#That's all that matters. If you like something then you're a fan

[actualaster]

But there's further nuance to it that "but it's OLD!!!1!1!" people never want to acknowledge.

When there is reason for renewed interest in something where it is likely a lot of people who haven't experienced the original are going to be checking it out, it's a type of courtesy to temporarily renew flagging spoilers for a little while, to be mindful of the fact that a whole lot of people who may have never even hears of the thing will be checking it out in whatever form interest has been revived in.

Now, I don't think that should necessarily go for reviews or interviews with people who talked about the thing because if you don't want spoilers you shouldn't be looking at that kind of stuff anyway.

But when it comes to the random posts people make, it's not wrong to be sad that a massive plot point got spoiled for you.

You don't have to start re-tagging spoilers (especially if you're not even into the media but are sharing some random joke or something--we all know that happens a lot). But there's a reason whenever media I like gets a sequel/remake/other major update or re-release/etc. that means new people will come to it in higher numbers I resurrect my spoiler tags. It doesn't take me any real effort to flag my new posts on the matter, and it avoids the risk of driving potential new fans off altogether because they got too many spoilers and don't feel like it worth checking out anymore now that they know the twists. (And unfortunately there's good reason many who feel that way do--if they're used to media where the twist Is The Thing, because it's not well built up to and is there for shock value, they're not going to want to spend time experiencing media when they know the major spoilers.)

(Also I'm not saying you should retroactively add spoiler tags to older posts--but what I mean is if you are making brand new posts it's a courtesy you can consider extending to people who might become fellow fans.)

[katyawooga]

What do you think Sevika's breath would feel like? For example, when you're talking face to face or when she leans in to kiss.

sorry for the wait :/ i'm sooo into this :)

men and minors pls DNI !

you never really thought something as simple as sevika's breath could get you going.

it was almost pathetic how you melted every time she leaned in to whisper something dirty in your ear while she played cards with you on her lap. the warmth of her breath fanning your ear and the corner of your jaw was mind-numbing.

you felt like a weirdo that you even liked the smell of her breath on some occasions. when she had a couple drinks too many and was speaking a little too close to your face, it was no matter, you actually enjoyed the alcoholic tinge to her words with the undertones of tobacco. kissing her in that state was even better, being able to directly taste them on her tongue.

everything about sevika, when it concerned you, was warm. her human hand was always warming up your cold ones, her cuddles forever keeping you safe and satisfied even without being under the covers.

her breath when she falls asleep on you has to be your favourite thing. her face was buried in the crook of your neck when you thought she was still paying attention to your favourite TV show. once you heard those long and deep sighs from her nose, you proved your own assumptions false.

"baby...?" you whispered in her ear, knowing it was a futile attempt at waking her up. you just liked the way she stirred and her breath hitched a little in her throat. she was so precious without ever even knowing.

maybe you were weird, maybe you weren't, but even just the most basic of human functions from your lover had you falling for her all over again.

i am getting to other asks soon!!! i am a bit pressed with school rn but i was sitting on this for a couple days :3 hope you enjoy!

[asneakyfox]

i wish i had time to go dig up my previous post on this but i am once again begging fandom to remember that when a fan at a convention asks a creator about a fanon ship and they're like "yes, you're absolutely right, those two characters have a deep and compelling emotional and sexual compatibility that was never fully explored in canon but could have been great if things had gone differently, it's so clever of you to have noticed it" you should interpret it the same way as when you ask a retail clerk's opinion on an expensive item of clothing you're trying on and they say "yes, you're absolutely right, that shade of red is uniquely flattering on you specifically and i'm so impressed that you had the good taste to choose it"

you shouldn't treat it as a serious confirmation of your beliefs if you agree with it and you also shouldn't be disappointed or mad if you disagree with it. these just are not serious meaningful statements at all. they're the polite thing to say about something that doesn't really matter. please understand that

[bianca-mii]

Paul & Richard❤️

We all love pictures with our fav guitarists kissing or hugging, but I'd like to share some other, slightly less popular photos I find something truly special about:)

Here they look SO MUCH alike. Almost like the same person one frame later. They're wearing matching outfits - black pants with extra belts, black jerseys, sleeves (Richard's a little longer and with red element, but with the red lighting on Paul too it's not much of a difference). They are in almost identical positions with the left leg on Richard's podium, their guitars are in a position in which you can't tell they're different, and most of all - they're rocking the same beautiful smile of pure joy of playing together.

They look SO happy here. I don't know if it was raining (looks a little bit like it), but they don't seem to be bothered at all, they're so much like we don't care, the world is ours!

Again extremely happy guitarists. Here not so much in the world is ours mode, more like the one is the entire world for the other. And nothing else matters...

Now grumpy guitarists for a change. This pic makes me laugh so much. Aww babes, who stole your morning coffee? They BOTH look in such a bitchy mood:D

This photo has such a strong bride and groom vibe. Only Schneider as the priest is missing;)

That's probably only an illusion, but I got the feeling Paul shows a thumbs up while Richard is just about show s thumbs down. Also Paul is visibly pleased, while Richard has rather a scowl on his face. Would make a perfect picture for Richard's words "when I'm like NO, he always goes YES".

Here with those little smiles they look like two schoolgirls gossiping during the break:D Richard obviously smoking, standing on a little stair (I saw the fuller version of this pic but can't find it now:( ), Paul standing on the ground. I've noticed a few times that when they stand next to each other, Paul tries to make himself smaller, as if he didn't want Richard to cone across as barely any taller than him. Also, they both seem to have their mouths open, I wonder how they decide which one talks and which is forced to listen at the moment. Paul probably has it easier because Richard has to take drags of his cigarette:D

Guitarists in black with fans (there was a lady, similar age as the man in between, next to Richard, but I cut her off, sorry😶). I don't know where it's from, but I remember there was no other R+ bandmembers. Perhaps the guitarists flying somewhere together, just the two of them?😇

Such an interesting shot. There's something about their faces that makes them even more attractive when you see them next to each other like this. They really are the match made in heaven...

Ok, no Richard here, but that enhanced super charming smile was for him - Paul looked exactly where his fellow guitarist was sitting. I wish we could see Richard's face at this very moment too...

Edit: I remember no credits whatsoever, I'm really sorry;( please contact for credit if you're the author!

Edit 2: gif with Paul smiling charmingly to Richard by @mrsfitzgerald 🙂

Also, only 10 pics because tumblt doesn't allow more in a post:(

[kolbalissh]

lando posting this picture to congratulate max is honestly so dear to me because first, it completely shuts down all those max v lando fans who have this weird narrative in their head that these two dont like each other, my boy really said me and bro go wayy back

and second, something about their karting era pictures, where they've seen each other grow from kids with a dream to fighting in a championship - witnessing your friend win his 4th and you're proud of him no matter what anyone else says or tries to portray

max telling him that he believes in lando, that he is capable of winning titles even before mclaren wasnt at its best and lando saying that max is always there no matter what, norstappen you have won today, love you max enjoy this victory and love you lando enjoy your achievements of this season, no one gets left behind <3

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[purrple-sectors]

I had this post on my drafts for months ngl and I think with everything that's happening (and to not let it rot on the drafts) it should be shared

----

With the Lando hate train going on, and many other hate trains, I feel like there's some things that need to be said related to fandom and hate culture in general, this is not only about Lando and it applies to any driver

It's very valid to dislike, lose respect, and/or hate a driver to some degree, but death wishes, including wishing for a serious crash and general hate speech is NOT OKAY in any way

There's some very valid stuff to hate about a driver, but not all things they do are valid to hate, for instance many of their actions are reasonable and not properly wrong, I'm talking for example about when they complain on the radio when they're genuinely struggling with the car

It's okay for people to like a driver you dislike and it's okay for people to dislike a driver you like, don't harass fans for having opinions different than yours

Refrain from using isolated quotes or sentences from drivers to base all your mindless hating but also defending, context matters like the question they were answering, what they said before and/or after, try to understand the situation in a wilder angle before making assumptions and spreading misinformation

Avoid generalising actions, the drivers are human beings, and humans are very complex, only bc they did/said something shitty once, that doesn't mean all they do is always with malicious intent

I know we are on a time where media impressions are so absolutely central that it's normal to question the motives behind some statements, but that's doesn't mean they are all done with manipulative intent, yes we can never be sure but that also means that we aren't sure if it was truly a pr manipulative move

Try to not claim that you know for sure the true intentions of a driver when its not disclosed and the comment/action itself is very dubious and/or not very serious, you can guess it but you shouldn't go around saying that what you think is the factual truth, you don't know them personally and what is going on on their heads, a comment you may feel like it was made with ill intent, could have been done very innocently and naively. I'm not saying that it always happens however at least try to consider that it may be a possibility

Don't go overanalysing and dissecting a driver's every action and words with the purpose of only finding things to hate on them, not only is quite disrespectful it's frankly borderline obsessive and creepy

If you want to truly hate, there's specific places where you can do it, but don't let it bled to spaces like Twitter and Instagram comments, places where most drivers (like Lando) are very present and can see not only the hate directed to them but also the hate directed to other drivers. This also include spaces where drivers' close ones can see the hate, mentioning in particular Max F's twitch chat.

But be aware that if you're hating/speaking ill about a driver on a social media platform there may be people that can get uncomfortable with it and block you as they should. DO NOT make it personal or weoponize it, they have every right to block you if they feel uncomfortable and dont want to see your content

Lasty if you ever feel like your mental health is in stake bc of f1, turn it off and give it a break, your mental health shouldn't dependent on some drivers that don't even know you, its okay to feel this way but it's imo unfair to blame on a driver for their performance when theyre simply doing their job and doing their best

On a final note all the drivers have done something shitty and/or had shitty attitudes at some point but many people are clouded by judgement and mindless hate some drivers without acknowledging (and refusing to) that their faves also did things wrong, please avoid doing this, not only its very hypocritical but its quite a dangerous mentality of "My fave cant do any wrong" that can easily be translated to day to day life, try to be critical on serious situations, and hold ALL drivers accountable for things they said/done, not just the ones you personally feel to! You will come across as quite hypocritical if you just select a few drivers and not hold anything accountable to others (especially if they're your faves) and in the long run is not a very good look

To sum up just practice basic human decency, this is mostly my take of view so take it with a grain of salt if it pleases you so. This applies to any driver and I'll add more if I find other things to say. To any new fans out there the only thing I ask you is to try to educate yourself before jumping into any hate train, give yourself a chance to form an opinion and then see which part or side of the community you relate most, don't let others dictate your opinion.

[schumi-nadal]

Wow, I didn't think that post would get me even more hate to be honest 😅

First of all, I wasn't talking about ALL Carlos fans but about some "fans" (you can't call them like that, not after the really harsh words I received) who came into my asks when i asked nothing: I never was mean about Carlos, i didn't even defend Charles. I only posted 2-3 things related to this Charlos gate or whatever the fandom is calling it.

Here are some of the posts in questions:

After the first one, I received insults (anons and non anons, I don't know what is worst, that's what I was talking about them being younger and not knowing how the Schumi era and baby Shumi era were, (the non-anos were 17-18) because people misunderstood it (or understood what they wanted to understand).

After one or two more posts after the end of the race, it escalated very quickly, I received death threats! That's very serious! How can it come to this for a FUCKING sport? There are more serious things in life!

So, yeah, I was quite pissed after that.

Also, I didn't even defend Charles in my post, rereading now and I undertand I may have sound like I did but I'm French and I may have translated word by word what i wanted to say (it's a bit complicated but we sometimes use "you" to talk about people + ourserlves in some sketchy expressions). Anyway, what he said was definitely inappropriate and very "childish" in a way. Those words should had been spoken in private with his team and Carlos, not in front of million of people; and I think if FIA penalised swear words, they should start looking at those kind of statements.

Also, for those saying that I would be the kind of person to insult their favorite driver(s), you don't know me, you can even check my blog if you have nothing more interesting to do (lol), I never insulted anyone like some people do in f1blr. We can dislike or even hate a driver with our whole being, that's ok, for each their own I guess. We can't love everyone, you have the right to defend your favs, that's our choice too, but don't go and roast people when they didn't even say something wrong in the first place. (again, i hope those anons are reading it)

I never got haters before today (just one a few months ago with tennisblr but it was more a troll more than anything else) I usually don't interract a lot because I don't like conflicts but receiving multiple insults for something I can't control: I'm not Charles, I can't control what he says, I'm not a Carlos hater neither, i'm just here, blogging and reblogging stuff I love, mostly sports, sometimes with my particular sense of humor.

Nobody is perfect for sure, and I'm sorry if some of you thought I was just calling out Carlos or defending Charles. He may be one of my favourite drivers, just like other drivers can be yours: all of them are not flawless and we may continue to like them or not after different sorts of situations, that's up to us.

To finally finish my thesis (sorry if you're still reading), I didn't know that I would be so stressed on tumblr one day (call me a sensitive person) but this website is my sanctuary, I hope it will stay like that for a very long time but you can't be appreciated by the whole world, I lost some of my mutuals and i accept that. This morning's messages went too far and that's not normal to say thing like that, no matter how peacecul I am, I had to call them out. Also, on my other fandoms, you can share thought without (or almost) getting attacked verbally, that's sad that it's not the same anymore here, but yeah, football is the same.

You can choose to answer or not, I won't block anyone because I don't feel the need to, opinions can be shared but respectfully, I would be happy to talk more if some of you are up to.

So, I don't know what to add, have a great end of the season, everyone!

i don't know if everyone who reblogged or commented can see it when I reblog it so i'm tagging y'all: @midesastremanifiesto , @janesurlife , @gaypoetsblog , @katarf1a , @chaitalinath , @danieldrivesfast , @landhoe-norris , @eightsixtiism

One thing is funny about being insulted by all those Carlos "fans" (won't call them real fans tbh he deserves way better than toxic people): I was already watching F1 that they were not born, if you think that Charles was shitty today, just remember we had Michael Schumacher as the most dramatic queen ever and Sebastian Vettel was a little Gremlin at some points. REAL FANS WERE NOT FIGHTING FOR THAT!

[istharoth]

In love with a 2-D Character?! Mortkranken Edition!

Blurb: In which you are a character in a popular game the Tokyo debunker boys are coincidentally in love with.

↪ Yuri Isami:

Boy oh boy, he does not play games but it's a game which includes anomalies? Something his occult (in this AU) self is intrigued by? He's definitely picking up the game

Obviously, at first glance he knows you're a great doctor, just like him, so he selects you.

You like Classical Music too? Hello?! He's longing for the day you become real because you're everything he needs.

Someone he can speak to on an intellectual level (and possibly learn from?) he's not going to let that chance go!

He also probably likes Jin's favourite character but you dislike them. So what? He likes them so that doesn't matter. (though he's a bit curious to know about the animosity)

He's the kind of person who would slowly change his habits into yours

Oh, that brief mention of your coffee/tea order? Yeah, that's his daily drink now.

Oh you like chemistry? Guess you and him have chemistry *wink wonk*

Isn't big on merch I feel but also gives collector vibes.

Let's go with the latter, he's a collector. Merch? He's going to get it.

He likely started the game later, so he missed out on some official merch. He's looking everywhere for that limited merch

HE NEEDS TO GET HIS HANDS ON THEM

If not, you'd be disappointed, and he'd be disappointed.

Intensely in love with you, definitely has a shrine of you.

Was squealing when you and he held hands. HELLO?! BEFORE MARRIAGE?!?

Has mediocre luck overall but calculates how much he needs to get you and efficiently gets you. (by not pulling on other character banners)

He's trying to get your SR maxed out, also will not listen to people who say a certain set is better for you. No. whatever goes with your colour scheme is best for you.

↪ Jiro Kirisaki:

Does not play games. Even if he does, forgets to log in.

Very easygoing, and likely doesn't have the story completed but feeds on fan stuff.

I feel like he wouldn't like the entire nurse x doctor thing in fics because it reminds him too much of his own job and he wants to relax. (To all the doctors and nurses out there, we appreciate you in this household.)

Coffee shop AU? Possible. "And they were roommates?" Maybe. College AU where you both have different majors but come across each other one too many times and have the same friend group but you're intensely awkward around him? YES. (but that's my preference)

Selects you as his first choice!! YEAH and pulls on all the banners cause he literally couldn't care who he gets.

*Cue SSR* "...okay, anyway." *does a 10 pull on the other banner*

Goes to cons only to come home with a thousand less bucks than he started with.

Generally likes your voice, and has a playlist of the songs your voice actor has covered. He's hoping they can cover some of his favourite songs.

You know that one Turning Red scene where the MC is drawing herself and that guy at the store? YEAH. THAT'S HIM.

Except his yume is faceless, and he doesn't post any of it online.

Definitely respects you, even if you're just a character in a game. Also! Has a fan account, but he rarely ever uses it. It's just there to retweet fanart of you + official pictures cause he loves you.

Prev [Obscuary] [Case Closed]

[miraculouslbcnreactions]

Do you think that Ms. Bustier is overhated?

Not particularly. I don't have any strong feelings about her, but she's clearly a terrible teacher who is in way over her head. I totally understand why she sets some people off. If she was a real person that I actually had to deal with, then she'd probably set me off, too, because she so perfectly encapsulates toxic positivity. If you're not familiar with that term, then here's a quick definition:

Toxic positivity is the act of avoiding, suppressing, or rejecting negative emotions or experiences. This may take the form of denying your own emotions or someone else denying your emotions, insisting on positive thinking instead. Although setting aside difficult emotions is sometimes necessary temporarily, denying negative feelings long term is harmful because it can prevent people from processing their emotions and overcoming their distress.

Read that definition and then look at this scene from Zombiezou:

Marinette: But Miss Bustier, it's so not fair! It was Chloé, pulling another...Chloé! And...I'm the one who's getting in trouble?! Miss Bustier: Of course you're not in trouble, don't worry! As the class representative, I want you to set a good example for your classmates. Don't give into feelings of anger. Try to forgive Chloé instead. Marinette: I don't get it... Chloé is the meanest person I've ever known. Miss Bustier: Come on... There are much worse people in Paris right now than Chloé Bourgeois. I'm sure people like Chloé are capable of great things. The problem is, they only think of themselves. They don't understand the meaning of love, and we can't force them to change. But perhaps we can show them by setting a good example. That's why Marinettes are so important in today's world; because they have a lot of love to give. I'm counting on you. Marinette: Yes, Miss Bustier.

This is toxic positivity in action. Marinette is told to set aside her extremely valid feelings as if anger is a terrible thing, but it isn't. All emotions have their place and ignoring them can do real harm, a lesson that Miraculous really struggles with. It seems to see "negative" emotions as bad and they're really not. What matters is how we express and address our emotions, not that we experience them. If you want to see a family friendly piece of media do this topic right, then go watch Pixar's Inside Out.

There's also the fact that Chloé is never punished for her actions in this episode. She ruined a gift that probably took Marinette hours and yet Miss Bustier puts the onus to fix things on Marinette, blaming the victim and doing nothing to actually fix the situation. Canon mildly complicates this with Chloé's father's willingness to meddle, making punishing her apparently impossible, but Miss Bustier doesn't even acknowledge that here. The stated logic is that you need to be nice to your bully and that will hopefully magically fix things, which is a terrible lesson that I don't want any kid to learn! What kind of logic is that?

I'll admit that I'm a big fan of "an eye for an eye leaves the whole world blind," but that doesn't mean that you should never acknowledge harm or fight back. It just means that you need to be measured in your responses and pick your battles wisely. If this episode was about that, then I'd be fine with it, but that's not the lesson here. There is no point where the wrong done to Marinette is even mildly acknowledged. Miss Bustier's initial reaction to seeing Marinette's ruined gift is:

Miss Bustier: Well, I think this present is wonderful. It'll be my new cosmetics bag! Then I'll be able to think of both of you every time I use it.

And we go straight from that to the toxic positivity.

Something is wrong with this woman. You shouldn't even take this approach with preschoolers! While I could see this being a good final solution to something like Chloé scribbling on Marinette's drawing, Chloé's behavior still needs to be addressed. She is still the one in the wrong here. The one whose behavior needs to change.

This is one of many cases where there are two paths to take with this character. The writers clearly want Miss Bustier to be a wonderful teacher, but they wrote a victim-blaming disaster who shouldn't be in charge of anyone. If you're ever adapting her, then it's up to you if you want to redesign her into her intended self or if you want to lean into the bad writing. I think both paths have merit because the writing is so bad that there is no way to make canon Caline work as a good teacher. She's too fundamentally flawed so you either acknowledge how awful she is or do a major overhaul where she's much less forgiving and actually acknowledges things like the Chloé problem.

[solradguy]

I needed to kill some time while my test prints ran today so I went into the "for you" tab on Twitter and discovered the most dystopian hellscape known to man. The only post there that didn't do tick damage to my wellbeing was a drawing of some buff anime guy with tasteful dickroot showing. Awful, awful website

[killlatrav]

trav: no, it's pretty much been all over on media that once you see it once, you've seen it forever. it's fine, it's not like i won't see clips of your final shows. trav: i've no doubt you're enjoying them i just meant really i hope you get to enjoy every moment. you'll figure something out i've no doubt. you'll pick up a hobby, start hanging out with friends, something. just a bet between guys, it was all in good fun. trav: exciting for the fans, i think the team is pretty stressed if i'm being honest. i mean we're winning which i know a lot of people say is what matters. thanks.. one can hope but the more wins the more pressure. we'll see come thanksgiving.

Taylor: well, fuck. any way to erase that image from your mind? Taylor: of course i'm going to enjoy them - even if i'm dreading it coming to an end. what am i meant to do on the weekends now? what bet did you two have going on??? Taylor: gotta keep it exciting for the fans. even if it's not exactly planned, right? congrats on another win, babe. going to get the winning streak back on track?

[bixels]

tarpit site.

[thechantrydeservedit]

Solas doesn't hesitate, he exhibits no restraint , he takes and he takes and he takes and he keeps winning anyway. Changes the game, he plays and he raises the stakes. If there's a reason he seems to thrive when so few survive then God damnit I'm willing to wait for it!

I hope I get to kill this guy

[thelaurenshippen]

genuinely think it's good and healthy to follow at least one person in each of your fandoms who reblogs good gifsets but has just...absolutely dogshit takes on the show, or who ships that ship you despise. keeps things fresh. keeps things grounded. you gotta stay humble

[meraki24601]

Some things to remember:

Story structure, editing, and writing are stupid, and their problems change with every WIP.

Story structure, editing, and writing are fun, and their challenges change with every WIP.

No matter how much plotting you do in advance, you won't know how your story goes until you finish the first draft, so it's not worth spending too much time worrying about.

Finding someone you trust to give constructive criticism is crucial to successful storytelling.

People will tell you you're supposed to plan a story in many different ways. No matter how many different methods you learn about, they will only be helpful once you try something out. If you're overwhelmed with a single chapter, you're probably trying to do too much at once.

One of my writer friends refuses to write until they know every detail they want to include. Once they have a concept, they fill out a chart with the Save the Cat story structure, starting at the beginning and working straight through to a logical ending. My method consists of coming up with a concept, staring into the void while asking myself why until I work my way back to the beginning of the story, and then looking at what I have and asking what the closest thing to a conclusion would be. Anything from that initial starting point to the end is generally discovered as I write.

I'm not a big fan of editing. That's why I don't really edit the things I post here. If you find editing intimidating, wait to get started after you've finished your first draft. Let your story sit untouched for a few days, weeks, or even months if you need to. Bask in that "I just wrote a whole story, and it's a mess, but I did it, and I'm proud" feeling. Then, when you're ready, read what you wrote. If it helps, make notes of what you want to fix. The good thing about editing is that, in theory, your story is already divided into chunks. Work one chapter at a time.

Once you've written that second draft, throw it at a friend. Let them read and react. Listen to their feedback and study the moments they said something didn't work. Sometimes, they'll only have a few detail things, and other times, they'll tell you your story is cluttered and help you figure out a way to completely reorder everything that happens.

Remember, there is no required length for a story. If you're struggling with a full-length novel, start with a short story instead. My NaNoWriMo book from last year wound up basically becoming a collection of short stories that all took place in the same town on the same day. Keep trying things and get help where you can.

(Also, I love listening to people's story concepts and helping them work out their problems, so let me know if you'd like some story-specific help!)

Does anyone have ways to make plotting long fics less intimidating?? I can look up story structure all I want, but that doesn't mean I know what I'm doing or even that everything is interesting. Idk it just feels overwhelming and that's why anything longer than a chapter tends to stagnate! Too much to get done