#THEY ASKED ME FOR ADVICE

[morporkian-cryptid]

Sometimes you get put down for being autistic and weird...

And sometimes your neighbours ask you questions about Japan because they're going there on vacation, and you write them a 14 pages long list of things to visit and cultural tips and vocabulary and a pronunciation guide (while knowing full well this is not a normal thing to do); and they read the entire thing and invite you to their place for dinner to ask you follow up questions, let you infodump about kabuki history and Shinto culture and sound genuinely interested in it, and they learn the Japanese phrases you gave them and ask you to correct their pronunciation.

Sometimes you find people who are genuinely interested in you and happy for you to share your knowledge. Sometimes being neurodivergent is a fucking gift.

[podcastwizard]

there is nothing, and i mean Nothing, a kid loves more than being asked "what do you know about dragons." if you're stuck with a kid between the ages of four and nine ask them about dragons and you will have them going for at least an hour. nod sagely as they tell you that red dragons breathe fire and blue dragons breathe ice. take notes. depending on the kid you could replace this with fairies, mermaids, etc. but dragons is usually a safe bet.

[writers-potion]

Writing Character Accents in Fiction

Hey there, thanks for the question! I speak English as a second language; most English speakers I encounter aren’t native (yes, including fictional people); thus, this is a concern I’ve explored personally when I write. 

I think the core principle regarding accent writing is this: it shouldn’t be distracting. 

For the same reasons why Stephen King prescribes the basic dialogue tag “said” rather than fancier alternatives like “whispered”, “shouted” or “screeched”, dialogue must be first and foremost easy to read. It must flow like a real conversation – the pace and tone are a lot more important than how specific words are being pronounced by the character. 

Focus on what effect the accent has:

Using adjectives to describe their voice in general. Different types of English (American, British, Australian, etc.) will give off a different vibe, also partly dependent on how your character speaks in general:

Lilting: Having a smooth rise and falling quality; sing-song like. Welsh accent is often described as singing. 

Posh: from a high social class. This is the term generally used to describe the upper-class British accent.

Nasal: this happens when the sound goes through somebody’s nose when they’re speaking. North American accents are more nasal than, say, British pronunciations. 

Brash: harsh, loud, indicative of sounding a little rude. 

Slur: speaking indistinctly; words merging into one another.

Using metaphors.

Her voice was cotton and fluffy clouds. 

When he spoke, the ‘r’s scratched the insides of his throat. 

Mentioning their accent with a brief example(s). 

“Would you like to drink some wine?” she said, though her Indian accent gave extra vibration to her ‘w’s and ‘r’s, making the words sound more like ‘vould you like to drrrink some vine’.

“I want some chocolate.” His syllables were choppy and ‘l’s rather flat, saying ‘cho-ko-lit’. 

Some Tips:

Don’t phonically spell out everything. Perhaps give a few examples in the beginning, but stick to standard English spellings. 

Pay attention to word choice, slang, and colloquialisms. 

An Australian person would say “tram”, not “trolley; “runners” instead of “sneakers”

A Canadian may refer to a “fire hall” – what Americans call a firehouse or fire station

If your character comes from a non-Enligsh background:

Use vocabulary from other languages. 

“What time was the exam, ah? Two o’clock? Jiayou!” → putting “ah” or “la” at the end of sentences + Jiayou means “break a leg” in Singlish. 

“I can’t believe that 4-year-olds have their own SNS accounts now.” → “SNS” is short for “social networking service”, a term used to refer to social media in Korea. This would a subtle difference – even though it isn’t technically Korean at all!

Transpose grammar from different languages. 

For example, in French, plural nouns take plural adjectives (whereas in English, you would speak of ‘white cars’, not ‘whites cars’).

─── ･ ｡ﾟ☆: *.☽ .* . ───

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💎Before you ask, check out my masterpost part 1 and part 2 

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[beardeddetectivepaper]

[scientia-rex]

Hey. HEY. We aren’t good at understanding how bodies work. I spent five years in undergrad (I was indecisive; graduated with six years’ worth of credits), two in my terminal master’s program, four in med school, and three more in residency. I know a whole lot about how bodies work. I am qualified to tell you that we don’t know a lot more than we do know.

This means that, when you encounter a claim, you need to weigh it against what you have experienced.

I have met doctors who were sure fibromyalgia, or “muscle hurty disease,” from the roots of the word, was just women being crazy. Turns out it’s probably at least partly due to autoimmune dysfunction. Or maybe not! Sure would be nice if we knew! But I sure as shit know it’s real, because I have it and so do the women in my family. Our bodies don’t work right, somehow. They don’t work like other people’s bodies work. I experience more pain than I “should” based on what stimuli other people find painful. I have less ability to build and maintain muscle strength. This has not kept me from doing what I love most in the world, which is have opinions, to the point where I went through the horrifically awful process that is medical training in the US just so I could have opinions all day long and get paid for it. I gain nothing from saying I have it, and in fact risk the opinions of my professional peers if I do admit to it, since it is still seen as a disease of mental or moral weakness. I’m perfectly qualified to self-diagnose, as a board-certified family physician.

And yet I believed people in positions of authority for a long, long time who said it was a mental illness and not a bodily one. As if those even can be distinct, when our brains are part of our bodies and our experience of reality is filtered through their circuitry. But I believed that I was somehow to blame for being in pain.

Life has been better since I accepted that I just need to do some things differently. If I lift weights, I need to use machines, I need to start on the lowest possible setting, and I need to increase very gradually. If I do cardio, I need a low-impact model like an elliptical trainer; running outside, every time I have tried it in my life, results in incapacitating shin splints, even if I try to work up slowly. I no longer buy laundry bins that don’t roll. My home is all on one level. I go to physical therapy. I stash freezer dinners that contain (shudder) vegetables, my least favorite thing, so that when I do feel like shit, I have an alternative to starving (or eating a block of cheese that upsets my stomach).

Accommodate yourself. This society isn’t going to help much, if at all. In your good times and days, be the person whose help you’ll need in your worst days.

[the-kipsabian]

saw a take so fucking rancid on twitter i almost deleted the entire app from my phone jesus fucking christ

first of all ao3 is an archive site. this is like going to the library and saying "oh i dont like this" on every piece of media you find that you dislike and thinking they should be stamped with some sort of a marker just cause you didnt like it

you can always click back and leave. fic writers owe you nothing to explain themselves and their creations. if they have mistagged or miscategorized fics, then i understand, however there are report tools for that instead of yelling at the artist tbh

im not saying free works arent necessarily above criticism. but this is just. fucking wild. its common courtesy to just enjoy stuff (or fucking leave if you dont, the back button is free) and if the artist specifically asks for critiques, then give one - constructive that is, shitting all over someones work is not proper criticism, mind you

i just find it fucking wild people are treating art and archive sites as social media these days like this and everything needs to be policed and ~catered to the algorithm~ like. no. ao3 doesnt have an algorithm. you should be able to fucking tell what you like and what you dont like and steer away from that kind of content and let people fucking be with their art. they dont owe you anything (except trigger warnings i'd argue, but i know some people disagree with that as well for some reason), and imagine how much more energy you'd have if you only engaged with things you liked and spent time looking at instead of going to places where you dont enjoy yourself. let alone spending time telling other people you dont enjoy what they enjoy. what a fucking life

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[medi-bee]

[xulips]

do you think Ena and Akito swapped clothes once they figured out they were both trans?

YOU UNDERSTAND MEE ANON YOU DOOO and then one day shinei and mamanome caught them both going to each other's room for the clothes and just outright told them to stop hiding and just ask the other if they could borrow their clothes

[luna-lovegreat]

Currently obsessed with the idea that the boys go to Time for love advice, since "he's married so he knows this stuff right?"

I mean they couldn't recognize a wedding ring??? And neither did he???

And time was saying this in his youth I mean cmon

Twilight: So ancestor. What would you do if like. Malon left to another world and never came back

Time: ... bro Malon called me fairy boy and then we were married like what

Hyrule: So uhh old man. How does one. Meet a girl.

Time: By speaking to her I guess? Or not, Malon did the talking for me

Hyrule: riiiiight...

Wild *no tact*: Hey so like... what if your redheaded wife who's name started with M died.

Time: what?!?!

Wild, undeterred: but like before she proposed.

Time: ...

Wild: and you don't remember if you would have said yes. What's your advice for dealing with that?

Time: ... vent to a fairy?

Warriors: hey old man

Time: no no no not this one asking me please

Warriors: how do I get women to stop coming after me. So I can ya know. Choose without war trying to force me into relationships

Time: I can safely say I've never had that problem captain

Wars: of course not *smirks*

Wars: ok but seriously how do I make them go away

Time: ... wear a wedding ring so they think you're taken, I've got a shiny extra

Time: no no why- they won't stop, I don't know how to do love!

Time: ok well at least I have legend. That kid would never ask for advice, I'll sit by him.

Legend: so old man.

Time, looking forward to a normal conversation: yeah?

Legend: hypothetically, what would you do if you found out Malon didn't exist.

Legend: And her whole world didn't, but it did, and now it doesn't

Time: ...Excuse me for a minute.

Time, writing a letter as fast as he can: MALON HOW DO I GIVE LOVE ADVICE THEY THINK IM WISE

Malon: lol

Happy Valentine's Day guys, have a headcanon :P

The boys go to Time for love advice and Time spouts whatever wise-sounding bs he can, before shoving them all on Malon for therapy when they visit the ranch

Art and comic by Jojo @linkeduniverse! :D

[minty364]

DPXDC Prompt #61 Part 4

Danny woke up to a stream of sunlight on his face. The room was just as rich as he remembered, he stood up and stretched a bit before he heard a knock at the door.

It was Alfred bringing him a change of clothes, “Breakfast is ready, Master Danny. You can find the dining room down the hall to the left.” the old butler smiled at him. 

“You don’t have to call me Master, Alfred, I’m not your Damian.” Danny said, turning around to address him.

“Ah, yes, however you are still Master Bruce’s son, even from another world.” The butler gave him a cheeky smile.

Danny shrugged and headed to the bathroom to get changed. Once he was decent again, he headed down to the dining room. 

The room was just as fancy as the rest of the house with a chandelier and ornate vases. 

Danny noticed Damian and a few others already seated at the table. Damian wore what Danny could only assume was his rich kid school uniform. He sat across from Damian who made a small ‘Tt’ and turned away from him. 

Next to Damian was Tim who put away his laptop once Danny sat down. Tim was wearing a business suit, a dark red colored one. “Ah, you sleep much longer than Damian does, you must have been tired.” Tim smiled at him.

Also seated at the table and wearing a navy blue suit, was Bruce himself. He was drinking coffee and reading a newspaper.

“Stop comparing me to him, Drake, I’m nothing like this imposter.” Looks like Damian still thought he was a clone. 

Whatever, he shrugged it off and filled his plate. 

“I don’t really have a lot of free time,” was all Danny said before he started eating.

Tim kind of watched him for a minute, he looked kind of shocked for a second, “You’re eating meat??” 

Ah so that was another difference between them, “again, I’m Danny, I’m not Damian.”

Damian scoffed, “So that’s what you call yourself, imposter.”

Danny gave Damian a tired sigh, looks like the him of this universe was a lot more prideful than he was. Danny went through way too much to carry the same, dying and being crown prince of the infinite realms wasn’t exactly something he was born into. Danny was a bit jealous if he was being honest with himself. 

“Damian, please at least attempt to be friendly. Danny is our guest for the meantime.” Bruce said, putting his newspaper down. He then turned his attention to Danny, “I know it isn’t ideal but I think it’ll be best for you to stay here until we can get you to your own world. I’m planning a trip to the Watchtower tomorrow so I can speak with some of my colleagues about the situation.” 

Danny sighed but nodded his head, “I get it, you can’t have two of us running around.”

“Quite, you’re more than welcome to go around the mansion and the grounds, I’d also like to invite you along to the Watchtower but we’d need to come up with a disguise for you, secret identity and everything.” Bruce continued after taking another sip from his mug, “Alfred will still take you out today to get some basic necessities for you. We’ll get you a proper disguise so you're able to go with him.”

Danny nodded again and continued eating. He thought things over as he ate, he technically had a disguise they could use for the Watchtower but Danny was still on the fence on what exactly he’d tell everyone here.

It wasn’t exactly an easy conversation to have, thankfully some more people arrived for breakfast.

Master Post:

Last:

Next:

[every-sanji]

[pondishy]

How to cope with a break up:

shit lasted less than 24 hours lmaooo

VERSIÓN ESPAÑOL

[liam-summers]

3.08 | “Lovers Walk”

[ANGEL. The Reason. 😭]

[tending-the-hearth]

Ponyboy: Darry hates me and would put me in a boy’s home if Sodapop let him, he can’t stand me, I bet he wishes he never got stuck with me.

Two-Bit, who Darry made swear to always keep an eye on Ponyboy at school and who has witnessed Darry nearly breaking down his front door in a panic to ask his mom what medicine is best when Ponyboy got a cold: Sounds fake but ok