#TV parts

[sameeksha-4717]

[animusrox]

World’s Finest, Part III Superman: The Animated Series

[mo-mode]

Grover: Oh, you like war? Me too! My favorite part is *commits psychological warfare*

[counting-stars-gayly]

I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?

Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.

Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.

Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.

[tvpartsforsale]

Restoring Your Samsung TV: Genuine Samsung TV Parts for Sale

Your Samsung TV has been a faithful companion, delivering countless hours of entertainment and unforgettable moments. But, as with all good things, it may require some TLC to keep the magic alive. Cue https://www.tvpartsforsale.com, your trusted partner in reviving your Samsung TV to its former glory. Are you curious about how we do it? Let us get started:

We Speak Authenticity

Have you ever heard the expression "the right parts make all the difference"? That is kind of our motto here at TV Parts for Sale. When you shop with us, you are not just getting any old parts; you are getting genuine Samsung components. We believe that your television is deserving of nothing less than the best.

Expert Advice, Just a Click Away

We get it—navigating the world of TV repairs can be confusing. That’s where our team of experts comes in. Need assistance to figure out which part your Samsung TV needs? Have a question about the installation process? We are just a message away. Consider us to be your friendly, knowledgeable neighbors who are always willing to help.

Your Time Matters

We understand how frustrating it can be to wait for critical parts to arrive. That’s why we take pride in our swift and secure shipping services. Your Samsung TV parts will be on their way to you faster than you can say “movie night.” Our aim? Get back to your favorite shows with minimal downtime.

Quality that won't Break the Bank

Repairing your Samsung TV shouldn’t break the bank. We believe in fair pricing, ensuring you get the best quality parts without burning a hole in your pocket. Because everyone deserves a perfectly working TV without the hefty price tag of repairing it.

Ready to breathe life back into your TV?

Your Samsung TV has a lot more to offer, and a simple replacement part can make all the difference. Visit us at https://tvpartsforsale.com/brands/samsung/ today and explore a world where genuine parts meet genuine solutions. Let’s bring back the sparkle to your entertainment corner, because your TV deserves nothing but the best. Happy watching!

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[shesnake]

We Are Lady Parts season 2 episode 6 "Glass Ceiling Feeling" (2024) dir. Nida Manzoor

[journallain]

[druid-for-hire]

hawkeye and trapper get fake septums

(id under the cut)

[image id: a three-page digital comic about characters from the TV show MASH, illustrated by "druid-for-hire." On page 1, frank burns squints at Hawkeye from a short distance, who is next to Trapper, who is reading a newspaper that obscures his face. "Pierce," Burns asks, "what's on your face?" Hawkeye turns to face him, revealing a septum piercing. "what's what, Frank?" he asks. Shocked and affronted by this breach in army regulations, he shouts, "I can't!! Believe you!! It's not enough for you to disagrace the army uniform by being out of it all the time? You have to go and--and do that! You look like a punk! Or a cow!"

On page 2, Hawkeye, unbothered, replies "Y'know, Frank, I'm finally living up to the Pierce name. I was thinking about going for some ear tag earrings. Maybe I can get a nurse to pull my udders." Frank howls, "That's disgusting!" Turning to Trapper he shouts, "Did you have anything to do with this, McIntyre?" Trapper pulls down the newspaper to reveal that he's wearing three septum rings and says, "I sure did! He stole my look!"

On page 3, Frank says "You're both terrible. Both of your butts are going on report!" while Hawkeye takes out his apparently fake septum ring behind his back. "Report for what, Frank?" he asks; Frank turns to see that the piercing is now missing. "Yeah, what's the matter, Frank?" Trapper says, whose piercing is suddenly missing as well. Frank storms off, yelling "Neither of you can pull the wool over my eyes!! Just wait until General Barker hears about this!" Some time later, Frank is standing next to General Barker, pointing at Hawk. "General, I'm telling you, the hole is THERE!" he shouts. "Go and take a look in those nostrils for yourself!" There is a long and awkward pause. The General did not like that. Hawkeye remarks, "Gee Frank, take a girl to dinner first." end id]

[mintystea]

hey yeah sorry i cant go out tonight im rewatching leverage (2008-12) and leverage: redemption (2021-). yeah its time for me to indulge in the fantasy of karmic justice through heists and found family, unveiling greed and corruption of large corporations, and death to capitalism again. sorry about that.

[lutheban]

one thing i CANNOT forgive that they took away in the new pjo series is the very small moment when percy and annabeth are squinting trying to read the sign on Aunty Em's Emporium

Percy asking what does it say and annabeth being like "i have no idea" and Grover having to translate to them bc they’re both dyslexic and cant read in red cursive neon english

like is such a small moment but is such a core memory to me

[grimmthorne]

i think the true horror of i saw the tv glow is the feeling of the narrative haunting you after you've seen it. i think the movie is simultaneously a warning against repression and ignoring your true self, a narrative of those who dont always have the life they wanted to live, and a story full of hope that you can still cut yourself open and see what's inside, and you can always walk out of the door of your old life. but you have to be the one to do it. your friend cannot save you. your interests cannot save you. you have to save yourself and that in itself is a haunting narrative. the horror that we see in i saw the tv glow is not at all jumpscares or gore or creepy crawlies that other horror films have, but its the horror of longing, of fear, of knowing that you shouldve taken that chance when you were younger but you know deep down you can still do it. dont fool yourself into thinking that once you're 20, 25, 30, 40, that you cant take your life into your own hands, that your choices arent yours to make anymore. it will always hurt, at least a little, to cut open your own chest and to let it out and see who you are inside but theres never a better time to do that then now, even if that's when you're stuck at a deadend job after you had a public breakdown. you can walk out of the door. there is still time.

[supercutszns]

rotten to the touch; luke castellan

series masterlist

wc: 3.2k

pairing: pre-tlt luke castellan x f! reader

synopsis: you’re pretty sure you’re an awful person. you’re pretty sure luke castellan is too. and you’re pretty sure you want to make out with him.

warnings: reader is flawed & not the greatest, luke is ... a little dark🫣, small mention of blood, swearing, lots of making out but no explicit nsfw, a bit toxic, & no more more ‘i can fix him’ or ‘i can make him worse’ it’s ‘he can make ME worse’

notes: this is… sluttier than my usual stuff so it’s not as good but i’m trying, feedback is appreciated! also i wonder what cabin we think this reader would be in, let me know where you’d place her im curious :) maybe i’ll write more of her in the future she’s interesting!! and thank you for 100 followers i am so grateful<3 designated song for this fic is crush by ethel cain

You are a miserable, wicked, asshole of a person, and everybody knows it. Including you.

It’s unclear to you why you turned out this way—every reason to blame never satiates the fury searing your insides. All the campers hate you. The counsellors, too. Even Chiron looks down on the viciousness inside you. You are Camp Half-Blood’s black sheep; a mean, bitter person with no love for the people around you. And it’s not just for show. You know you’re rotten. You know the anger will never go away.

It’s evident in the things you think about other people—the way you pick them apart in your head, toss them aside, because they just don’t see it. This miserable, unforgiving world, with children sleeping on wooden floors because the people who created you think you disposable. Because they can just make more of you. More, more, more, until one of you comes out rotten, born of all the ugliness they have inside them. You are the worst parts of Godly blood. The wrathful parts.

Everyone hates you. Everyone hates a person with an unquenchable anger.

But everyone loves Luke Castellan.

He’s a saint at Camp Half-Blood if there ever was one. Handsome, generous, kind. Goes out of his way to help out the new kids and gives them homes in his cabin. He’s the best swordsman in camp by a mile. Shit, you’d even love Luke Castellan if you didn’t know any better.

But you do, and you don’t, and it’s complicated, okay?

Because there’s something you know about Luke Castellan that nobody else does: he’s miserable and wicked, too.

You see it in his eyes sometimes. The way they look at you at dinner, when you’re picking at your food away from anyone else at your table. Something familiar rises in them, and your stomach twists. His body tenses whenever someone mentions his father, but the smiles he flashes are so charismatic nobody notices. But you do. It’s exciting.

During sword practice, he quips back and forth with the kids and laughs whenever they take a jab at him. He’s light, easy, carefree. But you see how he holds back, the tension in his shoulder, the way the arc of his sword never fully finishes. So you wait until everybody leaves and he’s alone, with the training dummies and the setting sun. And you. Hiding.

He slashes through them and spears through their heads. You see it, the gnashing of his teeth, the sweat curling down his cheeks. There’s something there. A chasm he’s hopeless to fill.

Before you know it, you’re going out of your way to catch him training alone. It’s creepy, you know, and awful, you know, but the more you watch him the more you see a sort of violence scabbed under his skin.

Whenever you see him now, the feeling you get is entirely foreign to you. It’s almost . . . longing.

Wherever she is, you’re pretty sure Aphrodite’s having a cosmic fucking laugh. And you’re sure she’s laughing double tonight.

The Aphrodite cabin is hosting some secret party for the older counsellors. You’re definitely of age to be a counsellor, but you’ve never been made one because that would probably make half the campers drop out. Chiron and Mr. D don’t know what to do with you. You’re sure you’ll be kicked out of camp soon for good.

But you’re here anyways, for a reason you don’t want to admit, and you stay tucked in a corner as the world around you mingles. Luke is on the other side of the room, lovely as always, laughing with a few other counsellors. He brings a drink up to his lips, and you have a startling thought of what it would be like to kiss him. And you’re fucked. You’re so fucked. Because for the first time in your life you want something tangible, something real. You want to hear him and feel him and pry him apart, and a part of you wants him to actually see you, see all the awful things that might make you the same. You feel like a teenage girl with a crush, and it is infuriating.

An Aphrodite girl comes up to you with a foolish smile. “Hey, sorry, you want a drink?”

“Fuck off, you idiot,” you snarl.

You wait for her to leave. She doesn’t. “You know, you don’t have to be so mean all the time,” she says evenly. “If you’re here, you might as well enjoy it. So yes, I want to give you a drink.”

“Have you ever thought that I’m not being mean? Maybe I just am.”

You glare at her. She looks you up and down. “Sure,” she shrugs, walking away. There’s a vivid picture in your mind of her falling through a hole in the cabin floor. It doesn’t soothe you, but at least the fantasy is there.

The night drones on. You’re sick of the smells and the laughs and the heat. And you’re sick of yourself. You can’t believe, underneath all your sourness, you came here to stare at a boy you barely know, and you don’t even know why. He’s fascinating, and you resent him, and he’s also beautiful. But he’s looked back at you all of three times tonight and you’re sick of the way your skin crawls when he does.

Leaving the cabin brings the relief of the cool night air, and the singularity of your body. You are the only one who feels this rage. You are the only one who hates.

To stave off your discomfort you walk around to the back of the cabin, to the crest of the hill facing the water. The stars above twinkle at you in spite. There’s a bitterness in your throat you want to wash down with something worse (maybe you should have taken that drink), but you know it won’t matter. Nothing matters. Those stars and whatever they hide are apparently the only important things in the universe, so why should anyone care about anything?

They stars only get brighter. It’s probably their goal to piss you off. You grunt, “Oh, fuck you,” to them. It’s not enough, never nearly enough to expel the rotten part of you. “Fuck you. Fuck off!” You groan at the sky. Nothing happens. Until:

“I’m guessing you’re not having a fun night.”

You whirl around. It’s hard to see in the dark, but whatever light is left catches a long scar on a cheek. Your stomach knots.

“Yeah, me neither,” Luke Castellan says, hands in his pockets as he meanders towards you.

Even when he’s close enough, you don’t say anything. If you do, you’re afraid it’ll be something ugly. Like I kind of want to make out with you. Are you awful too? I need a lobotomy.

The thoughts almost make you laugh. Been a long time since you’ve been funny.

He nods at the sky. “Those things don’t talk. You do know that, right?” He’s still so captivating, so self-assured, even when there’s no one around but you.

“Gods, you’re the worst,” you scoff. You really mean it, so you can’t look him in the eye.

“Then why have you been staring at me all night?”

It catches you so off-guard that you whip back to face him. He has an eyebrow raised and the itch of a smile that makes you burn with shame. “What the fuck are you talking about?”

He shrugs, leaning against the cabin wall. “I’m not stupid. You’ve been brooding in the corner watching me the second you came in.” He cocks his head to the side, adding, “Actually, you stare at me all the time. At meals and stuff. I really hope you don’t think you’re being subtle.”

You huff. “Okay, if we’re really being honest here, you started that! You do it too! All the time!”

His hands shot up like he was being arrested. “Hey, I never said I minded it. A guy’s . . . just gotta wonder. What’s up with you spying on me when I’m training alone, anyways?”

“You have no idea what you’re talking about.”

“You watch me when there’s nobody else around. I’m not blind. It’s weird. If you want tips you can just ask me. Or if you like what you’re looking at, at least be upfront about it.”

You speak before you can take in that last sentence, or the way his smile took pride in itself when he said it, or how embarrassed you should probably feel. “You didn’t answer my question about why you started staring at me first.”

The anger (shame) blinding you made you forget how close you are to him right now. Close enough to touch, but not enough to see. But almost there. Almost.

“People think you’re mean,” Luke says after a moment, his dark eyes probing you. The words curl out of his mouth slowly, like he’s choosing them all with care. “You’re rude. You never listen to anyone. You judge everything. They all think you’re awful.” Again, he looks you over. “I’m not so sure.”

“If I’m awful, then you’re awful,” you spit before he can say anything else.

He just shrugs. “Well, I guess that’s why I’m not sure.”

It’s irritating, his calmness. He has the same anger you do. How come he can just . . . shove it down? You try to unearth any fury in his eyes, but it’s too far back. Simmering. “Jesus,” you mutter, “You’re worse than me.”

He looks genuinely taken aback by this. His scar deepens when his brows wrinkle. “What?”

“You’re a pretender—that’s what you are.” It’s your turn now, to step closer, to make his skin crawl. “Look at you. Everyone loves you. You’re this perfect golden boy and you’re sweet and attentive and whatever the fuck but you know it’s one giant lie. At least I’m honest, but you just sit pretty and act like you don’t have that . . . thing that I have. Resentment. Insanity. Whatever you want to call it. We’re the same, but I’m the only one getting shit for it.”

Now, you are close enough to really see him. The patterns on the wood behind him frame the vision of his ever-shifting face. You realize that this, like most things are to Luke Castellan, is a challenge. You also can’t remember the last time you saw him lose one.

But when you play, you play to win.

“You don’t know that,” he dares.

“Oh, I do. You’re rotten, Castellan,” you sneer, index finger jabbed into his chest. You can feel his heartbeat if you concentrate. “And you’re not owning up to it, so you’re also a coward.”

However scathing you look, it isn’t enough. If anything it only makes Luke’s manner more playful. Nothing feels playful anymore. Everything, inside and outside of your mind, feels like constant, exhausting war. Maybe that’s why you don’t slap his hand off you when it wraps around your wrist, keeping it pressed to the middle of his chest. His heartbeat thrums through you.

He tilts his face towards you, grinning, “Then why do you want to kiss me?”

All right. What the fuck. It feels like you’ve been electrocuted.

“What the—what are you talking about?” You blunder, but he knows, of course he knows, because there’s something between the two of you that has been formed and understood by eye contact alone. He can probably read your mind. As much as you don’t want to admit it, you’d like to read his just as much.

He cocks his head. “I mean, you did call me pretty,” he teases, and it’s almost endearing. “You’re pretty like this too.” His other hand comes up to your face, and you’re surprised you don’t flinch when his thumb gently smooths the crease in your eyebrows. “Don’t call me a coward, heathen. Then we’ll both be embarrassed.”

The nickname makes you want to fight, but the touch makes you dizzy. “You don’t want to kiss me, Luke,” you say with all the control you have, which, right now, is increasingly sparse.

“You’ve gotta stop telling people what they want,” he muses. The hand on your wrist traces further down your forearm. The one on your face snakes around your hips. “One of your more disagreeable qualities.”

His words fan over you. That fire simmering in his eyes has finally come to the surface.

“One of?” You challenge.

“You let me make out with you and I’ll give you a whole list.”

You snort, hoping it hides the shortness in your breath. “What a charmer you are.”

His lips brush yours. “Well, that’s what makes me so rotten, isn’t it?”

There’s hardly time to unravel if that’s a question or a statement because you grab a fistful of his shirt and he kisses you. Your heart detonates. It is not rotten in the slightest.

His body is warm and firm. You smell the cabin wood and the drink on his breath. It all matters, and none of it does. You’re warm everywhere as he wraps both arms around your back, and the way he kisses is, unfortunately, exactly how you thought he would. Your hands are tentative in his hair. So is your mouth on his. But Luke is so deliberate in the way he kisses that you know he’s thought about this, too. It makes you all the warmer.

His hand takes your jaw and tilts it up. You know your neck is shaky with breath, and you’re pretty sure he’s admiring it. You don’t complain when he presses a kiss to your jaw, then another one, like he’s testing the waters. “You’re so nice like this,” he mutters almost to himself, thumb running across your neck. “If only people could see you.”

“Then they’d see how mean you are too, no?” You huff. “You don’t want that.”

Another kiss to your jaw. “Not yet, sweetheart.”

Whatever feeling is harbouring in your body right now, it’s so fulfilling it almost makes you uncomfortable. You want to reject it. You’re not supposed to want things. Worse, you’re not supposed to get things. Luke starts marking a path down your neck and you are so determined to enjoy this that you’d kiss a fucking baby if someone asked you to. You might as well be a saint.

He bites the pulse point on your neck, sure to leave a mark, and a shudder rips through you. You’re pretty sure the bastard starts laughing. You hit his shoulder in retaliation.

“Easy, heathen,” he reprimands in your ear, and you know he’s still smiling.

“Don’t—don’t call me that.” You hate that you start to smile, too, and that your stomach burgeons with butterflies when he pulls back to look at you.

He touches the corner of your upturned mouth, kiss-bitten and red. His expression is boyish. “Hard to when it makes your face do that,” he goads. “I thought it was impossible for you to smile.”

“Be quiet.” You thread a hand through his camp necklace and bring him closer. You can almost taste his mouth on yours, but he sweeps past you at the last minute.

He gently tugs your earlobe with his teeth and whispers, “Yes ma’am.”

Fuck him. Seriously. You might have to.

It’s a tangle of teeth and hands and smiles kept hidden, as you slip your fingertips beneath his shirt and he does the same, and you’re both angry and greedy and incredibly destructive, but it doesn’t matter yet. Now you’re just teenagers fooling around at the back of a party, and it’s the first good thing either of you have had in a long time. Luke leaves you gasping whenever his mouth hits certain places, maybe too many places, and he teases you accordingly. “So sensitive,” he taunts, pressing his knee between your legs so he can see you squirm. You rake your nails through his scalp and he tilts his head back to groan. It shuts him up for a while.

He bites your neck until you say his name. You trace lines on his stomach till he takes your hand in his own. You’ve been hungry for something your whole life, and you finally have something to sink your teeth into. For better or for worse.

After Hades knows how long, laughter floats out from the front of the cabin. Sounds of feet tripping over each other and muffled goodbyes. You pull away from Luke, chests heaving together. His hair is wild, his shirt crumpled, and he looks entirely satisfied with it. Smug little shit. “Party’s letting out,” you mutter.

“What a damn shame.” His hand rubs your jaw, and it’s too tender a gesture so you angle your head away to peek over the side of the cabin. You barely pay attention to the kids straggling back to their bunks.

“Is now the time you tell me all my horrible qualities?” You ask once you’re ready to look at him again.

He clicks his tongue against the roof of his mouth. “Actually, I came up with more since I said that so I’m pretty sure it’ll take more than one night.” He fakes a wince, “Might have to spread it out for a few days.”

You roll your eyes, “Oh, you ass.”

“I’ll give you one for starters.” You feel like a tornado when he kisses the juncture between your jaw and your neck. “Your hands are too cold.” They’re tucked underneath his shirt right now, pressed against his back. You don’t move them. “And,” he adds, “you’re incredibly crass.”

“Thanks, dipshit.”

“Thank you for proving my point, heathen.”

The commotion at the front gets louder, and you know your time to go undiscovered runs short. “You meet me again tomorrow, and I start telling you the rest?” He raises his brows.

The prospect both repulses and excites you, although perhaps they’re hand-in-hand. You tentatively reach up to trace the scar on his face. A faint, jagged line that holds scripture within it. His eyes flutter shut for a moment. “Even though I’m rotten?” You ask, and there’s an echo of mischief in your voice, too.

He’s got a strange expression when he looks at you. “That’s not true.”

He leans down, angles his head to kiss you. It’s slow, but bitter, and he bites down on your lip until you’re pretty sure there’s blood. “Luke,” you murmur, and he kisses you softer. You lean into him like a hapless, lovesick fool.

After you part, he loosens his grip on you. The bumbling campers have gotten louder. He stares at you, and you see the chasm in his eyes again, brimming with fire. Same as yours. You know you’ll see him tomorrow.

He says, “You’re not rotten. You’re right.”

And damn it, you really do believe him.

[dcxdpdabbles]

phone a friend♥️

danny is a god and poor tim is trying so hard to ignore his family talking about the wedding

Tim watches Danny as the other boy gestures wildly to the art around them. It's surprising to know that Danny has never been to a art museum, claiming the small town he was from never had one.

Oh, they had small art shows and a few street markets, but nothing official like a building dedicated to art. Their teacher had announced to the class a semi-famous water color painter's work was going to be on exhibit a week ago.

She offered extra credit to anyone who would go and write a report about their experience.

Very few people cared, seeing as a majority of the student body of Gotham would go to art auctions at least once a week. Tim had been among those that didn't plan on attending, seeing as his grade were adequate enough, and he's been to the art museum often with Damian.

Then he glanced at the desk next to him, watching frost slowly form around Danny's hands as the boy read about the museum. A few seconds later, he stuffed the flyer into his backpack, the sound of snickering from further down telling Tim that some of the more annoying classmates saw how fascinated Danny was.

Knowing him, Danny would probably act like it was lame if only to save face with his classmates who didn't accept or deserve him. The frost vanished, replaced with a soft echo in Danny's voice as he muttered about how he didn't think he could afford to waste money on a museum ticket.

Tim likely wasn't supposed to hear that. He picks up the flyer, considering it with an pair of great importance, just long enough for Danny to realize that Tim was doing so before gesturing at it.

"That sounds cool. Easy extra credit. Do you want to go with me, Danny?" Tim found himself asking. Danny's entire face lit up, frost forming around the windows near him in beautifual snowflack shapes.

Thank goodness the two sat so far back in the classroom, and the winter was well underway. No one would question the frost in this environment.

That's how he found himself, wandering around the Gotham art museum with an overly hyper meta on a cold winter Saturday. They sold hot chocolate at the entrance- with strict instructions to not go beyond the ropes- and he took sips as Danny oh and ah at everything.

He tried really hard to ignore his family, who were following them room by room just outside Danny's range. They weren't even in disguises! The idiots were walking around as the Waynes but were moving in a way that made it impossible for them to "accidentally" bump into Tim and Danny.

This kind of behavior he expects from his siblings, maybe Bruce due to Danny's meta powers, but Alfred? Why had Alfred forsaken him so?

"Tim, look at this piece!" Danny calls, pointing to a very dramatic interpretation of the Black Plague in the form of a grim reaper towering over a cowering village.

Tim shoot the doorway a glare, catching the flash of one of Jason's wavings hands before he joins Danny infront of the rope. He's eyes take in every detail, every stroke, a bit breathless by how alive the paiting is.

"It's gorgeous." Tim breathes, eyes lingering on a figure atop a hill in the background. The figure has enough details that it's obvious he is also part of the story, not just the setting.

Despite his commoner clothing, he looked like an angel among the humans. The figure looked up at the grim reaper, his white hair flowing in the wind, and a gentle glow surrounding him.

His expression was remorseful but accepting of what was happening, and his beauty was almost inhuman as he watched the reaper bring the village to its knees. Tim swears he looked familiar, but he couldn't quite place the face due to its near-human features; there was just something more to it.

Tim points towards him. "I think that's supposed to be life."

Danny's eyes lock onto the glowing boy before choking on his drink. Alarm Tim pats his back as Danny coughs through the liquid. "Dude are you okay?"

"I'm fine!" Danny wheezes "Just fine. Um, when was this painted?"

There is a plaque right underneath the painting with the art detail. He squints at it before reading out loud: "Black Death's Shadow. Painted in 1886 by an unknown Goth artist. It's said that the artist was painting a story passed down through the generations of the survivors of a small village saved by the King."

Danny wheezes harder. "Wow that's crazy. It's really pretty. What-um what style would this be called? Need to write that essay for Mrs. X. "

"It looks like romanticism," Tim responded, leaning in the closer, chest now over the velvet ropes. He squits harder at the glowing figure, trying to figure out who it reminded him of. The artist was talented, but maybe they weren't able to capture the charater well based off of stories?

"Wow so cool," Danny said in a strained voice. He turns to look at his companion and is about to ask if something is wrong when a quick spark races across his shoulder blades. Surprised by the sensation, Tim jerks his shoulders, feeling as if though someone had shocked him.

He quickly glances around with his eyes, ensuring not to turn his head and witness other guests flinching at the tiny spark. A few are also looking around confused.

Did everyone just experience static electricity? At the same time? With no one touching metal or other conductors? How could that be?

Danny doesn't seem to notice Tim's puzzelment because he is staring at the painted white hair boy with a forced smile. "Why do you think this is Life?"

"Lots of things," Tim responds, tilting his head slowly to try and gather more information without tipping off whatever caused that charge. "Mostly the glow and inhuman features."

Another shock, a few people wince and another few laugh, but this time Tim saw a flash of soft sparks race across Danny's left hand, and his mouth makes a small o in realization.

Danny's meta powers were causing the static shocks. But what emotion was causing this?

"Inhuman?" Danny stammered, more sparks zapping across his hands but not strong enough that Tim could feel them.

"Yeah, he's inhumanly beautiful," Tim answered, watching in real-time as Danny's cheeks turned rosy while the sparks stopped. His hair started to fall out slowly, indicating happiness and slight bashfulness. He was acting like Tim had called him beautiful—not that he wasn't. Danny was fairly good-looking.

Huh.

Tim truned back to the painting compare it's feacture to the boy next to him and then it clicked.

Danny was the glowing boy in the painting, or more likely when using his powers. Cass did say Danny reminded her of Captain Marvel.

Now, the question remained: Was it just his powers, or was Danny physically present the day this was painted? Even further than that, was Danny there the day the painting's inspiration had happened, five hundred years before the artist painted the tale?

Was Danny unaware he was in the painting?

"Um, we should move on, yeah? I think I want to check out some of the sculptures?" Danny sputtered while tugging on Tim's hand. Without letting go his classmate dragged him out of the painting exhibits in brisk speed walk.

He definitely knows that was him. Tim thought, watching Danny's back as he let himself be led away. Does that mean I was wrong about him being a meta? Is Danny a god or god adjacent?

Meanwhile, the rest of the Waynes are crowding around the doorway of the painting hall, watching Tim and his not-human boyfriend practically run away.

"They are so cute together" Dick cooed, gestureing at where Tim seemed to not be able to take his eyes off the other. "I mean look at Tim. He's mesmerized!"

"What were they looking at?" Bruce questions, stepping into the room and standing before the painting that had Danny freezing up. "Why did this cause such a strong reaction?"

"Obviously, Father, it was due to how weak-willed Drake's courtship is. He didn't even attempt to hold Fenton's hand. Coward," Damian snips at his side, while Jason and the rest quickly follow after Tim. "I could never. I held Jon's hand the second he agreed to a romantic outing-"

"What?"

"What?"

The pair stared at each other in utter silence before Damian coughed. "We should make haste to follow Drake, least we lose him. Come along Father"

"Damian, come back here. Explain what you just said. Damian!"

[shesnake]

Stills from We Are Lady Parts season 2, coming May 30

A NOTE FROM NIDA MANZOOR (CREATOR/WRITER/DIRECTOR/EXECUTIVE PRODUCER) IN PEACOCK'S PRESS RELEASE: Making season one of We Are Lady Parts was immense for me. It was a trial by fire, but I found my voice, my style and my confidence in creating this show. Most importantly, I found my tribe - from actors and crew to producers and studio execs. So, coming to season two, I was galvanised. The characters, the world, the tone - it was all there, established, and ready to go. Now it was time to turn things up to 11. I wanted to go bolder, sillier, darker and deeper and that is exactly what we strived to do. In season two, we explore the interior lives of each of the women in more depth. Each of them facing new, existential challenges with all the silliness, pratfalls and banter of season one. The music is bigger too - more wild original tunes (penned by me and my siblings) and dare I say it, even better covers. The season overall asks the question of success. What is success? For a punk band - is fame, stadium shows and major record deals the answer? I wanted to explore the uncomfortable tension between art and commerce and ask how much compromise is too much. I'm really proud of what we achieved, and can't wait to share it with old fans and new.

[hudders-and-hiddles]

Happy Star Wars Day!