasp. The only person I found was one of the professors leaving after a late night at work. I had thought he was the intruder at first, since the first thing I saw were the tails of his coat, but it was a lab coat.” Wirt continued.

“But where does Ford fit into this?” Dipper asked.

“That professor dropped a roll of paper he was carrying. I thought it was some of his research, but when I reached down to pick it up. I noticed he had six fingers, which was not mentioned in the staff listings. And when I looked at his ID, it was a crudely faked card.” Wirt said. 

“Ooooh.” Dipper sucked in a breath. “And he realised you were the hero from that night?”

“There’s no way he didn’t.” Wirt said.

“Okay, things are messy, but, there’s nothing to worry about.” Dipper clapped his hands. “He knows that you know, but we don’t know he knows. So we can use this to our advantage.” 

“If he knows that we know, then he won’t try to deal with me to make sure I don’t blab?” wirt asked.

“But he can’t be sure that you know.” Dipper said. “As far as your story goes, you’re only a librarian. Just keep your cool and things should smooth over.”

“Considering how annoyed your Uncle Stan is, I doubt he’d want to cause too much more trouble.” Wirt said.

“Exactly.” Dipper smiled. “Now come on, dinner’s getting cold and trust me when I say you don’t want to fight Mabel for seconds.”

 Wirt watched as Dipper stood up offering his hand. The young man took a deep breath before accepting his boyfriend’s hand.

“That sounds lovely.” he agreed.

[handlewithkara]

Thanks, I hate it

So, I was trying to rewatch season 3 again and wow, I remembered why I hate it (and particularly 3B) so much. Maybe hate is the wrong word. There is good things in there. Things I can appreciate. 

But I feel like my biggest gripe with it, more than shipping, more than characterization is that it is really hard to watch a show when you very fundamentally disagree with a position the show takes. 

And I think I knew that that was going to be the case I think from the moment Mon-El has his revealing conversation with J’onn in 3x13. J’onn is a character we are supposed to like, so it was pretty clear to me, that in this case, the position he took in this conversation was a position the show takes. 

Here is goes: Supergirl Season 3 firmly takes the position that it is the morally right thing for Mon-El to do is to not tell Kara that he has feelings for her. 

(the show also takes the position that it is honorable of Kara not to tell Lena her secret identity, situations that are paralleled on occasion. I think the situations are somewhat different, but still think that in both cases the position of the show is questionable or at least something I really disagree with)

First: What I think they were trying to achieve with this

1.) One of Mon-El's character flaws was arguably lack of restraint. Showing him holding back on telling Kara shows that he has matured. 

In this area I feel like the biggest disagreement is likely one of taste. If one likes Mon-El, one might argue that yes, lack of restraint and consideration was a character trait and flaw of Mon-El's, but "curing" him of this flaw arguably makes him at lost less entertaining as a character. 

The other problem is that Mon-El still has certain moments which the show itself characterizes as lack of consideration. Seems kind of late for him to still be learning this lesson on the fly? Rather than just struggling with it? Still, one can argue the fact that he was struggling with this issue on a relatively high level is a way of showing that he has changed a lot and is in a very different place. 

2.) Telling Kara about his feelings while she is still hurting and confused especially when he is unsure himself, yes would arguably be shitty. 

Now, this I partly get. When Mon-El comes back Kara is in a lot of emotional pain, she is distraught, she is confused, she is dealing with a lot. 

If at this point Mon-El goes to her and tells her that he's still into her (but there is still a chance that he still wants to honor his commitment to Imra more) that would cause her a lot of additional pain. 

Not that I think it would have changed a lot in how Kara would react or how much would have happened between them, but the same decisions would likely have caused her a lot of additional anguish. That would have been jerking her around and playing with her feelings by my defintion of things and in that case, I agree, he shouldn’t tell her.

Getting her hopes up just to leave again would so not be cool. 

3.) Talking to Kara about how he is struggling too might hamper their ability to fight Reign.

Now granted, this is just my personal feelings, as this wasn't really a topic that the show brought up itself. Still, this is something I could at least picture being a concern for these characters, that they want to put their feelings aside till Reign is defeated. (and in a way... that is what happens on the show, Karamel start getting a lot shippier in the time when they mistakenly think Reign has been defeated)

Second: Why I think it's wrong

The show over and over goes over the concept that it is wrong to tell somebody the truth just to make yourself feel better. And I keep thinking... why?

I agree with the concept that it is morally wrong to cause pointless pain to Kara by telling her. The thing is ... is it really pointless?

I fully agree that if Mon-El had fessed up to her at some point late into the season, it would have temporarily made Kara's life more confusing... but .... wouldn't that be worth it? Simply in the interest of things being more honest between and the information being out there?

And why isn't "it would make Mon-El feel better and lift a weight off his shoulders" a totally legit and fair outcome? Why does that have to be cast as "that's selfish and so he should never do that"?

I can maybe get that in the beginning when Kara is still super raw and emotional, but later on? Kara is a strong person, with a great support system. And I get that it's immoral to draw her into messy marriage issues.

But I don't see how just telling Kara what his emotional state is does that. He could just tell her "I'm really struggling too, but I'm trying to hold it together. This is hard for me in particular because I’m dealing with a lot of additional political weight being placed on my shoulders".

And yes I can envision a world where that makes communication between them even harder and it makes fighting Reign harder. But I still think it would be worth it for the benefit of things being more honest between them. And I would have said that both characters are emotionally strong enough that they could handle it.

Third: Why I’m beginning to think that they genuinely believed that

You know, for the longest time I thought, okay, maybe they just disliked Mon-El and wanted to get rid of him, so maybe they gave him a shitty story and that's all there is too it.

But the longer things go on, the more I get the impression. OMG they were actually serious about that?

In season 3, they draw strong parallels between it being honorable of Mon-El not to tell Kara and it being honorable of Kara not to tell Lena her identity. This is most explicit in The Fanatical where Mon-El says exactly that in a traditional "he gives advice about Lena, but he's actually talking about himself" scene.

Well, if you tell [her] the truth, you'd be doing it to make yourself feel better, not her. So maybe, in this case, it's, uh... Not telling her the truth is the noble thing. It's a sacrifice you're making to protect her.

(Bless Chris Wood, I think he looks entirely unconvinced by his own dialogue here)

Fast forward to episode 100. The big anniversary episode. The one that celebrates Kara and her influence on people. And this episode is full of people assuring Kara that her motivations were noble AND it ends with Kara embracing this point of view and putting her foot down (and no, I don't think that the writers intend to take that back and portray that as Kara misunderstanding something when this is the big celebration episode)

Executing The Premise

Either way. The whole season consisted of people preaching to Mon-El that he shouldn't tell. So Mon-El tries to do the right thing and keep his feelings mostly close to his vest.

And then it just ends!!!!

I'm sorry, this just feels wrong. It feels like there is something missing. Like either Mon-El should be rewarded for holding back (either by him realizing that loves the future best anyway (instead ... the opposite of that happened) or him actually getting a better chance with Kara somewhere in the future when the circumstances are better). Or in lieu of that, a storyline that makes it explictly clear that Mon-El was being a dumbass, did exactly the wrong thing and that is what costs him his chance with Kara. Except that didn't happen either.

Instead he disappear uncommented into nothingness and the only other glimpse we see of him is till an episode that actually doubles down on the message of 3B.

Summation

So my deep, fundamental gripe with season 3 is that I just deeply, deeply disagree with the central thesis the season puts forth (keeping things from people is not just understandable and excusable, but actually morally good) THE SHOW DIDN'T EVEN DELIVER PROPERLY ON THE STAKES AND MORAL STANDARDS THEY BUILT UP.

That's why season 3 was frustrating and hard to get connected to on multiple levels when it comes to these central story tenants. You have these characters discussing and debating and going back and forth and here I’m sitting, watching them and going “Yes, but this moral conundrum is stupid” (I had this reaction during pretty much any Mon-El scenes in regards to telling the truth and during any of the Kara and Lena arguments). I think even if the show had told a "clean" story with their premise, I still would have been sour on it when I just so fundamentally disagree with the premise on a personal level.

And that is in addition to the entertainment level of "I just don't think that it's very entertaining to watch characters who are constantly holding back to be heroic and moral and honorable" (compared to holding back for personal reasons like insecurity, something that is way more interesting because that is compelling characterization a lot of the time and casts telling the truth as characters facing their fears or seeing things weren’t as bad as they imagined it). 

I disliked that honorable holding back in Kara/James and I disliked it again in season 3. [yes I think it’s marginally better set up in season 3 simply because Karamel had an actual relationship as the basis rather than just the potential of a flirtation, Mimra were married and there was a political reason why it had to stay that way rather than Lucy in the end being just a nice girlfriend/boyfriend relationship ... but just because it is a slightly more solid version of that trope doesn’t change that that trope is bad and boring to me]

Look, this isn't about morals. This isn't about me thinking the show would have been better if Kara would have thrown herself at James in season 1. It's just that those stories are (to me) fundamentally boring to watch and there was a reason why I preferred the chaotic back and forth of season 2 Karamel. So in a way, I felt fundamentally betrayed by the story even without the ending, because to me the season betrayed a lot about what I liked about Karamel in season 2 and made them more like Kara/James whose story I often did not care for for a reason. I'm not claiming that season 3 was devoid of good things, outside of Karamel or within (and I will try to make posts on that), but in regards to Karamel, a lot of these things were new areas, new themes or side aspects compared to what their strongest threads were in season 2.(for what it’s worth, I think the normal, “soapy” way to tell this story would have been not that Mon-El tells, but that Mon-El keeps it quiet, but somebody else blabs out the truth and Kara finds out anyway and is initally mad at Mon-El. Would still have been a cop out compared to how I see this conflict, but it would have been a more normal story compared to “everybody tells Mon-El not to tell and he mostly doesn’t”)

But I can put my shipper values aside. I can try to appreciate a story for its craftsmanship or for what it is trying to do even if things don't go my way. But it's really hard to get invested in a show if you just don't see eye to eye with one of the core themes the show proposes.

And that’s why I have a lot of animosity left towards this aspect of season 3. 

[allthevmff]

Find Afrocurl’s work // AO3 // LJ  interview from vmfictitious // originally posted Mar. 20th, 2011

How did you get into Veronica Mars fandom?

Somewhere in the middle of S2, a friend of mine from high school started to talk about this show and how much I’d like it. At the general description of a high school detective, I borrowed her S1 DVDs and devoured the show in three days.  After that I started to discover fandom, mostly because I used Inigo’s transcripts to keep myself up with what the show was doing before I could watch live.

Shortly after starting the show, I had this job where I spent too much time in an office and was easily bored. I used a bunch of downtime to read fic and post in a message board (FanForum for anyone curious.)  When that job ended (thankfully) I had all of this spare time and just sort of fell into writing.

Were you an experienced writer when you started writing for VM?  If so, what kind of writing had you done, and/or what fandoms had you written for?   If not, was it really intimidating to post your first story?

I’m a little fuzzy on these details right now, but I wasn’t that experienced when I started writing in VM. I think I had a story or two written in The OC before I posted here, but I had some great support from a few friends (sarah_p //  Sarah's Crack ) for one was a big support) when I did post my first story.

What was it about Veronica Mars that interested you?  Why did you feel compelled to write for this particular show?

I really fell for the characters when I started to watch. Veronica was such a compelling character, and as I kept watching I fell more in love with Logan, too. I felt compelled in that post-S2 summer to see the relationship between Logan and Veronica explored (as so many other people did.)

Are you creative in other media for fandom (vidding, icons, etc.)?

I pick up making icons here and there, but I don’t think I have the same skill as many other people do. It’s a different creative medium, and one that I think stretches a different part of my brain.

What was the best moment for you, in fandom?  (Not necessarily a moment in the show, but fandom itself.)

I think it was the moment when I found myself in a position to go to all of these events around LA and San Diego. I found that people around LJ were interested as a result because there was something for people to enjoy that I had been able to capture.

If you had a magic wand, and could change VM fandom in any way, past or present, what would you do?

I wish S3 hadn’t been so divisive—it’s spoiled so many people on the show, and when you still love parts of it, but not all of it, it’s hard to stay positive around other people.

Of your accomplishments in fandom/cyberspace, which are you most proud of?

Weirdly, I think it’s little things I’ve done that bring a smile to my face. Sharing my time with the cast with others in any way. That’s not just the picspams when I went to an event, but these moments where I could get autographs or phone calls to other people. At different times, I’ve been able to make a friend’s birthday just a little brighter with a message from the cast (Sarah and another friend M.)

What’s your favorite VM episode and why?

I go back and forth on this answer all of the time, but I think it’s Ain’t No Magic Mountain High Enough. In part because it was the first episode I remember watching live, and also because I’m a sucker for banter between Logan and Veronica. That whole episode is filled with it, even if they aren’t together as a couple.

What’s your least favorite episode and why?

Blast from the Past—I just can’t get behind the mystery of the week, or what Jackie does to Veronica as a way to keep Wallace to herself.

How do you feel about season 3?

I’m a mixed bag on the subject. I think that the first arc has promise, though it didn’t do much to satisfy my need for Logan and Veronica in a healthy relationship. I’m not a fan of how Piz was introduced, or what his purpose was in the long run.

The Dean O’Dell arc lacks heart (and the Hearst rapist does too when I look at it), and the last five are just all over the place.

In total, I haven’t brought myself to rewatch the whole season since it aired, but I made a promise to myself at some point I would (I plan to live-blog all of the episodes, but I only managed to finish the first three.)

If you met Rob Thomas, what would you say to him?  (Assume that you have taken magical drugs that enable you to not be tongue-tied and you can completely speak your mind.)

I briefly met him and talked to him during season three, but if I could have a longer conversation, I’d really want to understand what his motives were for Logan and Veronica in that season. It seemed that the show always had Logan and Veronica together off screen so that the audience had no real reason to understand those later break-ups.

If you could talk to the writing staff, what question(s) would you have for them?

I’m always interested in some of the specifics of the room—are there any writers who cater to writing for certain characters? What characters do you like to write more than others? I think I’m just interested in their process more than anything else.

Writing

Which story of yours is your favorite, and why?

I’m really a fan of “The Black Hole” because I think it was a different sort of writing exercise for me. I also think I was really into the moment when I wrote it, and it shows. I can’t remember how long it took me to write, but I think it was a pretty quick write once I had the idea solidified in my head.

Are there any stories of yours that are (to your surprise) fan favorites?

Not really a surprise, but I love the reaction I had to Rational Thought. My Piz issues just got one big escape in that piece and everyone who read it had a similar reaction.

Do you (or did you at first) feel uncomfortable posting R or NC17 rated stories?

I think I was a bit apprehensive the first time (especially since it was my first fic in the fandom), but as I’ve written more and more of those fics, I’m more comfortable with the ways of writing it. I also love all of my betas who help me through the mechanics of writing it.

If you could start over and rewrite any of your stories (assume unlimited time and you would be paid for your efforts, because this is a fantasy), which story would you choose, and what changes would you make?

I’m not proud of Compulsion as it was written in the end, so I’d work there and really craft the narrative more than it is now. It’s not that it’s not beta-ed, but that it wasn’t really planned or structured beyond what is written. I think there was promise in the beginning and it floundered.

Do you write for any other fandoms?

I write here and there in a few other fandoms, but most of my work is in VM.  Some of the other shows are harder to get a feel for, so much that I don’t know if I have the character voices down.

Do you write any original works, and if so, can we see any of them?  Have you ever taken any writing classes?  Have you ever published anything? Won any competitions?

I wrote a few pieces of original fic, which are at my writing community. I haven’t been one to take a writing course, but in high school I had an award-winning poem at the local county fair.

That piece, I wrote was in my junior year of high school, spring semester (so let’s call is March 2000.) We had to write an emulation of Langston Hughes’s “I Am”, and I went all out—confused kid to the max. My teacher ate most of it up, and had me submit it to the Fair.  It went on to win the best poem for high schoolers, the best high school piece and Best in Show for all student work. I have three lovely ribbons, a paper weight to show for it.

What other VM author influenced you the most?  Do you have a favorite VM story (by another author)?

I spent most of my time reading things from Loveathons and Fic From Mars when I was reading, so I guess any of those authors. I really love dark_roast’s ( dark_roast) style. I think mutiousmuse and truemyth (TrueMyth) each have some amazing pieces, too. What’s great about being part of fandom is learning how much else you have in common with authors you love. I’m still friends with Musey and Truemyth after I met them at Comic Con in 2006.

Overall, I think my favorite story is Finite Erasure (TW), which puts me in the camp of loving angst. I worked with Trixx (Trixx) as she wrote it and I think I fell for the story she was telling and how much it hurt along the way.

What fanfic do you wish you’d had the idea for and written yourself?

If I had a mind for her particular brand of crazy, I’d have love to have written One True Pair, because the creativity and perspective amaze me.

Who are your favorite traditional authors?  Do you have a favorite book or series?

I love Oscar Wilde’s wit; I love Fitzgerald’s use of flawed characters. When I was in college I became a huge fan of Isaac Bashevis Singer. Sadly I’m not a huge book fan, though I do love words and compelling stories. Persuasion is one of my favorite stories, along with The Alchemist. I found myself more easily distracted by television as a kid and when I do get a book, I tend to read some fluffy chick-lit.

 Getting to Know You

To which character in VM do you feel you are the most similar, or what situation in VM reminds you of your own life?

Even though I don’t write her enough, I feel like I’m a slightly less tech-savvy version of Mac. I wasn’t one to have boyfriends in high school, and I think that just influences my outlook now.

Share a fun memory with us, something related to fandom.

This moment at an event in San Diego where my friends and I spent a good five minutes trying to remember the Eleanor Roosevelt quote from Logan’s voicemail.

Or the time I had Jason write a message to my journal without him really knowing where it was going.

Dog person, cat person, neither or both?

Cat person! My cat Auric loves everyone he meets, and wants to keep me from my computer when I leave it open in his presence. He really loves to sit on my keyboard when I’m not around.

What was the happiest day in your life (that you can share with us)?

December 12, 2000—the day I got into college. I’m pretty lame most of the time.

The apocalypse is on us.  You’ve got five minutes to gather your stuff before you flee (assume that your loved ones are already safe).  What do you take?

This is going to be pretty typical, but my laptop, and external hard drives, so I’m not without my pictures. Maybe a few of my autographs and old-school photos too.

What don’t we know about you, that we should know?

I’m not nearly as interesting as I sound on the internet. ;)

 The Nuts and Bolts of Writing

Do you consider yourself a stickler for grammar, or do you prefer a more casual approach?  Specifically, serial comma: for or against?

I’m weirdly a stickler for grammar when I’m not the one writing. I’m usually for the serial comma, which I blame on years of it being grilled into my head from school.

What grammar issue do you constantly have to struggle with?

 Spelling—I’m horrible at it most of the time.

 Do you have any writing reference books you can’t live without?

 I have a few copies of writing guides tucked away in my garage, but I don’t regularly look at them when I’m writing.

Are you a plotter or a “pantser”? (Do you outline your stories or do you write “by the seat of your pants”?)

It really depends on the story. I have some basic idea of a fic when I start to write it, but there are times when I only know that general outline and other times when I have a better plan.

There’s one story that’s been buried on my computer that’s plotted more than anything else I write. There are notes on how each chapter should work, but I only did that because it was a true multi-chapter fic.

My other fics that have turned into WIPs are not as plotted as they should be.

 What’s your favorite point-of-view to write?

 I love third-person more than anything else. It gives you the flexibility to talk about more than one person in the context of the story.

What type of writing is your favorite to write (dialogue, plot, action, interior monologue, description, sex scene, etc.)?  Your least favorite?

Dialogue—no questions. I love banter as much as anyone else.

My least favorite—probably sex scenes. They’re awkward to figure out, positions, how clinical but not too clinical.

Do you listen to music while you write?  Do you listen to different music depending on what you’re writing?

I do, unless I’m watching TV. My music doesn’t change depending on what I write, though maybe it should. My poor iTunes has been known to be demonic when I read fic, though it doesn’t do that as often when I’m writing.

What inspires you to write?

 I like motivational moments that can drive a point home—so I tend to write shorter pieces that are about emotions instead of plot driven.

What blocks you from writing?

Lack of time. The inability to express what I’m looking for.

 Specifically for Afrocurl!

What surprised you the most about Jason Dohring in person (that you can share with us)?

He’s a genuinely sweet person who adores his fans and what they do for him. I’d never had too many experiences with actors before I met him and he set the stage for being kind to fans.

How is he like Logan?  How is he not like Logan?  Did he do anything that freaked you out after watching him on TV so much?

I think he has Logan’s physical ticks—hair rakes and the like.

 He’s not as precise with language as Logan. In person he’s sort of like any other California guy I’ve met.

Which story of yours would it appall you the most to find out that Jason had read?

The Weevil and Logan story. I think he’d blush and be shocked at the subject more than anything.

Which of your celebrity encounters thrilled you to death, but the rest of world could care less?

The girl who loves politics was thrilled by meeting Justice Scalia at my college. Though I’m sure I’m the only one who can appreciate it now.

We know you do a lot for charities.  Do you have anything coming up that we should know about, that you’d like us to support?

Since Sweet Charity has ended, I haven’t done much work for charity recently. I’ve been a little too busy with the rest of life to help out with the Queensland floods and the like.

What’s your dream job?

Working at a high school teaching either Government or US History, maybe AP if that’s an option.

Your life seems to be going through a lot of changes right now.  How do you see yourself ten years from now?...family, job, hobbies, etc., anything you want to share with us.

I’d love to have a stable job, with friends and family nearby for support. I can’t hope for much else than that right now.

 Find Afrocurl’s work // AO3 // LJ

Source: X

reposted from vmfictitious // originally published on Mar. 20th, 2011

[annes-andromeda]

Fanon Marvel cause they got I S S U E S

This isn’t really a fanfic thing, more or less what I envision the MCU would be in MY head. Granted not everyone’s gonna agree with these points, but that’s fine. Well all got our own opinions☺️

Q: Who survives the Snap in Fanon?

A: Steve, Thor, Bruce, Natasha, Clint, Nebula, Gamora, Rhodey, Rocket, Scott, Okoye, Shuri, Pepper, Wong, Valkyrie, Loki, and Tony

Q: Will anyone be recast?

A: Yes. Monica Rambeau is Captain Marvel instead of Carol Danvers. Make of that as you will.

Q: Are there gonna be any major changes?

A: Not for the most part, as I haven’t watched all the Marvel movies. However, these would be the most prominent ones:

* T*ny Stark is an anti-villain. His story has been changed to mostly fit the Superior Iron Man storyline. The IM trilogy would stay the same since I haven’t seen them, as well as the first two Avengers movies. However, he gets his immediate change in Civil War, where we find out that he worked for HYDRA the whole time, and wanted the Avengers to sign the Accords so the organization didn’t get found out. I feel it would’ve been interesting if we had seen Tony turn from a man who pretended to help others survive, into a man who only ever did things to help himself survive. If you don’t like this change: well then suck it cause it’s my fanon🙃

* Steve and Thor are in a relationship. This is mostly a personal preference, but I genuinely think they’d be a good couple. Their feelings would begin to come out in AOU, after the party scene. The two have a drink, slow dance, and confess there feelings. Simple, but cute (I think). Steve would think of Thor in Civil War, while Thor would have a scene in Ragnarok, in which he calls Steve and gets his opinion on everything that has happened to him (Odins death, Hela, losing Mjolnir etc). In Infinity War, they reunite and share a big kiss Pirates of the Caribbean style. As for Endgame: Steve doesn’t go to the past (I.e fucking up the timeline and Peggy’s happy life) and Thor stays on New Asgard to rule as King, with his consort by his side.

* CA:CW- People like Rhodey and Natasha don’t just immediately agree to the Accords. Instead, they go undercover and try to find out what the government is actually doing; Peter is on Team Iron Man until he finds out that Tony is HYDRA. It sucks that M*rvel really out here just making Peter iron boy instead of... ya know... Spider-Man; Civil War has a scene where Steve reminisces on his mother (his real moral compass fight me) and we focus more on him and less on Tinkie’s man pain; Instead of Tony being upset that Bucky killed both of his parents, he’d only get upset about his mother, as he actually wanted his father dead. Got this idea from a post where basically a bunch of people were talking about how Tony was probably HYDRA the whole time, which is where I got the idea. Feel free to add anything else.

* IW: Loki and Gamora don’t die. I feel like they killed off Loki a little too early since he was just getting the arc he so desperately needed. While I don’t really know what to do with him yet, I do know that he’ll be in a relationship with Valkyrie. I mean, did you see their fight scene? The sexual tension. As for Gamora, well we all practically hated it when she died and hated it even more when they brought her 2014 counterpart back from the past. Someone on Quora said that an alternative for Thanos to sacrifice on Vormir could be Ebony Maw, as out of all of Thanos’s children, he worshipped him the most. Maybe Thanos would hesitate as this was his most loyal child, but he does it cause gotta wipe out half the universe or whatever. It wouldn’t be as tragic tho, but (1) that’s the price we gotta pay for Gamora to stay alive, and (2) are we reeeaaally supposed to pity Thanos? Thanos? The guy who only ever fell in love with Death???. Anyways back to Gamora: I actually wanna do something for her. If you’ve ever seen RWBY, one of the main characters essentially loses her arm when she tried to save her friend. I know it sounds cruel for Gamora to loose a limb, but hey, sometimes you just like seeing your fav characters suffer🤷‍♀️. I was thinking it could go two ways:

- (1): Gamora loses her arm like the character in RWBY i.e, saving one of her friends like Mantis, Quill, or Nebula.

- Or (2): Thanos uses the Reality Stone to make the Guardians + Peter and Strange think that they have the upper hand. Strange uses his magic to hold Thanos down while the others try taking off the Infinity gauntlet. Once the gauntlet is nearly loose, Quill would try to strike him, as Nebula realizes that the whole thing is an illusion. But before she could warn the others it’s too late, and Gamora looses an arm to her boyfriend, leaving him and everyone in complete shock. I like this option more, as it would show not only just how cruel Thanos is, but that he never really loved Gamora. He just favored her above all his other kids. And hey, I’m a sap for angst.

* Feel free to add anything else.

* EG: So in the first bullet, I already said which characters survive the snap and that Captain Marvel isn’t Carol, but Monica. Aside from that, I haven’t really thought much of what to do with Endgame. Surprisingly, it’s difficult to write a better story for this one. What I would most like to happen, however, is more character moments. Thor’s PTSD and traumas being taken more seriously, and instead of him gaining weight he loses it (cause according to Tinkie’s dumb rant that’s what gets an audience to take your turmoil seriously. Pls don’t hate me for this decision). Bruce doesn’t turn into Professor Hulk, and his traumas are actually talked about. Also he gets closure on his relationship with Natasha (I know it’s not that great but I personally like it). Clint dies instead of Nat and we remember that Nat was the leader of the Avengers for like five years. Steve properly mourns his friends and actually acts like Steve Rogers and not a fucking imposter. We actually see what happened in Wakanda after the Snap, with Okoye and Shuri at the head of it all. Also Pepper would be stand in for Tony, cause ya know, she has a life outside of him and is actually smart. And her and Scott help with the Time machine or what other plan I or anyone can come up with. Again, feel free to add anything else.

Q: Will there be any new characters added?

A: For now just one: A robot named Iris (aka Iron Blade), created by Tony for HYDRA. I’ve made a summary of her here:

* Iris is an android created by the billionaire Tony Stark, who possesses a synthetic body made of Tungsten Carbide which is powered by the arc reactor in her chest. For years Stark worked into making Iris highly advanced, while also keeping her secret from the rest of the world until she was ready to be used by the organization HYDRA. She was trained by HYDRA in combat and artificial intelligence, transforming Iris into a dangerous, ruthless killing machine. However, she still managed to keep some essence of personality thanks to Tony, who refused to have her be simply mindless. This resulted in Iris inheriting some of Tony’s more negative traits, while even accepting his lavish lifestyle. Although she may act like him, Iris has her own traits which vary from being charismatic, eloquent, and sophisticated to privileged, arrogant and cruel. Due to HYDRA’s influence, Iris is mostly misguided and blindly follows orders.

* Iris was eventually revealed when Tony tried forcing the Avengers to sign the Sokovia Accords as a means to keep HYDRA underground. She was introduced as a new recruit of the US government, in which she had a hand in writing the Accords. When the Avengers found that Iris was created by not just HYDRA but by Tony, this caused a huge riff in the team. The people on Team Iron Man immediately turn on him once finding out that he created Iris, which in turn resulted in them finding out that not only had he been providing the organization with weapons, but was a member himself. Out of all the team members, Iris has the largest fallout with Bucky Barnes (the former Winter Soldier) and Natasha Romanoff (Black Widow), as she mostly worked as their antithesis, showing what probably would’ve occurred had they never recovered from their manipulation at the hands of corrupt organizations.

* After the fight between Iron Man and Captain America, Iris went into hiding alongside Tony, who was no longer a member of the Avengers. For the next two years, Iris stayed by her creators side as he intended to carry out his boss’s plan. The titan Thanos had ordered Stark to help him eradicate half the universe. Tony agreed to the plan, as he believed that Earth had been ungrateful for his attempts at ‘saving’ the world. He would help Thanos, so long as he ensured his safety and payed him. Iris, programmed to follow orders, agreed to the plan without question.

* Once Thanos arrived on Earth, Iris would go to Wakanda to stop the Avengers from destroying the Mind Stone, all the while Stark attempted to kill the Guardians of the Galaxy, Doctor Strange, and Spiderman (also the only one who knew of Tony’s true alignments). Iris, failing to retrieve the Stone, joins Tony on Titan while Thanos fights the Avengers. Despite the Avengers attempts, Thanos gets the stones and does the Snap, in which Tony and Iris survive and go into hiding once more.

That’s pretty much it. I made this cause I’ve been thinking about this for a while, and I wanted to share my opinions. Feel free to add anything or give constructive criticism.

[aloisofmissouri]

A Journal Entry

July 20th, 2021

11:44pm

Trigger Warning:

 Sexual Assault, Self Harm,Mental Health, physical health, and occasional swears.

Dear Reader,

I’m only eighteen but I have experienced a lot, and so have many other teens I know. I know at least four of my classmates have been raped at some point in their life. And who knows what others may have been through and I never knew. 

But I’m not writing to share their story, unless they decide that they want their story told. As of now, I am writing to share my story. 

So, let's start with my earliest memory.

My earliest memory is watching Elmo and Little Bear from my crib in the living room when I was probably a toddler. I don’t remember much, other than enjoying the cartoons. It was happy and innocent. One of the few childhood memories I can look back on and smile. 

I was really young when I was first raped. First raped, you caught that part, right? Yeah, I wasn’t raped just once, but multiple times by one man. The man I had grown up calling my father. The man on my birth certificate. I’m not exactly how old I was when it started, but if I had to guess, I was probably in the first or  second grade when it went past the occasional groping and lewd comments. 

Near the end of third grade, my mother decided to take me and my sibling to live with our grandmother. But that didn’t last long.

We ended up moving back in with our mother and abusive father when I was in fifth grade. I didn’t want to but my father manipulated me into doing so. He threatened to place a restraining order on my grandmother when I wanted to stay with her. 

Things were miserable and the abuse continued. But luckily I was able to go back to my grandmother by sixth grade. But I still had to deal with what happened.

I believe my grandmother meant well, but she use to tell me not to let people know what had happened to me. She said that no one would want to be with someone who was raped because a lot of people view them as used or damaged goods basically. 

My grandmother was a bit emotionally damaging, though I know she more than likely didn’t know that she was being so. I have reason to believe that she has dementia and possibly a personality disorder. 

I remember her saying that I shouldn’t wear plaid or spotted clothing because it would make me look bigger than the broad side of a barn. She also told me to stay away from bright colors because they would have the same effect. I refused to stay away from plaid though, I kept that jacket from middle school until junior year when I could no longer zip it. But it took me a long time to wear bright colors, and it is still hard. I also have a hard time feeling comfortable in my own skin, and not just because of the occasional comment about my weight from my grandmother, but also because of the abuse I had dealt with from my father. I spent the majority of school always wearing jeans, jackets, and dark clothing. I didn’t feel comfortable wearing shorts. And I’m still getting used to wearing them. 

I had to go to court in middle school. Someone had apparently turned my father in for what he had done to me (I was living with my grandmother again by then) and we still do not know who reported them. I wish I could thank whoever turned him in. 

Sadly, they only gave him three years despite the evidence. And he was only going to have to serve one and a half years because of the amount of time spent in a jail cell waiting for court that kept getting rescheduled. He died of stage four lung cancer though before he was half way through his time.

My freshman year I finally realised I had anxiety and that there was something definitely wrong with me mentally. By my sophomore year, I was self harming and in counselling and diagnosed with Bipolar Disorder, PTSD, OCD, and Anxiety. By junior year I was on a lot of medication thanks to a pill happy psychiatrist. And I was miserable. But thankfully, I found a new psychiatrist who quickly helped me get cut down to just one pill. Near the end of junior year, I quit self harming. And I also finally started to get a bit of control over my mania and my depression.

I have a Google Doc somewhere that has over 150 pages of poetry, and the majority of it is about depression, trauma, and anger. And they were all written during middle school and highschool. Writing poetry helped me then. Now, I don’t really write poetry anymore. I have only written a handful of poems within the last year. And they were mostly in Shakespearean English because I thought it would be fun.

I believe I might have religious anxiety. I don’t remember the technical term though. I grew up going to Baptist Churches and had a heavy christian influence. But sadly, Christians aren’t quite as christian as they are supposed to be. 

Due to being constantly worried about sinning and about being too filthy and being damned to hell, my depression and anxiety got to me from a different angle. I kept breaking up with everyone I dated if I feared we were getting too close. I would either feel like I wasn’t good enough or I would fear that we would have sex and I would be damned. I also hated myself for my sexuality, though it took me a long time to figure that out. I supported my LGBTA+ friends but when it came to myself, I couldn’t accept myself. 

When I self harmed, I would do it because I felt filthy and had this urge to scratch my skin off my body because I never felt clean. I never hurt myself too severely, just scratches and shallow cuts on my wrist and my thigh. But I still found it hard to quit. It became far too easy to always turn to the blade, regardless of if I was feeling filthy or if I was dissociating or if I was having a panic attack. 

Despite what had happened to me, I’m finally starting to become me. Even though I am still discovering who I am. I quite self harming, I don’t have quite as many panic attacks or nightmares, I lost my virginity, learned I am demisexual (leaning a bit towards asexuality though) Panromantic and Nonbinary. I also discovered I have some other health issues outside of my mental health. I am apparently allergic to alphagall, peanuts, and wheat. Thankfully I just get slightly sick if I eat those things though, but it is still a bit annoying when those things are basically in everything you like to eat. 

I also found out that the reason my menstrual cycle has always been so irregular is because I have cysts. Originally I thought I had PCOS but now after some ultrasounds, it is looking like Endometriosis. I have cysts on my uterus and my ovaries. The doctor told me that my insurance should cover the surgery if I were to get a total hysterectomy. 

I never really wanted to give birth so that part of this doesn’t bother me, my fear is that there will be issues from the surgery. And it has also spurred some identity issues. But so far, I am sticking to they/them pronouns. Even though my family still calls me she/her. But I haven’t really come out to them. They know I’m not 100% straight, but who wants to sit down and explain to their grandmother (who dropped out of school in eight grade to care for her grandma, has a flip phone, and just a few years ago decided to accept the lgbt+ part of her family) that I’m nonbinary? I barely manage to explain to my mother (highschool dropout because of pregnancy, has a touch screen phone and understand some things of the current century) that there is more than just straight, gay, and bisexual. I explained to my mother the other day what omnigender and nonbinary is. Had to explain transgender to my mother when I was a junior and introduced her to a friend of mine who was afab but went by he/him pronouns. 

I suppose that despite all the shit I’ve been through, at least my mother doesn’t give two flying fucks who I like. When I told her that I thought I was pansexual in middle school, all she did was ask me what that meant. Then she just nodded her head and went with it. Same thing when I decided I was Wiccan in middle school. She even bought me a pentacle necklace and every book (mostly fantasy) that mentioned witches. I no longer identify as Wiccan, I mostly just stick to animist. But my point being, my mother didn’t throw a fit when two of her nine kids came out as gay. Even if she does identify as a Saturday Adventist, she supports us. She even listens to me ramble about mistranslated things in the Bible and my views on theology. And my rants about Supernatural. Though she did laugh when I spent about an hour crying after the Supernatural second to last episode of season 15. She did listen to me rant about Castiel and the plot lines and everything. Though I had to keep explaining some of the characters to her. 

Despite the things I’ve been through, I managed to graduate high school, survive my severe depression and anxiety, and now I am thinking about possibly applying for Law school and going to college. And I now also have the confidence to do what I want and wear what I want. Though I still feel all nervous about asking out a girl I’ve been friends with for about three or more years. I’ve now made the excuse to wait and see if she mentions not being completely straight. Oh, and she now has a boyfriend too so yeah, gonna have to wait a bit.

Until next time,

Alois 🐧

[colour-anon-art]

Okay, here we go again with Warrior Cat OCs I made when I was 11 or 12. This is another character I never drew, only had descriptions of. 

This is Petaltail. She’s Lotusflower’s sister and Sequoiastripe’s mother. While her father, Barkclaw abused Lotusflower, he pampered Petaltail. She was daddy’s special little girl. Since Barkclaw was such a respected warrior, this gave Petaltail a feeling of power and superiority. 

She (at a very young age - think the cat equivalent of a teen-mother) decides to have kits with a tom she doesn’t love just so she can have a legacy. She has just one son, Sequoiakit. 

So her son grows up and is a promising young warrior. However, everything goes wrong when Cloudracer (Petaltail and Lotusflower’s mother) is found murdered, and Lotusflower is deemed guilty. Lotusflower and all of her kin (except her father, Barkclaw, since he’s deemed trustworthy for selling out his own daughter) are exiled.

Instead of staying with her son to try and survive without a Clan, Petaltail goes off on her own. She has lost everything. She’s never been in a position where she had no influence over others, no power, and no security. It feels awful. Eventually on her travels, Petaltail catches wind of another Clan - FogClan. Better yet, this Clan lives in a territory very near a twolegplace that also has a lot of loners. Petaltail sees an opportunity to regain power and a feeling of security.

She begins gathering together loners and kittypets to join her group - the Tribe of Ash and Smoke. She plans on growing the Tribe enough to take over the Clan.

Petaltail is a cruel leader. She has cats practice battling in the most brutal ways. She deals with anyone who is weak or she suspects of being disloyal personally. She frequently denies food as punishment. She’s also an excellent fighter, so those poor cats don’t stand a chance. She never tells anyone in the Tribe - even her second in command - her name. She goes by “the Grey Reaper.” Additionally, every member of the Tribe is marked. She claws a circle with a line through it on the pad of their front left paw and leaves the mark to scar over.

Eventually (after Sequoiastripe is exiled from FogClan), The Tribe of Ash and Smoke attacks FogClan’s camp. While on the way, however, Sequoiastripe catches their scent and follows behind. He recognises the leader as his mother.

The battle is going well for the Tribe, and the Grey Reaper has FogClan’s leader pinned. She killed them one already, and is going to kill them again and again until all of their lives are gone. She gets another bad wound on the leader, but then Sequoiastripe barrels in and knocks her off. 

The Grey Reaper tries to use her special battle move (which at some point 11-year-old me explained in detail but I ain’t going to try and find that), but Sequiastripe remembers her teaching him this move and so he knows how to dodge it. This stuns the Grey Reaper, and Sequoiastripe pounces on and pins her in that moment. Now, despite how strong the Grey Reaper is, even she can’t move the pure mass of muscle that is Windyfeather’s sexy cat boyfriend. Sequoiastripe decides to have a chat before he kills her.

“What a disappointment of a son I must be, huh?” Sequoiastripe taunted his mother. “Killing you rather than joining your little coup even after you ‘raised me so well.’”

The grey tabby writhed beneath Sequoiastripe’s weight. “I am the Grey Reaper. I have no son.”

(Uh a little note, Petaltail would never be a POV character - only FogClan cats get the POV - so you don’t know that

 A. her name is Petaltail and not the Grey Reaper

B. She’s Sequiastripe’s mom

That’s important since this would be the big reveal, and you’d get Petaltail’s backstory and motivation revealed later in a novella-style short story)

“Nice try, Petaltail. I’d recognise my own mother anywhere.”

“My name is not Petaltail,” she snarled. “I left that title behind with the scum of CavernClan. I am the Grey Reaper, and while I may have kitted you and raised you, I am not your mother. You are no son of mine!” She managed to wrench a paw free and claw a nasty gash in one of Sequoiastripe’s eyes, partially blinding him.

Sequoiastripe yelped and nearly let Petaltail escape, but he managed to hold her down once more. He gritted his teeth to bare through the pain. “You know know what?” He growled out the question. “I think I’m okay with that.”

(For this next part, I continue this little scene but it gets pretty graphic. Basically, Sequoiastripe kills his mom, the other Tribe members leave, and that’s the end. Don’t read if you’re not okay with gore)

Petaltail bared her teeth and let out one more menacing hiss. Sequoiastripe could practically taste the hatred and venom conveyed and that simple expression, that simple noise. His mother’s golden eyes blazed with malice as Sequoiastripe lunged forward, grasping her throat in his jaws. He bit down, his teeth puncturing her airways. Blood burbled up into his mouth, and Petaltail used the last of her air to let out a guttural, gurgling screech. The blood gushed faster, and Sequoiastripe wrenched back his head, tearing the flesh from Petaltail’s neck. Her eyes glazed over as blood pooled around her wound, staining her grey fur and the ground. Sequoiastripe dropped the piece of flesh, the final decoration of this gorey scene. His face and paws were stained with blood. The blood of his own kin.

Sequoiastripe had taken yet another life.

This time, however, he felt no regret. No grief. He only felt hollow. He felt numb, and his ears were ringing. He didn’t even process the horrified yowls of the other Tribe members as they fled upon seeing their dead leader.

Sequoiastripe was brought back to reality as Windyfeather brushed her pelt against his, wounds littering her silver fur. “You came back,” she purred into his ear. “You saved us.”

Sequoiastripe’s bristled fur rested flat against his skin once more. “For you, Windy. I came back for you.” He nuzzled her cheek, the blood on both of their pelts smearing. It was hardly a beautiful sight, and Sequoiastripe knew there was more hell to come. He’d have to explain everything to Windyfeather and deal with the punish for his return. 

But for now, after what had just happened, the two lovers were content to stay touching one another.

THE END

Happy endings where our protagonist kills his mom, we love to see ‘em.

[misunderstoodnotevil]

“You bastard.”

Series 1, episode 4

Let's put everything else that happened in the episode out of the way: Welcome, Mr. Branson. He's the new chauffeur. He reads history and politics. He stalks behind windows to see Lady Sybil's new "dress" (which is a tiny bit awful... and she looks like as if it's just escaped from a harem), but in a cute definitely not a stalker (ahem) way.

Anna, Carson, Robert, Violet, Cora and of course Matthew hold Mary into a very high esteem.

Isobel' tries to treat Molesley's allergies, but she gets the wrong diagnosis and is put in her place by Dr. Clark... no wait he sits there on his armchair leaving Violet to give the right diagnosis.

There's a romance in the making between Anna and Mr. Bates.

O'Brien is shown to be the mean-spirited antagonist/villain that she is by -gasp- refusing to be treated as a slave and do work that isn't part of her job description. Lord, you have to love this. They make it look so atrocious that she actually knows what her job is. Of course, being a kind hearted person is by far better than knowing your place.

There are things going on between Mary and Matthew, but Mary is a woman on the verge of a nervous breakdown, due to  slight self-hatred. I haven't really understood her real feelings in regards her night of passion (and loss of virtue) at the hands of the late Pamuk. Not that I have no idea how to examine them, but this is not the point here.

Thomas: Welcome to the dark side of dastardly deeds. Mostly antagonising William. (And someone's stealing wine... Carson says). So William wants to ask Daisy out to the fair and Bates tries to support him, but Thomas beats him to it (because YOLO) for no other reason than to beat him to it. I-like-one-bloody-bastard. Daisy is ecstatic (reasonably so), Bates calls Thomas a bastard. He does have a point. But, why does he have a point?

Because of Thomas' self-satistied smirk.

The audience has never actually watched Thomas being close to any man except for the Duke and Pamuk. Unless the servants of Downton Abbey were looking behind key holes at those instances, I fail to understand where the comments are coming from. And it's not just now. It's for the whole 6 series. Everyone there seem to have a better assesement of who's gay than Thomas himself. Mrs. Patmore is quite scathing trying to discourage Daisy's crush on Thomas. On multiple occasions. The narrative may make it seem as if they all knew but they weren't homophobic towards him, however, when Daisy quite dreamily says that Thomas could have been a sportman, Mrs. Patmore replies "Really? Which sport did you have in mind?" The story itself has proven, again on multiple occasions, the answer is to whatever sport he'd like. Cricket? In the same scene, while Thomas wonders where Mrs Hughes has gone, William says it's none of his business (which tbt it isn't) and Mrs. Patmore again: "Like most of what goes on 'round here." It's clear though that Thomas' wereabouts is their business.

Mrs. Hughes is seeing an old friend of hers.

"What did I tell you? She’s found her Romeo." When Thomas, with Gwen, Daisy and William see her with her friend, and he says she's found her Romeo they don't believe him. Except for Daisy, who as I type this down he thinks he can see the sun shining behind his dark hair and dark grey eyes. (I can identify... but... not really.)

"You’re hiding behind him, but he’s not what you think he is." Now, what does William mean by this? Is it that Thomas is not a good person? Well, Daisy sees everything Thomas says and does, or at least the parts everyone else sees. She can come into the same conclusion sooner or later.

So William means something else. Gee, I wonder what. And don't get me wrong, he's jealous. Of what I'm not sure why he's jealous if he knows that either way Thomas wouldn't touch Daisy with a five feet stick. Is it the idea that the girl he's interested in is interested in a man who is not going to want her back? Quite possible.

"He can disapprove all he likes, Mrs Hughes has got a fancy man."

Personally, I didn't know what a fancy man is so I had to look it up; "the man that a person is having a sexual relationship with, but is not married to" How did Thomas go from "Romeo" (and yes Juliet may have had sexual relationships with him, but it's the epitome of romance) to "fancy man" in a couple of hours it is a question. Or is it that he tries to be willingly impudent among the older people?

When Daisy laughs at the "fancy man" Mr Bates tells her it doesn't suit her to be nasty. As oppsed to Thomas, we may presume here. The question that arises is why? Why doesn't suit her to be nasty? The audience has to believe her bad behaviour is because of Thomas' influence killing Daisy's agency due to her age (and possibly gender). The future will prove Mr. Bates wrong. IMHO She can be nasty all on her own. But the difference is Daisy is not shown as the antagonist.

When Thomas, clearly tongue in cheek asks Ms. O'Brien, with whom it is clear he has a close relationship, if she fancies a promotion in case Mrs. Hughes gets married and leave, the reply could be amusive, but it's scathing.  "If she's got a boyfriend, I'm a giraffe."

Well....

The thing is, if you remove the vulgarity of "fancy man", Thomas is right. The only one who is right. But it's not shown that way.

Mr. Bates is concerned for William's well being. And when a smug and cocky Thomas says "What chance did he have up against a champion?" instead of laughing at the childish behaviour, he grabs Thomas and shoves him up against a wall. I have read a couple of nice analyses of the matter so I won't dwel on it. Considering the age difference between the two men, the violence is unneseccary, I think, but at the same time the narrative brought it here so it can escalate Thomas' dislike and want to have Bates removed from the Abbey.

If you think about it, until now, other than a few concerns in regards to whether Bates can do his job and ill-intended remarks, Thomas hasn't done anything particularly nastier than usual against Bates.

"Now, you listen, you filthy little rat. If you don’t lay off, I will punch your shining teeth through the back of your skull."

Is the reaction in accordance to the crime? Or even crimes? Yes, Thomas is a disagreeable person. Always with a witty scathing remark, always on the other side, controversial, annoying, a little pest. But, he's a footman and Bates is a valet, Thomas is (a lot) younger than Bates, there are power dynamics at play here that Thomas seems not to particularly care about. Keyword: seems.

"Is this supposed to frighten me, Mr Bates? ‘Cause if it is, it isn’t working. I’m sorry, but it’s just not working."

Thomas and William are around the same age and have little difference in positions. Bates is his superior in every way that matters (position and age and even weight).  I don't understand why they thought having Bates in his undershirt was a good decision either. He seems overly menacing.

But of course, all that doesn't matter because in the next scene, Thomas is seen conspiring with O'Brien how they'll use the information about Mary and Pamuk. Not to mention that it continues with Thomas' bullying William. I mean, he just tells him to fix his appearance, and if it was said by Carson no one would bat an eyelid, but Thomas' tone and everyone's reaction to it is seem to be humiliating for William.

The way the Bates/Thomas and Thomas/William scenes are framed make the latter seem worse and Thomas' behaviour even more unaccepted.

And we go back to Mrs. Patmore trying to dissuade Daisy from making eyes to Thomas. Except for outright saying "he's not interested in you unless you're a man" she says everything else she can. 1. "He’s not for you, Daisy." Daisy thinks he's too good for her. 2. "No. He’s not too good." From one side this is good, because Daisy shouldn't see anyone as being "too good for her". But that's not exactly what Mrs. Patmore implies, is it. Daisy cannot understand her. 3. "He’s not the boy for you, and you’re not the girl for him." Unhelpful, really, really unhelpful. 4. "Perhaps Thomas has seen and done more than is good for him. He’s not a ladies’ man." Seriously, I repeat, it's as if the characters are part of the audience. And as confident as Thomas is (at least he was in the start), he hasn't been shown doing anything publicly to explain this. Zero dramatic irony. In the meantime, Daisy wants her man experienced. 5. "Daisy, Thomas is a troubled soul." I would assume a "troubled soul" would ensure having a bit more support from those around him. Except, it doesn't. Daisy still doesn't get it (and why would she? This is the 1910s!!!) and Mrs. Patmore gives up and moves on to dinner.

Let's compare it to Mrs Hughes talking to William: She likes listening to William playing the piano and tries to give him comfort. "You mustn’t let Thomas get you down. He’s just jealous. Everyone likes you better than him." Well, except for Daisy, I guess. And Mrs. O'Brien, if we are honest. "Then she’s a foolish girl and she doesn’t deserve you." At the very least, you have to give it to Mrs. Hughes, she doesn't deny Daisy's agency at being a foolish girl all on her own.

And then Mrs. Hughes talks with Mr. Carson, and guess what? Thomas had a point. Her friend did ask her to marry him. Who would have guessed? Of course, she denied because being the housekeeper of Downton Abbey is more fulfilling,  I guess.

There wasn't much Thomas so I had to improvise here.

PS. In case my intention is misunderstood, I clearly don't say Thomas is a poor misunderstood (sorry Rob) angel who is always right. On the contrary, he's a sneaky weasel at times (read most of the times). He tries to be as disliked as possible by everyone. I'm merely criticising the narration of the story telling & how unsubtle the whole thing is.

[maxparkhurst]

How did you create your characters? What was your process?

TMI Tuesday:  How did you create your characters? What was your process?

// <offers out a chair> You’re going to want to sit for this. It’s going to be a LONG story. For those who’re looking for a short answer: I’m actually in the middle of creating these two. Edits and tweaks are always being made to make them appear real and true. And it’s thanks to everyone on here and in-game that they’ve progressed so much. 

Now for the long version. 

<buckles seat belt> 

Evolving as an Author:

Maxinora and Augustine Parkhurst are a culmination of ideas inspired by a myriad of things. The process of creating them isn’t linear. It has a lot of pit falls, unexpected twists and turns, and a ton of hills. To understand how we got the current versions of these two, we need to go back a couple years ago. 

It’s the summer of 2012. In efforts to get me off of his account, my Dad gifted me my own. This was when I made my first ever serious roleplay character- a hunter named Evelon Holmwood. Well, at the time I spelled it like Evavllyn but...Yeah. We’re going to gloss over that fact. Now, Eve was my pride and joy for the last several years. I played this character nonstop, refusing to play or write about anyone else. In retrospect, I used this character more as therapy than anything of creative merit. 

Eve’s story was basic at best. But I got better with story-telling the older I got. Unfortunately, her story got so convoluted that I had hard time salvaging anything from it. Now, you’re probably asking: How does this relate to Max? Fear not. I’m getting there. It was around this existential crisis that a mutual friend of my boyfriend and I convinced us to leave WoW and hop on SWTOR. My boyfriend was more than eager to make the switch but I was skeptical. Leaving WoW meant leaving Eve. And was I ready for that? 

He assured me I was and helped me make a character on SWTOR. This was the first iteration of Max. A bounty hunter from Nar’Shadda named Maxinora Fenrik. My intentions was to make her a lowkey copy of Eve. At this time, I wasn’t very confident in my writing abilities and liked to stay in my lane. But, the more I roleplayed this character the more she took on a life of her own. She evolved past Eve and exceeded my expectations. Playing a new character bolstered my confidence and while I no longer play SWTOR -due to OOC reasons- I still have fond memories with this character. I enjoyed this character so much that I reused several components of her design when making Max. Some which include her name and being blind in one eye. 

I flipped between the MMOs when Legion dropped. Expenses started to pile up and between the two subscriptions I didn’t have the time to play both. In the end, WoW won my affection and I made a Blood Elf because I had friends on Horde Side. Rorien Hawkthorne was her name. A drunk artist and master assassin. She’d be the second iteration of Max. She had an older sister complex, an affinity for being melancholy, and it was my first experience with playing a character who could kept secrets- or tried to at least. Another new character under the belt and I was feeling a little more confident in my story telling abilities. I’d probably would’ve kept playing that character if not for OOC drama happening in a guild I was in. The fallout had me jump back to the Alliance where I indulged in creature comforts. It was back to Eve. 

Tumblr made an entrance in my life around then as I ventured forth with a refreshed look on my hunter. I salvaged what I could and made a half-decent story. A lot of her misadventures are still posted up on her blog @evelonholmwood​ On the side I made the third iteration of Max. A fire mage and blacksmith combo by the name of Rowan Celwick with her younger brother Thomas Celwick.  They were just two orphaned kids trying to make a life in Stormwind. Rowan was an arcane drop-out and blacksmith wannabe and Thomas...Was...Well? Thomas? A glorified side-piece? A way to garner pity for Rowan. I didn’t place a lot of emphasis on them or their characters. My main focus was Eve. But these two would be the underlying foundation of Max and Auggie’s characters. 

I eventually took a hiatus from WoW and focused on more personal writing. The details are boring so I’ll gloss over it by saying that creating a character completely from scratch was the final push in the right direction for me. Fast forward several months to a year aaaaaand BOOM! Pandemic. 

Writing is an escape for me. It’s one of my best coping mechanisms during trying times. And when nothing else works, I over indulge in some Warcraft. So, I resubbed. There was hesitance when re-entering the RP scene. I didn’t leave Eve’s story off on an convenient note. For lack of better phrasing, I wrote myself into a hole I couldn’t get out of. So, with the help of my boyfriend, I decided it was time to give Eve her happy ending and shelf her for good. 

Which put me in a dilemma! Who was I going to RP? Well, you remember the Celwicks? They became my newest project. 

The Creative Process: 

I knew the Celwick story was weak and read much like a middle-school fanfiction. Revising was a must. But there were integral pieces to their story which I enjoyed: 

Familial Sacrifice 

Juxtaposing concepts

Intertwined Fates

These were themes I could work with and evolve. Keeping these in mind, I started to deconstruct the Celwick story line. They were no longer Gilnean but Kul’tiran. This prompted a name change from Celwick to Parkhurst. And I won’t lie, I like the sound of Parkhurst better than Celwick. Thomas became Augustine and Rowan became Maxinora (Mainly because I actually HAD the name Maxinora and not Rowan). The little changes got me hyped for the characters. 

Next, I started to trim away the unnecessary details that bogged down the narrative. Things that either didn’t fit or made the timeline too convoluted were replaced. Pyromancy was a great example. The age I wanted Max to be wouldn’t yield to her understanding of Pyromancy. At least, not to the level I WANTED it to be. SO, I turned it into lament’s magic. Alchemy. (I also always wanted to play an alchemist since watching FMA) 

A girl with two professions seemed excessive as well. I had to look at why I wanted her to be both an Alchemist and a Blacksmith. The answer was simple. I just liked the juxtaposition of an intelligent woman being rough and tumble. Which made me ask: Was Blacksmithing necessary to achieve that imagine? The answer was no. To pay respect to her previous iteration, I made their parents blacksmiths. It also let me keep themes of fire in her concept. The change in profession brought on a change in her appearance. I made her a little more slender to fit with the alchemist appeal. 

Max’s aesthetic was brought on by my previous characters.  Rorien inspired more internal facets of Max while Fenrik inspired outward appearances. Max’s auburn was strictly a decision made on the fact that I had one too many character’s with black hair. There wasn’t any other reason for it. 

Designing Max was easy. The real challenge was with Augustine. Up until that point, all I had to go on for his character was Tommy Celwick and...Well. There wasn’t a lot there. He wasn’t much more than a poorly used trope and I considered doing away with him all together. But I realized that I REALLY liked the trope and I liked what he did for Max’s character.  So, I buckled down and made myself think through all the reasons why Thomas Celwick -AKA Augustine Parkhust- needed to exist. 

I decided that I needed him in order to present themes in Max’s story. He was the foil to her character. Cynic older sister? Meet optimistic brother. He also appealed to not only the three themes listed above, but also the newest one I wanted to explore: two sides of the same coin. Max and Augustine are simultaneously the same, having similar traumas, and yet different. If for nothing else, Augustine could help propel Max in the right direction. Be her moral compass, you know? With a bit of half-assing here and there, I managed to get a decent character out of Augustine. Took the cliche nerdy brother idea, physical design and all, and ran with it. Shortly after I  made their Tumblr account. In no way did I expect this BOY to take on a life of his own. Like, Auggie knocked on my brain’s door and was like, “Yeah. No. I’m not a side character. Give me my own story...” 

Which will bring me into my final point! 

The Characters Write Their Own Story: 

I’ve never been able to sit down and plan a story. My mind doesn’t work in such a structured fashion. It wanders and explores. When I’m creating, I’m watching. Watching the scenes play out before my eyes as these characters take what I’ve given them and grow into something almost independent of me. The basic pieces of Max and Auggie’s back story, along with character design, were purposeful. Yes. But everything that came after was THEM.

It’s cliche, I know, but I can’t describe this experience any other way. These two grew outside of my influence and now dominate a space in my brain. They talk, work, and interact without me. I mean...Not REALLY. But...It feels like that. It feels I’m watching through a keyhole and just recording what I see as their story plays out. 

I guess a better analogy is me being the director. I’m watching the movie in the stands as two actors improv. On good days, I’m in control and rework scenes until I’m satisfied with the results. Try this. Move here. Say this. On bad days, I don’t see anything. My actors went home. The lights are off. Show’s cancelled for the day. These days make me sad...But they’re worth it because on the BEST days...The best days Max and Auggie run the whole show, and I am watching through the keyhole as their story unfolds little by little. 

It’s truly magical. 

The last part of their creation was the voice. Character voice, for me, is like building muscle. You need to work out. Start small and work your way up in weight. Every little piece I wrote made their voices stronger; and that’s including asks and threads. Interacting with other characters helped to flesh them out as people. And while it was hard and intimidating at first, it’s started to become easier. 

Wrap-Up

My method is messy and untrained. I don’t claim to have any secrets. My knowledge of writing is mediocre at best. But I’m having fun. And that’s were the real magic of any character comes in. Fun. Because if you aren’t writing about something that sparks your soul- either with love, happiness, hatred, etc- then it’s nothing more than a forced, hollow husk. Writing is meant to evoke emotion. At least in mind. And want to express complex emotions and share them. In a perfect world? My characters -any of my characters- resonates with someone. They become the escape someone needed. That’s the ultimate goal. 

It’s thanks to all of you that Max and Auggie have come this far. It’s from their interactions with others that they’ve managed to evolve into something incredible- especially Augustine. He just kept shining brighter and brighter until I felt obligated to make him an in-game character. So, you all are just as much a part in the creative process as me. Thank you! 

And a special thanks to my boyfriend for always being a sound board for my rambling ass <3 

THANK YOU FOR THE ASK, ANON! Sorry I posted an essay...<3 

[theladyfromplanetx]

Dear Lawrence Kasdan So, You Say You Love Han Solo

Dear Lawrence,

I hear there’s a bit of a kerfuffle going on about the Han Solo movie you’re EPing and have co-written with your son. I wish I could tell you I was sorry to hear that, but in all honesty I’ve been hoping for the last few years that someone would kill this project with fire and then nuke it from space for good measure. Sure, most of the reason that large chunks of the nerd world have responded to the very idea of this film is that a lots of people, including me, think it’s a fool’s errand for any actor other than Harrison Ford to strap on Han Solo’s DL-44 blaster. But ever since the release of The Force Awakens, I’ve had a second reason for saying:

to this venture.

I kind of hate to say it, Lawrence, but it’s not me: It’s you.

You see, the The Force Awakens did something to me that even The Star Wars Holiday Special, painfully delivered prequel lines about sand, and the very existence of Jar Jar Binks couldn’t do: The Force Awakens made me regret that Star Wars is still a thing.

It made me regret that children were being introduced to something that used to be innocent and good-hearted by a film that shows that the end game of youthful heroism is failure and running away (and that Han should have stuck to his initial demand of $10,000 all in advance in A New Hope).

It made me angry that nobody among the-powers-that-be looked at it, took a deep breath and said “wait a minute. In shadow-rebooting A New Hope, do we really need to make two of the biggest characters in film history pathetic runaway losers and the other a heartless automaton who would kill her son on (not a)Death Star unless hapless sucker Han showed up to do her bidding and die trying to bring him home…even though that request made not a lick of sense given that the Force-sensitive parent who could actually have had an influence was the bidding mother would have just blown Kylo clear out of the sky had Han not shown up to (1) solve her problem by getting yet another (not a)Death Star shield down and (2) die?“

It made me rue how far we’ve fallen as a critical thinkers when we can be hoodwinked so easily that we spend a couple of billion at the movie theatre on a film that’s dressed up to look and feel like Star Wars, but is utterly life- and hope-denying at its core and presents a kind of nihilism that we’d probably reject as an audience if the words STAR WARS weren’t plastered on it.

Oh, also, the story doesn’t really make any sense.

As you can see, eighteen months later, I can still get a bit aggrieved by all this. However, to quote one of the most egregiously jaw-dropping placeholder lines in The Force Awakens, that is “a story for another day.” (Sorry, Lawrence and JJ, but in a past life, which I call the late 1990s, I went to film school and put in my time in the screenwriting trenches as well. You know and I know that line right there would have gotten you laughed out of an on-line screenwriting class at an unaccredited diploma mill.)

The story for today is that I’m not really keen on the idea of you touching the character of Han Solo again, both because of TFA and because of whatever happened to upend the Solo standalone’s directors. The weight of the evidence coming from the usual suspects (aka unnamed sources) is that the disagreements over the tone of the film and the character of Solo became so vast that somebody had to go. Lord/Miller, as I’ve read in the millions of lines of digital type about this and to which I’m now adding, saw the film and the character as funny, while you insisted that Solo was not funny, but was selfish and sarcastic. Other descriptors of Solo that have been thrown around and attributed to you re: Solo are “narcissistic,” “uncaring,” “out for himself,” and “mean.”

Oh, and you’ve also been quoted as saying you “love Han Solo.”

And therein lies the problem.

Now no one wants a Han Solo movie…hm. I could just stop there for a lot of the fandom, but I’ll proceed.

No one wants a Han Solo movie in which Solo keeps trying to get Chewie to pull his finger, but I’d like to propose, Larry, that perhaps Lord/Miller weren’t the only problem here, because it seems that you actually don’t love the same character that the audience loved in the Original Trilogy. You love the darker version of the character that was tossed around in story conferences and in early drafts and you love the darker story that Lucas toyed with, but decided against using (thank the Makers) in Return of the Jedi. You love the Han Solo that Lucas and Leigh Brackett introduced as the “before” Han at the beginning of A New Hope, but not the “after” he became by the end of that film and the “after-after” he became by the end of ROTJ. Now that Lucas and his lighter view of the Star Wars universe are no longer on the scene, it feels like you’re trying to retcon Han Solo to win a battle you fought and lost long ago and in the process create a smuggler whose heart isn’t actually made of gold anymore.

I know that’s not a very nice thing for me to say, but I can’t help but say it, given how you and JJ had your way with the character in TFA, because he certainly wasn’t the character we left at the end of ROTJ. Nor, I should note, is he the character that we met in Bloodline, the Disney/Lucasfilm novel released after TFA and set five years before it, in which Han and Leia are still happily married and Han is pretty much an identifiable older version of ROTJ Han. TFA Han was an awkward mash-up of a script portraying an aged version of the character we met at the beginning of A New Hope and an actor playing hard against the script to show us a broken man wandering the galaxy and trying to make it work.

That impetus — to remake a beloved hero in a less heroic image — is kind of ugly in any context, despite all the folks who will insist “BUT IT’S REAL” as if real had anything to do with a franchise that for forty years has appealed to the little, innocent part of us that still wants to believe in Santa. It’s particularly a problem when applied to the character of Solo and the role that character plays for Star Wars.

Solo’s not the kid who, twenty minutes into the Original Trilogy, decides he wants to be a Jedi and spends the next five hours and forty minutes of film becoming just that. He’s not the character with royal roots who has been fighting for the good guys since before the first film started and continues to do so until the trilogies end.

He’s the character who has to find his better angels, who has to change in order to become the hero/man/boyfriend/partner/friend he decides he wants to be. He’s a guy who has to overcome his natural instincts for self-preservation. He needs to learn to say “I’m sorry.” He’s snarky, FUNNY, and sometimes grudgingly follows the conscience he’d rather not have in order to do the right thing. He’s not always really convinced about the whole “religion” thing, he’s had some rough times, he’s done some rotten things, and he likes money.

It’s no big mystery why Solo is a fan favorite. It’s Harrison Ford, yes, but its also because Solo is as much like all of us as someone can be in a universe with hyperdrives, lightsabers, and Wookiees. He gives the Star Wars universe some identifiable grounding — and HUMOR. (If you don’t believe me, see: prequels.)

And by the end of Return of the Jedi, Solo became the person we’d all like to believe we are or can be— the one whose better angels have won out and given him a real shot at a happily ever after.

Oh, right, that didn’t happen. Well, it did for 30 plus years, and then it didn’t. Thanks, Larry. Always good to remind myself of Han Solo’s utterly pointless death scene in TFA, a death that many of us steeled ourselves against because we were pretty sure it was coming. It was gutting, though, not because it happened, but because it came at the top of act three of a film that had already stripped the character of his OT arc and also because the death was utterly devoid of heroic meaning or salvific result, given that all it did in the context of the film was turn Darth Emo into Darth Lyle Menendez and make Leia sit down and look somewhat upset.

But it can’t just be a pointlessly sad death of a character who, for all the talking up JJ did about cool rogue Han Solo, wasn’t played that way and didn’t come off that way, right? We all know that when you take down an iconic character like that, you do it with the endgame all planned out. You know exactly how that death — of a parent who rouses himself from his brokenness and ennui to risk his life for son he believes is likely already beyond his reach because the woman he loves has asked him to — will reverberate across the sequel trilogy and, ultimately, we’ll see that Solo’s final act WAS heroic. In fact, it was Kenobi-like. Aslan-like. Christ-like. You gave Solo the ultimate 180-degree arc, didn’t you? He died to save his kid, he died so everybody else could live, and you know it, right, Larry? You’ve got this whole thing mapped out, right, bud? I mean, c’mon, you love Han Solo, so you wouldn’t strip the character of his growth, throw him down an endless shaft (holy cow, dude, you literally shafted him!), and walk away to write another movie about him NOT being a hero, would you?

Oh.

Maybe you did.

So…you’re telling me that it’s possible Han’s final act was utterly futile, solely a device to tell us Darth Emo is really, really evil ? I think we already knew that, given the platypus mask, Vader lust, and the blowing up of a solar system. But, hey, thanks for getting people in our already messed-up world to argue that patricide can be justified; what’s been missing from our pop culture crap stew for the last decade is Star Wars fans arguing that the vastly immoral may be moral because they identify with the patricidal emo character whom they want to end up with the Mary Sue whose mind he attacked in the TFA version of a rape scene. I’ll never know how you avoided feminist outrage there, but count your lucky stars that feminists were so happy to have a female (not)Luke Skywalker in Star Wars that they overlooked that.

So now you move onto the Han Solo film, wherein, after meeting loser, regressed, lost, runaway and dead Han in TFA, we’re going to meet selfish, sarcastic, mean, narcissistic, and out for himself but not funny Han.

Can’t wait. By which I mean I could have happily waited forever, because I wasn’t waiting. I WASN’T WAITING, LARRY.

I get it, though. I’ve seen most of your work. You’re a serious filmmaker — you went from Larry to Lawrence. The Big Chill, Grand Canyon, Accidental Tourist, Mumford. I’ve seen ’em all. God help me, I even saw Dreamcatcher…but that’s a story for another day. What I know from those films is that when you’re calling the shots, nothing is black and white. Everything is a shade of gray.

What I also know is that those films are not made for the part of us that still wants to believe in Santa and that gray is not a good color for Star Wars. Star Wars became the cultural touchstone it is precisely because it jumped into a very gray period in our history, with gas lines and Soviets and malaise, with a black-and-white, good versus evil morality that made everyone just a little bit happier when they left the theatre. You didn’t question if the heroes were heroes or the villains were villains. In its own goofball way, Star Wars — with its complete faith in the power of hope — was countercultural.

Now? The new Star Wars took one look around at our current culture and instead of being countercultural, happily jumped right into the morass and is swimming around in the sludge of relativism. Heroes become failures and run away. Evil characters are given some sort of justification for being evil. Rebels fighting against the Empire are portrayed as assassins instead of people fighting a monstrous evil. The Resistance is some kind of non-governmental paramilitary group. Luke Skywalker thinks the Jedi must end. Oh, and the last two films you’ve written focus on a less noble version of the character you claim to love.

Star Wars is starting to look like a reflection of the worst of us as adults and as a society, instead of a goofy, lovable, out-of-this-galaxy inspiration to kids (and the kid in everyone) to be the best version of themselves.

Hey, I’m sure everyone at Lucasfilm is just fine with this, because these films, despite their shaky worldview, are also printing money, but, Larry, consider that maybe Wonder Woman has proven that there’s still a huge audience for naivete, goodness, and hope. Since you now have Ron Howard, who’s specialized in empathetic leads even in complex films over the years, can you maybe jettison the gray and try to create just one more time not the Han Solo that you love, but the Han Solo that is a combination of you, George Lucas, Irvin Kershner, Harrison Ford, and Leigh Brackett?

That’s the Han — the funny, snarky, constantly-irked one who talked a good game about being out for himself but somehow never was when the chips were down — that the audience has loved for forty years, because, in the end, CS Lewis was as right about this as he was about most things:

Oh, and if you could de-age Harrison Ford so he could play the role, that’d be great too…kthxbai.

Best,

Annie

Written in 2017 by Anne Michaela.

[rickybowxn]

hey!! ok so i just need someone else’s opinion bc i haven’t seen anyone talking about this and i literally can’t wrap my head around it lol ok so ricky and nini dated for a YEAR and never once said i love you? and if ricky isn’t ready to say it was he going to wait till 2 years? 3? 4? or was he never going to say it? i also don’t understand why he doesn’t understand that he broke her heart :( i love him but he essentially broke up with her after she told him she loved him on their anniversary 😭

hiya! this is such a great line of discussion and so there’s a lot to break down, bear with me this is gonna be a long one :)

let’s start with the thought that ricky doesn’t understand that he broke nini’s heart. i agree and disagree with you on this. i think that as a 16 year old boy, in the heat of the moment after he saw the instagram post and was clearly overwhelmed by it, he definitely didn’t know that he deeply hurt nini when he decided to not say it back and break up with her. he was as impulsive and sudden in action in response to a post/declaration that in his perspective, was impulsive and sudden by nini. he definitely underestimated the consequences and the weight of him not saying it back in respect to nini’s emotions, and thought that there was space to come back from not saying it back (and i’ll get to why he assumed that in a bit). now, fast forward to junior year, i think he’s definitely understood just how much he broke nini’s heart. i think kourtney’s resentment toward ricky in respect to how nini was treated and more importantly, nini’s general irritation/stand offishness and just distaste towards him throughout the first three episodes allowed ricky to understand how hurt she was by it.

now let’s get when ricky was supposed to/will say ‘i love you’. i don’t know about you but i personally believe that every relationship has a pace, and that pace is different for everybody. saying ‘i love you’ simply doesn’t have a timer on it, it could happen in weeks, or months, or years. how fast or how long it takes to say those words neither validates nor weakens the relationship, and that’s what i believe. personally, i’d argue that throwing around ‘i love you’s’ at 14/15/16 is more unusual/immature than a healthy/mature response (and i’ll elaborate on that in a bit as well) in a relationship. with respect to rini/rickini/ricky and nini, it’s more about each character’s motivation and circumstance with respect to their relationship, as well as their relationship as a whole. tackling that first bit, ricky is in a really rough spot in his perception of love atm, it’s been skewed into negativity since his parents’ marriage started falling apart, i’ve mentioned it in another post of mine when i was analysing ep4 - ‘the only concept of love that he grew up with, his parents - he witnessed them be in, and slowly fall out of love. his only understanding of love is that it is temporary and painful’. now parallel that with nini’s perception of love, beautifully explicated by the subtext of kourtney’s (kinda) monologue in ep5 “i don’t get it, what happened to the seventh grade nini who used to belt this song… ever since you discovered boys, you’ve spent way too much time trying to see yourself through their eyes”, we know that they are worlds apart in how they perceive and pace the idea of love, as well as a relationship itself. nini, from what kourtney said, can be deduced to loving the idea of love - having a boyfriend, getting attention and affection etc. she’s a 14/15 year old girl who started a relationship with the first boy she met and seriously had feelings for. it’s even safe to assume that she jumped into saying ‘i love you’ because she thought ricky was ‘the one’ and she must have watched about 3737328473 romcoms and musicals that pushed the agenda and romanticised relationships and being in love (which no doubt influenced her version and understanding, which is still completely valid and integral, of love). it’s really important for us to understand that just like ricky’s understanding of love is twisted, so is nini’s, neither of them have really gotten to knowing the depth of how good and not so good love can be, and how big of a commitment it is, and that’s because of what i talk about next!

the bombshell that has created the entire arc of the ricky and nini relationship is immaturity. immaturity! ricky and nini are teenagers who are still developing skills such as communication, their independent values and beliefs, as well as self-image. these are all fundamental aspects that encourage and foster a healthy environment for a romantic relationship to grow. getting into a relationship so young, at 14/15 and committing to a person is so difficult simply because you don’t have a developed skillset of these things yet, and ricky and nini are a poster example. remember how i said i’d get back to why ricky thought that he could come back from not saying ‘i love you back’ to nini? well we’re here now, it was immaturity. ricky didn’t have the empathy or emotional maturity to understand how it would effect nini, and nini didn’t communicate, (and actually still hasn’t communicated), why not saying ‘i love you’ back hurt her, she’s just been lashing out so far. now the mature thing to have done is to have sat down with ricky and talked through it, asked him and understood his train of thought. she didn’t do that and ricky just walked away without explaining himself. that, is called a lack of communication. and that skill, comes from learning and ageing. yes it was obvious to us as an audience what he’d done was so wrong, but seriously, as a 16 year old coming from a broken home and never having experienced/seen a healthy relationship, i doubt you any of us would be able to fully grasp it if it was happening to us. and that’s why i’d argue that taking a relationship slow, feeling it out and getting into it as older and more mature individuals is more thought-out. your feelings at any age toward another person are valid, especially in the case that they are reciprocated, but that doesn’t mean you will have a functioning relationship. that’s because relationships. are. work. and kids can’t handle the work because they don’t have the skills that match the job description. ‘i love you’ encapsulates that promise - exercising communication, empathy and support, it’s more than just an emotion i think. in this case, i actually think that ricky understands that better than nini does, because as i said in my other post, one of the motivating reasons he didn’t say it back is because his parents didn’t keep their promise - they fell out of developing their skillset and supporting each other. 

now the most important side-note: none of us will ever perfect these skills that make a relationship work, its constant practice in empathy, in communication, in understanding, in esteem and confidence, and in support. i just think that nini and ricky never got to experience even developing those skills independently and that’s why their relationship fell apart in the way it did. this break has already matured them, ep5 showed nini gaining genuine confidence in herself and ep4 showed ricking communicating to nini how he felt about everything going on at home. them independently going about their lives and growing is already inevitably readying them for being in a relationship and committing to them the right way, when they’re ready for it! i’m so excited to see it

finally, as for when ricky will say/was planning to say ‘i love you’ - i think the writers are taking us on that journey right now! the break ricky and nini have been going through is perfectly setting them up for that mutual and satisfying understanding of the love they have for one and other. i personally think that ricky has loved nini from the get-go, his fear of externalising those emotions is that he’ll have the same outcome as his parents, his insecurities right now don’t allow him to believe that he can have, or even deserves, more than his parents’ fate. hopefully gets out of his rut with talking about how he genuinely feels about nini and how he’s ready for that relationship soon. nini is already getting better at being more sure of herself and what she wants, i think she’ll soon realise how ricky is different to her, and how that doesn’t take away from his legitimate and very strong feelings that are ever-present for her.

what ricky did sucked and he was undoubtably a douche. but that was the exposition to his, and ricky and nini’s story, it only gets better from here! it already has xx

(i’m so so sorry it’s this long, you just really got my analysis flowing lmao, hopefully this wasn’t just a mumble and was kind of an insight. i have so much to say but my brain feels like ramen rn)

[luna-whiskers]

Can you talk about Ace/Danburite? I personally always found him really fascinating. Here we have a person so removed and outside of this whole royal conflict (cause that's essentially what this war was based on) and yet he's the one before any of the main players who awakens first and remembers everything? Such an interesting concept, he offers such a unique prospective as a regular civilian in both lifetimes caught up in all this political intrigue I kinda wish more had been done with him?

Ace is a fascinating character! I think fandom tends to discount him because there is this perception that liking/being interested in Ace and what he brings to the story means shipping him with Minako, which I’m not on board with at all. If anything, respecting Ace as a full complex character lends weight to the level of trauma that Minako endures through him.

It’s interesting that Ace was set up as a sort of AU Tuxedo Kamen. Not only is he a mysterious masked man who sometimes appears to assist Minako in fights, but he occupies that shady third party zone that Mamoru appeared to hold in the early Dark Kingdom arc–not quite a good guy, but seemingly not quite a bad guy either. This both primed audiences to expect him to be good in the end despite questionable moments along the way, and once again pushed Minako’s story to run parallel to Usagi’s, with wildly different results.

It’s no surprise that this played with Minako’s emotions. Just the fact that he’s a hot teenager would have been enough to attract her to him immediately, but Ace repeatedly showing up to assist her just continued to validate her emotions. And Minako Aino, particularly the Minako Aino of her Sailor V days, desperately craves validation. One of her very first actions in this manga is putting a ribbon in her hair because her crush told her it would look nice. Ace showed up enough to make her believe he really cared about her specifically.

Ace’s approach to selling himself as a girl’s ultimate dream is exceptionally Minako-like. He makes Kaitou Ace into a TV character, just as Sailor V became a video game character. A TV character who not only fights crime as she does, but who lavishes gifts on girls and does their homework for them.

Ace is set up in direct conflict with Venus’s loyalty to Princess Serenity. He has fashioned himself to be Minako’s ideal boyfriend in every way – handsome, famous, with eyes only for her – and to be with him would mean living Minako’s dream life as an idol herself. And yet still, she hears Princess Serenity calling for her.

What’s murky is how much of a villain Ace really was.

The Kaitou Ace persona was so distant from his identity as the Dark Kingdom soldier Danburite that his own underlings did not realize that they were the same person. Much like brainwashed Prince Endymion in the first season of the anime continuously undid his own plots, Danburite set up situations to attack Sailor V, only to stage a public rescue of her as Ace. He urged her to indulge in a life of stardom, only to give her a film script designed to make her remember her life as Princess Venus. He made declarations of love but refused to believe her sincerity when she tried to do the same.

Was Danburite himself waffling on how he felt about Minako? He had everything he wanted already. The princess he had always pined over was head-over-heels for him. But she still wasn’t Venus. She still wasn’t really the princess he remembered. And there is something very bitter about his refusal to accept her love declaration, like he already expects her to reject him in the end, and is self-destructing the relationship before she can.

He rejected her first declaration of love, but accepted her second one. Why the second one? Because that is when she rescued him. This is what makes me think that Danburite was pulled in two different directions, that the part of him that was a Dark Kingdom soldier was at odds with the part of him that was Adonis. Danburite should have accepted Minako‘s sentiment the first time if he really wanted to manipulate her into staying with him. It’s only when she protects him, the way that Venus once protected Serenity, that he can let himself get carried away with his own feelings for her.

Danburite is fascinating because he is, as far as we’re aware, the only completely non-royal perspective that we have of the Silver Millennium. The cats, while not royalty themselves, were part of the queen’s inner circle. Beryl, while possibly coming from humble origins, was at the center of the final conflict.

Danburite – Adonis – was outside of it all entirely. He was a humble soldier. He never knew Venus, or Serenity, or Prince Endymion. He did not even serve any of them directly–the closest he may have come to any of them was Kunzite. And what Adonis tells us of this world from his perspective is fascinating.

For example, Adonis tells us that Venus lived in Magellan Castle until she was sent to live on the Moon, something that has long been a source of discussion in fandom (did the senshi always live on the Moon with Serenity or did they live on their home planets?).

He tells us that there was a war on Earth, and that the Venusian soldiers were sent to help. Not against Earth, but allied with it. This is a huge shift from what was previously understood in Sailor Moon canon–either Venus alone, or all of the Silver Millennium planets, were allied with Earth at least for this particular war. Who were they fighting? Did the fight with Metallia begin on Earth?

His memories show Venus and Kunzite together, and present-day Danburite served the Dark Kingdom under Kunzite. Did all the armies of Venus fall under Metallia’s influence along with Earth’s? Did Venus watch with horror as her own people attacked the Moon?

More than anything, it is clear that Venus’s status was unreachable to Adonis. She was this distant goddess to him.

Ace’s ending is ultimately bleak. He thought he could have changed destiny to allow him to be with the princess he always dreamed of. Realizing she still will choose her duty to Serenity over everything he hoped to offer, he completely reverts back to Danburite, and attacking her. His final love fortune is telling her that her love will always be hopeless, because she will always choose to fight instead. This is Adonis’ legacy: hardening Minako to battle, making her no longer question her priorities.

Good or bad, Adonis left a mark on Minako that she never really got over. Was he manipulative? Undoubtedly. Evil? Probably. But there was a lot going on with him, and he fleshed out the world in a huge way.