#The Sweet Singer of Michigan
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orderjackalope · 1 year ago
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In 1876 poet Julia Ann Moore was beloved by the people of Grand Rapids, precisely because her poems were so bad. Eventually she went national… and cruel audiences stopped laughing at her poems, and started laughing at her.
Transcript, sources, links and more at https://order-of-the-jackalope.com/i-started-a-joke/
Key sources for this episode include A.H. Greenly's "The Sweet Singer of Michigan Biographically Considered", Rudolph Umland's "The Blessed Sweet Singer"; Thomas J. Riedlinger's Mortal Refrains; Mark Twain's Crossing the Equator; and, of course, Julia Ann Moore's The Sentimental Song Book, The Sweet Singer of Michigan Salutes the Public, and A Few Choice Words to the Public, With New and Original Poems.
Part of the That's Not Canon Productions podcast network.
Special thanks to Dave Blomenberg for coming on to discuss poetry with us! And thanks Dorothy White, Eric Leslie, David L. White, Greg Armstrong, Sam Link, Steven White, Kristen Harkness and Richard Le Poidevin for contributing their vocal talents to this episode!
This week we're co-promoting with fellow TNC podcast The Curiosity of a Child. Join Richard and Anton as they look at the quirky and unusual as well we the mundane from around the world as well as seeking out local history, events and characters.
Discord: https://discord.gg/Mbap3UQyCB Facebook: https://www.facebook.com/orderjackalope/ Tumblr: https://orderjackalope.tumblr.com Twitter: https://twitter.com/orderjackalope Email: [email protected]
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babydollmarauders · 7 months ago
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WHO’S AFRAID OF LITTLE OLD ME? — JACK HUGHES
jack hughes x fem!reader
summary: in which jack hughes should be afraid of what y/n can do to his reputation
notes: yeah, idk what this is either; there’s not much plot.
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september 16th, 2023
deuxmoi
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24,107 likes
deuxmoi pop sensation, y/n, is seen hands on with new boy toy?
if anyone has any information on who this man is, do come forward! we’d love to know who america’s queen of heartbreak anthems is with now!
view all 549 comments
user82 the hand placement?! HELLO?!
user3 oh great, new music where she makes herself some sad victim again
user55 a new love album next?! maybe?!
user09 let’s not get ahead of ourselves, it’s some low grade pap photos posted on a gossip blog. it could’ve been a first date for all we know
user45 @/user09 with the way they are in these pics? absolutely NOT a first date. y/n has famously said she doesn’t get “frisky” early on because of her ex. most definitely a bf
user92 oh her next song is gonna HIT
user06 that guy kinda looks…. where were these taken and when?
deuxmoi all the sender said was that they saw them in michigan last night! know something?
user06 hmm the tl matches! that looks like it could be @/jackhughes , a hockey player for the New Jersey Devils!
user98 OH MY GOD, YOU’RE RIGHT!
user67 those hands?! girlie better never let him go!
september 27th, 2023
y/nofficial
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liked by sabrinacarpenter and 4,628,961 others
y/nofficial every dead end street led you straight to me 🤍
view all 7,923 comments
user72 SOFT LAUNCH OH MY GOD
user5 oh he’s got her using emojis?! she’s down BAD
user29 i’m so happy for her, she deserves so much love and happiness and it seems like he gives that to her 🫶
user6 MOTHER?!
user01 what poor boy did she sink her claws into this time?
user9 if you don’t like her, why are you on her post? obsessed much?
sabrinacarpenter he scored 😉
y/nofficial sab!! nah, i think i did!
user92 he better be treating her damn good! it’s what she deserves after ‘he who shall not be named’!
user76 i know who you meant but also started giggling at the idea of her writing an album about voldemort 😭
y/nofficial @/user76 gasp! don’t you know who lover is about?! the dark lord and i just couldn’t make it work :(
october 10th, 2023
jackhughes
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liked by y/nofficial, nicohischier, and 815,736 others
jackhughes as a wise woman once said: “i was enchanted to meet you”
tagged y/nofficial
view all 2,865 comments
y/nofficial my sweet boy 🤍
jackhughes my pretty girl
user76 A HARD LAUNCH
user94 THEY’RE SO SICKENINGLY CUTE 😭 SHE DESERVES THIS
user36 JACK IS DATING Y/N?! OH THE SONGS THAT WILL COME OUT OF THIS
user8 he could do so much better
lhughes_06 about damn time
trevorzegras JACK WHAT THE FUCK YOU’RE JOKING
user02 oh they’re so cute 🥹
dawson1417 did you just… hard launch with the biggest singer in america rn?
jackhughes y/n says “what? like it’s hard?” idk what that means
user16 can we talk about how happy she looks?! and i know her hockey loving self is giggling and kicking her feet over her landing a hockey player! too cute!!
john.marino97 if her next RED-like album is about you, i’m requesting a trade. can’t believe i’m gonna have to listen to songs about YOU
january 1st, 2024
y/nofficial
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liked by jackhughes and 5,827,025 others
y/nofficial thank you 2023, you brought so much love and laughter 🤍 can’t wait to see what 2024 brings!
tagged jackhughes
view all 7,503 comments
user86 oh she’s so down bad she was taking pics of him at his game 😭
user9 one tour pic and three pics regarding to jack? she’s so in love
jackhughes here’s to another year with you, my talented girl
y/nofficial i can’t wait for another year with you, my love 🤍
user55 i can’t wait to see you in KC this year!!
user7 she’s truly living her best life and i’m obsessed!!
user21 i hope 2024 is just as good to you as 2023 was!
january 26th, 2024
deuxmoi
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36,592 likes
deuxmoi fan submission: trouble in paradise?
pop sensation, y/n, and her boyfriend, hockey player Jack Hughes, were seen out by a fan last night. the fan claims that they overheard y/n consoling Jack about his recent injury that has left him unable to play. in the video (on our site), you can hear y/n telling Jack “i know not playing is hard, i know it’s sad-”. Jack is heard cutting her off and snapping “you don’t get to tell me about sad. you don’t get it, so stop acting like you do.”according to the fan, y/n left the date alone and in tears.
what do you guys think, is this couple over?
view all 1,251 comments
user29 wow what an asshole, she was just trying to be comforting
user4 wtf?
user07 yeah, can’t say i didn’t expect them to end soon enough
user99 she was trying to comfort him and he snapped at her? yeah, i’d hope they’re over
user20 she deserves better
user19 it’s just an argument, everyone is being so overdramatic
user3 do i think they’re over? no. if we know anything about y/n, it’s that she’s forgiving, sometimes to a fault.
user67 i don’t think they’re broken up but if she was leaving alone and crying, i hope they will be soon enough
user82 has anyone thought that maybe he didn’t need comforting?
user13 umm, obviously he did if he snapped at her
user98 idk about everyone else, but i do think they’re broken up if she left alone and was visibly upset
user23 oh i can’t wait to hear what she writes about him. i’ve known he seemed too good to be true
february 14th, 2024
y/nofficial
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liked by oliviarodrigo and 7,431,846 others
y/nofficial happy valentines to my favorite boy 🤍
the most kind-hearted, respectful, and loving man i’ve ever had the pleasure of being able to call mine. nobody is perfect, but i think you’re pretty close to it. i’m so eternally grateful to have you in my life 🤍
tagged jackhughes
view all 278 comments
user6 oh, she’s still with him
user02 y/n, baby, please come to your senses
user14 i don’t like him at all after last month
jackhughes happy valentines, beautiful girl ❤️
user65 “nobody is perfect” oh, mother is telling us rn
comments on this post are now limited
march 23rd, 2024
deuxmoi
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29,783 likes
deuxmoi looks like y/n and her hockey beau have called it quits! eagle eyed fans spotted last night that they’ve unfollowed each other on instagram and y/n deleted all photos of him.
previously, y/n ONLY followed jack, now she’s back down to 0, which fans seem to read as a finality to their relationship.
view all 1,736 comments
user95 about time! after that spat in january, i feel like everyone was waiting for this
user72 EVERYONE MOVE! EVERYONE REJOICE! MOTHER IS FREE!
user24 GOOD RIDDANCE!!
user61 can’t wait to hear who the catalyst was, him or her?
user3 obviously she’ll make herself out to be the victim
user61 @/user3 tell me you’ve never actually listened to y/n without telling me you’ve never actually listened to y/n 🙄 she doesn’t shy away from admitting if she was the one who ruined a relationship, she admits she has problems and that sometimes she gets in her own head
user8 it was obviously him after that video in january
user23 everyone is celebrating but have we stopped for a second to realize that she’s probably really heart broken right now?
user70 fr! like, she seemed so in love with him and i feel so bad for her. she seemed to love him a lot more than her exes and we all know she’s a hopeless romantic at heart, so she was probably imagining marriage and babies with him and then he showed his true colors
april 1st, 2024
y/nofficial
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liked by tatemcrae and 14,698,276 others
y/nofficial there’s always a fool, but i guess all’s fair in love and poetry… new album THE TORTURED POETS DEPARTMENT. out May 14 🩶
but surprise! the first and only single, Who’s Afraid of Little Old Me? comes out April 19 🩶
view all 3,279 comments
user18 MOTHER DOES NOT PLAY!!! AHHH
user63 may 14th 💀 she said “i’m not fucking around, y’all WILL know who this is about.”
user9 significance of may 14th?
user63 @/user9 it’s jack’s birthday 💀
user00 OH SHE MUST REALLY HAVE SOME SHIT TO SAY IF SHE’S ACTUALLY DROPPING A SINGLE BEFORE THE ALBUM
user78 i wonder if jack feels stupid yet
user12 new y/n album before GTA6
user93 the vibes??? mother didn’t write an album, she wrote a EULOGY
april 19th, 2024
y/nofficial
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liked by john.marino97 and 9,726,820 others
y/nofficial at this hearing, i stand before my fellow members of The Tortured Poets Department with a summary of my findings.
Who’s Afraid of Little Old Me? out now.
view all 2,738 comments
user72 i’m speechless
user2 “you don’t get to tell me about sad” SHE REALLY FUCKING DID THAT
user33 I AM IN SHOCK!
user94 MOTHER CALLED HIM OUT
user78 once again i ask, @/jackhughes do you feel stupid yet?
user61 dude just got surgery and she still came for his neck 😭
user09 i mean, not like she was gonna change the release date just because of that but it’s still so 😭
user22 “the scandal was contained….. at all costs keep your good name” she really spoke on the january spat, didn’t she?
user12 “WHO’S AFRAID OF LITTLE OLD ME?”
user77 @/jackhughes you should be
john.marino97 🩶🩶
user82 oh he’s MESSY! i love it 💀
user50 tbh, i look at this single like a warning. it sounds like jack didn’t think it through before he broke her heart and didn’t think she would speak on him, but she’s warning him right now that he should be scared because she has a lot to say about him and their relationship
user31 she’s so— i love her
february 8th, 2025
y/nofficial posted on their story
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february 10th, 2025
y/nofficial
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liked by john.marino97 and 11,762,936 others
y/nofficial brand new, full throttle <3
view all 3,627 comments
user93 i- did she just inadvertently tell us we’ve all been wrong about who So High School is about?
user77 this is the fastest she’s ever gotten into a new relationship and you know that means she has to be in LOVE
user04 AHHHHH Y/N AND JOHN MARINO
user82 how do you know it’s him? she didn’t even tag anyone and you can’t see his face
user04 @/user82 she posted john on her story a couple days ago! they’re on vacation together while he’s on bye-week!
user23 i don’t wanna get ahead of myself but,,, they met through jack, did they not? and now they’re dating? mother is messy
user51 is it messy? yeah, maybe- but people have already looked back through old interviews of his, and she’s been his celeb crush for a WHILE now. and i mean, hey, she’s dating someone only a couple years older than her now, one can only assume he’s more mature than j*ck
user92 the way she clings onto him 🥹
user88 she deserves happiness, i really hope he gives that to her 🫶
john.marino97 i knew what i wanted and i got her ♥️
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runningfrom2am · 6 months ago
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michigan cherry // part one
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summary: walking into a saloon in a nowhere town, billy meets a singer who he just can't get off his mind after she slips through his fingers; onto another town, another show- following nothing but the stars in her path. until he sees her again. another nowhere town and equally dusty saloon, but this time, the band of kids who made up her family is nowhere to be found. he's running away from something, and she is storming full speed toward something else, and tangling into each other's lives may just get both of them exactly where they want to be.
pairing: william h. bonney x fem!reader
wc: 3.2k
masterlists / nav / requests
tags/warnings: singer!reader (she’s giving very much lucy gray), probably a little bit ooc billy but hey i tried- anyway he’s a sweetheart, use of guns and violence, murder and violence but i try to keep it non-descript, oh also she’s an orphan sorry (once again, lucy gray vibes), strangers to friends to lovers trope eee
the song in this chapter is "Second Child, Restless Child" by The Oh Hellos !!
a/n: heyyyy part one here we are!! i was going to post requiem first BUT the second part of btk s2 came out today so i couldn't resist posting this first :) playlist will be up very soon too!! hope you guys enjoy!!
my asks are also open to talk about this series! (i do have emoji anons open now too!)
send me any and all of your thoughts! here!
series masterlist // pinterest board // playlist
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It was muggy outside when Billy tied up his horse, and even hotter inside the saloon when he entered through its creaky swinging doors.
It was his current life as a bit of a lone wolf that brought him to this town he stumbled across by mistake, in search of a place to camp the night or ideally- a warm bed, but unsure if that was in the cards for him tonight, he decided to grab a drink instead.
He could hear the music before he saw the band, considering the whole town had apparently turned up to hear them play. Or, it was a Saturday night and no one had much of a better idea of what to do. He wasn't sure, until over the loud chatter and obnoxious shouts of men at the bar he could make out the sweet, damn close to angelic tones of the lead singer.
She was beyond anything he had ever seen, when he finally got a look at the owner of that beautiful voice, his blue eyes lit up in the dim light of the saloon. He flicked up the brim of his hat to get a better view as he leans back against the wall, absolutely mesmerized by the rapid pace at which the young woman's fingers strum over the strings of her guitar with expert precision.
"They saw trouble in my eyes, they were quick to recognize the devil in me."
With every word she sang, the smile he had to resist threatened to make itself seen. He could see the trouble in her eyes, even as they scanned the room- crinkled from the grin on her cheeks. It took Billy a few moments to even register that she wasn't the only one up on that old wooden stage- she wasn't the only one playing.
It surprised him even more when he tore his eyes off her to actually take notice of her band, that it was comprised almost entirely of children. Other than her and one boy behind her with light hair and hauntingly dark eyes who was dedicated well enough to his bass, none of the others seemed to be over fifteen.
A boy and a girl, who seemed to be just about the same age side by side playing little hip drums, and a blonde girl on a fiddle who appeared to be just a few years younger than the beautiful young woman taking up front and centre.
The smell of cigar smoke hits Billy's nose and brings him back to focus on where he was. He's not the only one watching this performance, as much as he felt the tunnel vision pulling him in on the girl with the skirt that spun almost as prettily as she did while she danced to her own music.
Completely lost in the song and the noises of the bar, she does a spin holding firm onto the guitar slung over her shoulder. Her hair flares out around her the same way her skirt does, and she has to steady herself as she stops, facing the old and abused microphone again to continue with the next verse.
"Can you hear it hanging on the wind? Can you feel it underneath your skin?"
Her eyes lock with Billy's as she looks around, the wide smile on her face hardly faltering even as his heart quits for a moment. She gives the man with striking blue eyes a small nod, not missing a beat of the song she was singing.
She was absolutely breathtaking to him. His eyes were stuck on every movement she made, every note she sang, and every word she uttered. He had seen pretty women before, but there was something about this girl that was different.
He couldn't help but notice how well she carried herself; with such confidence, and there was also a certain charm to her little nod as her eyes met his. The song and dance of the band were captivating, but his eyes were glued to her.
He raised up one eyebrow and gave her a little smile as he tilted his head curiously. Her voice somehow gave him a sense of home he hadn't felt since his ma passed. A sweet comfort he hadn't had in years.
He was being crazy, he knew as much- so he shakes his head of the feeling and peels himself off the wall to head over to the bar.
When the song was done, your chest was rising and falling heavily as you smile out at the crowd, waving to a few people before moving to set your well-loved guitar down.
"That's all we've got for y'all tonight. Thank you for listenin' to us take up your space tonight, but I sure hope at least a couple of y'all enjoyed it." You say into the mic with a smile, letting out a slight laugh as the crowd does with you.
"My name is Y/N and this is the Covey, and on behalf of all of us, have a good night! But not so good you don't make it home safe." You wink, signalling the end of our set and giving a quick bow to the crowd before stepping back to pack up.
Despite the shouts from saloon-goers and the usual sounds of the space echoing through, it seems quieter now to Billy without her beautiful voice, and he watches until her guitar case is closed and she passes it off the stage to her older bandmate who was helping collect the instruments.
As a matter of fact, he was staring into his whiskey and debating on whether or not he should even bother trying to talk to her when he's blessed by hearing her pretty voice again.
"Excuse me, miss!"
She's calling out to the busy bartender, leaning over the wood surface and resting her arm across it in front of her.
Now or never, Billy supposed.
"You've got quite the voice," He comments, voice rich and dripping with his unique mish-mash of accents- never having quite committed to one from moving around so much in his youth. "I'd wager you could melt even the coldest of hearts."
She turns her head to look at him, giving up attracting the attention of the barkeep. Up close, her eyes pull him in deeper.
"I'm Billy." He continues, extending a hand to her. It was out of character for him immediately- to offer up his name to someone he'd just met without them asking, but something about her made him unafraid to do so. Or... it was the unfamiliar jitters of nerves lowering his inhibitions.
A smile tugs at your lips as you quickly look him over, recognizing him as the man who had been leaning against the back wall while you were performing. You give his hand a quick and polite shake before responding.
"Y/N." You introduce yourself with a smile, despite having just done so on stage. "Was your heart cold 'til tonight then, Billy? Is that what I'm hearin'?"
"It was pretty cold." He admits, laughing. "But it seems like I've stumbled across just the fire to warm it up."
He looks you over again subtly, taking in how you still seem almost a little breathless from the performance you had just finished. It's interrupted by you laughing, shoulders shrugging as you adjust your top a bit, rolling up your sleeves.
"That's a good one, I must say." You giggle, shaking your head.
"Thanks, came up with it myself." Billy chuckles, mindlessly tapping at his almost empty glass. He figured he should at least come by it honestly if you were going to pick up on him so quick. "Tell me something, though. You're not from here, are ya? What brought you in? This isn't exactly the centre of the entertainment industry."
You look around at his final statement, nodding a bit in agreement. "Well, we're musicians by trade- travel about as we see fit. We're not really... city folks." You answer, looking back over your shoulder toward your band as they pack up and the kids play around on the stage.
"I hear that." Billy agrees, following your gaze. "Cities are too cramped for me."
"A bit of fresh air is good for the soul." You hum as you watch little Harvey and Josie chase each other around and behind the wooden stage and Max tries to wrangle them up. Business as usual.
Billy smiles as his eyes drift from the kids back over to you, letting your statement settle in before he spoke again. "Could I buy you a drink?"
You turn back to him again and nod, your smile returning in full. "I was waitin' for you to ask." You grin, waving again for the bartender who this time sees you and begins to make her way over.
He's a little shocked by your confidence in eagerly accepting a drink, but it just makes him more intrigued as he tilts his head at you. "Alright, then, darlin', what's your poison?" He asks, sliding over his glass and nodding to the woman running the bar for a refill of his whiskey.
"Water with a shot of warm honey aside, if ya got it." You smile to the bartender instead of answering Billy directly. "Please and thank you."
You had always had men offering to buy you drinks after your little shows, this wasn't anything new, but you always found a little bit of fun in seeing their subtle reactions to you ordering your water. Sometimes disappointment, occasionally even anger- but this Billy was the first one to ever smile.
"Well ain't you a fancy one." He chuckles, a small smirk on his face as his glass slides back to him over the countertop and he takes it with a nod of thank you to the woman behind the bar. "You one of those religious temperance girls?" He asks, purely out of curiosity.
Your nose scrunches up in response to the thought alone and you shake your head. "Nah." You take the cup of water and the shot glass full of warm honey from the bartender and thank her again quietly. "Just a girl who's overindulged herself one too many times."
Billy takes a sip of his whiskey and nods, watching curiously as you take the honey shot and lick the sweet liquid off your lips delicately.
In theory, that sounded so messy- but you handled it with such grace it honestly could have blown his mind. You must do that often.
"A bit of restraint never hurt anyone." He agrees, watching you dip your finger into what honey clung to the inside of the tiny cup and lick it off your finger before taking your first sip of water to rinse it down. "Hell, sometimes I could use more myself."
You shrug and let out a small laugh at his little joke, looking over at him again and smile as the sounds of the bar are swallowed by the invisible bell jar that seems to have engulfed you both.
"You, uh..." Billy speaks again after a moment, shaking his head a bit to clear his mind. "That song, you write it?"
"That I did." You smile proudly, nodding.
"Ah," He nods, spinning the glass on the counter in front of him. "So, I should ask, do you really have the devil in you?"
The reference to your lyrics makes you smile more and you shrug, taking another sip of your water. "I'd sure hope so." You tease. "I sold my soul to him in an even exchange for our music."
"So your voice is the devil's work, hey?" He laughed, sipping at his glass of whiskey once again.
He took a moment to study you, the way you wiped the inside of the shot glass clean with one delicate finger and licked it free of the stickiness. It drove him crazy just to look at you.
He leaned in a little closer as he continued. "Or are you saying that the whole you is the devil's work? Because I'd agree that you're certainly a little bit of trouble. As the song said, of course."
"That's certainly what I've heard." You giggle, shrugging softly as you put the empty shot glass down. "But I promise you I get into no trouble. We keep to ourselves, The Covey and me."
He smiled at you, the hint of mischief that danced in your eyes, that smile on your face sending chills up his spine.
"Well," He says, leaning in close to you, "You know what they say. The best things in life are dangerous. At least, I'm sure I've heard that somewhere." He chuckles a bit and it comes across with a hint of nervousness as he leans back away from you, not wanting to come across as too forward.
"Says the man with a gun on his hip and two in his coat." You say with a small smirk, nodding toward the inside of his jacket where he had hidden weapons.
He chuckled, admiring your perceptiveness.
There was an understanding about you, one that he was coming to enjoy. It was a quality that was hard to put his finger on.
All he knew was what he had at first glance; a gut instinct about you that screamed, "this will be worth it."
He took another sip of his whiskey, his eyes glued to your own. "You notice everything."
"Trick of the trade." You shrug, bringing your glass up to your lips again and not looking away from him either.
"What trade?" He asks with a slightly confused laugh. "Does singin' come along with a lot of gunfights or..?"
For the first time while interacting with men at these saloons all across the country, you laughed at one of their jokes. For the first time, it was genuine.
It even catches the ears of your band, who give each other confused but knowing looks as Billy's eyes light up with your laughter, knowing he prompted it to fall from your beautiful lips.
"I didn't take you for a funny one, Billy." You admit after a moment, still giggling as your hand comes up to cover your mouth.
"You've got a cute laugh," He said honestly, almost without realizing he'd said it out loud.
He sees your band mates in the corner of his eyes, watching the interaction unfolding before them, and smiled just a little more. He wanted the whole damn saloon to see that he was winning you over right in front of their eyes.
"I could have the worst laugh in the world and you'd still compliment it. You can't trust a man who's tryin' to charm your skirts off." You say, laugh devolving into giggles as you tip your glass toward him.
"Oh, and here I thought my intentions were genuine, and not just to get in your skirts," He said, laughing again. "Is that what you think I am, some kind of creepy bastard with ill intentions?"
You raise an eyebrow at him, surprised that when it's falling from his lips- you actually believe the denial.
"Men often lose themselves in pursuit of provisional pleasures." You comment, tilting your head at him. "It makes it hard to tell when once in a blue moon there's one who means what they say."
He was intrigued. Not necessarily by the comment itself, but more by the intelligence behind those pretty eyes of yours.
He was usually able to play these kinds of games easily, but you seemed to see right through them at every turn.
"Fair play." He says, giving you a nod of acknowledgement, "How do I know I'm the first man you've told that exact little poem to?"
"You just have to trust me." You say with a small smile. "If it helps, I wrote every word in those songs you heard earlier. I only speak when I have somethin' to say, and singin' is much of the same. You don't gotta believe me, but I'll tell you now it's not your wisest move to imply you don't think I'm smart enough to own the words I speak."
He couldn't deny that he had a weak spot for pretty, assertive women. But you were sweet, too, covered in it like the honey you just shot back a few minutes ago.
Those words, that tone, spoke volumes to him.
His lips curled up in a grin, and the tone of his voice took on a slightly more flirtatious edge. "I guess I should just count my lucky stars then. You don't happen to write songs about sweet talking men you meet in nowhere towns, do you?"
"Only about how they're venomous without the correct antidote on hand." You say, leaning against the counter and shifting your weight onto one hip.
He chuckles, his eyes glued on yours, not looking away.
God, he was in trouble.
The alcohol was making him cocky, but he couldn't help the way you made him feel. "And what if I came to you, hat in hand, asking for a cure? Begging you for a cure, because I'd been bitten by this sweet speaking cowgirl who's left me weak at the knees?"
"I'd tell you the nearest damn thing to anti-venom is just to run." You advise him, taking another drink before putting the glass down and sliding it across the bar. "And you'll find the real thing in the next dead end town you call a home, and then the cycle begins again."
He sighed, running a hand through his hair.
Damn it, she had him. He couldn't even argue with that one.
He wanted to kiss her so bad right now, respectfully, of course, but he knew he should wait for some kind of signal from her. So instead he played it cool, grinning back at her.
"Okay, okay. What if," He said, watching with a smile as you raised an eyebrow at him over the edge of your glass, waiting for him to continue while you polished off your water. "And I'm just saying hypothetical here, theoretically, if he promised to stay in that next dinky ass town for a month just to see the woman he fell for again?"
"Then that would make you a fool." You answer. "Theoretically, of course." You add with a wink, standing up straight again.
You wanted to stay, to talk until last call and learn all his secrets- but you knew better than to fall for it all.
"Well, it sure was nice to meet you, Billy."
His heart drops at the words and he sighs, his expression softening as he saw you standing up from the bar.
He should keep it casual, he reminded himself. Be nice. Don't mess this up.
"It was a pleasure to meet you, darlin'." He stood up again slowly, his eyes lingering on yours for a few seconds, before he spoke again. "I hope we run into each other again, if only for a moment. Take care of yourself, Miss..."
"I don't doubt we will." You smile, giving him a small punctuating bow as your bandmates wave you back over.
You glance back at him over your shoulder as you walk away, giving him one of your winning smiles before picking up your guitar case and following your friends out the back door.
Billy stood there in the saloon for a few moments, watching you go with a wistful, almost regretful look on his face.
There was something about you that made him want to do stupid things.
"Run after her," his other half shouted. "I don't care if you look like a damn fool."
But he just stood there, like a damn fool, until he finally shook his head and muttered to himself. "Damn it."
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no taglist this time around!! my fics usually get over a hundred requests to be added to the taglist so instead i made a library! follow me over on @runningfrom2am-library and turn on notifs to get updates when i post new parts!!
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toasttt11 · 11 months ago
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introducing kensington
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Kensington Grace Hughes was born July 3, 2005, making her the baby of her family.
From a very young age is was clear she had a natural ability in Hockey, She skated with an incredible speed and elegance that not many players had, Kensington has always seemed to have an ability to always be able get the puck into the net, from any angle, any distance, she could get the puck in just as easy from behind the net.
It was no surpise when she was one of the first picks of the 2023 NHL Draft, going second to the Pittsburgh Penguins.
Kensington was accepted into Boston College, University of Michigan, University of Massachusetts Amherst, Princeton University, Harvard University, University of Wisconsin. Kensington didn’t want to go somewhere because her brothers went there she wanted to pick the school she wanted to play at, and it happened to be Boston College, she fell in love with the collage when she went there for the first time.
Kensington played two seasons with the USA Hockey National Team Development Program, breaking Jack’s record of all time points.
Kensington has always had a passion for music, loving anything to do with music and extremely enjoying how to learn new instruments. She’s a very great singer and if Hockey wasn’t her main passion she would’ve choose to have a career in music.
Kensington has always been a very sweet person, very caring and kindhearted, gaining the nickname Sunshine from her brothers when she was young and something that’s always stuck.
Kensington was known for being incredibly sweet but that doesn’t mean she always sweet like when she is on the ice. With three brothers of course they made sure she could fight, which is something she doesn’t usually do as she faster than most players in the ice and has no need to get into a fight.
Kensington has enjoyed fashion from a young age, something she shared with her mother Ellen, and then her brother Jack. At first Jack didn’t really care for shopping or anything fashion but he loves spending time with his little sister and mother so he grew to something he loved as well.
Kensington and Luke have a pretty close relationship having spent the most time together, especially with Jack and Quinn leaving home and Kensington and Luke still both being at home.
When Luke went to Michigan he was only a few minute drive from home and saw Kensington a lot especially because the USNTDP is based in Michigan as well, they could go to each other’s games pretty often. Luke ends knowing a lot more things going on in Kensington’s life then their other two brothers by having seeing her more often, Like Luke knows Kensington has feelings for Will Smith before she even realizes then herself.
Quinn and Kensington are very close and Quinn is definitely the one Kensington always goes to for advice most of them or just needing to be calmed down. Quinn tries to watch as much of her games as he can and if he is ever near by he tries to go see her play. Kensington always looked up the most to her oldest brother Quinn.
Jack has adored his sister from the moment he held her, his little best friend and his all time favorite person in the whole world, he’s very soft and sweet with his sister. His little sunshine has always been wrapped right around his fingers and everyone who knew Jack automatically knew who Kensington was as Jack is always bragging about his baby sister.
The three boys all absolutely adore their little sister, Quinn and Luke wanted a little brother but Jack hoped for a little sister and he was definitely the most excited for a sister, he even picked out her middle name Grace.
The three are all very protective of their little sister but also know to let her fight her own battles sometimes, but that doesn’t mean they wouldn’t do anything for her.
It was the USNTDP where she met the rest of her best friends Ryan Leonard and Will Smith. Kensington had joined the team with her best friend Gabe Perreault, the two met Ryan and Will and the four quickly all became best friends.
When Kensington was drafted to the Penguins within 24-hours she got a text or call from every player on the team, who all were very accepting of having a girl join their team soon.
The Penguins team all quickly grew to adore Kensington and by her first season playing they were very protective of their baby penguin, and other teams quickly learned not to touch her.
Sideny Crosby who is always keeping eye on kids in hockey leagues, had kept an eye on Kensington Hughes for awhile and was very hopeful she would get into the NHL, he was the first one to call her to congratulate her from the team. He took her under his wing and offered for her to stay with him and his girlfriend Kathy, during training camp.
Once Kensington moved to Pittsburgh for her first season, she got an apartment near Sidney and Kathy, the two always inviting her over for dinner and keeping an eye on her.
Evgeni Malkin and his wife Anna love Kensington, if she isn’t at Sidney house she usually at theirs. Their son Nikita adores Kensington and is always extremely excited to see her. The family started teaching her Russian.
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asendingtothestarsasone · 11 months ago
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Gentle Sin
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Summary: A flat mate wanted listing sends you on a journey that leads you into the arms of the sweet but protective Jake.
Pairings: Jake Kiszka x Female Reader
Word count: 2.1k
Warnings: 18+ MINORS DNI
Oral (female receiving), Unprotected Sex, Assault, Dirty talk, Biting, Hair pulling, Mentions of Alcohol.
*This is my first fanfic/smut. Thank-you so much for reading and let me know if you want a part two*
When I saw the listing, I thought it could not be more perfect. 
Two musicians were in search of a flat mate for their spacious 3-bedroom house, featuring a generous bedroom, bath, and even a hot tub on a large balcony—all for just $250 a week. Being someone dedicated to learning guitar and nurturing my singer-songwriter aspirations within the confines of my bedroom, this opportunity felt like a gateway to fully immerse myself in Nashville's vibrant music scene. 
Knocking on the door, I was met by a captivating sight—a man with long, wavy brown hair, a striking face adorned with big doe brown eyes, and an enchanting smile. As he extended his hand for a shake, I could not help but feel the warmth of his soft yet calloused fingertips. 
"Hello, I'm Y/N. I'm here for the room viewing." 
"Yes, of course. Nice to meet you. I am Jake. Come inside, and I'll show you around." 
As Jake guided me through each room, his sweet demeanor captivated me. The house had a unique decoration style, blending modern and '70s aesthetics, with framed posters on the walls and electric guitars displayed proudly. Finally, we reached a white room at the end of the hallway, featuring a large bed with beautiful linens and a fur throw. 
"So, this would be your room if you decide to take it. It's filled with sunlight, and there's this lovely old desk for you to use." 
"That would be perfect for my music writing. It's a beautiful spot." 
"Oh, you're into music too?" 
"I wish I were a musician. I do it in my bedroom, but I dream of playing in front of people. I've been learning guitar as well." 
"That's great. I play guitar in a band with my brothers. I could teach you some things if you're interested." 
"Wow, yes, that would be amazing. I will definitely take the room now. 
"Perfect. I'll message you all the details in the next few days, and once you're settled in, we can have a jam session." 
"Sounds perfect. See you soon." 
"See you soon, Y/N." 
As I carried my last box into the new place, a sense of satisfaction washed over me. Seated on my bed, I thought, 'This is going to be good for me. Change is a good thing.' After a challenging previous relationship, being on my own to focus on my dreams felt like the right step. 
Over the next few days, I unpacked and transformed my room into a cozy haven. Yet, I had not interacted much with my new flat mates, who were both away on road trips playing gigs. 
The following day, a knock on the door revealed a tall man with short black hair, an eyebrow piercing, and deep blue eyes—Nick. 
"Sorry, I couldn't find my key. You must be Y/N." 
"Yes, I am. I just moved in a few weeks ago." 
"Hi, I'm Nick. Are you from Nashville?" 
"No, I'm from a small town in Michigan called Milford. What about you?" 
A voice chimed in from behind, and I turned to see Jake entering. 
"Wait, you're from Milford?" 
"Yeah, I grew up there." 
"No way, I grew up in Frankenmuth with my brothers. That's where we started our band in our parents' garage." 
Nick laughed, "And you never really made it out of there, did you?" 
"Hahaha. Good to see you as always, Nick." 
Jake suggested, "So, you guys hungry? I was thinking we could go out for some dinner, maybe a drink or two, or three." 
"Hell yeah," Nick exclaimed. 
"I'm down," I replied. 
As our nights out continued, the dynamics between us became more apparent. One evening, after dinner and a couple of drinks, Jake opened up about his musical journey. He shared the challenges of balancing artistic integrity with the demands of the industry. It became evident that he was not only a talented musician but also someone deeply passionate about the craft. 
Meanwhile, Nick's charisma was undeniable. Over drinks, he revealed that he was the lead singer of a rock band that had gained local recognition. He spoke animatedly about the thrill of performing in front of a roaring crowd, but there was an underlying competitiveness in his tone, especially when Jake's accomplishments were brought up. 
In the following days, as Nick's band went on tour, Jake and I spent more time together in the house. Our shared love for music created a natural connection, and Jake became not just a roommate but a mentor. He patiently guided me through chord progressions, song structures, and the art of storytelling through music. It was during these moments that a deeper bond formed, one that transcended the shared space we inhabited. 
Late nights turned into early mornings filled with laughter, music, and meaningful conversations. Jake's stories of his own musical journey, the ups, the downs, and the lessons learned, resonated with my own aspirations. It was in these moments that I realized our connection was evolving into something more profound. 
However, the peaceful harmony we were creating was disrupted when Nick returned from his tour. His demeanor had shifted �� he was constantly drinking, and his once-charming confidence now bordered on arrogance. Nick's attempts to impress me became increasingly apparent, and his behavior towards Jake grew confrontational. 
Tensions escalated one evening when Nick, fueled by alcohol and jealousy, made snide remarks about Jake's music, and questioned his dedication to the craft. The atmosphere in the house became tense, and it was clear that the friendly camaraderie we once shared was threatened by Nick's insecurities. 
Amidst the growing discord, Jake and I found solace in our shared passion for music. We retreated to the balcony, away from the brewing storm inside. Under the starlit Nashville sky, Jake expressed his concern about the strained atmosphere and Nick's changing behavior. As we spoke, the undeniable connection between us became palpable, and the unspoken understanding deepened. 
In the days that followed, Jake and I continued to immerse ourselves in music. He shared not only technical knowledge but also the emotional nuances that make a song resonate. Our collaboration on songwriting projects became a therapeutic outlet, a sanctuary away from the brewing tension within the house. 
As the divide between Jake and Nick grew, it became clear that Nick's feelings for me were a driving force behind the conflict. The once vibrant energy of the house was now overshadowed by the growing animosity between the two musicians, leaving me caught in the middle of an unfolding drama that threatened to disrupt the harmony we had cultivated. 
 
One night, as I stepped out of the shower and hastily threw on some clothes, I heard a commotion downstairs. Curious and concerned, I headed down the stairs, only to witness Nick and his friend barging through the door. His friend continued down the hall, while Nick stood there, demanding my attention. 
"Come down here, Y/N, I need to talk to you," he insisted. As I descended the stairs, he began making inappropriate advances, emphasizing how beautiful I was and suggesting I deserved someone better. 
Uncomfortable and distressed, I asked him to stop, but he ignored my pleas. In that unsettling moment, Jake intervened, stepping up behind me. 
"Don't touch her, Nick," Jake warned. There was a silent exchange between them, a look that conveyed an unspoken rule. However, Nick's response was aggression, pushing Jake to the brink. 
As Nick lashed out, hitting Jake, and causing blood to flow from his nose, panic set in. I screamed for Nick to stop, but it only fueled his anger. Desperation took over, and I found myself standing between them, pleading for peace. 
In a fit of rage, Nick struck me and shoved me into the wall. Jake, driven by a protective instinct, retaliated, unleashing a torrent of punches on Nick until he crumpled to the ground. Frantically, I tried to pull Jake away, begging him to stop. Locking eyes with him, I implored, "Look at me, Jake. Please, stop." 
Something in his gaze shifted, and he paused, realizing the extent of the chaos. He looked down at his bloodied hands and whispered, "Oh my God, what have I done?" 
In the aftermath, Nick's friend emerged from the bathroom, appalled by the scene. He helped Nick up and ushered him out the door. Tears streaming down my face, Jake wiped them away and we clung to each other in silence, processing the whirlwind of emotions. 
 
Finally finding words, Jake apologized sincerely, expressing disbelief that anyone would dare to harm me. We sat in quiet solidarity, grappling with the aftermath of the violent encounter. He eventually stood up, gently pulling me into his room.  
We perched on the edge of the bed, and Jake began cleaning up the remnants of the blood. Once the task was complete, he sat next to me, wiping away the tears that still streamed down my face. As he tucked a strand of my hair behind my ear, I impulsively grabbed his chin and kissed him. The warmth of the kiss provided solace after the pain that had just unfolded. 
He pulled away, a question in his eyes, "Are you sure you want to do that... now?" 
I responded with conviction, "I have never been more sure of anything." He cupped the back of my neck, and we shared a powerful kiss that felt like a healing balm for the wounds we had both endured. It was almost overwhelming, a moment of profound connection in the chaos. 
I kissed him back trying to match his fire but he pushed my back on the bed and soon he was on top if me kissing me with such intensity. He trailed kissed down my neck until I was moaning. Running his fingers through my hair I was overwhelmed with sensations. I could feel his cock getting hard against me which make me let out a moan. He pulled my shirt over my head “can I touch you?” “please” he cupped my breast and squeezed it running his fingers over my nipple while he bit into my neck. 
I was starting to get wet, then he pulled off my skirt and ran his hand over my panties “is this, okay?” “Yes, please don't stop” he pulled my panties down and started laying a trail of kisses from neck down to my pussy. Then started running circles over my clit with his tongue so slow and delicately I was losing it. 
I came hard and felt my wetness pooling. He brought two fingers up to my entrance and slowly put them inside me. The feeling of being filled up by his fingers with his tongue on my clit was too much and I came again.  
He then brought his fingers up to his mouth and licked them clean. He came back up and kissed me so sweetly "can I fuck you"  "please fuck me I want you so bad" and he pulled his boxers down and lined up with my opening. He kissed me on the lips so passionately and pushed his cock inside me. The feeling was too much. 
He immediately filled me all the way up until I could not take anymore, and I moaned with pleasure. He started kissing my neck again and biting me while fucking me hard and deep “oh Y/N you feel so fucking good” he cupped my breasts and squeezed them while trusting into me. 
Then he grabbed a handful of my hair and gave it a gentle pull and layed into me so hard it feel like heaven ”fuck I am going to come” “come for me baby” “come all over my cock” just like that I was putty in his hands I came hard digging my nails into him "good girl" fuck this man was magic.  
I have never felt like this before he whispered in my ear “fuck you feel so good I'm going to come” “please come inside me” “you want me to fill you up baby?” “Yes, I'm begging you” he came so hard inside me I could feel his cock pulsating.  
As he pulled out of me the warm liquid rushed out, he got a towel to clean me up and after I was all cleaned up, he pulled me into a cuddle and played with my hair just as I was falling asleep I heard him whisper “I want to keep you Y/N, forever” 
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rustbeltjessie · 7 months ago
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Chicago Noise (Love Letter to Steve Albini) by Jarret Keene
How many boys want to be whipped by Steve Albini’s guitar? -Sonic Youth bassist/singer Kim Gordon
Woke up this morning, as usual, hungry for white-boy noise and black coffee. Popped in – what else? – Big Black’s Songs About *!?king and blasted it at full volume on the home stereo so I could feel every
drum-machine wallop in my molars, every lacerating riff against my face, those places where noise really hits me when its good and loud. Steve, there’s something about your band Big Black
in the morning that helps me to more effectively hate birds outside my window as they chirp ridiculous tunes about nothing to no one, something in the serrated edges of the song “Pavement Saw” and
the slaughterhouse fury of “Colombian Necktie” that transports me to the Loop, jostling around inside a metal tube across an ice-cold, urban-Midwest landscape of old, bombed-out meatpacking plants.
Like it’s a clear day in March and I’m taking it all in – the canyons of LaSalle, the cliffs of Michigan Avenue, the public artworks – and there’s this satanic chainsaw behind my ears, eager to sink
its teeth into my skull, turning my lights out and then everyone else’s. This noise is dirty and yet so pure that I can’t help feeling even more comfortable in my alienation, even happier in hostile
territory. I imagine myself lying down like a lamb at the paws of a lion guarding the stairs of the Art Institute. I picture myself walking into a Wicker Park record shop (a real record shop that
actually sells, you know, vinyl) and asking the skinny, unfriendly employees there if they might sell me another Big Black LP. And when they scowl at me with an expression that says “Why don’t
you already own that record, poser?” all I can say to my fellow rock snobs is leave me alone, because I’m armed and dangerous, and about to vaporize Cloud Gate in Millenium Park, to rip
the girders from Calder’s red-orange flamingo-looking thing perched in front of the Federal Center with my incisors before flame-broiling it oh-so-slowly with an acetylene torch until the steel is tender enough
to eat with a plastic spork, to challenge the next thrash band to play the Double Door to a demolition derby-style mosh pit involving broken beer bottles and our bare chests and bags of salt.
And if anyone asks about the point of this tsunami of sucking nihilism, this whole tortured carnival ride, let me say that it’s my chance to ignore the terrifying silence at the end of this caffeinated daydream.
Anyhow, Steve, just thought I’d write you a quick letter letting you know how much your anti-corporate band gets me dreaming of Chicago and prepares me for another gray and greasy day
of corporate enslavement, chained to my cubicle, hoping for a moment to shut down my computer and loosen my tie, straining to hear a measure, the merest note, of the sweet music of birds.
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dustedmagazine · 1 year ago
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Listed: Jad Fair
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Photo: Brian Birzer
Jad Fair’s music has been described as “art punk,” “primitive rock,” “naive pop,” and “experimental,” though none of those labels quite capture what it is. Never encumbered by the conventions of songwriting or technical virtuosity, or the idea that an instrument should be tuned, the guitarist/singer/visual artist always made the music that felt most natural. It’s not an experiment, he has said. It just is.
In the mid 1970s Fair started Half Japanese with his brother, David. In 1980 they released their famously audacious debut, a triple album called Half Gentlemen/Not Beasts. It was a raw explosion of teenage boy id. The brothers, both on vocals, indulged obsessions (girls, mostly) over discordant guitars and drums that bubbled and burst like boiling water.
Half Japanese has released many records since, in addition to the mountains of music that Fair has put out over the years, solo and in collaboration with Daniel Johnson, Yo La Tengo, Teenage Fanclub and many others. Over the course of 2021 he released two albums a week on Bandcamp, and then started making music with singer/songwriter/multiinstrumentalist Samuel Locke Ward. They just released their second record, Destroy All Monsters about which Dusted’s Margaret Welsh wrote that “In its warmth and sincerity, Destroy All Monsters straddles a strange line: It impersonates flimsy holiday novelty but resonates on a deeper level. Here are some of Fair’s favorite records.
It’s difficult to just choose 10 albums. There are so many albums that I love.
The Shaggs — Philosophy Of The World
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I first heard Philosophy Of The World in 1979. I was given a cassette of it and immediately took to it. It was like no other album I’d heard. The music and lyrics are so sweet and sincere. I was very pleased that I was asked to do cover art for the release of The Dot Wiggin Band’s album Ready! Get! Go!. When I saw Dot’s band perform I was surprised to see that the musicians were reading music. I asked Dot about it and was told that the music for the Shaggs was written out.
The Modern Lovers — The Modern Lovers
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In 1974 I read an interview of Jonathan Richman in Andy Warhol’s Interview magazine. I was impressed with what Jonathan had to say. When the Modern Lovers album was released I sent away for it and was floored by it. It’s a super fine album.
Spider John Koerner — Some American Folk Songs Like They Used To
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Spider John Koerner is one of my favorite folk musicians. It’s a shame that very few people have heard the album. I think it’s his best.
Lord Invader — Calypso Travels
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I’m a huge fan of calypso music. Lord Invader is a great calypsonian. I love the way he sings and his band is top of the top.
The Stooges — Fun House
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I grew up in Michigan and when I was a teen, most of my favorite bands were from Michigan. Michigan had The MC5, The Stooges, Question Mark and the Mysterians, Destroy All Monsters and Motown. I felt I was living in the best state for music.
Daniel Johnston — Hi How Are You?
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In 1984 my band Half Japanese had a tour with a stop in Austin. Daniel’s manager (Jeff Tartakov) gave me a cassette of Daniel’s album. During the tour we played it over and over in the van. I know many amazing musicians. What’s rare is a musician that is also a fine lyricist. Daniel was one of the best. He was a genius, and I was so lucky to have worked with him.
Bob Dylan — Basement Tapes
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I like the relaxed feel of the songs. Bob Dylan and the Band were such a great match. Super fine songs and super playing.
Howlin Wolf — The Complete RPM and Chess Singles
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In the early 1970s, I bought a lot of albums of Howling Wolf. It’s hard to beat Howling Wolf as a performer. He had power and charisma.
NRBQ — All Hopped Up
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NRBQ is my favorite band. When I lived on the East Coast I would go to see them anytime they had a show in Maryland or DC. Definitely the finest live band I’ve seen.
James Brown — Live At The Apollo
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It’s hard to pick just one James Brown album. He released so many great albums. Live At The Apollo has James in top form. It’s a brilliant performance. It’s star time!
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sonicandtailsfan64-page · 3 months ago
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So, earlier this week, HarmonyBunny2024 from Deviantart sent me an image on FB Messenger and he made me a fursona, and this is what he made of my fursona
Pretty cool huh?, never had someone surprised me with a fursona gift before, i did however came up with the summer/winter time and pj's designs and colors, (especially the winter gear, showing some loyalty to the University of Michigan!), and since he was very kind to make such wonderful gift of this, i think it's time to give it some character and add a bio of him, shall we??
Biography:
Name: Steven The Fox
Species: Vulpine Fox
Age: 32
Sex: M
Pronouns: He/Him
Relationship: Single (He has no interests in romance, just making friends)
Likes: Making New Friends, Spending Time with Best Friends, Going to Arcades, Bowling, Auto Racing, Video Games, Partying, Sweet Foods, Hot Cocoa, Milk, Snuggles, Cuddles, Classic Rock (90's on back), Furry Animals Great and Small, Dinosaurs, Being Imagitive, Having Fun, Defending and protecting his Friends, Cartoons, Movies, Lullabies, Belly/Foot rubs, Slumber Parties, Winter Time, Holidays, Birthdays, Football, Hockey, Wearing his Pajamas during either a rainy day or a cloudy and lazy day, Watching Game Shows, His Nightcaps, His Teddy Bear (It's his emotional support, helps him from anxiety, stress, drama, depression, anger, when he's upset, protect him from nightmares and will let his friends hold it when in any sort of stress or trouble), Hugs and Just Being himself.
Dislikes: Drinking Alcohol, Cigerettes/ECigs/Vaping, Any Kind Of Drugs that are bad for you, someone bullying him and/or his friends, News and Politics, Drama, Bad Thunderstorms, Being In Complete Darkness with no Light, Being Sick, Any sort of P*rn or something 18+, Crappy Movies, Summer Time Weather, High Heat, Newer type of Music (Mainly 2010's onward), Being Shirtless in Public (It makes him very uncomfortable, he'll wear a tank top if he doesn't wearing a t-shirt), Arguments and Romance (He's fine being single).
Best Friends: Snoopy, Brian Griffin, Yoshi's in Yoshi Island, Gromit, Brian's Cousin Jasper, Snoopy's Siblings, Sonic, Tails, Knuckles, Amy Rose, Mickey Mouse, Donald Duck, Jerry Mouse, Nick Wilde, Scooby Doo, Huckleberry Hound, Crash Bandicoot, Exile (Road Rovers), Krypto The Superdog (2005 Version), Rocko (From RML), Bonnie, Glamrock Freddy (Both from FNAF), Bugs Bunny, Banjo Kazooie, Courage The Cowardly Dog, Gumball and Darwin Watterson, Ice Bear, Mike Wazowski, Pink Panther, Ruff Ruffman, Mordecai (From Regular Show), Bark The Polar Bear, Mighty The Armadillo, Bandit Heeler (From Bluey), CatDog, Alfur (From Hilda), Rocky (From Rocky and Bullwinkle), Mr. Peabody, Mario Bros., Princess Peach, Blueshi (blueyoshiegg's Yoshi Character), Emily The Violet Ghost (EmilyTheVioletGhost's Character) and Jamal Cottontail (HarmonyBunny2024's Character).
Enemies/Rivals: None.......yet
Nicknames/Alias': Bud (Brian Griffin and Sonic), Buddy (Snoopy, Green Yoshi and Tails), Champ (Knuckles), Pal (Mickey Mouse, CatDog, Rocko, Scooby Doo and Donald Duck), Stevie (Amy Rose), Sly Steve (Nick Wilde), Dear Friend (Krypto, Banjo, Emily and Jamal), Little Mate (Bandit Heeler), Guardian Angel (Courage and Jerry), Doc (Bugs Bunny), Kit (Mike Wazowski, Mighty and Pink Panther), Dude (Mordecai, Gumball and Darwin), Foxy Boy (Exile, Ice Bear and Crash), Little Rockstar (Bonnie), Superstar (Glamrock Freddy, Mario and Luigi), Steve-o (Mordecai, Nick Wilde, Sonic, Bandit Heeler, Mike Wazowski and Bark), Lad (Gromit), Ol' Chap (Gromit), Ol' Chum (Gromit), Comrade (Exile), Sweetie (Jasper, Peach and Amy Rose), Sweetheart (Jasper, Peach and Amy Rose), Little Pupal (Mr. Peabody), Feller (Huckleberry Hound and Banjo), Fetcher (Ruff Ruffman), Fwiend (Blueshi), Sportsfan (Everyone).
Character Traits: Happy, Autistic, Smart, Kind, Helpful, Sweet, Caring, Energetic, Loves to Sleep, Great Singer, Computer Guy, Game Show Fanatic, Huggable, Snuggly, Cuddly, Ticklish, Addicted to Chocolate, Supporting, Relaxed, Welcoming, Friendly, Funny, Great Cook, Heroic, Cheerful, Loving, Gold Hearted.
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postoctobrist · 2 years ago
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on listening again to the wtyp ashtabula horror episode, i am compelled to mention the fairly awful poem about it by the fairly awful poet julia a. moore ("the sweet singer of michigan"). (one of the casualties of the accident was philip p. bliss, prolific gospel hymn composer): Ashtabula Disaster Air -- "Gently Down the Stream of Time"
Have you heard of the dreadful fate Of Mr. P. P. Bliss and wife? Of their death I will relate, And also others lost their life; Ashtabula Bridge disaster, Where so many people died Without a thought that destruction Would plunge them 'neath the wheel of tide.
CHORUS: Swiftly passed the engine's call, Hastening souls on to death, Warning not one of them all; It brought despair right and left.
Among the ruins are many friends, Crushed to death amidst the roar; On one thread all may depend, And hope they've reached the other shore. P. P. Bliss showed great devotion To his faithful wife, his pride, When he saw that she must perish, He died a martyr by her side.
P. P. Bliss went home above -- Left all friends, earth and fame, To rest in God's holy love; Left on earth his work and name. The people love his work by numbers, It is read by great and small, He by it will be remembered, He has left it for us all.
His good name from time to time Will rise on land and sea; It is known in distant climes, Let it echo wide and free. One good man among the number, Found sweet rest in a short time, His weary soul may sweetly slumber Within the vale, heaven sublime.
Destruction lay on every side, Confusion, fire and despair; No help, no hope, so they died, Two hundred people over there. Many ties was there broken, Many a heart was filled with pain, Each one left a little token, For above they live again.
lol mr p.p. bliss
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justinspoliticalcorner · 25 days ago
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David Smith at The Guardian:
“And now, the end is near/ And so I face the final curtain.”
Before a roaring crowd on Monday, Donald Trump summoned sons Don Jr and Eric, daughter Tiffany, daughter-in-law Lara Trump and son-in-law Michael Boulos to the stage. Their faces threw the orangeness of the family patriarch into stark relief. Trump insisted that his son Barron and daughter Ivanka were watching from afar. “She loves the whole thing,” he said, not very convincingly. It was election eve and the former US president gazed out at thousands of supporters gathered at an ice hockey arena in Pittsburgh and apparently ready to follow him through the gates of hell. Like a child awakening to mortality, he suddenly seemed to realise that The Trump Show was coming to an end. “It’s sad because we’ve been doing this for nine years,” he said, as the family looked on. “We’ve had hundreds of rallies, hundreds. Actually numbers that are not even conceivable. I’ve heard 800, 900 – I don’t know – but we don’t even count ’em. And they’re all like this, all these magnificent, magnificent rallies.” This would be his last one in the key battleground state of Pennsylvania with one to follow in Grand Rapids, Michigan. “Remember, the rallies are the most exciting thing. There’ll never be rallies like this. You’re going to have some leading candidate come in in four years and, honestly, if they’re successful they’ll have 300 or 400 people in a ballroom some place. This is never going to happen again.”
Yes, Donald Trump is already comparing his crowd sizes with whoever runs for president in 2028. Still, was this a rare moment of wistful self-reflection from the man whom the New Yorker writer Mark Singer once memorably described as leading “an existence unmolested by the rumbling of a soul”? Well, up to a point. In a characteristic brain swerve, Trump, 78, went from sweet nostalgia to a rant about “Barack Hussein Obama” as a “very divisive guy” whose wife, Michelle, was “hitting me” in a recent speech. Then he decried the Russia “hoax” and how Don Jr had been unfairly caught up in it, which led to letting rip at the Democratic congressman Adam Schiff as “watermelon head”, “evil” and “human scum”.
Trump’s children laughed at the insults – hardly an uplifting closing argument just hours before polling day. The former president then gave his stream of consciousness full rein, talking fast as he freely associated from his economy to Covid, from the military to Isis, from the border wall to transphobia. It was vintage Trump, like a final episode recap of a long-running series. But after his family departed – Lara giving a heart sign to the supporters wearing miners’ helmets – Trump pondered the passage of time again. “We have people that have come to hundreds of the rallies and we all love it. They all love the country. They don’t come to our rallies if they don’t love the country.”
There might be something achingly poignant and elegiac about it – a lion in winter departing the stage – but for the fact that Trump is a twice-impeached malignant narcissist with a knife at the throat of democracy.
Like Larry “Lonesome” Rhodes in A Face in the Crowd, the rallies were always more natural territory for this carnival barker than sitting behind a desk in the Oval Office. “Is there anything more fun than a Trump rally?” he has often asked rhetorically, even though some people flee before the end (and did again in Pittsburgh). These are gaudy, raucous spectacles that combine cult-like worship of a demagogue with a church-like sense of community, the vibe of a rock concert with the fired-up “us versus them” quality of a sports event. The rallies are gathering places for the “Make America great again” (Maga) faithful who wear the team colours – red and white – on hats, T-shirts and other merchandise, sold by vendors who tour the country. Monday’s sampling included “I’m voting for the outlaw and the hillbilly” and “Jesus is my savior, Trump is my president”, plus a photo of Trump with the legend “Pet Lives Matter” – a reference to his false claim that Haitian immigrants were eating cats and dogs in Springfield, Ohio.
Greatest hits, and a few misses
One day a university academic somewhere will write a paper about the musical playlist at Trump’s rallies and what it said about the class, age and race of his crowds. On Monday it included Mr Blue Sky by the Electric Light Orchestra, Dolly Parton’s 9 to 5, Nessun dorma by Luciano Pavarotti and It’s A Man’s Man’s Man’s World by James Brown. Other regulars are An American Trilogy by Elvis Presley, Nothing Compares 2 U by Sinéad O’Connor and numbers from the Andrew Lloyd Webber musicals Cats and Phantom of the Opera. The rallies have produced some of Trump’s greatest verbal hits. “I could stand in the middle of Fifth Avenue and shoot somebody, and I wouldn’t lose any voters,” he told one in Sioux Center while campaigning in Iowa in 2016. None is complete without a swipe or two at the “fake news” media; the crowd turns and jeers as if playing a part.
It was at a rally in Butler, Pennsylvania, this summer that Trump survived an assassination attempt then, with face bloodied, raised his fist and urged his supporters to “Fight, fight, fight!” (A chant repeated by supporters in Pittsburgh.) Having lived by the rally, he nearly died by the rally that day. And the rally might yet be his political undoing: what was once Trump’s greatest strength could prove his achilles heel. In Latrobe, Pennsylvania, he mused on the size of the late golfer Arnold Palmer’s penis, giving fodder to critics of his mental stability.
When he fulfilled his lifelong wish to stage a mass rally at New York’s Madison Square Garden, critics drew a parallel with a Nazi event there in 1939. A comedian described Puerto Rico as “a floating island of garbage”, upstaging Trump and potentially costing him vital Latino votes. As Democrat Kamala Harris stuck resolutely to the script at her rallies in the closing weeks, Trump’s self-destruction continued at his. He declared himself the protector of women “whether the women like it or not” and said the vaccine conspiracy theorist Robert Kennedy Jr would work on “women’s health”.
Hopefully Donald Trump’s tired old act gets cancelled after 9 years of terrorizing Americans.
See Also:
Daily Kos: Trump and Vance end on the ugliest note they can
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paulodebargelove · 2 months ago
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DeBarge - Time Will Reveal   FEATURED ARTIST OF THE DAY IS #ElDebarge!Eldra "El" Patrick DeBarge (born on June 4, 1961, in Detroit, Michigan) is an American singer, songwriter and musician. He was the focal point and primary lead singer of the DeBarge family group. Popular songs led by El DeBarge include, “Who's Holding Donna Now”, Time Will Reveal”, “All This Love”, and “Rhythm of the Night”. After releasing six studio albums together as a group, the high tenor register, sweet -voiced falsetto went solo in 1986. His move down an independent path was reportedly encouraged by label executive and Motown founder Berry Gordy. He also collaborated with other Artists such as Dionne Warwick, Al Green, Babyface, Faith Evans, Quincy Jones and others. He is a five-time Grammy Award nominee. He is the sixth of the 10 children his parents had. married three times. He is keeping the DeBarge family alive all by himself…still looking good, still sounding good and still performing. fact, he is currently touring
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chrisryanspeaks · 1 year ago
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HEAR: Synth-Pop | Born Days - “How To Disappear”
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Born Days has released “How To Disappear” a unique and inspiring track born from a dark period in the artist’s life. The passion and intensity in this track is present from the first note to the last. Born Days is the conceptual darkwave synth-pop project from Chicago-based multi-instrumentalist singer, songwriter, and producer Melissa Harris. Her debut full-length album My Little Dark is set to release on October 6, 2023, through AudioSport Records. Read More: Harris explains the background of "How To Disappear": "I wrote this song while going on very long walks every day during a dark period in my life, maybe even for 2 or 3 hours sometimes. I live about a 10-minute walk from Lake Michigan and I would go there and watch the waves and record them every day. The sound of the water always felt really soothing, especially when you want to disappear from the world and join the clouds and the trees in their unknowing state. It’s that feeling when you don’t want to live anymore, but you also don’t want to die, it’s just the in-between where you wish you could just disappear and join the vapor breezes. Life can be very unkind sometimes, and it’s hard to know what to do when you’re feeling really down.  My favorite thing when life is unkind is to write music about it and tell a story with sound. I love to create sound and use found sound, too. I tried to capture the little sounds of the world while walking around. Sounds like leaves crunching underfoot to make the rhythm, the sound of lake water breathing in and out and then run through a phaser, little sounds that no one really notices that make natural rhythms in nature. Then, I would go home and pitch and stretch and retime these sounds to the beat. I used a variety of synths and a really dark bass to create the disorienting feeling of being sad and neutral and dark about whether or not I want to stay on this planet. I added some cringey y2k chants for irony. I hope you enjoy it." Candidly vulnerable and emotionally complex, My LittleDark is an album that draws inspiration from the realm of confessional poetry and the world of childlike innocence to sonically explore and narrate the anagogic, deeply personal, and complex labyrinthine pathways that exist within the heart and mind. Mystical and melancholic, Harris’s ethereal voice escapes into dark symphonic soundscapes driven by dreamy, synth-heavy polyrhythms that paint a cinematic electronic pop soundtrack soaked in moody, hazy textures. The album was partially written while Harris spent time in an outpatient program dealing with a severe mental health crisis and as a means to heal. Writing this music was one of the ways that Harris was able to continue living on this planet. Harris admits that it is hard to put that previous sentence into words, but this music is about truth and beauty, and so that is what inspired the songs on My Little Dark. Drawing influences from alternative, darkwave, dreampop, and goth culture, Harris plays with a sonic palette of soft, dark, and dusty tones that mix elements of grunge, post-punk, neo-psychedelia, shoegaze, and modern pop. Deeply nostalgic and profoundly personal, My Little Dark explores Harris’s struggles with mental illness, trauma, destructive cycling, love, innocence, and beyond. Her distinctively soft and sweet voice is saturated with otherworldly essence that explodes into apocalyptic crescendos and escapes into ghostly innocence. Harris’s songs are brilliantly enchanting and sonically dripping with haunted textures, little spirits from the ether, and dystopian landscapes that leave you longing for a more innocent and beautiful time. TOUR DATES + LIVE SETS  10/5 Chicago, IL - Loud Pizza Records // My Little Dark pre-release listening party 8 PM CST 10/5 Bandcamp // My Little Dark Album Release // Live Virtual Listening Party 4pm CST 10/13 Chicago, IL - Empty Bottle // Album Release Show w/ Lipsticism + Sunglow  Read the full article
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runningfrom2am · 6 months ago
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michigan cherry masterlist
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“your words resurrect me
tart, sweet like a wild berry.”
summary:
walking into a saloon in a nowhere town, billy meets a singer who he just can't get off his mind after she slips through his fingers; onto another town, another show- following nothing but the stars in her path. until he sees her again. another nowhere town and equally dusty saloon, but this time, the band of kids who made up her family is nowhere to be found. he's running away from something, and she is storming full speed toward something else, and tangling into each other's lives may just get both of them exactly where they want to be.
tags/warnings:
singer!reader (she’s giving very much lucy gray), probably a little bit ooc billy but hey i tried- anyway he’s a sweetheart, use of guns and violence, murder and violence but i try to keep it non-descript, oh also she’s an orphan sorry (once again, lucy gray vibes), strangers to friends to lovers trope eee
authors note:
hi!! in honour of the drought being over and us being fed season 2.5 i am so excited to try something new?? omg??
but here’s the tea okay,, so i actually haven’t watched billy the kid since last fall so DO NOT ask me what the hell was going on bc i don’t remember much ab it other than how good tom looked and i want to rewatch it to make sure this is accurate BUT it’s not available anywhere in canada anymore unless you pay for it?? hello?? (i live literally a few hours drive from where they filmed but i can’t even watch it ?? wtf??) which i mean is whatever but if i fuck up badly just shhhh i promise i’m trying thanks.
anyway hope you love this! bc this has been so fun to write !!
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main series
one, two, three, four, five, six, seven, eight, nine.
pinterest board // playlist // moodboards
all your thoughts // let’s talk ab it
masterlists // fic recs // nav (please read!)
follow my library and turn on notifs for updates when i post this!!
-> @runningfrom2am-library
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tagging some of my faves: @winterrrnight , @that-veela-girl ,
also a huge thank you to @ilovetomblyth-paullahote for encouraging me to actually write this and being so sweet!!
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audiofuzz · 1 year ago
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HEAR: Synth-Pop | Born Days - “How To Disappear”
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Born Days has released “How To Disappear” a unique and inspiring track born from a dark period in the artist’s life. The passion and intensity in this track is present from the first note to the last. Born Days is the conceptual darkwave synth-pop project from Chicago-based multi-instrumentalist singer, songwriter, and producer Melissa Harris. Her debut full-length album My Little Dark is set to release on October 6, 2023, through AudioSport Records. Read More: Harris explains the background of "How To Disappear": "I wrote this song while going on very long walks every day during a dark period in my life, maybe even for 2 or 3 hours sometimes. I live about a 10-minute walk from Lake Michigan and I would go there and watch the waves and record them every day. The sound of the water always felt really soothing, especially when you want to disappear from the world and join the clouds and the trees in their unknowing state. It’s that feeling when you don’t want to live anymore, but you also don’t want to die, it’s just the in-between where you wish you could just disappear and join the vapor breezes. Life can be very unkind sometimes, and it’s hard to know what to do when you’re feeling really down.  My favorite thing when life is unkind is to write music about it and tell a story with sound. I love to create sound and use found sound, too. I tried to capture the little sounds of the world while walking around. Sounds like leaves crunching underfoot to make the rhythm, the sound of lake water breathing in and out and then run through a phaser, little sounds that no one really notices that make natural rhythms in nature. Then, I would go home and pitch and stretch and retime these sounds to the beat. I used a variety of synths and a really dark bass to create the disorienting feeling of being sad and neutral and dark about whether or not I want to stay on this planet. I added some cringey y2k chants for irony. I hope you enjoy it." Candidly vulnerable and emotionally complex, My LittleDark is an album that draws inspiration from the realm of confessional poetry and the world of childlike innocence to sonically explore and narrate the anagogic, deeply personal, and complex labyrinthine pathways that exist within the heart and mind. Mystical and melancholic, Harris’s ethereal voice escapes into dark symphonic soundscapes driven by dreamy, synth-heavy polyrhythms that paint a cinematic electronic pop soundtrack soaked in moody, hazy textures. The album was partially written while Harris spent time in an outpatient program dealing with a severe mental health crisis and as a means to heal. Writing this music was one of the ways that Harris was able to continue living on this planet. Harris admits that it is hard to put that previous sentence into words, but this music is about truth and beauty, and so that is what inspired the songs on My Little Dark. Drawing influences from alternative, darkwave, dreampop, and goth culture, Harris plays with a sonic palette of soft, dark, and dusty tones that mix elements of grunge, post-punk, neo-psychedelia, shoegaze, and modern pop. Deeply nostalgic and profoundly personal, My Little Dark explores Harris’s struggles with mental illness, trauma, destructive cycling, love, innocence, and beyond. Her distinctively soft and sweet voice is saturated with otherworldly essence that explodes into apocalyptic crescendos and escapes into ghostly innocence. Harris’s songs are brilliantly enchanting and sonically dripping with haunted textures, little spirits from the ether, and dystopian landscapes that leave you longing for a more innocent and beautiful time. TOUR DATES + LIVE SETS  10/5 Chicago, IL - Loud Pizza Records // My Little Dark pre-release listening party 8 PM CST 10/5 Bandcamp // My Little Dark Album Release // Live Virtual Listening Party 4pm CST 10/13 Chicago, IL - Empty Bottle // Album Release Show w/ Lipsticism + Sunglow  Read the full article
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allnightlongzine · 1 year ago
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The Glamour (Sigh, Whine) of Heartbreak
Kelefa Sanneh | March 16, 2006 | nytimes.com
Thanks to a nation of enthusiastic high-school kids, emo bands are everywhere; plaintive punk has become the soundtrack of white adolescence. Thanks to a nation of enthusiastic downloaders, sexually explicit images of celebrities are everywhere, too. And last week these two trends finally collided, as Web sites began posting a series of extraordinarily revealing photographs of Pete Wentz, the bassist and lyricist for the emo band Fall Out Boy.
In one, he is merely looking soulfully at the camera. (It could be a camera phone, a device that seems to have been invented for the express purpose of humiliating celebrities.) But in the most infamous shot, Mr. Wentz is clearly overexposed. These pictures aren't just something for blog readers to snicker about. They also help capture the emergence of a new (maybe not-so-new) kind of rock star. Outspoken and insecure and glamorous (is that eyeliner?), Mr. Wentz is one of a handful of stars who represent emo's face. (And as of last week, much more.) A genre that was once mocked for its supposed earnestness is now home to some of the most flamboyant boys in rock 'n' roll.
Fall Out Boy has sold almost two million copies of its current album, "From Under the Cork Tree" (Island Def Jam); the record company celebrated by rereleasing it on Tuesday, with bonus tracks and remixes. And if any emo sex symbol is more popular than Mr. Wentz it is Gerard Way, the singer for My Chemical Romance, an even more exciting band with a similarly successful CD, "Three Cheers for Sweet Revenge" (Reprise/Warner), as well as a live album due out next week. Mr. Way is more theatrical than Mr. Wentz: his songs are more turbulent, and he wears enough makeup to blur the line between beauty queen and corpse. Thanks to them and dozens more, emo bands are doing something unlikely: they're reviving the fierce, fey spirit of glam rock, complete (sometimes) with eyeliner and lipstick.
This isn't the second coming of glam, though -- it's more like the third or the ninth. In "Performing Glam Rock: Gender and Theatricality in Popular Music" (University of Michigan Press), Philip Auslander assays the music and imagery of David Bowie, Marc Bolan, Bryan Ferry and others. He carefully (almost apologetically) notes that "glam offered no substantial challenge to the conventions of rock as a traditionally male-dominated form." And yet he shows how these heavily made-up British rock stars played with sex and sexuality without forsaking rock 'n' roll machismo.
The book doesn't follow glam to Los Angeles, where it was reborn -- tougher, meaner, straighter -- in the 1980's. For the members of Mötley Crüe, Poison and many more, makeup and hairspray and tight pants were merely part of the rock 'n' roll lifestyle, alongside alcohol and drugs and, most of all, groupies. Famously obsessed with "girls, girls, girls," these hunters dressed up like their prey.
Like Mr. Wentz, some of those 80's stars have had private moments made public. But unlike Mr. Wentz, Tommy Lee (from Mötley Crüe) and Bret Michaels (from Poison) seemed not altogether unproud of their sudden notoriety. Then again, their situations were different from his: each was caught in bed with a curvy blonde. (The same one, in fact.)
By contrast, the Pete Wentz photographs constitute a masterpiece of emo porn. For starters, he is alone. He looks sad. And you can glimpse a record in the background: it seems to be Morrissey's ultra-melancholy single, "Everyday Is Like Sunday." When Mr. Wentz finally responded to the pictures, he did so with a fascinating note on the Fall Out Boy Web site. There was a trace of self-loathing when he wondered why anybody would want to see pictures of some "dirty boy." And instead of bragging or threatening (he says the images were stolen), he added a provocative afterthought. ("OMG! gaaah. i forgot the most important part.") He said he was upset that Chloe Dao had won the fashion reality show "Project Runway," instead of Santino Rice: "I could have understood if daniel won but her? blah."
When they're not rooting for Mr. Rice, the boys of emo are obsessed with girls, too, but not in the same way Mötley Crüe was. The central female figure in an emo song is less likely to be a groupie than an ex-girlfriend. In an influential essay called "Emo: Where the Girls Aren't," Jessica Hopper reduced the genre to its brutal archetype. "Girls in emo songs today do not have names," she wrote, adding, "We leave bruises on boy-hearts but make no other mark." She called the genre "a high stakes game of control -- of 'winning' or 'losing' possession of the girl."
Maybe some emo bands have noticed this, too, though they have responded not by repenting but by redoubling, pushing their stylized songs toward hyperbole. They use terms like "sugar" and "honey" to underscore arch lyrics about boys who claim to hate themselves almost as much as they hate their exes. My Chemical Romance writes grand, crashing allegories full of allusions to death and violence. (The video for "Helena" shows a funeral stocked with choreographed mourners.) And Fall Out Boy's current single is "A Little Less Sixteen Candles, a Little More 'Touch Me,' " which matches its ridiculous title (and infectious tune) with hopeful and spiteful lyrics: "I don't blame you for being you/ But you can't blame me for hating it." Deliberately overripe songs like this blur the line between earnest lament and theatrical parody.
There's plenty of anxiety in performances like these: anxiety about being a boy who sings about (and, often, to) girls, as well as a related anxiety about going pop. (These songs are full of self-conscious jokes about selling out.) But if you're going to be on the main stage, you might as well act the part, as many of these singers do. Adam Lazzara, from Taking Back Sunday, is known for treating concert stages like catwalks, prancing and sashaying while singing his lovelorn lyrics.
Meanwhile, emerging bands like Panic! at the Disco (which has a charmless hit with "I Write Sins Not Tragedies") and Aiden have helped ensure that Mr. Way is no anomaly: drawing as well from goth and new wave, they seem to spend just as much time in a dressing room as the members of Mötley Crüe did. (Although they probably find fewer creative uses for it.) And on an impressive new album called, "Heroine" (Epitaph), the members of From First to Last make a big, rousing racket, playing widescreen emo full of screaming horror stories ("Relax, baby, that's a good girl/ You're like my work of art") and suicidal fantasies ("I can't eat anything/ Without shoving my hands down my throat"). If you're wondering, the answer is yes: the lead singer, Sonny Moore, paints his face. Indeed, a recent Alternative Press story found the members sharing a Mötley Crüe moment: taking turns "in the bus bathroom applying their stage makeup."
As Mr. Auslander concedes -- and as Mötley Crüe energetically proved -- glam imagery needn't upend rock 'n' roll conventions. Maybe it's a mistake to take lipsticked rock stars too seriously. A few emo singers have talked about kissing guys or dating them, but that's not really the point: the genre is still ruled by avowedly straight boys singing about winning and losing girls. Still, no one can claim that these emo boys aren't putting on an enormously entertaining show. Here's hoping that, somewhere in America, a budding pop star is watching it all, and taking all of it much too seriously.
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jackmothperry · 1 year ago
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Face Melters: Electric Callboy Show Review
The German band Electric Callboy, albeit a newer moniker for them, is ridiculously well named: They have the electricity to run entire countries, and the tongue in cheek humor, the outright mockery of toxic masculinity, to keep you entertained while they relentlessly grind perfectly honed breakdowns into your soul. 
They’re a band that demands space, yet still manages to thrive in smaller venues. It feels like a big show regardless of the reality of the stage, the crushing bodies, the equipment tetrising around itself. They belong in an arena; they would absolutely bring down a house of thousands upon thousands of people. Electric Callboy’s chemistry with themselves is enough to power an entire show, they do not need the audience to be right on top of them.
But with an audience on top of them? They absolutely crush it. The audience. Under their electric dance moves. Their strong vocals. The humor, the costumes, the face melting metal riffs. 
Wednesday, August 30th, was a hot day in Los Angeles. The anticipation for the show had me earlier to the Belasco than I care to admit, although I did explore the area (and hide in air conditioning) a bit as to not linger and swelter too long. I was fully intending on getting barricade, as it is no longer the moshing days of my youth (last year when I got a concussion at Aftershock) and because I wanted to soak in every moment and every piece of paper shrapnel that launched itself out of the confetti cannons. 
I was vaguely aware of the opening bands, and by the time I got in and skipped my way to the barricade, I knew I was going to have to allocate my energy wisely. This wound up being more challenging than I had thought, as Conquer Divide, from Michigan, was an impressive force, with strong beats and melodic singing intertwined with carnage so lovingly that it was hard to keep still. And to be honest I didn’t really try that hard to resist.
Solence, from Sweden, made it even more challenging. I knew one of their songs because it had somehow magically made its way to my work out playlist (Good Fucking Music, indeed), and I did leave my skin and writhe around for a while to that one along with…well every song they played, actually.
But I knew, I knew I had done it. I had saved enough energy to properly experience Electric Callboy. The surrounding crowd had as well, you could feel it in the air. Said crowd was largely comprised of, what seemed like, the goofy guys from frat movies, the metal heads that are actually quite sweet once you get past their battle vests and incredible tattoos, and the hot goth gf everyone wishes they had, along with a smattering of small children. There were multiple renditions of the Sponge Bob Square Pants theme betwixt sets, as well as some powerful Barbie Girl acapella and doo doo practicing for the inevitable Hypa explosion.
By the time our train attendant who graces us before every Electric Callboy performance appeared on the screen, we were sweaty, we were smelly, we were absolutely buzzing for this.
The moment the techno (Tekkno?) beat is taken over by the guitars, bass, and drums, respectively, of Daniel, Pascal, Daniel, and David, can probably be described super poetically like the wings unfurling of a great dragon here to fuck you up - it’s absolutely a beautiful resounding moment that shows you this is not your normal metal show. 
After that, I was a man possessed. I thrashed so hard that by the second song, one of the two singers, Kevin, who is usually screaming and pig squealing expertly, was gently asking if I was okay. He gave me a high five, and I was a kid again, my heroes in front of me probably not that much older if at all than I am. 
A very nice security guard forced me to drink water (I had refused previous generous attempts because I am not actually that young and my bladder had to be absolutely silent until the end of the show) and I was probably pretty pathetic looking for that all to happen only two songs in. But did I care? No. I was there to rock. And I was going to rock with every fiber of my being. 
The music is such a dopamine rush of constant movement that it makes sense to have some breaks, if not for us, then for them. The only time (outside of a few German moments, of course), I stumbled over the lyrics to a song was their version of Let It Go from Frozen. The notes hit were absolutely golden though. And we got a Backstreet Boys throw back in the mash up and thank god I was a kid in the 90s so that one I could join in on. 
To go into each song and how every note absolutely wrecked me and how would take too long, but a notable one was Castrop X Spandau: the aforementioned German moments were big in this one (at home I swear ich spreche verdammt fließend), but the sound absolutely skins you alive - strips you of all sanity and makes your spine try to leave your body.
Every Time We Touch, Hypa Hypa, We Got The Movies, and Pump It are all pillars in the show that hold everything up while the others threaten to break our bodies with metal. The first mentioned is a nostalgic classic that they’ve refreshed with the Electric Callboy touch. It’s a great gateway song for the people in your life who aren’t quite ready for Hypa Hypa and would absolutely stop trusting you with the aux cord (the metaphorical one in the age of bluetooth) if you threw on Hurrikan. Sidenote, Hurrikan went so hard. I can’t even imagine what carnage happened behind me at that drop. Did I want to mosh? Desperately. Am I bruised from moshing with the barrier? A bit. A bit.
The best part of the show, in my opinion, was the aforementioned chemistry between the band members. Nico and Kevin have a bromance for the ages, to be sure, but the lesser mentioned duo is Daniel and Daniel. Daniel, the guitarist, and Daniel, the bassist, exist largely on the left side of the stage where I had chosen to be as well. And what a good choice that was. They are a comedy show all their own; there was spanking, tandem dance moves, fancy guitar tricks, and general tomfoolery to be had. I was consistently entertained by them in between the moments they melted my goddamn face off. 
Pascal absolutely owned the guitar on the other side of the stage, and came to visit us to just casually remind us he is also excellent at melting faces. I saw later photographic evidence that I had missed some kissing and tomfoolery on the right side of the stage, so it’s definitely a different show depending on where your attention is held. There really isn’t enough kissing in metal.
David, the drummer, had his moment to shine outside of all the other moments he was constantly shining because that man is a beast. He absolutely crushed a solo remix of Sandstorm, owning the stage alone easily. He drips with charisma and yet doesn’t come off as a walking ego with drumsticks, even though he would get away with it if he did. 
Nico and Kevin make me forget it’s unusual to see two singers (I suppose a singer and a screamer isn’t super unusual, but they’re both full fledged lead singers in my book). They both represent that core humor so well, with their natural disarming charm and yet both utterly wreak havoc at the same time. 
The whole band is a mash up of gentleness and edge, of humor and of darkness. It’s such a comforting chaos that I turn to them time and time again when I need to cheer up, work out, or violently shriek. This concert cemented to me that they’re my favorite band, and I think America, selling out every tour date they have, agrees with me. 
The show ended strong, they gave us their moves and their fake bowl cuts, and we all were left vibrating with a great sense that we had just witnessed something otherworldly. 
Thanks for absolutely crushing us, guys.
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