#THE SLAUGHTERHOUSE

[clavidy]

oh i know the end phoebe bridgers we're really in it now.....

[gijoe-forever]

[poaytree]

Do you ever just live about your day and then

"God, I thought I was red. I was bright fucking blue."

hits you on the skull?

[readingwonderer]

The essential act of war is destruction, not necessarily of human lives, but of the products of human labor. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labor power without producing anything that can be consumed.

1984 by George Orwell.

[shesnake]

Interview with the Vampire Part II episodes 6 & 7 (2024), by Rolin Jones, Hannah Moscovitch, Jonathan Ceniceroz // Slaughterhouse-Five (1969) by Kurt Vonnegut

[valtsv]

while i'm thinking about intimacy and violence and the ways they intersect there's something so compelling to me about allowing someone to hurt you. seeing someone consumed by their rage and pain so completely that it's burning them up from the inside out and saying you need to set this loose before it destroys you. you need to let it out. so give it to me. i can take it. take it out on me. i'm giving you permission. i want you to hit me as hard as you can, for as long as you need to. the way it blurs the lines between who is the victim and who is the perpetrator. who is in control and who is bowing to whose power and authority. who is truly dependent on whom.

[eggwhiteswithspinach]

👏 The Slaughterhouse

[ivynightshade]

my body is a slaughterhouse for all the people who have tried to love me. / including myself.

fatima aamer bilal, excerpt from moony moonless sky’s ‘my body is a slaughterhouse’.

[sillydog33]

14.8... when i catch you wildbow

[abyranss]

Assorted Bonesaws

[tedloveshisbed]

What's up, dude!

[aethereaii]

Prop art for Project Fish. Some things you'd typically see at a Li-Luan port.

These props are inspired by things you'd normally see at urban areas within south-asian communities.

I dug deep into what’s been inspiring me to create art for Ormauk recently, and a lot of it has been my relationship with nature as an adult, but especially more so when I was a kid. I grew up a short walk away from the beach. The town that I lived in was outside of the city, but you couldn’t really classify it as suburbia. There were empty plots of land filled with guinea grass growing taller than us kids. Unfinished foundations of houses that sat undisturbed for most of my life; overgrown and abandoned. There was a small pasture for cows behind my house where frogs croaked their hymns when rain fell and created ponds. Overhead cables and graffitied electrical transformers had a specific vibe that I just don't see where I live now.

I wanted to show my version of solarpunk, and it finally clicked with me how I can achieve this; by mixing those snapshots of my childhood with thematically designed technology that fit that south-asian culture I’m trying to emulate. A bit of what exists now and what could exist.

[gijoe-forever]

SGT Slaughter: “51��..52…..We’ll be here all day slow poke ! No more playing house and Tea Parties at The Pit……..Welcome to the slaughterhouse !!!!”

Falcon: 😩😩😩😩😩😩😩😩😩

[ghostofadragon]

let me down easy

[weltonboys]

slaughter-house five - kurt vonnegut / orpheus and eurydice - catharine adelaide sparkes / user sawasawako / orpheus mourning the death of eurydice - ary scheffer / metamorphoses - ovid / orpheus and euridice - enrico scuri / talk - hozier / orpheus and eurydice - michel martin drolling

[blackberry-s0da]

Day 16: decomposition