#THANK YOU to the interviewer for asking about the characters’ futures

[loveandthings11]

Mark Mylod on eventual Kendall optimism ❤️

The Hollywood Reporter, 8/16/23

[luxsea]

i heard karlachs monologue was rlly good but holy shit i genuinely dont think i'll be the same after that

[justatypicalwizard]

Katsuki doesn't believe in love at first sight

Katsuki never believed in love at first sight. How could someone meet eyes and feel as if a thunder ruptured down from the skies and struck them? To love someone means to accept every part of them and to be able to incorporate them into your everyday life. It means building a brand new everyday with that person.

In order to do so you need to know a lot about them. Who they are, what are their plans for the future, what is their character and so on. Then you need to see if you are compatible in many spheres. You need to invite them to your friends group to see if it’ll hit off, you should try living together, they need to get to know your parents.

There are simply so many things to check off the list in order to be able to say you love someone. Otherwise it’s just empty words. I love you here and there. I love you for a week. I love you when you do as I please. Bullshit.

Mina constantly pestered Katsuki that his definition of love feels more like a chore or a job interview than like something a human would be able to accomplish. It wasn’t his fault he had some standards everyone else seemed to lack.

So even now Katsuki doesn’t like to admit that he fell in love at first sight, because it wasn’t the first time when he looked at you.

A quiet ping of his phone tore him out of his work. A new message from someone he didn’t recognise. Without much thought he opened the text.

[Hi, you may not know me but we go to the same lecture on Wednesday at 1 PM. I heard you have neat notes and wanted to ask if it wouldn’t be a problem if you send me today’s ones. I  got sick and couldn’t come and I wouldn’t want to fall behind with the material. Thanks!]

Geez, was there a longer way to type it? Couldn’t you just write: can you give me notes? On the other hand he always complained about people being douchebags.

Clicking onto your profile Katsuki saw a cheesy photo and a few posts from your daily life and vacations. Nothing much to be honest. Yet, he could vaguely remember your face around the people who entered the lecture hall. It won’t hurt to help.

[Sure]

[File attached]

Pushing his phone to the far end of his desk he went back to work. A few minutes later there was another quiet ding and this time Katsuki felt irritation bubbling inside him. It was you once again.

[Thank you so much!]

[I owe you]

[If you ever need anything feel free to write]

Whatever.

It only took a week for Katsuki to be indeed looking for help from someone. Once in a while, during his hero training, he was forced to pair up with someone in order to work on his rescue skills. Usually they’d use dummies but some fucktard in the course planning team decided that it would be most helpful if the students could train with a real human.

Normally Katsuki would ask Mina. He’d swallow his pride and force himself to listen to her babbling for two hours. Just to get it done. Unfortunately, Mina dumped him today, leaving only a [sorry, not feeling well, find someone else]. Damned flu season.

Who was he supposed to ask now, Denki?

As he scrolled down his chats, your profile pic flew by making Katsuki halt.

If you ever need anything feel free to write.

Screw it, you said it yourself, might as well find a person already and move on with his day. He typed a quick explanation and pushed the send button. The day was nearing the afternoon when you responded.

[Sure, if it’s two hours I can make it. Send me when and where I should be]

He shrugged and gave you the address for today's training.

In the early evening Katsuki found himself trotting towards his usual fighting ground absentmindedly. He was thinking about something related to work at Miruko’s when the idea flew out of his head. You were there, he could see you from afar, walking in circles in front of the main door.

Were you an idiot? It was the middle of winter and the early evening cold tore through layers of warm coats to sink into your bones. Why weren’t you entering the building to warm up a bit.

That’s why Katsuki is so stubborn about the whole love at first sight thing. It certainly wasn’t that exact moment when his heart skipped a beat because of you. You were shivering, hiding your chin and red tinted cheeks deeper into the collar of your winter coat. When you spotted him you reached out a gloved hand and waved.

“What the fuck are you doing outside, get in there or you’ll catch another cold.” He persisted, ushering you towards the entrance.

“Wow, good evening to you too.” You looked at him from under your woollen hat, surprised to get yelled at first thing you see him. Though, you did hear the upcoming pro-hero Dynamite, who went to the same lecture as you, was rather intense. “I don’t know, this place just looks fancy. Didn’t want to stand inside like a dumbass not knowing where to go.”

“So you stood outside like a dumbass not knowing where to go.”

“Exactly.”

He let you in and showed you around. After leaving your coat and getting a warm tea (his idea), you were ready to help with his training. The support students and university staff running around asked you to take off any unnecessary piece of clothing such as jewellery or sweaters that could get in the way. You gladly went through with their instructions.

You b-lined another student, a senior support course, who showed you the place where you’d be waiting to be rescued. The spacious arena was moulded into the shape of a city. Some buildings were fine, others rundown as if a villain attack rolled over them. There were paveways and roads, streetlamps and plastic trees. You even spotted a car, though it didn’t look like it could take off anytime soon. 

“It will look the same over and over. You sit or lie down in the place where I leave you and wait for your hero.” Your guide briefed the rules. “And every time pick out a different scenario and tie the band in the place that is put on it.” He handed you a dozen of ribbons with small notes attached to them. The first one you grabbed read: broken arm (tie around elbow).

“Sure.” You nodded your head and he left you on the second floor of a wannabe office building. There were a few chairs scattered around and a table that had a weird bite mark on it. You obediently wrapped the band around your arm and sat down on the floor, waiting.

You wondered how it’ll be, to get fake rescued. You were never in such a situation, always watching the villains from the comfort of your TV rather than first hand. What was Dynamite’s quirk? Suddenly you felt stupid for not knowing. On the other hand, you were never up to date with new heroes and all the popularity polls or colourful magazines. Guess you’d just have to wait and see.

Katsuki didn’t leave you for long. You were counting the pieces of shattered glass beneath your feet when a series of explosions passed beside the building. The small pieces you were meticulously adding shook and you let out a squeak when something heavy hit the wall behind you.

“Shut up, it's me.” Craning your neck, you saw Dynamite’s face, upside down, looking at you. He was halfway through the window. “What have you got?”

“God, you scared me.” You chuckled but quickly shut your mouth. The guide asked you to play the best victim you can. Victims shouldn’t laugh.

Dynamite hopped in front of you and crouched to read the note attached to your elbow. He mumbled something in the lines of fucking scenario and looked you straight in the eye.

“I’m gonna get you out of here.”

There wasn’t anything dramatic going on, it was even quiet outside save for a few shouts here and there. Yet, there was just something in a bulked man looking at you and promising you protection, one secured by his own arms. You felt like the guy from the firefighters video.

You couldn’t stop the giggle at the thought.

“What the fuck are you laughing at?” Dynamite spat.

“Nothing, nothing.” You shook your hands in front of your still laughing face. “Oh shit, this one’s supposed to be broken. Okay, just save me already.” You really fought with the snicker but the cheesiness and awkwardness of the whole situation had you in a chokehold.

“Whatever.” The hero sighed, visibly annoyed, and scooped you into his hands like a sack of potatoes. “I’ll need you to wrap your legs around me. Push the broken arm into my chest and use your healthy one to hold onto me.”

You did as instructed and glued yourself to him as tight as you could. He still held you with one of his arms and just when you started to wonder how the two of you would get down from the second floor he jumped out of the window.

A scream escaped your lips but it was muffled by a loud explosion.

For the next two hours you flew through the air in Dynamite’s hands over and over again. He held you in different ways, depending on your supposed injury, but every time you landed into the safe zone, you realised you were the first or nearly the first. That guy was quick like hell.

The last scenario rolled over and it was a panic attack. You were supposed to be physically fine but otherwise unresponsive and difficult to work with due to your shock. Dynamite tried to take extra steps to calm you down, speaking about how he’ll take you to safety and how it will all be over in a second. It looked like he was having a hard time.

“I need to touch you to take you somewhere safe.” He said, wrapping one of his hands around you.

When you were both at the safe zone, with cardboard paramedics to take care of you, Dynamite did something different. Instead of leaving you in the place where the group of injured would grow, he carried you straight to the ambulance.

“She has a panic attack.” He said to the empty fake vehicle and you just couldn’t take any more of it. You erupted in a fit of laughter. Your body shook in his hands and you gripped the X on his uniform to steady yourself. “What the fuck?”

“I’m sorry, I’m sorry!” You tried to explain but the laughter squeezed your throat. “I’m a shitty actor.”

“I see that.” Dynamite grumbled.

“Do you really need to talk to cardboard people and empty vehicles for two hours every week?” You asked, wiping a tear from your cheek.

“Is it really that fucking funny?”

“No, no! I get it.” You finally calmed down, letting go of the front of his costume. “It’s not that funny, maybe a bit but not that much. I think I’m just in a good mood.” You shrug your shoulders. “It was fun, flying with you, like a free rollercoaster ride.” You gave him a big, big smile. A big genuine smile. A big, genuine, lovely smile, with your eyes closed and teeth out and cheeks tinted pink.

People are stupid. That’s what Katsuki thinks. It’s not love at first sight. It’s love because of a single sight.

Even though Katsuki came to some fundamental conclusions in the topic of love he would get all defensive and intense when he was asked about how the two of you met. It would sound way better if he could say the two of you met, then started to talk more, then went on a date and agreed to meet each other and so on. He just felt so stupid, so awkward and silly when he had to admit that all it took for you was a single smile to make his heart skip a beat.

The worst part? It felt a little pathetic honestly, as if people never smiled at him, but truthly they didn’t, not like that. Not like you.

Katsuki still doesn’t believe in love at first sight. Yet, every other piece of his meticulously calculated equation of love was torn down and rewritten, all of which he gladly took.

[lady-ashfade]

Mha Reaction to their big pro!hero sibling coming to visit

´*: ･ﾟ⋆˒ Characters: Katsuki Bakugou, Izuku Midoriya

READER: Masked Hero!reader, reader doesn’t give their name to the public.

WARNINGS: Angst coded a bit, but really fluffy other then a few things, siblings bickering!!

GENRA: HC’s

Izuku Midoriya

Izuku liked to keep you a secret— not in the way you think. When he was younger he got bullied for being quirkless and he was sure you wouldn’t want to bring down your reputation. Or get more bullied because of how different he was.

No matter how many times you made it known you respected and love quirkless people, even announcing to the world that you had a quirkless brother, he still felt ashamed. 

But once he got into UA he was so proud of himself, he was messaging you everyday about his progress. He felt horrible to keep you in the dark about allmight but he had too! Deku still kept you hidden, he wasn’t sure how you would feel if he spoiled your identity.

“Look at you, little hero!!” Izu was so shocked to see you standing in front of him and his class, a smile plastered on your face. “My My, how you’ve grown!” Everyone watched you practically fly to him and hug him.

Now seeing you both together in the same room…it was so obvious that you both were related!! Same nose, eyes and even freckles. Even if you had different dads, you both favored your moms features more.

He was overwhelmed with questions, mostly why he never told them he was your brother, then everyone was fine.

Until you started sharing stories of when he was little. How you would pretend to need saving just so he could rescue you. And somehow a baby picture even up on the kitchen fridge…

“I’m so proud of you,” and yet after all the embarrassing stories, kicking his butt in training, and giving him lectures you still held him when you need to leave, “My brother is going to be the best hero.”

He was a sucker for your hugs. Don’t forget the waterworks!! He’s crying at the slightest praise from you.

Everyone in the class, including him was shocked when they saw a picture of them on tv while you did a interview! “This is the future of Japan!” And you sang their praises on tv.

“Midoriya, your siblings the best!!”

“Yeah…I know.”

Katsuki Bakugo

He’s sooo over you. For years he hated how he had a pro!hero sibling. That just means he’s have to work harder to get out of your shadow. Unlike izuku, MF didn’t want anyone to know he was related to you— YOUR NOT SPECIAL.

I think deep down he was wordied he wouldn’t catch up to you, or that somehow he would fail and you’d be disappointed. Because katsuki really does care AND look up to you, which is why his first thought was to go to UA to follow in your footsteps. Tho, he never admitted it.

“I just want UA to have a better Bakugo, can’t have you spoiling our name.”

Boy would be so pissed if you sent a letter of recommendation. And better expected a angry call, “I don’t need you help.” “Think I can’t do it on my own?” he really hates when you try and help him. Makes him feel weak. Like I said- he doesn’t want his big sibling to look down on him.

“Put the boy down!” Bakugo freezes out the stern tone of someone yelling at him. Denki pulls away from his grip, thanking the person. Yep, it’s you— and the first thing you do is embarrass him.

“Why the hell are you here. Shouldn’t you be fighting low level villains. What, People stop stealing candy from babies?” Everyone is staring at him because he’s talking that way to a pro!

“Don’t be like that! Give your sibling a hug!” they watch you chase him around for a minute while he’s screaming his head off….YOURE HIS SIBLING?

Kats hates that everyone knows now and is asking him questions. He hates to be in your shadow. He hates watching you give praise to his friends and then give him “tips” or whatever. He’s constantly trying to train with you, to try and prove he can be better and beat you in a fight.

“Don’t hold back! I’m not some loser kid like you think,” he screams. It’s been hours since you’ve been training and you still haven’t used any of your power moves on him, “I’m better then you! So stop looking down on me!!”

And you clicked it right there. Why he was always pushing you away, or overworking yourself. Why he hated when you tried to help him. So you did what any good sibling would do—Kick the shit out of him.

“I never thought you were weak, katsuki,” you bend down as he’s laying on the ground out of breath and beaten up, “Just because I give you pointers doesn’t mean anything. I just wanna be there for you,” you pat his head while he has no energy to reject you.

“I’m so proud of you! I knew you would be a hero years ago!”

The last day he was more closed off because of his disappointment to see you leaving but didn’t wanna show it. Being a pro meant he never got to see you, even he was younger you were here at UA training.

Anyway from everyone, he hugs you deeply. “Try not to die! I can’t have everyone knowing I have a weak sibling.”

As he huffs in your chest to give off the impression of being mad, but the grip of his hold says something different.

“Whatever you say, Kit-Kat,” you chuckle and pats his head and hold him for a few seconds as he trues to pull away from you.

[landograndprix]

「Feel the magic ๛ l.n」

part vii

✧.* you've finally secured your well deserved p1 after months of suffering with red bull and while you celebrate it the right way, love is in the air and everybody sees it now.

✧.* when i think about my muppets i think about this song, should i make like a playlist of songs that remind me of this fic, give y'all the vibes ive been having? 👀 spelling mistakes add character, don't mind them 🥰 this is a psa for the people who wanted to be on my taglist but never got tagged, i didn't forget or ignore you, I simply am unable to tag you and therefore removed you from the list feel free to ask me again so I can take a look at it. Taglist is open Love ya ❤️

✧.* prev part - next part

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y/nusername

liked by landonorris, milouberger and 453,789 others

y/nusername I'd like to thank my parents— p1 baby!🏆

tagged: mclaren

view all 742 comments

y/nloveee yes baaaaabbyyyyy 🤩🤩

norrizz one big fat fuck you to red bull!

adam_norris_pure_electric amazing race, amazing driver!🥇

carlandooo oh my gosh, I'm dead, Adam out here supporting his future daughter in law 😭

norry4 stop it 😭

ricky78 bring it home y/n!

natewhite this girls good, she should try racing in f1..

carlossainz55 well deserved! 🔥

chilisainz wish I had a supportive ex boyfriend 💀

y/nlandooo we're so back with our 1-2!

yourmomsuser super proud of you! 🥰

milouberger back where you belong!

hamilt44n girl, shut up..as if you didn't try to push her off the track halfway..🤨

redbullgirl come back please, perez is a joke 😢

landonorris that's my girlfriend 😍

bott_ass we were aware 😂

landonorris you got any plans tonight? wanna celebrate?

landosmclaren HOWLING ABSOLUTELY UNHINGED

maxfewtrell mega race 🙌

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landonorris posted on their story

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cecilemoulin posted to their story

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y/nusername

liked by landonorris, riabish and 689,872 others

y/nusername ending an amazing weekend with my favorite lil' guy 🧡

tagged: landonorris

view all 878 comments

norrizz honestly such a power couple!!

sharl16 oh they in love love huh?

bott_ass not the after sex selfie 😭

bananaclerc I was looking for this comment 😭

y/nlando y/n's finally showing more of her and lando on here 🥺

mrsnorris 🤮 get someone your own age 🤮

cecilemoulin I just know y'all were late because you've been watching tiktok's in bed all morning..

y/nusername Cecile thirst trap edits go hard

carlandooo y'all think y/n finally realised she likes this man? Seemed pretty one sided to me for a hot minute 😂

ceciley/n I think Cecile said in an interview that THEY aren't used to dating younger dudes and that she felt out of place for the first few weeks..pretty sure she meant herself and y/n 😉

carlandooo CECILE IS DATING SOMEONE?

ceciley/n yeah..max fewtrell? Girl where have you been? 😂

carlandooo under a fucking rock apparently! Wow, these girls really said young, cute and british? Yes ma'am 🥰 so real of them

ceciley/n a couple of besties dating another couple of besties 😂

hamilt44n where are Carlos and Pierre now? You think they gave up? :')

landonorris favourite lil' muppet 🧡

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Everything taglist; @thomaslefteyebrow @hopefulinlove @smoothopz @softboystarkey @honethatty12 @cixrosie @parkersmjs @ireadthensuetheauthors @celestialams @be-your-coffee-pot @heli991113 @kodzuvk @reality-is-a-con @80sloverry @bibissparkles @myescapefromthislife @lanando4 @elliegrey2803 @ravisinghs-wife @glow-ish

Feel the magic taglist: @celesteblack08 @mrsmaybank13 @cha-hot @judesgfirl @roseseraj @kissesandmartinis @jpg3 @amulhermaisfelizdomundo @marialovesf1 @silkenthusiasts @luvrrish @laneyspaulding19 @emily-b @formula1bby @judespoisons @buckybarnessweetheart @strawberrychita @iifloweringnightsii @buendiabebeta @jjsprobablywrong @babyvinnie @mishaandthebrits @hockeyboysarehot

Lando taglist: @beatricemiruna @simp-for-fictional-people @landossainz @christianpulisic10

[darkficsyouneveraskedfor]

Sweet Treat

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon, power imbalance, and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You bake one of your favourite fall treats for your coworkers but one of them takes it to mean more than it does.

Characters: Tony Stark

Note: this is the fourth of my autumn fics as decided by all of you!

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

The leaves feel more vibrant as you walk along the autumnal street. Clusters sit at the base of street poles and the brisk wind nips at your cheek and nose. You tuck your chin into your woolly scarf and hug the container of treats closer. 

You stifle a yawn. Your exhaustion is well worth the output. You spent most of the night baking. It’s a hobby for you and now that you have your first steady job, you have the funds and the space to do it. And as the newbie in the office, it felt right to add a bit of warmth to the office culture. 

To be honest, you’re trying to fit in. Since you started your desk job, you’ve felt that pressure. It’s all new to you and you feel like every day is a learning experience. Everyone else seems so settled and sure. It’s not like a retail gig where you’re all just trying to get through another day. 

As you get to the front door of the building, your met with a familiar face. Rhodey flicks two fingers in a half-wave and drawls out ‘morning’ as he opens the door for you. You thank him and enter the lobby. 

He trails you along the polished tile and you both stop before the metallic doors of the elevator. He taps the button as you tap one heel impatiently. He takes a deep breath and lets it out. 

“What’s all that?” He asks. 

“Oh, it’s a surprise.” 

“A surprise?” He wonders. 

He’s always nice. He interviewed you and helped you on your first day. He’s too busy for you to run into each other very much, but he’s always pleasant. 

“Yes, you have to wait until you get upstairs to find out.” 

“Oh, maybe I should see if I can beat the elevator,” he kids and looks at the door to the stairs. You chuckle. The doors ahead of you slide apart. “Ah, nevermind, seems like fate is on my side.” 

He gestures you in ahead of him. The ascent is smooth enough. You’re never a fan of the rising sensation that makes you woozy. You step off thankfully, clutching the container firmly to your stomach. 

“Well, I should find my desk,” you say. 

“Hey wait, what about the surprise?” He asks. 

“Oh, yeah, fine,” you face him and slide your arm under the container. You peel the corner of the lid back with your other hand and smile, “apple pastries. Hope you like ‘em.” 

“Homemade?” He asks as he reaches for one. 

“Sure are,” you chime. “I have napkins in my bag but my hands are kinda full.” 

“Nah, I don’t mind a mess,” he sniffs the dessert, “think this will go well with my coffee.” 

“Let me know if you like it,” you smile. 

“Oh, you will know. I might just try to sneak a second,” he says and turns to head off towards the executive offices. 

You shut the container and wade through the desks to your own. You put the container down and strip off the layers of your scarf, gloves, hat, and coat. You finally get yourself set as Marissa shows up. 

“Do you smell cinnamon?” She asks as she wiggles her nose and plunks her insulated cup down. 

“Yes, I do,” you take the lid off and gesture to the container. “Want one?” 

“Hm, apple?” She asks and you nod. “What’s this all about?” 

“I don’t know. I made them so I thought I’d share.” 

“Huh, that’s sweet,” she remarks dryly as you offer her a napkin. “Enjoy that optimism while it lasts.” 

Your cheek twitches. You notice that about the people here. Even if something good happens, they’re suspicious about it. They want to know why or the expect something horrible to follow. 

As more people shuffle in, you offer them a pastry. Everyone seems to like them so far. Yet, you still have lots to go around. 

You get up and Marissa glances over, “any more?” 

“Well, yeah, I was going to go offer them to the managers.” 

“Oh,” she darts her eyes way. “Good luck.” 

“What do you mean?” 

“Nothing, just... interrupting for a pastry... kinda... non-productive.” 

“Oh, right,” you pout, “maybe I could just leave them in the breakroom.” 

“Probably a better idea.” 

You’re disappointed. You know the execs rarely go that far. Still, she’s right and she would know better than you. 

You take the container and pass between the other desk. As you pass the hallway to the exec spaces, you nearly collide with someone else. He barely seems to notice until you squeak and save the desserts from spilling. 

“Oh, I’m sorry,” you eke out as the man struts by only to scuff to a halt.  

He turns back to you, a pinch between his brows and a tick in his cheek. You clamp your mouth shut as his dark eyes penetrate you. It’s him, Mr. Stark, the big boss. You’ve never seen him this close-up. You panic and look around as a hush falls across the office. 

“Would you like one?” You ask out of sheer helplessness. You offer up the container and his eyes slowly descend. His expression doesn’t change. 

To your surprise, he steps closer. He reaches into the container and takes one of the pastries. He examines it then turns away without a word. You stare after him in fear of your livelihood. 

You wait until he’s gone and scurry into the breakroom. You put the container on the counter and catch your breath. Oh gosh. You just blew it, didn’t you? Over something as stupid as desserts. You shouldn’t be handing out treats like Santa Claus, you should be working! 

You put your head down and march out. You go directly back to your desk and sit. You feel eyes on you. Marissa wheels closer. “Told you. Don’t bother the big guys.” 

🍏

The windows are dark as you finally log off. It’s no coincidence that you’re the only one left in the office. It might be futile but you hope the extra work might save you from the fallout of your unfortunate run-in earlier. 

You cross the office floor and dip into the breakroom. You claim the empty container from the counter. You’re happy that your hard work didn’t go to waste, at least. 

You return to your desk and snap the lid on. You gather up your coat and pull on your hat and scarf, leaving your gloves in your pocket. You pack up your bag and sling it on your arm, clutching the container against your hip.  

You push your chair in and turn. You nearly shriek, instead swallowing it to a squeal, as you find someone else standing across the space. You put your hand to your chest and gasp. 

“Sorry, sir, I didn’t hear you,” you gulp. It’s Mr. Stark. Great, you don’t think you’ve done enough to stop the inevitable. 

He comes closer, sliding his hands into his pockets as he approaches. He’s silent as he measures you with a long gaze. The silver at his temples twinkles against the darker strands. He stops at the corner of your desk. 

“You all out?” He nods to the container. 

You flinch, “um, yes, sir.” 

“Too bad. Tasty,” he says. “And that little heart in the pastry... nice touch.” 

“Oh,” you’re surprised by his praise, expecting a full remonstrance. “Thank you. I... I just thought it was cute but, er, sorry, I don’t mean to chatter. I should go.” 

“Yeah, me too,” he says, “another late night.” He clucks and glances around the empty office. “You know, that really... made my day. Not much to look forward around here.” 

Your brows rise and you smile, unsure how to respond. 

“Feel like I owe ya more than a thanks,” his forehead lines as he tilts his head, “and I gotta grab something to eat,” he checks his watch and sighs, “all my meetings went long so could I pay you back?” 

“Uh, sir,” you wonder. 

“You like shawarma?” He intonses. 

“Shawarma?” You repeat, surprised. 

“I know, I know, a guy like me is supposed to live off caviar and fine steaks. You ever just get the craving for something....” he pauses and pokes his tongue into his cheek. “Nasty?” 

You chuckle, “um, sure. I sometimes order fast food.” 

“So? Unless...” he hesitates, “you’re busy? Looks like you’re running behind too.” 

“No, sir, that’s very generous. Um, I... yeah, I could... I could go for shawarma,” you agree, relief flowing over you. You don’t think he’s going to fire you unless it’s a trick. 

“Great, let me just grab my jacket.” 

🍏

Dinner is delicious, though a bit awkward. Your guilt isn’t lessened as Mr. Stark insists on paying for it. You tell him you can handle it but you don’t argue that much. He’s still your boss. 

You pull on your jacket as you leave the restaurant. He holds the door for you. You’re already mentally preparing to tuck into bed. 

“That was nice. If I don’t have some business lunch or dinner, I usually eat alone,” he scoffs as he comes up beside you. 

“Oh? Well, I’m glad you enjoyed it.” 

“Just as much as that special treat you made me,” he says. 

“Uh, yeah, well, I like baking--” 

“You know, no one ever offers me stuff like that. They all just get quiet when they see me. Can’t even look at me,” he grumbles. “But you smiled at me.” 

“I’m sorry, sir, that’s... they’re just intimidated, I’m sure. Because you’re so smart,” you say. 

“What about you? You’re not?” He asks as you stop next to his sleek red car. 

“No, I am,” you admit. “I’m the newest person in the office, everyone intimidates me.” 

He looks at you long and hard, “really?” 

“Well, yeah, I’m still learning how to do everything.” 

“Who?” He asks. 

“Who?” 

“Who’s being mean?” He growls. 

“What? No, sir. It’s not—no one’s mean. I didn’t say that.” 

“Because if someone’s messing with you, I’ll happily have a special meeting with them,” his expression darkens. 

“No one,” you avow. “Sorry, I must’ve said it the wrong way.” 

“You did nothing wrong,” he counters. 

“Right, er...” you peer over your shoulder, “I should go catch a bus--” 

“A bus?” He echoes. 

“Sure, it’s almost nine o’clock,” you look at your fitbit. 

“My car’s right here, get in,” he says. 

It’s a command and you’ve pressed your luck far enough. You nod and thank him as he opens the door. You sit in the low seat and hug your bag atop the empty container. He shuts you in and strolls around to the other side. 

As he sits in front of the steering wheel, his cologne clogs your nose. It’s definitely expensive. You squirm in the seat. You’re tired and a bit impatient to be home. You still have to go to the office early tomorrow. 

“Well, thanks for the ride,” you stifle a yawn and rub your eyes instead. 

“Lease I can do,” he says. “Where do ya live, sweetheart?” 

Sweetheart? The epithet tweaks your ear but you try not react. You worked in retail, a lot of men love that word. You give him your address. 

“Really? All the way over there?” He asks. “Girl like you shouldn’t be done there,” he tuts. 

“It’s not that bad,” you assure him. 

You drag your hand up your cheek, trying to wake yourself up. You’re exhausted. You’re so used to the 9-5 that you’re ready to flop into bed. 

You zone out at the engine hums. The soft motion of the turns lulls you and it isn’t until you’re halfway in the other direction to your apartment that your instinct kicks in. You sit up and look around. 

“Where are you going?” You ask in a panic. 

“I live closer, sweetheart. You can crash at mine,” he says. 

“Your-- no, Mr. Stark, I can’t do that. If you don’t want to drive me, I can get an uber.” You pull on the zipper of your purse and he hits the brakes. You lurch forward as he reaches over and clasps onto your hand. 

“You don’t need to do that,” he says. 

“Mr. Stark?” You babble. “What’s going on?” 

“What do you mean?” 

“Why won’t you take me home?” 

He’s quiet. His eyes fall to his hand and he lets you go. He grips the wheel again but doesn’t go. He sighs and tilts his head back. 

“You gave me that pastry. With the little heart.” 

“I gave them to everyone--” 

“No, but you gave one to me.” He insists. 

“Sir,” you sniff. “I’m sorry if I did something wrong. Please don’t fire me.” 

“Fire you--” He turns to look at you, “no, no, no.” 

He fixes his gaze straight ahead and presses on the gas again. He rolls forward and turns down another street. You unzip your purse and once more, he stomps on the brake. You lurch forward and the seat belt digs into your chest as your bag falls onto your feet. 

“Don’t touch that phone,” he snarls. 

“Sir,” you sit back, rubbing where the belt bit into you, “sorry.” 

“It’s just... I can’t see where I’m going with the glare,” he exhales shakily. 

“Okay,” you whimper. 

He drives on. You don’t move. Your heart is racing. You don’t understand what’s going on. 

He enters the nicer neighbourhoods. Where the houses have that modern boxy feel, tall glass windows for walls, and iron gates around trimmed hedges. Their residents spends as much time there as their vacation homes on the next continent. 

He hits a button and steers toward one of the gates as it slides open on a motor. He rolls through as you sink into yourself. This must be his house. You’re still spinning with the suddenness of it all. From the office to dinner to this. One moment stoic and silent, the next smiling and kind, and now... 

As you look at him, his eyes are so dark that the swallow the glow from the dash and the security lights mounted on the house. He shifts into park and kills the engine. You twiddle your fingers and watch him. He reaches over and presses the button on your seat belt. 

You wince and look away as he trails his touch up your arm and to your shoulder. He walks his fingers up over your collar and along you neck. He traces the curve of your jaw as you shiver. 

“You gave me something sweet, baby,” he grabs your chin and makes you look at him again. “I just wanna return the favour.”  

He leans across the space between your seats and pushes his lips to yours. You murmur and grab onto his wrist. You feel the tendons tense as he squeezes you tighter. His mouth parts from yours and he presses his forehead to yours. You’re locked in his hold, paralysed.  

He hums and licks his lips, “You taste just as good.” 

[therealplaguedoctor]

Love at first bite

Max Verstappen x fem!reader

Summary- Y/n is a professional protection dog trainer, and an ex bodyguard. What happens when an old friend of hers calls in a favor: getting his friend some protection. The fans seem to love her, others not so much. Especially not her clients father. Her client enjoys her company maybe a little more then he thought after the first bite.

TLDR- a collection of series of events that ends with two people who didn't really know they were in love with each other until one confessed

Warnings- dogs and dog bites, mentions of aggressive fans, cursing, google translated dutch, Jos Verstappen, stupid warnings: author is a dumbass and pretends she knows shit(she doesnt), American spelling, I never spell check, also y/n is very badass and is kinds just built different, sorry I like writing badass characters/people, also this might be a bit ooc I'm sorry for that :/

A/n- AHHH okay so I kinda hate (hate as in thinking I could do better) and love this(?) I wish it was better written ngl but it is a oneshot so I wasn't able to go into more detail so I feel like the writing is a bit rushed sorry about that I promise I will get better in the future :,)

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BREAKING NEWS: Fomula one driver Mav Verstappen got injured after crazy drunk fan attacked him.

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BREAKING NEWS: Max Verstappen revealed that he is looking into more security in an interview

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"We're sure you've seen the questions around what happened immediately after qualifying. Can you add anything to that situation? Like with your current security?"

Max picked up the mic wanting to be anywhere but here "well I will be looking for personal security. As all the security that is normally seen around me is provided via the FIA." He said "But to speak on that manner any behavior like that should not be tolerated" he put down the mic as the interview turned to ask Lewis a question.

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After the interviews were over Max just wanted to relax and forget about the crazed fan. But before he could disappear into redbull hospitality he heard his name from a familiar voice.

"Max!" Lewis called stopping in front of him "Hey mate I think I know someone that I can call to help you with your security" he smiled

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"Stellen" (bite) you yelled at Goose, which sent him barreling towards the man with the bite sleeve. Goose launched himself up and bit down on the sleeve. The man, Tony, aggressive, shook his arm.

You felt you phone in your pocket buzz with your familiar ring tone. You pulled it out and looked at the caller ID: Sir Lewis Hamilton. You answered the call before yelling "Loslaten" (out) to Goose who immediately let go of his arm.

"Hey Lewis what's up?" You asked as you waved off Tony telling him he's good to leave.

"Hey Y/n" he said dragging out your name a little

"Lewis" you said in a warning tone "what did you do?"

"Okay one rude, I didn't do anything." He huffed "but I do need a favor?" He asked

"What's up?" You asked again "it's not like you to ask for favors"

"Well: my friend, another driver, he had a fan attack him and he needs protection cause he doesn't really have a security team"

"Lewis I can't get him a trained dog in a day" you sighed

"I know" he said "but you're still a certified body guard aren't you?" He asked hopefully

"Lewis." You said

"I know it's a big ask" he said "but I was talking with him earlier and he's willing to pay big bucks for you to be protection for him AND train him a dog." He said

You sighed knowing that he'll continue until you say yes "fine" you said "when can I set up a meeting with him?"

"Uhh I can say next week tuesday? We can do whatever time" He said "cause after this race we have a small break then it's actually race week in Miami"

"Okay Lewis, I'll find a dog for him before then, and start training" you said "if you say he's serious about this then I'll belive you"

"Thank you so much" Lewis said "I'll let him know"

"Yeah yeah, bye Lewis"

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You sat in your small office. You didn't use it much only for meeting with clients about protection dogs or getting their dogs trained, you wanted to have a atleast semi professional space due to your clientele.

A knock at the door cause you it sit up and stop spinning in your chair.

"Come in" you called.

The door slowly opened revealing a happy Lewis. Goose didn't move from his bed next to you instead looking up at the man.

"Hey Lewis" you smiled

"What's up?" He asked rhetorically as he sat in one of the chairs across from you.

Another man walked in behind him, he looked around the room as if taking it in, this must be Max the guy Lewis was telling you about.

"Hello its nice to meet you" you smiled as you stood up and extended you hand "my name is Y/n L/n"

He shook your hand "Max Verstappen" he said before sitting down

You did the same sitting in your chair "so I have been made aware that you're looking for a personal protection dog" you said "along with the fact in the mean time you're looking to hire my bodyguard services" you said as you pull up the contract you had drafted earlier on the computer.

"Uh yes that's right" the Dutch man said

"Okay" you said as you quickly checked over the document spinning your screen around so he can read it-

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After discussing the contract along with pay you both sign it. Solidifying the deal.

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"Okay so now that we have that settled" you said as you stood up "we should have you meet your new dog" you smiled "Hier" (come) Goose got up and followed you out if the room the two men behind him.

You took out the keys and unlocked the kennel for a German shepherd pup "he's still a bit young, just under a year actually" you said "but he has the basics down so it's now just bite training" you explained

Both men nodded as they watched the pup and your dog Goose interact.

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Media day, the day Max wished didn't exist. He finally got out of his car as you approached him with Goose to your immediate left.

"Good morning" you smiled "large crowd at the gates, mostly photographers only a few fans, I recommend staying on the right side as you walk into the paddock" I explained "it's mostly photographers on that side and no interviewers"

Max nodded as you talked he followed your instructions. You put on your sunglasses to block the flash of the cameras.

Max made it past the hectic paddock entrance with you right behind him Goose walking by your side.

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As Max walked through the paddock he wasn't approached by any interviewers. He could get used to that.

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Max sat down ready to record some content for the redbulls media team. You positioned yourself out of the way but with a good view of everything as well as all the entrances.

Daniel soon arrived and noticed you almost immediately sitting down he leaned over to Max and asked "who's that? With the dog?"

"Oh that's, Y/n" Max explained "She's my new bodyguard"

"She looks badass" Yuki comments scaring the shit out of both Daniel and Max "where the fuck did you come from?!" Max shouts

You quickly looked over and watched the interaction, Yuki had been up there the entire time.

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As the recording came to an end you stood from where you were leaning. Watching Checo leave, followed quickly by Daniel and Yuki who look like they needed to be somewhere. Max started towards the exit you quickly followed him.

Begrudgingly Max sat down in front of a mic that had a big 'sky sport' on it. You stood just off to the side of the camera, completely out of frame and able to watch to one side of Max as you had Goose watching behind yourself.

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As Max answered the repeat questions he finally heard the one he's been dreading:

"So Max this morning you walked in with a lady who had a dog. Care to comment about that relationship?" The interviewer asked.

"She's my bodyguard" he stated

"She's your bodyguard..?" The guy asked like he didn't just hear him

"Yes."

"If you don't mind me asking why her?"

"She was recommended by a friend." Max said nonchalantly

"Sorry let me clarify my question" the guy said. Oh no, you knew where this was going. "Why not a male body guard they're stronger no?" He asked

"Are you insinuating that just because she's a women she wouldn't be a good bodyguard?" Max asked

"Well no-"

"No it's exactly what you're doing" he said "you media people always ask the stupid questions" he hissed "that is so fu-"

He was cut off by you "Max de camera staat nog aan" Max the camera is still on.

Instead of continuing he just gets up and leaves, cutting the interview short. You follow quickly, commanding Goose to walk next to Max as you figured Max didn't want to be approached by anyone. Scary dog privileges are the best.

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He opens the door to his driver room.

"Hier, blijf" (come, stay) you quickly rattled off to Goose who quickly went to your side and stopped next to you

Max also stopped in his tracks.

"Sorry" you quickly apologized "he's trained in dutch"

Max shook his head "no need to apologize" he said and then motioned you inside "but I don't want him out in this heat please come inside" he said

You weren't gonna argue with your boss "Volg" (heel) you commanded Goose as you walked into his driver room. Max walked in right behind you.

You stood off to the side as Max sat on the couch. He quickly motioned for you to sit down. You did just that.

Goose sat at your feet between you and Max. Max was obviously still pissed at what the guy said, you could see it on his face.

"You know" Max started "I've never been a dog person" he said "I like cats more"

"Huh," you said "I've always been a dog person" you said "started with the herding dog on my family's farm"

Max nodded as you talked before asking "can I pet him?" motioning to Goose

"Oh yeah of course" you smiled "as long as we aren't in a camera shot give him all the love you want" you chuckled "gotta keep his image up of a cold blooded killer, until the media finds my insta" you chuckled.

Max smiled as he ruffled Gooses head earning a lick from the dog.

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BREAKING NEWS: Max's new bodyguard, Y/n L/n has a trained protection dog named 'Goose'. Click here to read more!

One image attached!

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You and Max finally left his driver room as he had another media appearance with another interviewer.

Max walked in front of you Goose to his left. You grabbed the door opened it for him. You followed him inside "volg" (heel left), you told Goose who then fell in step beside you to your left.

You followed Max till he sat on the couch opposite of the interviewer. Instead you stood against the wall out of view of the camera.

"Okay" the interviewer said giving the signal to start rolling "so before we start with the questions: would you want to have your bodyguard sit down?" She asked, she sounded genuine

Max then turned to you "wil je gaan zitten? ze kunnen je vragen stellen..." (do you want to sit down? they might ask you questions...)

You responded "Ik vind het niet erg om vragen te beantwoorden. Wil je dat ik ga zitten?" (I don't mind answering questions, do you want me to sit?)

"Ik vind het prima als jij dat ook bent" (I am okay with it if you are) Max said

You gave a quick nod before walking over and sitting on the couch, next to Max. Turning to Goose you said "Bewaken" (guard), causing him to lay down in front of Max.

Turning to the camera the interviewer started "Hello everyone it's Stella here!" She smiled "and I am joined today by Max Verstappen and his bodyguard..."

"Y/n" you said "and Goose" motioning to your dog.

She smiled "and today we are asking the new, the old, and the frequently asked questions." She turned to Max "okay to start off, Max we'll start with frequently asked questions: do you think you'll win the 2024 world championship?" She asked already knowing the answer.

"Of course I will" Max said "if I don't have that mindset then I have no chance"

"Moving onto the old news: China after quali" she said "most fans just do wanna know what happened and are you okay"

"Well obviously I'm okay," he said "but the fan was drunk and belligerent after I was able to take the win," he said "knowing that he was outside of the paddock I shouldn't have left but I'm lucky at the security near the entrance was able to quickly get him away" he said "he surprised me honestly" he shrugged

"Okay now onto the new: your bodyguard Y/n" she said "everyone wants to know more about her" so that's why she wanted to have you on the couch.

Max quickly turned to you "Vind je het goed om te antwoorden?" (You good to answer)

You nodded grabbing the mic he held out: "it's a bit of a story but: I was actually the dog trainer for Roscoe, Lewis Hamiltons dog," you said "I'm a well known dog trainer in Miami I have trained several dogs for a lot of celebrities. Some for protection others just to have a trained dog" you said "but anyways Lewis called me I think the day of the incident" you thought "and we talked for a second and he asked if I still had my bodyguard certification" you said "which is really just a formality but for my job before I started training dogs I was security for a large club in Miami and we needed it" you explained "so after a meeting with Max we signed a contract that is basically me being his bodyguard with Goose until I have trained a dog for him" you finished, handing the mic back to Max.

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The drive to his hotel was relatively quiet besides the soft hum of the radio.

"When we arrive at the hotel do not get out" you said "keep the door locked till I have my hand on the handle" you explained "people are crazy here especially where your hotel is located"

Max nodded as you pulled the car up

You quickly got out shutting the door opening the door for Goose then opening the door for Max. People were everywhere, people shouting, some where drunk others just crazy. You quickly led Max to the entrance of the hotel and bid him a goodbye.

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Friday and Saturday were uneventful. But Sunday was race day, the day the MOST amount of people all week.

Walking next to Max, "rechts" (heel right), Goose moved to the right side of Max you walked on his left side. You were able to easily enter the paddock.

Finally its race time you placed the dog ear muffs over Goose to protect his ears. The had just finished the formation lap. The lights turn red one by one, then all go out hearing the infamous "lights out and away we go"

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Lando Norris had won the Miami grand prix. His first win. Max was really happy for him. Wanting to go out to celebrate but not wanting to get attacked he turned to you:

"Y/n do you mind coming out tonight?" He asked "I don't want to miss Landos first win celebration, but I you know need protection" he joked

"Sure I'll baby sit you" you joked back. Little did you know that was basically what you ended up doing.

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As it was Landos first win they were going hard. You stood off to the side watching them all carefully making sure nothing happened to Max specifically. They decided to leave this bar going to the next. You follow them out walking just behind the group.

"Verstappen!" A drunken voice called, "why the fuck did you let that fuck boy win" the man slurred

Stepping between the two quickly "step back" you said firmly to the drunken man.

"What are you gonna do about it?" The man slurred

"Blaffen" (speak) you called, causing Goose to start barking aggressively grabbing his collar as he started going manic as he barked.

The man quickly backed away before almost bolting down the street you shook your head "foei" (no), Goose immediately stopped "Bewaken" (guard) he stood next to Max ready to start walking again

"We're good" you said to him and the group

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Luckily nothing else happens that night. But not as lucky Max was beyond wasted. You were able to get him into the car and buckled him up shutting the door. You open the back door for Goose having him jump in. You got in and started driving realizing that you only knew where his hotel is and not his room you decide to drive to your house.

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Getting him into your house was an adventure. He was basically a dead weight, after an insane amount of effort you got him onto the couch in your living room and threw a blanket on top of him. Placing some advil and water on the coffee table next to him.

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As the job progressed and Max's new dog got trained many races were uneventful. The media attention on both of you had died down to what it was before Max got attacked. You are featured in some clips and interviews just answering the odd question or pulling Max away to get him out of range of anything dangerous. That is your job anyways.

The only big changes was social media: you stopped posting after getting a substantial amount of followers. People still comment on your old posts asking when your next post is. And the edits.. People are making edits of you and Goose being badass and it honestly makes you happy seeing all those cool edits. You'd take it to your grave but you love watching them in you bed late at night when you can't sleep.

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It was the Austrian grad prix. Lando and Max had gotten into it on the track causing Lando to get a dnf, and Max to drop to 5th place. He stormed off disappearing before you could catch up to him.

You eventually find him sitting in one of the chairs looking at the ground, with his helmet still on. As a man you don't recognize yells at him.

"Hey!" You shout storming over "back away from him"

The man with anger in his eyes glanced at you but went back to yelling at Max. Ypu quickly said "Blaffen" (speak) to Goose, he started barking at the man

"Get back" you commanded again

Finally he looked at you "Do you know who I am?" He asked all proud

"I don't fucking care who you are" you snapped "step away from my client" you said firmly

He turned back to Max and began yelling in Dutch to fast and angry for you to make it out. You were about to intervene again until the man raised his hand as if to strike Max

"Stellen, stellen" (bite, bite) you quickly commanded Goose letting go of his collar. The dog jumped up and bit the raised arm the force sending the man to the ground.

As this is happening Max watched it, he looked up just as you called for Goose to bite his father.

You followed your dog holding the man to the ground before commanding "Loslaten" (let go) Goose dropped the now bleeding arm. "Bewaken" (Guard), Goose stood in front of Max now defensively.

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Security arrived with medical and as they treated the dog bite you explained to them what happened pointing the the cameras around as well as a fan that recorded the entire interaction on his phone.

After a bit of talking and reviewing security bid you a goodbye and left. Citing that you were doing you job.

You then sat down next to Max who still hadn't taken off his helmet. "Who was that anyways?" You asked him as you quickly cleaned the blood off of Goose.

"My dad" he said muffled from the helmet

"Oh" you responded

"Yeah" Max said

The air filled with awkward silence before you said "let's get you back to the drivers room to cool down you still have interviews" Max just nodded making his way to his drivers room. You follow him inside Goose quickly settled by the door as you went to Max who sat on the couch with his helmet still on.

Reaching over you unclipped it and took it off, placing it on the table. Max took off his balaclava throwing it next to the mask.

"Sorry" you said "about your dad"

"I- no- uh" he groaned frustrated "You're fine you were just doing your job" he said a little snippy. He didn't want it to come out like that but it did.

You just nodded as he talked listening before saying "okay we gotta have you head to the media pen before someone yells at us and you get a fine" you said standing up

Max just nodded and followed you out if the drivers room.

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Media was done and all Max wanted to do was go back to the hotel. You don't blame him you'd want that too.

After the media pen Max was almost a shell of himself. So just to make sure he's okay you walked inside the hotel and got him to his room, you also needed to talk about earlier. When he opened the door to his hotel room and motioned you inside you were quick to oblige.

The room was nice it was similar to one of those one bedroom apartments just minus a kitchen.

Max settled down on the small couch letting out a sigh.

You just stood a bit awkwardly as Goose sat down next to Max's feet earning a few pets from the Dutch man.

"We gotta talk about today" you said breaking the silence

Max groaned "Do we have to...?" He asked

"I mean yeah" you said "Goose bit your father" you said "I'm sorry I didn't-" before you could continue he interrupted you

"You were doing your job" he said "you had no clue what he could have done or actually what he was going to do" Mac explained "you did what you thought was best to protect me. Which is your job" he leaned back on the couch and then muttered to Goose "thank you"

You ran through the situation in your head again. Jos, which you learned was the man's name, was actually going to hit Max.

"He was actually going to hit you wasn't he?" You asked him

Max stayed silent that's all the answer you needed

"Well now I wish I didn't tell Goose to let go"

Max cracked a smile, "thank you" he said this time looking up at you.

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Both you and Max were in his driver room. It was media day for the British Grand Prix, but Max had been waiting to hear back about his next interview as the time.kept changing. You thought that they just wanted to keep him here as long as possible.

Max was watching the small TV as he sat next to you on the couch. You were on your phone just scrolling through some random social media apps. Goose was laying down by the door.

While both of yall were waiting Max fell asleep next to you. Because of the way he was sitting when he fell asleep he was leaning against your shoulder. Eventually you fell asleep too.

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Later you slowly wake up but are held in place by some strong arms. You blink awake adjusting to the light. You laid on your side on the couch and where held in place by a sleeping Max. You tried to move to get up but were just pulled right back down. Giving up rather quickly you went back to sleep.

Max gently shook you awake. "Hey Y/n" he said softly, "we should head back to the hotel" he was blushing but it was kinda hard to tell in the lighting

You just nodded as I slowly got up and stretched quickly gathered you items.

──⭒─⭑─⭒────⭒─⭑─⭒──

BREAKING NEWS: Max and Y/n seen leaving the drivers room late at night. What does this say about their relationship: Professional? Friendly? Or is there more?

──⭒─⭑─⭒────⭒─⭑─⭒──

"Mate you're all over the news" Lewis said to you on the phone as you got ready

"What do you mean?" You asked as you got ready

"You and Max were spotted leaving his drivers room late last night, together." Lewis explained

"Fuck."

"Yeah" he said "I'm at the track already and people are asking me about it"

"What have you been saying?" You asked leaving the hotel room Goose at your side

"I've been saying: I don't know the relationship, and that uh you're his bodyguard so whatever he was doing in the room you have to be there cause when he leaves you have to make sure nothing happens and shit"

You sighed "thank you Lewis" you said as you opened the car door for Goose and shut it before getting in yourself, and starting the car.

"It's no problem" the brit said "but are you two...you know..?"

"God Lewis!" You said "no we're no fuck buddies"

He just laughed "come on you knew I had to ask"

"I'm hanging up now" you said ending the call.

──⭒─⭑─⭒────⭒─⭑─⭒──

After collecting Max from his hotel and you started driving.

"You seen the news?" You asked

"I have yes" an uncomfortable silence filled the car before you spoke

"Lewis said that he's been telling media that cause I'm your bodyguard I have to be with you basically 24/7 so we can just stick with that" you said "I mean it is the truth"

"Yeah" he nodded quickly, he didn't know that you knew he was cozying up to you on that small uncomfortable couch.

──⭒─⭑─⭒────⭒─⭑─⭒──

Media was lovely that day and respected both of you- said no one ever.

Several times you had to yell at people to back up or even push a few people away. And media was eating it up:

BREAKING NEW: Y/n L/n 'defends' Max Verstappen from media is it more than just bodyguarding?

BREAKING NEWS: Y/n L/n pushes away journalists, bodyguard or overprotective girlfriend?

BREAKING NEWS: Y/n L/n thought to be more than just a bodyguard, is Max taking the 'body' out of bodyguard?

──⭒─⭑─⭒────⭒─⭑─⭒──

The last title made you gag how does that get approved? It doesn't actually bother you to much but it's gross.

You sat on that uncomfortable couch reading the news, almost every single station had something about you two leaving the drivers room late, or about you pushing away journalists.

You let out an annoyed huff tossing your phone on the small coffee table. Max leaned over a bit to look at it.

"Why are you looking at that shit?" He asked

You just shrugged

The last articles name caught his eye he double checked "what the actual fuck" he hissed "this is bullshit, why the fuck would the title an article this" he was pissed. You don't know entirely why they weren't saying anything about him.

"I don't know" you just shrugged

"You aren't mad at this?" He asked before continuing "It doesnt matter, I'm going to go punch the fucker who wrote the article" not wanting him in any legal trouble, mostly cause you knew he would punch the guy, you stood up and quickly blocked the door.

"Nope" you said simply "the article title is just that: an article title. I know it's not true you know it's not true so why does it matter" you asked

"It's disgusting" he said "they shouldn't talk about you-"

You cut him off "exactly! Me they are only talking about me in a bad light so why do you car so much?" You asked a little ticked that he was still trying to get passed you

"Because I care about you okay!" He confessed "I know it's dumb, you're my bodyguard and I-" he was cut off by a kiss.

You didn't know how but you ended up kissing him. He quickly reciprocated grabbing your chin pulling you closer.

As you both broke the kiss catching your breath you rested your foreheads against eachother looking into his eyes you smiled.

"When did you fall for me?" He asked

"When we cuddled on that uncomfortable couch" you smiled he blushed

"I didn't know you were awake for that" he said softly

You chuckled softly "when did you fall for me?" You asked

"It was love at first bite" He said "when you were protecting me from my father."

Then they fu-

Fin.

──⭒─⭑─⭒────⭒─⭑─⭒──

[iwillbringyouruin]

Visions Magazine with Tobias Forge on the idea behind Rite Here Rite Now, the importance of soundtracks in general and how he distinguishes between himself and his characters (Visions Magazine issue nr. 377, 08/2024)

Full translation of the included interview by me below the cut - buckle up, this is a long post! There are no spoilers for RHRN in this.

Markus Hockenbrink: Tobias, have you ever watched the movie Metallica: Though The Never?

Tobias Forge: Yes, once, when it had just come out. The topic Metallica came up when we were taking care of the funding for [RHRN]. Every larger production company – and I have to emphasise here that this was before Taylor Swift’s The Eras Tour and her extremely successful movie about it – voiced a lot of concern back then whether anybody would still be interested in concert movies. I had to explain time and again that my movie wouldn’t be a typical concert movie, to which I was asked several times: “Oh, so something like Through The Never?” I had to deny that again. We tell a story in our movie most of our fans are already familiar with. So it’s not an entirely new concept, which is already the first distinction from Through The Never. If you only consider that there is a concert part and a feature film part, then those two movies are probably similar. But that also applies to La La Land.

M. Hockenbrink: You describe your movie as a combination of Kiss’ Alive II, Ralph Bakshi cartoons and silent film horror. Is that a kind of childhood dream that comes true there?

T. Forge: Definitely. For as long as I’ve been interested in music, I’ve also been interested in film and television. Working in film could have also been a career option for me, but I always got the rather annoying impression that one would have to go to film school to really find a place in that field. School was never my strong suit, I see myself more as a autodidact in that regard. That I had the opportunity to work on/contribute to my own movie as a sorcerer’s apprentice of sorts is a real privilege. That is a dream come true but it is also something I can picture more of in the future. Next time maybe without the band.

M. Hockenbrink: Can you remember a specific moment in your life when you realised that you were especially drawn to topics that are slightly morbid and unsettling?

T. Forge: I think that due to my family I came in contact with vastly different kinds of pop culture from a very young age. In more traditional families with more conservative parents and siblings of similar ages, you only really start with your respective journey to find yourself in your teens. Then there are often restrictions that are meant to distract from those darker influences. My parents on the other hand are very liberal and my brother was 13 years older than me. There were never limits or censorship for me. My childhood didn’t go by without rules entirely, but I was always allowed to watch or listen to what my brother was also watching or listening to. That was I was exposed to all kinds of teenage culture from the beginning. Sure, I also liked Pippi Longstocking and He-Man. But that was always combined with the French arthouse films my mother liked to watch or the horror flicks my brother was into. I can’t recall a particularly striking horror film experience, but I still remember the first time it dawned on me that movies don’t just exist, they’re made.

M. Hockenbrink: How do you mean?

T. Forge: My father worked as a documentary maker in television. His job was to connect the video track and the sound track in a fitting way for different film production. I saw Jaws on television with him as a small child. It’s important to note that my father is not somebody who can just quietly enjoy films but somebody who likes to butt in. Thanks to him I already had a kind of epiphany during the introduction. He said: “Look closely! There is nothing to see in this underwater scenery except the algae. Technically completely harmless. But it only takes the ominous music to turn the whole scene into pure horror already!” And I thought: Wow! That’s true! Later in the movie you only have to hear that music and it immediately puts you on edge, even when there’s nobody in the water right now. They don’t even have to show the shark anymore. I found it fascinating that the [viewer’s] senses/perception could be manipulated like that. Ever since I’ve been viewing films with different eyes. I can still allow myself to dive into the story but at the same time I see the practical aspect to film-making.

M. Hockenbrink: I had a similar feeling during the introduction of Shining: technically a cozy road trip in the mountains, but a pure nightmare with the music.

T. Forge: I’m with you on that. Shining is one of the best movies of all time. And funnily enough, only the intro sequence was actually shot in nature. All the other scenes, even if they were outside, were filmed in the studio. Exactly that kind of craftsmanship is what I find inspiring.

M. Hockenbrink: With that in mind, what makes a good soundtrack in your opinion?

T. Forge: We already talked about Jaws, but I can think of Eyes Wide Shut as another example. There is that short piano theme that comes up again and again, incredibly effective. A good soundtrack needs to deliver something that you don’t have to be able to see to perceive its existence. Sure, there are no monsters in Eyes Wide Shut, aside from the main character’s jealousy as an internal monster maybe. But just like the music in Jaws, the theme from Eyes Wide Shut symbolises something that doesn’t have to be shown. The sound is enough. That is also a commonly used effect in adventure and love movies. You just put in a short vignette to describe the love between two characters. In Star Wars, Luke Skywalker also has his own theme, that is used every time when things get emotional and you’re supposed to feel that hope. You’ve got to pay attention to that. Jason Voorhees from Friday the 13th also has a personal theme to recognise him by. Every time you hear it you immediately know “Oh shit, he’s nearby!”

M. Hockenbrink: What about soundtracks that are made up of songs?

T. Forge: With that, I’m especially thinking of Silence of the Lambs. In the scene where Buffalo Bill dresses up as a woman and dances around his basement, a song called Goodbye Horses by Q Lazzarus is playing. I have no idea how the artist felt that since the song is now so irrevocably connected to that awful scene, that you can’t listen to it anymore without thinking of it.

M. Hockenbrink: Do you feel like soundtrack work is more appreciated now than it used to be?

T. Forge: I think that it’s definitely gained importance over the last 40 years. The right song on the right soundtrack can be incredibly powerful. Just think of Stranger Things. Obviously, Metallica and Kate Bush already had successful careers before, but what happened with Master of Puppets and Running Up That Hill following the series was something else entirely. The songs were associated so strongly with the narrative, that way more people listened to them than before. Of course I’m a strong advocate for live music but I also realised that nothing is as strong as the connection of visuals and music. That is still the most powerful way to appeal to a deeper emotion through the association.

M. Hockenbrink: More or less a shortcut to the subconscious.

T. Forge: Exactly. But you can’t be cynical about that either. If I was an A&R person at a big label, I would probably also say: “You just have to find a spot for one of your songs on a popular soundtrack, then you’ll have made it!” That’s really how it is. But when you view it from an artistic perspective, when you want to reach people a certain way or bring across a certain message or a certain feeling, the combination of visuals and sound can’t be topped.

M. Hockenbrink: It especially lends itself to an immersive experience, as seems to be in the foreground of [RHRN]. An album by Black Sabbath or Iron Maiden ends at some point, then you’re gone from that metal world again. With Ghost, however, you get the feeling that the illusion just keeps on going, across several media. Did you plan the Ghost mythology like this from the start?

T. Forge: In part. When I started with the band, I only wanted to make a standalone album. The concept was supposed to be interesting and practical, but I wasn’t planning for Ghost to be a huge thing. The style I pictured has its own limits in my opinion. The band was supposed to function a certain way and appeal to a certain target audience. The concert was supposed to be a theatrical performance in the literal sense. Ghost were never supposed to perform in a normal rock club nor go on tour. I wanted more of a kind of Vaudeville show in a proper plushy theatre. The band was supposed to be as anonymous as the actors that stand on stage and play, say, Faust. The idea behind this was: Those who don’t know who the people are on stage are more ready to follow the story. Then we would perform three days back-to-back in select cities. Berlin, Amsterdam, London. Just like Diamanda Galás who can more likely be found at a culture festival than in a rock shack. But things turned out differently in the end, and I had to kiss my original ideas goodbye again, so to speak.

M. Hockenbrink: Why?

T. Forge: After the success of our debut album, it became clear to me that more conventional concerts were going to be demanded of us and that I could only really say yes or no. This problem became worse after our shift to a bigger label. It became clear that my vision of telling stories clashed with the live sector and requirements for success more and more. At a certain point anonymity doesn’t work anymore and I had to make peace with that in the end.  I originally didn’t even want to do interviews but that’s obviously tricky when you want to sell records. The question that I constantly ask myself since is how I can do those things best in the Ghost way without denying the original Vaudeville spirit.

M. Hockenbrink: In his autobiography Golf Monster, Alice Cooper talks about himself in third person a lot when he is talking about his character. Are you feeling similarly at this point?

T. Forge: At least I can definitely see where he’s coming from. There is a difference between the person Vincent Furnier and the character Alice Cooper. I believe that he was on the verge of completely transforming into Alice Cooper at one point – to the point where one has to decide where they want to live or die. In the end he decided to remain Vincent Furnier and only become Alice Cooper for work, on stage. So far I’ve been fortunate to combine the two pretty well, but had I started Ghost ten years earlier in my life, it would have probably affected me similarly to how Alice Cooper did with Vincent Furnier in his time. But with my humble experience as an actor I have to say: every character you play becomes a part of you to a certain extent. You have to find certain qualities – good or bad – within yourself to bring such a character to life. I think that most actors only play one or two roles throughout their life that they then end up being known for. The different characters that I’ve portrayed on stage are not only very similar but actually also a part of me. Fortunately a part of me that I don’t want to deal with all day long.

M. Hockenbrink: Too cynical and antisocial?

T. Forge: Cardinal Copia or Cardi, as I like to call him, is not an all-around cool person, but that makes him so fun to play for me. He is half Freddie Mercury and half Jacques Clouseau. Kind of clumsy, kind of silly, kind of stupid. The kind of guy who trips over his own feet but catches himself elegantly. That’s also me in a way, but not just. And I think that’s easier to embody than a daredevil hero character who can rival anyone and gets all the ladies. When somebody plays only those characters their whole life, it will probably really go to their head. Especially when there are drugs involved on top of that.

M. Hockenbrink: With all that fondness of doom that can be found with Ghost, that universe also has something humorous about it, benign even. It that an intentionally included contradiction?

T. Forge: Yes, and it is also very important to me that it comes across like that. For me that also has something to do with the evolution of metal. Originally it was mostly a phenomenon connected to the youth, nowadays the musicians and their fans are close to retiring. That brings a certain maturity. Even the Norwegian black metal musicians who were super pissed and extreme 30 years ago and were only made of hate and aggression are well-adjusted people now. Bearded fathers and grandfathers with a pleasant view on life that make others laugh. I see a certain duality there. Everything that has something to do with goth, with metal, with horror, appears dark, dismal and hostile at first. But in reality, that can all be extremely life-affirming and a source of great joy for many people. So pretty much the opposite.

M. Hockenbrink: Speaking of horror: could you imagine making a real feature film some day?

T. Forge: Yes, I would love that. I’m well aware that it’s not going to be easy to make what I’m picturing a reality, just because I’ve done directing once with [RHRN] now. The creative liberty I got to enjoy there also was due to the fact that I funded the movie myself. So nobody was meddling with it. That is likely completely different when you work on behalf of a big studio, because we are talking about different sums here. If I only go off my dreams, I would name two points of reference. One is Shining, the other Bram Stoker’s Dracula by Francis Ford Coppola. I would like to make a movie that’s only shot in a studio, with elaborate sets, matte painting and all that. No outside shots, no special effects, no green screen. And no actors who only gets to see what they were actually doing after the fact. Proper old-school. The way movies are actually meant to look.

[oracleofstars]

✦ 3VOLS ( THE HUGE MASTERLIST ) : ISSUE 2, SNOWFLAKE!

The spotlight has turned to @alistairea of this month

IM NEW, WHATS "3VOLS" THE MAGAZINE?

This will serve as a "mini masterlist" where we compile links of works from different creators based on the character. And yes, its not limited to fanfiction. This is open to artists, graphic design/gfx creators & editors. (Basically, if you've created any kind of creative media related to the character) Below the interview is a masterlist specifically made for the character!

YOU MIGHT BE THE NEXT CREATOR FEATURED IN 3VOLS!

Its pretty easy to join! There is a higher chance of being featured if you are a member of the network, but we plan on inviting other creators who aren't members as well. Our hunter's exam will be held on July 5 to July 15, a taglist will be made soon. Be on the lookout, future hunters!

MEET THE NEWEST NURSING STUDENT!

Arianna is a creative multifandom creator who makes content for Love & Deepspace, Genshin Impact & Star Rail! We have asked her five questions to introduce her content to all of us.

tell us about yourself!

ari : hello ^^ my name is arianna, I write love and deep space characters but I don't mind writing a character from another fandom and my content is about LANDPS boys - even the story characters

who is your favorite to write about in landps?

ari : zayne is my favorite character to write for. my smau of him is still ongoing ( SNOWFLAKE! )

what is your personal headcannon of your favorite l&dps character?

ari : my personal headcannon of zayne ( and may be canon ) is that he still continues trying to find mc in every life even though he is cursed.

what is your favorite sfw work that you have posted?

ari : right now the zayne smau is the only one ive written, but i hope to write more for the others as well!

how is your time in oracle of stars?

ari : its really good, i like it here. i hope everyone joins this network.

RECOMMENDATIONS FROM THE DEEPSPACE NETWORK

welcome to the zayne masterlist, find something that piques your interest here! show some love to the creators that work hard in this community by reblogging their work with a cute little tag! <3 there may be repeating works from the last issue

snowflake! smau masterlist - @ alistairea

zayne caring for you - @ alistairea

l&ds boys + their nicknames for you - @ lovexdeepspace

l&ds boys + choosing mc over you - @ lovexdeepspace

zayne gets a cat to love him - @ kakaventurine

taking their surname - @ beneathashadytree

jealous of… plushies? - @ beneathashadytree

“is he your boyfriend?” - @ beneathashadytree

hospital trip - @ chaos-in-deepspace

naming a puppy after him - @ strwberri-milk

turning into an evol kitten - @ strwberri-milk

when you (playfully) reject their kiss - @ chastiefoul

sleepy day - @ chastiefoul

saying i love you - @ chastiefoul

his not-so-secret love affair - @ kykyonthemoon

how to romance the lovely miss hunter - @ kykyonthemoon

the spaces between my fingers are right where yours fit perfectly - @ kykyonthemoon

distractions - @ odoraful

an aesthetic eye - @ odoraful

ladps men's reactions when they hear a little kid say he'll marry you when he grows up - @ manikas-whims

ladps men react to you taking in a kitten - @ manikas-whims

remnants of the heart - @ tulipdf

WHAT ELSE IS HAPPENING?

its almost application season! our taglist will open soon. come join us in the discord & the network. the second issue is finally done, show some support to the creators by REBLOGGING their works with little comments-it encourages them a lot, trust me! thank you for all the support you've given the oracle. we'll see you again next time!

[moviecritc]

Hi! Could you do a driver!reader who is dating Max and is in ferrari and the whole Carlos thing is happening to her so in Australia she ignores team orders and goes to win the race. Charles is mad at her and in the post race interview when asked about it she is just like "Happy multi 21 day everyone" and like Max is so fucking proud his gf is in her reputation era 💅💅💅

on the edge ⋆ max verstappen

pairing: max verstappen x driver!reader

word count: 1.7K

warnings: charles leclerc being himself (a bitch)

a/n: this is my first request it makes me very very happy!! thanks anon for your request, i hope you like this. i love max with all my heart and i love writing about him aswell.

just wanted to tell you guys that for the requests you can ask for reader and oc, even though when it's not a request it'll probably be an oc bc i love to give names to my characters <3

masterlist | wattpad | letterboxd

Y/N didn't have a seat for the upcoming Formula 1 season, and that stressed her out quite a bit. She and Charles had been teammates for three years, and she really thought Ferrari would keep her on the team, but upon learning that Lewis Hamilton was leaving Mercedes, they were the first to snatch him up and turn their backs on her.

Now she had two options: give up, pray to sign with Williams or Haas, or outperform herself this season and force her way into one of the top five teams. And for now, she had chosen the second option. P3 in the first race and in the top five in the second. She was extremely motivated for Australia.

Y/N loved the view of the fireworks from the podium, the champagne, and, above all, celebrating with Max Verstappen. Because let's not lie, it was obvious that Max would be on most of the podiums.

They kept their relationship out of the media. Being coworkers, neither of them wanted their relationship to hinder their success in Formula 1, but that didn't mean they didn't support each other every time the other achieved something.

Max had been with her throughout her Formula 1 career. They were the same age, but when Max debuted in the competition, she was still in Formula 2, battling against Albon and Russell for the title. A year before his debut, Y/N got a spot at Alpha Tauri as a reserve driver. It was in that year that Max and she started a relationship, at first quite casual and sporadic until they realized they were too obsessed with each other not to formalize it. And four years later, they were still together, sharing an attic in Monaco and competing together for the championship.

"It's going to be great for both of us, I'm sure," Y/N nodded. Before each race, they had a kind of ritual where they wished each other good luck, hugged, and kissed.

"I see a Y/Nstappen 1-2," Max assured before giving her a long kiss, resting his arms on his girlfriend's waist.

"I hope so,"

"Oh, come on. You're starting fourth, it'll be bad if you don't get on the podium," Max said. He knew her situation in Formula 1 was tense and did everything he could to make her feel good and positive. Max loved racing with her, and if she ended up off the grid next season, he would probably suffer from seasonal depression.

They kissed once more and were about to hug when someone knocked on Max's door to get them to the drivers' parade. They couldn't complete their little ritual, but neither of them gave it too much importance.

They went out to the parade where she was asked about her future in Formula 1, as they had been doing since the season started. That also annoyed her, would it always be like this from now on? Would everything be oriented towards whether she was unemployed or not? She answered with the best smile she could and ended the interview as quickly as possible.

She returned to Max, who was leaning on the fence of the truck they were being taken in for the parade. She leaned on the railing, holding it with her hands. Then Max discreetly placed his hand on hers, making her smile at the contact. Max wasn't very fond of physical contact, but if he could manage to brush against her shoulder, he would, maintaining professionalism wasn't as easy as it seemed.

"How's it going, mates?" Surprisingly, Leclerc approached them to start a conversation, first fist bumping with Max and then with Y/N, pressing his lips a little.

Their relationship as teammates was quite complicated at the moment. She was killing it in the few races that had passed, while Charles was just doing okay. Plus, although when Y/N joined the team, Charles and she had gotten along very well, that year they had been growing apart for obvious reasons.

They talked for a while about the race and expectations, especially Max and Charles, while Y/N disconnected from the situation a bit. Sometimes she was surprised that Charles and Max got along so well.

"Good luck today, Y/N," Charles said before leaving with Gasly.

Y/N blinked and looked at Max, puzzled. "What did he mean by that?"

"What do you mean?" Max frowned a little.

"He wished me luck, as if he thought I needed it," she insisted, biting her cheek.

"Everyone needs some luck, Y/N," Max said, knowing how nervous she could get when something didn't fit in her head.

"He didn't say anything to you," Y/N argued, crossing her arms.

"I mean…" Max tilted his head a little, eliciting a little smile from Y/N. "Don't dwell on it too much, you'll do great."

She loved that, how Max was able to lift her spirits in any situation, getting a little smile out of her. She loved him for that.

The parade ended, and they each went to their garage, fist bumping as a farewell because anything else would cause a stir in the media. In the Ferrari garage, her engineer commented on the strategies that focused on supporting and defending Charles even if he started two positions below her.

She gave Charles a short glance before going to the cars and taking their respective positions. It’s light and away we go. Y/N was so focused on passing Lando Norris that she didn't realize her boyfriend was no longer in first place, actually, he wasn't there anymore. She asked the engineers what had happened; Max had had some problems with the brakes and had retired from the race. "Don't fuck with me," she said, not fully believing it. "Is Max okay?"

"We don't know, focus on the race," her engineer emphasized.

"When you know, tell me, please," Y/N added, without receiving a response. There had been no accident, no red flag, so he was probably fine. But if there was smoke and sparks, there was always a chance that something had happened to him in the pits.

Y/N took a couple of breaths and refocused on the race. She looked on the bright side; she was third and had a chance to win. A few laps later, she managed to overtake Lando Norris. She pitted, and in the last third of the race, she was in first place. Behind her was Charles, so she thought they would change the strategy, and he would be the one defending the position.

"Y/N, let Charles pass," her engineer said, taking her by surprise.

"What?" Y/N practically shouted. "But I'm in first,"

"They're team orders, let him pass,"

"He's slow! He's over half a second behind me, letting him pass will make me slow down!" She couldn't believe this was happening.

"Y/N."

"If he can overtake me, let him, but I'm not letting him pass. I'm winning this fucking race."

And so it was. Y/N crossed the finish line first, and when she got out of the car, Max was there to greet her with a hug. He tried to make her not notice that there were hardly any people from her team there, but Y/N realized it, and her gaze darkened a little. Still, Charles came second, and when he parked his car, several Ferrari mechanics went to congratulate him.

Max watched Y/N, worried that she would take it badly. But then he saw her exchange a triumphant

look with Charles, who, upon seeing her, turned serious. And if that wasn't enough, she blew a kiss to Charles and then went with Max, who put an arm around her shoulders.

"That was incredible," Max said.

"The race or Charles's face?" she questioned, with an ironic smile.

"Both. I thought you'd be sad because there was no one to greet you,"

"You were there,"

"From your team, I mean," Max explained.

"You and I are a team, Maxie. Have you never thought about that?" She looked at him with a smile. "You're right, we are,"

"Are you okay?" Y/N asked. "I got quite worried when you DNF’d."

"I'm okay, no serious damage,"

"And emotionally?"

"I'm fine. Proud of you, above all," Max nodded. "Now go celebrate your podium, I'll be watching you from below,"

They gave each other a brief kiss on the cheek, not caring too much about the cameras; she had just won the race, she deserved at least a kiss from her boyfriend. She received her prize with a smile and celebrated the podium with Charles and Lando, more with Lando than with Charles. The McLaren driver had congratulated her countless times that day, but Charles barely spoke to her.

"Are you okay, mate?" Y/N asked, knowing what was coming.

"You didn't follow team orders," Charles said directly.

"Oh, right. That," she shrugged, raising her eyebrows. "You came second, Charles. It's not that bad,"

"Damn, but if they tell you to let me pass, you let me pass. What does it matter to you?" he raised his voice a little.

"What does it matter to you? You have your golden seat at Ferrari. Some of us have to work really hard to have a seat, crazy, right?" Y/N rolled her eyes with a smile and turned around, leaving Charles with a word on his lips.

Y/N reached the interview area, where Lando and Oscar were doing their respective interviews.

"Y/N! You won the race by disobeying team orders, does it feel the same as winning a race fair and square?" a man asked.

"Fair and square? I was fast enough to cross the line first, the rest weren't. I think that's how a race is supposed to be won," she argued. She smiled widely; she saw Max was also around, waiting for his turn for interviews.

"Don't you have any remorse?" he questioned.

"Not one,"

She ended the interview after that; she didn't feel like explaining. As she turned around, she found Max with an almost mischievous smile. They fist bumped, and he went to do the interview. "Max, can we ask you about the win of your girlfriend?"

"About Y/N,"

"Yes, about Y/N," he nodded.

"I'm extremely proud of her, it's her second victory, and even though I had to retire, I'm glad she won this race,"

"Even given the circumstances of the victory?" the reporter questioned.

"With the circumstances of the victory," Max assured with a broad smile.

[cityofmeliora]

notes / thoughts on the Papas' (lack of) involvement in the songwriting process and their connections to the concepts / themes of their albums

thanks for the kind words and thanks for the ask! these were great questions and really enjoyed writing this response. your questions really made me think! (and when i start thinking i always think too hard and take forever to answer– sorry this took so long!)

i'm putting these questions together because i feel they are closely related. this is a topic i've recently been thinking about a lot, actually.

A Ghoul Writer was first mentioned in that 2010 interview with Primo. the Ghoul Writer is Special Ghoul, the Nameless Ghoul character who gave interviews in Eras 2 and 3. in interviews with him, either he himself or the interviewers would usually mention he's the Writer. i'm not linking anything specific here because you can find this happening in pretty much any Era 2 / 3 interview. (though there's one Era 2 Nameless Ghoul interview that refers to the Writer as a separate character.)

the only Papa who wrote his own music was Nihil. the music video for The Future Is A Foreign Land shows that he and his Nameless Ghouls wrote the song together, and he's credited as a writer on Seven Inches Of Satanic Panic. (pic: back of the SIOSP record)

after Nihil, none of the Papas were involved in the songwriting process. everything after Nihil was written by A Ghoul Writer.

PITCHFORK: On the new album, the songs/lyrics are credited to "A Ghoul Writer." Are you this "Ghoul Writer"? If so, what inspired the words? PAPA EMERITUS: I am not the Ghoul Writer. Pitchfork (April 2013)

Does Papa contribute to the composing process? NAMELESS GHOUL: No, Papa doesn’t contribute to the song-writing. Metal Paths (August 2015)

so the later Papas were interpreters of the music, not writers.

as for the question of whether the Papas embody the sins of society or criticize the sins of society by parodying them, i think it's a bit of both– and i think it depends on which perspective we're looking from.

obviously from a real-world perspective, Ghost as a whole is meant to criticize and parody the issues the music is about, and the personality and characterization of each Papa is closely tied to the themes of his album.

from an in-universe lore perspective, as interpreters of the music, each Papa has his own relationship with the themes of his album. i think the Ghoul Writer writes each album for / about the Papa who's going to perform it. however, this is not necessarily a positive gesture.

here are my notes / thoughts on how each Papa relates to the themes of his album:

(trigger warning for mentions of misogynistic violence / rape / forced pregnancy)

Opus Eponymous and Primo: Primo refuses to comment on his interpretation of Opus Eponymous, but it's pretty clear what he thinks. Primo is a misanthrope who believes humans are “vermin” that have doomed themselves due to their “intellectual decline”. in his eyes, humanity is unworthy of life and will eventually be destroyed. Opus Eponymous has been described as an "orthodox devil-worshipping" album, and it is a very violent album, which is great for Primo because he's an orthodox devil worshiper and he loves violence and murder and wants everyone to die. 'Elizabeth' celebrates an alleged serial killer who is said to have killed hundreds of women / girls. 'Stand By Him' is about a woman being raped by a priest, who then accuses her of witchcraft and has her burned at the stake in order to cover up the assault. and the overall narrative of Opus Eponymous is about a woman being raped and forced to carry + birth the Antichrist, which will eventually kill her. this is something Primo thinks is good and anticipates happening because he believes in the cult very literally and agrees with its message / mission of human extinction. Primo is definitely a villain.

Infestissumam and Secondo: interestingly, there is actually an instance of Papa telling us about his interpretation of this album. in Secondo's own words, "the new album is about the presence of the Devil. The title, Infestissumam, means 'the biggest threat' and refers literally to the arrival of the Antichrist, but what it is also is about is what man has traditionally regarded as diabolical presence– namely female form and swagger." Infestissumam is about how humanity can connect to the presence of the Devil, both physically and spiritually. i think this theme really shows through Secondo. to him, all the things traditionally regarded as sin –especially sexuality– are good things. to him, Satan is the way to freedom and enlightenment. on the flipside, all the things promoted by christianity –holiness and virtue and repression– are stupid and stifling. Secondo is a jerk and he loves to have sex and party and he just doesn't care. Secondo, more than any other Papa, is dedicated to indulging in sin and saying "fuck you" to christianity.

Meliora and Terzo: it's complicated. i don't want to give a detailed explanation right now because i already have a separate post in my drafts about my analysis of Terzo's relationship with the themes of Meliora (it will be long). for now, this is what i'll say: Meliora is about the absence of god, and it's described as futuristic and "pre-apocalyptic." the title "Meliora" means "for the pursuit of better", but it's meant to be ironic. it's about the mistakes people make / the bad things people do in pursuit of better. so as your ask states, it criticizes ambition, greed, and abuse of power. i think Terzo wants to criticize those sins. but i think that he also embodies them, to a certain extent, and i think Meliora is also criticizing him.

Prequelle and Cardinal Copia: we don't really have any canon material that indicates Cardi's personal opinions on the album, but there is certainly a connection between the character and the concept / themes of the album. Prequelle is described as a "positive" album about the plague. it's an album about society falling apart during the apocalypse. it's also an album about celebration and survival in spite of being faced with the inevitability of death. i think Cardi certainly embodies this. Cardi is surrounded by death. Prequelle Era begins with Papas I, II, and III being murdered in order to promote Cardi's success, and it ends with Papa Nihil dying, which allows Cardi to ascend and become Papa IV. in a way, Cardi is both a plague rat and a survivor. it's not his fault they died. he didn't ask for them to be killed, and he was not their killer. but he is the herald and the carrier of the true killer, the actual driving force behind everything (Sister Imperator). through all this, Cardi is having a good time! he's dancing the night away! he's glad everyone standing in his way has dropped dead! he is a rising star and he feels invincible! and he is certain he will survive this.

IMPERA and Papa Emeritus IV: the main themes of IMPERA are "spiritual annihilation", reactionary sentiment, and regression. it's about how people who fear progress are afraid of losing their sense of meaning / purpose and their place in the world, so they turn to misogyny, violence, religious dogma, and fascism. they cling to the idea of having a cause to fight for. i think Cardi is certainly criticizing these issues. he doesn't agree with any of this at all. however, there's still a connection between the narrative of IMPERA and Cardi's character arc in this Era. narratively, IMPERA is a concentrated / condensed version of the apocalyptic narrative that plays out through the first 4 albums. it's about the cyclical nature of the rise and fall of empires. IMPERA Era begins with Cardi ascending to the title of Papa. but after the feeling of triumph wore off, Cardi became very aware of and very fearful of his own inevitable end. he knew that no matter how great his achievements were, he would be forced to step down so his successor could take his place, just like his predecessors had for him. Rite Here Rite Now is about Cardi struggling to make peace with this idea. as a side note: i really like the irony of the fact that Cardi was never actually the leader of his own empire– he was a puppet emperor who got his marching orders from his mother. it connects to IMPERA's theme of political manipulation.

[pochiperpe90]

[ENG] PARDO - Interview with Luca Marinelli

“Luca Marinelli is a true phenomenon!” This is how Paolo Virzì, who directed him in Tutti i santi giorni in 2012, defined the actor a few years ago. He was absolutely right. Throwing himself body and soul into each of his roles, Luca Marinelli does not limit himself to playing a part, but manages to transform himself completely, creating intense, charismatic, unique characters. From the young introverted mathematician in La solitudine dei numeri primi (2010) by Saverio Costanzo, to Roberta in L’ultimo terrestre (2011) by Gipi; from the criminal in Non essere cattivo (2015) by Claudio Caligari to the cult character of the Zingaro in Lo chiamavano Jeeg Robot (2015) by Gabriele Mainetti; from the proletarian intellectual in Martin Eden (2019) by Pietro Marcello, to the King of Terror in Diabolik (2021) by Manetti Bros; from Nicky, the immortal warrior, in The Old Guard (2020) by Gina Prince-Bythewood, to Pietro, a fervent mountain enthusiast in Le otto montagne (2022) by Felix Van Groeningen and Charlotte Vandermeersch; Luca Marinelli has been able to give life, thanks to his prodigious versatility, to an extraordinary range of characters who all bear the unmistakable sign of his talent.

Maria Giovanna Vagenas: In your current career as an actor there are two important works coming out soon: the television series M. Son of the Century by Joe Wright and The Old Guard 2, by Victoria Mahoney. While waiting to be able to see them, I would like to start by addressing a perhaps less well-known but equally essential side of your work: your debut as a theater director in 2023 with Kafka's Una relazione per un’accademia, for the Festival dei Due Mondi of Spoleto. How did this project, on which you collaborated with the German actor Fabian Jung, come about?

Luca Marinelli: The first idea for this project dates back to ten years ago when I saw Fabian at his graduation performance at the Ernst Busch Academy of Dramatic Art in Berlin. I found it extraordinary, and on that occasion I had already told him: "In my opinion you should recite this text!" Then there was a ten year gap. Towards the end of the pandemic, I proposed to him that we work together on Una relazione per un’accademia. At the beginning we had to be both on stage a bit, later I understood that it would have been more sensible to mount this piece with just one actor and I asked him if he would like to be directed by me.

MGV: What was your approach as a director? 

LM: At the beginning of this project I was more of a kind of acting coach - Fabian acts in Italian, even though he doesn't speak it - then I began to understand what it meant to be a director, to take responsibility for everything the public will come to see, to make many decisions and to take care of an entire team. In this context, the exchange of ideas with Fabiana Piccioli, who deals with the light design of the show, was essential: the theatrical piece is in fact a kind of dialogue between the actor and the light, the space and the audience. Being a theater director is also a question of trust. In the cinema the director is very present until the end of the production process, but in the theater you get up to a certain point and then that's it, because the real work, evening after evening, falls to the actors and technicians, that is, to those who are in the scene and around it. The director is no longer part of the performance, he’s almost the first spectator of his own work. It was a very beautiful experience for me, because being "outside", that is, not being on the scene but in front of it, is truly something completely different! In February-March 2025, we will take this show on tour around Italy.

MGV: Do you plan to continue along this path in the future? Is it an experience that has opened up new perspectives for you?

LM: It's a road I'd like to explore, that of theater. I would like to return to the stage as an actor-director, a bit like a master, let's say. I feel that theater is much more accessible to me, while I know very little about the technical side of cinema and for which I have great respect, so for now I don't feel like it.

MGV: You come from a family close to the world of entertainment. It seems that as a kid you watched a lot of movies with your grandmother. I would be curious to know how your desire to become an actor was born in this context. 

LM: My father is first and foremost an actor who is also dedicated to dubbing and my grandmother, as you said - a great cinephile. I owe a lot to every member of my family, whether they work in the arts or not. However, I cannot tell you where this desire comes from, each of us has a drive within us, and is attracted by something. Indeed, I grew up watching many films and, thanks to my father, I happened to know this work in various forms. But when you are very young it is difficult to say: I want to do this! I felt very attracted by the world of theater and cinema, by the idea of ​​expressing myself in a way that went beyond words, which approached images, sounds, the body. I wasn't fully aware of it from the beginning, but now I feel that it's exactly this: I love observing an interpreter's body, listening to their voice. I love seeing a group working together and I love teamwork. The profession of actor contained within itself a bit of everything that nourished my curiosity. This desire has been growing more and more. My family has always been very supportive and has never hindered me in anything. Rather, I was the one who hindered myself, until, at a certain moment, I gave myself permission to approach this profession and entered the Silvio D'Amico National Academy of Dramatic Art. They were three wonderful years during which I gave free rein to all my curiosity and desire for expression. The relationship with my class was fundamental and magical. From there, little by little, I moved forward. Almost immediately, cinema arrived with Saverio Costanzo who hired me for La solitudine dei numeri primi together with Alba Rohrwacher. I auditioned while I was still at the Academy and was acting in the final recital Dream of a Summer Night directed by Carlo Cecchi. I finished the Academy and immediately went on set for the first time.

MGV: You found Carlo Cecchi again as an actor on the set of Martin Eden (2019) by Pietro Marcello many years later. 

LM: Of course, and it was wonderful to meet again! I consider Carlo my teacher, he is the first who truly made me understand the importance and urgency of this profession. 2012 was the last time I was on the boards of a stage and was with him. Carlo Cecchi had become very fond of us all and with this graduation essay he managed to take us on tour. Basically we did two theater seasons from 2010 until February 2012.

MGV: Are there other directors, among all those you have collaborated with, that you consider to be your teachers?

LM: I met some great directors during my journey, each had their own vision of art, so it's as if I had many different teachers along a single professional journey. I would practically name them all, but I would also name the actors I simply observed in films.

MGV: Between the actors who inspired and influenced you, who would you quote?

LM: For the sake of equality, I only mention the actors of the past. There are many who have struck me but I always evoke Anna Magnani, Silvana Mangano, Marlon Brando and Massimo Troisi. These are the first huge names that come to mind. When I 'met' them on the screen I immediately realized I was faced with something unique and great. I like to mention these four names also because they belong to a moment in my life in which I still didn't know what I would do, but I was drawn towards them.

MGV: Non essere cattivo (2015) was Claudio Caligari's last, poignant and wonderful film, released posthumously. What are your memories of him?

LM: Claudio Caligari was a gigantic meeting for me, from him I learned how important expression and communication, sharing and respect are. I understood how much this profession is life and how much life can be put into it. I witnessed enormous courage and a great knowledge of filmmaking. I also learned the dedication and immense respect that one must have for the public, for what is proposed, for how one interacts with those who come to see a film, without ever putting oneself on a pedestal but being all together. Caligari taught me to never judge myself, nor others, nor the stories one tells nor the characters one plays but that one must stay with them, inhabit them. These are the few things, fundamental for me, that come to mind. Beyond this, every single memory is a source of inspiration and guidance for me. And then the certainty that love and passion are the only things that really keep us here and now, alive.

MGV: In 2019 you played the complex character of Martin Eden in the film of the same name directed by Pietro Marcello, and you won the Volpi Cup at the Venice Film Festival. What did this role mean to you? And what was it like working with Pietro Marcello? 

LM: The collaboration with Pietro arose from a secular prayer which has been fulfilled over the years. I was a great observer of his work and his art and finally being able to work together was a great gift, a true exchange based on trust. We all found ourselves in a moment of grace, in a state that allowed us to work with great concentration and dedication together. As for the role, I think Martin Eden is one of the most beautiful male characters of the last century, in one of the most powerful novels ever written. I owe a lot to this character, not only a very prestigious award, but also important artistic and personal growth.

MGV: You have played an extremely wide range of roles, spanning from one film genre to another. Beyond your exuberant talent and the extreme versatility of your performances, what is striking about your acting is the generosity with which you embrace each character, offering your all. How do you prepare your roles? 

LM: It's like a kind of love at first sight; I fall in love with the story, with the character and from that moment on I begin to see everything in that direction. It is an almost routine behavior that I have never schematised. If someone were to ask me, "How do you approach a character?" I would answer that I have no idea, but every time I do it more or less in the same way. There is certainly a certain affinity with the director and an involvement in the script and the character. Little by little I'm starting to eat all the information I can find. I am often offered films to watch, and then I discuss them with the director. I love working with imagination and thinking about every element of the character. I like being with the costume designer, working on the costume and then creating the look of my character with makeup and hair. I'm very happy when I can have my say too. As I said before, I fall in love with the character and I begin to see everything in that light. My wife always tells me: "You've already started!" I don't notice but she does! "You've already started!" it means that everything has started to take on that colour, but I don't do it on purpose, I believe that there is a more intelligent, unconscious part inside me that organizes my work. It's a bit like this!

MGV: A few years ago Paolo Virzì, who directed you in Tutti i santi giorni, said of you: "Luca is a phenomenon, he's intelligent, witty, but at the same time he's crazy, he becomes what he's doing. All the great actors have a kind of lack, a defect, they know who they are and therefore they are enthusiastic about becoming the one who proposes to them!" What do you think? 

LM: I agree with him, all this is said with deep love and therefore I accept everything he says about me. I love Paolo so much and I think he understood me more than I understood myself. In fact I think none of us really have a clear focus on who we are and what we can be. Of course this is an interview from a few years ago, perhaps now I know slightly more - but only slightly [laughs] - who I am because I am closing, so to speak, the first act of my life, given that this year I will be turning 40!

MGV: Being an actor is a collective profession. Over the course of your career, a very significant bond has been created between you and Alessandro Borghi, with whom you collaborated for the first time in Non essere cattivo and who you met again on the set of Le otto montagne of Felix Van Groeningen and Charlotte Vandermeersch, Jury Prize at Cannes. Could you tell me about your working relationship and your friendship?

LM: I'll start from the beginning of what you said; for me this isn’t a job we do by ourselves. This art doesn’t exist without the other. Even a monologue is not done alone but with the audience. Acting is always a way of expressing oneself and communicating. I adore, as I said before, teamwork, over the years I have happened to work with many wonderful colleagues who have become important friends and then there was this magnificent meeting with Alessandro during Non essere cattivo, a film that carries within itself something sacred due to how it was approached, and due to the strength of the great Claudio Caligari who created it. The two of us found ourselves actors in this extraordinary work which united us so much, creating a deep bond between us which at that moment was needed, let's say, for the film but which the film then gave us for life. Since then this friendship has continued and gone forward, without interruption. After Non essere cattivo for six years we were no longer able to work together, then suddenly another wonderful film arrived, full of love: Le otto montagne and thanks to two fantastic directors, Felix and Charlotte, we managed to make this friendship coincide again on the screen too. Alessandro and I are good together. At work, to put it in a football metaphor, for me it's like I always know where the other guy is so I can make a cross almost with my eyes closed because I know he gets the ball, stops it and shoots it towards goal! We have great chemistry and on set, we don't need to worry too much. I hope we can work together again soon. I happened to see an interview where we said that we promised ourselves not to wait another seven years to do it, but now it's been almost three years already so we have to hurry!

MGV: For a few years now you have also started an important international career by participating in important productions such as The Old Guard by Gina Prince-Bythewood with Charlize Theron which was a huge success on Netflix, the series Trust (2018) by Danny Boyle, written by Simon Beaufoy and starring, among others, Donald Sutherland, and a production for German television: Die Pfeiler der Macht (A Dangerous Fortune, 2016), by Christian Schwochow. How did you experience dealing with all these new production realities?

LM: In every latitude there is a slightly different type of approach but essentially the work is always the same. The thing that always excites me is that, ultimately, we all find ourselves in the common language of acting, of art. I was lucky enough to work with some wonderful international casts, not only every single actor but also the technical departments and directors were wonderful people. Ultimately, the place changes geographically, but the work remains the same.

MGV: As a member of the Jury of the International Competition, what will your evaluation criteria be?

LM: I was just looking at the list of films in competition and judging by the images that accompany them I already like them all, so maybe I'm off to a bad start! [laughs] I don't actually have any specific parameters. I certainly won't judge only the performers, but I will look at the film as a whole. However, for me it is essential to start from the assumption of great respect for the film itself, because every film is a work that requires great efforts from many people and for this reason must be evaluated with consideration. Having said that, I would like to have a good dialogue with the film, an intelligent dialogue on an intellectual and emotional level. In short, I hope that a film leaves me with a thought, a sensation, an emotion.

As usual, sorry for any mistake and my English

[youryurigoddess]

The biggest Easter egg yet

I’ve been meaning to address this for a while now, but @camdenleisurepirates gave me the final push after reading my piece on Gabriel’s cross. Huge thanks for that morsel of motivation, my ADHD brain loves you.

This is going to be yet another long read, although not as extensive as my bookshop statues meta. Still, better get yourself some hot chocolate or another drink of your choice and make sure you’re comfortable!

Now, remember the X-Ray interview with Peter Anderson on Easter Eggs in the opening animation he created for the second season? Forget red herrings, apparently our fandom has a literal red phone box! I’m convinced that this whole scene is a one big — the biggest, actually — Easter Egg, and I’ll explain why step-by-step.

The red phone box Crowley used to warn Aziraphale about the Antichrist and the following Armageddon in S1, the exact one where he left change for an emergency call, seems important enough in terms of the future S3 plot, but there’s so much more going on in this frame. Not only the lift.

The angels

At the very start of this sequence we can see a fragment of an elaborate bridge guarded by cherubs sitting on two columns, maybe globes, leading to a distant structure built over a literal mountain of trash — all elements of the S1 and S2 openings which were consciously picked out by the animators and put together in a very ominous pile.

Ready for some scavenging?

In the Gabriel’s cross meta, I already mentioned the importance of Ponte Sant’Angelo in relation to the ex-Archangel’s statue. Now it’s time to widen our perspective and focus on the full picture — quite literally. Apparently the bridge from the opening sequence has ten statues of angels, exactly as the Italian historical monument.

First things first though: the two big cherubs guarding the entry to the bridge might seem familiar to some of you. While they’re obviously not copies of the same statue, a very similar pair of brass cherubs is placed in Aziraphale’s bookshop to symbolize Aziraphale and Crowley. And looking at the screenshot above and the way they sleep or sulk with their backs turned on each other, they are most certainly not talking. The addition of more than one set of eyes is a lovely reference to biblically accurate angel memes though.

If we assume the traditional left-right positioning of the characters, Aziraphale is on the left and Crowley is on the right. Directly behind Aziraphale we can see a ship named “Good Traits”, but in reverse — kinda sorta confirmed by the animator Peter Anderson to be connected to the concept of the seven deadly sins on Twitter. Same that was mentioned recently by Neil in one of his asks.

The presence of Gabriel — a renegade Archangel wielding a broken cross — on the right, Crowley’s side, seems to match this theory. It could also support one of the possible interpretations of the very last bookshop shot in the S2 finale.

Out of all ten statues, Angel Carrying the Cross by Ercole Ferrata is considered inferior to the others on the bridge in that it appears to be a two-dimensional relief sculpture rather than an unbounded three-dimensional artwork, which seems to match Gabriel’s first impression as a character.

The inscription on the statue reads, “Dominion rests on his shoulders" — that is the weight of the cross that Christ was forced to carry through Jerusalem before being crucified. Even though Gabriel’s burden partially disappeared, the whole bridge and its environment is covered with crosses. It’s clear that we’re looking at a direct parallel of Via Crucis, the Way of Sorrows.

Towering over the Italian bridge, at the very top of Castel Sant’Angelo, is a statue of Archangel Michael, seen as the golden angel on the top left part of the trash pile. Aziraphale’s side, perhaps as his assistant, perhaps a rival? Legends of the Jews mention Michael as the chief of a band of angels who questioned God's decision to create man on Earth. The entire band of angels, except for Michael, was condemned to Fall — which could explain why they have such a good access to the Grapevine That Obviously Doesn’t Exist. And whatever’s going on between Michael and Dagon, perhaps.

In Roman Catholic teachings, Michael has four main roles or offices. Their first role is the leader of the Army of God and the leader of Heaven's forces in the final triumph over the powers of Hell. Viewed as the angelic model for the virtues of the spiritual warrior, their conflict with evil taken as the battle within. The second and third roles of Michael deal with death. Their second role is that of an angel of death, carrying the souls of Christians to Heaven. Michael descends at the hour of death and gives each soul the chance to redeem itself before passing; thus throwing the devil and his minions into consternation. In their third role, Michael weights souls on perfectly balanced scales they are often depicted with as their attribute. In their fourth role, Michael appears as the guardian of the Church. Might be the reason why they’re the closest to the building on top of the mountain.

It looks like Michael lost their sword though, just like Gabriel lost a part of the cross he was supposed to carry. The sword in question was supposed to be used to slay the dragon — Satan, the Adversary — according to John of Patmos and his Book of Revelations.

Speak of the devil: interestingly, there are two copies of an anonymous variation of the Angel of Light statue appearing twice on both sides of the bridge. Both the title as well as the statue itself seem like obvious references to one (former) angel literally called the Lightbringer, Lucifer. Perhaps one of them is representing his son, the Antichrist, instead, with the both of them helping out the Ineffables on two opposing — or perhaps only parallel — sides of the bridge?

The light carried by Lucifer appears to be green, a color used in the series as a visual representation of Hell, but on the intertextual level might also serve as a reference to F. Scott Fitzgerald’s classic novel The Great Gatsby and the green light at the end of the Daisy’s dock symbolizing the undying love, desperation, and longing for an unattainable dream. In the story, the color represents the limitations of power and money. Not surprisingly, the novel appears on Jim’s bookshelf and is part of the Good Omens book club — a list of personal recommendations from Neil Gaiman and Douglas Mackinnon for the fans to catch up on before the next series.

Last but not least, the possible connection to Libertas as the inspiration for the Statue of Liberty, shown multiple times in S2 as a foreshadowing of our character’s trip to America in S3. The related quote of Patrick Henry “Give me liberty or give me death” becomes even more relevant if we consider how the motto of the French Revolution was sometimes written as Liberté, égalité, fraternité ou la mort (“Liberty, equality, fraternity or death”). A lesson surely learnt by a certain angel back in 1793, when he was held prisoner for the last time before being forcefully taken Upstairs in the Final Fifteen.

The bridge and the castle

Okay, these are the basic observations. Now a brief historical overview and we will reach the fun bit in a jiffy.

Have you ever wondered about the meaning of this whole complex? It wasn’t always angelic, but named after a Roman noble dynasty. The Aelian bridge was built by the Emperor Hadrian in 134 AD to span River Tiber from the city center to his mausoleum. With time, the remains of more emperors were put to rest in there, until it was plundered and destroyed in a war. Then the remaining structure was transformed into a military fortress and a castle serving as the papal residence in times of war.

The Papal State also used Sant'Angelo as a prison; the Renaissance philosopher Giordano Bruno was imprisoned there for six years. Executions of the inmates were performed in the small inner courtyard, but they weren’t the only deaths in the area. On the other side of the bridge, in the adjoining Piazza del Ponte, under the watchful eyes of the stone likenesses of two saints, the public executions were held, and the heads of the criminals were brought onto the bridge and exposed to public view there.

As a prison, the former mausoleum is also the setting for the third act of Giacomo Puccini's 1900 opera Tosca. Long story short, the eponymous heroine convinces her lover to feign death so that they can flee together. Unfortunately, they are betrayed and the firing squad shoots at him with real bullets instead of blanks. Tosca believes in the quality of his acting performance rather than the truth, and when the realization hits her, she leaps to her death from the Castel’s ramparts.

After Nero’s bridge was destroyed, the travelers were forced to cross this bridge as the only direct route to the Vatican and St Peter’s Basilica, earning it the nickname “the bridge of Saint Peter”. That’s why in the 16th century Pope Clement VII erected statues of Saints Peter and Paul at the ends of the bridge, guarding it as they are supposed to protect the entry to Heaven.

In 1688 the bridge was embellished with ten angel statues, five on each side of the bridge, carrying Arma Christi, the Instruments of the Passion. The Good Omens characters represented by those statues in the opening sequence might be other instruments of Christ’s suffering as parts of the system that needs to be overthrown or replaced.

One angel appears particularly important in the context of both the bridge and the Second Coming — Saint Michael the Archangel.

Legend holds that the Archangel Michael appeared atop Hadrian’s mausoleum, sheathing their sword as a sign of the end of the plague of 590, thus lending the castle its present name. A less charitable yet more apt elaboration of the legend, given the militant disposition of this particular Archangel, was heard by the 15th-century traveler who saw an angel statue on the castle roof. He recounts that during a prolonged season of the plague, Pope Gregory I heard that the populace, even Christians, had begun revering a pagan idol at the church of Santa Agata in Suburra. A vision urged the Pope to lead a procession to the church. Upon arriving, the idol miraculously fell apart with a clap of thunder. Returning to St Peter's by the Aelian Bridge, the Pope had another vision of an angel atop the castle, wiping the blood from his sword on his mantle, and then sheathing it. While the Pope interpreted this as a sign that God was appeased, this did not prevent Gregory from destroying more sites of pagan worship in Rome. In honor of the vision and Michael, the bridge was renamed in their name.

What if the procession from the opening sequence was meant to imitate the procession led by the Pope from the legend? What if Aziraphale, now officially a Supreme Archangel, Commander of the Heavenly Host, is the one actually leading it, with Crowley finally at his side as his partner and second in command, just like it was proposed by him in the Final Fifteen?*

What if by some reason, maybe personal ambition, maybe just a tragic coincidence or situational necessity, there really was an impostor in Heaven, and Metatron — the so called Voice of God who seemingly doesn’t speak up for Herself since Job’s test — has been playing a winged version of the Wizard of Oz all along?

It would make just the perfect sense if not for one tiny detail. The procession we see on the bridge is actually led by Crowley, which doesn’t fit the parallel at all — unless it’s actually a proof of an ongoing body swap, as the mismatched names of the actors could also suggest?

The mountain of trash and the bookshop

The symbolic mountain of trash we can see Aziraphale and Crowley climb is a reference in itself. To an actual mount called Zion, believed to be the place where Yahweh, the God of Israel, dwells (Isaiah 8:18; Psalm 74:2), the place where God is king (Isaiah 24:23) and where God has installed king David on his throne (Psalm 2:6).

In a literal sense, it’s a hill in Jerusalem, although the sources refer to three different locations in different contexts — although for the purpose of this meta the Upper Eastern Hill (Temple Mount) makes the most sense. Its highest part became the site of Solomon's Temple. The same King Solomon the rituals in Freemasonry refer to. Masonic buildings, where lodges and their members meet, are sometimes called "temples" specifically as an allegoric reference to King Solomon's Temple, not actual places of worship. And Aziraphale’s bookshop is built around Solomon’s Magic Circle.

In a metaphysical sense, and especially in the context of the Christian New Testament, it is also believed to be a part of Heaven — the heavenly Jerusalem, God's Holy, eternal city. Christians are said to have “(…) come to Mount Zion and to the city of the living God, the heavenly Jerusalem, to an innumerable company of angels, to the general assembly and church of the firstborn who are registered in heaven” (Hebrews 12:22-23 cf. Revelation 14:1). Just like the procession were following in the opening sequence.

There’s been some speculation whether the lift on top of the mountain could symbolize Aziraphale’s bookshop, or, more specifically, the oculus in its centre. If you look closely at the enhanced screenshot, you can see that the dome isn’t made of glass and that it looks like a tower (a church’s bell tower, perhaps) more than a whole building.

And there is an actual doorway in there — not like the modern lift doors — opening up towards the source of that white, heavenly light. And what kind of enlightenment can you usually find up in the skies or heavens?

We’re welcomed to crack open the doors to the Heavenly Sanctuary — the Most Holy place, Sanctum Sanctorum, the Holy of Holies — to undraw the final curtain and finally stand eye to eye with God. Who knows, maybe even ask some questions or listen to some answers.

Or, at the very least, to meet one of Her forms known as Jesus Christ. Because that’s precisely where he serves as our (humanity’s) Mediator and the Holy Priest after his Ascension to Heaven. The structure at the top reminds of some temple architecture seen in Antiquity and Christianity.

The Catholic Church considers the Church tabernacle or its location (traditionally at the rear of the sanctuary) as the symbolic equivalent of the Holy of Holies, due to the storage of consecrated hosts in that vessel and their meaning as the Body of Christ. Tabernacle is commonly marked with a red light turned on and off depending on His presence or lack if it.

Looks like He’s already in the area, one way or another, keeping eye on some things.

Are we following a procession of believers happy to embrace their one and true Savior? Or are they actually protesters on their way to dethrone the authority and the system?

Guess we will have to wait and see.

[dadattebayo]

So today I bumped on this post and wanted to share some thoughts on the subject, but the account I reblogged it from seems to be off now so I lost my post and no one sees it. Still want to keep it, so...

Sorry, with all respect, but I just don’t get it. Like … WHY should we stop asking them about the thing they actually play? What exactly so bad happens to them if we do? By the thing I mean Haladriel as a ship. They play it. Literally.

Come one, it's obvious the show itself launched the ship. Intentionally, using all classic cinematic tools to make the exact romantic subtext visible to the audience (like gestures, poses, camera angles, looks eyes to eyes, sensual whisper) so we could definitely read it as romantic even if they refuse to confirm it openly. (Due to the possible unhinged reaction of the lorebros, I’m sure) So basically the show implied romance between them from the beginning, and now since they are stepping back, we just have to be ashamed to ask questions? Surely the actors give more interviews then the showrunners, because they are the faces of the characters, their representatives, they could give you the insight no one else could give since they play it and are the most involved in their personalities and emotions. They should be able to explain their motives and thoughts. This is how the acting craft works, they must FEEL the character. This is why for fans, hearing actors discuss a ship is like hearing the characters discuss their own feelings.

See what I mean? Typical romantic cinematic hint.

So again why shouldn't we ask them? why not let the actors talk about their interpretation? Miriel and Elendil's actors shouldn't be asked about them too, or it only concerns Morfydd and Charlie for some reason?

For god sake we all know the ship is doomed, there will be no future, but still the show revolves around them, even in the end of s2 he still mentioned she's his queen. But there was not enough interaction, mostly ambiguous one that we have to explain and develop ourselves, so why should we be deprived as well of their vision and of any extra detail we would like to know from the first hands? | don't feel like it.

And I think people just need to stop decide for the actors how they feel and being overprotective over literally nothing. Shipping is a part of any fan culture. And the actors are not made of glass, they actually are even supposed to speak out. Once again: the show presented and developed the ship. The actors play the characters of this ship. They play the feelings we all see. They are aware of the subtext. They do not feel ashamed to play it. They are not ashamed to play those characters. So we don't have to be ashamed to want to know more about what they play, what they mean and what is their vision on it. There is no harm being caused.

I actually miss good all days when the actors were not considered this sensitive. like for example during the promotion of the X-MEN both Mcavoy and Fassbender got unstoppably asked like million questions about their MAGNETO/XAVIER (Cherik) ship, they were shown fanarts and fanfics, even the explicit ones, they even had to read out loud some about themselves (yeah-yeah, not their characters, but specifically real-person ship aka FassAvoy). No one got offended. One can say they even encouraged it. Homosexual ship. McAvoy was married at that time. Still they were goofing around, touching each other and hugging all the time, talking about their character bromance and generally spreading fanservice all over the fandom. They were having fun alongside with the fans. This was gold.

By the way the same story with their characters: they are a protagonist and a villain , two opposites with sort of cosmic connection, they just won’t let each other go peacefully. There is love, hate, friendship, rivalry and pain. Some fans see them as a friends/foes, shippers like me see them as lovers. This ship is giant, and thank for the actors interaction and involvement into the fandom it just got deeper and much more exciting.

Highly recommended to explore.

Remind you of something? 🙃

[works-of-fanfiction]

The Love of Another - Part Two || Cillian Murphy x actress!Reader

< Previous

Summary: After meeting on the set of Peaky Blinders, Cillian and Y/N struggle to keep their relationship professional.

Warnings: Swearing, cheating, angst. Some (pretty cringe) fluff at the end.

Word Count: 5.7k

 a/n: thank you so much for the lovely feedback on the first part of this! I haven’t written anything multi-part in literal years, but this was fun. some chunky sections of dialogue here, hopefully easy to follow! enjoy x 

(Paul is Paul Anderson and Sophie is Sophie Rundle (if that wasn’t obvious already). Y/N’s character in the show is not canon/replacing any of the actresses, just feel free to use your imagination and slot her in somewhere! it is yourself after all.)

“Would you rather have Tommy teach you to ride a horse, or Arthur teach you to box?” The interviewer asked, smiling at the actress in front of her. Y/N chewed the inside of her cheek, tapping her knee as she thought about her answer. “That’s a hard one, because both could end up with me on the floor!” She joked, looking past the camera at the crew who were essentially getting paid to laugh at anything she said. “I have to go with Tommy on this one. It’s probably the least dangerous! Plus, who doesn’t love watching Cillian ride those horses?” The two women laughed together before swiftly moving onto the more serious questions about Y/N’s debut in the series. “I’d have gone with Arthur.” Y/N’s husband sneered, lowering the volume on the TV. Behind him she was sat at the table, re-reading the new scripts she’d been sent and familiarising herself with the lines.

“They pay me to say stuff like that, you know.” She declared casually, not bothering to look up from the page. He turned around and watched as she scribbled down some notes, mouthing words to herself quietly.

“They pay you to brown-nose Cillian?” He scoffed, leaning on the back cushion. Dropping her pencil with a sigh, she finally looked up with raised brows.

“Yes. Just like I got paid to brown-nose every other man I’ve worked with.” She quipped sarcastically, rolling her eyes, and twirling the pencil between her fingers. She waited for him to respond, but the snarky comeback never came. A smart choice on his part.

Despite her only having met Cillian once, her husband still had this bizarre idea that they’d spent every waking moment together during filming. Y/N had become too exhausted to argue about it. Her career and her future in Peaky Blinders was a lot more important than her husband’s petty jealousy, and she certainly wasn’t going to throw away the role of a lifetime because of him.

“Y/N… Your line.” The prompter called, waving the script in the air and tapping the page with her pen.

“Oh, sorry. Can we go from the top?” Y/N asked nervously, looking around at the crew that were becoming increasingly impatient. What was supposed to be a quick and simple scene was turning into an hour of do-overs with Y/N forgetting small details on every take. “I’m really sorry everyone.” She addressed the room, some mumbling back, others just rolling their eyes and whispering among themselves.

Stepping forward off his mark, Cillian turned to the director. “I think we can pick this up next week. Don’t you?” He asked quietly, eyes flitting to Y/N and back again. “Long day…”

“Alright. We’ll set up for this scene first thing Monday morning, but I want it finished and perfect by lunchtime.” He spun in his chair, ordering everyone to go home and rest up on their rare weekend off.

Sighing, Y/N tugged at her hair, freeing it from the clips holding it tightly in place. Paul patted her shoulder sympathetically before leaving set, shaking Cillian’s hand on the way out. Cillian sat down beside her quietly, waiting for everyone else to filter out. Once the room was empty, he scooted closer, slipping his hand in hers beneath the table. “I had it, Cill, I had it.”

“I know.” He soothed, stroking her knuckles with his thumb. “I did it for my sake, not yours. This suit is itching.” He joked lightly, pulling at his collar. Looking up, she felt a smile creeping onto her face. There he was, being cheesy, always trying to cheer her up.

“I’m sorry. I don’t know what’s gotten into me.”

“I think the guest in your trailer might have something to do with it.”

Nodding, she looked down at their hands, at Cillian’s gentle fingers dancing along her veins. She thought about her husband; how he’d travelled all this way and spent the entire afternoon waiting for her. Yet here she was, comfortable in the arms of another man, betraying him for the thousandth time.

Cillian could see the cogs turning in her head. Forgetting to blink, she stared down at the tabletop, studying the cracks in the brown paint. He squeezed her hand softly, reminding her he was still there. “What are you thinking?” He whispered.

“I have to tell him, don’t I?” She asked, not really seeking an answer. For months she’d tried to plan a way to tell him, to come out with the truth and end her marriage for good, but she just couldn’t bring herself to do it. It wasn’t something she could do over the phone, but she also couldn’t bear to see him in person. She continued to pretend everything was OK, smiling through their FaceTime calls and sending love hearts whenever she couldn’t answer. ‘Couldn’t’ meaning when she was with Cillian.

“I don’t know how I’m going to do it, or when, or where, but I know I have to. I mean, it’s been a year already, and I think I just lost track of time but then  – “

“Hey, hey.” Cillian grabbed her face gently, putting a pause to her rambling. “You don’t need to go making any grand declarations today.”

“If I leave it any longer, it’ll just make it worse.”

Y/N seemed to stare straight through him, her jaw tensing beneath his fingers. Part of him wished he could fix it for her, that he could go to her husband himself and tell him the truth to save her the burden. He feared how her husband could react, knowing he had a habit of getting jealous and suspicious whenever she got too friendly with a man. He knew he could handle it but wasn’t sure she’d be able to.

“Y/N!” A voice shouted from the entrance; it was Sophie, looking for her so she could drag her to her birthday night out. The pair separated, Cillian standing awkwardly. “There you are. Come with me, I’ve found the perfect dress for you to wear tonight!”

“I’ll leave you ladies to it.” He smiled, giving Y/N one last reassuring smile before leaving the building. The last thing Y/N wanted to do was go out, but she didn’t want the crew hating her even more after her earlier fiasco, so she dragged herself to the wardrobe department and let Sophie show her the dresses they were going to ‘borrow’ for the evening.

“A vision in red! Happy birthday, sweetheart.” Paul beamed, hugging Y/N tight as she joined the group, her husband in tow. Paul made the effort to greet him - the man lucky enough to steal Y/N’s heart - as he put it. She laughed along, the pang of guilt inside her chest doubling in size. He may’ve had occupancy of her heart once upon a time, but that space had since been filled by someone else, and that someone was currently sat in the corner looking as handsome as ever. Cillian raised his glass to her, smiling, his arm flexing in his t-shirt. She nodded back, the all-too-familiar rush of heat spreading up her neck and to her face.

It was the perfect night for it, considering the football match just a few miles down the road was keeping most of the city occupied for a couple of hours. Everyone chose to pack out the pubs, leaving the majority of the bars fairly empty and ideal for the star-studded crowd to hide out and enjoy their night. It wasn’t often they all stepped out together like this, but birthdays were an exception. 

“Drink?” Y/N’s husband asked, throwing his arm over her shoulder. Leading her to the bar, he gushed about his conversation with the Arthur Shelby, and how much of a nice guy he was. She wondered if he’d speak so highly of Cillian, or if his strange vendetta would get the better of him. “Shots for the birthday girl?”

“Oh, not yet. Let me ease myself in.” She laughed weakly, drumming her fingers on the bar.

“Not even one?”

“Why? Are you trying to get me drunk?” She raised a brow, eliciting a chuckle from him.

“Well, you always were fun after a few drinks…” He purred, leaning down to press a kiss to her cheek. She grimaced at his words, but luckily he didn’t notice as he was too busy waving at the bartender.

He ordered, yelling obnoxiously over the music. Y/N’s eyes wandered across the back of the bar as she absentmindedly bobbed her head to the song playing, mouthing some of the words. “Oh, I’ll get these.” They both turned to see Cillian standing there with his hands tucked into his pockets, a friendly smile on his face.

“It’s alright, mate. I promised I’d get the birthday girl her first drink.” Her husband’s hold on her tightened as he spoke, his fake grin wide enough to blind a man.

Y/N stood there between the two men, her heart pounding as she felt Cillian’s stare on her face. He’d had good intentions coming over, wanting to keep an eye on her, but she wished he’d stayed put at his table. She already struggled to act normal around her husband, and her lover’s presence only made things ten times more difficult.

“Perhaps some shots then? My treat?” Cillian rested his arm on the bar, catching the attention of another bartender.

“She doesn’t want – “

“Shots sound great. Thanks, Cill – ian.” She stuttered, correcting the nickname before her husband noticed. He looked down at his wife, then back at the man beside her who calmly ordered, leaning over the bar so he didn’t have to shout. Funny how she suddenly agreed to shots when he was the one paying…

Cillian passed Y/N and her husband a shot each, and they downed the drinks together. She winced as it burned her throat, sticking out her tongue as she groaned. “Tequila! Are you trying to kill me?” 

The Irishman laughed, nodding a last thank you across the bar. “Happy birthday, Y/N.” He smiled sincerely, giving her arm an affectionate squeeze. He left the bar, rejoining the cast and crew and instantly slotting himself into a conversation. She watched him fondly, almost forgetting about the man stood behind her. Stretching his arm over her shoulder, her husband placed the drink into her hand. 

She turned and took a sip. “Thank you… Wait, you didn’t take your shot?” She asked, pointing at the full glass on the bar. He shook his head, taking a swig of his beer. “Why not?”

Swallowing with a loud ‘ah’, he shrugged, his expression blank. “I figured it was a moment to be shared between the two of you. Here. Why don’t you have mine?” He slid the shot towards her, tapping the rim of the glass twice. “Go on. It’s your birthday after all.” 

“You’ve got some nerve. Can’t you go a day without starting this bloody argument?” She hissed, pushing the shot back to him. Some of it spilt over the edge, leaving a sticky sheen on the bar. “Drink it, and let’s go join my friends.” 

“I wouldn’t drink it if you paid me to.” He leaned down to her level, trying to intimidate her, but it didn’t work. She wasn’t scared of him; she just saw him as a pathetic, jealous little boy. When he behaved like this, it made her wonder why she ever felt bad for cheating on him at all. 

“Fine. You want to be a child? Then two can play that game, babe.” She spat, turning on her heels and heading towards Cillian. She slipped herself into the group between him and Sophie, linking arms with the woman on her left. “Which one of you is going to dance with me?” 

“I thought you’d never ask!” Sophie squealed, taking Y/N’s drink. “Look after this, will you?” Thrusting it into Cillian’s free hand, she then dragged Y/N into the nearest space, throwing her arms in the air and whooping to the music. They joined hands and spun around like two girls in a playground, shouting the wrong lyrics to the song and giggling uncontrollably. 

Y/N twirled around and set her sights on Cillian, beckoning him over with her finger. “I’m not dancing!” He laughed over the music, keeping a firm grip on their drinks. “I’m guarding your drink!” 

“No, go on. It’s her birthday.” Her husband goaded, appearing behind Cillian. Y/N frowned as she watched the two men speak, unable to hear what they were saying. Sophie grabbed her and spun her around, putting her back to them.

“Shouldn’t it be you dancing with her?” Cillian asked innocently, gently placing the drinks on the table. 

“Oh… I don’t think she’s my friend at the moment.” 

Watching his wife dance, he got the sense he was losing her; that she was slipping away from him and there was nothing he could do to stop it. He’d noticed how Cillian watched her, that lovesick puppy dog smile pasted on his face and eyes following her every move. He had attended many an event with her past co-stars, and none of them had ever looked at her like that. To him, Cillian was showing off, gloating that he’d lured his wife away from him. He wanted to wipe the shit-eating grin off his face if it was the last thing he ever did.

Y/N stumbled out of Sophie’s grasp, dizzily making her way back to the table. “Everything alright?” She asked, out of breath and reaching for her drink. “It’s a workout dancing with her.” 

“Don’t you worry, love. Everything’s fine. I was just talking to Cillian here about you. About the two of you, I mean.” Sniggering behind his glass, he gulped down the remainder of his beer and wiped his mouth, clearing his throat. Cillian’s face contorted in confusion, his fingers gripping the edge of the table, toes curling inside his shoes out of frustration.

“What’s he said to you?” She asked, directing her question to Cillian. He opened his mouth to speak, only to be rudely interrupted. 

“So quick to jump to his defence.” 

“We’re not doing this here.” Y/N snapped, dropping her glass with a thud. “You are not showing me up in front of my colleagues, my friends.” 

“Pick a place then, love. It won’t make a fucking difference.” Her husband could be nasty when need be, but she wasn’t about to stand and take it, especially not with an audience. 

“Right - “ Cillian started, cut off by Y/N barging past them both and towards the doors. This caught the attention of her cast mates, which Cillian quickly fed a lie to before speeding after her. 

He found her outside, stood against the wall and hunched over, hands clutching her knees. “Y/N, I’m so sor - “ 

“Cillian, don’t you dare apologise for his behaviour. Do you hear me?” Her voice shook as she spoke, the sudden rush of anger overwhelming her. She slid down the wall, sitting on the pavement, her exposed shoulders flat against the cold bricks. “Who does he think he is? Acting like that in front of everyone? I could lose my fucking job.” 

“You wouldn’t lose - “ 

“Yes, Cillian. I would. If the studio… If the writers found out about this - “ 

“They won’t.” He asserted, kneeling down so they were on the same level. “They won’t.” 

She took a few deep breaths, Cillian’s presence calming her down as he crouched opposite her, his fingers resting lightly on her knees. “You know, for months I have felt like the worst human being in the world. Looking at myself in the mirror and seeing the cheat staring back, the lousy fucking cheat.” 

“So, you’re not perfect. You’ve done some, admittedly not great things, but I don’t think anyone in there would blame you.” 

“Somehow I don’t think they’d praise me for fucking my co-star behind my husband’s back.” She scoffed, rolling her eyes and rubbing her temple with her fingertips. “God, I’m sorry, Cillian. I’m not trying to… You’re so much more than that, I – “

“It’s alright. You’re upset… And I can handle whatever you throw at me.” He joked, reaching out to pinch her chin.

Hearing the doors swing open, the two flinched, Cillian rising from the ground instinctively. “Well, isn’t this cosy?” Y/N’s husband drawled, sauntering towards them. “So… I was right, yeah? You and him?” He pointed between them, his words directed at Y/N.

“Please…”

“Just answer me. Put me out of my God damn misery.” He threw his arms in the air in defeat, letting them fall to his sides, hitting his thighs with a loud slap.

Pressing her palms against the ground, Y/N pushed herself up, adjusting her dress as she steadied her feet. She approached her husband, and Cillian put his arm out to try and hold her back. “It’s OK, Cill.” She stood looking up at the man she once loved, her hands balled into fists at her side, thumbs picking at the fabric clinging to her legs. “You’re right. You figured it out.”

He exhaled a laugh, kissing his teeth. “I knew it.” Turning away, he ran his hands through his hair, looking up to the sky and sighing deeply. “How long?” He looked back, hands on his hips and brows furrowed. “Y/N, how long?”

“Since my twenty-ninth birthday…” She said shyly, realising just how much worse that made everything look. It had been exactly a year, pretty much to the hour, that she’d shared the first kiss with Cillian that started it all.

“You’ve got to be kidding me. Well, I am sorry for interrupting your little anniversary night…” Exasperated, he took a deep breath and exhaled the air with puffed cheeks. “You know what? You are not the woman I married.” He pointed his finger in her face, but she didn’t react. Folding her arms over her chest, she stepped back until she felt Cillian against her, his hands supporting her upper arms. He whispered comforting words into her ear and her eyes began to water as she continued to stare at her husband, distant and unblinking.

Silence fell upon them, and Y/N expected more to be said, but was surprised to witness her husband turn and walk away. Anything else he had left to say was muttered under his breath as he disappeared around the corner. She and Cillian waited a few seconds to see if he would come back, but the street stayed unusually empty and quiet. “It’s alright. He’s gone.” Cillian whispered, and she spun in his arms, clinging onto him desperately.

Her thoughts felt like they were drowning in a whirlpool, like she couldn’t take control of them no matter how hard she tried. The heaviness in her heart had dissipated, but the ache in her stomach and throbbing in her head persisted. “Can we get out of here, please?” She begged, her head buried in Cillian’s chest.

“Shall I tell the others we’re leaving?”

“Just leave it. Please, can we just go?” Her voice cracked as her hold on him tightened, pieces of his shirt screwed up between her fingers.

“Alright. Let’s go.”

Lying on the bed, Y/N stared at the ceiling, her fingers ghosting over Cillian’s as he laid beside her. A strange mixture of relief and dread washed over her body, making her feel weak yet incredibly alive at the same time. She wanted to jump up and down, to declare her feelings for Cillian from the highest rooftop she could find. However, another part of her wanted to hide, to burrow under the covers like a scared child until it was safe to come out. She was too afraid to check her phone; it was probably already blowing up with messages from her family and friends.

How could you? 

Who was there for you when you were starting out? Did the fame get to your head? 

He’s heartbroken! You should be ashamed. 

The mere thought of it all made her head spin, and it was far easier to leave her phone on do not disturb and pretend no one else existed for a moment. Her thoughts felt so loud, and she wondered if they both held their breaths for a moment, would Cillian be able to hear the gears twisting and turning inside her brain? Or the steam coming out of her ears? 

“Some birthday this was.” She sighed, closing her eyes and shaking her head. “Am I supposed to feel bad? Like… Is this the point where I’m supposed to cry and scream about how terrible of a person I am?” 

“You can if you want to.” Cillian turned his head to the left, and she looked over at the same time, their eyes meeting in the middle.

“No… I mean, it’s not that I don’t want to. I just can’t. I don’t feel bad, not anymore. Is that horrible?” 

“How do you feel?” 

This was a new feeling for Y/N, for the both of them in fact. Throughout their relationship they’d spoken about everything from their favourite albums to their very particular pet peeves. They’d even spent a whole night debating the existence of aliens, sitting out on the balcony of a hotel room and bickering with each other beneath the stars. The thing they hadn’t really spoken about were their feelings, including their feelings for each other. Those three fateful words were still dangling from the tip of Cillian’s tongue, and there was so much Y/N wanted to say in return.

“I feel… Relieved. I feel free.” Clasping her hands together, she tucked them under her head. “That’s awful to admit, isn’t it?” 

“It’s better than pretending.” He rubbed her shoulder soothingly, his thumb slipping beneath the strap of her dress. “Paul was right, you are a vision in red.” 

Y/N giggled, swatting his hand away and adjusting the strap. “You are such a flirt!” 

They stayed looking at each other, studying each other’s faces as if there was something new to see. Y/N counted the little flecks in Cillian’s bright blue eyes, watching his pupils twitch and change sizes with every few blinks. He added up the freckles on her face, imagining how they’d look if they were connected like tiny constellations across her cheeks. He smiled to himself, his tongue poking out to swipe across his bottom lip. “What?” She asked, eyes squinting with playful suspicion. 

“Nothing. It’s nothing.” His voice was gentle and quiet, barely reaching above a whisper. It wasn’t necessary in the room they were in. Not a single sound could be heard around them, except for their breathing and bodies shuffling against the sheets. He swallowed his words, assuming that perhaps she wasn’t ready to hear them. It had only been an hour since she confessed to her husband in the street, and he didn’t want to overwhelm her with a big declaration of love. He’d know when the time was right, he was sure of it.

Rolling off the bed, Y/N pressed a kiss to Cillian’s forehead and went to take a shower. Whilst she was gone, he looked around the bedroom, spotting various bits of his belongings scattered from the many times he’d stayed over. Filming for the series was almost complete, and it would soon be time for them to pack up their rentals and head home, wherever that may be. He thought about how things might change now that they technically didn’t have to sneak around anymore. Would people start to notice? Would they be victims of some derogatory Daily Mail headline by morning? 

Returning in a towel, Y/N sat on the edge of the bed, combing through her damp hair in the mirror. Cillian knelt behind her, balancing on the mattress as he ducked his head down to press a soft kiss to her shoulder. “I’m sorry you didn’t get the birthday you deserve.” He murmured against her skin. She closed her eyes and hummed, enjoying the feeling of his lips moving across her shoulder blade. 

“I think it was exactly what I deserved.” She whispered, turning her head to catch a glimpse of him. Resting his chin on her shoulder, he gazed up at her through his lashes. 

“There’s still just under two hours left of it. Do you think we can turn it around?”

“What do you suggest?” 

Cillian scrambled to his feet, hitting the carpet with a clumsy thud. Clicking his fingers, he pointed to Y/N, a goofy smile on his face. “You still have that wine in the fridge?” 

“You really trust me to drink wine after last time?” She raised a brow then mimed throwing up, clutching her stomach with her arm. “After last time…” She fake gagged, making him grimace.

“OK, OK! Bad idea!” 

He stood with one hand on his hip, the other raking through his hair. Cocking her head to the side, Y/N admired the view in front of her, pinching her bottom lip with her teeth. There was something oddly appealing about Cillian in regular clothes with the signature Tommy Shelby haircut. He wore a crisp white t-shirt with dark jeans, which just happened to be one of her favourite looks on him. It was simple, yet he somehow made it the most attractive thing she’d ever laid eyes on. Her eyes followed the trail of his veins down his forearm, where they reached the hand that sat just above his waistband.

“I’m gonna be honest, that was my only idea.” He laughed, resting his cheek in his hand. 

“Cillian…” She said softly, shuffling to the edge of the mattress. “Come here.”

As he approached, she parted her legs, giving him enough room to stand between them. Placing his hands on her shoulders, he looked down, his eyes meeting hers. She looked so beautiful like this; just wearing a towel with unruly wet strands of hair stuck to the sides of her face. Her cheeks blushed a light pink, decorated in a couple of stray droplets of water from the shower. 

“Closer.” She whispered, reaching up to grab his shirt. He lifted his knee and rested it on the mattress beside her, using his hands as support as he hovered over her, lowering her until she was laid on her back. 

“Is this close enough?” He breathed, his palms flat on either side of her head. 

“Almost…” 

He lowered himself further as if he was performing a press-up, using the strength in his wrists to steady himself above her. “This will do.” She smiled, bringing her lips to meet his. 

Dropping to his elbows, Cillian weaved his hands into her hair, tugging gently at the root. She moaned softly into his mouth, arching her back to inch herself closer to him and press their chests together. He groaned, a shiver coursing through his body as the towel around her dampened his shirt. 

Pulling away from the kiss, they each opened their eyes and gazed at the other, panting quietly with heat-flushed cheeks and swollen lips. Their faces were just close enough to still be able to see one another properly without their vision blurring. Y/N sighed, her forefinger tracing the curve of his cheekbone. “Are you OK?” Cillian asked, running the pad of his thumb along her bottom lip. 

“Yeah, I just…” She couldn’t concentrate with his fingers under her chin, featherlight and careful across her skin. Blinking slowly, she relaxed into his touch, relishing in the feeling of the goosebumps that prickled her cheeks. 

“We can stop if you want.” 

“No, no. That’s not what I want. Quite the opposite, actually.” Her words weren’t exactly a lie, but they didn’t seem to match the look on her face.

Worried, he flipped onto his side and laid next to her, his right hand finding a loose piece of thread hanging from the towel and twisting it around his finger. “If you need a bit of space for a while – “

“No, Cillian. Please don’t say that.”

“Alright, I’m sorry…”

“I just don’t know what happens next. Am I supposed to announce it to everyone? Do I file for divorce on Monday? How does this all work?” She laughed slightly, mostly at herself for being so clueless. “I think telling everyone my marriage is over will be the easy part. How do I tell them about us?”

“Well, the divorce stuff can wait for a bit. You don’t need to rush into anything.” He patted the bed, searching for her hand. She turned her palm upwards, letting his slide over the top and their fingers entwine. “As for telling anyone…”

“What?” She rolled onto her side, mirroring his position. “Do you think we should tell people?”

“I was going to say, is there really any need in telling anyone yet? I mean, we’ve kept it between the two of us for this long already and – “

“Yes, but that was because we didn’t have a choice.”

“I know... but just think about it. I think it would be weirder if we charged into work next week and announced it to everyone.”

She stared at a crease in Cillian’s shirt, daydreaming about how things were going to be. He was right. They didn’t need to shout about it, and Y/N certainly didn’t want to draw any attention to herself just yet. She already knew what people were going to think of her and label her as, and she wanted to delay the backlash for as long as possible; whether her husband was going to allow that was another story…

Cillian opened his arms for her, scooting higher onto the bed so his feet were no longer dangling off the edge. She followed, snuggling into him and tangling her legs with his. The silence between them was heavy, like there were a million words going unsaid. Y/N knew that Cillian was everything she wanted, but a small part of her worried about what would happen to her husband. Being married to someone for four years was going to leave a stamp on her forever, but she sincerely hoped he’d be OK, and that he wouldn’t try to inflict a war on her and Cillian. She knew in time that things would smooth themselves out and feel normal, but for now, she was content to sit in her little confusing bubble, just as long as Cillian was in it with her.

“Cill?”

“Mhm?”

“When we met earlier in wardrobe, and I spotted that box, what was in it?” She smiled sweetly, batting her eyelashes.

“You really wanna know?” She nodded. “OK… Well, that box wasn’t actually for you.”

“What?”

“I don’t know what was in it! It was already there.”

“Cillian!” She slapped his chest playfully and he huffed, feigning hurt. “Why did you say it was for me?”

“Technically, I didn’t! You just assumed.” He laughed, watching her cheeks redden and brows knit together. “Don’t look so disappointed! Listen, I’ll make it up to you tomorrow when I give, or rather take you to your real present.”

“Now I’m intrigued.”

“That’s all I’m saying! I’m not going to spoil it.”

“Fine…” He hugged her tightly, inhaling the scent of her shampoo. She listened to his heartbeat, counting the thumps in sets of eight. Looking up from his chest, she was surprised to see him already looking at her. “What about my other present?” She whispered.

“What do you – Oh, right. That.”

She sat up, kneeling beside him so she could see him better. He rotated onto his back, folding his arms across his chest, and tucking his hands under his arms. “Y/N – “

“No, wait!” She turned her head, fixing her messy hair and readjusting the towel around her body. Turning back with a flip of her hair and a dramatic flailing of her arms, she gestured for him to sit up.

“What are you doing?”

Awkwardly crawling closer on her knees, she ran the back of her hand over his cheek, leaving it to rest below his jaw. “Cillian.”

“Y/N.” He chuckled, and she immediately hushed him. She tried her best to be serious, but laughter threatened to burst out of her. “Whatever you’re doing, please get on with it because you’re freaking me ou – “

“Here it comes…” She spoke in her best attempt at an Irish accent, cringing at herself.

“Oh for Christ’s sake.” He threw his head back, belly laughing, and she grabbed him by his shirt to pull him back. Composing himself, he bit his cheeks to refrain from laughing any more. “Sorry… Go on.”

“I love you.”

He was silent, staring at her as he ran his fingers along his upper lip nervously. He knew it was coming, yet it still caught him by surprise, hearing those words come out of her mouth. He’d heard her say them plenty of times when they were in character, but this was different. They sounded so sweet when they finally meant something, and feeling her eyes on him made his heart pound in his chest. “Too cheesy?” Y/N asked, dropping the terrible accent.

“Cheesy, but I liked it.”

Sitting down cross-legged, she reached her hand out for him which he gladly took. He kissed her knuckles softly, keeping his lips there as he looked up at her. “I love you too.” He confessed. Both their bodies seemed to slump as if a weight they’d been carrying had been lifted, and despite everything that had happened, or rather gone wrong, that night, this moment felt right.  He kissed her again, before slotting his fingers between hers and giving her hand a gentle squeeze. “And we’re going to be OK.”

[clarionglass]

we're back, gang!

all good things should have a bit of malice in them (game master cinematic universe, part 7) | read on ao3

“Sam,” came the tentative voice from a little way down the corridor, and the man in question paused, turning to look at his colleague with a smile. Brian seemed… not quite worried, exactly, but distracted. There was tension in the way he tucked a wisp of hair that had escaped its customary ponytail behind his ear, like he was trying to keep his hands busy while his brain searched for the right words.

“What’s up?”

“I know I’m being manipulated,” Brian said slowly, “but I thought I’d ask anyway. Is there any chance that you’d consider putting the dematerialisation circuit back in Other Sam’s ship? Just for one quick trip?”

Sam raised an eyebrow. “No. Not for another few months of good behaviour, at least. Why do you ask?”

Brian sighed. The answer he’d received wasn’t unexpected, but it was a disappointment all the same. “No reason. Just… something silly, that’s all.”

“What did he say to you?” Sam asked, feeling a knot begin to form in his stomach.

“Honestly, it really wasn’t anything to be worried about,” Brian replied quickly. “It wasn’t a threat, or anything like that. It was just…”

He trailed off, looking almost wistful.

Sam frowned. The immediate spike of anxiety that had shot through him had dulled, fading to concern—a gentler emotion, but no more welcome. “Brian, what happened?”

“Well,” Brian started, taking a deep breath.

---

“I saw your episode of Very Important People,” a familiar voice had said behind him in an unfamiliar cadence, and Brian had nearly choked on his water.

“You watch the shows?” he asked in surprise, turning to look Other Sam in the face. The suit the Time Lord had chosen was a nice touch, he thought—the same cut and style as original Sam’s, but red-shifted to a sort of maroon-purple. “More evil,” indeed.

“Oh, you know,” Other Sam shrugged. “Always good to know a little more about who I’m working with. And you’re certainly an interesting one. You figured out the real time loop in Deja Vu before anyone else, did you know that? Well, of course you don’t, you—”

“Don’t remember,” Brian finished with him, allowing a touch of bitterness to intrude into his tone.

“Exactly,” Other Sam said, with a smile like a shark. “But I’ve been keeping an eye on you since then. You’re bright, for a human.”

“Gee, thanks,” Brian replied, letting the easy reach to sarcasm work to disguise the spark of genuine pride the words had kindled.

Other Sam didn’t look at all perturbed. “Take the compliment or don’t, your choice,” he said. “I’m just saying it because you seem to understand a few things better than the others. Like the perks of control.”

“Oh, hah, that was just a character, you know,” Brian blustered. “For the interview.”

“Of course,” Other Sam hummed in agreement. “Nothing at all like you, I take it?”

Brian nodded sharply.

“So you’re saying that if there was a way that I could get you those sorts of cybernetic enhancements, for real,” Other Sam said innocently, “you wouldn’t be interested?”

Try as he might, Brian couldn’t fully prevent the squeak that escaped him, and Other Sam grinned. 

“Maybe not the claw,” he said, “you didn’t seem as dexterous as would be ideal with that one, but the rest of it? That’s more than possible, and in so many different ways. A quick hop to the future, or any number of planets… All I’d need is to be able to use my ship again.”

There it was, the real reason for the offer, and Brian felt the hopes that had been rising in him despite his better judgement suddenly fall flat. Sam had told him what had happened during the ill-fated Sam Says 4 recording, and had revealed as much as he was able to about Deja Vu. He couldn’t give this guy the key out of the imprisonment he’d only just been put in.

He steeled himself and shook his head. “Sorry.”

Other Sam had just sighed delicately. “Suit yourself. I just thought I’d mention it. How noble of you, playing by the rules.”

And then he’d walked off, seeming none too bothered by Brian’s refusal, which was a relief in and of itself. From what he’d heard, he was worried that saying no might put him in actual danger. But no, he’d met with no consequences. All in all, not the worst encounter he could have had with Other Sam, and when he left the building later that day, the confidence he’d made the right decision sat firm in his chest.

But… damn, Other Sam was good.

That evening, Brian couldn’t keep his mind from returning to that faint wisp of a thought. The memory of the euphoria he’d felt when he opened his eyes to see the almost cyborg version of himself in the mirror haunted him in fleeting bursts. And if he was completely honest with himself, the possibility of living in perfect homeostasis, being able to just create without having to stop and take care of the necessary functions of life, was really quite appealing.

Days passed, and as much as he tried to keep his focus on other things, his thoughts kept drifting back to that particular topic. When it was just a bit of prop work for an improvised interview, it was something he could enjoy for the time it lasted, then put down again. But knowing that it was a real possibility… Even as he tried to suppress the idea, it only grew more seductive.

And when just sitting passively with that concept had become too much to bear, genuine transhumanism dangling within sight but just out of reach, he’d gone to find the real Sam. Of course he’d say no. Still… there was always the chance he might say yes, however slim that was. And he wouldn’t know for sure until he asked.

---

The concern in Sam’s eyes was now mingled with sympathy, and as the recipient of that particular look, Brian felt something in his stomach clench.

“It’s fine,” he said hastily. “Don’t worry about it. Just something silly, like I said.”

Sam looked sad as he drew breath to respond.

“Brian, it’s not silly when it clearly brought you so much joy.”

The words were right, the voice was right, the tone was right. But something was still distinctly wrong, and the hair on the back of his neck started to rise. And half a second later, his brain caught up to what his instincts had already realised, because it struck him like a fist in the gut that he hadn’t seen Sam’s mouth move at all. In fact, Sam’s voice had come from the wrong direction entirely.

He whirled to see Other Sam standing at his back, smiling at him with a look that could have been mistaken for genuine support.

“All I want to do is help,” he continued, every fibre of his being radiating sincerity and gentle patience. 

“Sure,” Sam replied with a roll of his eyes. 

“Oh, ye of little faith,” Other Sam said. “I like him. He's smart, and he could almost think like me. With the right prompting, of course.”

Sam tried to suppress the shudder that rolled through him, and nearly succeeded. “You know the deal was hands off the team.”

“Oh, boo,” Other Sam pouted. “I wouldn't have offered if he didn't want it.”

“He's right,” Brian interjected quietly. 

“Brian—”  Sam started, then paused. His eyes narrowed. “Wait. What's ‘it’, exactly? What's he offered you?”

“Avery Goodman,” Brian said, and Sam nodded in recognition. “All of that. But for real.”

Looking into Brian's face, Sam could see plain as day that trying to dissuade him would be of no use whatsoever. He knew Brian was a smart man, knew that he'd probably considered all the dangers to working with Other Sam, even on something small. But the naked want that shone in Brian's eyes like a beacon burned brightly enough to drown all of that out.

Rather than facing that immediately, he turned to his doppelganger. “It's only been a couple of months, man. You're still very much a flight risk.”

“I know,” Other Sam replied contritely, then cast his gaze around before finally meeting Sam's eyes hesitantly. “But I suppose… Well, we don't have to go offworld for it. I can do a significant number of those procedures myself, as it happens.”

The coyness was very much staged. The way his eyes had lit up before saying that last part, Sam wondered if that hadn't been his double's plan the whole time. 

And implications aside, there were the practical details to consider. “Hang on. You're not doing surgery in my fucking studio!”

A shadow passed across the Master's face. “Not your studio. My TARDIS, and you'd do well to remember that.”

“I don't mind where it happens,” Brian piped up wistfully.

Other Sam placed a hand on his shoulder, the picture of magnanimity. “You see? The gentleman insists. And you've got nothing to be worried about,” he added, turning away from Sam to face Brian properly, and taking a step to propel them both in the direction of the console room. “I was very good at cyber conversion, and it's not something you forget in a hurry.”

“Who said I was worried?” Brian asked. His eyes had been shining since the word “cyber” had been mentioned. 

Sam, on the other hand, had been struck by “conversion”, and the word had left a bad taste in his mouth. “Just wait a minute.”

He pulled out his phone, bringing up the contact he'd been given months before. 

Hi Doctor, it's Sam. Quick question, is “cyber conversion” a good or bad thing? 

“—were right about homeostasis, you won't need to eat, or sleep, or any of those mundane things,” he heard his double say quietly as he waited for a reply. “And there are other pesky things that the procedure takes care of as well—”

His phone pinged.

No way. Sam Reich from Dropout Sam?? Oh my god I'm a massive fan, I was so jealous when the Doctor said he'd met you without me! 

Sam started to frown, confused, when another message appeared. 

Sorry!! Not the Doctor, I'm Ruby, we travel together. I've passed your question on though, and he'll get back to you as soon as we’ve got out of this giant space snail thing. Long story! 

“Are you ratting on me to the Doctor?” Sam's doppelganger asked with a hint of petulant disappointment. “Don't you trust me?”

A third message had popped up, and he opened it before responding. 

Doctor says cyber conversion is no good very bad do not let him do it to anyone, read the clearly hastily-written text. 

“No,” Sam replied. “And for good reason, by the sound of it.”

Other Sam just sighed. 

“I was going to say no to the whole ‘getting rid of my emotions’ bit,” Brian added. “And as much as having an electric blaster arm would be incredibly cool, I don't want that to come at the cost of being stuck in a metal suit for the rest of my life.”

Sam blinked. “Yeah. Not agreeing to all that sounds like a good idea.”

His doppelganger rolled his eyes. “Humans. You people don't know what's good for you.”

“Seems like it's what's good for you, not him,” Sam pointed out. 

“Same thing.”

“It’s really not,” Sam replied. “Look, Brian. What did you want out of this?”

Brian eagerly rattled off a few technical terms that Other Sam must have told him, which Sam tried fruitlessly to transcribe before giving up and asking him to repeat them into a voice memo.

What about these? he sent off to Ruby, with the memo attached. 

Doctor says fine, fine, dubious but okay if your friend agrees to it, and only do that last one under supervision, came the reply.

Okay, I know one of those words means something in the brain, Sam typed out. Please don’t tell me supervision means I have to watch brain surgery. I don’t know anything about brain surgery. And I really don’t want to watch brain surgery. Or any kind of surgery, actually.

The Doctor will do it! We’re nearly out of the snail, just hang on for a mo!

“The Doctor says that, and only that, would be okay,” Sam said slowly. He still wasn’t entirely comfortable with it, if he was being honest, but the shine in Brian’s eyes made it worthwhile.

“Really?” he asked, and Sam nodded.

Other Sam smiled. “Wonderful. We can certainly make that happen.”

“Yeah, yeah, hang on a second,” Sam cut in. “The Doctor said he'll supervise.”

This news was greeted with the look of scorn he expected. “Oh yeah? Is he going to show up? Not likely. He never returns to where he left his mess.”

“Ruby said he would,” Sam shrugged. “Don’t know the how and the why, but she was pretty confident.”

“Ruby?” Brian asked.

“Presumably the latest stray he’s picked up to show off to,” Sam’s doppelganger sniped, his tone heavy with disdain, before Sam himself could get a word in. “She’ll be young. English, probably, or at least British of some description. Ooh, and if she’s blonde, I get an extra point.”

“Couldn’t say,” Sam replied. “We’ve only texted.” 

His double shrugged. “Just you wait. Anyway, Brian,” he said, the contempt dropping from his voice to be replaced by a honeyed gentleness. “Shall we get ready?”

He led Brian through the studio’s corridors, en route to an unremarkable door that was identical to, and somehow even less noticeable than, all the other doors along the way, Sam trailing behind them by a few steps.

He’d already seen inside the console room, back when his doppelganger was trying to make a good impression. Brian, however, had not, and much as Sam was worried by this entire turn of events, he still couldn’t wait to see the look on his friend’s face when he saw the TARDIS properly.

Brian, of course, did not disappoint.

His entire face lit up as Other Sam pushed the door open to reveal a wonderland of otherworldly technology, unrestrained by the confines of what, according to the expected laws of physics, should have been a cupboard-sized room. “No,” he breathed in disbelieving awe, then laughed, a noise of unrestrained, giddy delight. “Oh my god. Oh, my god.”

“Good, isn’t it?” Other Sam said, with no small amount of smugness.

“Good?” Brian repeated, turning in a slow circle to drink it all in. “Holy shit. It’s amazing, I love it!”

Despite his unease, Sam couldn’t help but smile as he watched the display of pure fascination. Even now, even though he was no longer a complete newcomer to the TARDIS, being inside the spacetime machine still felt like pure magic.

His doppelganger tolerated the marvelling for a short while longer, before impatience once again crept into his demeanour. “We’re here for a reason, aren’t we?” he prompted, a distinct bite to his tone. “This way.”

Brian nodded, sufficiently chastened, and with his friend at his side, followed Other Sam deeper into the ship.

“Here,” he announced after a moment. The room he gestured to was bright and sterile, set out like a futuristic operating theatre, and Brian felt his heart rate spike with anticipation as he crossed over the threshold. 

“Should I…?” he asked, motioning to the table in the centre of the room, and Other Sam nodded.

Sam watched as his double set out a bewildering array of medical tools, some familiar, some very not, then paused, examining Brian closely.

“Well, you look ready, and I know I am,” Other Sam said. “So all we need now is for our… supervision… to arrive.”

As if on cue, Sam’s phone lit up with a Whatsapp call.

“Sam!” the Doctor exclaimed, clearly peering around what he was able to see of the room. “And you must be Brian, hello!”

“Hi,” Brian replied, slightly awkward from his prone position on the operating table.

“Sam, babes,” the Doctor started. “Would you be comfortable getting close? I need to be able to see what’s going on properly. Or—ooh, there’s a screen over there, if you just—”

“Fine,” Other Sam sighed, intercepting the request with bad grace and the flick of a switch. 

From the other end of the call, Sam could hear the buzz of the Doctor’s sonic device, and with a squeal of feedback, the video call transferred itself onto the monitor that had just been turned on.

“There we go!” the Doctor grinned, his image blown up to fullscreen view. “Now I can see everything I need to, clear as a bell, and Sam’s got his phone back. And you all can meet Ruby!”

“Hiya,” came a cheerful voice from just offscreen, and a blonde girl—she couldn’t have been more than 20—popped her head into frame and waved. “He’s hijacked my phone, so I get to listen to live medical dramas while I try and get space snail goo off my favourite jacket.”

Sam’s doppelganger shot him a pointed look. “Told you,” he muttered with satisfaction.

Sam ignored him, instead focusing on the Doctor, who had taken back the call. “Brian, I just want to check before you get started on this. You know what these procedures are going to involve? And you fully consent?”

Brian nodded, utterly overwhelmed in the best possible way. “Y-yeah. I do. I consent.”

“Okay,” the Doctor said. “I promise I’ll be keeping a close eye on him through all of this, so nothing will happen outside the limits of what you’ve agreed to, yeah?”

“Okay,” Brian agreed with wide eyes, unable to keep the tremor of excitement out of his voice. It was happening. Oh, god, it was finally happening.

Through the screen, the Doctor and Other Sam shared a look that neither of the humans in the room could quite decipher. But it seemed like some silent agreement had been reached, which was the main thing.

Other Sam picked up something that looked like a scalpel of light, and smiled down at Brian. “Ready?”

“Fuck,” Brian breathed. “Yeah. Ready.”

The Master put down the scalpel and placed his hands on either side of Brian’s face, making direct and unblinking eye contact as he did so. After a second, Brian’s eyelids fluttered shut, and all the tension of consciousness drained from his body. He was out like a light, completely dead to the world.

Hypnotic anaesthesia achieved, the Master flashed a satisfied smirk at Sam, who felt something in his chest go tight. That’s what happened to him the day the Master revealed himself, he realised, a simple little psychic violation that looked so quick and easy, and the air suddenly felt too thick to breathe.

“I’ll wait outside,” he said, and fled to the corridor.

Phone in hand, he spent a while just scrolling through the usual selection of apps to distract himself, time getting sucked into those familiar black holes, before another text from Ruby popped up on the screen. 

I think they’re nearly done!! But just while I’m thinking about it, and this is probably a really weird question so I’m really sorry, but is there an older woman who works at Dropout? English, late 60s, curly hair?

Sam frowned, opening his gallery and thumbing back through months of photos.

Like this? he texted back, attaching a picture from last year’s staff Christmas party. Third from the left at the back is Zan from costuming.

Oh my god. Yeah that’s her.

Sam frowned. Is that okay? I’ve never noticed anything weird about her, she’s actually really lovely.

It’s fine, I think, read the reply. It’s just we’ve been seeing a lot of this woman lately, or people who look identical to her. All in different places, all different, real people, but literally identical. And here she is again. Weird!! But probably nothing for you to be worried about.

That is weird, Sam started to type back, but was distracted by a thin seam of white light that grew wider and wider as the door to the control room opened, and Brian stepped out into the corridor.

That a transformation had occurred was undeniable. To Sam’s surprise, considering the surgery that his friend had undergone, Brian was remarkably unscarred, and the robot arm had been left out of whatever procedures had gone on in that room—but twin points of light peeked above the collar of his shirt, much like the red and yellow LEDs covered by the lab coat he had worn as part of his costume.

“You’re, uh, glowing,” Sam pointed out, realising as he said the words that he was echoing Vic. 

“Oh!” Brian replied. “Hang on, let me turn that down—”

He made a face of intent concentration, and indeed, the lights dimmed and faded altogether. The brightness in his smile, however, didn’t diminish in the slightest.

“Isn’t it brilliant? I’ve got total control, all from up here.”

He tapped his temple, beaming once again as his finger made contact with not flesh, but metal. The most obvious aspect of Brian’s cyborg transformation was the implant that curled around his eye—a near match to the silicone patch that had been glued on for his Avery Goodman costume, but possessed of a certain unarguable realness.

Sam just shook his head, at a loss for words.

“I can hide that, too,” Brian assured him cheerfully. With another look of focus, the air above the metal shimmered and blurred, and in as much time as it took Sam to scratch the sudden itch at the back of his head, it had cleared to reveal smooth, unmarked skin.

“Wow,” was all Sam could say for a moment, before a smile slowly dawned across his face. “Brian… fuck, man. I’m happy for you, genuinely. And I can’t tell you how glad I am that it all worked out.”

Brian beamed.

---

At the console of his grounded TARDIS, lost in thoughts of stolen freedom and schemes that should have been, the Master felt a not unfamiliar sensation at the back of his mind. It was enough to dispel the unhelpful reminiscences, and he smiled, slow and vulpine.

“Do you think it’s bad we didn’t tell him you did this part of it?” he heard, Brian’s voice in his mind as clear as if the other man had been standing in the room with him. “I mean, the Doctor knows, so that’s enough, right?”

“Of course it’s enough,” the Master sent back. “And Sam will find out eventually. But until then, you and I can have some fun.”

—

missed an installment of the game master cinematic universe?

original idea by @ace-whovian-neuroscientist: x

art by @northernfireart concept: x scissor sisters sketch: x sam and his doppelganger: x escape the death beam: x

by @bloopdydooooo drawing collection: x

writing by me (!) part one (escape the greenroom): x part two (deja vu): x part three (sam says 4): x part four (you think you know someone): x part five (point and counterpoint): x part six (a selection of correspondence): x part seven (all good things should have a bit of malice in them): you are here!