#TV series reviews

[warrenwoodhouse]

Disney+ Original Series Marvel’s Moon Knight (TV Series Reviews) (Reviews)

​​⁠Review by @warrenwoodhouse

In my most humble opinion, Moon Knight was a fun, lively, interesting and action-packed limited series that has a certain quintessence charm.

Set in London and Egypt, featuring Oscar Isaac as Marc Spectre and as Marc’s alter egos, Steven Grant and Moon Knight, he delivered a stunning stellar performance that captured intrigue and sensitivity in later episodes.

Though, not to ignore the excellent performances by fellow costars, this is a must watch series for any Marvel fan or anyone who enjoys a good action-packed series.

I throughly enjoyed this series and I hope they bring him back in a new series.

I highly recommend watching this.

[joncronshawauthor]

🧟‍♂️ New Episodes & Exciting Reads | Author Diary - April 26, 2024 📚🎬

🧟‍♂️ “Punks Versus Zombies” Updates I’ve added two new episodes to the “Punks Versus Zombies” series. To make it even more accessible, I’ve uploaded a compilation of the audio versions of episodes 17-24 on YouTube. This format brings a new dimension to the storytelling experience, and I hope you enjoy it! 📖 New Short Story Release I’m excited to share a new short story, “Siren’s Song,” a…

[hyunpic]

[nortei66-blog]

Get paid To Be A subscriber

https://podcasters.spotify.com/pod/show/yungtytanwrld/ Become a Paid Subscriber: https://podcasters.spotify.com/pod/show/yvngtytan/subscribe

[haveyouseenthisseries-poll]

The full top 100 list can be found here, and this post was inpired by this poll!

[lgbtpopcult]

Ranking the Top 10 GL Series of 2024

10. My marvelous Dream is You

A highly expected gl from Idol Factory that fell short of our expectations not for lack of chemistry from its love team (they in fact had some of the best chemistry in the industry) but because of the bad writing. The writing simply didn't allow the story to flourish. The couple spent most of the series apart, and we don't mean simply not in a relationship. They hardly spend any time together at all, and when they did, there were no romantic moments happening most of the time. What saved the series was its couple that sold the rare moments they had together really well. No surprise that they're dating in real life.

9. Apple My Love

Short and sweet, this story was a fun little romcom that fulfilled its purpose well. The couple needed to prove themselves as a love team, and they did. Happy to know they got a new series out of it.

8. Petrichor

For the people who had heard of Englot but had only seen them as a love team on Show Me Love, their popularity remained a mystery until this series. This police drama/romance has been good enough to prove they may not be the team with the best chemistry out there, but they're definitely not completely deprived of it like Show Me Love made us think. The series itself is interesting if you like your romance in small doses amidst the action.

7. Blank The Series

Here comes the controversy. One of the most successful and also controversial series of the year. We have to acknowledge that unlike what some fans would like us to believe the problem was not in the age difference per say but in the fact that one of them was 21 and initially very immature for her age. However, she was not underage, she was not unintelligent, and she had agency. She was the one who persistently pursued the relationship. The story was exciting and passionate. Also, mommy issues sell.

6. 23.5

A series that gave milklove, a much beloved love team, its chance to shine. It was a sweet high school romance that was enjoyable for most people and had some great highs. Its jealousy episode was one of the best around, and both of the admins here in lgbtpopcult are willing to die on that heel. It did, however, have the limitations of an innocent high school romance. A lot of time was dedicated to side characters and the couple could not be shown in a more mature relationship. Still, a good time!

5. Mate the Series

It is endlessly entertaining to watch Gen and Aoey interact. The perfect ice queen, rich girl that wanted to only be with the perfect man (somehow nobody was ever the perfect man) trying to resist her innocent, tempting friend. They are funny and sweet and passionate at the same time. The series does a good job of focusing on their relationship with little interest in anything else

4. The Loyal Pin

This production, supported by the Thai ministry of culture, definitely deserves its spot at number 4. At 16 episodes and with great production value, it is a journey through time that not only shows us the love story between two women but also the food, dance, and customs of the country of Thailand. The love story itself did a good job of remaining entertaining by inserting some jealousy and lots of obstacles in the course of the couple.

3. Affair the Series

A fierce debate broke out amongst us about whether this series would occupy the third or the second place in this list. You see half of it, the second half, was so incredibly good. The push and pull of a couple with exploding chemistry while they lived together. The obsession Wan had with Pleng. The amazing love scenes. But the first part of the series dragged it down. The chemistry was there from the beginning but they spend too much time in the past when the leads were young, and one of them was pushing the other to be with a guy just to avoid her feelings. That part wasn't bad, It had its moments, but it was at times frustrating and too long. A great series nonetheless.

2. Pluto

This series has it all. A love team with great chemistry, an interesting plot, good acting, and quality writing. It did not only show us an exciting romance but addressed issues of disability and even teased a throuple (through a side couple don't worry the mains are as crazy in love as gl couples should be). Insert some surprising twists and turns and it's a go!

1. The Secret of Us

The number 1 spot could go to no other series. It wasn't even a debate. Lingorm, the love team comprised of Ling and Orm, was tasked with proving a gl can go toe to toe with straight romance series on a major Thai network. They knocked it out the park! The Secret of Us was super successful. Throughout its run, it remained in the top 10 of Netflix in Thailand and the other Asian countries it was available in. It frequently occupied the number 1 spot, and its numbers on the network's own streaming app surpassed those of its straight counterparts. There was a reason for all of that. The story was a very popular romance trope (angry ex vs. regretful ex) done right, the chemistry of the love team was enticing and both main characters were infinitely charming. We all fell in love.

[perseidlion]

The Interview With the Vampire TV show is a perfect example of how adaptations do not have to follow the source material closely to be an excellent adaptation.

(This is a spoiler-free commentary, but it does discuss the dynamics of the characters in general.)

I read the books back in the day, and of course, saw the original movie. Despite a laundry list of big changes, the series still feels extremely true to the books because it captures the spirit. It gets the characters and their fucked-up dynamics right. It doesn't shy away from them being melodramatic monsters. It keeps to the rules established in the source material. The show also makes sure to preserve key moments and key scenes, but always with a twist.

Since they did that, they were free to shift things in time, amp up and adapt certain dynamics, and change the race of characters in a way that deepens the story and complicates already extremely complicated power dynamics.

The original movie stuck more closely to the era and the appearance of the characters as described by Anne Rice, but I don't think the story loses anything by changing those two elements. In fact, it gives it modern relevance and room for political and social commentary.

I have never ascribed to the idea that an adaptation has to be slavishly accurate to the source material to be a good adaptation. It just has to be smart enough to identify what to keep and what can change. An adaptation adapts. Honestly, I find it boring when I see exactly what was in a book up on screen with no surprises. Where's the fun in that?

The difference between a good adaptation and a bad one is not how accurate it is to the source material, but how well the adaptation respects what made the story compelling to begin with.

What's important here?

Lestat is dramatic and powerful and a monster who is deeply charismatic, but also manipulative.

Louis is overdramatic and self-hating, but oddly drawn to Lestat.

Claudia is fierce, but bitter about her eternal childhood.

Their relationship is deeply toxic but with true affection. They are monsters, but monsters capable of intense love and devotion - to the point where it has the power to destroy them.

THAT is at the core of this story. THAT is what they keep intact. This frees up all sorts of avenues for play around a few key plot beats.

This room for play also gives opportunities to expand on thinner characters or rewrite them entirely. It's been a long time since I read the books, but I don't recall Daniel standing out as more than a framing device, especially in earlier books. But in the show, he's one of the best parts. Not only does he take a much more active role in the story, he delivers some of the most hilarious and cutting lines of the entire series. If the show had stuck closely to the source material, we wouldn't have this Daniel.

It was also smart of them to make Claudia a few years older. The eternal child element is preserved, but the layer of arrested teenaged hormones and womanhood that will never blossom adds an extra layer of angst and sadness. She is stuck forever in a state of rebellion, never allowed to settle and come into her own.

Having her be a young Black woman also deepens her attachment to Louis, visually, socially and symbolically. They are different from Lestat and they understand each other in a way he never can. She's still very much the Claudia from the book but with layers added to deepen her character and add new, fresh dynamics and complications.

It's also delightful to see the show take the homoeroticism that was subtextual in the early books with Louis and Lestat (and in the original film) and making it unapologetically text. Anne Rice's Vampire Chronicles have always been incredibly queer and subversive, but it's amazing to see that side of it fully embraced and stated plainly with no ambiguity or qualifiers or hints. It's queer and that queerness is woven into the fabric of the entire narrative. Louis and Lestat are the toxic beating heart of the Vampire Chronicles.

It's also important because we need messy, dark, fucked-up queer narratives. Sweet, coming-of-age stories and romances are of course, important - especially for younger queer people. But us older queer folk not only want to see ourselves in multiple genres, we want permission to see imperfect, messy, and yes, even evil characters. It's a way of reclaiming the monstrous queer that was villainized for so long and making it our own. We want to find something beautiful in the dark.

If we all thought about it, we could probably think of dozens of examples where a show or movie went far off-script from the source material and was still an excellent adaptation.

Interview With the Vampire is just the most recent and one of the best examples of a stellar adaptation that respects the source material but also builds and expands on it.

I look forward to seeing how they surprise me next season.

[le-trash-prince]

Tumblr put out its list of top 100 TV shows of 2024, and of course the only Thai BL series present has got to be the vroom vroom omegaverse show

I hope the rest of tumblr realizes we’re in for a second season ✌️💖

[dandelionjack]

my letterboxd review of i saw the tv glow. kinda long, but this is worth reading, i promise

[rinabirgul]

i am not a obsessive person

sent from my iphone

[fuckyeahjamieandclaire]

I just can't get over how well Sam Heughan, Caitríona Balfe, and the whole cast's acting is. But the complete heartbreak on Jamie's face. Like, stop. I was crying along with him. I love how unhinged he is and does not care about anything anymore. He even resigns, writing the message with Claire's blood. Aka his heart. Aka a callback to the title of the episode. I'm telling you guys. The little details here are just fantastic. All that's important is Claire. Denny has learned a lot from her, and now he has to put those skills to good use. Hopefully, he's up to the task. Gah![...] Outlander season 7 episode 15 successfully brought all the emotions in those quiet scenes between Jamie and Claire, raised the stakes in an intriguing way for our favorite couple as well as William and Jane and Roger and Brianna, and is leading us into a compelling finale. The historical drama's finales are always very strong ones. I'm so nervous for what's to come. But I know it's going to be great! As for this week, the penultimate episode really did what the episode before a finale is supposed to do in an intriguing way. Episode grade level: A.

Outlander season 7 episode 15 reminds us why we love the show after it fell off for a bit (Snowsnob Review)

[inbooyork]

Mel Medarda: My Queen

The undertones of that statement: Arcane Review

Watched Arcane a while ago but was reminded of it whilst scrolling on Pinterest. Saw a comment claiming to never forgive Jayce for his relationship with Mel (obviously a joke), but I got me thinking about the racial implications behind that statement.

I realised this on TikTok, as I saw plenty Mel “stans” claiming she was too self-sufficient to be in a relationship with Jayce and should therefore leave him to be with Victor whilst she remains alone. Or that she was blocking Jayce X Victor.

That idea is reminiscent of the strong black woman stereotype. Although non-black people have convinced themselves this is a positive stereotype, it still does damage. The implication behind that stereotype is that she—the black woman—is completely dependable, she will not complain over your need for help and will always be there for you regardless of its effect on herself.

Under the guise of being progressive, they feed into that stereotype. That she is somehow above vulnerability. That it is a lack of “womanly” vulnerable emotions; she is only capable of anger or lust.

Which leads into the manipulative Mel archetype the fandom created. Melding her into this cartoonishly manipulative, strong black woman who used her sexuality to strong-arm the brainless Jayce.

That despite everything she didn’t love Jayce and he didn’t love her. (Complete trash)

Both spectrums do not reflect her character. She is rather above weak emotions or the disposable black girlfriend trope. regardless of intention created a false idea of her.

[dollerinna]

Very late to the conversation abt s4, but as a Noir girlie, I feel like this must be said 😤

(SPOILERS BELOW)

I did NOT like how there was little to no substantial development surrounding Noir this season. Instead, they reduced my mans into a comic relief character, which don’t get me wrong, I do enjoy sometimes, but don’t we already…. cough cough have the deep for that? cough

Like they could’ve done something so much more impactful with the og Noir, but noooOOO kripke just HAD to kill him off, and for what? Just for a few little scattered jokes here and there? Meanwhile this entire season has been an absolute uncoordinated mess???? ((Ik Kripke was planning to kill off Noir since the very beginning, but WHY?? 😭

I can see where they might be heading with a potential showdown between Noir II and Soldier Boy in S5, maybe mirroring the disfigurement of the og Noir or sth? But the way they've been building up to that so far just doesn't feel very compelling or efficient to me personally. it just feels they’ll land another lame “haha” moment for the audience and call it a day when it comes to that point

Impactful story arc? Nope- thrown straight outta the window

and yes I know Noir wasn’t even a primary character to the storyline in the first place, so it’s not like the end of the world or anything. Just take this as a nonsensical rant from a bitter Noir stan 🤠

[watchnrant]

Interior Chinatown: A Sharp Satire That Challenges Stereotypes and Forces Self-Reflection

Interior Chinatown is a brilliant yet understated reflection of the world—a mirror that exposes how society often judges people by their covers. The show captures this poignantly with the scene where Willis Wu can’t get into the police precinct until he proves his worth by delivering food. It’s a powerful metaphor: sometimes, if you don’t fit the mold, you have to prove your value in the most degrading or unexpected ways just to get a foot in the door. The locked precinct doors represent barriers faced by those who don’t match the “majority’s” idea of what’s acceptable or valuable.

While the series centers on the Asian and Pacific Islander (API) community and the stereotypical roles Hollywood has long relegated them to—background extras, kung fu fighters—it forces viewers to confront bigger questions. It makes you ask: Am I complicit in perpetuating these stereotypes? Am I limiting others—or even myself—by what I assume is their worth? It’s not just about API representation; it’s about how society as a whole undervalues anyone who doesn’t fit neatly into its preferred narrative.

The show can feel confusing if you don’t grasp its satirical lens upfront. But for me, knowing the context of Charles Yu’s original book helped it click. The production team does an incredible job balancing satire with sincerity, blurring the line between real life and the exaggerated Hollywood “procedural” format. They cleverly use contrasting visuals and distinct camera work to draw you into different headspaces—Hollywood’s glossy expectations versus the grittier reality of life.

Chloe Bennet’s involvement (real name Chloe Wang) ties into the show’s themes on a deeply personal level. She famously changed her last name to navigate Hollywood, caught in the impossible middle ground of not being “Asian enough” or “white enough” for casting directors. It’s a decision that sparks debate—was it an act of survival, assimilation, or betrayal? But for Bennett, it was about carving a space for herself to pursue her dreams.

This theme echoes in one of the show’s most poignant scenes, where Lana is told, “You will never completely understand. You’re mixed.” It’s a crushing acknowledgment of the barriers that persist, even when you’re trying to bridge divides. Lana’s story highlights how identity can be both a strength and an obstacle, and the line serves as a painful reminder of the walls society creates—externally and internally.

Interior Chinatown doesn’t just ask us to look at the system; it forces us to examine ourselves. Whether it’s Willis Wu at the precinct door or Lana trying to connect in a world that sees her as neither this nor that, the show unflinchingly portrays the struggle to belong. And as viewers, it challenges us to question our role in those struggles: Are we helping to dismantle the barriers, or are we quietly reinforcing them?

[tinyreviews]

Tiny Review: Arcane S02E04-6 2024. Girl power all the way.

I am always wary of hype, contrivances, series exhaustion, and the like. But high quality and ability to make me immerse and root for the characters, pull me in and keep me excited.

I can’t wait for the next 3 episodes! 🤩

Arcane is an adult animated steampunk action-adventure television series created by Christian Linke and Alex Yee.

[clay-number-42]

me when i get to series 4 on my bbc sherlock rewatch :(