#THIS MAKES SO MUCH SENSE IT HURTS

[ihatebrainstorm]

Rewatching TFA and I love stinkin ol' grumpy rude prick of an Autobot Ratchet so much I wish he would just trip on a rock and twist both his ankles- Also I think he should be allowed to swear his heart out

His voice always reminded me of Soldier from TF2 so that's where the first quote and the rocket jump doodly thing is from

[teddybeartoji]

toji is so grounding. he's able to make your worries disappear without ever even doing anything (he doesn't know he can do this btw). like yeah he makes his jokes and his fuckass old man comments and he is still bad with feelings but the second he sees you drawing back into yourself for whatever reason, he's quick to just.. poke at you. he'll knock his knee against yours ever so gently, trying to get you to look at him. and when you don't, when you avoid his gaze, he turns into a very docile creature. his voice gets lower, his eyes way softer as he nuzzles into you. he knows his words won't be any good, he's not good at using them, so physical touch has to do.

pulling you into his chest or kneeling down beside you when you're laid down on the bed and tracing your features with his calloused fingers, there are many ways to do it. he just wants to make it go away. make whataver is bothering you just fuck off. he wants to protect you from the world and keep you safe from your own brain and so, nothing is too much. for a man so unfamiliar with tender touches, he's surprisingly gentle. his hands are rough but never with you.

he tucks a strand of hair behind your ear, he swipes his thumb over the sensitive skin below your eye. he presses a kiss, a small peck to your forehead. is this the same man who tripped you a few hours ago? is this the man who teased you for spilling water on yourself? is he really the one that groans and sighs and rolls his eyes whenever you serenade him with a silly song?

he does trip you and he does tease you and he does act like your antics aren't the most endearing thing in the world, but he also feels sick to his stomach at the sight of your teary eyes. he needs you to feel better, he needs you to smile again. you're the one who keeps him afloat and he refuses to let you sink an inch. down on his knees, he devotes himself to you in all of his might. he nudges his nose against yours as a silent promise before enveloping your body under his. he'll kiss you better, he'll hold you better. anything and everything – he's all yours.

[iristial]

[aliettali]

out of your friends which are you?! (skilltobers 13, 15, 16, 17, 18)

[claraoswalds]

The Girl Who Died // Hell Bent

[demaparbat-hp]

“Zuko?” Ming searched for the Prince in his silence. He was staring intently out of the window, mouth blown wide open, eyes distant and awed and sincere. Oh. His whisper was a fragile, breathless thing.

“We're here.”

Ming’s doubts and concerns are hers alone, but that doesn't mean the rest of the Crew doesn't share them. This sudden mission, Zuko's change in attitude, his obsession with the Water Tribes...

Ming tries to discover the root of it all in For the Spirits Chapter VIII: Make You Stay, but will Zuko let her in?

[sysig]

Ah, childhood memories (Patreon)

[wistfulwatcher]

bau members + near death experiences

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[heph]

It's so interesting how submissive House is to Wilson. In basically every scene where Wilson gives his 2 cents about a case, House without fail (for the most part) follows his opinion. Wilson gives him unsolicited advice and half the time he listens without saying anything, and the other half he argues but ends up listening to him anyway. House starts psychoanalysing Wilson and Wilson does it right back to him and House shuts the fuck up or gives a one line quip back at him (to have the last line) but knows deep down Wilson is right.

For a man of House's stature and how he interacts with Literally Everyone Else, the writers really hammer it into your soul that House only really listens to Wilson and no one else

[chrissy-kaos]

Why.. why does this always happen to me 😭

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[allastoredeer]

Controversial opinion but I think Lucifer gets babied too much by the fandom. Like I get that he has mental health issues but seeing all this fanmedia of women and men of color nannying this white-adjacent man who has been shown to be an incompetent and absent husband, father and leader. Just. Grinds my gears.

Not saying I hate Lucifer but... when people frame past radiostatic with current radioapple as a huge upgrade, it reeks of a woman leaving her abusive ex for a neglectful husband. While I'm glad Lucifer is a step up from Adam, I need to see actual improvements if I don't want to get the ick.

Agreed.

I massively agree.

Lucifer gets babied a lot. And like you said, yes, he has mental health issues and that's valid, but a lot of the time, it feels like his mental health issues become a scapegoat for his flaws and bad behavior.

Depression is a legit reason for Lucifer to struggle to maintain relationships and reach out to those he cares about. As someone who has suffered from depression, I understand pulling away from people, feeling like you need a reason to reach out to someone, having a negative opinion of oneself, getting overwhelmed with anxiety, even ignoring other people's attempts at reaching out to me because it's just...too hard and it's too much and you're stuck in this cycle that you can't break out of.

HOWEVER

Lucifer's depression doesn't take away from the fact that he's neglected Charlie as a parent. It doesn't negate the fact that he has acted condescendingly towards her and her ambitions. It doesn't counteract the fact that Charlie felt uncomfortable and awkward for a majority of their interactions in "Dad Beat Dad."

I sympathize with Lucifer having depression, but unfortunately, mental illness doesn't just effect you, it also effects the people around you, and i can't fault Charlie for her feelings too.

Because at the end of the day, Lucifer is Charlie's father.

Charlie is his child.

And as a parent, he has responsibilities. Ones that he failed to meet, which would have an effect on Charlie as children are meant to rely on their parents.

It's very telling that Charlie calls Lilith (who's been MIA for 7 years) more than she calls Lucifer (who's probably just a few Circles away). And no, I don't think this is because Lilith kept them separated and all that bullshit. I think Lucifer 100% had a hand in his and Charlie's estranged relationship and I hate it when he's passed off as nothing but a victim in all of it.

I hate it when he's boiled down to sad depressed man who's done nothing wrong. He has done plenty wrong.

And that's okay.

Because that's what makes his character good. He is multi-faceted. He is flawed. You can be depressed and still treat the people around you bad. I don't think Lucifer ever meant to be an absent parent, he obviously loves Charlie with all his heart, but that doesn't mean Charlie wasn't affected by his actions.

She very obviously was. Charlie is one of the most positive people in the show (to an extent that it becomes one of her flaws too), but the minute she called Lucifer it was a complete flip of how we normally see her. She was immediately annoyed. Her patience was already wire-thin. She was close to snapping so many times.

And I can see why. He only calls when he's bored/wants/needs something. He forgot about where she was and what she was doing despite her already telling him. He told her that he'd do anything to help her, and then said "no" the minute she asked.

Also, let's not forget how he answered the phone in the first place.

"Heeey, bitch!"

And look, it was funny. I laughed too. I still think it's funny.

But, imagine you called your dad for the first time in years (a dad you have a very strained relationship with) and the first thing you hear is a peppy, "Heeeeey, bitch!"

Like??? I can't blame Charlie for being annoyed as all hell, okay? I get the sense that she's been putting up with this bullshit for a VERY long time ad she's lost all patience for it. She's done. She's sick of it. She's been disappointed one too many times.

Also, yes, it's not just that Lucifer has been an absent father but he's been a neglectful ruler too. I wouldn't be surprised if Pentagram City has as much respect for him as they do for Charlie. I mean

HE SIGNED OFF ON THE EXTERMINATIONS

Lucifer gave the go-ahead for a yearly genocide of the people he rules over. Can we get some repercussions for that? Do you know how many people lost their friends? Family? Lovers? Vaggie literally spared a child--a CHILD. And I doubt that was the first kid ever confronted by an Exorcist.

Imagine that Cherri died during an Extermination and here we have Angel Dust meeting the person who stepped aside and let it happen. Do you think he wouldn't be mad?

Imagine Carmilla did lose her daughters during that Extermination. Do you really think she'd meet Lucifer and feel nothing but anger and contempt?

Personally, I think Lucifer agreeing to the Exterminations is what fractured his and Charlie's relationship. Like, fully fractured it. That was the last nail in the coffin.

And honestly, I WANT Lucifer to see the consequences of the Exterminations. I want him to have repercussions because that was an INCREDIBLY SHITTY THING TO DO. I imagine he didn't think there was any other option, but we also know that he didn't hold the sinners in high regard anyway. He had the lowest of low opinions of them. I doubt it took much convincing for him to agree.

Lucifer is the oldest being in the Pride Ring--he may be the oldest being in Hell. He's the most powerful person there. He is the embodiment of Pride. And he ACTS LIKE IT IN THE SHOW.

He has acted that way towards Charlie too. He didn't go to her hotel with an open mind. He wasn't actually listening to her plan or taking it into consideration. He played stupid when she asked him what he thought about it. And when the hotel was under attack, instead of stopping it (which he could easily done with a snap of his fingers), he was smirking and acting self-satisfied as he gloated about being "right" about Sinners.

And if you think I'm exaggerating then go rewatch that entire scene.

Look at him

He is acting so smug and he is rubbing it in Charlie's face.

LOOK AT CHARLIE! She is in distress. She is angry. And she is hurting. Her hotel is falling to pieces around her, her friends are in danger, and the whole time she had her dad gloating in her ear about why her dream is, essentially, a waste of time.

And the only thing that snapped him out of it was Charlie asking why Alastor (the one actually protecting the hotel) has more faith in her than her own father. It took Charlie bringing up Alastor again for Lucifer to knock his shit off.

Look at how hurt and closed off Charlie is in the last screenshot. I can't imagine that this is the first time Lucifer has acted towards her in this way. Do I think Lucifer meant to hurt Charlie?

No.

But did he?

Hell-to-the-fucking-YES!

Lucifer is an asshole. He acted like an asshole towards Alastor. He's acted like an asshole towards Charlie. And he kind of acted like an asshole towards the rest of the Hazbin crew considering he didn't exchange a single line of dialogue with them. They introduced themselves to him and that was it. Lucifer spent the rest of the time dissing on Alastor and talking exclusively to Charlie and Vaggie.

Lucifer suffers from depression, yes, but that doesn't take away that he is as much of an asshole as any other character in the show. And I hate that being stripped away and getting turned into this sad, babied little man who's awkward and shy and everyone else is just being mean to him. It's so dull and it's such a disservice to his character.

I don't want sweet, shy little UwU Lucifer that needs to be coddled.

I want mean, condescending, ass-hole Lucifer who reaps the consequences of his actions and grows from them.

[flowercrowngods]

@steddie-week

part 1 (bc this is one big 7 part story)

day 02: bittersweet & angst

1 new message

eddie The Problem munson: engagement party on saturday babyyyy 🥳🥸🕺

Steve’s been staring at the message for two days now. It's sitting in his notifications, staring at him like a painful reminder of what happened exactly seven days ago. A week. It's only been a week, and Steve somehow it feels like it was both only one day or seven months ago.

It's an almost liminal experience, walking through life without texting Eddie every second of the day – because texting him would mean opening his message. It would make this real.

And that's the last thing Steve wants.

"I'm not going," Robin declares as they're cuddling on the couch, wallowing in their misery as Mayday Parade's Oh Well, Oh Well is playing for the eighth time on repeat. "Tell me you're not going, Stevie."

"Robbie," he sighs, squeezing her tighter as she tries to wriggle out of his arms to glare at him.

"Steve."

"I can't not go."

"Yes you can." She pokes him in the ribs, but he doesn't budge. She pokes him again. "Not going to things is literally the easiest thing in the world. It's a hundred times easier than going to things. You should try it sometime, trust me. You go to too many things, and–"

"Bee," he hums to get her out of the rambling spiral before she can get lost in it.

"What I'm saying," he interrupts herself dramatically, "is that you can't do this to yourself. They're engaged. They're getting married. We're going to keep our distance until our brains and hearts and the traitorous little chemicals in our bodies catch up to reality, and then we get over them, and then we can go back and see them ever again. That's the logical thing to do, Steve. But you can't... You can't just go and get your heart broken and talk yourself into thinking it's the right thing to do. It's not."

Steve sighs into her hair and buries his face in her neck. He knows that. Technically, logically, he does.

But not going feels wrong. Wronger than anything else that's been hollowing out his chest and leaving nothing but emptiness and the ghosts of every smile, every touch, every baby, love, sweetheart, sunshine. Every imaginary future, every scenario where Eddie meant it. Meant those words, meant those smiles, meant it when he took Steve's hand to hold it.

But Eddie did mean it. Every time, he meant it; because he calls Argyle and Jeff and Gareth baby and sunshine and sweetheart, too. He takes their hands, too, leans in to kiss their cheeks and just holds them when he needs to. That's just the kind of person Eddie is. Always has been.

To go and assume he never meant it would be unfair.

To go and hope it could ever mean more when Chrissy has always been right there would just be stupid.

Well, good thing Steve has that kind of reputation with a few people anyway, so it's not even a statistical outlier, that one. It's not even worth a side note.

"I know," he rasps, his eyes beginning to sting as the next lyrics are carved into the empty space of where his heart used to be.

Oh well, oh well I can't live with myself As I'm climbing in your window to get to your bed.

And I'll be what you need, You can call me anything. Just as long as we're still friends.

Tears prickle in his eyes and he doesn't bother to hold them back. Not now, not with Robin. They've both been crying on and off all week, even though Robin took it better than him.

"I know," he sobs, wrapping his arms around her even tighter as she lets herself be held because she knows that's what he needs. "I know, I know, I know. But I have to. I can't just... I can't just stop, Bee."

"I know," she sighs, climbing out of his hold eventually to wrap her arms around him in return as he cries into her shoulder.

The world (read: his Spotify playlist) makes it worse by playing Sum 41's With Me next, ripping out even the newly carved words.

Robin holds him for the rest of the night, even as he finally opens Eddie's message and types out a reply.

—I'll come!

And especially when there's a new message immediately.

—hot 🥵❤️

He leaves Eddie on read after that.

~*~

Saturday rolls around in a haze, and suddenly Steve finds himself looking at the front door of the little house Chrissy inherited after her mother passed a few years ago. It's a nice little house. Quaint. Perfect. Everything Steve could ever dream of, actually. And she deserves it. All of this and more.

There's noise coming from the garden, where people are laughing and having a great time. A happy time, celebrating their friends and all the good things in life that come with a love well placed.

God, what is he doing here? He can't do this. There is no way.

He's just about to pull out his phone and call Robin, tell her he's coming home, or ask her to tell him everything's gonna be alright, when–

"Steve!" Chrissy hurries towards him, throwing her arms around him in a tight, warm, perfect hug. God, he loves her so much. He melts right into the embrace, wrapping his arms around her middle to spin her around with a grin.

She giggles in delight and tells him to let her down again, which only makes him spin for another round, his grin turning into a genuine laugh.

"No, I hate you!" she laughs, but still doesn't step away from him when he puts her down again. Instead, she leans up and brushes a kiss to his cheek. "Hi, asshole."

"Hi."

He grins and takes her hands in his, just smiling at her for another moment before his eyes trail down to a ring he's never seen her wear before. Ah. Right.

"Oh shit! That it?"

"That's it," Chrissy says, looking down at her hand to look at the ring with a fond, happy little smile, her cheeks flushing red. It breaks Steve a little, but it also fixes something inside him to see her so truly, genuinely happy. "Pretty huh?"

"Very," Steve breathes, hiding the lump in his throat with a sound of awe.

Chrissy hugs him again for good measure and then takes his hand to drag him into the backyard the same way she just came out front, through a little gate off to the side instead of through the house.

Steve loves their backyard because it's always covered in sheerly endless colourful strings of light that are wrapped around decorative arches or poles, framing the back doors and the canopy swing set on the lawn, and just give it the most homey and comfortable atmosphere.

"Stevie!" Eddie exclaims immediately and jumps off from his chair, interrupting a conversation he's apparently been having with Argyle and Nancy to run up to him with such a giddy expression that Steve wants to cry. His heart leaps in his chest, coming back to life and saying one last goodbye at the same time.

"Hi," he says, hugging Eddie close before he can so much as think about what he's doing. But no matter how hurt he is, there will never be a world in which he won't want to hug Eddie Munson. "Sorry I'm late."

"No sorries, it's fine," Eddie murmurs into his neck, staying in the embrace endlessly, and Steve takes the chance to breathe him in. He smells so good. So, so good. It clogs his lungs and renders him unable to speak.

But who needs to speak when they have Eddie in their arms? Who needs to speak when all they have to do is never let go?

Eddie squeezes him a little tighter, and Steve wants to cry. He slowly, gently pushes away from the hug and turns towards the other guests, greeting them with a grin, a hug, or a handshake if they're not familiar.

When he gets to Wayne, the man eyes him with a look that Steve doesn't want to read too much, and his embrace is just a little longer, just a little stronger than usual.

“You look tired, son,” he says by way of greeting, and Steve can’t help but snort and shake his head a little.

“Good to see you again, too, old man.”

Wayne eyes him for one moment longer, then breaks into a small smile and pats Steve’s shoulder before stepping around him to go grab another drink.

After that, the night passes in a blur of talking to his friends, trying to understand what the hell it is that has Nancy and Argyle arguing so profusely, but with smiles on their faces. He fails. But it’s good to see them again, so he just basks in it for a while.

Or, he tries, because every second that he’s not talking or listening to someone, his eyes flick back to Eddie. Eddie, who’s lifting Chrissy from behind and smacking a loud, wet kiss to her neck, her jaw and her cheek, accompanied by her delighted squeals and laughter.

Eddie, who’s looking larger than life, a happy grin permanently plastered on his face as he reminds their guests that Chrissy was his bisexual awakening.

“I swear, she just swept me off my feet after years of thinking I was only into dudes. Knew I had to marry her, but man, I don’t know why she said yes.”

“I’m settling, honey,” Chrissy calls from the other end of the table they’re sitting around. “Only in it for that rockstar money and all.”

The whole table laughs at that.

“Hear, hear,” Eddie snorts, lifting his glass in a toast. Steve and the others lift theirs, too, even though Steve’s hand and arm and whole body feels numb and he’s not entirely sure he’s breathing.

A while later, he grabs a drink and retreats to the canopy swing, illuminated in the soft pink flow of the fairy lights wrapped around it. Eddie’s eyes land on him for a second and Steve thinks that he’ll come over and join him — but then one of Chrissy’s friends says something that distracts him and seemingly makes him fall into a monologue of sorts.

Steve watches, feeling only loss and longing as he does. Eddie is a force of nature. A spectacle. Something beautiful, something powerful, something secret that only a select few get to witness. To know. To appreciate.

Staring as he is, blind to the rest of the world, he startles a little when the swing jostles with another weight settling on it. He didn’t see Wayne coming to join him, and he’s not quite sure whether he should be grateful for the company or apprehensive of what the man who’s like a father to him might have to say.

“How are you doing, son?”

He frowns. “I’m alright.”

Wayne only hums, and Steve’s frown deepens. There’s a nagging feeling in the back of his mind that tells him Wayne knows something. That he knows.

“Y’know,” he continues after a while, not looking at Steve but rather at his nephew and his fiancée. “I always figured it would be you.”

Steve crumbles. Yeah, me too, he wants to say, but that would be a lie. Watching the way Chrissy sits on Eddie’s lap with his arms around her, his chin on her shoulder as he tells her something that makes her laugh that cute, pretty, adorable laugh that Eddie then can’t help but join — that’s just something Steve would never compare to. Nothing he’d ever want to come in between.

Eddie and Chrissy are perfect. They’re happy. They fit, they match, they work. They worked so hard and treat each other so right.

They look giddy and serene at the same time, and it makes Steve’s eyes sting. Because he can never make Eddie look like that. He can never make Eddie look at him like that.

I always figured it would be you.

But he couldn’t. That bubbly kind of love, the sunshine kind of love. He knows that’s not for him. Steve’s too much for that. He would never be enough for Eddie — even if without Eddie, there’s nothing left of him.

“Don’t get me wrong,” Wayne continues, unaware of Steve’s thought spiral. “I love that girl, I do. Always will. I think she’s too good for Eddie. Don’t tell him I said that,” he adds hastily, and Steve smiles through the tears that threaten to fall again.

“They’re perfect,” he rasps, laughing wetly as Chrissy starts chasing Eddie, who’s hiding behind a very distressed Argyle, who just wants his brochachos to chill!

Maybe it’s a laugh, maybe it’s a sob. He doesn’t have it in him to find out or care.

“They are. Doesn’t mean they’re right, son.”

Steve sighs and tears his eyes away from Eddie. “Wayne.”

“I know, I know.” He lifts his hands in defence. “Shutting up.” After a long pause of holding Steve’s eyes, he asks, “Will you be okay?”

No, he thinks immediately, the lump in his throat too big to say anything. So he just shrugs and swallows. “Sure.”

Maybe. Hardly. Probably not. Definitely not.

"No matter what happens, you'll always be a son to me. You’ll always have a home with an open door with me, you hear me?"

"I’m not going anywhere, wayne," Steve says, though for the first time ever he doesn't really believe that. Maybe he needs to leave. To leave Eddie behind. Get over him. Cut out his heart and leave it here, run away to heal somewhere else, come back as a new person, or just stay away forever.

The thought makes a tear spill as an empty kind of desperation spreads it’s ugly wings inside his chest, and he's too frozen to wipe it away.

"You hear me?" Wayne repeats, gentler this time, but no less urgent for it.

"Yeah," steve rasps. "Thanks."

Another tear falls as Eddie gently pulls Chrissy closer to him and kisses her in the soft glow of the fairy lights above and around them. Their friends cheer. Steve wants to cry his heart out again.

“I—“ he swallows, wiping at his eyes and pinching the bridge of his nose. I can’t do this, he wants to say. For the first time, that’s what he wants to say. “I think I’m gonna head home soon.”

“You bring your car?”

He shakes his head, feeling foggy and dazed and empty and endlessly, endlessly sad. “Was gonna, uh—“

“Let me drive you.” There’s no room for debate or argument there, and Steve wants to crumble again, but still he shakes his head.

“Wayne, no—“

“I’m taking you, son. Make sure you get home safe, or I won’t be able to sleep tonight. Don’t wanna keep your old man up all night, do ya?”

Steve concedes with a fond eye roll and a grateful smile. “Wouldn’t dream of it.”

“That’s what I thought.”

They sit like that for another ten minutes — and if Steve leans into Wayne’s side a little, then that’s nobody’s business but theirs.

The car ride is quiet, but it feels weighted even as Wayne pretends not to see the way Steve keeps wiping at his cheeks as the silent tears keep falling, leaving him powerless to stop them.

I can’t do this, he keeps thinking over and over again.

“Just a little warning,” Wayne speaks up again as he pulls up to Steve’s building. “I think he’s going to ask you to be his best man, Stevie. Don’t do anything you’re not ready for, okay?”

I can’t do this.

He nods, numb again.

“I’ll do anything for him,” he breathes.

“That’s what I’m afraid of, yeah.”

He gets out of the car before he can find out what exactly Wayne means by that. The car stays where it is until the front door closes behind him, until he’s up in his bedroom and finds Robin already asleep.

Ten minutes later, he cuddles close to her and tries hard not to cry, but tonight’s memories have burned themselves into his mind. And he shouldn’t have gone. He knows. He knows.

I’ll do anything. I can’t do this. I’ll do anything. I can’t do this.

He can’t breathe, and Robin holds him through it, whispering sleepily to him as he cries himself to sleep, wishing for a world where he’s not absolutely and utterly in love with Eddie Munson, but failing to imagine one.

I’ll do anything. Anything but this.

tagging: @sexymothmanincarnate @mcneen come back tomorrow for idk which prompt | read part 3 here

[blood-starved-beast]

Ok I was thinking part of Jinx's suicidal spiral in s2ep8 was of course Isha but also I think she was suicidal cause of Vi. Recall, that when Vi wakes up, she's told by Loris that it took three doctors to resurrect her, and there was a chance she wouldn't pull through. Imagine you are Jinx. Your baby sister sacrificed herself to save you from your rampaging dad in a blast that killed her and then almost killed your big sister, who's likely idk almost electrocuted to death on the floor after saving you from trying to stop baby sister. All in one swoop you practically lost your family. No wonder she turns herself in.

And thinking about it, this is part of the reason she forgives/accepts Caitlyn. It took three doctors to save Vi. Do you know how much that must've cost? That kind of money is unfathomable for anyone in the Undercity. And Pilties do not give their money freely, especially not richie ones, for a trencher so for Caitlyn to spend that kind of money to save Vi - it must mean she cares for her a lot. So I think that's part of the reason she apologizes to Caitlyn for killing Cassandra. But it also means, that to Jinx, Caitlyn "won." She's the one that can actual save her loved ones, whereas Jinx only dooms them. Hence she gives Vi her blessing to be happy with her.

[fujii-draws]

Fear