#being so intrinsically linked to each other

[mishtershpock]

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[avvidstarion]

n and hilda im thinkin about n and hilda

[buggachat]

does anyone else form their headcanons of marinette and adrien largely on the basis of "they have to be opposite each other"? like, creation and destruction, yin and yang, etc. like Marinette being late all the time and sleeping through her alarms? so she's probably a deep sleeper? So that means, by the laws of my lovesquare headcanons according to my brain, Adrien has to be a light sleeper. Marinette is a chaotic creative person and I can imagine her just having so much STUFF all around and living in organized chaos. so therefore Adrien likes his spaces neat and clear. (also something something creation and clutter vs destruction and emptiness) you know??? ???? ? adrien and marinette headcanons just cant be independent of each other in my brain. they are always intrinsically linked

[thejournallo]

How to achieve our manifestation in less than three days.

This is a question that is always on everyone's mind because, let's be real, we are all impatient to get our desires as fast as possible. So what can we do to get what we want as fast as possible? Here is THE guide on how to do it.

Is begin "Delulu" the only method to make your manifestation come faster?

People often say that starting with a delusional mindset speeds up manifestation, and you know what? They're absolutely right! Being "delulu" is like wielding a powerful instrument that we can play however and whenever we like. 

But why is it so powerful?  Because we reprogram ourselves by slowly changing our mindset by faking that everything is already ours, reprogramming ourselves means unlearning things that don’t serve our wellness and replacing them with things that do.

Personally, I find it super effective to envision myself in an interview when I try to manifest, telling the journalist how I became so powerful and how everything I've manifested took little to no time. It works amazingly! I get what I want from the universe in just three days by doing this.

We can speed up our manifestations, not just by affirming and believing that we already have what we desire (which alone is often enough to make things happen faster), but also by applying some of the 12 laws of the universe:

The law of Devine ones:

This principle emphasizes that everything in the universe is intrinsically linked, forming a single, unified whole. It implies that we are all interconnected, not only with each other but also with the source, or universal consciousness. With this law, we simply apply the reality that we are already connected to our desire, even if it has to be created from 0. It is already connected to us, and vice versa.

The law of Detachment 1.0:  

The Law of Detachment is a core principle in deductive reasoning and formal logic. It asserts that if a conditional statement (an "if-then" statement) is true and the hypothesis (the "if" part) holds true, then the conclusion (the "then" part) must logically be true as well. I will give a quick example: if I am a witch, then I can do magic (an "if-then" statement), so if I am a witch, and it is true, then the fact that I can do magic is also true. Applying this to manifestations is now as simple as it can be. If I am manifesting this (which is true), then my manifestation is already here (also true).

The law of Detachment 2.0:

The Law of Detachment underscores the importance of trust and surrender. By relinquishing control and not clinging to specific outcomes, you create a state of allowing that can make it easier for your desires to manifest. This approach minimizes stress and resistance, which can otherwise hinder the manifestation process. In essence, the Law of Detachment in manifestation is about balancing desire with surrender. You hold your vision and take steps towards it, but remain flexible and open to how and when it manifests in your life.

The Law of Inspired Action:

Manifestation may require us to take inspired, and intentional action aligned with our desires. This law emphasizes the importance of actively pursuing our goals and dreams while remaining open to guidance and opportunities. For example, if I manifest to go on a great adventure and make a lot of friends along the way, I will have to take the intentional action to book it.

The Law of Rhythm:

Everything in the universe operates in cycles and rhythms. This law suggests that there are natural ebbs and flows, ups and downs, and that understanding these rhythms can help us navigate life more harmoniously. A way that I manifest things is to listen to music that makes me feel powerful and in control of the whole universe. Everyone has this kind of song in their heart because everyone vibrates at a certain frequency and volume. One of mine for example is vampire heart (slowed) - Isak Roen

These laws are not the only way but they for sure are a way. You can use all of them or use only one it is really up to you and i really suggest you learn about the 12 laws because they are a must for manifesting your dream life.

if you are intrested in more intresting way to manifest don't forget to check my masterlist! I hope you have a blessed day or night!

-xoxo the journallo

[sunfortune]

hiiii i recently watched kanthony (the so called bridgerton show or whatever) and was wondering if u have any fic recs... 👉👈🤭

okay i litchrally have never compiled a list bc i have read too many to keep them organized. but ill do it. Finally. for YOU.

first. my fav period setting fics <33:

tete a tete by caciopepebowl (14k~) this is REQUIRED reading to ME. its a quick read that explores kate and anthonys roles in their family. with an emphasis on KATE specifically bc of the additional hurdles of being a woman with limited funds. and anthony losing his mind on her behalf while shes breaking his heart by being like "the way i was treated was normal?? you dont know anything" and hes like "what? kate you deserved everything. you deserve ALL the love in the world!!" and shes all ">:( well if i do. you do too." . and hes like "oh. well...no. you see.. bc i suck" and shes like -_-. its really sweeeeeet and lovely <3) and really finally gave me the exploring of kates family issues that THE SHOW DID NOT!!!

the longest betrothal by caciopepebowl. (90k~) my FAVVVVV regency setting fic. its sooo good. its basically a continuation that fills in the gap AFTER they get engaged but BEFORE theyre married. and them trying SO hard to be normal about how in love they are lol. SO funny and sweet. and with IMMACULATE characterization

in vino veritas by wagamiller. (~10k) a one shot about kate going to a ladies society event and coming home drunk to anthony and him being soooo smitten with her. sauuuur cute. ive read this like 4 times <3 its soooo good

for reasons wretched and divine by penny_loaf. (~18k. locked fic. need an account.) basically kate and anthony get stuck in a time loop on that first day edwina is receiving suiters. they both think theyre alone in the loop and its depressing until they realize the other is stuck with them too. they try to break the loop and fail repeatedly. after a while they just give up and start fucking bc theres no consequences so who cares LOL. surprisingly tender and sweet

the harsh light of day by burnerraccount. (~22k. locked) explicit one shot. kate has the idea that they should fuck before they get married so theres less pressure on the wedding night. she decides all this without mentioning it to anthony (LOL). so she shows up at his house the night before their wedding. and his footman is like "theres a woman outside to see you" and he in all his goofy almost-married bliss is like "i dont want to see Any woman but my gorgeous, beautiful, amazing WIFE" and his footman is like "well. you see.. it is your wife. uh fiance" and anthonys like "[voice crack] huh ?". very FUNNY

green in its many hues by burnerraccount. kate and anthony decide they are going to be chaste and proper leading up to their wedding. they suck at it SO bad lol

next. modern AUS my best friends <33:

la semi dolce vita by caciopepebowl (~170k) my FAVVVV modern au of ALL time. kate is a private chef. anthonys family hires her when they go on vacation. hes being so normal about it. i promise. this is one of the best characterizations of kate AND anthony in a modern setting. with an extra emphasis on focusing on kate issues. and not JUST anthonys. which is what makes the dynamic sooo good. 10/10. hot. and i love LOVE <3

close encounters of the acutest kind by caciopepebowl (WIP ~74k. only incomplete fic ill put on this list i PROMMY. bc its by the prev author. and i Looove their writing and its sooo good so far <3) kate and anthony meet for the first time the DAY her dad died which is also the SAME DAY hyacinth is born. theyre both having a panic attack and end up running into the same empty hospital room to have it. are then intrinsically linked forever. as one is. run into each other multiple times over the years. with different feelings each time. and they are so normal (lying) <3. i love them

chosen & cherished by trash4ficsaboutlurv. (~42k) this is so underrated. kate runs a charity organization. anthony is CEO of whatever the fuck. she goes to his company when theyre holding some audition for what charity theyre going to invest in and kate is the last speaker and when its finally her turn he barely even pays attention. and shes exhausted and overworked and just oveeeer it All. so she ends the meeting and tells him to go fuck himself. LOL. genuinely really good. and hot <3

sidelines by ramarro. (~60k) this was THE quintessential kanthony modern AU in 2022. kates an artist who sees a picture of anthony on tinder and thinks he looks obnoxious (lol) but screenshots the photo so she can use his arms/hands for sketching practice. and then she see him and his grown ass on a date with her BABY sister. and shes like well i was right about him. and lets him know to his face how she feels (LOL). its wild. it slays. read it. theres an explicit follow up to it which also slays

three cities and we never lived here by ramarro. (~25k, ~40k) very different modern au where kate and anthony meet on vacation and are very casual with them both not looking for anything (genuinely for once lol) and then seeing each other multiple times over 2-3 years in different cities and still keeping it casual. but slowly slowly slowlyyyy it doesnt feel as casual as it used to. theres 2 fics in this. the first is kates pov. the second is anthony. both very good.

just go with it by suitsusboth. (~18k) kate when booking a flight sees the potential titles like ms, mrs, dr, and "viscountess" listed as a legit option and has a laugh like whos picking this goofy shit and accidentally clicks it. and then on her flight gets upgraded to first class next to anthony bc they assumed she was his wife. and he tries to be mad about it. but well. hes stupid for her in every universe so lol. funny and sweet

the air i breathe and the bane of my existance by the_loosest_moose. (image fic) these are textfics told through instagram, twitter, article and text message screenshots. with some regular text. would just check them out to gauge how you feel about the storytelling method. very fun reads once you get the hang of it

heirlooms by waterlilyrose. (~12k) modern au where kate gets anthonys ring stuck on her finger for days and has to wait to get it off. he is of course very normal about it

a devils love by irony_rocks. (~57k) this may not be for everyone but kanthony season came out around the same time as The Batman (2022) and as someone who was crazy insane about both. this was the MOMENT for me in spring 2022. its a crime mafia type au where kates character is inspired by selina kyle and the pebble lounge she worked at in the batman movie. and well. if youre about that specific combo check it out. its not a batman au

break point (series) by penny_loaf. (multiple. ~25k) this a tennis au which you wouldnt think would be that deep but it is and its sooooo good. it really delves into the pressure of the world its set in on top of the issues kate and anthony ALREADY have. and as an ANGST and crazy, complicated characters STAN...very GORGEOUS to ME <3 and hot

take me home by kendal_lynne. (~12k) romcom type explicit one shot where kate makes the mistake of telling anthony her ex couldnt make her come. and hes all like i can do it volunteer as tribute PLEASE PKLEASE PLEASE PICK ME CHOOSE ME PLWASEE etc

we never made a sound by writergirl8. (~4k) spy au that was soooooo good and sexy. i wish it was longer

with elaichi by serendipityinwords (~6k) the two biggest bitches at a dinner party find out they're soulmates. LOL. hilarious dialogue

theres probably more i loved that im not remembering rn and maybe ill update this but for now have fun! yippee <3

[nohaijiachi]

I got randomly recommended this video by YT and wrote a ginormous comment in response because I have no self control, apparently, so I thought I might as well also share my thoughts here in regard to whatever is going with THIS FUCKING SMILE

(under a cut to not clog y'alls dashboards)

(the first part of the comment here is a direct response to some of the ideas put forth in the video, it is very short so give it a quick watch for more context if you want)

Imo it's not necessary to look into overcomplicated theories that rely too much on off screen shenanigans to explain the smile, for how amusing the idea of them having swapped during the kiss is (like, the kind of stuff I won't want to be actually canon, but I'll be very happy to see explored in fan fics lol)

I think to fully explain that smile we have to take in consideration multiple factors:

This show is very purposeful in what it does and doesn't, well... show. That last shot is very long and I think the fact that Aziraphale's and Crowley's expressions in the aftermath of their disastrous break up is shown in such a manner tells us a LOT about the state of mind they might be at the start of S3, and the obstacles they'll have to face. Aziraphale doesn't immediately smile, rather he seems to look almost shell-shocked for most of the shot; it's clear (to me at least lol) that the quiet ride up the elevator is finally giving him some desperately needed time to fully digest everything that happened, because too much has happened in an extremely short amount of time, and we all know Aziraphale doesn't do well with speed lol.

But, for how much he can sometimes be a complete moron, he is smart, and all he needs are just those seconds of quiet to properly ponder on everything, on the choices made and the ramifications of said choices, and that's how we get to smile-- I'll delve into what I think Aziraphale is going through in his mind in more details later, because I also think it's necessary to focus a bit on Crowley's own expression, since the both of them are so intrinsically linked that the narrative cannot make sense without taking the both of them into account.

Crowley's expression is much more static and doesn't change the way Aziraphale's does; he looks profoundly tired in ways we've never seen him before. I don't think he's giving up on Aziraphale, and I fully believe the fact that he stood there and waited for Aziraphale to disappear in the elevator, the both of them sharing that last look, was a quiet message: He'll never give up on Aziraphale, he'll be there, waiting. But wait is all he can do for Aziraphale, now, because he can't follow where Aziraphale is going.

For how messy and full of heightened emotions the confession + kiss are, I think actually denying Aziraphale's request was a HUGE step forward for Crowley's character. He's never been able to deny Aziraphale, he always went back to him after every fight, and we all know how stupidly whipped for Aziraphale he is and how he'd empty the ocean with a spoon if Aziraphale asked him nicely-- But to actually put his foot down and say "no, I cannot do this for you" when asked to all but renounce the person he is now? Especially with how Aziraphale is all but begging him openly? That's a huge step, and something I think Crowley desperately needs to mature as a person (or, well, person-shaped being). We all love how Aziraphale has him wrapped around his little finger I'm sure, but we also all know that if they truly want to build a strong, healthy relationship they also both need to be able to keep their individuality and to put forth adequate boundaries about what they are willing to do for each other within reason.

Asking Crowley to come back to being an angel when he's made blatantly clear for six thousand bloody years how much he despises Heaven is not a 'within reason' request, innit?

So, yeah, for how heartbreaking the break-up was, in a sense Crowley needs it. They both do. They both need time apart to figure their own shit out, dismantle all those unhealthy habits they had to adopt in order to be with one another as safely as they possibly could while still 'employed', and then come back together with a clearer mind and a whole deal stronger than before, both as individuals and as a couple.

And I think how tired and downtrodden Crowley looks in that last shot is a precursor to this process, just as much as Aziraphale's smile is... So, let me get back to our favorite angel and what I personally think is going on with him.

I think to properly contextualize that smile we need to look at not just the happening of those infamous last fifteen minutes, but of S2 as a whole, and what Aziraphale does in it.

So, what is Aziraphale doing during S2?

At the start he seems to be more or less comfortably settled in his current life; he's as happy as ever doing what he's always done, enjoying humanity's creativity with his books and his music and his food and drinks, seemingly content to be puttering about in his bookshop (which is a stark contrast with Crowley's homelessness and his kinda adrift and depressed attitude). Of course then Jim!Gabriel throws a wrench right into that, but imo I think there was a lot more going on behind the facade of Aziraphale's well ingrained habits.

Sure, he still has all of his familiar comforts and his routine, but from the moment we see him interact with Crowley I saw a deep restlessness emerge in him: The panicked look he launches Crowley when Nina asks him about his 'naked man friend', the way he speaks with Crowley with all those 'our' he uses, the blatant way he keeps reaching over and touching Crowley-- To me that suggests that Aziraphale is clearly not as happy as he seems to be on a superficial glance. He clearly wants more with Crowley, wants to bring their relationship to the next step, but because the both of them are so deeply entrenched in their unhealthy coping mechanisms and habits and their inability to openly communicate it doesn't even occur to Aziraphale to just... You know. Take the first step, actually say something about it. So he just keeps throwing bait after bait in the water, hoping Crowley will bite and be the one taking the initiative as he's always done, finally allowing Aziraphale to accept said initiative, this time around.

Of course, we all see that Crowley doesn't take any first step, which is probably something deeply frustrating for Aziraphale at a subconscious level. That's how we get the ball; sure, on the face of it it was Aziraphale's way to make Nina and Maggie fall in love, but... Was it, really? Let's be real, for how entirely believable it is that Aziraphale makes up the lie about Nina and Maggie's love to cover for their miracle is, since we've seen him being anxious around other angels, I don't think for a second that had Aziraphale just stopped and spent three minutes thinking about it he wouldn't have found a way to convince Muriel that Nina and Maggie were, in fact, in love, especially with how 'green' Muriel is about humans.

I fully believe that Aziraphale is not properly thinking during S2, period. He's frustrated by his inability to bring his and Crowley's relationship to what he wants it to be, and that frustration and single-minded objective is utterly obfuscating his thought process. There are plenty of moments he seemed almost manic, imo, which I read as another sign about his 'impaired' (allow me the term) state of mind as of S2.

So, yes, the ball: On the face of it something to actually turn his lie to the Archangels into truth, but deeper down, perhaps almost unconsciously, I think Aziraphale sees the ball as a way to finally make him and Crowley happen. That fact that he's taking pointers about romance from human literature is blatant, and obviously he truly does believe the ball will be THE way to make love bloom.

If you stop and think about it, the ball scene is terrifying. These people are being manipulated to play the perfect background parts to make, what is in Aziraphale's mind, the height of romance atmosphere happen. The fact we get a juxtaposition with Nina's "what the F is going on, am I losing my mind???" rightful attitude underlines this. And I truly believe Aziraphale isn't exerting said manipulation with intent, but rather doing so subconsciously, because he's just so fixated on the idea of having finally the perfect set-up to have Crowley as he desires that he is influencing everything around him. After all, we all know they both have the tendency of making things happen the way they want simply by thinking that's how things are supposed to happen.

And again, he's so manic and giddy when he asks Crowley to dance, his ass is not LISTENING. He literally needed a brick thrown through a window to snap out of it.

So, in the present we have an Aziraphale who , in his own way, is trying to take the initiative, come out with plans. There is a moment that I think might have slipped under the radar of a lot of people but that's frightfully important about who Aziraphale is at this point in the story, and who he will need to become: "I have a plan," Aziraphale said to Crowley during the stare down with the demons outside of the bookshop after the ruined ball; Crowley didn't even seem to have registered that sentence at all, because his mind is already projected forward and going a mile a minute about what to do to keep both the humans and Aziraphale safe in this situation.

Crowley, who loves to swoop in and save Aziraphale, doing what he's always done to keep his angel safe, even to the detriment of their relationship with one another... And Aziraphale, who adores playing the part of the damsel in distress in turn, is actually telling Crowley that *he has a plan*.

That's not something to take lightly, methinks. That's very much just another sign that Aziraphale's individuality is struggling, trying to emerge through Aziraphale's anxiety and doubts and fears and deeply ingrained habits. Aziraphale's cognitive dissonance in regards to heaven, and his shaken faith in God are huge motivators of his actions, and in the grand scheme of things the scant few years he had away from under the oppressive thumb of heaven is nothing. It was barely any time at all in the face of the eternity of an immortal life spent under that oppression, and yet we are already seeing little glimpses of Aziraphale's rebellious side struggling to get fully free.

I think these little glimpses inform us at great lengths about the evolution Aziraphale's character will go through in S3, and greatly explains that strange smile right at the end; in my opinion that smile isn't the smile of someone who's trying to convince himself that he's ok, or realizing that Crowley loves him (he knew already, they both knew and have known for a long time, their inability to properly express those feelings was their downfall, but I don't think either of them has doubted even for a second when it comes to how much they love one another). In my opinion that smile is the smile of someone who is steeling himself for what he envisions in his future; equal parts old-sedated anxiety and yet determination to actually enact plans he's surely concocting in his brilliant little mind. That's the smile of someone who has just realized that not only they can, but that they need to do something, and you can damn well be sure they won't be sitting and twiddling their thumbs waiting to be saved, but they'll be the one saving themselves and everybody else along with 'em, this time.

Just as Crowley needs to actually spend some time define himself as himself, and not just in relation to Aziraphale, Aziraphale needs to spend some time shedding all those fears and doubts that are weighing him down, and emerge the other side someone much more self-assured and ready to do what he thinks is right without all the hesitations that have indirectly been strengthened by Crowley; in a way, by allowing Aziraphale an out with his 'temptations', Crowley had been feeding into those hesitations, and had been holding Aziraphale back from fully maturing, even if not done on purpose, obviously. Imo is very important for Aziraphale's character that he comes to realize that he doesn't need those excuses Crowley gifted him to keep doing what he thinks is right, that he actualizes his own morality properly, and enacts on it.

I don't have the faintest clue about what is going to happen in S3, but I do fully believe the above paragraph is what Aziraphale and Crowley's respective character arcs will focus on. And once they'll come back together they'll be the most power couple that has ever power coupl-ed, and the Metatron will have no clue about what is about to hit him >:)

[pwippy]

initially i thought it was odd that humans would be educated on religion, but it didn't clock that it's not human religion.

anakt is actually the name of the company that runs anakt garden and sponsors alien stage. you can see its logo throughout the event on stage, on props, etc.

to the humans, though, it also seems to be a religious figure.

the great anakt is viewed as both a divine entity and a location that nearly all humans affiliated with anakt are aware of.

when till's life/death comic came out, till's mother praying to anakt especially surprised me considering i thought they were in the slums (similar to ivan) but no! they lived in a human factory!

this would explain how anakt's facilities would include a screen with the girl from top 3, essentially flaunting the results of their work and sponsorships. it's a constant big brother esque reminder to the anakt parents of what their children will become if they are "successful;" a widely valued commodity. a product.

back to the main point, religion is usually suppressed in dystopian settings as it gives the underdogs a sense of hope. but what they were given a sense of hope through more indoctrination? through the exact same facility they're supposed to remain loyal to?

^ from the 2022 stream :')

enter anakt's classes, standards, etc. anakt's classes are just straight up brainwashing, which is overall pretty unsurprising to establish a sense of control. the great anakt (to my understanding) is a big brother type figure (oh wow! 1984 mention). a symbol of some false hope the humans can look up to so they can be complacent to the aliens.

theres also the whole standard singing position being clasped hands! very reminiscent of praying. singing, which is seen as a kind of aesthetic?? crying???? by both humans and aliens is intrinsically linked to emotions, vocal power, expression, etc. in the alnst universe. by implementing a sort of "proper" way to sing, this further gives the aliens control over human's actions when their source of entertainment is the closest thing some humans will get to freedom.

the pose of praying also supports how the characters express their wants, desires, hopes, dreams through their music. each song performed serves as an "i want" song, hero's journey style.

this push-pull dynamic in song is actually lyrically won by the humans! that sounds odd considering their situation, but despite the indoctrination, humans in alnst find other sources of hope. each other.

-my god my universe monologue

blink gone is an exception because its purely a performance theres like. no love. yaugh. ow.

[tcfactory]

Thinking about an AU where the manual did cause Binghe to qi-deviate and ruin his cultivation potential exactly one year after he's taken in as disciple. Seeing that anyone would have suffered the same fate, it wasn't some kind of karmic punishment directed at Shen Qingqiu for being an unpleasant, hateful little thing (the self-hatred and projection is Real in this one) settles something in him, like a broken peace of him is suddenly jolted back into its proper place. It makes him lose interest in torturing Binghe any further.

That does leave him with a disciple that's not suited to his peak in any way shape or form, so clearly the next step is to have one of the other peaks take him off his hands. He subtly puts out word while Binghe is on Qian Cao recovering, so that anyone who might want the brat can take him after the next peak lord meeting, but there really is only one choice.

Out of the peaks with a physical cultivation style, Bai Zhan is out of the question on account of Binghe's ruined potential, Ku Xing doesn't take children this young and, in his opinion, Binghe is just too stupid and trusting to make it on Qiong Ding or An Ding, so clearly that only leaves Zui Xian. If the little beast is fortunate, eating all the spiritual food might even help him recover a little.

Perfect plan!

All he needs is to make up a good enough excuse as to why he allowed the little beast to cultivate from a faulty manual or let him be bullied. And he knows already how he's going to do it: he will let Qi Qingqi make the excuse for him.

"Qi-shimei," he says, the very picture of nonchalance, as if Liu Qingge didn't have a sword at his neck. "I know you assume that any disciple of yours returning to secular life will do so at the side of a powerful husband, but if that was not the case: how would you test if someone of lowly birth and no connections could survive the court environment?" Qi Qingqi thinks about it for just a moment before her mouth twists into an unhappy pout, eyes lighting up with understanding. "Let him go, Liu-shidi. It was not an attempt at murder, merely Shen-shixiong being a crafty old dog who made a test too harsh for Luo-shizhi." "But-" "Scholars, like my girls, are intrinsically linked to the mortal courts, as much sages and exemplars in the four arts as advisors in politics. If one has no allies, then connections must be made. Bullies that can't be fought head on must be outwitted or circumvented." She gives the fake manual a disgusted glance. "Ill intent and sabotage must be recognized, regardless of its source. Without these qualities, someone without proper backing will be dead the week they set foot in court." "Quite. Disciple Luo has failed each and every one of those criteria: he bent obediently to the whims of his bullies, made no friends or sought no help from anyone on or off peak, and kept cultivating from the faulty manual with a bullheaded stubbornness that surprised even me. I fully expected him to realize at least as much, but he proved too simple even for that." He resists the urge to smile when Liu Qingge reluctantly withdraws his sword. It's a sweet, if easy victory.

So Luo Binghe goes to the food and wine peak, where he can make friends, his heart (and to a degree his cultivation) can be mended and his trust in his higher ups isn't scorned or abused, but he never forgets that Shen Qingqiu sent him away because he found him too stupid for his peak. Shen Qingqiu picked him, only him, from dozens of potential disciples and was disappointed. He keeps striving, even years later, to somehow get Shen Qingqiu's approval, taking every opportunity to loiter on Qing Jing with food offerings and all sorts of excuses. He's almost as bad as the sect leader! They do, indeed, bond with Yue Qingyuan over being the frequent targets of Shen Qingqiu's ire.

Then one day when Binghe is around 17 a qi deviation splits Shen Qingqiu into two: the scarred, sharp-tongued and vicious Shen Jiu and the sickly, soft hearted and kind Shen Yuan, and Luo Binghe suddenly feels vindicated in his dogged insistence because the soft Shen Qingqiu likes him! It's literally the best thing in the world!! And maybe sect leader Yue helps him a few times to steal Shen Yuan away on some absolutely-not-a-date picnics, so it's really only fair that he helps him reconcile with the sharper Shen Jiu (Binghe can't see the appeal, personally, but as long as Yue-shibo doesn't want to take his Shen Qingqiu too then he's fine with those two doing whatever).

Everything seems to be going perfectly (QiJiu have reconciled, BingQiu are almost inseparable), but then Binghe leaves the mountain to gather ingredients for the very special meal he wants to propose with, trips and stumbles straight into the Abyss and the rest is SVSSS-typical miscommunication and demon shenanigans.

[littlelostmoth]

All the people out here acting like it makes sense that Max and Chloe would break up truly have no clue about characters, and surely Deck Nine doesn't either. The most apt comparison to be made here would be something along the lines of this in theory:

The X-Files returns for another season, exciting fans. But we find out only David Duchovny will be returning. People are apprehensive because, at its core, The X-Files is about both Mulder AND Scully. When you lose one of them, it feels incomplete regardless of whether you view their relationship as romantic or platonic. Then the new season releases and we sit wondering how they will explain Scully's absence from the show. And instead of offering up some good reason, like her simply being away for some work related thing or weave it into the narrative... Uh. Mulder and Scully had an argument off screen, they now hate each other so much that they never speak, and after years of the core of the show being about these two idiots solving weird mysteries, it's done and these two beloved characters known for being a duo canonically hate one another for no reason. The show never offers any resolution to this plotline. We later find out the new writers, who have no connection to the original creators or writers, hated Scully's character and purposefully wrote her out in the most OOC moment ever.

So there you go. If you were a long time fan of the X-Files you would be pissed off that this beloved duo died for no reason except spite. Well, that is what Pricefield is. It is intrinsically linked to Life is Strange and the mere idea that "Chloe and Max WOULD drift apart" is a straw man argument to deflect criticism of what ultimately is shitty writing. If this were any straight beloved duo, there would be people angry about it.

Honestly, just keeping the bay ending for this game would have been better than this. At least we could all just pretend that the comics were the bae ending post-series and DE was post-bay.

[joicecubes]

someone said their favorite version of vashwood is actually when they’re best friends and i could not agree more. the charm of a lot of ships to me, and this is also why i love satosugu so much, is that they’re friends first and lovers second. vashwood’s friendship and faith in each other is so deeply intertwined with their romantic feelings that their bond is one that can’t quite be described with either word. “friends” doesn’t quite cut it but really, neither does “lovers,” at least fully. regardless of what they are to each other, they’re each other’s people. wolfwood is vash’s person, vash is wolfwood’s person, that’s all there is to it.

like i’m being so fr when i say that i could see vashwood having some sort of complicated queerplatonic bond. giving each other noisy smooches on the cheek and never needing to quantify the feelings behind the gesture. holding hands, linking arms, being all over each other. deep conversations where nothing is left unsaid. “i love you,” and they both know exactly what they mean. they are so intrinsically linked emotionally that nobody else quite understands what they are to each other but them. you could call it romantic, sure. you could call them friends who have no concept of boundaries. but what they have, especially in canon trimax in my opinion, is something so much more than either of them even have the words to express.

[piratecaptainscaptainpirates]

Nah but answering "are you guys boyfriends" with "think of us like a mixed drink" is just so THEM. Like yeah you can call them boyfriends if you want to dumb it down. They love being called each other's boyfriends! They love being boyfriends! But I'm sure that word feels like it's just not enough to encompass everything they are.

"Hey are you guys boyfriends?" "Uhm actually we're cosmically intertwined. You know soulmates? That's us. We're very different but we have complementary philosophical approaches to life and we both long for a genuine, earnest love and self-expression. We're each other's first friends, each other's first best friends, and each other's first loves, all at once. We understand each other on such a deep, fundamental level that it makes the ways others have misunderstood and mistreated us more obvious. We're both fully actualized people but together we bring out the best in each other and round each other out. You could call us each other's other halves if it wasn't for the way that loving each other makes us whole in ourselves. We're as intrinsically linked as the stars, and we orbit each other in every universe. And yes we are boyfriends"

[fdelopera]

Musings on the Moon Knight System for the High Holidays

BROKE: Moon Knight System in the comics are Jewish in name only. They’re basically pagan idolaters.

WOKE: Jake is MK System’s spiritual protector in the comics (especially MacKay), and connects the most with their Jewish identity.

BESPOKE: The Moon Knight System are very Jewish, but Marc, Steven, and Jake have a lot of specific religious trauma, and they each connect to their Jewishness in different ways and at different times ... just as most Jews do. Their Jewishness is an intrinsic part of who they are.

At the Rosh Hashanah 2nd day service yesterday, the Rabbi said something that brought Moon Knight System to mind.

During the Malchuyot, Zichronot, and Shofarot prayers, she said this before the Zichronot prayer:

“Jews are all about memory. We tell and retell the stories of our ancestors to link our generations together. We tell the story of the Exodus and redemption, and these are human memories. Here in the Zichronot section, we consider G-d's memory. What we are asking in Zichronot is, "Am I remembered? Is my life in G-d's memory?" And the answer is, yes. Adonai remembers each one of us, every single creature created in G-d's image is seen and noticed.”

And yet, what about those of us who are dissociative? What about those of us whose memory is scattered, fragmented, and traumatized, just like the Jewish people have been throughout our history?

What about those of us whose memory stops at a certain point, just as our family tree goes back only a few generations to those who escaped the pogroms and the Holocaust? Yes, we can trace some of our ancestors across the ocean to the shtetls, and we can search for the deep root systems that our people have grown from, but we know that if we do, we will only find tragedy and death.

For every one of our ancestors who has a gravestone in an intact Jewish cemetery in the Old Country, there are countless others whose roots were cut, who were murdered by Romans and Inquisitors and Cossacks and Nazis, whose bodies were desecrated, and who were never buried in Jewish soil. And yet, even as the Nazis and the Russians and the Spanish and the Romans and so many others tried to erase us from living memory, still we persevered. There are still some branches left. Our cultural memory endures, even though it is fragmented.

And yet, what of us who strain to remember? What of those of us who have high walls instead of doorways, keeping us out? Perhaps we can even see trees growing on the other side, but we cannot enter, not yet. How then can we connect to our past? Must we wander for another 40 years? And on Yom Kippur, how can we atone if remembrance is scattered and hidden like the Lost Tribes of Israel?

I imagine that Marc has wondered thoughts like these from time to time, especially around the High Holidays. Marc wants to think of himself as an apostate. If he’s being particularly edgy, he might even describe himself as an idolater. But I don’t think he is. Marc has a Jewish soul. So does Jake and so does Steven.

And as much as Marc might want to think that he is beyond atonement for the things he’s done, perhaps in quiet moments, he still hopes to atone as best he can. Perhaps some nights, Marc and Jake and Steven share dreams of teshuvah, of repentance, of making amends. With Gena. With Crawley. With Frenchie. And yet, how to even begin?

Perhaps Elias Spector, the Orthodox rabbi, might once have read the following passage on Rosh Hashanah as he spoke to the congregation from the bimah. And even if Marc was dissociating into the ether when he heard these words, sitting as far away from his father as possible, halfway to hiding deep within, the duty of being the Rabbi's son weighing heavy on his shoulders ... perhaps Jake and Steven listened, and they remembered for all of them:

“When a person commits a sin and does not turn in repentance, when that person forgets the sin, Hakadosh Baruch Hu remembers. When a person fulfills a commandment by doing a good deed, but forgets about it, Hakadosh Baruch Hu remembers. When a person commits a sin and later turns in repentance by remembering that sin, Hakadosh Baruch Hu grants atonement, and forgets the sin. But when a person fulfills a commandment and is constantly filled with self-praise because of it, Hakadosh Baruch Hu forgets it. What a person forgets, G-d remembers, and what a person remembers, G-d forgets.” -- The Hasidic Master Shmelke of Nikolsberg

Shana tovah and g’mar chatima tovah to the Moon Knight System. May they be inscribed and sealed in the Book of Life.

[imaginesandbandfiction]

Triad Part 3 — Aftermath of the Mating Bond Ctd.

A Cazriel x Reader Headcanon

Series Masterlist

A/N: I hope you enjoy the next part of my Cazriel x Reader headcanon series, which I've officially named Triad!!!! I'm having so much fun with this hehehe. The series has its own masterlist, linked above!

Voices wake you from a deep slumber, but your eyelids are too heavy to wrench open so you snuggle closer to the warm body wrapped around you and listen in.

“Azriel. Stop pacing, you’re driving me crazy,” Rhysand orders. “She’ll wake when she’s ready.”

“Now who’s the one with a thimble of patience,” Cassian teases. The chest pressed to your back rumbles alongside his laughter.

“We won’t know if it’s really a Triad Bond until all three of you accept it.” Rhys, again. Triad Bond… that word triggers your memory. The golden magic, passing out, being torn apart, falling asleep pressed in between Cassian and Azriel, it all comes flooding back.

“If all three of us accept it,” Az’s words cut like knives through your skin. “We’re not forcing Y/N into anything.”

“‘M accepting it,” you mumble, stirring from your position in an attempt to sit up, but Cassian’s strong arms hold you in place.

“You don’t have to decide right now,” he whispers. “Take some time to think about it.”

The golden magic, the bond, flares up within you alongside your anger. You shove his arms away and scramble off the bed.

“I don’t need time to think about it, so stop pretending all this waffling is about me and not the two of you,” you growl, sending a wave of that anger down the faint strings tethering you to Cas and Az. Both males hunch over like kids caught sneaking sweets before dinner. Rhysand snorts and settles back in the desk chair to watch the show. You don’t need his powers to read your mates, even without the bond you know them like you know yourself; intrinsically.

“Let me guess—you started suspecting it first?” You turned to send a sharp glare in Az’s direction. “And you were content to wait, always patient, aren’t you, Shadowsinger? But then you,” You shifted your gaze to Cas, “started suspecting too. And it was fine until the bond snapped for both of you and you couldn’t get your thick heads out of your asses for long enough to talk about it, preferring to fight the bond because you weren’t willing to see what was right in front of you, and I ended up as collateral damage.”

Cassian looks like he’s about to speak but you hold a hand up to silence him. “You stupid, possessive brutes.”

It’s dead quiet, neither one daring to interrupt if you weren’t finished yet. Eventually, it’s Rhys who breaks the silence.

“She’s right, you know,” he says nonchalantly, examining his nails. “Things would have been much easier for her if you worked together instead of against each other.”

“Very helpful, thank you, your majesty,” Az spits sarcasm at Rhys, who holds his hands up in surrender.

“Hey, don’t shoot the messenger. Not much is known about Triad Bonds, but I’m willing to bet that the two of you need to accept each other, first, for it to take.”

“Whether or not it’s necessary, you will be accepting each other first. It’s a Triad Bond, I’m certain of it, because choosing one of you over the other would kill me,” you tell Cas and Az. Their downcast eyes and furrowed brows aren’t enough—they need to “I am not a toy for you to fight over. Either learn to share or learn to live with the consequences.”

Your words echo in both Cas and Az’s heads, rattling the mating bond.

“I will be going back to my apartment. Come and find me when you’re ready to have a civilized conversation about this.” You turn on your heel and stalk out of the room, leaving the three of them to talk. The pulsating magic and conflicting emotions in you settled for the time being; you said your piece, and now all you can do is wait and hope that they trust in the bond the same way you do.

Taglist: @wallacewillow0773638

[aliusfrater]

thinking about this scene and ruby's choice of words in the sentence, "your appetite's gotten much bigger," and how it feels like something a mom tracking the growth of her newborn would say and while, yes, there's the immediate double meaning of their relationship and the fact that ruby is grooming sam into the perfect vessel for lucifer, not just physically but she's also grooming his willpower out of him through both addiction and a similar kind of control/relationship dynamic that dean has over sam, but only to an extent that manipulates sam into thinking he still has control over himself and replacing it with a kind of complacency that you would typically find in any relationship that can be described as provider and their ward, there's also the overhanging dynamic of mother and son. the choice of ruby's words mirroring that of a mother's takes the physical substance of her demon blood out of a role that's just physical and mental relief for an addict or just a source of/perpetuation of power and into a role of a substance that is not only nurturing and nutritious but also necessary; there's an indirect comparison between demon blood and breast milk. this is crucial to sam's relationship with demon blood as a substance:

azazel describes his blood as being 'better than mother's milk' when the origin of sam's power, something that is now inherently tied to his motivations and agency as a character, is revealed to have been as a result of the being sam and his family have been hunting all along, the being that killed his mother. there's an intrinsic link between azazel feeding sam his blood and ruby's relationship with sam with how they relate to each other as metaphors for childhood sexual assault. there's another angle added to this when it's revealed that mary is the one that had originally let azazel into their home and that john had known this about sam but chose to keep the information from him. there's also the idea that ruby had originally coerced sam into having sex with her, inherently relating their sexual relationship and demon blood to one another and placing it at the forefront of their seemingly collaborative relationship. there's also more to consider when you relate the idea of azazel possessing samuel's body to bargain with and ultimately kiss mary — an act of almost explicit incest that had transpired through coercion — to the metaphor of childhood sexual assault as well the idea that mary named sam after her father, the same man whose body was used to violate her and, by proxy, violate sam's

this kind of fuels my idea of sam as a nucleus character when it comes to the exploration of the inherent rot of/within the nuclear family; there's an existing atmosphere and set of relationship dynamics that basically ensures that he will be assaulted and violated in some way or another over and over again. in 1.06 skin he tells his college friend, "anyway, what can i do? it’s my family," as a conclusionary sentence to his absence at school and why he takes part in hunting and i think that's a pretty perfect encapsulation of how childhood abuse, particularly sexual abuse, goes unnoticed or without intervention. it's their family so they either don't report or bring attention to it at all either because they don't want to hurt their family or because they think it's normal. it's their family so even if they do report or bring attention to it, it's dismissed because it's their family. it makes this all the more satisfying that he's referring to hunting here, the family business, because hunting is the ultimate metaphor for rot within the nuclear family in supernatural. hunting has provided the ultimate atmosphere for sam's bodily and mental autonomy to be violated over and over again; it's also quite literally his fate to be violated by lucifer and the power azazel violated his body to give him propels him further and further into this fate first under the guise of genuine agency then once again through the same genuine guise of agency but accompanied by a more prevalent force of abuse

[ruershrimo]

take me back (take me with you) | f. megumi x fem! reader | chapter 6: beginning

ao3 link for additional author’s notes | playlist | prev | next | m.list

chapter synopsis:

'“Why else do you think I am the way I am? I may be shy and scatterbrained, or a horrible woman with a muddled sense of morality or what I think should and should not happen, when in reality it’s just what I want to happen. But this is why I’m so resolute, and so stubborn. This is why I love you so fiercely. All mothers are like that to some degree, even if my own would never let me bear witness to it.”

You haven’t told her you love her too in years.'

'And Itadori seems… like a good person. I think it’s good, that… you were able to find a friend like that.”

“It was. He’s a really, really good guy.”

“You love him a lot,” Megumi says.

---

You and Megumi set out to prevent an emergency involving Yuuji and a cursed object. Unfortunately, that doesn't happen. But at least everyone is fine in the end, even if it means you'll have to walk away from almost everything (or maybe it's the other way around).

You're going to be all on your own. Still, now it seems like this will hurt less now.

word count: ~8k; tws: none for now :)

17-6-2018 

The two of you walk down the lane. It’s midnight. There’s a loitering silence in the air, no words exchanged between you and him, and it twists your heart in brief moments of hurt when you’re not trying to keep your mind occupied with other things. Your legs move subconsciously without you caring to think of them, the route to the hospital ingrained in your mind as if intrinsically there. 

At some point, you think your hand with its sweat and its grip is going to leave imprints like a marring on his skin, but it’s of your own selfishness that you choose to hold onto his wrist anyway. 

There’s a million things you could say to him right now, things you’ll forcefully push to the very back of your throat, things you’ll keep under lock and key in a mangled mix of quiet anticipation and sombre anxieties. Right now you’re holding his wrist and that’s enough for you, to have him walking behind you if not beside, to be two people near each other— not together— in silence since any conversation is not an option; any conversation could lead to the last spark needed to be fanned into the flame for it to erupt bigger and brighter than ever before. 

If you asked about Tsumiki right now, or why either of them never bothered to speak to you since 2016, it could break you apart, of that you’re sure. And even without words it threatens to do so to you like a chandelier of melting wax candles hanging above you being suspended precariously from the ceiling or light lightning soon to be thrown down mercilessly from the sky. 

“The turning to Sendai Hospital is on the right.” 

“I know the routes better,” you let out, and rather disappointingly it sounds brasher and more derogatory aloud instead of the unobtrusive tone you were aiming for— you hope it doesn’t hurt him but then wonder why you still even cared that much about how he felt about what you said or did anyway, “I got myself accustomed to taking the one on the left that leads you through. Quick shortcut and all.” 

You’re not looking back, but the light pull of his hand from the hold of your wrist seems to suggest his slight reeling back in a small sense of surprise and an equal amount of shock, as if suddenly remembering the fact you were your own person, that you had your own autonomy as one, because somehow everyone thought you weren’t. 

It’s strange to look back at how you were before: meek, timid. Too shy to speak up. Too innocent to be angered by anything. Always dreaming, mind bleary as if on a cloud in blurred skies, hiding behind the backs of others like a petrified forest critter. 

And now you’re this— this person who frowns and disagrees and retorts at every little thing, and as much as you have to, as much as it was nearly inevitable the way you turned out, all you can think you share with the person you were when you first met Megumi and Tsumiki was your need to be useful— and even that has been exacerbated by how you’ve grown, how you’ve become this person you grew into. And a part of you— no, just you as a whole— doesn’t like yourself at all. 

Your father was right. That little girl was hopeful, obedient, kind, caring— you don’t know why even then you were dissatisfied with the way you were, or why your dissatisfaction would matter because at that time you’d cared so little about everything besides caring for people and having fun with the pair of siblings that you were so rarely bothered by it, that it was still just a slight whisper from the back of your head that could be shushed or tuned out with library visits and nights in front of the TV and the glow of old cartoons. Your father was right and this is proved even more by the fact that the whole situation just infuriates you on the surface, and just makes you feel like an empty, hollow shell left behind when you reach deeper into yourself. 

That little girl had potential, potential to be useful but kind, obedient and close to the people who raised her even if it meant abandoning her own ideals. But you’d been so devoted to them, you think, that she was killed and destroyed in the world she grew up in, and now there’s a space for her that’s left vacant due to the way she wasted away. You miss her, the girl you once were, you miss being her, how easy and lighthearted everything was and how all of you felt so content in every sense of the word. But you don’t want her back. Now that’s just what makes you miserable sometimes. 

Self-reflection just made you feel revolted by yourself. You keep your eyes on the road. 

“It’s here,” you state, pointing at the building in front of you. 

Sendai General Hospital is an institution made out of bare concrete. Its walls are yellowed and close in on its wards like a prison, coloured using old paint that hasn’t been repainted over and is as pallid-looking as the skin of the people sitting on the beds it is inhabited by. Just being in it feels like a hit to the body and the brain and the senses, too. There are old-fashioned tiles on its floors, their pale beige hue muted yet the blinding shine on them harshly mopped clean. Inside it reeks of an imminent presence of sickness or death or illnesses and conditions never to be able to be defeated and sterile sanitisers. Looking at the latex-blue curtains in it feels like a blindfold unwantedly, forcefully pulled over both your vision and your ears. 

“You and that Itadori seem close.” 

“We are,” you say, then you add, not really knowing why, “He’s my best friend.” Maybe you’re trying to make him jealous, rile him up a bit. But even then you wouldn’t want him to be riled up, nor would you be satisfied if he were to keep silent. Maybe you just wanted to hurt him, to hurt him back or something, if only for something small, even if you’d already resolved not to do so. 

You’ll make sure not to do that again, though. 

Instead he does something else, takes another route instead. “Then it seems you visit his grandfather often.” 

“Uh-huh,” you nod as the two of you enter the hospital, and you have to blink a few times as always in order to adjust yourself to the light and how it reflects off the detachedly clean floor. “My mother’s here, too.” 

“Oh, I’m sorry— is she alright?” 

“She’s okay, I… think. She… she got sick a while back and stays here now,” you explain, “Let’s not talk about that…—I mean, I… don’t really want to.” 

“I’m sorry.” 

“You don’t have to keep saying that.” It just makes people feel worse. 

He doesn’t push further and you suppose that’s okay. Your chest hurts a bit, like phantom pain on a wound that’s still there. There’s not really a way to explain it but almost everything makes you feel that way these days. Everything makes you feel horrible to some degree. Maybe it’s being a girl, maybe it’s being a teenager, but it’s not quite either, you guess. 

“He won’t be here for a while,” you say, “He’s either still in the room where his grandfather is or he’s buying flowers for him.” 

“Then I’ll just contact them and let them know the whole situation first.” 

Who’s ‘them’? 

“Okay.” You turn your back on him, “—wait.” 

“What?” 

“Do you have any emergency contact or something? Like, a trusted adult who could help you with any of this? In case things go really bad?” 

“...why would you need one?” he questions. 

You roll your eyes, “Just give it to me, damn it… if there’s anything I have nowadays, it’s probably foresight for stuff like this. For emergencies.” 

He gives you the number, albeit a bit begrudgingly. Why’d he have to be so pissy about anything and everything? 

“Okay, thanks. I’m going to visit my mother now.” 

The air and the colour from it seems distant as always, the ward she was basically imprisoned in smelling of the indistinguishable mix of sanitiser and sickness. There her body chains her to her bed, and there is little she can do besides rely on and weakly cling to the nurses who assist her, a frail shadow of what she once was. 

“Hi, Mummy.�� 

She turns to you, and your chest constricts. Her hair, once much longer, the type that you dreamed to have as it billowed in the wind, the type that invited you caressively to bury yourself in and take in that heady scent of roses that emanated from it— that hair is now replaced with a cloth wrapped around her head. Radiation. Chemotherapy. 

The wrinkles on her face make the difference between her now and her years ago all the more stark. Every visit you come back here, you’ve forced yourself to be acclimated to this new reality, one where she isn’t waiting at home no matter how tedious the fights get or how exhausting it was eating with someone who remained silent, someone who chose to continue suffering if it meant she could hurt and turn her daughter to guilt (as if that would change anything). At least she was there. 

Cancer is a terminal illness, especially the type your mother is facing— regardless of how much chemotherapy she would struggle through and how much you didn’t want to acknowledge a truth so plain and conspicuously bare, she would be confined to this bed until her final days, her illness like gyves tying her limbs and forcing her earthbound; the bed a cage she could never be liberated from. 

Sometimes she made it a point to you that she didn’t want to liberate herself from it anyway, and you’d never been so depressed yet irked by anything else. (You’d regret everything— not spending time with her, not appreciating her nearly enough— except for your decision to be involved in the Jujutsu world, if not as a sorcerer then as a doctor. That was, and is— your ultimatum. Your end all be all of this whole situation.” 

“Hello. Where’s that Itadori boy?” 

“Not here today, he’s still with his grandfather— maybe later.” You swing your bag over your shoulder, rummaging through it a while before pulling it out. “I’ve something for you, by the way.” 

“Oh! These,” she exclaims, and she smiles faintly, bits of colour rushing back to her face like watercolour dots on moistened paper. “I used to make them for you, sometimes. They used to be your favourite when you were really little.” 

“I know,” you explain, “That’s why I made them. I don’t like them anymore, but… I can’t remember your favourite food or if I ever asked, and I know you don’t like the food they give you here as much as… I don’t know. Your own cooking, I guess.” 

“It’s not my favourite,” she states, matter-of-factly, bluntly, “But thank you for the effort. My favourite will always be my own mother’s cooking.” 

Silence. 

“Now that I look back at everything, there are so many things I regret. Things I should have done but never did out of fear; things I should not have done and never apologised for out of pride. I’d like it if you could be different. Your grandmother went out the same way. At least, even if you had the same illnesses as we did, which I hope the genes for which have been curbed by your father’s— at least you would not leave the world with regret,” she looks down at her hands, staring down at them solemnly like a shadow, an excluded figure. “But it was a good life.” 

“...then maybe you can tell me more. While you— while we still have time. What was your childhood like? What was your mother like?” It feels strange, imposturous, maybe— to be referring to someone basically a stranger as “grandmother”, to name someone so far away from you so intimate, even if the only generation between you, tying the two of you together, was your mother’s. If you had a daughter it would be the same for her, most likely. There’s a part of you that would find honour in becoming your mother once you’d grown, but there’s a part of you that would think being such would accost you horribly, for all time. 

She sighs, “I’ll tell you later. There would be so much to say, like compressing all my words into one tiny paper. The stories have weight in them the same way letters and words in handwriting can be firm and large. But if I were to start,” she begins, “I’ll say that I was born as the daughter of two very powerful sorcerers. Now, I know how much this would sound like some nonsense spouted by your mother, but I think you should listen anyway. 

“My parents loved each other a lot, but my mother had come from an obscure clan whose name I can’t remember, but who had high hopes in them having a child with a powerful cursed technique as their last resort, since, if I recall correctly, there had been a crisis within the clan for it to keep surviving. 

“I still remember when they found out I had no cursed technique and how terrified they were. In me I had a bit more than the relatively normal amount of cursed energy most people have, and so I was expected to have techniques as powerful as they did. They loved me and treated me preciously, like a fragile object, so long as I was quiet and demure— and I guess to some extent I still was and still am today. They wondered what they could do to run from the clan, as if they didn’t have enough power when they were supposed to protect me despite my father’s bullheaded industry and my mother’s patience-formed strength. They lacked grit to grapple against them, and only in this did they lack it, I think; only against my mother’s family did they not have the ability to resolve things whether peacefully or violently. And eventually they just gave up and thought they would just… surrender me over when I entered my adolescent years. I was their daughter. I… suppose they didn’t love me enough. I know it sounds awful— thinking that they should have always protected me, through and through—” 

“No, it wasn’t.” 

“—when it could have been the clan itself that would have been mostly to blame.” 

“But they were still supposed to protect you! They were your parents—” 

“Why else do you think I am the way I am? I may be a shy and scatterbrained or a horrible woman with a muddled sense of morality or what I think should and should not happen when in reality it’s just what I want to happen, but this is why I’m so resolute, and so stubborn. This is why I love you so fiercely. All mothers are like that to some degree, even if my own would never let me bear witness to it.” You haven’t told her you love her too in years. 

“But then when I was an adult I met your father, who was a bit like a country bumpkin, but a formidable sorcerer and a kind, honest person, and I couldn’t help but fall in love with the person he was both inside and out. And for the next few years we struggled to have a child until I found out I was pregnant with you,” she continues, “Even though by that time I was well into my late thirties, we were overjoyed and decided to keep you.” 

Suddenly you wish there had been more time before things were ruined. Time for you to know her better, the beginning of your existence. You would have begged her for old photos, stories, mementos of her and your father. 

“And now the clan’s faded into obscurity, finally. The younger members left and the older ones passed away peacefully. Happy story, right?” 

“...yeah.” It all ended well, but you don’t know if you can say the same for your mother’s. At least, you hope, when she goes away, it can be swift and peaceful like the way her relatives did. 

Then suddenly there’s a buzz in your pocket. An inconvenient one, out of the blue. 

“You should go get that first,” she says. 

“...okay.” 

You lift it up to your face and feel like crushing the damn thing. Old number. Stupid number. Number you haven’t called in months because you’d given up on that bastard— oh. The two of you were working together now. 

You turn away from your mother, creeping to the edge of the room. “What’s wrong?” 

“I just talked to him, but I think it would be easier if you came back and was there with him too since you know him better than I do. And he… doesn’t seem like the brightest. He may think that it’s not important enough to hand over unless you ask him to or something.” 

You muffle your voice with your hand and whisper, “Hey, you shut up, you know nothing about him. He’s way smarter than people give him credit for. But I’m— I’m with my mother right now. Wait for a second. Just ask him to wait for me first; he wouldn’t need any of my help for all of this yet. Make a friend or get a life or something.” 

“...fine. But you’ll have to join us later. He’s bound to ask about you.” 

“Then just tell him I’m with my mother!” you snap, still whispering. 

“I’ll see what I can do.” 

“Wh— you little— oh, don’t you hang up now—” 

Weird thing is, he probably wasn’t even being so infuriating on purpose. And you wouldn’t have burst out at someone for being that way anyway. It was only because it was him, specifically. 

You’d sworn to put that past you. 

Your immaturity strikes once again. 

“If you have to go now,” your mother says, “You should. Just come back again next time. I can tell you the rest. Thank you again for the food, [Name].” She doesn’t call you ‘darling’ anymore, doesn’t she? Just your name. 

“Okay. Sorry.” 

You swing the bag back over your shoulder, wearing it this time instead of taking it off, easing your way out of the room. 

“It’s okay,” she assures you, “Goodbye. I love you.” 

“...I love you, too,” you say, but it’ll mingle with all the other sounds in the hospital, and it’ll be drowned out like a ship in the middle of nowhere, your voice soft and thoroughly soused by the cacophony of bleak noises like telephone rings and beeps from electrocardiographs outside of her deafeningly quiet hospital room. 

“Hi, Yuuji,” you greet them in the dimly lit waiting area, “...and Megumi. Sorry to keep the two of you guys waiting for so long.” 

“Oh, hey; it’s okay!” he goes, although in his voice it seems that there’s been some of his usual energy seeping away from him. “Didn’t know the two of you knew each other until just now or that you were a part of some magic curse society. Are you guys childhood friends who met because of all that cursed stuff or something?” 

“Something like that,” Megumi explains. 

“It’s a long story,” you say, not exactly denying him nor conceding his words anyway. Once again, there’s a trace of anger despite your promise to be untethered to your puerility like this. “Anyway, are you okay, Yuuji? How’s your grandfather?” 

He pauses. “Oh, about that… he just passed away.” 

“Oh, I’m so sorry, Yuuji…” you hold the fabric of his jacket (sometimes it still feels wrong to try and hold his hand— it just makes your heart ache again like a scab being clawed at) and pull him into a brief caress, patting his back as gently as you can manage. 

“It’s okay, I’ll be fine,” he smiles as you pull yourself away, “Grandpa wouldn’t want me to be crying right now anyway. So don’t worry.” 

“Okay, I won’t. But if you’re sad, just know you can always talk to me.” 

He laughs, softer than the boisterous manner he usually does so in, “Yeah, I know.” 

Megumi clears his throat, pointedly trying to make a sound, “Anyway. Itadori Yuuji—” 

“Just call him Itadori. You don’t have to be so uptight.” 

“Nah, [Name], I’m fine—” 

Megumi sighs. “Anyway, we need you to give the cursed object now.” 

“Oh, yeah, that,” you start, “So, Yuuji, do you have the thing that Megumi would have explained to you? The cursed object? We need it for everyone to be safe, and all.” 

“Yeah! Hold on, let me get it. I told you I didn’t have it already, but here’s the box,” he says, tossing it over to Megumi. 

He retrieves the box. It’s ancient and wooden, the craftsmanship behind it elite and adroit, and the paper on it has the words for a buddhist sutra written on it like an inscription. You’ve heard of it before, the kind of curse it was meant to seal, but it definitely couldn’t be— 

He opens the box. 

Holy shit. 

“Where is it?” 

“It’s empty…” Megumi panics, “Wait— hold on!” 

Things are bad— as in, they couldn’t get any worse— not only was the school doomed by the loss of its cursed object, the cursed object was Sukuna Ryomen’s finger itself. 

You blame your inadequacy, your inability to have stopped everything sooner— if not for that nobody would have gotten hurt. If not for that there wouldn’t even be a risk of anything happening anyway. You should’ve tried harder to sense it, and you should’ve focused more on it to keep the student body safe and sound. 

It was your fault. No one else was to blame but your useless self, and even if that were wrong, you’d still have the most to be blamed for. 

Megumi has a hand on Yuuji’s shoulder, keeping the other boy from moving, his breathing erratic and his eyes wide in frantic shock. 

“...well, they were saying, ‘let’s open it up to see what’s inside it tonight’,” Yuuji clarifies, standing a few centimetres away from the door, “Why? Is that bad?” 

Sasaki and Iguchi? 

The air in the hospital feels particularly chilly tonight, gooseflesh terrorising your skin all over, and for all the kinds of reasons that would cause anything like such. 

“It’s way worse than bad,” Megumi declared, fear and grim so thick in his voice they were tangible enough to be cut through with a knife. “Your friends are going to die.” 

“We’ve got to go,” you rush, “Now! Quick!” 

It passes by like a blur, as if you’re in that moment and out of it simultaneously. Your mind has been bombarded with and pressed so thoroughly onto the moment, like tissue on a wet surface, that it seems it’s being blanked out, while your legs continue to run despite your mind nearly forgetting, at this point, why you’re running— as if your legs moving so frantically to help them was something intrinsic, something you didn’t need your mind for. 

Sasaki and Iguchi are in danger. Sasaki and Iguchi are in danger. 

You didn’t know them all too well, really— just through Yuuji, and Yuuji himself wasn’t as close to the two of them, being their junior and all. And although a part of you was doing this just because you could, like the way you did when you first discovered your cursed technique, you knew that another was doing this for Yuuji. If in any way they were hurt or could not survive, he would blame himself to no end. He possessed such a kindness within him, so much that it hit the depths of your soul sometimes; shattered your heart so gently a million times over or heated it in the kindly way mothers heated pans on stoves despite the heat of it being greater than that of blue flame. If anything happened to them, no matter how much or how little he knew of them, he wouldn’t be able to live after that. 

The two of them are near the barrier separating the school from the street before you (you struggle with catching up to them— one’s a star athlete and another has been training for much longer than you, you’re sure), the gates tall and enveloped in darkness. You didn’t think much of school except for when it came to your grades and being with Yuuji, thinking of these gates— the ones that you and Yuuji use when you’re running super late— in particular as just a shortcut entrance you paid little attention to, just something treated with indifference as you passed through them whenever you were late. Yet now they echoed denial, refusal, and slim chances— it was unlikely that they’d be alright, especially since this cursed object in particular was the finger of Sukuna Ryomen. 

“Is that the building?” Megumi questions, “Where are they?” 

“Fourth floor— guh!” Yuuji seems to come to an abrupt halt, nearly slamming into what seems to be an invisible wall. A veil. 

“Yuuji!” 

“I’ll handle this,” Megumi declares, hopping onto the metal wires, more directed to Yuuji than you. So even he can tell how selfless Yuuji is, even after only having just met him. 

“I may not know those two that well, but—” Yuuji starts, “But they’re friends! I have to help!” 

“You’re staying here,” Megumi commands, “[Name], if you could— get your father or any sorcerers you know to come here and help.” 

He climbs over the gate. 

He’s going away from you again. Slipping away from your grasp. And now, all you can do is watch. There’s nothing else— nothing else you can do, at all. If you went inside now, you wouldn’t be able to help except— what?— tend to their injuries? Manipulate your own cells into weapons? The former wasn’t possible with how much you’d strained yourself from running so quickly earlier, and the latter was too dangerous: you hadn’t even started with the basics of that yet, on your father’s obstinate insistence that even if he’d let you play doctor he wouldn’t let you manipulate any of the cells in your body into any kind of usable weapon. Any simple wrong move could make things turn south in the most drastically terrifying of ways. If you went in there, you’d just die, and there’d be more casualties, more trouble, more problems caused by you and you alone. 

You can’t even call your father, either. That would always be your last resort— because even if you fought, you still needed him to rest. You didn’t want him overexerting himself by using his cursed technique at all. 

(You were selfish. You didn’t want to lose your father. You didn’t want to have to visit not one but two parents lying sick and tired and grey in matching hospital beds.) 

“Yuuji?” you start, turning to him. “You’re…deathly quiet. Are you okay?” 

His lips quiver slightly, a faint whimpering noise coming out of him. Is he crying? 

“Yuuji, look at me. Are you okay?” you ask, as gently and softly as you can right now, despite your ragged, unsteady, unathletic-addled breaths. You place a hand on his shoulder, slowly rubbing up and down from his shoulder and crook of his neck to his back. “It’s okay. …Megumi’s a good and… capable, strong person and jujutsu sorcerer. He’ll be okay, and they’ll be okay too. Just… just put your trust in him, okay?” 

“I’m sorry, [Name], but I’ve got to go,” he tells you, “You stay here, and call for help or something. I’m sorry, but I’ve just really got to do it!” 

He hugs you, quickly, deftly. And then he crosses the gate, leaving you all alone like Megumi did. You wish he’d hug you longer, that you could take care of him for a little longer— it was your last way to be useful now. 

Still, there’s someone you could call, now that you remember him.

The emergency contact. 

You snatch your phone out, resolute. 

“Hello! Gojo Satoru speaking,” the voice on the other line says. 

You’ve heard it plenty before by accident. 

When Gojo and Megumi are back, Yuuji’s in the form of a figure slung over Gojo’s shoulders like he’s been reply entrenched into slumber, his body seemingly limp and his torso completely bare. There’s barely an ounce of movement in him, except for slow exhales and inhales you can see on his chest. Sasaki and Iguchi are both nearly the same, the former covered in bruises and in a deep, panicked haze, and the latter as asleep as Yuuji seemed to be while harbouring injuries he may never recover from. 

The only non-roughed up one here is Gojo, it seems; Megumi has a stream of blood running from the top of his head in rivulets, staining his sweaty, scraped forehead. 

“Wh— you two, what happened? Why are they all asleep? What happened to Yuuji? Are they okay? What—” 

“Calm down, kid,” Gojo says, “They’ll be fine. I mean, there’s a 100% chance that your friend can be executed, but…” 

“Executed?” you almost scream, “What the hell happened? You said things would be okay!” 

“Uh-uh, again, calm down. I mean, we don’t even know when they’re gonna make him kick the bucket! He ate Sukuna’s finger, by the way.” He holds his arms up in faux surrender. 

“Gojo you ignorant slut! Don’t you fucking dare tell me to ‘calm down!’ He ate Sukuna’s finger? Why weren’t you able to stop anything? What’s going to happen to him now? You know what— give him to me!” 

“You know, it’s not like I’m scared of being hunted down by your father if you use your cursed technique— I mean, I’m leagues stronger than him— but the stuff was too strong. It’s not like you’ll be able to get rid of the finger in your little boyfriend.” 

“He’s not her boyfriend!” Megumi interjects.

“Thank you, Megumi!” Your face is going hot like a campfire fanned by the wind. 

“Oh?” Gojo adds, a teasing lilt in his voice. “Anyway, we’re going to get him to a place where we can cover everything with talismans to surround him.” 

They’re going to execute him at Jujutsu High after.  

“I’m coming with you.” 

“You sure?” Gojo asks, “Your father isn’t going to like you travelling so far away without telling him.” 

Megumi shifts, a little sombre. “[Name], you don’t have to.” 

“...I’m doing this for Yuuji, not for you.” 

“You okay?” Gojo asks while the three of you are back in the hospital. (You hate this building so much.) Iguchi’s been transferred to a ward, Sasaki having woken up and insisting on staying with him. “I’ve got kikufuku if you want some. You must be really tired since it’s so late, huh?” 

The whole situation is so incredulous you’re unsure of whether you want to burst out laughing or dismember someone. 

“...nothing. Wait, let me see Yuuji again.” 

Everyone is asleep, it seems— all except for you and Gojo. Yuuji’s been knocked out, and Megumi’s stuck in the world of his dreams. 

You can’t sleep. There’s just nothing to put your mind at rest. 

At least if there’s one thing you can do it’s this. 

Gojo picks him up by the sides of his torso (now temporarily clothed with a spare white shirt) like a child with a heavy book. “Woah— he’s pretty heavy for a fifteen year old kid.” 

You lay Yuuji face-up on the line of hospital chairs. There are thin scarlet marks right under his eyes— Sukuna’s eyelids, you’ve been told. 

You should’ve done more to protect him. 

Slowly, reticently, you kneel by the side of the chairs. You press your fingertips onto that pair of thin tiny lines. 

Nothing happens. You can’t picture his cells being able to grow back. It’s as if there’s been a slit on his face and its outline has been replaced with brand-new skin. His cells don’t budge. 

“Why don’t you help Megumi? I bet he’s got plenty of healable injuries.” 

“…I don’t think I’ll be able to help much. I could faint if I try helping him now. It’s better to leave it to Dr Ieiri or something.” 

“Pft,” he scoffs, “Shoko? She’s definitely not going to heal all of him. It’ll just be a waste of her time. You can just help him with the tiny scrapes and bruises first. And I’ll even tell her that you did it. She’s really fond of you, you know.” 

You give him a shy, modest smile. “Thanks, then.”

It’s time to get to work. 

Megumi’s skin is smooth like a baby’s just like the last time you felt it, though the frown on his face, ever-present, is bound to cause wrinkles there in less than a few decades’ time. You place your hands on him, bruised and bloody, watching in your mind and directing his cells as they work. 

Once the smaller injuries have been dealt with, you stop. “I can’t really work on the one on his head, since then you’d get another fainted person to carry around, but he should be fine with some bandages and patching-up there, because I’ve already kind of catalysed the start of that area’s healing process a little. Other than that, he should be completely fine. I’ll give it, say… two weeks or so for it to get better completely.” 

“Good work!” he smiles, the outline of his cheeks visible on his blindfold. 

“By the way, Mr Gojo…” 

“You know, I appreciate the respect you’re giving me now, but just Gojo is fine.” 

“Okay, Gojo. Do you think Yuuji will be okay?” 

“I mean, I’m pretty sure. And I’m going to ask them to suspend his sentence. I’ll just see whether he wants that or not once he wakes up.” 

“That’s the thing. I’m not sure if he even will.” 

Gojo laughs. “Don’t worry. He was really strong, and able to switch between being possessed by Sukuna and being himself at will. We haven't seen that kind of talent in a millennia! I’m sure they’ll listen to me, anyway.” 

“Thank you,” you sigh. Thank goodness. “If you need any type of payment, um… teleport to my house whenever you get inconvenient little cuts like bruises and stuff. I can help.” 

“Nah, reverse cursed technique’s got me covered.” 

“Oh, wait— I forgot about that— um… I can…”

“Just leave it to me! No payment required,” he exclaims, holding both thumbs up. “And for the record, the one who wanted to save Yuuji was actually Megumi.” 

You wouldn’t have imagined that would happen. Megumi— pragmatic, serious, unkind when he needs to be (no matter how kind of a person he actually is— no, was— at heart), different from Tsumiki in so many ways. There was no way he would have been the one vouching for Yuuji, someone he’d only just met, to be spared. 

“Really?” you ask, “I… wouldn’t have thought he was the one who would do it. I thought, maybe, you were just… really kind tonight or something…”

“Well, maybe it was because he saw how much you cared about Itadori and did it for you, or maybe he had met Itadori, liked him, and just wanted to save a good person,” Gojo suspects, “But if there’s one thing for sure it’s that your old friend saved your new one.” 

“...oh.” 

You’ll have to bring it up with him next time— maybe, if he’s still there tomorrow…

“I know you’re mad at him, but a lot has happened,” Gojo states, voice lower, softer like a schoolteacher’s, “Still, I won’t tell you that you have to give him a chance or any of that. If you don’t want to, you don’t have to thank him or anything. I’m sure he did it out of his own volition without expecting anything from you. He knew he probably didn’t deserve to if it were you.” 

You pause. “No, it’s just… I’ll talk to him again the next time I see him. Alone, most likely. And I can figure something out. I think that would be the best way to go around things. Thank you, Gojo.” 

18-6-2018 

The aftershocks are still there, although you’ve come out unscathed. 

Last night was a mingled mess, a blur. You’d tried your best to help Iguchi by the time Yuuji was placed in the room of talismans and you could come back to the hospital and visit, but in the end he still needed better help than that. His injuries were too large of scale for how you were at that moment, already tired after healing some of the numbers done on Megumi. 

(You were useless. You couldn’t help anyone. You couldn’t prevent Yuuji from being hit with such soul-striking guilt., couldn’t help Sasaki from being traumatised, couldn’t help Iguchi enough for him to be back at school soon—) 

Sasaki’s injuries were limited to bruises and scrapes, but though you could help her physically, there was nothing you could do to assist her emotionally. 

You stayed with them for a few hours in the ICU and then one of the hospital wards (a floor under your mother’s), your father calling you once the sun had risen. 

“Gojo Satoru told me about everything that happened.” 

“Yeah. I know you’ll scold me, but… not now. I’m sorry, I’m just really tired.” You hang up. 

For all you spoke of wanting to be useful, the night when your powers were needed the most was when you were at your most useless— you couldn’t help them, you couldn’t help attack the cursed spirits, and the only thing you could do was call for an adult’s help like a little, scared and helpless girl. 

You needed to train, and train harder than you had been doing for the past few years. 

There’s a knock on the door, a dot-dot-dot-dot-dot. dot dot. It’s Yuuji, you know it is. How ever could you not? 

Timidly, movements quiet like the room itself, you pull the door knob, seeing him there, relatively unscathed. You sigh in relief, a moment’s respite before you return to the panic you had been living in before since you deserve the respite less than other people do— no, you don’t deserve such a break at all, you’re absolutely sure of that, not after what you pulled, how horribly and utterly useless you were, you’ll remind yourself of that again and again and again— the heart-piercing guilt and the worry and the constant need to care for the people around you, almost like a mother, maybe, but you don’t like that thought as much as you think you should. Maybe if your own mother knew, she’d disagree— maybe she’d tell you that you should be a mother, maybe she’d ignore that you were also a child at certain times— the most convenient ones, probably. When she thinks it good that you, a child, were someone’s caretaker because women should take pride in and appreciate that, she would encourage you to be one; when she thinks it bad that as a caretaker and a so-called ‘adult’ you can have your own autonomy, agency and opinions, then maybe she’d remind you that in her eyes you knew nothing of the world. But maybe, just maybe, there was also a chance that she wouldn’t be like that in any way. 

But you wouldn’t put it past her. 

“Yuuji, are you okay?” There are questions about to spill out of you, tears about to fall like gushing rivers, but you’re just happy he’s alive at this point. 

“Yeah.” His voice is soft. Your chest twinges; it hurts like an awful, intransigent little bruise. “Hi, [Name].” It feels so unignorable, the way it’s filled with such sorrow and worry that it weighs his usually loud and boisterous voice down. 

“I thought that—” you start, lips trembling, “I thought there was a chance I couldn’t lose you. The only thing I could do was—” you sniffle, “Hope that they could delay it or something.” 

“Yeah. I’ll explain it later,” he says, his voice sincere. 

You squeeze the wrist of his sleeve. “Don’t do things like that ever again,” you plead, “Promise me that at least.” 

“I promise.” 

“And keep your promises.”

“I will.” 

“...want to come inside?” 

He walks inside, and you step back to make way for him. 

“Sorry I came so late,” he says to you and Sasaki, who shakes her head in reassurance. “Hello, Sasaki,” he greets, “Is Iguchi okay?” 

They speak for a while— you don’t feel like it’s much of your right to join their conversation, since you did nearly nothing at all when they were most in danger, so you leave them be for a while. It would be better not to bother them right now, anyway. They’ve both been traumatised until it reached beneath their bones within the past twenty-four hours. 

When you leave the hospital, Sasaki tells you that she’s going to stay. You tell her to take care, squeezing her hand one final time. 

You let her, patting her on the back. You’ll call them later— she’d given you her contact— just to check on the two of them. 

“Where’s Megumi?” you ask Yuuji. 

“Oh, Fushiguro? I’m not too sure, but that Gojo guy said he’ll be there soon.” 

“Where, though?”

Sheepishly, in peak Yuuji fashion, he scratches the back of his neck. “Actually, another reason why I came here was also because… I mean, I know you and him weren’t close, but I’m going to the place where they’ll keep Grandpa’s ashes, and I think… you know, you could come with me. I… I don’t think I’d be able to do it really well alone, even though he had definitely made it clear he seriously didn’t want me moping around after his death and all. Gojo and Megumi will probably be there, but I thought it would be better if you were there because I know you better than those two, and you’re my friend. So… could you come with me? I know that he never really showed it, but I think he had always liked you a lot. Like, he was happy we were friends and stuff.” 

“...mhm. I’ll always be happy about that,” you tell him, before pulling him into a hug. The guy must need one right now. You’ve never hugged him before. Your heart hurts. 

The air is hot and humid with the breath of summer, bundles of mosquitoes bound to be breeding new ones these next few weeks. Up in the sky is the sun, bold and bright, glaring down harshly at the two of you. 

“Before he passed away, Grandpa actually said something. He… kind of cursed me, if I’m being honest,” Yuuji starts. “He said I was a strong kid, so I should help people. And I’m going to do that. So that was why when Gojo asked if I wanted to be executed immediately or just eat all the fingers before dying, I chose the second option. I… I think I want to help people that way.” 

‘You’ve already helped people enough. You helped me,’ you almost tell him. 

You frown, because that’s the only thing you can do right now. You search for words to say the same way you do looking for dog books in libraries chock-full with those of other genres. “I’m… disappointed, I— I know I should be grateful, grateful that you’re still going to be alive and all, but… you’re still going to be in danger, and you’re still going to be executed one day. I mean, again, I know I should be happy you’re going to have more time alive and that I can still see you, but what if things don’t go as planned? What if you lose control of yourself once you reach, like, the fifth finger or something?” 

You’re selfish like that. In a way, you’re just the way your mother is. You should’ve always known— you were her beloved daughter after all, and the people you know would be loved the same way she did you since the day she knew of your existence, and maybe even before that. 

“Don’t worry,” he grins, wide as always. Even in an over-enveloping darkness he still manages to be the light. “I’ll be just fine. I’m a strong kid, after all. And we’ll always be friends!” 

Gojo asks if he and Yuuji can talk in private for a while. You wonder if this was how your mother felt as she had to give the person she loved most away (but you will have to go away, one day), because you can briefly tell what Gojo is going to ask. You wonder if she felt this twice. 

Yuuji can’t stay with you forever. In the same way you can’t remain by your mother and father’s sides for all eternity. 

This won’t be the last time you’re here, you think. For a place of death, it’s quite a bit beautiful how there’s such large masses of grass and plants surrounding it. 

Megumi nearly walks past you, his eyes on the old photographs of the deceased all around him. 

“Megumi.” 

He turns around. 

“I just wanted to thank you for wanting to save my friend, even if you may not have wanted to do it for me, specifically… um… I didn’t expect that you’d still be here. Are your injuries okay?” 

“I’m okay,” he answers you. “And also, I…” he hesitates, the first time he’s talked to you for something actually related to the two of you in a long time— nearly two years if you’re counting correctly, but the thoughts in your head are a bit too jumbled to count at the moment. “I didn’t really do it for you, though. It… it was for Tsumiki.” 

“Oh.”

“Wait! I’m sorry, that didn’t… come out right. But I should also apologise for something else. You wouldn’t have been thrown into this world anyway if not for my own demon dogs years ago.” 

“No, no, it wasn’t your fault. And I would have wanted to be in it anyway. There’s not many who can heal other people and all, so I just thought… even if I can’t do as much yet, since I don’t have reversed cursed technique and the drawbacks that come from mine are really bad, I can still help people sometimes if they’re dealing with relatively minor injuries. I can, um… make things easier for people. I can be useful like that. I’d keep to it anyway, because I’m stubborn, but… yeah. It wasn’t your fault, really.” 

“Okay. That’s good to hear.” 

“Yeah. Anyway, I’m happy to know that Tsumiki is okay.” 

Silence again for a while. The air turns a little more sombre, and a lot more awkward. 

“She is. And Itadori seems… like a good person. I think it’s good, that… you were able to find a friend like that.” 

“It was. He’s a really, really good guy.” 

“You love him a lot,” Megumi says. 

“I do. He’s a really good friend. If there’s something I’ll always know I know that, at least.” 

“I can see that. It doesn’t seem like he loves you back in the same way, though.” 

“...wow. Way to be blunt, Megumi. And yes, I do know that, too.” 

“Let’s just… change the subject.” 

“You’re the one who introduced it in the first place.” 

“Okay. How… how are you?” 

“I’m good. Wait, I think you should… go back to them. Maybe they’ll need you there right about now. He’s probably going to have to go to Jujutsu High, right?” 

He pauses. “Yeah. I’m sorry, [Name].” 

“No, no. That’s okay. I expected it. It’s just that I’ll miss him a lot,” you tell him, “He took care of me, kind of. You know I’ve always been a bit of an awkward or shy person, but he still approached me since I was new and we ended up hitting off as friends, kind of. We did a lot of stuff together.” 

Sounds pretty familiar, huh. 

“If you want I can make sure he’s safe for you.” 

“...you should be able to do that regardless of whether it’s my wish for you to do so or not…” you state, “But that would help, I guess. And I’m sorry for my attitude towards you for the past few hours or so. Thank you again.” 

“...I’m sorry I never spoke to you for so long, by the way,” he says abruptly. ‘By the way’? Classic Megumi… 

“I could tell you were. It’s… it’s okay. The two of you kind of have a habit of doing that.” 

All your rage, your loneliness, your feelings of abandonment— and this is all you can do. This is all you can say. You can only just let it go, in the end. 

“I’ll explain it all one day.” 

“You don’t have to if it’s hard.” 

He stays. “No, I will. I promise. And I promise I’ll start to talk to you again, as well. I was just… scared of a few things, maybe.” 

“That’s okay.” 

The two of you aren’t quite friends again yet, but it’ll happen soon. Maybe. And even if it doesn’t, you’re finally able to say, with an open, honest heart, that that doesn’t matter as much anymore. 

“I guess this is goodbye again, then.” 

“Not really.” 

“Oh, right— promise to keep in touch, okay? My patience is running thin with you,” you chuckle at that last part, attempting to joke and make things lighter again. 

“Promise.” 

“I’m going to go home now, by the way. Please tell Yuuji that I wish him the best and I’ll visit when I have my own money to visit Tokyo and all.” 

“I will.” 

“And help me say goodbye to him for me,” you add, “Hope that’s not too much for you to do. Sorry for the trouble. It’s just that I’d actually just about cry if I had to do it in real time right in front of him. Be good to him and be good friends, okay? Keep that promise, at the very least. That’s the one thing that I wish for the most.” 

“Bye, Megumi.” You turn back in the direction opposite of his. 

“Wait—!” 

His hand is on your wrist. Now you’re in front of him, like yesterday, and he’s holding your wrist, albeit a bit gentler than the way he used to pull it a whole eight years ago. 

His eyes are cast away from you, slightly avoidantly and in a way that’s a bit abashed. “I’ll miss you, [Name].” 

“It won’t even feel like I’m not there,” you say. Though his grip is slightly tight, he loosens it as soon as you try to slide it up, as if he’d let you be free of it if you want him to. 

You squeeze his hand instead, turning to face him. It feels warm. It feels like there’s blood coursing through you, the sensation more tender and tangible than it’s ever been. 

“Goodbye.” 

“Goodbye, [Name]. I’ll… I’ll call.” 

“Thank you.” 

Now you’re the one slipping away from his grasp. You move your hand away and walk back. The door slides open. 

2010. Springs, summers, autumns, winters. Hands on wrists, a back faced to your eyes, wide with innocence. Warmth and laughter and happiness and love. Days coloured with vibrant hues and time spent with dog books and in libraries. Frowns were greeted with smiles. Hesitance was non-existent. You didn’t feel a need to compensate for your uselessness. You were a child. You didn’t feel useless at all. You just felt this: a constant leaping in your heart, the corners of your mouth twisting up into a juvenile grin, braiding someone’s beautiful brown hair and tying it with a pretty cherry hair tie. 

You want to cry as you walk back home. 

You’re pretty sure you do. 

taglist:

@bakananya, @sindulgent666, @shartnart1, @lolmais, @mechalily, @pweewee, @notsaelty, @nattisbored

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[thatbuddie]

the way that 7x05 left off with both bucktommy and eddiemarisol commiting to getting to know their respective others in their relationships… the way buck and eddie are so intrinsically linked this season in their romantic journeys (like s05 & s06 but even more obvious.) the way we keep being reminded this season that buck and eddie are best friends, the way they keep showing they know each other.

oh.

oooooooooh.