ππ¨π«ππ’π§ πππ₯'π‘ππ’
[ πΈπ» | πΌ'πΈ" | Agender | Queer | β€οΈπππ―ππ«π’ππ€ ]
β’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’
⧼Style⧽
ππππ§
Chin-length, curly, & brown
πππ¨πππ€π£
Shirt & trousers
β’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’
⧼Notes⧽
α΄Κα΄Ι΄α΄α΄Ι΄κ±β They/Them
Κα΄ΙͺΚα΄
β ππΆπ΄π€πΆππ’π³
κ±α΄α΄Κκ±β Cuts down their forearms to wrists
α΄ΚΙͺΚΙͺα΄Κβ Psychokinesis & Psychometry
Κα΄ΚΚΚ/α΄α΄κ±κ±Ιͺα΄Ι΄β Plushies π§Έ
ππ¨π«ππ’π§ wears a binder (which they've been able to replicate, & improve upon, in this new world due to their ability) π³οΈββ§οΈ
Their hair started greying after the trauma of finding every member of their family brutality slaughtered
ππ¨π«ππ’π§ was absolutely livid when they woke up after achieving their goal & finally getting to die (how dare the universe prolong their suffering in a new world where none of their friends know them)
While the scars on their forearms are βworkβ related, those found closer to their wrists were all self-inflicted π
Because of the dystopian world they grew up in, ππ¨π«ππ’π§ has always been interested in soft toys (+ they never had any as a child)
...
ππ¨π«ππ’π§ means βπΆπππ£ππβ (Latin)
β’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’
πΌπΉ: @lilac-den
β’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’ββ’
Picrew used:
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ok listen. listen. hear me out. what if Angel was the one to propose the contract
like.... the intensification of heartbreak and guilt when Val tells him 'I own you, or have you forgotten that?' as Angel looks at his signature, the heart he drew next to it. the extra layer in 'what's the worst part of this hell? I can only blame myself'. and above all it plays well with my observation that their contract had to have been composed with some level of input from Angel, because... why on earth/in hell would Val have given him control of his life outside of the studio; and while Val invokes the contract to put Angel back in 'his place', Angel invokes it to remind Valentino that he can defy him. It's actually similar in composition to a kink contract/agreement--if I'm in this specific place, you hold all the power and call the shots; but outside of it, I don't give you that level of control. Angel can straight up tell Val to fuck off in front of a crowd and all Val can do is say he'll make Angel regret it next time he's in the studio (and isn't that an extremely dark variation of the classic kinky romance beat of 'sub misbehaves when they're in public and can get away with it, dom promises they'll pay for it later'?)
so like. all of that about the contract also works if Val proposed it, but I love headcanoning that their relationship was on the rocks around the time it was signed, and one of the factors was Vox coming onto the scene... and so now i'm just thinking about Angel in his peak era of both-sides-ing their relationship problems, knowing his 'commitment issues' (partly real, partly consisting of val's 'you know other men??' issues) are a major cause, furious and disconcerted at someone else drawing so much of Val's attention, wanting to make a stupid desperate Hail Mary pass to save their relationship but devoid of the usual options of 'have kid' or 'impulsively propose marriage' or 'move to a new house that's inevitably haunted' i watch too much horror, going for the option of '...hey do you want to make the kind of binding contract that is accessible to us?'
and surely it's not that stupid! he's only really giving Val a formal version of the power he gives him already, right? Val's his dom and his director and manager, and maybe there's... problems but it's mostly been great for Angel so far, so if having it on (magic eternally binding) paper would make Val happy and make him understand that Angel really wants him, wants them, the risk is toooootally worth it. just, best not to tell Cherri about it she'd definitely think it was insane.
(and when, much later, she learns about the contract and berates him for being an idiot and not telling her when Val brought it up, maybe don't correct her assumption. just keep it to yourself and feel even worse.)
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It's been a long, long time since I've watched any Star Wars property. And a lot of what has come out in recent years has been, to be frank, kind of schlock or at least schlock-adjacent (Andor being a notable exception).
But the one thing it has gotten right is the 45 minutes of content in Tales of the Jedi which trace Dooku's disillusion and eventual fall. Especially the last episode, "The Sith Lord." It is just fucking emotionally devastating.
As if I didn't love Dooku enough.
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https://www.vanityfair.com/hollywood/story/chris-hemsworth-cover-story
It's like the Prequels again. Everyone blamed the actors when it's the director who deserves the blame.
OKAY BUT REAL TALK I ACTUALLY JUST READ THIS WHOLE ARTICLE BEFORE CHECKING MY BLOG RIGHT NOW AND I JUST NEED TO SAY THAT CHRIS BEING SO DOWN AND OUT ABOUT HIS ROLE IN THE MCU IS SO SAD TO ME.
Now that I've gotten that out of the way: to put my full thoughts into words... I want to say first that Robert Downey Jr. has this to say about Chris (in response to Chris feeling like he's not as important or as cool as the other heroes):
"Thor as a character was super tricky to adapt [...] but he and Ken Branagh figured out how to transcend, make him somehow relatable but godlike. Hemsworth is, in my opinion, the most complex psyche out of all of us Avengers. He's got wit and gravitas, but also such restraint, fire, and gentleness."
And this is SO true. He took the words out of my mouth.
Reading the article.. and how and where Chris notes feelings of inadequacy, or feeling he's complaining to much (and therefore being narcissistic by complaining), the burning himself out, etc. Suffice it to say I was struck by one thing in particular: There's a lot of Chris in Thor. A LOT of Chris in Thor. It's not a surprise to me, in that case, that he felt down and out about his role in the Avengers, and the MCU as a whole when Thor is, inherently, consequently, alien. But alien in the sense of being SO important, SO regal, so otherworldly in sheer scope and in depth that where he fit in was ... quite simply grander than the others in the overall scheme of things.
It was the Asgardians who brought the Tesseract to Earth and safeguarded it, and the Aether. Two entire infinity stones within their protection. That, is Thor. Who was the one to have a vision about the role of the infinity stones? Thor in "Avengers: Age of Ultron". Who was the one to bring the Vision to life? Thor, also in "Avengers: Age of Ultron". Who was the one to realize as far back as "The Avengers" (2012) that someone was working behind Loki? It was still Thor.
And what I find most interesting is that Chris isn't exactly wrong about what he says here:
"Sometimes I felt like the security guard for the team," he says. "I would read everyone else's lines, and go, Oh, they got way cooler stuff. They're having more fun. What's my character doing? It was always about, 'You've got the wig on. You've got the muscles. You've got the costume. Where's the lightning?' Yeah I'm part of this big thing, but I'm probably pretty replaceable."
Ignoring for a moment that this is absolutely not at ALL the truth, it's not a surprise to me that he felt this way for... particular people and branches within the overarching fandom spaces I won't name for the sanctity of this post. And it is unendingly sad to me to have undeniable proof from the horse's mouth that Chris lost sight of how much depth and beauty he brought to the table as Thor. And how important Thor is as a result.
And yet, I honestly don't blame him FOR losing sight of that. There's a lot he had to - and still has to - contend with. And almost everybody sleeps on his portrayal of Thor in particular. It's depressing to see.
RDJ saying he's got the most complex psyche is so true. Gentle and gravitas, restrained but filled with fire. I love that about Thor. I will always love that about Thor.
I genuinely hope, with Chris seemingly realizing just how far out of touch he fell whilst chasing the high that Taika Waititi's dipshit behavior allowed him to chase, that he does do better. Performs better. But I mean that more in the sense of...
Chris, should you ever happen to read even a small part of this: I hope that you fall back in love with Thor. And I hope you see how lovely he is - and has always been - specifically because of your portrayal of him. You and Thor are not replaceable. You're not boring. At no point have you ever been. And I hope for your last foray into Thor's franchise you get to feel the energy you did when you first put on the costume in the first place. When the costume came on, and it felt like it just fit, and you were transformed into the character entirely. I hope your final goodbye to Thor is filled with all of the love that you first welcomed his part to play with; for you and for all of us.
β and sappiness aside, genuinely, I really do hope that Thor 5 can be a film that Chris feels proud to be a part of. A note he's proud to end on. He deserves it; we all do.
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"And so, I wield my blade to the very end, until the "stars" have been cut down from the sky. This oath, I will never forsake." (x)
And so I have found my main tag for Jingliu, the work has started (while I hadn't even touched on Arlecchino's yet). Honestly, why did I wait so long to add her? I mean I know why, I was relatively bothered by how they just moved on from the Xianzhou, leaving so many ends of the Quintet all over the place, amidst the uproar of certain fans. But truly, she is such a well-written characterβ this reminds me, after I write up more from the first impressions meme, I should give a little rundown of my own of the 2.4 update.
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