#Tbh I just needed this one at the right time - and OH!

[acatwithstockings]

Could you please, please tell me everything about the 1990's Good Omens (very bad) Movie script? you mentioned not being able to taIk about it because no one is interested (which I very much relate to, but in just basically anything Good Omens related) I was not there for when it was leaked, so I'd really like to know like... all of it (I promise I am so interested, and also very very obsessed with Good Omens. I'll absolutely be your captive audience.)

the only things I think I know are that Crowley's mean and has a nightclub, and Aziraphale has a museum(??). and it's in America??

You don't know how happy it just makes me ramble on about that one. Could write a whole essay tbh (I try my best not bc my spelling is atrocious pff ).

Only snagged it myself after a whole year of searching when it got put up on Dropbox for a few hours. Got taken down quickly again. Idk if it was bc of a copyright claim or if the owner took it down themselves bc it isn't supposed to be spread around due to said issues and they (not quite so cleverly) posted the Link on a post that would make it especially easy for the copyright holder to find it. At any rate, I Got really lucky in that regard. The copyright issues around this thing are fascinating in general and could make for a great study in regards to the flaws of that system.

As for the script contents... Well it's something.

Yes Crowley is mean it would be wrong to reduce that version of him to that. (I will try and point out why later). Yes he owns a nightclub, the aptly names hellfire on a hill(? Idk enough about british topography to know if that's a hint towards a real part of town or just bc the visual of it being on a hill is cool ) in London. So It does not play in America and Aziraphale is working at the British museum. Canon explanation why they try everything and anything to not give back the artefacts they stole, I suppose. (That was a joke. In the script itself it isn't even as much as mentioned that our favorite angel has any interest in collecting anything, missed opportunity if you ask me)

In general the whole thing plays out extremely differently from the story we all love. And sadly lacks the Prattchian humor... For obvious reasons. It does have it's moments tho not many but they are there. ( "Crowley un-snakes" will never not be funny)

What follows is a lengthy summary which will have a bit of analysis and personal interpretation mixed into it . Bc who needs good struktur if you can do stream of consciousness? Am I right?

We begin with the protagonist Crowley and Aziraphale, who in this version sadly takes a bit of a backseat, playing checkers in Aziraphale's study. In this version they are color coded with pure white clothing and hair and pure black clothing and hair. Crowley remarks that 'everything is going too well'. To which Aziraphale points out, that complaining seems to be a favorite past time of the demon. He has a knack for putting down/dismissing Crowley on basis of being a demon (" Oh, isn't that just like a demon? Six-thousand years and all you do is complain") in this version and it's part of his ark , kinda.

It looks like Aziraphale is about to win Crowley however, uses the cliché 'Lock over there' trick to cheat. In the following dialogue we learn that they have been playing one checkers match a week for the past six thousand years. So basically it's presumed they played their first match in Eden before checkers was even invented. (Then again the stage direction describes a painting depicting Crowley as green snake wearing sunglasses in Eden, so they just have been trend setters from the start) . They then set a date for their next match, Crowley makes his distaste for earth known, they meet Aziraphale's assistant Polly, who is very unimpressed by Crowley and then he is off not without causing some mischief with a stolen wallet.

Aziraphale gets a little scene where he is appraising a painting for its authenticity. He gets called 'bramy as a box of fruit bats' and tells the ones that brought the painting that if it were real, he'd know bc he would have seen the master paint it. The interesting thing here is that this scene essentially is there to show us that despite not acknowledging Crowley's cheating or directly calling out the forgery and its purpose (to gain money), even calling it pretty, he knows what's going on he simply chooses to play/be aloof .

Next we get introduced to the nightclub. Nothing much Happens here at first except that we get introduced to the Barstaff. Or well at least Tina (my love) the barman. As it seems Crowley is managing a successful business and outside of a little rant, calling people sheep and wanting bigger cocktail umbrellas, he genuinely seems to be competent in his leadership and friendly to his staff. Knowing them by name .

Other notable staff members are Warren, I think he has one line and is the handyman/security of the nightclub and Marjorie who gets a few more lines and is part of the waitstaff. Who by the way are put in full body imp costumes bc of course the nightclub is themed after hell.

Crowley then contacts hell, where he ultimately gets told that Satan himself has a special task for him. And we get the first clue that Crowley who so far has given us very cool very early 90's style Anti"hero' is scared shitless. Not just that hell thinks he is a bit of a loser, not being impressed by his mission reports and all.

We then get to the good old Hyde Park scene with nearly drowned drake safed by Aziraphale's intervention and everything. What is interesting here however is, is that Crowley is a full blown nihilist and Aziraphale just very over enthusiastically positive. Aziraphale saying a woman is doing something good by giving her ice cream to a child while Crowley points out that the ice had first been dropped to the ground and been liked by a dog. (Script! Aziraphale as much as I love you but I am with script! Crowley on this one). Aziraphale points out that that hardly matters because the child is happy and that makes it a good deed. Crowley snarkily points out that Happiness is a stupid metric for good things and says he likes one thing about humans : that they are reliable in doing the selfish bad thing.

Aziraphale then tries to then get Crowley to reveal why things are going to well. Crowley points out that they are enemies and he shouldn't give out that information despite the arrangement (sadly we don't get more information about that but I would love to know how it looked in that universe) and only is convinced by Aziraphale being hurt about it and giving him sad puppy eyes. Crowley then invites Aziraphale over to his nightclub after hours to talk about it what head office actually wants from him.

We then jump to the nightclub again. Crowley is surpassingly decent towards people, Tina is managing the club. And Madam Tracy is making an entrance. In this version she is an slowly aging out of it IT-girl. It's implied that she had a multitude of affairs and that she has now been payed off big time. (I enjoy Madam Tracy in this version a LOT). She never seems to be quite there but still own any situation.

Her and Crowley have a little conversation that gets broken up when he decides to deal with a Troublemaker at the bar instead of letting Warren take care of it. (Side note that part of the script gave me the HC that script! Crowley is very short, definitely shorter than script!Aziraphale) . He is having a full blown Anime protagonist moment, including using the bribe the trouble maker gives him to give to the Waitress the Troublemaker had harassed in a very cool™ manner and stopping a punch with one hand. Just believe me it's very anime. But again Crowley seems to be actual decent boss, believe it or not.

He then gets a Call in the bathroom . Satan talking to him through the mirror without prior notice. He orders Crowley to get to a graveyard within 30 minutes. Crowley is keeping it together but he is panicking. He is having a short conversation with Tracy again in which he stays relatively friendly surpassingly enough.

Fun fact this whole film would have had "Every day' as musical theme. Bc from this moment the song gets mentioned continuously.

After a speeding and vandalizing a cop car out of desperation since he is late and they determined to stop him we get to meet satan. In this version he is a cold calculating (but very cool) business man . Crowley in German we'd say 'legt sich erstmal ordentlich auf's maul' (meaning he trips and falls on the ground). He is groveling before him, bootlicking and trying to appease his Master (for real tho if that movie would have been made there would have been Satan/Crowley shippers bc that shit is some fuel for a toxic ship). At any rate Crowley is making a bit of a fool of himself and Satan is enjoying the Powertrip. In the end he gives Crowley the antichrist with the task to raise the baby or else suffer worse than anyone else in hell. However if he succeeded he is getting to leave the planet (again he supposedly doesn't even like earth in this version)

Anathema is introduced. She is just a little occult girl that felt the antichrist coming to earth. No mentioning of prophecies or anything. Our beloved Agnes does not exist in this universe. Just a little girl with green eyes and a sense for the occult.

Now with a baby he is supposed to take care of, Crowley makes his way back to the nightclub. There he hides the newborn from his employees and gets pulled away to discuss something by Tina. Since he is hiding the baby he puts the newborn down, right into Madam Tracy's money bag. And well, while he is off talking with Tina , Madam Tracy is taking her bag without noticing the child and off she goes. Leaving Crowley with the problem of a lost antichrist.

He starts drinking. He knows he is done for so what's the point. (The first bottle he grabs is Aardvark Snapps idk why I finde that interesting) . At this point he has accepted that he will end up for an eternity being punished. Hours later Aziraphale makes an appearance and is a little bit judgemental about Crowley being drunk. (Side note: an other hc of mine is that script!Aziraphale is straight edge bc of that scene). Crowley tries to have him join him drinking but fails. And then just try a to have a little heart to heart. ("I am doomed, Aziraphale") Only getting a little speech about being a demon and therefore inherently doomed ('duhhh!') back.

Crowley eventually just confides in Aziraphale how much he has fucked up having a bit of a monologue about it. Eventually Aziraphale offers to help find the boy, but only if he is allowed to influence him. To which Crowley reluctantly agrees, because it would mean that he still fails his task of raising a boy that Satan could be proud of. But Aziraphale is a little bit manipulative (also Crowley is still drunk while Aziraphale is sober) so they shake on it. Anyway this exchange is one of my favorites in the script .

We finally jump eleven years into the future and get to meet Adam.

He has been adopted by Madam Tracy. And is now running a bed and breakfast in the quaint little town of Tadfield. Instead of an army base this Tadfield has direct access to the sea. Including it's very own pier. Anyhow I said Adam is running the b&b that's because Madam Tracy is a neglectful parent and as much as I enjoy her script version, she is not doing great here. Adam is running errands, making breakfast for his mom and generally keeping things together. His whole interdiction is him being a little adult .

He finally gets some child time and we meet 'the Them' except they are not 'the Them'. Brian, Pepper and Wensleydale are a friend group and try to talk to Adam because Pepper wants to be friends with him ( I think the intention was to make Pepper and Adam as THING but idk) . But Adam wants nothing to do with them and instead just wants his peace and quite. So he gets insulted for not having a father and sulks off.

Anathema has also arrived at the scene. And has a culture shock bc of the lackluster infrastructure out here. She arrives in Tadfield with some difficulties and now has to somehow find a place to stay. And while the town seemed overrun with places renting out rooms it also has a case of outdated world views and nobody is willing to take Anathema in for some reason or the other. She eventually gets pointed into the direction of Madam Tracy. Where she is informed that she can have a room . And Madam Tracy casually dunks on Picasso which I can support.

Anathema then repeatedly runs into Adam and tries to strike up a conversation but he just doesn't want to and runs off. As both of them eventually go home at the end of the day he accuses her of following him they both are taking the same path. As he gets told that Anathema also lives at the same address as him now he gets angry and stroms to Madam Tracy, disrupting a seance to scold her for taking on a lodger without his approval. He is angry that Madam Tracy is so reckless taking in people without proper background check.

Following that Adam interviews Anathema. And they bond .

At night Adam sneaks off to the pier and we learn that he has build a model of Tadfield in an abandoned arcade.

He and Anathema bond a bit more over breakfast. (And honestly I like that version of them more relationship wise. As much as I love Prattchet, he did have a particular style of writing children that also came through in Gomes . It lends itself great to hypotheticals and punchlines, not so much for interpersonal relationships however)

Back to Crowley and Aziraphale. Last time Crowley had been hopeful and appreciative of the angel. Well now he is running out of time and he is getting grumpy and down in the dumps and ready to give up. While Aziraphale is still unrelentingly optimistic. Poly makes an other entrance, Crowley puzzles together an ancient Etruscan pott. All riveting stuff.

Shadwell, or what's left of his character makes a short appearance as 'MAD OLD MAN' shouting and standing on a soap box as set dressing for Crowley to buy a newspaper and... Pay for it .

He gets sapped into hell without notice.

(Side note Miss Ashtoreth is mentioned as secretary of Satan himself.)

Satan wants to check up on his son's progress. Crowley is shitting himself and lies, reassuring Satan that the boy is properly evil and all that . Of course Satan wants to see the boy real soon and tells Crowley to tell the boy that he is ready for when the boy wants to see him. And after taking a look at Adam by rearranging the universe itself to show a likeness in the stars (hell is a very surreal space with an office above the pit and direct view of all of the universe) Crowley gets sapped back to earth. (Also Satan calls Crowley 'Crawler' which is the script version of Crowley's name change, probably)

Crowley Is now properly stressed out.

On the other end of London (probably) Aziraphale's Crowley senses tingle and he just starts running (presumably) towards Crowley. This never gets brought up or explained. And is so bizarre I couldn't skip it.

Back in Tadfield Adam and Pepper get a bit of a bonding moment. Talking about action figures, Pepper giving Adam a lecture about not being sexist , getting fish and chips. The topic of Adams lack of a father gets brought up again and he lies. Telling Pepper he had met his father before and his father is a some sort of international business man, that meets with Presidents and is very busy. Eventually Perper asks about Anathema and tries to convince Adam to take her to the movies.

Back in London one Angel apparently unable to use public transport arrives at the nightclub. We can assume that he had been running the whole way. He gets pointed towards Crowley by multiple staff members, 'Every day' gets another cameo and he accidentally stumbles into the dressing room for the waiting staff, which is very embarrassing for him but not for the women.

When he reaches Crowley's office, the demon doesn't want to talk. He is panicking and packing to go on the run for the rest of eternity. (Which for him just means a suitcase full of sunglasses) . What follows is the infamous dialogue bc of which script!Crowley get his reputation from. (I might make myself very unpopular here but I think that reputation is not quite deserved. Yes he is an asshole but also the harsher exchanges only play out when he is stressed/panicked and usually if he goes too far he will try and paddel back. Still worst of the Crowleys without a doubt just not quite as bad as people like to paint him. Also script!Aziraphale isn't half as naive and helpless as people like to paint him and in this house we let him have his agency! But also more on that later)

The exchange switches tone once Aziraphale lets his unbreakable optimism fallter and gets sad. To which Crowley immediately reacts bc trying to reassure him that they are in fact friends and that he shouldn't be sorry. Pointing out that he (Crowley) now knows what the boy looks like to counteract Aziraphale's pessimistic statement that they could never have found the boy bc they didn't even know what he looks like. They agree to hit one more town in their search for the boy.

In Tadfield Anathema finally gets to talk about her quest to find the SOMETHING with Madam Tracy. And have her witness a fight between Brian and Adam about Adam's father. (Srly Adam gets constantly bullied bc of that.) Anathema steps between the two to protect Adam. They make a deal to tell each other's secrets. First we get Anathema showing Adam stuff about the antichrist and the weapon she plans on killing him with.

Then we get an intermission with Crowley and Aziraphale discussing how they should choose which town to go to. They decide with a dart throw.

Back with Adam and Anathema. Adam shows Anathema his model of Tadfield. To the question what he plans on doing once that model is done, he tells her, he is going to build the rest of the world and rule over it. He also voices his desire to get somewhere else to be no longer stuck in Tadfield.

Aziraphale and Crowley arrive in Tadfield during a Thunderstorm and face the same problem as Anathema. No one wants to rent them a room in town. And while with Anathema the whole thing was rooted in sexism, disdain for outsiders (aka read as Americans) and misunderstanding about her occupation, for those two it's the obligatory 'People think they are a gay couple' thing but with a giant side of Homophobia.

Crowley want to give up Aziraphale want to go on and eventually they end up at Madam Tracy's.

Madam Tracy mistakes them for the gas person, Crowley wants separate rooms, Aziraphale a shared one,(we never get to know which they now too bc the script has both scenes with a shared room and a separate room. It could also be the case that Crowley simply stays longer than Aziraphale and therefore the shared room becomes his room. At any rate it is never specified. And to be honest there are multiple parts of the script where the author very obviously had given up on it soooo) Crowley praises Aziraphale's skill as homemaker, Madam Tracy tells them, they have to wait for Adam. Adam comes home Crowley recognizes the boy.

Crowley and Aziraphale take a stroll on the beach and come to the agreement to each spend a day with the boy, despite Crowley trying to avoid having Aziraphale influence the kid. They also witness how Brian's fathers getting things ready to tear down the pier.

In the evening they play an other game of checkers. Adam witnessing first hand Crowley's cheating as he gets the both of them to have dinner with the whole house.

At the dinner table they convince Madame Tracey to let them take Adam to London for a day. Adam being obviously overjoyed about the whole thing.

Anathema sees Aziraphale's and Crowley's true nature for a sec. And I am sorry if this part comes across as rather dry, it's also rather dry in the script.

Adam gets taken to London. First Aziraphale get to show him the museum and talk about human creations . (Side note , when I first got my hands on the script I thought I was missing a page bc the dialogue has a really awkward jump in this scene but no ... It's supposed to be like that and either it was the author giving up or it was supposed to be a kid thing. Jumping from one topic to the next with much logic. We will never know)

Adam then confronts Aziraphale about Crowley's cheating. And here comes the part why I will never see script!Aziraphale as truly naive or helpless. Aziraphale admits to Adam that he had always known Crowley cheated, he just thought it virtuous to not point it out. Bc he played fair in his mind that was enough to stand above the other and just let him do the cheating. Adam points out it stupid and that was that. Aziraphale is stunned and does what most people with too much money and no idea how to handle kids do, exactly drag him somewhere, where he can buy shit.

Next up is Crowley. First he drags Adam to Soho. Not Good Omens there might be a cozy bookshop somewhere Soho but well 90s it's a bit of a cess pool Soho. With hookers and homeless teenage girls ( and for all those people that take Crowley being displeased with Adam for giving the girl some change as point to call him fundamentally mean/bad... I implore you learn was character motivations are. He has been tasked with raising an evil child, has promised an evil child, obviously he is displeased when that child is doing something selfless. And he wouldn't do something selfless in the presence of the said child bc again he is supposed to influence him towards evil) Crowley then gets him a milkshake and takes him to his club where they have the mirror conversation to Aziraphale's. Ending with Asam pointing out that it is pretty boring to always win for the wins sake by the means of cheating.

On the way back they have a short conversation about their respective experiences with the boy. Accidentally letting it slip that they know who Adam's father is, believing the boy to be asleep. He is not.

That night Anathema finally succeedes in her endeavor to find the antichrist. Her crystal ball revealing to her that it is indeed Adam. She is so shocked by that, that she lets the ball fall but luckily for her Aziraphale does his thing and it lands safely without breaking. (That another quirk of the script apparently Anathema and Aziraphale were supposed to be something and what ever that it, it's even weirder than Adam and Pepper)

Madam Tracy also finally recognized Crowley from THAT night and they have a honest heart to heart. Or whatever you call it when the otherwise always woozy character suddenly seem lucid and aware of what will happen.

That night Adam goes to Anathema for emotional support bc of the father thing. Anathema however is in the middle of a crisis bc she now knows what Adam is and had tried to get herself ready to murder him. Eventually Adam notices the knife behind her back and with the first flair of his antichrist powers forces her to show it to him before storming off hurt.

Being emotionally distraught he runs to his hideout on the pier and calls out to his feather. First nothing happens but then after Adam went off the pier and back again it is completely transformed into a bright happy carnival. His Father has arrived. Satan immediately takes Adam under his wings . He even dresses him up as a mini self.

The next morning the whole town of Tadfield is one giant carnival. There is a parade with elephants. And the people from around town are all mindlessly attending the celebration.

Crowley has a short meeting with Satan (on an elephant) and gets told that he is supposed to come to Satan to talk about his promotion to alpha centauri. AND

( Don't ask me why I find this too funny to not share my humor is very broken )

The town is being further transformed and more people are made mindless puppets. But no Crowley is happy to have gotten away with his stunt. He is roleplaying flirting with someone in a mirror. (Also in the script notes it literally says James Bond for acting directions for Crowley, and that's such a dorky idea I love the theory of it ... Bit of a waste in this tho).

Aziraphale tries to change his mind but Crowley shut him down by pointing out that he was the one saying happiness alone is making things a good thing so it shouldn't matter if people have to be made into mindless puppets first. They are happy after all.

Meanwhile Adam is torturing Brian by throwing tomatoes hat him and having the rest of the town join in with the fun. He just wants his father to be proud of him (nawww ) (that naw was sarcastic). In the crowd Anathema is fighting to regain control over herself.

Aziraphale still tries to convince Crowley. Rugging at his heart strings but even the tried and true "I thought we are friends" won't work this time. Crowley wants to cease his opportunity, he wants out and up.

While those two are arguing, Anathema struggles. All she wants it the knife but she is exhausted.

Crowley is looking for a starting point for his launch towards alpha centauri. He is climbing onto a church tower. Behind him Aziraphale still hasn't given up. Despite not liking heights (!? Wasn't mentioned before will not be mentioned again but apparently script!Aziraphale has a fear of heights). He finally gets an idea and challenges Crowley to one last match.

Crowley for once doesn't cheat and it looks like he is Winn but then Aziraphale DOES cheat, desperate to keep Crowley on earth and have him fight at his side. And Crowley just shrugs and accepts. His next line after acknowledging the win already calls Satan his ex-boss and if that is not a very impressive 360° turn then I don't know what is. (Just a throw back to character motivation, we could speculate it's because most of what Crowley has said were lies and half truths and deep down he actually likes earth and bla or he just remembered how much he would miss his nightclub BUT I as number one script!Crowley (not really) defender say ... It's just unfinished/bad writing and there simply wasn't enough time or inspiration or whatever to finish his character ark)

Anathema manages to give both of them the knife. Crowley is so idiotic and tries to grab it but it burns him . I mean, duhh! Anathema literally tells them that this knife can hurt the antichrist why should it be harmless for a way lesser demon? So Aziraphale takes the knife.

After calling Crowley his best friend, Crowley himself calling himself stupid Aziraphale, presumably presumably is important here) with the knife, goes off to confront Adam. He tried to talk Adam out of it. Trying to point out that no good father leaves his kid alone for eleven years and if this is really what Adam wants. As he points out that Madam Tracy despite all her flaws still love Adam he gets disorporated, by Adam. But bc this is a Movie script and we don't have much time left he just stays in his true angel form (which is very much just white robes , wings and halo ) right where he is further trying to talk Adam out of it .

(his an other line in my mounting pile of evidence that script! Aziraphale is neither naive nor helpless and simply chooses to carry himself that way bc he thinks it's virtuous. He literally acknowledges that people can do bad things. Something he would not at any point before that in the script. I rest my case )

While Aziraphale is trying to make Adam think about a things Crowley is off confronting Satan, presumably without the knife.

Satan acknowledges that Crowley had lied to him but is still in such a good mood that he still wants to give out the promotion. Even throws in the Titel of fiend extraordinar. For a moment it seems like Crowley considers but ultimately he tells Satan that he wants to quit. Satan is not happy about that and after Crowley also pulls out a pink rubber glove and the knife (yhea Crowley had the knife all along , take that continuity or rather scree logic, like not showing how they get a rubber glove is fine what ever but having the last scene withe knife I'm be the one where it's shown that he can't touch it and Aziraphale had to carry it would have made it feel a bit too deus ex machina.) he forces him into half snake form and summens hands that try and drag him back to hell.

Thanks to his already established Crowley senses Aziraphale suddenly shows up and charges at Satan. Who in turn is like 'An angel, really? You betrayed me,..' and then roasts Aziraphale to a crisp before destroying the knife .

Adam confronted with a robotic acting madam Tracy, listening to his every command, starts to reflect on his actions. Getting called in by his father to greed the four horsepersons he notices Aziraphale and Crowley.

Adam now faced with all the destruction says: no, I am not doing it. Stan tries to threaten him into obeying but he gets the good old 'You not my dad'. For being a deadbeat for 11 years. Adam then heals Aziraphale and frees Crowley. Now flanked by the two Adam banishes the horseman.

Satan demanding obedience once more, gets reminded by Crowley that he himself once rebelled. And after laughing about that revelation he tells Adam that it was interesting meeting him but as it seemed he wasn't cut out to be a dad. To Crowley that he is now banned from hell and to Aziraphale that he should tell his boss, that at least his son (the antichrist) had more guts than his(Jesus and yes the script sadly uses he/him for God).

After Satan vanishes they have to escape a collapsing pier. Noticing too late that Madam Tracy is also still there. Adam ends up releasing her from her trance by calling her mom and telling her that he loves her. Aziraphale ends up saving both of them, flying them to safety on the beach.

At the beach they also meet Anathema, who promises not to kill him and Pepper . They watch as the pier explodes and burns to the ground. Anathema also has uncomfortable eye contact with Aziraphale while he ripples back into human form . (Don't me why it feels uncomfortable, Anathema is described as looking on tens while he sill full angel and softening once he is human again so idk)

Apropos Anathema and Aziraphale. The next Morning, he comes to say goodbye and ends up offering a job bc (I forgot to mention it when it happened) Polly his assistant had a promotion. So he is search for a new assistant. She end up kissing him on the cheek and calling him angel but in a way where it's ambiguous if she now knows that he is one or if she just thinks he is a good person and something always makes her forget what he really is. At an rate Aziraphale says he had never gotten a kiss on the cheek im six thousand years and knowing a bit about history and cultural practices I am inclined to calling him a liar. But then again this is fiction .... So sure ... Cheek kiss virgin this one.

While that is happening Madam Tracy is asking Crowley if she can keep the boy now . And Crowley reassures her, that after this no one is going to come for him. He even offers to throw a birthday party for her at his club all she should do is just to look after the boy. It's actually a very sweet exchange.

Outside Brian and Adam have a little exchange, Brain trying once more to get to Adam with the father thing. But Adam has no daddy issues anymore. Instead he asks pepper out to the movies and Brian just tags along without being asked. Where is Wensleydale you asking ? Take your best guess, he was mentioned once said one thing and then fell off the earth.

With the kids now finally as a group we have the last shot of Aziraphale and Crowley. They are walking along the street , Crowley one stolen Apple in hand . Having their talk about good and evil. Accusing each other of being a little bit of a good person (press x to boubt) and just enough of a bastard (oh absolutely). How they both knew the other was cheating all along. And maybe alpha centauri isn't such a good idea after all. You can even get booze there. The last thing that is said is Aziraphale telling to not start THAT again, after being offered the apple.

I lied one more screenshot bc Every ...it had been for told by the cursed script for ages now. (I am pretty sure it had been in the talks to put go to Every day' even before the script was ordered so that is just a joke)

At any rate I do have to go to work in ....eh three hours ... So I will leave it at the summary for now. I am dyslexic and English is my second writing so I am very sorry for all the mistakes I probably made . If someone reblogs this before I get the chance to correct them, let it be said that at least nobody can claim this is ai pfff.

Also not I said the author the two times I mentioned him simply bc I don't feel like acknowledging the name of the person. I got into Gomes bc of Sir Terry and I stay here for him. This little obsession with the script happened by pure chance.

[rewritingcanon]

Do you have any thoughts on scorbus kids king (beyond Albus insisting that they’re all named after stars and constellations and the likes) because in the same way that they’d get married at like 18-19 a la ‘traditional’ wizards i think they’d be the couple to turn up to christmas one year with a baby without telling anyone (nobody knows how they got the baby and theyre not saying shit) and boom. The first wotter-malfoy grandchild

oooooh! hmm! i actually go back and forth on scorbus children a lot. like i dont have set ocs or anything for them. i can see them with or without kids. i can see them with many or just one. i can see them as boy dads and girl dads. i can see them as all adopted or as donor-conceived. likeeeee i can see everything tbh. but i can tell you what i’m usually set towards:

i reckon one of their babies (i’m thinking the second one if they ever get so far) is sooooo weasley-coded. they don’t act like scorpius or albus but as their fucking grandma ginny. like they may not have the token red hair at all but they certainly act like one. and they’re a stereotypical gryffindor. (first gryffindor malfoy perchance)

i’m also thinking they need to have a diva daughter. like a mini narcissa/lucius just minus the moral abhorrence (they may or may not have a consumerism problem though)

one of the babies has to have the blond malfoy hair. preferably the eldest. idc if that makes me a stickler for tradition.

also i think they would pull the “my grandad is harry potter” “did you know i’m the chosen one’s grandkid?” “oh yeah just going to my pop’s place tonight… did i mention he’s harry potter?” ALL THE TIME 💀 like they would nottttt understand albus’ angst about it (at first) because they won’t experience the same type of pressure as being harry potter’s child.

i think it would be sooo funny if they had kids who are really popular in school and are super charming and good-looking and athletic and just very cool and easily liked. and meanwhile they’re dads are the biggest fucking socially inept losers.

if i was nice i’d give scorpius a bookworm kid. but i don’t think that would happen 😭 he’s fr cursed to be the only nerd there.

now here are some parent!scorbus hcs:

the whole misunderstanding angst between them is scorpius wants to rant to his child about the ottoman empire’s invention of major medical instruments and the child just wants to go play footy with da boys 💔

you best believe albus suffers the potter curse of just never understanding his child 😭 he would totally argue with them all the time. not to the point where they run away though.

i think albus would feel the desire to be a father more than scorpius would initially, but albus would be the strict parent. probably because he did shit like running away and deleting his family from the timeline so he doesn’t want that to happen again yk. how can you blame him

scorpius is the dad that spoils his kids rotten. like he’s NEVER mad. he’s always telling them how proud he is of them and how lovely and cool they are and he’s just constantly inflating their heads to the sizes of large balloons. he’s the dad they go to when they want to ask for something because he’ll normally give it to them. he’d rather they be brats then be unconfident and hate themselves.

also scorpius would get crazy separation anxiety. like it doesnt matter if his kid is 25 that’s his baby and they need to be in arms reach at all times

albus can be the type to freak out at his kids ngl 😭 tbf i dont think he’d do it without reason but he will definitely make them cryyyy and run to their rooms. yk when one of ur parents yells at you when ur a kid and u cry angry tears and can’t verbalise your feelings because you’re tiny and dont know the right words yet. and then you look to your other parent for help and they’re just standing at the side like “🧍‍♂️” yeah the one just standing there is scorpius 💀 no way he’s risking getting clocked too.

scorpius might not voice it in the moment but he’s very good at damage control and managing his family who probably runs quite high on emotions. also he’ll sneak his kids sweets to cheer them up even if they deserved to get yelled at lol

albus is the dad that cleans and washes and styles his daughters’ hair 😭 and he will do it aggressively too like he ties the cleanest but tightest braids and plaits and ponytails you best believe. also he doesn’t play around when his kids come home from primary school with a head lice notification slip. best believe he’s going to scrape through everything.

the kids definitely think scorbus are way too lovey-dovey with each other. cringiest parents ever.

albus is definitely the “how dare you talk to your father like that” kind of guy about scorpius.

albus would pack the most delectable lunch boxes ever and scorpius would write the sweetest daily notes for their kids and put them in the lunchboxes to cheer them

they do not play about bullying whatsoever. someone is getting right hooked if anyone dares with their kid. not hexed, right hooked

albus sobbed when he had to say goodbye to his first child for hogwarts. like he ugly cried right in the middle of the platform. almost collapsed.

scorpius is bombarding their kid with letters. like he’s writing them four times a day to ask how things are and how theyre finding classes and if their classmates are good to them?? and has to be asked to stop 😭

yk how harry was gassing tf out of hogwarts to albus only for it to be shit? just know albus is telling the biggest horror stories about the school to their kid only for them to go there and for it to be fine. this is the visual vibe btw:

albus’ favourite kid is definitely the one who is most like scorpius in some way. but he will deny it

scorpius still tucks them in every night no matter if they’re adults

albus is the type to bitch out alllll of his kids’ friends. “i don’t like [insert friend]” “why” “they seem very…. fake.” “dad you literally have zero friends besides papa why are you speaking rn”

scorpius loves hosting his kids’ birthday parties (bonus if he can make it extravagant) and albus hates it (he dislikes every other child except his own)

albus the type of dad to get the malfoy white streak and a beer belly and blame it on the stress of being a father (he loves his kid(s) heaps, just to be clear).

scorpius would tell his kids when they fell down and scraped themselves that his kiss could make it better. and when he kissed their bruise or cut he’d do a tiny healing spell and fix it so for yearssss these scorbus kids thought their dad was had super magical kisses (yk damn well albus took advantage of that excuse 😭)

if they adopted a kid of another race to them, scorpius is going leaps and bounds to understand his baby’s culture and raise him accordingly so they don’t feel too disconnected (albus will do so too but scorpius would be such an expert at it because he’s a research freak).

i think scorbus would generally follow traditional wizard norms but their kids wouldn’t. the kids are living in the house until they are 35 or something. reason is because their standard of living at home is amazing. albus cooks the best food. they get spoilt rotten by scorpius. they have the combined fortune of two of the richest wizard families… yeah life is good

i shall stop it there but lmk if you want me to yap more because i havent even started on aunt lily and uncle james or their crazy grandparents 😭

[wufflesvetinari]

hi!! okay so i really loved that one fanfic you wrote (3:16) way back when, it's honestly one of my favorite fanfics ever but I have a question for you!! I've honestly adored your writing style and techniques and I was wondering: what is your writing process? Not just plot wise (although yes that!) but also prose-wise? because honestly, the first thing that drew me into your fic was how FUCKING good your prose was and I was just in absolute awe reading what you had written, and it sort of started me on a journey to improve my own prose and make it sound nice.

so uh yeah!! what is your writing process and if you have any advice for how you write so beautifully (Not just prose wise!! plot and character wise too haha) or just like. writing advice in general, i am ALL ears <3

oh this is so incredibly sweet, thank you!!!

i've tried to marshal some thoughts...tbh i am always envious of effective writing that is UNLIKE mine, so there are lots of ways to go about this. (and also i am just Some Guy.)

i'll focus on prose things i think about during writing/revision b/c otherwise we will be here all night...but imo some of this overlaps with effective pacing, character, etc.

Prose is character – some writing is “voicier” than other writing is, living closer in a character’s POV.  but in most cases, if you are in any way in a character’s head, your prose is part of their characterization. dick grayson will use different words and notice different details than damian will. being intentional about a character’s voice has the nice iterative effect of strengthening their characterization, which then makes your prose more confident as you understand their voice, and on and on it goes

Allow “workmanlike” phrases – sometimes cliché exists for a reason; you don’t actually need every sentence to be a poem. in fact, you NEED simple writing to string together your powerhouse lines without turning it all into purple prose/losing the reader/ruining the pacing.

Examine “workmanlike” phrases – that being said, another failure mode is RELYING on these phrases instead of digging for something more interesting now and then. i might write the phrase “a chill went down her spine” – ok this is fine, but I’ve read this sentence 15,000 times in my life and seeing it in my own document should be a trigger to slow down and decide if there’s a more specific or vivid description that conveys character or mood or theme better. or is just prettier lmao. i think to myself: how does it feel to be scared? what is a physical reaction that’s REAL that i have experienced, and am not just taking from a list in my head called “Descriptions Of Being Scared That Writers Use”?

The fucking thesaurus lmao – do not find/replace willy-nilly obviously BUT if the only word you can think of is Not Exactly The Right Word Dammit then the fucking thesaurus is a perfectly valid brainstorming tool to get closer to what you are trying to say. even if u don’t find the right word, it’s often a jumping-off point to a better way to approach the sentence

Note your “is”es – ok this is the annoying one. imo this really strengthened my writing but i hated it so so much. when revising, find any instance of “is/was/seems.” (ex: “He seems impatient, and there’s a pile of paperwork sitting in front of him.”) There’s nothing WRONG with that sentence, but it’s worth checking to see if it’s an opportunity for a more active one that gives more character detail (“He taps impatiently on a pile of paperwork.” there. done.)

Condense – ok look at that example again. i phrased things more actively but i ALSO condensed two concepts (He seems impatient + there is paperwork) into a sharper sentence that ALSO tells us a bit about how this character acts when stressed. imo you can accidentally find really interesting prose this way, in addition to improving pacing.

Vary sentence structure – that being said, sometimes the way to go is a beautiful run-on, so long as that sentence has intention packed into it! if you are writing long lovely flowing sentences, it’s going to hit hard if you drop the emotional reveal in a short, choppy, standalone one. or if your sentences shorten as the mood of the scene changes, or or or.

Use detail to let a scene breathe – personally, i never want to write the phrase “there was a pregnant pause” or “there was a brief silence” if i can help it. this is personal preference, but i think the principle stands: you can instead control your reader’s sense of timing, create an implied pause, by giving detail in the right place. the reverse is why it bothers me when a conversation is interspersed with paragraphs of introspection lmao: in my head i’m wondering why pov is taking so long to respond

Use repetition – oh my god this is my cheat code. if you are really proud of a beautiful, distinctive phrase you wrote? use it again!!! make it a callback at an important moment!!! make it thematic!! do it on purpose. trust me it’s cool

Get out of their head – ok here’s an experiment. take a concept (“Dick is scared”) and tell yourself that you have to express this, but you CAN’T describe anything about Dick himself in order to do it. you can use the way the crumbling buildings of gotham loom above him, or the weather, or the way people react to him—but you cannot say a word about his actions or thoughts or feelings. chances are, you’ve now created some interesting prose getting at the concept abstractly. cool! use that, and also go and add the direct feelings back in if it makes sense to do so

"Unconscious" writing - uhh ok this one is weird, but sometimes for a VERY early draft—like, when I am staring down the blank page—I will stop…trying to write a story? I will instead begin to write, uh…poetry about what is happening in the story? Just, impressions, details, stream-of-consciousness…this will all have to be cleaned up and made linear later. but for now, go nuts. and usually it gives me a) some workable, pretty prose and b) an entry point into what i am trying to say so i can go back and write the “real version”

Dissect!! Good!!! Writing!!! - i'm sorry, this one is so boring. but if there's a writer who really WORKS for you, read very slowly and break down what's so effective about it on a prose level. i do this with ursula le guin. also, do this with poetry!!! which poems slam you to the ground and take your lunch money? how?

i know you also asked abt plot and character but i've already written so much lmao plz forgive me. i am not a big craft book person but i did enjoy refuse to be done and a swim in a pond in the rain. i also try to collect tips i find in this tag!

[rustfoxes]

This has just become a list of things I don't like about the game tbh. Oh well.

I do not like having non-Warden characters fighting darkspawn. The whole entire point of the Order is that they are, again, the only ones who can face the Blight without dying instantly, because darkspawn blood is poison. If any rando can fight them, why the fuck have Grey Wardens to begin with?

What is the goddamn message of this game? If you're faced with people doing horrible things absolutely do not try to help? Someone's trying to enslave the whole of the world and you should know better than to try and stop them! Because, oh boy, you might not do it the exactly correct way that doesn't negatively impact anyone! And wow if you did make a mistake, never ever try to mend what you've broken, because that makes you a bad person. You honestly think that a literal spirit of Wisdom didn't consider every fucking option available? I really hope they can tie this shit up in a nice lil bow by the end of it.

I'm so fucking tired of Morrigan being in every goddamn game. I didn't like her in the first one. Same with Isabela. Didn't like Leliana either but thankfully she's not shown up this time outside of conversations. But just fuck Morrigan, I can't stand her being everywhere and the most coolest and most important and oh so special. Love her VA, don't like the character. Don't ask me why, idk man.

Kal-Sharok outpost... with sunlight? I mean, it's beautiful, but no self-respecting dwarf would go where the sun might hit them. You can't really call a place with sunlight the Deep Roads. The first word in "Deep Roads" should give you a pretty significant hint.

For a people as devoted to remaining unchanged, the Kal-Sharok dwarves sure changed their ways quick, if it only took a couple of generations.

Why is the only child in the game in the Grey Warden fort?

Super grateful that Mila isn't an example of the "spunky kid" stereotype where they're a freaking pain and you have to rescue them from trouble they get themselves into. Thanks for being a sensible kid.

I find the whole "wow Solas was so condescending always" thing to be... strange. If you talked to him with the base amount of respect you'd talk to anyone with and told him to knock it off when he started to be rude, he was a perfectly polite and fine conversation partner. He appreciated being told that the elves are trying and if he's so much smarter, he needs to teach them. He acquiesces that you're right and asks what you'd like to know. I never thought he was particularly condescending. Morrigan was much more condescending and belittling at times. The forest echoes as you yell into it. If you were rude and condescending, he was rude and condescending. If you were polite and firm, so was he. I really don't like the assumption that the person playing the game interacted with Solas a set way in the previous game, specially since the assumption is that you were a dick and he was a dick in kind.

The Cauldron got me. Seeing the urns for the gryphons just go on and on into the darkness actually managed a solid hit. Well done on that one.

I get where the Red Lyrium Ghost is coming from, but "why do [the elves] get to thrive when [dwarves] have suffered", really? Really? Orzammar and other dwarven kingdoms are rich as hell off the lyrium they sell to literally everyone else, meanwhile the elves until quite damn recently have been enslaved by humans and lost to their past. No one's a winner here. I get that she's talking about the elves of old, but still. Bub.

Why do we have so much time to hunt down the Gloom Howler though? Wouldn't blighting the gryphons take like... 2 minutes max?

Still frustrated about being immediately told what to do when the game gives you a puzzle. Absolutely zero trust in the player's capabilities.

Disjointed DAtVG feelings/opinions

I've played the game for a bit, I'm not too far in yet, and honestly? I hope it gets better. Spoilers & venting below as you might guess.

Everything seems to be tell, don't show. There's very, VERY little trust in the player. Characters happen upon a ruined village? "The village is ruined! There's no one here!" Yes, we can see that. Character looks upset? Text pops up on screen to tell you that IN FACT!! Character is upset. Couldn't have guessed.

Everything is explained out loud immediately, except the arguably actually important things. If I remember correctly, there's no mention of the 10 year (?) timeskip from DAI, everyone just now knows everything about elven magic and the Fade and the Veil EXCEPT FOR THE PLAYER. None of that is explained! New players are expected to just know, which in some games works, but when you throw characters into a magical forest and say it's Arlathan forest, how tf are they supposed to know what Arlathan is.

Why is Varric a brunette all of a sudden

Characterisation of returning characters is fucking wild. Fun, jokey Harding? Massive chip on her shoulder and real aggressive for some reason. Soft-spoken and measured Solas? Yelling, again, for some damn reason. Where is his iambic pentameter? And he hates blood magic all of a sudden?? Did the writers play the earlier games at all? Solas SPECIFICALLY says in DAI that blood magic has no morality to it and is merely a tool.

The game is linear to the extent that I cannot for the life of me see the point of the game asking you to wrap up unfinished business before moving forward. What unfinished business? You've locked us into a small room with 0 exits and 1 chest. There is no business.

So far there's been zero time for any of the story to breathe. There are no story beats, because the drum machine that is the pacing just keeps hammering on. The gravity of the situation has no time to set in for anyone. THE ACTUAL GODS OF MYTH HAVE BEEN BUST OUT OF GOD-JAIL. THIS IS A HUGE FUCKING PROBLEM. "Yeah, well, people would've died if Solas hadn't been stopped from tearing down the Veil." And this is preferable???? What the actual fuck. DAI Solas wanted to rebuild and to safe-guard his people. TWO of the people he wanted to PROTECT EVERYONE FROM are now out. But oh man, that Solas, he would've hurt folks. You think the wondertwins won't? Jesus fucking Christ.

The gameplay more or less just completely scraps character classes. Playing a mage rn and for some damn reason she has separate ranged attacks. What the actual fuck. What is the point of making people choose a class if a damn mage has to stand next to enemies to attack?

So far doesn't feel like an RPG at all. Starts in media res which is fine, but your character is already established as a cool hero and an important figure. Why? Why weren't we along for that ride?

Character movement is janky af, DAI was much smoother 10 damn years ago. Hopefully they'll somehow manage to fix it.

Either they needed better actors or a much better voice director, because holy shit is the dialogue awkward and halting and just... no.

Writers have clearly had shoes far too large to fill. Dialogue wants to be funny and witty and clever. It is not. Specially not with the phoned in voice acting.

Where have my Welsh/Irish elves gone? Wtf happened there? Also why wasn't there anyone around to tell the actors how to pronounce the elvhen words??

Why the fuck is the rogue our healer.

All quests so far have been walking from A to B, collecting some coins along the path, and then fighting 5 or 10 enemies. No variation at all.

Idk man, I really hope the game will find its legs as it goes on, but so far? Massively underwhelming and honestly quite disappointing. Absolutely does not feel like DA. People critisised DA2 for being rushed and DAI for a whole host of shit, but at least I felt like I was playing a Dragon Age game.

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me

[sunlightfeeling]

okay i think hands down this might be my favorite choreo fuck-up (and one of two primary reasons why i finally decided to gif this one whoops)

pamS (2001)

[akkivee]

i think it’s interesting that when kuukou and ichiro collaborate with their music, both in nb and bbbat, the sound comes out closer to a bb sound, leaning heavily on old school hiphop vibes. similarly when samatoki and sasara collide, their music is in the jazz genres which is a dh sound

makes me wonder if it’s a reflection of their dynamics, eg kuukou following ichiro’s lead in their nb days/samatoki going along with a lot of sasara’s whims or maybe a dynamic to come 🤔

[oh-meow-swirls]

i feel like there must be a gold mine of yo-kai watch stuff that my moms bought and then never actually gave to me.

i have this now-

[enhanced-operatives-division]

i would love to hear about the ollie and handler crack ship here’s a silly doodle as well

LOVE THE DOODLE YOU SEE THE VISION!!!

Also this got my ass to design Ollie so:

(Love him - Also redesigned Reggie for this too so thanks!!)

And idk if it's moreso a crackship or a rarepair that only works in an AU (HACKS up Starstruck), but Reggie's line of "...and I hope Ollie made it out too. I hope a lot of things." It's totally me reading into it but like,,,,I want them to talk because Ollie is not dead to me in my heart of hearts.

Maybe the only change is like Reggie taps into the communication on the radio in Hot Water instead of using the earpiece, so Ollie ends up hearing him also? And they end up getting along really well (with Reggie having to jump through a couple hoops to be like "haha what agency..."). There's an Agency base in the South-East coast of Australia and maybe the Agency ends up adopting him after he washes up on the shore with the escape pod (after HEAVY questioning).

Alas take a doodle of my own:

Transcript (it's just canon lines):

Ollie: "She's being controlled, it's not her fault."

Reggie: "Agent, I have 0 experience dealing with giant security squids."

[devotedlystrangewizard]

totk really is one of those games that make me go "ok thanks for the characters, setting, and general plot, but ill take it from here <3" because the entire historical timeline had so much potential for interesting and nuanced story telling but they just went with the old zelda story formula and YES thats how theyve always done it but botw was such a reset in terms of gameplay that they couldve overhauled how they handle story in totk. but they didnt

[milkweedman]

Coincidentally my usable warp is like exactly as long as my dining room. Point is tho, i am finally done thank fuck

[chexie]

UhhhhhhH

I don't really have anything witty for this one. Just. Don't acknowledge out loud that it's almost been a year, I'll sob.

[loumauve]

I snapped today at work, and by snapped I mean I politely commented on a help desk ticket by summing up an mess of an (type of) issue that's come up for at least the fourth time in the 2+ months I've been managing user accounts, and asked the person responsible to fix it (himself for once) because last time I fixed his mess-up it took me two whole days to work out the details with at least four other colleagues from different departments and I really don't want to do it again. there's other shit that needs doing, I've been working 10+ hour days for most of this week already, so I need to cut down not add on more.

(good thing tho - at least we managed to fix the issue where the dataset of a newer employee got mixed up with another one of the same name and therefore wasn't able to apply for any of the access/accounts she needed. technically not entirely my area but it does impact us not being allowed to create an account for her so I figured I might as well track that issue down. took three days and at least three other people, but hey - it should all work out now. yay for that)

[bigpeepee]

okay so i am once again in a bit of a pickle due to the fact that i never learn from my mistakes :)

[camgoloud]

i simply feel that if you burn shit in your roommate’s skillet you should then feel the obligation to be the one who scrapes it out and cleans up

[cerealmonster15]

my hxh experience is also very confusing bc i started watching it like 2+ years ago at my partners apartment, but then i think we stopped for a bit / we moved around a bit, and kinda just never got back to it. then a while after we moved in with each other wayyyy later we eventually picked it back up and then this time in dub form bc it's easier for me to focus if i dont have to try and read everything quick enough and also see whats happening jfkldshg so it was like

sub version watched up through like halfway through york new auction arc or whatever

[2+ YEAR LONG GAP???]

picking right back up exactly in the midway spot where we left off, now in dub, i cannot remember Jack Shit and have to keep asking my partner [who has seen/read it before] what's going on and who everyone is every 5 seconds. there are so many characters and i remembered like 6 of them at best fdhjvlksjldhg. killua's grandpa and dad showed up like an episode or 2 after we picked it back up and i was like who are these guys. where did they come from. tbh being told who they were didnt help bc i still didnt understand why or how they were there dfshjfghjgf