#The Demon Within

[10158142]

The Dark and The Mysterious

[seeksstaronmewni]

Ilana took a nappy.

Tweet post here.

[myloveeflows]

It’s so hard being 1 of 1. 😂😭😭😭

[mitochondriaandbunnies]

I'm clearly biased as a Jason Blood stan (and a Jason/Bruce friendly exes truther), but The Demon Within is both an excellent episode and a ridiculously well animated one

The transformation sequences are slick as hell, and so the fight scenes are really snappy and have a really strong sense of weight to them. There's also a moment where Etrigan rips open a magical barrier like an Eva pulling open an AT field. It's super great, and I fully and completely blame episode director Atsuko Tanaka, who is notably also a key animator for Studio Ghibli.

[byelacey]

he's pupy

[wanderingmakers]

This is Lillian, a cute porcelain Darkner who disappeared from the sky city many years past.

Not many people know what happened to her.

Sometimes, though, you might see her around.

But it's not Lillian anymore.

There's something... SOMEONE else. Behind her voice. Her actions. Her will.

She won't recognize you, either. There's only one thing she talks about: shattering herself into pieces.

Rumors spread stigmatically. "If she breaks, it will set free a demon within her."

In a distant past, a group of Lightners concocted a dark ritual to transform someone into a monster.

Leave behind all that is human of you and store it away for no one to find.

Wretched hands sprout from beneath the cracks in the walls.

The battle takes place in an abandoned train station. (We've been working on the same battle background for over a year.)

As it is our Chapter 4 shadowboss, you will play in the Purple SOUL mode.

(A few idle animations)

Lillian and the demon within are an expansion of @/soaresskl93's amazing design from years ago for a Church World shadowboss! We owe this character entirely to them.

And that's all! Lillian is a character you may encounter in the full release of Pantheon of the Discarded. And while you'll find a different track than the original one we posted, please check out OnlyAnAlex's remix.

Stay tuned for a final showcase of our most unspoken shadowboss yet.

[livingsurreal]

Thoughts and theories in regards to my favorite senior necromancer

This man swept me of my feet so completely that I am still reeling. He is my new Solavellan and the amount of feels I have about him, its ungodly.

So I present to you my way to long essay about why Emmrich is the saddest and greatest man Bioware ever created, right next to Solas.

Please be aware of spoilers if you have not completed the game yet.

Also, shutout to @jaal-ama-daravv - you were looking for others peoples thoughts and theories. Also, thank you for all your posts and love for Emmrich.

My second meta post is here!

(Edit for typos)

Their whole romance starts with dear Rook trying to flirt with him. And Rook being Rook their flirts are… questionable. I image Rook always doing a facepalm “Oh god, what did I just say?” afterwards. They… are not really that good at flirting. Half the time he doesn’t even seem to get that Rook was flirty with him.

But, oh, he did get it. He just couldn’t really comprehend it. This pretty, young and exciting person, flirting with him?!? Rook can be anything up to their mid-40s according to canon. That is not that much younger than him. But to him, they do SEEM young. Despite them being somewhat younger than Emmrich, I do think though, in quite a few ways, they are more experienced and knowledgeable than him. Emmrich led a pretty sheltered life. His childhood seems to be a happy one, despite them being poor. The loss of his parents had a huge impact on his life. To a degree where it still impacts him in a major way, even now, a lifetime later. But outside of that, I don’t think there was much strife or adventure in his life.

He is a quiet man who loves his books, and his time and work in the necropolis. He rarely even left the Necropolis. He never saw much of the world outside of it. But he always wanted to. Always dreamed of some kind of adventure. I think this is one of the reasons he so readily agreed to help Rook. A chance for adventure (and to help the world).

So here he finds himself in the company of a vibrant adventurous Rook who has seen and experienced so much. I think no matter their age difference, they would seem younger, “fresh faced” and vibrant to him. They are so full of life compared to him, who has not done that much living in recent years. They are less stuck in their ways, are out in the world and not sequestered in a life of routine.

In some ways he seems to be older than he is. That man is in his 50s. That is NOT old. But he seems to have lacked the courage to take life by its horns and just ride it. He is cautious, a coward in many ways. But somehow this dear Rook seems to bring out a different side of him. An almost forgotten yearning for more.

So, Rook awkwardly flirts with him. Bumbles and stumbles over words to flatter him. And he is exhilarated, touched and most of all confused. Why would this beautiful, vibrant person be interested in HIM of all people. There are other people around who should be so much more interesting to them than him. And how could he not be interested in them himself? They are, in a way, what he wants to be. Adventurous. Full of life. Indomitable. No matter what life throws at them, they refuse to yield. They have a courage the lacks, or thinks he lacks.

But that man is so much braver than he thinks. The fact that he is so open with Rook about his thanatophobia, even with a Rook that is not romantically interested in him is so touching. He tells them his most inner fears and all he wishes for it in return is some respect and kindness.

So, after some light and awkward flirting he tells them. If they DO mean it, he is interested. Emmrich is a deeply romantic man. In the dept of his heart he does not want a short-term affair. He wants someone to spend his life with. He wants something real. He wants everything.  It’s what he always wanted, but never found and had completely given up upon.  So he opens up a bit more.

But around that time, he also realizes that he absolutely has to tell them about his plans for lichdom. He tells the Rook on the friendship path why he hopes for their help in regard of Johanna. He explains why it is so important to him to find and stop Johanna.

Same goes for Rook on the romance path. But here comes the other side of the coin. Lichdom puts a possible halt on their fledging romance. He cannot know if Rook would be willing to continue what they’ve barely started.

They may either continue under the understanding that they have just temporary affair. What he never wanted. He always wanted that eternal flame – but by the Maker he wants to be with them, even if it is just a short time. He is still all feely at this point and the whole scope of his emotions have not yet hit him.

Or even, can he dare to dream, beyond that point of no return and stay with him after he becomes a Lich.

But he must put it out there. He cannot go further into their romance pretending his plans do not exist. He thinks Rook has a right to know what they are getting in to, and he is correct (and much respected) for that.

At the end, Rook commits to being with him with the full knowledge that Lichdom will come, sooner or later. If they stay with him from that point on is still undecided, but for now they are his. And how can he say no to that. He certainly did not expect this. I believe he fully expected this to be their end. But his confession ended truly in a night of unexpected splendor.

So, we know he always wanted “enduring affection”, love and commitment. And he had his fair share of lovers, paramours and affairs. I would think that he is someone who, when he does fall in love, loves so deeply and completely that it often scared his lovers away.

Not necessarily in an unhealthy way, but he is, underneath all that poise and manners, a deeply romantic man with strong emotions. I don’t think that Rook is special b/c he loves them more than he could love someone else, but b/c they not only accept all his love, more so, they welcome and return it in equal measure. They accept him and want him, even with all the baggage he comes with.

I think he was burned quite a few times in the past. So, he is trying to hold back, “be normal about it”. It’s just hard when this person he loves so much looks at him like he is their moon and stars and flame eternal. It’s hard when he feels finally and completely seen. He told them about his deepest fears, his plans about lichdom, and they are still here, willing to be on his side all the way. And while they seem to act like teenagers being all over each other, all want and need and stolen kisses, I think what they feel goes way deeper from the start.

At the same time, I also think that is partly at fault for not being able to find a lasting relationship. He had people in his live who did not want to fully commit to him. But I also think, the he never truly committed to anyone. He did, surely, on a more surface level. But a part of him always stayed closed off. He never gave himself completely. His fears made sure of that. What happens with Rook, the wonderful, oh so romantic start of their relationship? Only to end in this uncomfortable limbo because he lacks “the guts to say how he feels”? I think that was not the first time a relationship ended sour this way for him.

Take the amount of his feelings, add to that his thanatophobia, and that poor man becomes more and more a complete mess. What starts out as exciting and new and OMG THEY LIKE ME, becomes soon a new target for his fears. All those feelings inside him warring with each other. He wants to pin them against a wall and declare his undying love and run and hide at the same time.

Then comes Manfreds sacrifice and his big decision. Will he restore Manfred? Will he give up his friend to achieve his dreams?

Since I went with Manfred, I will mainly describe my feelings regarding mortal Emmrich. Though I believe Lich Emmrich suffers from the same base fears, they just find a different target.

Tbh, what Lace says to him certainly would not have helped. Her words feed into his doubts and fears and give them credibility. See, even Lace says this might not be right. Rook is younger. They move too fast. He will die earlier. Rook will be devastated. A whirlwind of emotions and half formed thoughts fueled by fear.

All he ever sees and what is constantly on his mind is not the time they can spend together, but the end of their time together. His death, their death, it does not matter. One of them will be gone and the other will be left with the pain he felt after his parents died. A pain that might even be worse than what he felt back then.

Rook being younger just becomes the vehicle by which he tries to convince himself that this might not be such a good idea after all. But its all his fears speaking.

And fear can be so strong, so overwhelming.

When they had this fight, my read on his words was that he wanted to break up with Rook. His words at that moment are condescending, bordering on mean.  He is lashing out. We know he can be vindictive when he feels wronged, but he is nothing but kind and gentle to those he likes and who treat him with respect. I think, in a way, that it was not necessarily a conscious decision, but more of an instinct to hurt Rook. To make them angry and not love him anymore. To make it easier to end it, spare them the pain of breaking up now and of loosing him to death one day. By protecting himself from the pain of their death should he outlive them.

As if that would work and make any difference to Rook, or him. They are already so madly in love with each other.

And I think, what makes Rook different from his previous partners is that they realized, if they let him finish this sentence, he might break something beyond repair. Even if it was his fear speaking at that moment, not his love. Running away from his feelings is a recurring theme for him. And he does not WANT to break up with them. But his fear tells him its better this way. Fear is a liar, though.

So they speak a harsh truth. It’s his fear, insecurities and cowardice speaking. They do not let him get away with it. It is harsh, yes. But I think it was also necessary. It spells out a truth he did not want to admit to himself. He is afraid, insecure and a coward. And the big question, is that what he wants to be? They are, in sadly not the nicest way, telling him to get hid goddamn shit together. And sometimes that’s needed. Especially for an academic man like Emmrich. No Emmrich, that is not logical. It is pure emotion and fear is running your life, not you.

In a perfect world they would have told him so in a calm and collected manner. Less harsh words and more kindness. But would that have had the same impact on Emmrich? Rook is a person too, with their own fears and hopes and dreams. And Emmrich right now is breaking their heart. I think he needed that. To see the pain and hurt he inflicted on them.

Can you imagine the regret he would feel in the end? If he left Rook? It would leave him a broken shell of a man. His final defeat. Fear had won. Nothing would be better, and no one would have been spared any pain. I would just be a lifetime of regret and what ifs. The one person who accepted him fully, loved him so deeply, and HE threw everything away.

I think, the time Rook was trapped inside the fade prison might have been the best thing that could happen in the long run. It’s all his fears come to reality. Rook is gone. He lost them. And he just wants to curl up and hide. But he can’t. He needs to find them. If he lets fear win now, Rook might be lost forever. He cannot allow himself to be coward now. I think this time was a come-to-Jesus moment for him. It forced him to look at his fears and what they’ve cost him. It’s a moment where he needs to stop letting fear control his life.

The last real private moment they had was a fight, filled with fear and anger. (That short apology in the middle of a battlefield was hardly private and could in no way make up for the words that were said.)

That last evening should have been a time filled with love. A memory to cherish. But now it’s a memory one would want to forget. And that was his own doing. It was not something out of his control, like “death”. It was his words and actions that tainted their time together. And what if that was the last time they’d seen each other, been with each other? What if that is his last real memory of them? The look of anger and pain and hurt on Rooks face, caused by HIM, by what he had actively said and done? I think this might be the first time he realizes that his fears take more from him, than death ever could.

Phobias and anxieties are not cured that easily, of course. I think in a way, they will always stay with him, to a degree. But I do think he had some important realizations that will put him on a path of growing. At least in regards of how he deals with his fears.

And then he found them. He found his Rook. They are back and they are alive. He can hold them in his arms again and how could he ever even think about turning away from them? They are a gift, a miracle, the deepest wish fulfilled. A wish he’d given up upon. Something he thought he would never have.

And then the last scene with the coffin. Okay here I go the Astarion route and I am absolutely convinced that that coffin is his. Of course he had planned all things in regards to his death. He had chosen the crypt he wanted to be buried in. And at that moment he took them there. The place that had been the mark of the final end, now the mark of the rest of his life. And Rook? Rook still wants him, after everything. They still love him.

When they pull him into a kiss? He doesn’t see the end of their time, but the start of the rest of their life together. That look on his face when Rook leads him to that coffin? This look of absolute vulnerability? I think, in a way, this is a first time for him. All open and vulnerable. All he is and feels no longer hidden away but cherished and loved. He will always fear loosing them, them loosing him, how could he not. But they are here and HE is finally able to truly commit. He is finally giving everything. He will always fear, but now love wins. Rook holds his heart in their hands, and he trusts them completely. He gives himself to them. He is theirs, forever.

Hell, that man breaks my heart in so many ways.

So what’s in store for them in the future? Sadly we do not get epilogue sliders for our LIs.

But those two I truly think are in it for the long haul. There will be many good days, filled with happiness and laughter and kisses. They will go on adventures, see the world, experience life together in its fullest.

There will also be bad days, when fear rears its head, and his chest hurts from the sheer pain it inflicts on him. But I hope he comes to a point where he is able to turn to Rook in those times, instead of pushing them away. Where he lets them comfort him, hold him, until this feeling loses its grip on him.

Those bad days will never diminish those wonderful days they have together, though. Just a rain cloud, hiding the sun for a day or two. And it can’t rain forever.

Then, when one of them finally goes on to their last journey, they will wait for their love. And when they are united again, they walk eternity hand in hand.

[foxqueen211]

FIRE WITHIN AU

Imagine having six ears next to someone who is screaming....

Just

Imagine.

Previous - Next

[allastoredeer]

I don’t know why but I think it would be hilarious to see how Alastor and Lucifer would react to a reporter asking about their relationship in ur fic, since they would need to keep their facade and such.

Lucifer probably teaching Alastor how to act, since he has ‘more experience’ in romance, while Alastor reminds him that he has been dumped two times and doesn’t trust a single thing. That mental image is so priceless 😆😆

Also imagine a reporter going like “everyone in hell want to know who tops in bed?”, and lucifer almost proud goes “ofc it’s me”, meanwhile Alastor ace ass is confused as hell, cause he isn’t familiar with the term, but feels offended nonetheless lmao

Meanwhile vox is crying and eating ice cream in bed

Yes, Vox is watching this and he is crying, sobbing, on the floor.

Hehehehe Lucifer is going to have his work cut out for him in the fic, though. He's got more experience than Alastor does, and knows how to at least come off as being in a typical, allosexual relationship.

Alastor is sitting there, zoning out, because hhhhhhhhhh why does this require more effort than he thought it would.

Alastor: Let's pretend to be in a relationship

Alastor when he actually has to pretend to be in a relationship:

[princeblue]

My hot take of the day is the people who make these kinds of jokes about gyomei actually come off across as ableist, he’s a very well accomplished, smart, strong, and fiercely respected and in a position of power man. If anything he’s very good rep for being in a series about fighting demons.

I’ve even seen people diminish his intelligence because of being blind even though he was a whole ass teacher And caretaker. His backstory is shown to tell us that he was perceived as being incapable of defending children and that’s what brought them to their death because they thought a little less of him for something out of his control.

If Gyomei is capable of everything we’ve seen him do, he is more than capable of drawing a pretty picture.

Also as for sanemi it’s just sad as fuck that he doesn’t know how to write because he literally never got to be a child but even then just because you can’t write doesn’t mean you couldn’t DRAW. But pop off ig.

[withthewindinherfootsteps]

I sometimes see the opinion that MXTX took the clichéd tropes she'd critiqued in Scum Villain, and played them straight in MDZS. But though a lot of them appear in MDZS, I'd argue that none are actually played straight at all!

The main point of MDZS's tropes is subversion. Yes, WWX has a 'tragic backstory', even an arguably overused one (orphaned by his parents at a young age, forced to live on the streets with nobody to rely on, etc) – but how things differ in how it's used. Tragic backstories are normally used to build sympathy for a character, to make us care and get invested in them. But... we're never actually shown any of those street days, we're never shown and never dwell upon how much he suffered during them. They're only really mentioned in passing and whenever dogs come up! If the goal was to make us feel bad for WWX, this would be very ineffective writing. But what's actually important here isn't that WWX went through tragedies – it's how he doesn't let the tragedies he went through define him. He doesn't dwell on them, the narrative doesn't dwell on them, it's never used to earn sympathy points... because what defines WWX is his choices and how he chooses to act, not a backstory completely out of his control. What gets us invested in him is his personality and the character writing of MXTX, not tragic events used as a substitute for identity.

And this trope treatment fits extremely well with WWX's personality itself – he's someone who 'forgets the pain as soon as the wound has healed'*, but also who actively chooses to focus on the present because you can't change the past; someone who holds the belief that 'gains and losses [should] remain uncommented on' when choosing what to do.

The use of the tragic backstory isn't the only thing that's subverted, either – the other main thing is the 'blackening' of the protagonist, and its impact on the protagonist's fall. After being thrown into the Burial Mounds, on a surface level it does seem like this blackening has occurred: the first thing we see when he returns is his gruesome torture of the Wen cultivators; he's 'forsaken' traditional cultivation in favour of an 'evil but more powerful' path; and frankly, Sunshot-era WWX is terrifying. But MDZS is not a blackening story, and so the events of the Burial Mounds aren't used as a catalyst for that purpose. Though it's true that WWX's not entirely the same person he was before (because how could be be?), underneath it all, his morals, worldview and core** stay the same. Though gruesome, his revenge is directed towards the ones who wronged him, not those past that and certainly not the entire world. His experience in the Burial Mounds doesn't lead to him being some evil, blackened overlord... like everyone says he is at the start! That's subverted, because again, WWX's values and choices are more important to the story than genre conventions.

But the most crucial thing? What leads to WWX's downfall isn't any blackening! It isn't any vengeance or morally dubious actions***– he was praised for those things during the Sunshot Campaign! No, what leads to his downfall is something completely unrelated to that, something which would've disappeared had the trope been played straight. It's him doing what's right by defending the Wens, it's him following his moral code when it opposes the world's, it's him standing up to the injustice of others – not others standing up to the injustice of him. That's the subversion here.

(Also, once again, the fall of Lotus Pier, the Burial Mound, etc, aren't used for sympathy points – and if it was relevant, they wouldn't have been used to excuse any actions, either. Using tragic events as an excuse for doing bad things is critiqued many times in MDZS, through characters like Xue Yang and Jin Guangyao. And that's not exactly a trope subversion, but it is a critique of badly handled 'excuses'.)

These are by no means all the tropes MDZS subverts – the nature of guidao vs the usual nature of modao being another very major one – but they're the main ones that feature in Scum Villain.

So, though at first glance MDZS seems to play the tropes MXTX critiqued there straighter, it's not a simple case of using them as cliches, and we see that by how they're used to impact the narrative, and how that differs from what they're traditionally used for. MDZS doesn't fall back into clichés Scum Villain satirised – it's the subversion to Scum Villain's exploration and critique.

--

*Which I know is generally used negatively, to describe someone not learning a lesson from a punishment, but it really describes WWX in general, too. He doesn't dwell on that pain, he does his best to move on from it.

**...heh

***And, because it's often debated – whatever the morality/culpability of Nightless City is doesn't even matter! The events happened at a pledge conference against him that was already taking place. WWX's actions there didn't make people want to kill him because that was explicitly happening beforehand.

[mokimo-art]

AHHHHHHHHHHHHHHHHHHHHHHH

[fromtheseventhhell]

I can tell I'm Arya-pilled to the max because I'll see other Arya stans talking about the questionable morality of her executing Daeron and I'm just like "That was so Lady of Winterfell-coded"

[yudidoodles]

Wuxian really went "Is being gay contagious??" and its the stupidest thing to me this man can figure out a 13-year conspiracy in like a day but he cannot figure out anyone's incredibly obvious feelings much less his own

Meanwhile everyone around them thinks they've been dating for a while now lol

[ballcrusher74]

mr sys model i quickly made tonight just to play toys . if any1 gaf

[tokimuis]

i was okay living in this dreadful world as long as i was with you, because you were my world.