#The Consequences ™
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arise-for-turtle-time · 1 year ago
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The dynamic in Rise between the rest of the team and Leo is. so fucking funny. Because like you've got these three extremely talented individuals who all seem like perfectly reasonable people at first glance, right, but then if you squint hard enough you realize they're actually all batshit insane (affectionate) and the clown boy standing behind them is secretly their common sense.
Clown boy will occasionally put himself and the others in danger to Prove Himself or Prove Someone Wrong (see Minotaur Maze and the movie) but like otherwise... i think people forget Leo's overwhelmingly the voice of reason in most situations?
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Raph, Mikey, and Donnie are all incredibly powerful boys with very specific skill sets. They are also, as a direct result of this, the WORST decision-makers on god's green earth lmao. When presented with a problem, Raph will smash, Donnie will blow shit up, and Mikey will razzmatazz. They will all run straight toward death with the same oblivious enthusiasm of a dog about to run straight into a screen door. None of them realize this and all of them think they are Extremely Good At Problem-Solving.
And the guy cursed with the common sense to realize this is literally the LAST person anyone would expect.
When you look closely, the entirety of Rise is actually a chronicle of Leo trying to find new and creative ways to keep this team of superpowered fools alive while simultaneously white-knuckling his Cool Fun Guy persona so the others don't realize he's secretly the Boring Responsible One. Haha, you know what would be Cool and Fun, guys? Not going after the Spine Breaking Bandit lol. Getting home before the sun goes up lol. Evacuating that civilian lol. Not telling the guy dangling me off a roof "you won't, no balls" lol.
The sacred struggle of every iteration of Leonardo is thanklessly wrangling the most trigger-happy siblings in the world, and Rise Leo has not escaped it. He just does an occasional shenanigan to avoid detection and his brothers fall for it every time.
#to think about#Leo is such a fascinating character to me#I've been working on a huge essay/character analysis about him#and this is such a complex point because he is shockingly sensible at times while also doing the dumbest things imaginable purely for fun#lots to say about this#he loves fun and wants to be thought of as fun so badly that it sometimes overrides doing what's smart#he'd also rather die than be seen as being boring or responsible#after all if he's boring why would his brothers want to hang out with him? nope fun times it is unless someone might actually die#or like the movie where he is stressed and trying to prove a point and can't get a single second to calm down and think and then.#The Consequences ™#the movie is like engineered to be the worst set of circumstances possible for specifically Leo to handle#and every small and large mistake compounds and escalates way out of proportion to what these mistakes would equal on a normal day#ahhhh so much to say i might have to take this out of the tags#i wound up adding what i said here to my essay lol#anyway Leo defense squad represent#i need to just finally post this instead of continuously adding to it in my drafts like i have been for like a month lol#I!! JUST!! LOVE!! HIM!!#i love using what little i know of the other versions of Leo to fill in some details for Rise Leo#there's just some universal constants you can't escape lol#ok i'm still not done lol#i read the comic run yesterday and wow he shines#goofy yet so competent and protective#ok it's been two months any further thoughts get their own post gotta draw a line in the sand (drafts)
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lacebird · 7 months ago
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HAYDEN CHRISTENSEN as KURT MATHESON The Last Man (2019) | dir. Rodrigo H. Vila
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thetardisisnotourdivision · 1 month ago
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The line "wait he did that?!" is UNREASONABLY funny to me.
Like it's not. It's really not. It shouldn't be so funny, first because it's literally just an exclamation. Second because Nathalie is downright shocked that Gabriel would willingly save her (and the details in the S5 finale show that she has good reason to doubt him).
But also. She's just ninja'd her way into the basement and snuck up on Ladybug. And she's so fucking stunned that Gabriel did something nice that she just. Blows her entire cover. With a very slight incredulous tone that screams what, seriously? Him?!
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Rewatched Gilda (1946) recently, and immediately thought of the bnnuy and doggo husbands. The movie is so good, there's literally only ONE issue, which I *know* would be 100% solved if the Freelance Husbands were the main characters (will probably get into why that is in a different post tho) and so, a couple or more AU ideas were born....(Including a canon divergence/never met as kids/met as young adults AU, for which I also have a fic WIP)
Really wanna make an animatic redoing the whole Put The Blame On Mame scene but with the freelance husbands, with of course, Max being Gilda. There's even an excellent song cover from Alexandre Covers at YT, a Max animation is practically begging to be made....I really wanna do it qjhHUaj.
#sam & max#sam and max freelance husbands#sam and max freelance police#my Gilda Sam & Max AU is set on a alternate universe where homophobia was never a thing#and probs gonna have anachronistic and/or 4th wall breaking/lampshading to booth too#sam and max#max sam and max#gilda 1946#rita hayworth you will always be iconic#NA.S art#edit: NOT genderbent it's just Max wearing a dress bc he likes doing so. it's canon#he would rock femme fatale fashion we all know that#everything else that sucked from that era did happen tho. It has to bc of Reasons™#but mainly bc noir is all about The Bunch Of Problems Society and By Extension Normal People Had To Go Thru™. Which same tbh#my Gilda Sam&Mad AU is set in an alternate universe where queerphobia wasn't a thing. Or at least way less prevalent#edit: by “noir” here I'm talking about the films and not the sub-category of Sam & Max aus 😅#altho i guess the Gilda AU would be a noir AU bc Gilda is a noir film and I'll touching on themes from the prohibition era and stuff.#but it's not gonna have the same tone noir S&M aus usually have. I'm deffo gonna touch on era typical serious/mature topics#including controversial stuff from that era like the extreme censorship and obsession with “purity” and the sexism#and the racism and elitism and the socioeconomic reality and the war/post war consequences and whatnot#but. I'm also keeping Sam and Max as in character as possible bc I do not envision them in the roles of Gilda and Jhony 1:1.#in other words. Anachronistic jokes and lampshading and 4th wall breaking and general irreverently playful tone.#and by extension how their personalities+dynamic would in turn affect the plot of Gilda. Bc the fun about this type of thing#is exploring not only the similarities but what makes it different from canon. I'm putting S&M in Gilda. i'm letting them Do Their Thing™
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mewvore · 7 months ago
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personally, i think you underestimate the broad range of fetishes shared by people that would willingly follow a porn artist titled "mewvore"
I'm just trying to articulate to the mass of followers who come around after a shitpost of mine pops off that I'm actually someone who draws porn and like maybe 1 "relatable" image a month. That despite my intense views and snark and bitter commentary tinged with humor, I am not a popular from shitposting I am popular for drawing erotica I do NOT want anyone to be surprised and need to nip all potential confusion in the bud
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beevean · 5 months ago
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A theory I've read more than once is that this one frame of Lenore entering Hector's cell for the second time is proof that she is not actually enjoying what she has to do:
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The wiki describes it as such: "Lenore has a sad expression when entering the dungeon to visit Hector the second time."
Also this, from a comment I found:
Like for example when she goes to meet Hector the second time, you can see sadness on her face when she is walking alone in the dungeon, but as soon as she approaches Hector she puts on a smile. I.e. may be she already knew she had to use the ring at that point and felt bad about it but didn't want Hector to realize that. A lot of such small animation details really provide a glimpse into what the explicit writing was lacking.
(edit: turns out that they were the same person)
Okay.
First things first: I doubt she has the ring in mind already. It's hard to tell because Lenore pulls it out of her ass with zero foreshadowing whatsoever, but with the way it was framed, the ring was likely a direct response to Striga's idea of buying mercenaries to make Hector unnecessary, which comes later into the story: Lenore even uses the information she eavesdropped from Striga as a way to lie to Hector about her loyalty to the sisters. In theory it makes sense, because Hector needs to be reliable to be allowed to live, but the ring is... a very poor solution the more you think about it, even if you ignore how S4 neutered it, because it only addresses one of the many logistic problems that come with forcing Hector to make an army of Night Creatures, and it's not the dead bodies/living livestock paradox. And going with the story, it's unlikely Lenore was already thinking of raping the ring into Hector: why would the sisters be amazed at her plan if they were the ones suggesting her to speed up things? And if Lenore came up with it, why would she be remorseful at her own idea? Did she have so little faith in her own manipulating skills that she already felt that she had no choice but to use "brute force", after one understandable incident? Then why even bother interrogating him to understand his motivations and needs? Just skip straight to the sexual molestation to make him believe she likes him. As I pointed out, that interrogation was not for the sake of painting herself as particularly caring: she was collecting intel, intel that she wouldn't need if her plan was already tricking Hector into slavery via a magic ring.
Second: that expression honestly doesn't look sad to me. I would be willing to give the interpretation some credit, because she's looking downwards which can be a sign of sadness, but after that one frame, she switches to this expression:
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Now she looks mildly pissy, like the idea of talking to Hector is just soooooo annoying, ugh. She even has the sassy cocked eyebrow lmao.
Of course that can't be it, so I propose the most obvious interpretation: she's serious and deep in thought. That is because their first encounter ended up disastrously: Hector assaulted Lenore with the intent of threatening her, which pissed her off, and she assaulted Hector by beating him to an inch of his life, which is not the best way to win a pet's trust. So she's most likely thinking the best way to approach him again.
And I'll even praise a small detail: the first time Lenore fed Hector, she made him crawl towards her to eat from her hand. The second time, however, she tosses an apple to his feet. Both gestures are demeaning, but after that incident she seems to be more cautious towards him, and being more careful into manipulating him. I'm honestly surprised that her final solution is stupid as fuck when she can be intelligent when she wants to. real reason she's hector's soulmate: both of them have braincells like christmas tree lights :V
Third: oh, do you want to talk about explicit writing?
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These are not freeze frame bonuses. The scene lingers on this expression on Lenore's face as Hector is screaming in pain over the ring she put on him.
So, you're willing to believe Lenore didn't want to use the ring but felt forced to because in one frame she has an expression that mildly looks displeased... but somehow you ignore this blatantly sadistic reaction? This screams, at the very least, "haha, sucker, I've won"; but add to this that Hector is visibly and audibly in pain, shocked and scared at the curse overtaking his body during a vulnerable moment...
This ties well with how she beat Hector to a pulp not just out of self-defense, but because she wanted to feel strong and powerful when surrounded by people who underestimate her - the writing might imply that she was offended that Hector too saw her as vulnerable and stupid, but she was explicitly laughing and mocking him while showing off her strength (a strength she doesn't display when, say, Isaac enters her cage: he easily intimidates her). You might read the implication that Lenore spoke about Hector so disgustingly to the sisters to be taken seriously as a vampire mistress and didn't actually want to dehumanize him, but explicitly, even ignoring the forced pet play that showed she had fun treating him like a dog, she reduced him to a "problem to be solved" when complaining about her woes, and when she could have apologized or explained herself she minimized or doubled down on the harm she caused, never once expressing any remorse or doing anything worthwile to make up for it (like, for example, talking about the ring and how it's a shame Hector is only there because he has no choice because she feels they'd be good friends without it: that would imply guilt).
In fact, going back to the moment when Lenore decides to use the ring, it is far more likely that it was in response to this part of the conversation Lenore has eavesdropped:
Striga: We can possibly push east as far as Lake Balaton before I run out of soldiers, but that exposes our Western border. Morana: Sleep. Striga: We can't do it without Lenore turning the forgemaster, and she's just taking him out for fucking walkies. Morana: She will land him. Striga: It's going to have to be soon.
Considering that it's shown that Lenore highly resents being seen as a stupid animal lover, it's far easier to think that this is when she got pissy and decided to use a quicker method, even if it destroyed all the hard manipulation work she had done.
One frame might paint her as a reluctant villain only trying to make everyone happy and being stuck between a rock and a hard place, but multiple scenes paint her as a vile bully and abuser who enjoys feeling in power and control, whether she uses kindness or harm to achieve her goal.
I'm sorry, subtext can absolutely enrich the understanding of a story or character, but not when it actively contradicts the text.
Do you want my personal example? I'll play the same game of overanalyzing expressions. When Isaac attacks the castle, Lenore goes to rescue Hector first thing, instead of checking on Carmilla. For one moment, she even looks torn on where to go:
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I will praise this moment: this shows her concern for him quite nicely and that she believes his safety is the first priority, without having to spell it out - no declataration of love, no "you're too important to me", the action speaks for itself. However, there is also her reaction when Hector severs his finger to get rid of the ring, after he explains that "command and control flows through [him] to Lenore here and to her friends":
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It could be simple disgust because, well, there's a severed finger and pools of blood lying near her. But I also see what the commenter saw in that frame in S3: sadness. Defeat. Lenore has lost control of the Night Creatures. She can't do anything to protect Carmilla and the castle. And she has lost control of Hector, who has gone behind her back and is protecting her at the expense of her sisters and home: he may chose to stay with her, but he also gave Isaac all the tools he needs to destroy her life. She's powerless. Everything she has worked for went up in smokes and was pointless. Which, as it was shown and told, greatly bothers her. (this is also why I believe her suicide makes sense for her state of being, an opinion apparently not shared by her fans)
I see all of this encapsulated into that expression that mixes disgust, concern and quiet, horrified realization: and it's also fully backed up by the context.
This leads to the message I keep insisting on and which is something that more people need to learn, and the reason I keep eviscerating this character because the writing and the fandom piss me off something fierce: abusers can care about you. They can care about your safety and well being, they can want what (they think) it's best for you. What makes them abusers is that they place more importance on their own need of control. Lenore wanting to save Hector because she pitied him, has grown close to him and eventually finds in him someone who listens to her doesn't at all erase in the slightest all the harm she has caused him: which, I reiterate, includes lying to him and taking advantage of his feelings and need for love to trick him into sex with the objective of placing a slave ring on him, and enjoying his suffering when she won - and when Hector called her out on this, her response was "SHUSH, YOU WERE HAVING FUN".
At the end of the day, she has never stopped behaving like a vampire, a creature whose definition of love is "acting to keep something with you for as long as you can". Even in her most wholesome scenes, like this one or the one where she pleads for more of Carmilla's patience, it's easy to see at the core of it all a need to control the situation and people involved, and reluctance to admit her needless cruelty. This is nuance, not "she's actually good deep down, pls ignore all the sexual abuse because it was for Hector's own good 🥺".
On one hand, it's true that when you do character analyses, you will always be biased, because you come in with your ideas and preconceptions. I am biased too, of course, you can tell. On the other, it's dishonest to cling only onto the most convenient hidden details to look like you have fully understood the text, when you dismiss the most obvious ones that are so obvious you have to actively try to.
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treasurehuntbuck · 3 months ago
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not to bring up super old discourse but my first impression of the daddy issues convo was not that it was a daddy kink joke. me and my best friend both thought it was a joke about how girls with daddy issues are freaky in bed :)
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heart-wit-strength · 8 months ago
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Not to sound like a total nitpicky clown on main but lowkey think I could write the warship scene way better than whatever the Marcy bible made it to be
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one-winged-dreams · 10 months ago
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Not to be a traumatized bitch but I just got overwhelmed with nostalgia thinking about seeing Dirge of Cerberus in GameStop as a kid and HAVING to have it, not knowing it would alter my brain chemistry forever and be one of the few solaces in my miserable adolescence.
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goofyjelly · 3 months ago
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sometimes I just want to crumble the universe in my hands. how about that? how about I do that.
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thatlittledandere · 5 months ago
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Reblogging posts about the character I have as my icon is so humiliating. Like what if op sees it and thinks yeah you would like that post wouldn't you you little bitch
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the-acid-pear · 7 months ago
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Something that always pissed me off about DSaF is how it acts like your physical exterior is a moral failing, which is echoed by the characters but only ever reinforced instead of subverted. Biggest L from the writing imo.
#luly talks#started thinking of this again bc someone pointed out word of god said henry looks like that in the game's style (despite being a Normal#White Man) as a representation of how evil and non human he is which is like WHAT THE HELL MAN!!! THAT'S MEAAAN#like changes in looks to represent someone is evil isnt an issue when its 1) A WILLING CHANGE 2) ACTUALLY TIED TO THEM BEING EVIL#see: jack in pure evil doing his jack o lantern shit#like how are Jack or Dave Bad People™ for just DYING.#''the outside always ends up matching the inside'' BABYGIRL I LOVE YOU BUT STOP TALKING BULLSHIT!!!!#like tje only case where i dont mind this is w Davetrap bc the bnnuy shit is a direct consequence of his actions#like a mark of shame if you squint you'll see me wag my tail because im remembering one of my favorite blonde men#im not gonna specify bc its a tasteless comparison if you think of it too long but its basically the same#he was only put there bc of what he did and bc he wouldn't stop it was not an accident or a tragedy#but hell this shit of hating ppl based on their looks extends to ANYONE like Dee is straight up A Good Woman and is hated cuz she. weird#MATT TOO like okay. matt isnt a good person. he has some shady shit going on. BUT IT DOES NOT WARRANT HOW HATED HE IS BC HE'S ''CREEPY''#and pf course the phoneys esp Jake w ''i was a monster'' though that's the only case i can think of where its like#self perception and not some bloke going holy shit you're so ugly i dont trust you#prob more examples but i havent played the game in too long so Y'know.#dsaf
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theinfinitedivides · 1 year ago
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THE GU SIBLINGS ARE FIGHTING I REPEAT THE GU SIBLINGS ARE FIGHTING
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laughingherring · 2 years ago
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Might just be me, but the recent LCF chapters feel a lot like a fetch quest after a fetch quest.
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zenjestrr · 11 months ago
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while I like the way BG3's story plays out, I kinda miss the dream person being a sexy illusion made by the tadpole to get you to lower your inhibitions and make turning you into a mindflayer a smoother process like what was implied in early access. the songs Down By The River & The Power kinda lose their relevance within the game since those songs were literally the tadpole using a siren song against you
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bells-of-black-sunday · 1 year ago
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//So- I watched the f.naf movie last night and I'd be hard pressed to call it a good movie, but it's fun to watch with friends which is all that matters in my book
I'll talk about it more in the tags and try to be vague
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