#THERE IS NOTHING WRONG WITH HAVING QUEER CHARACTERS

[to-be-a-dreamer]

Okay so I'm from the Newsies fandom which means I know how to make character backstories out of literally nothing and I'm done with my "This makes no sense what were the writers thinking?" stage of grief after the BuckTommy breakup and it's time to go to work and start asking "What could have happened to make this make sense?".

Because regardless of what you think about Tommy, it's very clear that the writers have characterized him (in the current stage of his life) as someone who has put in a lot of work to become a better person, is a very steady figure, and feels very confident in himself and his identity. We've also been told and shown that he and Buck care for each other a lot and neither of them wanted this relationship to end. So the question is, what happened in Tommy's past that could have caused this very confident, mature person to realize he's falling in love with his partner and then choose to leave?

"I'm your first, not your last."

How many times has Tommy been someone's first? How many times has he shown another man this new side of himself, taught them what it means to be queer and how to love yourself for it, and been left behind once they figured themselves out? How many times has he been someone's first and had a whirlwind romance, only to be left brokenhearted because his partners had a whole new world opened up to them only to realize they didn't want Tommy to be a part of that world?

Does Tommy think of himself as the guy people have fun with, not the guy they want to marry? Does Tommy think there's something wrong with him, that there's a reason no one ever sees a future with him? Do you think he's always told himself that he would keep trying, that it's worth the potential heartbreak to find out if this next guy might be the one who stays?

Did the way Buck was talking about their relationship being transformative for him just sound too familiar? Did he think Buck liked him because he was showing him something new, not because he could ever actually love someone like Tommy? Do you think he could never imagine Buck liking him anywhere near as much as Tommy liked him?

Do you think he realized he was falling in love with Buck, and the idea of losing him like all the others was just too much? Do you think he knew the potential heartbreak of someone as incredible as Buck deciding he didn't want Tommy in his future wasn't worth it this time? Do you think he was afraid of falling in love with Buck, of falling so deeply in love that he wouldn't be able to recover when Buck left him like all the others? Do you think he decided it was better to break things off with Buck before he could finish falling in love with him?

Do you think they could come back from this? That maybe, just maybe, if Tommy told Buck about all of his fears that he could convince Tommy that it is worth it to find out if they could make it?

"I'm not the guy people decide to spend their life with. They- you'll finish figuring yourself out and realize you don't want a future with me. And that's okay, I just... I don't want to let myself finish falling in love with you first because I won't survive losing you after that."

"Do you think that little of me? That I'm just using you for my own personal gain and that I'll leave you in the dust as soon as I get what I want?"

"I... No. No, I don't think you would do that."

"Then give us a chance. Let me show you that this is more than just an awakening for me. Let me prove that I want to finish falling in love with you too."

Because I think that's what Tommy's afraid of. He's a person who's spent a lot of time self-reflecting and he knows himself so well, especially his faults. I think he’s afraid of Buck seeing all of those faults and realizing he doesn’t love Tommy as much as he thought he did. Loving someone means you see every part of them and want to be with them anyways.

I think Tommy is terrified of falling in love with someone because he can't imagine anyone loving him back.

[olderthannetfic]

Im neither a proshipper nor an anti at this current stage in life, but at one point i was an anti i guess? And I hate it say it, but looking back, I understand why. I don't think I actually gave a fuck about Harmful Fanfic or whatever, it was just a substitute for therapy that i couldn't get at the time (because "literally neurodivergent and a minor" or whatever, but like...actually literally neurodivergent and a minor LOL).

As weird as it sounds like, no one cared about my ACTUAL PAIN, and that made me feel EVEN MORE PAIN, so i took it out on ppl who shipped "abuse", or whatever.

It's so stupid now, as an adult who is mentally better than I was then, but as ridiculous as it was, seeing someone ship an "abusive" ship or a "queer erasing ship" (like a canonically gay character with someone of the other binary gender)...it felt eerily similar to the actual abuse I was facing and the stress that everyone was putting on me to find a boyfriend or ask why my (closeted lesbian) self didn't like any boys.

But it was so much easier to keyboard warrior about how people who ship Bad things are Bad people, than it was to fix any problems in my actual life because...well, the actual problems in my life COULDN'T be fixed. That isn't a learned helplessness thing, there was genuinely nothing I could've done. So pissing off Shippers was, like, a vessel for that, and it *felt* like I was getting to lash out at the same people who were ACTUALLY hurting me, even though that obviously is not the case. Funny thing is, it wasn't actual fandom discourse that made me switch sides, it was getting to learn more about youth liberation movements and stuff, because it was then that I recognized the actual structures that were making me hurt.

I think one silver lining is it's made me more compassionate an adult. While I don't have any defense for the antis who do actual horrendous stuff like doxxing or sending death/rape threats, etc, I do have a lot of defense for the ones who were like me and would just make posts talking about how Wrong it is to ship certain things. I know that not all antis are in the same place that I was once was, and some are just genuinely immature brats, but it's like. . . I get it, you know?

The cycle of abuse/bullying is weird and it's not often a 1:1 "I had an abusive parent so now i'll be an abusive parent", sometimes it's the chronically online stuff like I did. It's also why I'm careful-careful to not engage and to just block or, even try to have a mature discussion if I can, and if the person I'm talking to is just "a little bit annoying" rather than "actual bully doing/sending illegal stuff". A lot of them just want to be heard, I think, and it really makes me sad that this is the way they choose to be heard...but also i get it, because i was that.

--

Yup. We often discuss anti tendencies in this framework.

People want control over their environment when they have none. They want the world to make sense and for there to be simple rules they can follow to Never Mess Up. This is a very common reaction to trauma and also typical of brains that like order and neat boxes and a world full of justice and logic.

The trouble is that a critical mass of "I'm just pointing this out" type posts does tend to make all the other teens with an issue around moral scrupulosity implode. (And let's be real, plenty of the antis themselves are secretly into dark content and are trying to pray the gay kink away.)

I have some sympathy, but I'm still going to tell people they're sealioning when they are and tell them they're flat out wrong about how fantasies work, not sugar coat it because they're probably a delicate teen. There's no need to be excessively mean or treat people as irredeemable, but I also don't like how we talk endlessly about compassion for teen antis and not for teens targeted by antis. It's similar to how there are all those complaints like "Hey, I work hard to manage my mental illness, but all the support seems to go to people who are letting their issues rampage..."

[instantpansies]

sfth abigail is very tricky for me to headcanon bc i can't decide which is better: "tragically heterosexual" trans woman profoundly isolated in suburbia trapped in the only relationship she thinks she can have, or extremely in-denial seemingly cishet housewife caught up in traditional gender roles after a failed career in a male-dominated field and reminded of it every day.

both are so good and so full of potential and i can do both but it does have a bearing on how i approach a specific timeline/storyline i'm working on. idk, trans!abigail is so compelling bc she's in this very normative, very not-queer space and marriage, and i can imagine her experience as being just. so lonely. and she feels stuck there, in such a precarious position where there's nothing quite wrong but nothing at all right. and the trappings of suburbia are very restrictive of how she can even talk about herself or her marriage or her life. i also just get a very queer vibe from most of tom's women characters and abigail is no exception.

cis!abigail is super compelling too!!! mainly bc i think she is deeply closeted about something and i want to give her a horrible lesbian crisis in the middle of her decaying marriage. and i think that a trans woman who has been queer for a long time having a sexuality crisis is a very different situation from a middle-aged straight woman who has never even considered it and barely knows queer people exist. additionally, a cis woman marrying someone she met during her career, with the constant reminder of her failure and the weight of living up to her new role as a wife, has a ton of potential.

either way, gender is really important to (my interpretation of) abigail's character, and i want to find a way to depict her relationship with her gender and gender roles and her place in the society in which she finds herself, in a way that is interesting and compelling and does her justice. both are good, i just can't decide what to do for this storyline (that will end up determining how i think about and synthesize her story in general).

[kyoteugly]

911 8x07 Hotshots

This episode didn’t give me much to work with, so it’s not really a meta post but something in between with my personal opinion. Mostly about Buck.

First of all I want to say that Tim commenting fandom through FlashRob and Hotshots - nice move. Also Bobby storyline - awesome! Love it! So much fun!

BUCK: Too many baking scenes for my taste. 3 time reminder can be a little annoying, but… I thought about it in context to the lightning strike and Brad saying his character is in a coma. Buck knows calling Tommy is wrong, because deep down it’s not Tommy he misses but how comfortable in his own skin he felt and of course the rush of new relationship which allowed him to explore his sexuality. So yes, baking is about Buck not understanding what his next move should be in terms of being bi. The line about which pond to jump into is the quintessence of his dilemma, the core of falling into baking string.  Tommy didn’t teach him anything, didn’t show him queer spaces, didn’t introduce him to people who would make Buck feel more sure/comfortable about his sexuality. Buck didn’t seem to need it, because he felt comfortable with Tommy, and this is what is drawing him back. It can be scary to take that step alone, and while I have no doubt Buck wouldn’t have a problem flirting with guys, I believe he is stuck at the start line, meaning he doesn’t know which guys he can flirt with. It’s not rocket science, but when you’re sitting alone at home, thinking you want some intimacy with a male friend, you suddenly realize you have no idea what to do, where to look, so it’s natural you miss and seek familiarity.  Let’s circle back for a moment. Buck said he doesn’t know which pond to jump into… he didn’t say he doesn’t want to jump at all, or that he’s not ready. And this is why I think his obsessive baking has nothing to do with Tommy and everything to do with his sexuality and understanding himself. He followed an easy path - a guy kissed him (confusing him about his feelings by the way), they got into a relationship and he never analyzed it too deeply what it meant to him. Now he’s left to figure it out by himself. And here is where coma comes into play. Buck is stuck right now, unsure, a little lost. If you want to go further you can say his world has changed and he has to learn the rules anew (like in his dream). The key to waking up from a coma was to realize that being Buck is enough. Well, it’s still true in terms of his sexuality, and I think that calling himself ‘bisexual’ on screen would be a nice end to his struggle and a nice step forward. 

It would be really funny if Buck would figure himself out in the same episode that Brad’s character would wake up from coma. 

Another thing about Buck I want to mention is more sweet and Buddie related.  The scene in the firehouse, how Eddie steals Buck’s phone, playing hot potato with it. Come on, it’s basically a school puppy courting. If Buck had braids Eddie would be pulling them. And Buck even asked the teacher for help, and Bobby actually had to admonish/tap Eddie to give Buck his phone back. It’s a nice way to show that Buck is not alone, and his family, however savage sometimes, are there for him. It’s also a nice way to show goofy Eddie, the one who tries to be joyful (that little hop over the couch, awww), and it’s easy and natural with Buck. This scene also made me think about what Maddie said: “So does this boy-crush on Eddie mean you’re finally ready to move on from Abby?” I’m probably seeing too much into this, but it makes me happy so… who cares!

Now, I see a lot of people upset about Buck and Eddie being stuck, like there is no progress compared to the last episode. But I think it’s not that bad. These things, figuring yourself out, takes time, and I believe Tim is taking every opportunity to tell their individual stories right. It’s better to drop a few short scenes telling the audience “Buck is struggling, Eddie is choosing joy” than put something more significant into the episode with 2 other big plotlines. I know it feels like Buck and Eddie are on two different paths, parallel to each other, but those paths will meet eventually and we won’t be prepared for that. 

We should watch our backs, because something is coming right at us. This is actually the theme of this episode…

Starting with Athena - at that sting operation, when she was told she’ll have a rookie and later when she shares her opinion about him. Gerrard and Bobby have Brad creeping behind them. Eddie get scared by the Chief, and of course his scene with Buck when he gives the phone back (and this one is the closest of them all).

Now… I would ignore it, call it a comic relief if that would happen once or twice (Athena with the rookie, and Bobby with Brad), but seven times? Something’s up… And I have a feeling it's about next episode. Maybe someone's past will catch up to them, or someone will hear something they shouldn't, or not being aware of their surroundings will put them in danger... I don't know, there is something ominous about it. Or you know, I missed something deeper in this episode or this is a message for us, fans, like I said, to watch ourselves because we have no idea what’s coming. Or maybe... someone is watching us...

[ganymediocre]

i have so many thoughts about bridgerton this season. like genuinely, SO MANY - and most of them are honestly regarding the “queer siblings” situation. especially francesca and eloise (im still pushing the acearo sapphic el agenda) and the hate i see them receiving! i could defend them for days. also cressida they could never make me hate you!! i actually have full essays in my thoughts 😭

also despite the fact that i dont have an issue with THOSE changes, this season also had so many objective issues. lord debling being completely forgotten about for the second half of the season, cressida’s writing and arc entirely, the lack of focus on polin itself despite them being the season’s main characters (though as someone who doesn’t really like colin i was honestly fine with it!), etc etc.

bridgerton is one of the only shows that has made me fully invested in the relationships and lives of its female characters. they are consistently nuanced, three-dimensional, and given decent amounts of agency for the time period, as well as actual issues that they struggle with. i cannot understate how much i DESPISE seeing people hate on said female characters. i love them all and will defend them forever.

so yeah. so many thoughts. id be ecstatic to organize them and write them down if anyone’s actually interested!

[science-lings]

Happy Father’s Day to Phoenix Wright and Herlock Sholmes and Yujin Mikotoba and no one else bc every other dad in AA sucks or dies

[aroaessidhe]

2024 reads / storygraph

Fallen Thorns

dark urban fantasy coming-of-age

follows a boy settling into university, when after a date (that he didn’t even want to go on) turns bad he’s made into a vampire

as he settles into his new existence and the local vampire community - while they try to find who’s been leaving bodies across the city - he discovers that there’s something different and darker within him

aroace neurodivergent MC

[witsserviceablesubstitute]

Firstly, this isn't me vagueposting, just me gathering my thoughts (I feel passionately about these points).

If Sarcean and Anharion are a allegory for queer trauma and the collar is unveiled to be Sarcean's compulsion wholesale, it renders the Light's campaign against him as righteous regardless of how hypocritical the Light is revealed to be.

It turns his relationship with Anharion into something that was not a relationship at all. Not love at all. It makes it into a sordid sexual fascination. Just as the Light says it was. If the Light represents antiqueer religious and societal pressures within this queer allegory then the story cannot be a pro-queer narrative if that sentiment becomes something tangibly true.

Sarcean can be terrible to everyone else in the world but not to Anharion because their relationship, within this allegory, is what they are fighting to protect. A place to be, to exist. To surrender to each other. To love each other in peace. Without condemnation and judgement. Without constantly being besieged.

Is Will not looking for that very thing? An oasis. One person he can be his entire self with. Is James not as angry as their past selves? Not as vindictive? "I'll show them an abomination!" Perhaps, if that's the case, Anharion and Sarcean also liked to put on a show. Rub their relationship in the faces of the Light. They'll show them. Sarcean cannot be the sole puppeteer of all that queer fury without it becoming an abuse narrative. Once it becomes an abuse narrative, and the Light's campaign becomes a righteous one, the queer allegories start to fall apart.

If Sarcean represents the urges you suppress to conform to a cruelly narrow but socially dominant interpretation of 'goodness' then Will's triumph isn't in suppressing those urges, it's in embracing them. If Will becomes but another good boy suppressing his dark urges for the Light then he's buying into the dominant social narrative. The aforementioned antiqueer one. He may as well marry a nice girl from a respectable family, never once ordering her around.

[prongsmydeer]

I watched Red, White and Royal Blue, and I gotta say that Gay British Macauley Culkin really carried it for me

[writingmoth]

liking romantasy as an ace person who is more sex-indifferent than sex-favorable is so exhausting. there are all these books that look cool but the authors mostly market them based on spicy levels and spicy scenes and it does nothing for me so i just sit here like :| thats nice i guess haha

[chirpsythismorning]

Hi.what make you believe byler is endgame and how do you think The Duffer will make them endgame?

There's a lot of different factors for why I believe byler is endgame. If it was only one or two or three or a single digit amount of things, then I'd probably be more skeptical. Instead it's so many things that I don't think I can even quantify with any number?

Long post ahead so queue for later if you must!

I used to ship milkvan back in the day, and that's probably because I watched the show once and fell for the whole boy meets girl trope as peak romance, without even thinking about it? Like my first time rewatching the show pre-s3, I remember only focusing on their scenes and even going as far as to skip entire episodes in s2 without them in it, so it's really no wonder I missed details that might have helped me understand the full picture.

I also don't get queer-baited, like ever. I have watched shows like Teen Wolf where fans loved sterek, and even though that show had a gay show-runner, it was obvious to me they were never going that route, despite kind of feeding fans over the years with banter between them. The problem was the details weren't pointing to them being endgame, they were pointing to stydia. With stydia, they were using color coding in their costumes and had the fucking red string of fate in the frame with them multiple times and they were having entire plot lines built up around sort of their feelings for each other. Then there's all the other shows out there like Supernatural and Sherlock, and to me, it just felt like two guys that had chemistry that fans read as romantic and were having fun with it, only for the writers to try to profit off of that hope fans had, just sort of fucking with fans for years without really going for it literally in the text of the story.

And even if they did (albeit extremely subtly) that's when you would see shows tend to kill off the characters. Because after years of queer-baiting, the only solution is to kill at least one off, after tricking a sector of your audience for so long. Because unfortunately, no, they're not going to end up together, so we just have to get rid of one of them to make it clear that it won't happen.

While I don't vividly remember the moment I dropped Milkvan and picked up byler, I do remember watching s3 for the first time and feeling like something was off. And then to humor my confusion, I went online and came across an analysis for the end of s3. Even though it did really made me think like 'woah.. what was that?', in the moment, I was still in a position to not want to fall for it because of all the queer-baiting out there. I'd never fallen for it before and I wasn't going to start now basically.

And then I didn't read any more theories after that, I just basically jumped into rewatching the show for fun again, without really thinking about it even, and without skipping this time. And I vividly remember the shed scene definitely had some romantic undertones going on. When the camera was focused on Mike talking to Will, we didn't get any reaction shots in between of Joyce and Jonathan. Whereas when Joyce and Jonathan talked to Will, we got Mike's reaction and both Jonathan and Joyce's kind of reactions to each others speeches in that moment, which was to obviously convey the familial bond going on. And so in contrast, seeing Mike's monologue to Will be isolated, without any cuts to the others reactions during, with intense close-ups of Mike and Will, with Mike literally having one by one teardrops falling down his face and him repeating softly you said yes, you said yes... That... Like it made me really start to consider it in that moment, based on my new potential understanding of the end of s3 and based on what I had found upon rewatching that time.

Even still though, I didn't let myself believe it. And maybe in large part it was bc I did like the idea of byler I guess? And so that made me want to be more cautious? Other times when I came across fans shipping queer pairings that weren't canon, it felt like harmless shipping to me, where like I got the appeal, but didn't like feel genuine intentional slow-burn chemistry? It was always a thing that at most I liked merely as fanon. And so I guess I was trying to prepare myself for that inevitable disappointment that it wasn't going to go any further than what it had?

Maybe it was also because I was holding onto this idea of milkvan I had at the beginning? An idea that in large part contributed to my ability to get hooked with the show in the first place? Boy meets girl is like the most universal trope in our society and it was easy to just go along with it when everyone else was.

But more than anything I do think it was because I thought it just had to be queer-bait like it's always has been. At best I thought maybe it would continue very vaguely in the subtext in s4, with like 1 or two scenes at most hinting at attraction? But we all know that's not what happened..

S4 promo dropped, and I remember being like well here goes. It had been over a year, almost two since I'd been exposed to the possiblity of byler, though I was going into it prepared to see Mike and El being perfectly in love and that they were just going to act like nothing had ever happened between Mike and Will.

But then that Cali poster dropped. And that had me reeling. I remember sending a text to my sister like 'QUEER-BAIT?' and she was like yep queer-bait. But that's also because she's in the mindset of someone that hasn't seen anything outside of watching the show, and while half paying attention at that. This is the first piece of evidence she is being presented with and so of course she is viewing it from a don't hope or assume that could ever happen bc it never happens lens.

Even that I took as maybe a reality check, that this meant nothing, but also at the same time, this is the Duffer Brothers? They're smart? Why would they apply the if boy is pointing his feet at you he is in love with you rule via New Girl, with Mike and Will in the Cali poster, for shits and giggles? When the whole point in those posters is to hide foreshadowing?

Regardless of how much it genuinely shocked me they were appearing to really play with this concept of Mike having romantic feelings for Will, I still didn't fully let myself think about it too much...

And then as s4 got closer and more stuff dropped and there was like a lot of promo hinting Will having feelings for Mike, that's when it really kicked in for me. And that's when I went back and rewatched and holy shit it suddenly became clear as fucking day. My excitement for Vol. 1 was insurmountable because I was just about to have all of these recent built up theories confirmed or denied.

When Vol. 1 finally premiered and it turned out Mike couldn't say I love you to El? And Will very clearly had feelings for Mike, staring at him constantly when he wasn't looking and conveniently with Mike's POV missing by comparison? There was just too much at play that perfectly set-up byler.

Mike having a hard time telling El he loves her, while also having a best friend beside him who is in love with him, like, that's sort of what makes it clear that this is them trying to create a conflict that easily transitions into this revelation that the reason why Mike couldn't commit to El was because he was struggling over repressed feelings for his best friend.

And then that doesn't even include all the details along the way that support it. Like closet scenes for example weren't able to be harmless anymore post-s3, they just weren't. That scene at the end with El and Mike in Will's room established this idea that Mike is in the closet, and s4 did not let up on that idea whatsoever.

We were being bombarded with very basic film techniques that any filmmaker would be thinking about to establish the story and setting and create a feeling to convey a message through all of that.

They did not need to have Mike sitting in front of his closet at the very start of s4. They did not have to have a one way sign pointing to it. They did not have to have two dudes with muscles on his walls while most of the other guys either have stuff completely unrelated to the human form or bikini clad woman. They did not have to show Mike in focus more while staring at Eddie fondly as he talks about DnD and getting out of Hawkins. They did not have to have Mike go searching for DnD replacements in the wrestling room and the art room followed by saying, I hate high school.

The I hate high school line is viewed by most of us as a throw away comedic sort of line. But it really isn't. In fact it's arguably as deep as without heart we'd all fall apart, which is why they literally had that be Mike's quote alongside that one being Will's quote for the season.

Mind you, all of this shit in 4x01 is happening after Mike just episodes ago, in the previous season, sort of treated playing DnD like it was something kids did and told Will he felt this way, by essentially saying he assumed they'd be getting girlfriends and moving on from this idea that they can play games for the rest of their lives.

So Mike in s3 went from I want to grow up and have a girlfriend and stop playing dnd bc it is childish, to in s4 Do you want to play with me? I will literally settle for an absolute stranger rn, literally anyone? No? Uh. I hate high school aka I don't want to grow up. Now he thinks that he's the childish one when really, it doesn't have to be, if he just opened his mind to it.

Watching s3-4 back to back is actually so real bc it's showcasing Mike's complete shift, a shift that basically got flipped from s1-2 to s3 to s3 to s4, and it's directly related to his relationship with El and Will (along with his parents who all of s2 punished him by taking away his toys when he acted out bc of trauma/called his toys hunks of plastic and to essentially be used as collateral bc he's going to need to grow up eventually anyways). And we see how that is conveyed when he shows up to Cali unlike his true self, he just reverts right back to trying to be someone else like in s3. Only now he's trying to pull off a Cali look on-top of it, wearing sunglasses as he mumbles an incoherent sound, something like, 'eahauw' as he rushes up to kiss and hug El, putting the flowers between them so he had an excuse to separate sooner than later, followed actually voicing words to will, moving his duffel back out of the way to hug will properly, w/out sunglasses, visibly very happy to see Will, only to not even be able to hug him by cutting it short. AND for Argyle to confirm our suspicions by calling him a knock off?? NOW I'M REALIZING IT'S TOO MUCH YELLOW? Come on!?

That's another thing, the end of s3 hug between Will and Mike literally ends with Mike looking like he is in physical pain. Like dude looks like he was burned. He looks like a mixture of angry and heartbroken. And so having that, followed up with Mike barely even being able to properly hug Will properly 2 episodes later..? Gee I wonder why?

And then it just spirals from there.

The entire season Mike is by definition emotionally cheating on El, assuming that they are even technically still together atp. There's a reason they had her say From El, and it's so that there was this sense of maybe they were technically broken up now or even just on a break rn, since they wouldn't see each other for who knows how long? Maybe never again? And so that was a writing choice made in large part to allow all of these moments between Mike and Will throughout the season to feel romantic coded and for us to comfortably view them as such. Same with how they did that with Jonathan and Nancy in s2. They create conflict that is near breakup territory, without outright saying I want to break up, and then they throw them with their other love interest and create tension.

When it comes to like how I think s5 could go down with byler, I have a few different thoughts about how that would play out. Obviously I love byler but there's a lot of other stuff going on so this would just be one aspect of the greater overall story. But for the sake of this post I'm going to focus on Byler possibilities.

Them holding off until Vol. 2, literally 2 weeks exactly after the premiere, to have Noah officially release a statement saying We now know Will is 100% gay and in love with Mike, that is them clearly knowing the gravity of revealing stuff too soon to an audience that might not be ready for it. They saw the reaction to s4 and they waited and then they made that choice to discuss it the way they did. That was the point they decided they were willing to tell the truth of the situation, including Noah admitting for the first time, that they've been hinting at Will's feelings since s1, and so he had to always be vague about things to avoid spoiling the Duffers surprise. And while they're doing this, when they talk about Mike's feelings about the situation, it is always that he has absolutely no idea.

There would be no justifiable reason to hold off on admitting Will's feelings for Mike outside of canon, only to admit they've been hinting at it since s1, if there wasn't actually something yet to see be revealed, making this revelation so late in the game, justifiable.

The main thing that we get from Mike being oblivious of Will's feelings, is that if Mike doesn't know, then technically he hasn't rejected Will yet. Because how can he have rejected Will if he has no idea? Answer, he can't!

And so now there is one season left and they are choosing to hold off on Mike's knowledge about Will's feelings? After they just finally admitted after 4 seasons that they've been avoiding telling us about Will's feelings, despite hints from the beginning because they didn't want to ruin the surprise?

What surprise though bro? Slow-burn unrequited love??? There isn't any such thing. Because that wouldn't be satisfying!

It takes us right back to the line Will makes in s3 (mid-series) to Joyce about how he's never gonna fall in love. It's not that he doesn't want to or even hasn't yet at all, it's that he doesn't believe experiencing mutual love with the person he has feelings for is in the cards for him, bc odds are, that person is going to be straight.

But... How is it satisfying to hold off on even admitting Will's feelings for Mike until the second to last season, only to hold off on Mike's POV of the situation until the last season, just to say at the last minute, Well, Will, you were right!...? Like, no.

And so I genuinely think the same thing they did with Will is happening to Mike in a sense, in that by sort of dancing around the situation with answers that don't even allow you to answer the question, by saying Mike is clueless, they can avoid delving into what exactly Mike would think. They can just say Oh of course he will accept Will and leave it at that.

The thing is, if I'm supposed to be rooting for Mike and El, these choices that they've been making, to practically infect all of their scenes with Will in the frame looking like a kicked puppy, it's not giving endgame, it's giving I should be praying for this kid to get a happy ending who is fully convinced that he won't get it.

The main question I have, is are they going to hold off the slow-burn for as long as they can, or are they going to do something unprecedented and make it happen sooner than anyone expects?

I guess for now I think that it's the most likely they will hold off until 5x07 for like the big obvious endgame moment? Slow-burn tends to thrive in it's true form, aka slow-burn until the very end. So it would make sense to have these barriers in place that prevent Mike and Will from truly realizing they have mutual feelings or something of that nature, and then acting on it. That doesn't mean the audience wouldn't be clued in on those feelings earlier in the season, but I think them both accepting those feelings and coming together and choosing to be together is something that won't be like established fully until the end.

THOUGH I will say there is one scenario I could see them manage to have Mike and Will realize those feelings sooner than we think and it's because of the satanic allegations... If Will and Mike were to ever get caught in a precarious situation, by someone in the town already accusing these kids of being the cause, specifically Mike as a member of Hellfire and specifically Will as the kid who has been connected to all of this, it would be sort of visceral seeing how that could play out with them being viewed as like a symbolic indicator of the incoming apocalypse.

Though then again, they still might not get together until like episode 7, bc with the last couple episodes being like 2 hours long, it's possible the homophobic/satanic aspect of it could come into play around then. I think it would be really critical to see other peoples reactions in the story to them getting together, including their family and friends, but also potentially the community bc that would go full circle with what went down in s1 and how like the whole community had an opinion about Will's sexuality even as a kid.

Early s5 is a big indicator of how everything will go down though. I don't think that they'll get separated and be apart the whole season, bc they made a point to convey in s4 that they want to make sure to give the audience a lot of groundwork to root for them and so I think s5 has to be much of the same for it to end in a way that has most of the audience full-on rooting for them and just screaming at their screen for them to kiss already.

However, I do think it's possible we could see them get separated for like 1 episode, maybe 2 but probably not 2 full episodes, I think the reunion would happen sometime at the end of 1 or 2 episodes.

I think Will is likely going to be targeted by Vecna, arguably already was at the end of s4, and then there's birthdaygate to address. Maybe he gets forgotten by everyone as a result of the memory/time trickery that Vecna has going on. And so we could see that play a role in them being separate for a bit while that is resolved, which would likely be early s5, to sort of mirror early s1. But then I think they would reunite by like the 3rd episode and work together most of the season as a team. And we will probably be aware of Mike's feelings in these moments because we would've just presumably gotten a bunch of parallels to s1 and considering Mike and El are broken up, it's going to be difficult to see Mike be so up in arms about Will after all of that romantic subtext, only to be with him and be looking at him like he hung the stars and shit. Even if Will isn't doing the same bc he's like convinced himself at this point Mike doesn't like him back, that would just make it even more clear bc it would be them finally showing us Mike's POV, after hiding it so much in s3-4. It would also sort of wake up those fans who had insisted Mike couldn't feel the same bc there would be no reason to do all of that for nothing.

Another way I could see it going down is by Mike basically somehow making 'a deal with god' (Vecna) that takes him instead. Maybe it's about saving Will who is trying to sacrafice himself already. Or maybe it's a way to save Max and it's sort of a last minute thing that is intended to cause them a lot of grief. Bc we know Vecna loves fucking with them. This would fit into the whole without heart we'd all fall apart, and the whole how am I gonna survive a whole week w/out you guys and Mike getting out in the DND game at the start of s4, along with like the whole theory about how if a paladin breaks an oath they basically have to go on a mini self discovery journey and can essentially be reinstated and forgiven by a cleric (Will). That would fit very very well into the imagery we got of Mike sitting down on Jonthan's bed with the upside down tapestry behind him, followed by Will sitting down beside him + Mike sitting down on the upside down couch at the cabin, followed by Will sitting down beside him. Meaning basically Mike would end up in the upside down and Will would follow behind him.

And I think in that scenario we might be seeing some things from Mike's POV that we have overlooked before, or maybe even things they have deliberately kept from us for the sake of saving it for later. Maybe that unused footage of him crying biking home after they found Will's body, or maybe they re-contextualize the cliff scene in a way that sort of frames Mike as feeling like he deserved to die that day bc after everything that happened with El, maybe he doesn't feel like he deserved to be saved by her, like Vecna just overwhelms him with the guilt that's been piling up for years, which led him to that failed monologue.

Also I think there is a very specific reason they chose to not use the song Time After Time in Max's memory of the Snow Ball in s4, and that's because they're saving it for s5. Every Breath You Take was regarded by most the fandom as a Milkvan song, and if anything it fit with all of them dancing more than it did specifically with Max's memory from that day. So them bringing that back for s4 felt like a combination of the Vecna foreshadowing and also them refusing to use Time After Time quite yet... Time After Time started playing right when Lucas asked her to dance, they easily could have used that song instead and left Every Breath You Take for s5 for a milkvan montage, hell Time After Time even would have fit well with the whole clock theme going on in s4.

But, I genuinely think it's because they're holding off on fully, in canon, re-contextualizing our understanding of that Snow Ball scene when it comes to Mike and Will's perspective of it. And how that song would fit into that revelation is a little to perfect to pass up, again on a show that has made a big deal about clocks and also has connected Will/Mike to the clock in Starcourt with the Yellow and Blue hands ie you say go slow I fall behind-- the second hand unwinds is fucking clock coded bro???

They are 100% saving that clock ass song for the end and that just tells me byler has to be endgame bc that song literally ended right before El entered the gym, it has no association to them, only to either Lucas/Max, Dustin/Nancy, or Mike/Will. That's it.

And so arguably the build up of Mike and Will is the only way to satisfyingly bring that song back full circle.

I guess I'll keep it simple and say that I think one of them are going to go missing/dissapear/be taken (something along those lines) early s5, and the other is going to find them and they're going to be a team basically. I think there could be 1-2 episodes of them alone sort of in the pits of the UD (Hell vibes). Maybe there's an almost kiss in those moments, or maybe even an official one bc them being alone finally is what grants them the courage to do what they haven't been able to do in the real world without the fears of the real world stopping them?

Though I do think that they will reunite with the others after 1-2 episodes alone. And so most of the season will be them teamed up with the og party and also having interactions with other characters along the way as well.

I do think a Murray/Byler confrontation is inevitable. I do think a Will & Robin confrontation is inevitable. I do think it's possible Mike could be exposed to the idea of having a gf then a bf (and vs) by Vickie in the case that Mike finds out bisexuality is real and an option. Bc tbh it's still something people today don't know about. So I don't think Mike Wheeler in 1986 Hawkins, Indiana would, though again maybe an interaction with Vickie could change that. Either that or Robin, Vickie and Steve are going to see Mike call Fast Times overrated and they're all going to share a look and that's when we'll know...

I do think that Will is going to have a hard time believing Mike could feel the same, even when presented with evidence? Not only does he have his insecurities in the way, but he also views El as his sister now (hell she might even actually turn out to be his twin). Even though Mike is his best friend, he's going to want it to be crystal clear that El supports it before Mike ends up being in their family via them being partners at some point. That's just who Will is as a character. He's just going to assume he is wrong for wanting that considering everything that has led up to this point.

And i think El is the kind of character that, no, she wont be like ecstatic about how this all played out and how she didn't need to get her heartbroken, but I don't think that feeling will last forever. I think they might have a little sibling talk about lying, assuming she finds out about the painting and what he said to Mike about her commissioning it. That would be a good parallel to her and Will at Rink-O-Mania when he chastised her for lying to Mike? Essentially an Oh how the turntables moment? Even so, when it's all said and done, she's going to make it clear to Will that she supports him fully.

And I think the same applies to Mike who also is going to want closure that they are okay and still friends and love each other as friends/family.

I think how all of this plays out would be very intricate, yes, but largely keeping in mind that they want us to like this ending and not be bitter about it, and so they're going to have to convince us that we want to fully let go of Mike and El and to root for Mike and Will.

This so called love triangle doesn't have equal stakes to the stancy/jancy one because we're dealing with an audience that has been completely left in the dark, now being bombarded. They have to try really hard to convince the audience to be on board with this, and also avoid homophobia in the process. They're going to have to make it very, very clear there are no more romantic feelings for Mike and El happening. Especially since we're ending the show with them in a sibling dynamic because of their relationships with Will. It would be gross to have this level of well maybe one day he could change his mind I mean he did that once before. Nope. It would be okay to have that sort of left unanswered with the stancy/jancy parallels bc we're not dealing with people being related to each other and swapping back and forth. That's why it needs to be clear in their situation.

And I do think that's why they did the whole I love you 9 times with Mike's monologue. Because it can't go up from there, there is nothing left for them to do after going all out like that, only to reveal Mike meant it deep down platonically? I mean what could they possibly do to backtrack? Have him give her another love confession where he says it 20x and adds no but fr this time?? No. They had to go all out like that to give those viewers what they wanted, the most they could possibly get and then say, sorry it's not happening. It essentially made it impossible to hope for it bc there's nothing left to hope for.

When it comes to byler and like these major moments that are bound to occur between them, I am genuinely most looking forward to them hugging again for the first time since the end of s3. That to me is going to be even more exciting than a kiss honestly (not saying I don't want a kiss but you know what I mean). And it's bc from a hug alone, I think we'll be able to tell that what's going on between them isn't platonic and that will in turn add so many layers to past seasons. I think it's also likely we'll get an almost kiss or two before the inevitable, and that would then make the slow-burn stretching until the end worth it, to me at least? Because just throwing them together never works when the formula has always been to hold off.

And that's also why the show has to end now. We can't have 6,8, 10 seasons of slow-burn, it would be exhausting. 5 seasons is the perfect amount. And having all of that angst and tension and heartache lead to a happy ending is going to make all of those moments in between that fans fought over for being critical of, sort of just dwindle to epic angst that was necessary to appreciate the happy ending.

[starlooove]

“There is no fanfic on Stephs treatment I have checked” that’s like the whole point.

[lucienne-thee-librarian]

Me @ Netflix if they cut Foxglove and Hazel or A Game of You or yassify any of the girls

[mariathechosen1]

Was Anyone But You a good Much Ado About Nothing adaptation? No, not at all, but fuck it was fun!

[six-of-cringe]

never thought i'd say it. not happy about gay sex

[angelsdean]

my tags on my prev reblog re: dean's misinterpreted attitude toward monsters just got me thinking abt sam and the bloodfreak stuff in general and like, as we know a lot of the early seasons were framed in sam's pov so a lot of the time it' him who's feeling like a monster and projecting that onto others to confirm his own beliefs abt himself. like when he finds out abt john telling dean to kill him if he goes darkside sam suddenly is in agreement w/ john saying john's right and dean has to do it because dad said so !!! anyways that's just preface to what i want to say which is, sam isn't really a monster. what i mean is, he's not a monster in the inherent sense that he seems to think he is, and that's part of the reason why dean pushes back against the demon blood stuff because he knows sam can be saved and for dean his number one job is to save sam because the alternative is following john's order and that's something he just cannot do. so it makes sense that dean would do whatever it takes even if that's being a little mean or forceful (calling him a monster, echoing john by telling him not to walk out that door to give sam pause, forcing him to detox) because he does not want to kill his brother.

but anyways, sam is not a monster in the way he (and a lot of fans) thinks he's a monster. he was Not born a monster, it's not something that is intrinsically and inherently part of him. and i'd argue there's really nothing special or "chosen one"-esque about him (aside from the lucifer bloodline making him a better candidate for vessel purposes), he was just a regular baby who was dosed with demon blood, which in the text is treated as a drug / addiction. there was nothing special about any of the babies azazel dosed, they were just the children of people he'd made deals with. i think pretty much any baby (possibly even adult) who's fed demon blood from a powerful enough demon (like a Prince of Hell) would develop psychic powers. so it's not something completely out of his control that's turning him into a monster like a virus or a vampire / werewolf bite where he can't stop the progression. it's not happening to him he's making active choices to strengthen those powers and the more he feeds the more he wants it. everything w/ ruby is framed as him knowing he's doing something "wrong", the sneaking around, the lying. and i think dean's response is along the lines of "we need to get you help. we need to stop this because it's something that can be stopped. and if we stop it then i won't have to see you lose yourself or go too far. because if you go too far and start hurting people then i might have to kill you and i can't do that so please just let us save you." and i think that's fair. yes he and bobby maybe go about things the wrong way but i think it's born out of desperation. and also it's not a rejection of "this is who you are and we hate you for being a monster" it's "you're making choices that are leading you down a dangerous path and we're scared we may lose you so we're trying to stop you from going too far down that road."

like the end goal of all the bloodfreak stuff (ruby's end goal) was to free lucifer and freeing lucifer would mean sam becoming his vessel. they obviously don't know all that at the time, but in hindsight it's like, yea we should've curbed that bloodfreak stuff sooner. also heaven was telling dean to stop sam too and that he was going down a dangerous path and that if dean doesn't stop him they will (likely meaning death) so again, of course dean's gonna try to do whatever he can to stop sam even if it's by not great methods. (also heaven was playing him too bc they also wanted lucifer to be freed so that Destiny could come to pass)