#The Ring Two (2005)

[riverphoenixsgothwife]

vaguely emo first victim ryan merriman in the ring two, 2005

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[glitterghost]

The "DID YOU KNOW VIGGO MORTENSEN ACTUALLY BROKE HIS TOE WHEN HE KICKED THAT HELMET?"

&

The "DID YOU KNOW MATTHEW MACFADYEN IMPROVISED THE HAND FLEX SCENE IN 2005's PRIDE & PREJUDICE?"

BOTH give off the exact same excitable energy when being said, you can't change my mind.

[fan-burns]

Still thinking of ✨them✨

[artblooger19moon]

Ring Franchise 🔘📺📼👻🇯🇵

Ringu - September 18 2023

Ringu 2 - October 3 2023

Ringu 0 Birthday - October 14 2023

The Ring - October 14 2023

Ring 2005 - September 8 2024

The Ring Two - September 8 2024

Rings 2017 - September 7 2024

Ring Kanzenban - September 9 2024

The Spiral -

Sadako 3D -

Sadako 3D 2 -

Sadako 2019 -

Sadako DX -

Sadako vs Kayako - June 18 2016

Ring: The Final Chapter -

[haveyouseenthishorrormovie]

SUMMARY: 6 months after the incidents involving the lethal videotape, new clues prove that there is a new evil lurking in the darkness.

[courseyoulovemeyoudontknowme]

Best Elijah Wood movies and performances:

1. The Lord of the Rings: The Return of the King - Peter Jackson (2003)

2. The Lord of the Rings: The Fellowship of the Ring - Peter Jackson (2001)

3. The Lord of the Rings: The Two Towers - Peter Jackson (2002)

4. Green Street - Lexi Alexander (2005)

5. Everything Is Illuminated - Liev Schreiber (2005)

6. The Ice Storm - Ang Lee (1997)

[bobbie-robron]

Now, close your eyes and imagine us here in two years. (Part 1)

Robert takes Katie to a field, a field where Robert hopes to build a home for them. It is at this time he proposes to Katie and she enthusiastically says yes! Gifs will be posted separately (these two are just a tease).

08-May-2005

[angie-j-kay]

And you, Sam, just consider; you love your Frodo. Smeagol loves your Frodo. Aren't you both on the same side?

[askfoxythejokerfox]

tomorrow's horror movie ill be watching ^w^

[indiaalphawhiskey]

Interesting what people are taking away from S3, particularly the discourse around how Pen wasn’t properly romanced or courted “because she’s a mid-sized lead.”

Babes. My love. Sweetheart.

Daphne was fake courted for weeks and then compromised and then denied a proposal.

Kate was all tension, turmoil and heartbreak and then compromised further.

Pen got:

- two stags locking horns over her affections,

- chased down in a carriage,

- a man on his knees for her begging her to see him as a prospect,

- the best (imo) “I have feelings for you and have no idea if you feel the same but I just need you to know it” speech since 2005 P&P,

- a very sexy and consensual, if compromising, romp in a carriage,

- FULL AND IMMEDIATE COMMITMENT WITH ZERO BULLSHIT because this man could not live one more second without her being his,

- defended to her mother,

- paraded around the ton and in front of her worst enemy’s face,

- the most utterly reverent sex scene in the history of the show,

- an engagement ring that matched his mother’s because of the parallel friends to lovers love story,

- and him constantly worried out of his mind that he wasn’t good enough for her

✨ AS ✨ SHE ✨ DESERVED ✨

I mean, maybe I’m a little too modern but that beats a promenade and flavored ice dates and calling hours by literal lightyears. That angel girl was thoroughly — damn nearly aggressively — romanced.

Do I still have issues with the screen time, absolutely, but Jesus if Colin wasn’t head over heels whenever he pulled his head out of his ass. (And even, sometimes, when he hadn’t.)

[ohmovie]

To kiss a forehead is to erase worry. I kiss your forehead. ─ Marina Tsvetaeva, “To Kiss a Forehead.”

Pride & Prejudice (2005) dir. Joe Wright Eternals (2021) dir. Chloé Zhao Furiosa: A Mad Max Saga (2024) dir. George Miller Spirited Away (2001) dir. Hayao Miyazaki The Lord of the Rings: The Two Towers (2002) dir. Peter Jackson WALL·E (2008) dir. Andrew Stanton Pacific Rim (2013) dir. Guillermo del Toro Mad Max: Fury Road (2015) dir. George Miller Happy Together (1997) dir. Wong Kar-wai Kingdom of the Planet of the Apes (2024) dir. Wes Ball Bones and All (2022) dir. Luca Guadagnino Your Name Engraved Herein (2020) dir. Patrick Kuang-Hui Liu

[arkangelo-7]

Okay, but, BatAdvil.

At this point in his career, Bruce has developed more synthetic drugs than a Pfizer employee without health insurance—it just comes with the territory. Given his close proximity to the Rouge Gallery and Gotham’s semi-poisonous smog, he’s had to teach himself the art of medicinal drugs. There’s an entire fridge dedicated to his creations, but his magnum opus will always be BatAdvil.

Bruce designed it following a particularly godawful run-in with Killer Croc back in 2005, but it was Dick Grayson who actually coined the term. Alfred was suspicious but ever since BatAdvil’s creation, Bruce has kept a tiny bottle of it on him at all times; any time the Joker or Poison Ivy gets a particularly nasty hit in, he’ll pop a pill and suddenly he’s 25 years old again and pain’s only a distant memory.

Eventually, though, the Robins get their hands on it.

Dick routinely steals Bruce’s horde. It’s because he’s so generous with it; anytime he’s in a team up and his partner gets whacked around by one of Blüdhaven’s worst, Dick, guilty, offers up the pills to both superpowered and pedestrian hero’s alike. It’d made him extremely popular with the Justice League—there’s regular fights over who gets to assist Nightwing in hopes of getting their hands on some free BatAdvil.

Jason, once he’s adopted and learns the Secert, immediately sees the potential of dealing BatAdvil. He starts with the Titans, because their proximity to Dick means they’re already hooked, and goes on to dominate the Justice League as the leading BatAdvil dealer. He makes a killing off that stuff and keeps his cash stash locked away in a random chimney in Wayne Manor.

Tim knows about it. Tim knows everything, actually, but he’s acutely aware of Bruce’s miracle pills and Jason’s dealings with the JL. Once Jason’s dead, Tim not only takes over the Robin mantle, but also Jason’s superhero drug ring. He runs it so efficiently that when Jason comes back, he half considers hiring Tim for his criminal enterprises before he decides that trying to kill him would he more rewarding.

Side note: Tim 100% uses the chemical composition of BatAdvil to make a pain-relieving energy drink. It works great, but the problem is that it’s shit on his liver, so he has to go back to regular coffee after a few weeks to avoid losing another internal organ.

Damian and Steph are similar in that they both at first think BatAdvil is stupid. They stick to regular Advil or just go to hard drugs for when they’re seriously injured. But then they both have a scenario where they have some sort of project or test the next morning and have to study, but also just broke like three ribs fighting the Riddler two hours before. They take BatAdvil once and never go back.

Bruce, to this day, uses the stuff religiously. Like, on a daily basis. (He’s got eight kids, he’s forty-five, and he’s beating up criminals on the regular. It’s tough on his knees.) But like regular Advil, the more BatAdvil one takes, the more their immunity grows and the larger their dose has to be. Bruce accidentally gives Clark one of his every-day pills BatAdvils after he gets whacked during an alien invasion and Clark immediately passes out. The League freaks out and Batman awkwardly disappears and pretends like it wasn’t his fault. Dick cries tears of laughter when he hears.

[sparrowlucero]

Hello sorry I am being shy and anon but do you have any advice for someone who wants to get into Doctor Who again after briefly dabbling (and enjoying it very much) in like the early, early 2010s? I know this is mostly your art blog but you were the only person I could think of to ask you're like the Doctor Who authority of blogs I follow

Oh yeah of course! People can be really confusing about this so I'll try not to be.

So first, the majority of doctor who episodes are self contained stories that you could just watch and understand perfectly without any further context. even when there is some overarching context it's usually written in a way that's either pretty easy to glean and/or just doesn't impact your understanding of the story. 99% of the episodes don't even care if you know the premise and are just like "what if some people were on a spaceship and the devil was there? wouldn't that be fucked up or what??". Don't feel like you have to binge a 60 years long show to watch it. Some standalone episodes I think are fun if you (or anyone else) just want to check out one or two:

The Empty Child/The Doctor Dances (A supposed-to-be-dead boy in a gas mask haunts a young woman in world war 2)

Blink (A woman gets wrapped up in a mystery involving statues that make people disappear. This one is especially good if you flat out know nothing about the show. Has some really great time travel stuff.)

A Christmas Carol (A christmas carol pastiche (of course) where the doctor tries to rewrite the past of a cruel man who's going to let a lot of people die. very sad and sweet. I love the "wintery planet with sky fish" setting of this one)

Vincent and the Doctor (The famous Vincent Van Gogh Episode™)

The Rings of Akhatan (A pretty lowkey little adventure story about an alien festival. has supreme autumn vibes)

Flatline (A species from a 2 dimensional world tries to break into our 3 dimensional one. really fun special effects)

Midnight (A tour bus breaks down on a diamond planet where nothing can survive. Something knocks at the door.)

Silence in the Library/Forest of the Dead (The Doctor and friend go to a library that covers an entire planet and finds that everyone has disappeared. Has a lot of really great, interesting concepts baked into it that I won't spoil)

It Takes You Away (A girl is left alone in a cabin in the woods when her dad disappears through the mirror. Has a famously goofy ending that I really love)

73 Yards (A character is steps on a fairy circle and is followed by an old woman who always stands exactly 73 yards away)

The Devil's Chord (This doesn't really have, you know, a plot, but it does have jinkx monsoon as an evil music god)

Boom (The doctor steps on a landmine on an alien planet and cannot move)

Wild Blue Yonder (A two hander where the Doctor and co are trapped on a dilapidated spaceship at the edge of the universe. really atmospheric with some fun/strange visuals.)

That being said, it does add a lot to watch it in order; there's a lot of plot twists, character dynamics, and general payoff you get if you marathon it. I would personally recommend starting with either the first episode of the 2005 show ("Rose") or the first episode of the 2010 season ("The Eleventh Hour") and just watching in order from there. I think you could also start with "The Snowmen", "The Pilot", or "The Woman Who Fell To Earth" if you wanted, but the first two (especially rose) are the better jumping on points.

some other little notes of advice I don't often see people mention:

it's stupid sometimes just roll with it

once in a while the show sort of "reboots" with different writers, actors, directors, and a new tone. it's much more like watching several small shows than one long show, so don't be too put off by the length!

IMPORTANT: pretty much all streaming services will separate holiday/anniversary specials from the show proper and you have to deliberately search them up on the same service to find them. It's really necessary to be aware of this because many of these specials are the first or last episodes for characters/whole eras of the show and are genuinely unskippable. I strongly recommend looking up a list of the episodes and checking it after finales just to make sure you don't skip anything on accident.

there's two spin offs (Torchwood, a more adult (read: gay sex) show about a mysterious agency that solves sci fi crimes, and the Sarah Jane Adventures, a pretty good monster of the week kids show) that ran concurrently with season 1-4. You don't have to watch them to understand anything happening in doctor who, but sometimes they cross over with the show in fun ways, Ex. the first season finale of Torchwood continues directly into season 3 of Doctor Who. My friend and I got a kick out of watching them at the same time so maybe you will too. (either way I recommend watching "Children of Earth", the torchwood miniseries, if you want to see a weird dark sci fi show about the government making contact with aliens. It's a bit like arrival (2016) if it was way nastier.)

alternatively, you can inject fast acting brain poison into yourself with this

anyways I hope this all reads as, you know, more approachable than the way dudes on quora recommend this show:

[anghraine]

By popular demand (aka two people asked lol), a secondary Women's Wrongs Poll for characters I considered for the first one, but ended up not choosing for various reasons:

[rebelliousstories]

The One That Got Away

Relationship: Emily Prentiss x Reader

Fandom: Criminal Minds

Request: No

Warnings: Fluff, Angst, Mentions of a Crime Scene, Blood, and Firearms, Vague Mentions of a Serial Killer

Word Count: 1,698

Main Masterlist: Here

Criminal Minds Masterlist: Here

Summary: After leaving Interpol after an operation gone wrong, Emily thought that she would never see her ex-girlfriend again. That is until the case resurfaces, but on US soil.

Part Two: Would You Go With Me?

Consider Donating: Here

“The past is a very determined ghost, haunting every chance it gets.” Laura Miller

March 7th, 2005

In the back of an ambulance, a woman was staring straight ahead. She was unable to respond to the EMTs surrounding her. All she could replay in her head was the massacre that had just unfolded inside their safe house. A safe house that was now comprised.

She could barely comprehend that her girlfriend was in front of her, calling her name. Screams echoed in her head. Blood was actively drying on her face, hands, clothing, really just.. everywhere. There was a ringing ever present in her ears. Vaguely, she registered that she was being loaded into the ambulance, with other people climbing in with her.

Her girlfriend was holding her hand, trying to stay out of the way for the medics to work on the lady on the gurney. Everything was jut a blur. No sound loud enough, but not quite quiet enough. No image stood out to her. What the woman did not realize, was that this singular event would forever change her life.

Present Day…

“What have we got?” Emily asked, strutting in with Morgan and Rossi right next to her.

Aaron stood around the round table with JJ to his left. Garcia had shuffled in from the other entrance to the room with Reid close behind her. The unit chief held a harsh look on his face, harsher than he usually did. And he was looking straight at Emily.

“What,” came her hesitant ask, eyeing Hotch equally as hard.

“We’ve gotten a request to help with an Interpol case.” He stated.

“Okay, what’s so different about it? We’ve been asked to assist other teams before.” The rest of the team followed after Prentiss, also confused as to how cryptic this whole thing was.

“Imitirovat.”

“The Mimic?” While everyone remained confused, Emily felt like a cold rush of water came over her.

“‘The Mimic?’ Who’s that?” Garcia piped up, not liking the silence.

Before Hotchner could speak, the dark haired woman did so first. “He was an old case. A cold case back from my days with Interpol. Why are we being brought in?”

“It seems that he’s made his way to American soil, and he’s killing again. Agent Liam Shelby has asked us to join the FBI joint task force with the Salt Lake City police.” He continued, passing her a file.

“Shelby? He’s on this still?” Flipping through the pages, she scanned them to refresh herself on all the information.

“He is. And there is an additional agent that we need to find.” A highlighted name pointed her out, but that only made her groan.

“Jesus Christ.” A hand scrubbed over Emily’s face to try rub her bias away.

“I’m aware. Wheels up in twenty.”

~

On the plane, the conversation was not much better. While her teammates wanted to talk about the original case, Emily wanted to not be in this situation. If certain information got out, personal information, about this case, there could be repercussions both personally and professionally. But if Shelby was specifically calling the team that she was on to help now that this man had come back.

“So, what can you tell us about this guy, Emily?” Rossi asked, toying with the file in front of him.

Sucking in a depth breath, she readjusted in her seat, feeling the weight of everyone’s stares on her. “Um…well, no one knows The Mimic’s real name. But we do know that he comes from Russia, hence the name “Imitirovat”. It means “imitate” or “simulate.” White male, at the time he was approximately late twenties to early thirties. Sandy blonde hair, brown eyes, attractive-”

“Attractive?” JJ’s brows scrunched as she tilted her head.

“Yeah, he’s always been able to charm victims into going with him before he kills them.” Prentiss continued, “and when I was with Interpol, I chased him around Europe as he went on killing. We almost had him in London.”

“Were there any suspects?” Morgan quipped.

“We had some persons of interest, but nothing panned out.” Prentiss shook her head.

“When we land, Morgan and Reid, go to the latest crime scene. The rest of us will set up in the station.” Aaron ordered.

Soon after, everyone dived into their own thing. Pretty much everyone else was jumping into the information in the folders. Meanwhile, Emily was staring out of her window. What was she going to do if they found her? She had not seen the woman in almost a decade.

Making it to the Salt Lake City field office, Prentiss began to pick at her fingernails as they went further into the office.

“Emily!” A smooth, French-accented voice called out amongst the cacophony of the office.

“Liam, bonjour.” She replied, hugging him close.

“Bonjour. I hate to have called you here, but we need help.” Liam had jumped to near frantic as he introduced himself briefly to the rest of the team.

“I know. The Mimic is back. We’re gonna try to catch him but we need-”

Shaking his head and hands, Liam cut her off. “No, no, no, no, no. I need your help specifically.”

“Anything.” He passed her a piece of paper.

“We haven’t been able to get into contact with her. It is possible that this is why he came here. She lives in the city.”

A gasp tore from her throat. “She’s here?”

Liam just nodded. Scanning the paper she was given, Prentiss committed her address and number to heart. ”I’ll see what I can do.”

She decided on bringing Rossi with her to track down the final piece of the puzzle. Partially because there was no way Emily was going to play twenty questions with JJ, nor deal with the curious stare of Hotch. No, she brought David because he was a constant, fatherly anchor; that was what she needed. Anxiety was already rearing its ugly head at her, and she needed someone that could remain objective.

The place she now lived was far different than what she had in London. A run down apartment building that looked like it had not been updated since the 80’s. This was where she lived? When she stepped out, Prentiss smoothed her shirt and slacks, before rounding the SUV to cross the street to get to the door. However, when she went to knock on the door, it flew open with ease.

Immediately, the two agents drew their weapons, trigger discipline in place, and then they breached the ground level apartment. The first objective was to clear the apartment, make sure that no one, dead or alive, was in there. Prentiss took the west side, while Rossi took the east. She was traversing over broken glass, destroyed furniture. There were swipes of blood on the walls, dents, and bullet holes. All in all, it looked horrible.

“Clear.” Emily called, walking back into the living room.

“Clear,” came Rossi’s reply, also joining her in the living room. They holstered their weapons, and took in the damage. But as she looked around, a pool of something dark caught her eyes.

“Rossi…” she hesitantly drew his attention. Stepping quietly over to it, Emily’s stomach dropped. It was a pool of blood. One that had already begun to dry. There was an outline of a body in the middle of it, and bloody drags around the edges.

Rushing out the front door, Emily needed fresh air before she threw up. Shaking breathes sucked it in, but the thought alone was near enough to cripple her. Vaguely, Prentiss heard the front door open and close as Rossi came outside with her.

“I’m fine. I’m fine.” Her words were rushed, not wanting him to even ask the question to begin with.

“Sure you are, kid.” Dave chuckled at her glare. “I’m gonna call this in. You go back to the station.”

“Rossi, I’m fi-”

“That wasn’t a request. Go.” Chucking the keys at her, he already had his phone pressed against his ear as he alerted the SLC police to their crime scene. Reluctantly, Emily drove all the way back, and her thoughts were racing the speedometer.

It did not even fully process to her that she had returned until Liam stepped outside to her window. “Emily? Emily, mon ami, are you alright?”

On shaking legs, and an even unsteadier heart, Prentiss tried to speak, but nothing came out. When she said nothing, the Frenchman ushered her inside, brought her to their little section of the office, and sat her down. While Liam went to get her a cup of coffee, Hotch and JJ came over. But their voices were not able to penetrate her ears. She could not follow their questions.

“She’s dead.” Emily finally muttered, still staring at the table ahead of her.

“What do you mean?”

“Who’s dead?”

“That can’t be.”

Overlapping voices, overlapping questions, each with the same answer. “She’s dead, Liam. There was no body, but you know what The Mimic does to his victims.”

There was a new fury in her dark brown eyes as she stared at her former partner.

“There was no way she could have survived from that much blood loss. And her place… it was destroyed. If you had seen what I did. I just- we’re going to find her body in a day or two.” Emily went on with her explanation.

Everyone was silent. While her new team had no idea what the women meant to each other, Liam did. And he knew that if he had found his past lover in that state, even without a body, he would be distraught.

“Thought you had more faith in me, Emmy. You should know me better than that.”

The new voice made the agent freeze. But as soon as that was gone, she shot from her chair like lightning to whip around to face the voice. She looked just as beautiful as she did all those years ago, just with a new line or two on her face, and a long natural blonde wig on. Emily knew her well enough to know that she would never actually dye her hair to that color.

“Ya amar…”