#THANK YOU SO SO MUCH FOR THE TRANSLATIONS OP

[kays-sunflowers]

my reaction to his entire route:

Azel Radwan: Dramatic Ending Epilogue

Dramatic Ending Ch. 25 His Side Story

Thank you @passthechloroform for providing the video for this chapter!

Tanzanite, with its god gone, did not change overnight.

People still revered Azel, and the markets were lined with commemorative coins and statues of him.

But to say that nothing had changed would also be untrue.

Before, every three steps you took in the city would lead you to a divination shop, but now their numbers had dwindled.

Instead, you could stumble upon bookstores, which had been impossible to find before, no matter how much you wandered around.

(Just as the letter said…)

(Tanzanite now presents a golden opportunity for booksellers to expand their market.)

*flashback*

Akatsuki: You want to do business in Tanzanite?

Emma: Yes. I thought that if we open a sales channel now, we might be able to establish a Tanzanite branch eventually.

Emma: Wouldn’t it be easier for the Owner, who travels to every country on the continent, to operate with several bases?

Akatsuki: …That makes sense.

Emma: Right? Actually, it seems Tanzanite is making a national effort to attract booksellers…

Emma: I think it’s a good opportunity to make a lot of money.

Akatsuki: Do you want to go?

Emma: If you’ll allow it.

Akatsuki: I’ll allow the business.

Emma: …!

Akatsuki: But, I won’t allow any unhealthy relationships before marriage.

Emma: Wh-What do you mean?

Akatsuki: Your objective is the dead god.

Akatsuki: He even sends you letters every time. How unsightly.

Emma: …Then, would you allow a healthy relationship?

Akatsuki: …

Akatsuki: If anything happens to you, I’ll kill that god.

*flashback over*

(I can’t tell the Owner about that night, not even if my mouth is torn apart.)

Just remembering it made me blush, and I shook my head as if to dispel those thoughts.

My objective today was market research –– to assess the demand and see what kind of books were needed. That was my job.

(Huh? There’s a crowd over there.)

(It doesn’t seem to be related to bookstores, but this is also part of market research.)

(I might be able to learn about the current trends in Tanzanite, so let’s go.)

I never imagined that my casual decision to join the crowd out of curiosity would ––

––lead to a tragedy later on.

-

Azel: …And?

Emma: …It was a soap shop.

Emma: They sell soap made by a famous perfumer, and it seems to have a reputation for smelling very good.

Emma: I thought I’d like to try it too… so I reached for it.

Azel: There must have been other selling points besides it smelling good.

Emma: ………… That it can captivate the person you’re interested in.

Azel: Sigh… Why do you fall for such obvious traps?

Emma: Because I wouldn’t think something like that would be sold openly in the city!

(This sense of déjà vu… I remember this.)

When I used the soap I bought at the market in the bath, my body started to feel strange by the time I got out.

The enchantingly pleasant scent gradually induced a feverish heat, making my skin unbearably sensitive.

The mere rubbing of my negligee against my skin made my stomach tingle strangely, and my heart pounded like a drum.

I felt like I could faint from shame at any moment.

Azel: Listen, Tanzanite is famous for its songs, dances, and harem.

Azel: It’s not uncommon for people from the harem to sell shady goods in the city to earn some extra money.

Emma: …I didn’t know that.

Azel: Think of “captivating the person you’re interested in” as a catchphrase for aphrodisiacs. It was a good lesson, wasn’t it?

(I never thought I’d experience this feeling again.)

The effects of this aphrodisiac seemed to be even stronger than the perfume mixed with the aphrodisiac ingredients from last time, and if I let my guard down, indecent sounds would escape my lips.

(…I want to cry…)

Azel: Hey, don't make that face like you're about to cry.

Azel: The quickest way to get rid of an aphrodisiac is–

*flashback*

Azel: In reality, an aphrodisiac will naturally leave your system with time.

Azel: All you can do is sleep or distract yourself, those are your two options.

*flashback over*

(I’ll just hide in the kitchen like last time, that’s what I’ll do.)

(I can’t let Azel see my unsightly behavior.)

In the middle of his lecture, I turned my back on him and reached for the door as if to escape.

Azel: Where are you going?

Emma: To cook.

Azel: Huh?

Emma: I’m going to cool my head, so please don’t mind me and go to sleep, Prince Azel.

Emma: Good night!

-

Emma: …Why are you following me!?

Azel: …I’m not following you. I’m thirsty.

Azel, who had followed me to the kitchen without a care in the world, poured water into a ceramic cup, just as he had said.

Even after taking a sip and wetting his throat, he showed no sign of leaving.

Azel: Do you want some too?

Emma: …

(Last time, you confined me here and left on your own.)

(…Thinking about it now, that was probably an act of mercy to prevent anyone from seeing my embarrassing behavior.)

(I’d like you to show me the same mercy this time…)

Azel: What is it? You’ve been staring at me.

Emma: You know what I want to say, right?

Azel: Not at all.

Emma: Leave me alone.

Azel: This is my castle.

Emma: Are you okay with being attacked by me?

I tried to push Azel out of the kitchen, but–

(H-He won’t budge…!)

He looked at me with a mixture of amusement and pity.

Azel: What are you doing?

Emma: You wicked god– Ah, no, you’re not a god anymore.

Emma: Um… Wicked person!

Azel: Congratulations on increasing your debt through insults.

Emma: …I understand. You don’t want tomorrow’s meal, then. It was going to be a special dish with meat.

Azel: If that’s what you wish, I’ll obediently return to my room. Goodbye.

(This tactic was the most effective after all.)

Azel briskly headed for the exit, but he turned around before leaving the kitchen.

Azel: However, you should know what an aphrodisiac is.

Azel: It’s actually easier to let it out than to endure it.

(…I know.)

My body, forcibly heated by the aphrodisiac, was aching to the point that I wanted to scratch it, and I unconsciously followed Azel's hand with my eyes.

(If I could just have his hand touch me…)

I slapped my cheeks with both hands as if to resist the temptation and shook my head.

Emma: Thank you for your concern. But I’m fine.

Azel: Why are you so stubborn?

Azel: We’ve already crossed the line.

Emma: …That’s true, but…

Emma: If you touch me like that night, I’ll probably become a mess.

Azel: It might be a good lesson.

Emma: …If Prince Azel were to hate me, I wouldn’t be able to recover.

Azel: Why would that happen?

(Because…)

Emma: You don’t have good memories of aphrodisiacs, do you?

*flashback*

Emma: In the first place, I’ve never used or even seen an aphrodisiac, so I don’t know what it’s like…

Azel: Huh? You’ve never seen one in your life?

Emma: Of course not!

Azel: There are people like that?

*flashback over*

(Because of his position as God, people around Azel-sama tried every trick in the book to get him interested in women.)

(I’ve never asked for details, but I’m sure he’s been tormented by unwanted aphrodisiacs.)

Azel: …Indeed, as you said, I’ve been through a lot with aphrodisiacs.

Azel: I have nothing but unpleasant memories of being forced to watch women lose control in front of me.

Emma: Then–

Azel: But you’re not…

Azel: …

Emma: …Prince Azel?

Azel: ..............

Azel: I hate being attacked.

Emma: I think anyone would.

Azel: That’s right. So I came up with a great idea.

(Huh, the atmosphere suddenly became ominous.)

Even though he was supposed to be heading outside, Azel came back to me for some reason.

When I casually tried to move away, he wrapped his arms around my waist.

Emma: Ah…

An unfamiliar sensation set my entire body ablaze with shame, and I reflexively pushed back against his chest.

But instead of moving away, Azel brought his lips to my ear and breathed a sigh.

Azel: It’s fine to attack before you’re attacked, like this.

Emma: That’s not good, not good at all… Mm!

My ear was nibbled, and indecent gasps melted into the kitchen air.

Emma: No… This really… won’t end well… so… Ah.

The hand that had been resting on my waist slid down and slipped between my legs, along with my negligee.

With just a light touch, my vision went white, and my body trembled as my strength gave out.

Azel: How could you say you were fine in this state?

Azel lifted me up as I collapsed on the floor.

Emma: …I could… evaporate from embarrassment right now…

Azel: If you haven’t evaporated yet, you’ll be fine.

Azel carried me outside and headed for his room with quick steps.

Even the wind that enveloped my body brought me slight pleasure, and I felt a sensation of honey dripping from my lower abdomen.

Emma: ………… Prince Azel.

Azel: It’s not unpleasant or uncomfortable.

Azel: …You’re different from other women.

Just as he said, Azel didn’t seem uncomfortable at all. In fact, his slightly unfocused gaze seemed to reveal his true feelings.

Azel: I can stop if you’re seriously against it.

(Honestly, I’m scared… but…)

(…If… Azel… doesn’t mind…)

I grabbed Azel's clothes and exhaled as if to release the intense heat within me.

Emma: …Touch… me… please…

-

As soon as we returned to the room, Azel stripped me of my negligee and sat me on the bed, embracing me from behind.

Emma: Gasp... Ah...

The mere act of his palm cupping my breast sent a jolt through my core, and when he pressed against my hardened nipple, my vision blurred to white.

Each time his lips grazed my ear, a sweet nectar overflowed in response, and my whole body trembled as his finger, coated with it, slipped inside me.

Even after all this, the aphrodisiac still lingered in my body, and my hips moved involuntarily, matching the rhythm of his finger swirling within me.

Emma: Nn... ...Aah...

Azel effortlessly supported me as I slumped against him, limp.

Azel: Are you alive?

Emma: Barely... alive...

Azel: That's good to hear.

Azel: Learn from this and never touch those "captivate your beloved" concoctions again.

Azel: Besides, even without using such things––

Azel: ...

Emma: ...Even without?

Azel: Why are you so focused on that part?

Emma: Nn...! Don't touch me th-there... aaah!

He hooked a finger around the sensitive swell, now slick with nectar, and another burst of wicked pleasure exploded from my core.

My breath hitched, hot and ragged, and my consciousness almost drifted off into a dream.

Azel: You make that kind of face too, huh?

Azel: ...I feel like I'm the one who's been ravished, even though I'm the one who attacked you.

(I'm... too scared to ask what kind of face I'm making... but...)

Azel's expression as he gazed at me was so alluring it made my heart ache.

That unexpected, worldly expression, so far removed from his usual sanctity—

Our eyes met, and our lips found each other as if drawn together by an invisible force.

(I've had enough of aphrodisiacs... )

(But if it means I can see that look on your face when you desire me... maybe it's not all bad.)

---

(Suspicious Solicitation)

※ This letter has been sent to all booksellers ※

In Tanzanite, a city overflowing with tourist attractions, bookstores are opening one after another.

With the decline of divination, once a symbolic industry of the nation, the demand for knowledge is on the rise.

Furthermore, the nation is currently offering generous support to foreign booksellers, allowing you to start your business immediately.

Tanzanite is now a dreamland where anyone with the skills of a bookseller can easily become a business owner – an opportunity no one in the trade would want to miss.

So, what do you think? It's piqued your interest, hasn't it? It would be a shame to let this big-money chance slip away.

We are currently offering passage to Tanzanite at a special price.

If you are interested in visiting, please contact us at the address below.

P.S. This letter has been sent to all booksellers. Don't try to investigate this offer with your colleagues out of suspicion.

Also, we don't particularly need you to come quickly, nor do we necessarily want a reply.

Don't misunderstand... Absolutely do not misunderstand.

Azel Radwan

--

FIN

.

.

.

Both Endings Epilogue

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[cokou]

What OP Men Post About you on Reddit PT2

OP 男性があなたについて Reddit に投稿するもの。

𝑴𝒖𝒍𝒕𝒊 𝑪𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓 𝑭𝒊𝒄

sum. Your boyfriend posted about you on reddit. 𝑹𝑬𝑫𝑫𝑰𝑻 PT1 ˏˋ°•*⁀➷ tw. Fluff & Crack! Slight nsfw on shanks part😭 ˏˋ°•*⁀➷ a/n. Im using my free time to upload my works, i hope its okay to have late uploads😭😭 // Do not translate or transfer any of my works, this is my only account (exp. AO3) will not be cross posted anywhere else. // Masterlist♥

r/AITA Swrdsmn.Zoro ⬆︎ 11.7k ⬇︎ 309

Am I the asshole for refusing to take my girlfriends map route?

My girlfriend loves to take me on a different of adventures throughout the world, her main favorites were taking simple walks that would eventually end up at the other side of the city. She drags me along with her always even if i had told her multiple times that it's too early to go for a walk. My girl, sets her alarm at 3am and wakes me up to go outside and walk with her.

About a week ago, she broke the news to ME, that she booked us a hiking trip. Me being myself, i usually laze around the house and get some sleep, so hiking isn't definitely my thing. But either way she bought us 2 hiking tickets up a snowy mountain.

When we had 4 days prior before setting out for hiking, she immediately drew a map from the place we were going. I admit that she is definitely good at drawing maps, but i studied them and absolutely got confused. I gave up on doing so.

We arrived to our destination and she immediately grabbed her map out of the bag, she tried pulling me to the right side of the mountain but there was a map hanging by the wall of the cabin shop saying that the left side is where the mountain hiking is located. I talked to her about it and she told me that the map they made is probably fake.

We got into a small argument and i parted ways with her towards the left side and i fot lost, I was reported as missing and a group of search party was launched to get me back, Now I'm back with my girlfriend's hold and she's mad at me for not taking her word. We talked to the cabin shop for the map route and found out that there was no such thing as a cabin back on the mountain.

Comments:

Chef_Sanji: yta, obvi your gf deserves someone better. ➣Swrdsmn.Zoro replied: I wasn't asking you ➣Chef_Sanji replied: Obviously you were, you posted this so you're asking everyone. (COMMENT WARNING)

—

r/meat Straw_Luffy ⬆︎ 12.7k ⬇︎ 103

My girlfriend cooked me this today :D !

I'm absolutely thinking that she's better than @chef_sanji! Her cooking is so yummy i could eat all of this in just one bite🤤 THANK YOU SO MUCH @Your.Name !!

Comments:

Chef_Sanjii: IT LOOKS SO GOOD, GIVE ME SOME TOO YN-CHAN❤️❤️ ➣Straw_Luffy replied: No way it's mine! ➣Chef_Sanjii replied: I WASN'T TALKING TO YOU ➣Your.Name replied to Chef_Sanjii: I will when we meet again! :D (Liked by Chef_Sanjii)

—

r/wifey ItsmeShanks ⬆︎ 47k ⬇︎ 1.7k

—Attach photo of you

All night, all day, with clothes, naked, doggy style, missionary, full nelson, in public, in private, in bed, on the sofa, with toys, vanilla, piv, anal, boob job, hand job, fingering, masturbation, in the ship, on the floor, top to bottom, on sea, on land, on my face, on your tits, helicopter style, pegging, on camera, in front of everyone, in an alleyway, in the shower, standing up, sitting, laying down, bent over, no stopping, finishing inside, finishing outside.

@Your.Name

Comments:

Your.Name: WHAT THE FUCK SHANKS (Liked by ItsmeShanks)

—

r/girlfriends Com.Acee ⬆︎ 113k ⬇︎ 12.3k

My girlfriend is so beautiful, she absolutely deserves the world.

Literally shes the best, I don't know what i even did to desrve her presence besides me, but im sos so thankful for it. Everyday i wake up next to her it feels like im blessed eith yet another peaceful and loving day knowing that everything is complete with her by my side.

She smells so good that it stays on my sense of smell, the way her fragrance litter her room and immediately smells like her once i enter is so peaceful and sweet. I absolutely love her perfume, i bought one of them to keep on my room and i spray tiny bits of it on me whenever she's not with me now.

I seldom carry her little gifts in my small bag whenever im away from her to remind me of her presence, her perfume never leave my hands. My shelves are filled to the brim with her godly scented perfumes, her perfume is wuite expensive yet it doesn't matter. Her little girts are kept in a glass covered shelf to ensure protection and will never be broken.

I love gifting her her favorite items and seeing the cutest smiles on her face, i really really wish to spend my eternity with her forever. @Your.Name i love you so much😭😭

Comments:

Your.Name: THIS IS SO CUTE AHHH ➣Com.Acee replied: ILYYYY❤️❤️ (Liked by Your.Name)

—

r/Girlfriends MetalPipeLover_Sabo ⬆︎ 46.1k ⬇︎ 429

I need advice on where to take my girl on a date! D:

Any recommendations for places that's suitable for a date? I'm planning to propose to my dear girlfriend, we've been together for a solid 6 years and a half. We've talked about getting married and i think today is the day i propose to her. I can't think of any place thats perfect enough to do so.

Anything that would have a good view or maybe a little cute cat cafe beside it would be fine, I'm thinking of a little elegant theme..or maybe a little cute one? I really cant decide, i contacted my brothera but they couldn't take a single thing serious. Please actually take me seriously😭

My girl isn't that picky, but i myself think that what ever crosses my mind is simply not enough and that she deserves much better than what im thinking of, but of course i still need to atleast make the proposal romantic right?? 😭😭 Please give me recommendations, im absolutely desperate...

Comments:

Com.Acee: The grand canyon idk🤷🏻‍♀️🤷🏻‍♀️ ➣MetalPipeLover_Sabo replied: ACE GET OFF MY COMMENT SECTION😞😞😞 Straw_Luffy: Take her where there's meat! :D ➣MetalPipeLover_Sabo replied: No that's not good enough. Unknown: A flower field maybe lol? (Liked by MetalPipeLover_Sabo)

©Cokou 2024, all works belong to me.

[joelsflower]

you’re so vain | eddie alden x f!reader

you and eddie are roommates and work at the same newscast… but the news aren’t the only things you’re reporting together.

or

some moments sfw and nsfw between you and your ‘friend’ eddie

warnings: sexual and romantic tension, eddie is a munch, they love each other but won’t admit, funny silly goofy moods, pussy eating in public/work place (the door was locked no one saw it), protected piv… while it’s raining outside… and you make love while still not admiting your feelings… the fwb drill we all know and love

a/n: hmmm did someone ask for… fwb!eddie? ☝🏼cause i did!!!

wc: probably around 2.3k i wrote it here sorrys !

the pictures are from this post and this post by @divinesols (both highly recommended as moodboards for this btw!) and i couldn’t find the creator of the gif :/ if anyone knows pls let me know so i can tag!

🗞️🗞️🗞️

“And… cut!”

“We had a bigger audience tonight. Looks like you’ve finally managed to draw the public’s attention.” You handed Eddie a smirk and a cup of coffee while he took off his earphones.

“I always draw attention, baby” he took it and winked at you, taking a sip but immediately making a face of disgust indicating the sugar that was not there.

You knew exactly how he wanted it, but you loved pissing him off.

“And you always brings me the coffee the way you know I don’t want it,” he said as he paced to the studio’s kitchen, followed by your fast steps behind him.

“Ops! And I don’t always bring you coffee, I jus-“

“You just happened to be passing by the coffee shop. Mhmm. I know,” he mocked your tone and expressions, “and you also just happen to be thinking of me all of the time, hm?” He pinched your nose.

You gave him an annoyed look, “well, the world doesn’t revolve around you, Mr. Alden!” You said jokingly, pronouncing the “Mr. Alden” with very much cursive letters.

“Don’t call me that… At least not here.” You were always impressed by the way Eddie could manipulate the look in his eyes to translate exactly what he was thinking about. And, 99,9% he was only thinking about one thing.

Sex.

“Oh I’m not calling you that anywhere, believe me”

“Hmm, cause you rather scream my name, huh?” He raised his brows at you in a funny way, using his arms to cage your body between his and the kitchen counter while swaying a little, making you laugh in that way he loved; when your eyes squeezed together and your head hanged back with a big grin on your lips.

He just loved seeing you happy, specially if he was the reason. When was he going to admit it to you? Probably never.

“Eddie, Jesus! Not here!” Now both of you were laughing unglued his hands from your sides and pushed him away, giving him light taps on the chest.

“Alden, newsroom wants to see you.” Someone from the staff peaked from the door, causing your bodies to distance from each other at the speed of a Formula 1 car, him pretending to still put sugar on the coffee and you weirdly looking for something in the sink.

“I’ll be there in a minute, thank you,” he nodded his head, “wait for me tonight,” he smirked and taped your bum lightly, making you jump.

“Oh yeah bet on it,” you gave him a teasing tone.

“I’ll be watching you,” Eddie motioned his point and middle fingers from his eyes to yours, already by the door.

“That’s cause I always draw attention!”

🗞️🗞️🗞️

“Oh… fuck-“, you tried your best to whisper half of the depravations that were slipping from your lips and to swallow the other half that were stuck in your throat.

But it was very hard when Eddie had you sitting by the end of his desk, skirt up and legs spread wide upon his shoulders so his head could sit perfectly between them.

“So sweet, princess,” his praises were muffled against your throbbing clit, both of his hands hardly squeezing the sides of your thighs. He spent the whole morning dreaming about the taste of your pussy, and by lunch he couldn’t wait anymore.

“W-we have five minutes, Ed,” your worried little mind kept you looking every 5 seconds towards the foggy glasses on his door, but this time got interrupted by your eyes screwing shut and your mouth hanging open in a silenced cry when Eddie quit the sucking in your bud to fuck your hole with his tongue.

“I- we-,” every time you tried to say something and your words died in muffled little moans and cries he sucked and fucked harder. Eating you out was for sure one of Eddie’s favorite things and making you come when you couldn’t scream or cry freely was like a reward for his tiring day.

Having the opportunity to give you pleasure and piss you off at the same time? He was in.

“C’mon baby, cum on my tongue, hm? Wanna taste my girl,” he used two of his fingers to spread your wetness all over your center before nuzzling his head back again, nose stimulating your clit while his tongue entered you hungrily, in and out, in and out, the vibrations of his moans exploding fireworks in your veins.

The man was devouring you.

You came in a quiet moan, fingers gripping Eddie’s roots while his nails dig in your upper thighs and his face drowned in your cunt. He sucked and lapped you clean, until you were too sensitive to bear anything else, “fuck, thank you, baby. Here,” he gave you a paper tower from the adjoining bathroom he had in his office and helped you put your panties and skirt back. If you didn’t already knew all too well the smirk he had on his face you’d think by that he was something that he actually wasn’t.

A gentleman.

But deep, down, he was. For you, at least.

“Can you stand?”

“You have done better performances”

“Oh of course. ‘oh, fuck! Eddie! so good! we have 5 minutes!’” he joked while pulling you in for a see you later hug and a kiss on the cheek before you could run away from him, “thanks, bub. Best lunch ever”

“You’re disgusting,” you laughed, pushing his chest and stepping towards the door.

“If I was I wouldn’t have your pussy all over my face now, would I?”

“Disgusting,” you mouthed and closed the door, not giving him time to fry your braincells that had just started working again.

🗞️🗞️🗞️

“Shhh. Almost there, baby. You can take it, just a little more”

“So good,” you whispered, the words slipping from your lips while the raindrops slipped down your window.

Your plan definitely wasn’t to end up under Eddie tonight, but the thunderstorms got louder than you thought they would. And as it always happens between the two of you, one thing led to the other, and…

“Fuck- found your spot, pretty girl? So good t’me,” Eddie was fucking you tonight. You didn’t know if it was because of the rain painting your frames with the moonlight, the fact that it’s been a little while since you’ve slept together or if he found it cute every time you shivered and gripped his biceps cause a thunder was a bit too loud.

His cock was nestled deep inside your walls, messaging your favorite spots with each thrust. He was going slow, fierce, calculated, and he had all the patience in the world.

You could feel him everywhere.

From his fingers in your scalp to his hot tongue slow dancing with yours to every vein rubbing your walls deliciously. Sometimes his dick split out because of how wet you were together and he didn’t even bother, he kept fucking your clit with his tip, up and down, up and down, making you see stars until he felt you couldn’t take it anymore and tucked himself back in. His words? Praises and praises and praises hanging from his lips like sugar. You’ve never felt so full and so… Adored.

“Yeah, c’mon princess, can feel your little pussy squeezin’ me. Think you can come now, baby?” Eddie slowed even more his pace to watch your face contort in pleasure while tears fell down your eyes, every pulse of your warm cunt around his cock sending him closer and closer to the edge. You came within seconds, nodding your head “yes” while your little pants and moans being muffled by his own, your mouths tangled while he came with you, filling the condom you help him put earlier on.

Both of you had - intentionally - little to no sex like that; but it happened. And when it happened, it was usually because you either lost yourselves or one needed so much. You tried not to be too much in your head about it, but it was difficult when Eddie kissed your forehead and played with your head, still inside you.

He didn’t want to go, either.

“You don’t look so afraid of the noises now,” he tried to break the silence between you, knowing very well it wasn’t the awkward or comfortable types, but the emotional kind.

“The rain stopped,” you let out, with tears still leaking from your eyes.

“And are you sad about it?” he dried them from your cheek.

You smiled, “fuck you.”

“You just did,” he stared at you for a bit, caressing your cheeks as your eyes stopped watering and the last raindrops flowed down the window.

“Stay? It might rain again…”

You lifted your pinky between your bodies, “just this time,” and he embraced your smaller finger with his, “just this time.”

But both of you knew it wasn’t just this time.

It would rain again.

🗞️🗞️🗞️

When your keys turned on the locket the last thing you expected was to meet Eddie eating ice cream directly from the pot at home 20:17pm on a friday.

Sitting on the counter.

Shirtless.

“…What are you doing here?”

“Uh.. I live here? I should be the one asking you that,” he motioned the spoon in your direction.

“Eddie, it’s 20pm on a friday,”

“Actually, it’s 20:17pm on a friday”

Yeah you weren’t doing this tonight.

“Fine, whatever.”

“Hey, what’s that?” His tone was softer, he always knew when you had a bad day.

And good ones too. And any kind of day you have had and exactly how he should react to it.

“Just… Pierce screamed at me again,” his eyes followed you as you took the wine glass out of the fridge.

“So… She did her job cause you weren’t doing yours…”

“Try again,” you poured a glass.

“She’s just a bitch who can’t let you do your work without complaining about whatever shit she caused”

“Bingo!” You swallowed the whole wine in one go, watching through the glass as Eddie’s hand reached for it and took it from you, “no no no, this will not help you.”

“And what will? Being dumped by a freshman college girl and Ice cream?”

He gave you a disappointed look but reached for your hands anyway, “come here,” he pulled you to his body, arms embracing you while you positioned yourself in between his legs, head resting on his chest and arms around his waist.

“You know what you really need?” His words were muffled on the top of your head.

“Hm?”

“To shut the fuck up”

“You shut the fuck up” now your words were muffled on his chest.

“I know you don’t mean it. You love me.”

“Sure”

And actually you sure as hell did. And he loved you too. When were you going to admit it to each other?

Probably never.

🗞️🗞️🗞️

[devxoid]

regarding dr ratio's team join voiceline with aventurine

idk where it originated from but i've been seeing this notion that the ENG voiceline is horribly mistranslated and ratio is much more caring and friendly in the original CN. THIS IS LITERALLY NOT TRUE HE IS JUST AS BITCHY IN BOTH LANGUAGES

as a native chinese speaker i actually really love hsr's localisation and i would like to clarify the misconception + explain the cultural nuance/context behind this particular voiceline

i think this tweet might've been the original source for this misconception? op's translation of the CN line is very literal and completely lacking in cultural nuance. while the sentence 管好你自己 does literally translate to "take care of yourself", it lacks the automatic positive connotation that this sentence has in ENG. CN is a high context language -- aka the meaning of a sentence can be totally different based on context clues like tone, body language, etc.

ratio's tone in this line is not the tone of someone who is concerned for a friend. it's standoffish. when said in this kind of tone, the meaning of 管好你自己 is closer to "mind your own business", making the ENG "keep to yourself" a more accurate localisation.

in addition, the word 管 has connotations of controlling/managing something -- directly translating this to "take care of yourself" means it's missing a lot of important nuance.

granted, the second half of the line is a bit unnecessarily aggressive in ENG. the CN is more like "I have no need for your concern", and explicitly saying that he believes aven's concern to be "false" in ENG is definitely a lot ruder than the original line.

However. in my opinion it's not Too far off base. the way he emphasises the second half of that voiceline in CN carries an implication that he actually disdains aven's concern; we can extrapolate from context clues that he feels this way because aven's concern is just an act. tldr; eng line explicitly saying "false display" does make it ruder than CN but it didn't just come from nowhere -- the implication is already there in CN

this is not to say that ratio doesn't care about aven or see him as a friend. imo the reason ratio is so standoffish in this line is because any display of concern from aven here has the clear intention of teasing ratio. they both know ratio can take care of himself perfectly well. this is just how their dynamic works -- aven makes silly playful comments and ratio deflects them by acting cold.

in conclusion: ENG voiceline is not a mistranslation. hsr localisation is definitely not perfect but in this particular case i feel they've done a fairly good job of conveying the original meaning. thank you for coming to my ted talk

[levbian]

love this poem but i don't really like this translation? here's mine:

夜雨寄北

sent north on a rainy night:

君问归期未有期，

you ask me when i'll return, but i can't tell you when it'll be

巴山夜雨涨秋池。

on ba mountain, the night rains fill the autumn pools.

何当共剪西窗烛，

when will we be able to trim the candle together by the west window

却话巴山夜雨时

and talk together about the night rains on ba mountain?

Li Shangyin, from When Will I be Home? (tr. by Kenneth Rexroth)

[lesbomaticlove]

ive talked about it before but i wanna talk about it again and that's

body types in drawing especially in terms of one piece characters

and i know its because official art presents them all the same but it just does not feel right to me, y'know? especially when i look at fanart and it looks like they just drew the same body multiple times with different faces (talent in that yes but god change it up a bit PLEASE)

like with my style i like to draw semi-realistic cartoon type beat, and that means im thinking about an abstract of shape language in the way that i present the characters. i consider their fighting styles and workouts when i think about what their body type would be, not just for op ive done this with mha and jjk characters too because god dammit gege, maki deserves bulkier muscles for her efforts

so here it is. my analysis of more semi-realistic designs for these characters. all my opinion and not meant to be a call out to anyone.

also, not including the women because we all know how unrealistic they look and i dont need to explain that to you im begging just use reference.

LUFFY

rubberhose arms are ESSENTIAL in his design so when i draw him, i never put too much definition in his muscles. real definition should be reserved for gears that alter his muscles

noodly arms and stick ass legs that is his Charm thank you i dont need super definition

ZORO

on the opposite end of the spectrum, zoro.

though, i see many people draw him more bodybuilder silhouette when he should be powerlifter silhouette, youve SEEN how this man works out. stereotypical bodybuilder physique that's all muscle and no fat is EXTREMELY UNHEALTHY TO MAINTAIN and you know theres no damn way sanjis letting someone on the ship watch their weight for the sake of visuals. he should be defined and bulky, but softer edges on the abs.

USOPP

Speaking first on pre ts, what does he excel at most? long range weapons and running.

obviously he gets proper strength training during timeskip, but i really think the best representative for him is olympic sprinters

muscular, but still pretty skinny

SANJI

hear me out. ballet physique.

i see him drawn w the same physique as Zoro and it just feels so wrong. he doesnt train his upper body, so most of his definition would be in his core and legs. not to mention his flexibility tracks with that.

maybe ill come back with a figure study on these later to fully show how it translates into my drawings but. for now. tumblr wont let me add any more images to this post

[formulafics]

❀ NEW DESIRE | MV1

SCENARIO: you and max are childhood friends. despite claiming a platonic relationship - or rather, not claiming a romantic one, fans are certain that there’s more to what you both have, especially when max openly simps for you on streams, and most definitely when his private account gets leaked.

PAIRING: max verstappen x fem!reader

AN: i am so sorry this has taken me so long to get to! that being said, i hope you still enjoy it! thank you for your patience and your request 🫶🏻 also i did use google translate for the dutch part so if you speak dutch im so sorry LMFAO

as always, a shoutout to @renarots because these fics truly would not be as good without their input. <3

if you saw me change the title, no you didn’t

MASTERLIST

YNLN on Instagram stories

grandprixsandgossip on instagram

14,567 likes

grandprixsandgossip for a long time, fans of max verstappen have questioned his relationship with childhood friend yn ln. recently, the formula one drivers’ private instagram account posts were leaked after a fan somehow was accepted to follow his private account, which features many pictures of him and yn, dating all the way back to 2014.

you can find the archive of his posts on our website by following the link in our bio. while we weren’t able to gather every comment and like, we were able to get a majority of the posts!

what are your thoughts?

view all 782 comments

formulaverstappen okay so this is pure he-said-she-said, but apparently on the holidays post, max’s sister commented “just friends? 😉” and max responded with the 😳 emoji I AM SICK

rizzciardo anyone who still thinks they’re just friends is LYING to their self

lnnation haunted by the fact that yn learned dutch for max and she helped him learn english

formulanorriz if he doesn’t ask her out at this rate, IM GOING TO

GRANDPRIXSANDGOSSIP.COM

maxemillianv on instagram

maxemillianv goede race, nog betere mensen ❤️ of moet ik zeggen persoon haha (great race, even better people or should i say person haha)

ynln zoveel liefde voor jou. ik ben zo trots op je ❤️🏆 (so much love for you. i’m so proud of you. )

maxemillianv on instagram

maxemillianv out of office

maxemillianv on instagram

maxemillianv happy holidays 🎄

victoriaverstappen just friends? 😉

It’s funny, the way Max is. He’s blunt all the time, but this is different. A part of you is worried that maybe he’s upset, that perhaps something like this will be the reason you and him stray apart - you can’t imagine it. The thought of being anything but with Max matches your chest tighten, and even though you’d like to think that isn’t the case, you can’t be sure.

The wait for Max to arrive at your house is almost torturous. Your mind is racing, and by the time you hear his car pull up, you’re damn near shaking out of your skin. He doesn’t even have to knock or ring the doorbell - hell, he’s barely out of the car when you open your front door and step outside. You study his body language, trying to determine what exactly to expect. You just can’t clock it. With a sharp inhale, you lock your door and then make your way towards the car.

“Is everything okay?” you ask, uncertainty making your voice waver. “Yes,” Max responds simply. It’s a genuine yes, and in fact, he sounds almost happy. Your brows furrow in confusion as he opens the passenger side door for you, and you genuinely don’t think you could be more puzzled. You press your lips together as he returns to the drivers seat and starts the car again, not waiting to pull out of the driveway.

“Max, you’re scaring me,” you say. Scared isn’t the right word, but it’s something along those lines. His eyes stay on the road, yours are fixed on his face, still trying so desperately to read him. He glances at you, offers a small smile, then reaches over to grab your hand. He intertwined your fingers, assuring you that there’s nothing to worry about. It’s still odd - the whole situation, but that does make you feel more relaxed.

It’s quiet for longer than you’d like it to be. Aside from the radio, which is on a low volume, and the smooth rumble of the vehicle, it’s silent.

Finally, Max speaks. “I’m not worried about the posts,” he says, glancing at you for the second time. You find yourself wishing he could look at you for longer, a weird feeling washing over you as his eyes return to the road. He squeezes your hand subconsciously, his thumb soothing over the back of it. “Seriously?” you almost forgot to respond, but at the last minute, you remember his statement. “Seriously,” Max hums. The smile returns to his lips, and much to your relief, he expounds.

“Sure, it’s not ideal, but at the same time,” he pauses, and you can tell he’s trying to think of how to describe it. He chuckles briefly, “The only way to put it is that it’s made me realize that you’re so much more than a good friend.”

You’re still stumped. Now, you’re realizing that you don’t even know where Max is taking you - not that you’re worried about it, but the whole situation is just so strange, especially for you and Max. Thus, you remain silent, eyes never leaving him. You’re waiting for him to say something else, and he’s waiting for you to respond, assuming that you’d understand what he’s saying. Hes the first to realize that you don’t understand, and amused smile playing on his lips at your confusion. “Hold on, you’ll know what I mean when we get there,” He says, and this is somehow so Max, but not him at all, leaving you to sit silently, at least a million thoughts filling your mind.

Max pulls into a parking lot, and it only takes you a moment to realize you know where you are. You’ve been here with him once before, and you still remember that night so vividly. That was the first - and only - time you had ever questioned your feelings for Max. Any other time, you never had to think about how you felt. You knew you were happy with him, and it was the same for him. You didn’t need to know if you loved him, and he didn’t need to know if he loved you.

Now that the memories are coming back to your mind, it begins to dawn on you, what Max said. Regardless, you stay quiet and let him guide you into the club, hand still in his. He takes you to the very spot you both sat the first night you came here, and this time, rather than an empty booth and table, there’s a large bouquet of white roses sitting atop the table, a small note folded beside them. You aren’t sure what to say, or what to do. Your eyes flicker between the roses, the note, and Max, who carefully pulls you closer, his free hand now resting on the small of your back.

“I’ll give you the choice - you can read the card or I can relay it to you,” he says. You choose what first comes to mind. “Relay it to me.” Max nods, then turns you to face him, his hands on your waist. Instinctively, you place yours on his shoulders. “Will you be my girlfriend?” He asks, and even though you’re certain that his words are the briefest summary of what’s in the card, you can’t be bothered. A smile takes over your expression and you nod. Max smiles too, pulling you into a tight hug.

The rest of the night, you continued on like you would have had he not asked you to be his girlfriend. There was no need for things to be different. In fact, the only thing that would change from here would be the pure admiration you both have always had for one another, and that was perfectly fine with you. Somewhere along the line, a certain friend showed up, and you did eventually read the card.

Safe to say, Max’s recap of the words written in the card were indeed brief. Your heart is happy knowing that only you would see such a soft, loving side of him, and only you would be able to clearly picture your best friend- boyfriend, all mushy as he writes the card.

maxverstappen1 on instagram

liked by ynln, landonorris, danielricciardo, pierregasly, and 324,512 others

maxverstappen1 my ❤️

view all 7,432 comments

landonorris okay i guess we don’t do photo creds anymore 😒

⤷ maxverstappen1 👍📸

ynln so much love for you always. ❤️

⤷ maxverstappen1 ❤️🔄

⤷ formulaverstappen IS THIS HIS WAY OF SAYING THAT BACK TO YN??? THERE ARE REAL TEARS IN MY EYES

victoriaverstappen very ‘just friends’ of you

⤷ maxverstappen1 👀

⤷ mv331lvr YALL EITHER GET THIS OR YOU DONT IM GOING INSANE

ln4nation THE FACT THAT LANDO TOOK THESE AND WAS THERE WITJ THEM IM GAGGED

papayabull YN AND MAX CONFIRMED DATING THIS IS THE BEST DAY OF MY LIFE

TAGLIST

@renarots @jsjcue @treehouse-mouse @vellicora @spidersophie @arkhammaid @harrysdimple05 @minkyungseokie @leclercvsx @sleepeatread @kortneej81 @elliegrey2803 @i-love-ptv @motorsp0rt @fastcarsandshit @marshmummy @jellyfish123guts @illicitverstappen @lovstappen @sadieurlady @piasstrisblog @pretty-little-bunny382728 @lokietro @stopeatread

Thank you for reading! 🌷

[your-local-baguette]

They see you wearing glasses for the first time

Characters: megumi fushiguro, gojo satoru, itadori yuuji, nobara, sukuna and nanami.

Warnings: fluff maybe a little spice?? Not proofread. Iapologize if some characters aren't accurate and hope you enjoy...

Megumi fushiguro

You were simply reading a book by same place you usually neet up for a reading date. You came in advance and decided to grab some random light novel. You had your hood over your head, halfway curled in a ball in a bean bag. "What are you reading ?" You looked at megumi who had just arrived " hi. It's they were ten. I think the original is ils étaient dix. It's a translation of a french book." "I see, make some space for me." You move a bit and sits down next to you, you turn a bit so he read as well. You noticed he kept peeking at your face, you put the book away. " Is something wrong" removing your hood. His eyes widened and a deep blush spread over his face, he put his hand over his face and turned away. You raised an eyebrow, leaning closer, puting the back of your hand over his forehead. "Are you sick ? You should have told me, you don't have to force yourself to come" you said worried " no it's not that, it's..." You raised an eyebrow again. " You look really good with those..." He pointed to your glasses, while you were completely shocked.

Gojo satoru

You were just in the teachers toom and finishing up some work. The door was opened with do much energy that you weren't even wondering who it was. " Y/n~" you turned in your chair, your glasses resting on your nose. He stopped in his tracks, his hand in the air, a slight smirk making it's way on his face. Suddenly his face was inches away from yours, " now now~ i didn't know you wore glasses" you pushed away his face with your index " that's one way to say i look good" "you alway look good!" he said waving his arms around like the silly man he is. You sighted opening your arms, he didn't waste a single moment and hugged you really tight.

Itadori yuuji

"woaah! You wear glasses?!" Your gaze turned towards itadori, pushing down your glasses a bit. " I do, you like them?" "Hell yeah! You look awesome!" "Thank you yuuji" he had a bog smile on his face" can i try them?" You took them off, handing them to him" be careful" he nodded and when he put them on he looked around. "I can't see anything" you laughed at your boyfriend's silliness but he was adorable. You took them off his face " you looked good in them too" a red blush spread over his face and he kind of froze

Nobara

You were just reading some paperwork, waiting for nobara at the entrance. She jogged towards you after waving at her friends. When she saw you she stopped in her tracks and litterally tripped. The pink haired dude and other one looked at her a little worried. "Nobara?! Are you okay?" You yelled, she lifted her tumb and raised her head "hot" she said while staring at you "huh?!" Her friends catched up and itadori was shaking her like she was dying. Megumi just stood there, with his resting bitch face. You sighted and walked towards her, she looked up and extended her hand, you pulled her up and she shook you. "Since when do you wear glasse?!" "A...long..time. st op sha...kiiiing meee" she stopped and looked directly into your eyes. " Wear them more often because it's hot" "what's hot?" Gojo said arriving " who is that dude" you said "my teacher" nobara answered "well your teacher is fine as fuck" "i know right, but you're finer" "i know, i'm so pretty" "yes you are"

Ryomen sukuna ( spice)

You were lating in bed, reading a book. Shirtless sukuna walked in, you didn't budge and kept reading. Glasses resting on your face, the mattress sunk to your side and a naked chest was pressed against yours. " Well well.." you lowered your book and made eye contact with sukuna. He smirked "don't you look good in those" "that's unusual, but, thank you" his smirked grew bigger and he crashed his lips with yours, forcing his tongue in. Yk what's after....

Nanami kento

He actually ignored it at first, he wasn't bothered, why should he ? But when you squinted your eyes and pushed the glasses down that was it. There was a light blush on his cheeks, he sat in front of you. You raised your gaze at him " hello, love" he didn't reply and just looked at you. You wre slightly confused but remembered something" what do you think about my new glasses ?" " You look good" he instantly replie, no hesitation. "Thank you" you smiled at him.

Note: nanami thought were a little yk...

Hope you enjoyed!

[fifarts]

“it’s nice to know you work alone” 🪐⚡️

(click for better quality, more info and alt text below cut)

another jupeter piece and some recommended songs from my jupeter playlist!

I have synesthesia which means my brain associates certain audio and music with different colors and shapes, so I worked a lot with the colors on this piece and especially the background to kind of translate some of the visualizations I get when I listen to these songs together! If you read the lyrics of both you’ll see why I heavily associate them with juno and peter!

I have another piece that I’ll hopefully post circa S3 that goes along with There’s No Secrets This Year (the most jupeter song ever) and a comic for Waltz in E-Major, Op. 15 “Moon Waltz” by Cojum Dip that I really want to work on soon! My playlist is still a work in progress and I’m currently in the process of moving my spotify accounts around but as of right now the full playlist link is here: https://open.spotify.com/playlist/6SP3sUjzSTBCPhouCe4xXY?si=277Hd2pqTGmRzPLcSx6dvQ

I organized it partially by season so hopefully it’s easier to understand the character connections of the songs. (The first song of the playlist is an instrumental guitar piece that my dad’s guitarist is doing as a side project which is super cool and you should definitely check out his stuff (and also please send some streams his way) If you love vocal-like sexy guitar riffs and weird time signatures and video game-esque music, Vision Swords is for you lol)

Alt Text:

A lineless digital art painting of Juno Steel and Peter Nureyev from the Penumbra Podcast. Juno's face is visible in a profile view as he holds his blaster in his outstretched hand. Juno is a short Black and South Asian person with dark brown skin, a scar across his nose bridge, and black hair that is lit with purple lighting. Juno has short locs and a high undercut with a star design shaved in. He is wearing a tan trenchcoat, a white button up, and black tie. He is also wearing a cochlear implant, hot pink star earrings, and hot pink acrylic nails. Peter stands behind him with his face partially obscured. He is a tall South Asian man with medium brown skin and dark shoulder length brown hair. He is pointing his blaster and wearing a black suit jacket with gold details. The background of the painting is hot pink, neon purple, and bright blue. The background colors mix in with one another in a perspective blur from the center of the painting. [end alt text]

Thank you so much for the support while I’ve been on hiatus! I’m going to college this fall for Robotics Engineering and I’ve been dealing with some pretty big health problems as well (I literally just got out of surgery today lol) which has left little time for art (fanart or otherwise) 😅 Love ya!

[coolshadowtwins]

Post Canon, SQQ now has to deal with wife plots.

But, Op, that’s the plot of many fanfics already! Well, what if he had to deal with every wife plot ever. Bingge had 300-3000 wives, depending on the translation you were following.

Man’s I have to assume that while each wife got at least one (1) wife plot to her name, the fan favorites (NYY, LMY, SHL etc) got multiple over the years.

Now, most of these were probably incredibly standard. And most of them, while frightening to the multitude of civilian wives Bingge probably had, were not going to be much more than an annoyance to a cultivator like SQQ.

The problem is the frequency.

It probably would take a few years for the story to catch up to the plot. SQQ gets hit with a few scattered ones here and there for the first decade or so, but he doesn’t think much of it. Shit just a happens to him, you know?

But then, all of a sudden, he gets kidnapped during a night hunt. The villain is the man that had called for help with a demon. In PIDW, he was the evil uncle/father/cousin/male authority figure in this wife’s life, wanting revenge on Bingge and ultimately introducing a new wife. Here, he’s decided that he’ll hurt Binghe’s husband instead Binghe himself. SQQ defeats him in an hour.

He goes home and tries to forget about it. Only to be hit with some kind of sex pollen from a plant that MQF was trying to study, completely by accident. In PIDW, this had been used to get another chapter out of a particularly laced up wife, who the comments disliked because they felt her boring.

And ok, fine. SQQ still has Binghe- they fix this problem in a night.

Only to be kidnapped again the next day when he goes to town, this time by a random demon looking for a quick buck.

This goes on and on. It’s almost never anything difficult, but it’s a lot. These are too many plots to happen to one man! Sure, Bingge was involved in all those plots too, but he was almost always the one coming in and saving the day- not the one kidnapped or poisoned or stabbed. It’s not long before SQQ gets exhausted, and that everyone around him is constantly on edge, waiting for the next bad luck.

It all kinda climax’s as the bamboo house gets set on fire. In PIDW, fire is used twice like this- once, a portion of the palace gets set on fire, leading to a arc where the wives have to come together to rptect themselves until Bingge shows up. (This arc was very disliked because most of the wives didn’t act in character.) the other time was when a wife was trapped in the burning of her family home, franticly trying to get her belongings out and then being comforted from the loss by Bingge afterwards.

SQQ knows this. He knows all of this. He has figured out what every plot has been so far, and had managed to avoid a few by recognizing the signs, only for them to come back around when he least expected it. He had thought that he could always just ride out the wife plots- sure, Binghe had a lot of wives, but it couldn’t be that bad, right? Except he watched the bamboo house on fire, frozen, and realized that he couldn’t keep doing this.

The bamboo house was fine, in the end. There were disciples on duty, ready to help. Nearly nothing was lost. The fire spread out into the woods, a little, but other than a small area of destruction, it hadn’t caused all together that much damage. Except SQQ couldn’t figure out which of the two plots this was, and that was freaking him out.

This leads to him breaking down on Binghe that night, who has been out of his head with worry for ages about what was going on. SQQ tells him everything, about SY, the system, wife plots. Binghe asks if they can stop this. SQQ doesn’t know how- these plots were for Binghe’s wives, and here he only has a husband.

And Binghe certainly doesn’t want another spouse. He’s quite happy with his husband, thank you very much! But he then he gets to thinking.

Bingge couldn’t have loved every single wife, right? Binghe had a feeling he didn’t act love any of them, judging by how quickly his other self had tried to latch onto Shizun. So it’s not the act of love that causes these so called ‘wife plots’, it’s the act of marriage. And Binghe’s not so cruel as to inflict these plots on someone unexpecting (well, for Shizun he was. But he had another option.)

Binghe had to be the one to marry them- but not the one they loved. And he knew, both fortunately and unfortunately, that there were many men that would do anything for SQQ.

[frenchonionsoop]

HE'S SO SAD NOOOO

Bungou Stray Dogs Wan!

Chapter 161 (English translation)

Translation, cleaning, type-setting by: @amythedemisimp (me)

Chapter illustrated by: KanaiNeco

Raws: here

Sorry if it looks a bit rushed, I did this quickly because I wanted to translate it and show it to everyone as soon as possible -- Fyodor is finally appearing in a Wan chapter as one of the main characters!!! I'm so happy!!!

[1000sunnygo]

Hi, I'm the asker with the SJ magazines. I do have those bonus pages! I uploaded them here (tinyurl/3w5ssa3b) & on imgur (/a/EUYFaMt). They're part of a bonus segment included in the volumes - I wrote about it on the wiki (/One_Piece_School#Bartolomeo's_New_Wo_Student_List), but it's pretty short since I can't read it. And no need to force yourself for other chapters! I'm happy for anything OP to be translated, no matter the amount. Similarly, would you want any future Law/School stuff?

😭😭😭😭 THANK YOU!!!!

woah these are some great details??

Longpost ahead, here's a summary of Bartolomeo's New World Middle investigation notes!

SH and friends' favorite school subjects

Luffy and Zoro: Physical education

Nami: Science, Maths, Geography

Sanji: Physical education, Home economics

Usopp: Art

Chopper: Science (Health)

Robin: History, Linguistics

Franky: Chemistry, Engineering

Brook: Music

Vivi: Japanese language and literature

Coby: (Currently improving in) all subjects

(Buggy is mad about not being included ha)

Classroom Layout

The four free seats are for students who randomly join from other grades and classes (ie. Hancock). Upper left features a special corner for Uta to join virtually. (She can also sit beside everyone randomly and make friends, as shown at the bottom)

Yamato is contemplating about where to seat after transferring to NW Middle, Luffy says "come join us ASAP and let's have fun at school!*

Luffy senpai's relationship chart

Other than ones I've previously translated, here are the rest:

Barto -> Luffy: "LU-LU-LU-LU-LUFFY-LUFFYYY SENPAI!!"

Luffy -> Barto: "Do you know me?"

Croc -> Luffy: "I can take you on a great adventure. So come to my side."

Luffy -> Croc: "You come to MY class! (?)"

Kaido -> Luffy: "I'll push you down the pits of hell."

Luffy -> "Try me whenever you want!"

Kaido -> Yamato: "Become Oni Middle's representative!"

Yamato -> Kaido: "I've joined Straw hat Luffy's class!"

Yamato -> Luffy: "I'll stop Oni Middle and then get to your class!"

Luffy -> Yamato: "I'll wait for you in the class!"

-

Luffy -> Sabo: "A really kind big brother!"

Sabo -> Luffy: "Take good care of your friends!"

Ace -> Sabo: "You coddle Luffy too much, man!"

Sabo -> Ace: "And you worry about Luffy just as much, don't you?"

Luffy -> Ace: "Ace is strong!"

Ace -> Luffy: "Huff.. what a high maintenance little brother!"

Lucci -> Luffy: Don't violate school rules!

Luffy -> What is 'school rules'?

Smoker -> Luffy: "All you do is stir more trouble!"

Luffy -> Smoker: "I enjoy the school more than anyone!"

Garp -> Luffy: "I trained your ass off to make you a strong teacher!"

Luffy -> Garp: "I don't wanna be a teacher!"

Luffy -> Aokiji: "He's a cool teacher! Probably!"

Aokiji -> Luffy: "Well.. try to get along with everyone, would you.."

Backpack Sneak peek

Doing the entire page for this one.

Uniforms, emblems

NWS has relaxed rulings on uniforms. Boys are allowed to wear whichever shirt they want under their gakuran, girls can choose the color of their scarves. Teachers have their uniform too but Aokiji (probably all teachers) don't really care.

The section below are rejected school emblems proposed by students. Aokiji was lazily okaying all of them but Smoker kept him in line lol

Luffy's Design

Luffy: The meat turned out lookin' really tasty, right?

Coby: Isn't it an assortment of Luffy san's treasures?

Usopp's Design (the Kanji says "New")

Usopp: Well, this is how it'll turn out if it's Me to decide.

Nami: Great drawing but too self-assertive!

Robin's Design (She wrote "New" and drew a world. Perfect)

Chopper: Scary! What's this? Why a face??

Robin: It's cuter like that.

Chatroom photos

Lowkey contemplating about lettering all of them but I think I've kept the ask hanging long enough 🙈 These are adorable!

Lack of source has always been frustrating, but I don't think Law has a lot of extra contents to miss out on 😩 If I find something I'd like to source-check, I'll make sure to knock you, so thanks again! ❤️❤️

[katerinaaqu]

hello :D I hope you’re doing well! I really liked your understanding and knowledge of Greek mythology and as someone who also really likes it and always wants to learn more I’m often in spaces that discus such things. But there is a little “problem” that I have encountered and I just wanted to maybe ask you to know if you know more about it! Long story short I saw a video discussing calypso and a comment saying that ppl who say that she 🍇 ed Odysseus didn’t read the story well enough. They also said that they only slept one time together which is when he left and that was consensual apparently. I didn’t read the odyssey in a bit and wanted to ask if there’s like a specific part that you remember that says the opposite. Idk if what I asked really makes sense so if you can answer tysm!!

Hello and I am doing okay thank you very much Anon.

Thank you very much for the compliment and your kind words and it is great that we see more people actually getting interested to the ACTUAL material and it is always great to have new people into this reading and understanding process.

I have answered or analized on that matter before but it is always great to do so again and again! ^_^

I see so again we have more on this rape denial (and yeah I am using the actual word! No euphemisms and censory of words in this house! Hahahaha!) well then the person who said that probably forgot this passage here:

However the nights he was sleeping with her at her hollow caves out of necessity for even if she was willing, he was not

(Translation by me)

I believe the most important part eludes this OP that said that because I don't believe that Homer added the last words there by chance. He specifically uses the terms οὐκ ἐθέλων ἐθελούσῃ

οὐκ ἐθέλων -> adv. negative form m. that shows opposition "even if he was not willing.

ἐθελούσῃ -> adv. positive form, dative f. "by the willing" or "at the side of the willing"

Which is why many translators translate this small phrase as "unwilling lover by the side of the willing" So it clearly indicates rape given how I doubt that Homer indicated they were just...cuddling by each other's side for 7 years! So it is an indicator of the lack of free will. In fact the word ἀνάγκῃ (coming from the verb ἀναγκάζω or ἀναγκάσσω which means "to force") indicates need but not the need as "I need you badly" but as "I have no choice" or "I am forced to" either by the circumstances or by someone clearly imposing their will upon me. So there is a clear of factor of force here. So by definition rape.

So I will break down the rest and sorry if it is long.

Now there is a phrase, which I also memorize to this other post of mine here:

Which is this as you can see from my post:

Because he didn't like the nymph anymore

(Translation by me)

Given that this οὐκέτι means "no longer" or "no more" seems to be indicating to some readers of the Odyssey that the whole thing started willingly and that at some point Odysseus got bored of her and stopped it. However I disagree with that reading for many reasons. For once that the term ἁνδάνω -> past tense ἥνδανε means "to please" or "to gratify" but not necessarily in a sexual way. It generally means any form of gratification or likeness (even though in modern times we have connected the verb more with sexual gratification or ηδονή in modern greek) so I also agree more to the translators who also interpret the passage as "her sight no longer pleased him" aka after years and years of being a prisoner, all the likeness and gratitude he had for her as a person is gone (see also my other post)

Two I do not like this reading because many people who see it that way also deny the rape as that person in the comments. As I have stated to some other replies of mine, the affair starting willingly doesn't exclude the rape. Even if we say that Odysseus started it or accepted it (and as I said I doubt it given the context) Calypso was still raping him at that point. Either he was unwilling from the very beginning and Calypso was forcing herself on him, not taking no for an answer, or he at some point had a change of mind and wanted to stop and Calypso didn't take no for an answer.

Now for the part that the OP in question mentions that "they have sex only once". Yeah technically speaking there is only one scene in the Odyssey that could be interpreted as of sexual nature and is spoken in only one lyric, as I mention to my post I liked and it's this one:

People who interpret that Odysseus started the affair willingly, for some reason by n large also think that the rape is not a thing. I mean would they say the same for let's say a girl nowadays, starting an relationship with a boyfriend, eventually she realized he is not for her, she decided to stop it but the boyfriend would't take no for an answer and continuing forcing himself on her, wouldn't we call it a rape at that point regardless on the smooth beginning?

Then why would anyone who for their own personal reasons read the passage as Odysseus willingly starting the affair and then wishing to stop it but Calypso not having it assumes that Odysseus was not raped?

And they enjoyed closeness resting by each other's side

(Translation by me)

On a much darker note, Odysseus was abused constantly for years. The existence of the goddess as the only source of warmth and close contact he had for years (no matter how forceful) might have done something to him enough to just try and reconsile fully with Calypso. Someone might say that this is...too modern to say but honestly I doubt it. Homer was a master of expressing psychology and in later passage made Odysseus totally unwilling to be touched by Nausicaa's servant girls and wished to bathe himself instead. It is not like the Phaeaces would recognize him or his scar at that point to fear for his identity (not to mention he was already naked anyways) but he uses as an excuse that "he is ashamed". Being washed by female servants was customary and not seen as shameful in ancient Greece.

So for starters yes it seems that the scene is positive of emotions given the verb τέρπω "delight" or "enjoy" so the whole verb "to force" seems to fly out the window and then comes the word φιλότης which I assume people who read some words in Greek know that comes from he verb φιλέω-ώ which in ancient Greek meant "to love" so they translate the word φιλότης as "love". Honestly is not hard to see why given how other parts of homeric poems (more specifically during the Deception of Zeus) the same phrase pops up to signify lovemaking.

However the interesting part is that the word does not mean just love. It also means "friendship" or "reconsiliation" or just "closeness". I also find it interesting how people ignore the passage of "sleeping by her side although not willing" as a sign that nothing happened between them but they are very much certain that this passage here implies sexual scenes. As I mention to the post I linked it seems more likely that the passage translates "they enjoyed closeness resting by each other's sides" and that also of course imply mutual enjoyment of their reconsiliation possibly because Odysseus was happy to finally return home and Calypso took an oath that she didn't aim to trick him. Another thing is what could Odysseus do basically? Hold a grudge against an immortal goddess? How? Much more BEFORE he had the chance to build his raft?

Odysseus denies the help of women because he doesn't seem ready to accept a female touch just yet!

Homer also doesn't imply that Odysseus's stay at Calypso's island was in any shape or form willing. In fact Athena, Zeus and Homer himself all alike speak on how Odysseus was being kept against his will and nowhere in the passage apart from these small ones that I give here was it implied that Odysseus was being there pleasantly but rather that he was imprisoned or retained perforce. And that is without counting Odysseus's own words that neither of the goddesses got his heart and that both retained him. Odysseus also speaks with fear on both but Calypso in particular. Yeah he isn't hateful to them but again what can he do? He was roaming about for 10 years with the worst consequences because he was offensive to one god. I doubt he would want to badmouth any other no matter how small. And he also wants to appear pleasant to the eyes of his hosts to gain their sympathy so he doesn't really badmouth anyone apart from calling Calyspo and Circe "terrifying" or "dreadful" and occasionally his men "careless" or "mindless"

I think it is up for everyone's conscious to interpret his affair with Calypso starting willingly (and even then "willing" seems interesting to say the very least given that, as we said, Calypso was literally the only contact with anything remotely human Odysseus had for years. Even if we assume that for some reason he started an affair or accepted it, even the setting is messed up; loneliness, loss, mourning, fear for a powerful goddess etc) he still was being held prisoner and forced one way or another.

I hope that makes sense and I am sorry I was so long.

***

Some other parts that I replied on the matter of Calypso and consequently Circe:

And this is my reply to another person who did analyze the passage differently so you will have that idea as well and I also elaborate on my counter-arguements as well (and the discussion was really productive as well and the OP was really open and respectful to other insights and I was happy to contribute to the conversation:

Sorry again for the long reply!

[wexhappyxfew]

saw you were taking prompts and am having absolute carrie x dougie brainrot! maybe something with “i can stay the night, y’know. if it’d make you feel better.” or really whatever you see fit for them!

I just think that have such a fun and interesting dynamic that i’m OBSESSED with.

HELLO LOVELY ANON!!!! :) apologies that i am now months late to this prompt - but i am happy to say, i have an incredibly fun piece written in response!!! this has gone through a few iterations i won't lie - with some of the pieces of writing most likely incorporated into other pieces in the future! BUT - for now, please enjoy my take on this prompt. thank you SO MUCH for the love on carrie and dougie! i have so much fun writing them and their entire dynamic and THANK YOU so much for loving on them!!!! carrie x dougie brainrot is REAL!!!! <33333 PLEASE ENJOY!!!!! :D

stay the night

(a/n): carrie x dougie, with a hint of angst, featuring a smidge of episode 5 in all its sad, grief-filled, angsty glory. if you squint, you can get some vivian x blakely in there as well - a prelude to them and an upcoming piece! <3 if you want to read a piece for a bit of an idea as to what both carrie and dougie discuss in the second half of this piece, highly recommend didn't think you'd notice as a starter! as always, please enjoy! carrie x dougie here fill my heart with all good stuff! :)

Carrie's head had begun to nod off at the bar.

Between the highest levels of exhaustion she'd been feeling in ages, the numbing realization that hundreds of men were being lost everyday, and a few piloting crews were out 50% of their men, meant she was on edge now more than ever.

And to top it off, Blakely's crew was missing - no one had seen them go down, nor had anyone seen their plane come back. And it'd been two days.

Everyone was feeling some sort of pain that they were trying to push away with light music, a little alcohol and the remaining crews.

After the Silver Bullets crew was split up, much to the highest distaste and dislike of both Annie and Francis; Annie, Bessie, Kennedy and Margie had gotten transferred to a new plane crew - co-ed. First of it's kind.

They were spread thin, they needed vets with the rookies. Some people got the short end of the stick - where there was no more flying and simply the Operation room as their closest companion.

That was Carrie.

Staring at maps all day, marking bombing runs with some of the navigators, filling holes where they were needed. She wasn't a map-keeper, she was a goddamn bombardier. But she didn't even bother to open her mouth.

Stress was high, tensions thick and everyone was trying to keep it together around her it seemed.

Annie was usually flying in the air or on training duty or in meetings more often than not, staving away any sort of reality that there was at this time.

Francis was nowhere to be found unless she was needed on a mission with her own co-ed flying death trap.

Bucky was gone to England with no idea that Buck, alongside DeMarco, were both MIA, along with Margie doing everything it seemed to ignore the obvious.

Judy was placed into a new crew - Rosie's Riveters - and every time Carrie saw her, squeezed the living daylights out of that poor girl when she could. Judy was a little sister to all of them. Knowing she was separated from the rest of the crew, Carrie considered going to church.

Marianne was stuck in Operations with Carrie - and she always brought Frank - which seemed to be the highlights of peoples' days when that fat orange cat would come around. Though, Marianne was fighting sleep most days, the stress becoming far too much for all of them.

Paulina was still Radio Ops, but she wasn't flying anymore - days and nights she spent beside Operations, translating and recording and writing until her hands damn-near broke.

Now, she was nursing a beer, cuddled up beside Hambone Hamilton across the bar, talking in the quietest voice anyone had ever heard from the woman. They were really all going through it.

And on top of all that, Vivian Ratcliff was spiraling beside Carrie this fine evening, trying not to lose her mind. Everyone knew how rough it was for her after losing James - they were supposed to get married, she wanted to have kids with him, he was planning to pop the question after the war.

Ev Blakely had become a good friend to her, a real good friend, probably closer than either of them had thought or even seen coming, but now, she was onto her second beer and sitting there with nothing but tears in her eyes and a blank face. Carrie was going to tell her to finish her drink and head to bed soon by this point; it hurt Carrie to see Viv like this. Ever since coming to England, it's been bad spell after bad spell for the waist gunner.

"Holy shit, it's Blakely's crew!"

Carrie's whole body froze. There were cheers and yelling and voices and a clammer of footsteps along the wooden floor to her left and she slowly turned her head to see, there coming through the door was Blakely, Crosby and Douglass. Carrie couldn't move, watching as guys hugged one another, slapped each other on the back and fell into their normal banter routine of laughter, cackles and drink offerings.

Carrie could only watch. And her eyes fell specifically right to Douglass. Stood there, his hair unruly, a few bloodied scars on his face, a wide smile on his lips as he laughed and eyes so soft she was sure if she could get her legs moving, she would be over there right now, trying to keep it together.

Carrie watched the group disperse, drinks a promise from Brady and Crank, and took to watching Dougie who was offered a beer which he took with a smile, before his eyes started roaming around. Her heart began to pound inside of her chest. Before-

"Ev!" Carrie looked up and over and watched as Vivian had looked up, jaw dropping open, a few stray tears lingering in the corners of her eyes, as she slid off the stool and hurried over towards Blakely. Carrie's heart warmed as her eyes tore off of Dougie to watch as Blakely whipped his head around, a grin blowing up on his face like some sort of hot air balloon, pushing through a few of the guys to meet Viv halfway.

When they met, it was a sort of bone-crushing looking hug, with her arms wrapped around his neck and Blakely's….rather-large form cocooning Viv against him there.

Carrie watched as Viv's form trembled a bit against him - she was sure Viv was shedding a few tears that she'd been trying her best to hold in the last few days - and watched as Blakely said something clearly enough to make her laugh.

And then, Carrie was looking over towards Dougie again, and found his eyes already on her. A beer bottle halfway to her lips and her eyes blown wide open, she slowly placed the bottle down and awkwardly lifted her hand to wave.

Why the hell was she waving?

The man had probably just seen death and she decided to wave?

Lowering her hand, she watched as Dougie smiled at her, offering a small wave her way. He knocked Brady in the shoulder, stood beside him and then began walking over towards her, a small grin riding his face.

Briefly, incredibly briefly in Carrie's mind, she remembered that feeling of kissing Dougie - and the fact that immediately afterwards, she had been pulling herself from him, mumbling about being drunk, and then avoiding him the entirety of the rest of the night. Only for the mission to be called that night, and she had found herself disappearing for the night to her cot, not telling a soul that she had been kissing James Douglass just an hour previous.

And when the news had broke that Blakely's plane had disappeared and gone down? And she hadn't said a goddamn word to Dougie the next morning, promptly ignoring him, she found herself ripped with guilt.

And now - he was here, he was back and standing right in front of her, and her only thought was that she was speechless. She didn't know what to say in that moment, and was having a rather hard time deciding if she should be upset or angry or overjoyed or pissed off.

She couldn't sort it out.

And with him standing here, after those two days, she was half-convinced she could just kiss him on the mouth and it'd be better than any other reaction she could've had.

"Hi." he said.

"Hi." she found herself saying back, fighting to say more, but keeping her walls up and closed in on every inch of herself. She was pissed the plane had gone down, that she had allowed herself to be beyond worried sick for him. She was pissed she had let herself feel like that. She was pissed he was standing here now and she was speechless and didn't have more to say.

Carrie stared at his face a little while longer, those bloodied scars along his face, his unruly hair, his kind eyes. She felt her heart begin to race.

"You should get those cuts looked at." she said quickly, her voice sounding choppy, her tone sounding fake. She sounded out of place, nervous, and flustered. She didn't sound like her.

"I will." he said with a smile, before drifting his eyes over her form and meeting her gaze again.

"Are you okay?" she asked, almost mechanically, "When I heard-"

"All good." he said, his fingers twitching near his hip, "You?" Carrie's face grew hot.

"Me?" she choked out, clearing her throat, "Fine, fine, I…I should be making sure you are." Her heart was beginning to pound harder inside her chest.

"Do you want to talk?" he asked her, before dropping his voice, "Somewhere not here?" She blinked, feeling her face turn a deeper red, before slowly nodding.

"Yeah." she said quietly, taking one more sip of beer before slowly moving to her feet, closing a few inches between them, the space between their faces minute for a split second before she stepped away from the bar, "Where to?"

"We can go outside." he said, meeting her eyes before patting the bar table and turning.

Following him out of the room and to the darkened outside world made her feel dizzy - she was sweating, red in the face, hyperaware of his presence, the way he had looked at her, and every single urge she had felt upon seeing him. Dougie stepped outside and she followed him around the corner of the hut, where for the time being, they were hidden from anyone's view.

For a moment, all they did was stare at each other, listening to the quiet rumble of their breathing, the distant voices, the chirping of mid-fall crickets and bugs holed up in trees. In the dark, she found it easier to breathe than when she had been stood inches from him at the bar.

The anticipation was killing her on the inside in every way possible - the lack of speaking (something not at all normal for either of them), they way all they could seem to do was stare (which yet again, was not normal), and the way Dougie was watching her now (she couldn't get her mind to work).

"I thought you were dead." Carrie said - quickly - her voice sounding rushed, as she met his gaze, "When they told us the plane hadn't made it back. And that the others had gone down, gotten hit. After hearing about Major Cleven's plane-"

"Carrie." Dougie said, stepping forward and gently placing his hands on her shoulders, "It's okay." He offered a small smile. "We're here now." Carrie watched him, the feel of his hands on her shoulders, his gaze on her, body inches from her own.

"But you know it's more than that." Carrie found herself saying as she stood there, "You know that." For a moment, Dougie just watched her - as if a bit dumbfounded and confused.

"Whatever is going on between us," Carrie managed out, shakily meeting his eyes, "I can't deal with it. It's suffocating. When I heard the plane had disappeared over IP - that you were on that plane. You, Dougie. I couldn't breathe." She blinked rapidly for a moment.

"Knowing the way we'd left things, and how I'd left things and now you're standing here in front of me and I'm blabbering like an idiot." Carrie said, "And I could barely sleep because I felt so guilty that I'd just left you there and then thought you had died. But now you're standing here and still alive and I….." She trailed off and grew quiet, before meeting his gaze. She knew something was wrong with her because the longer she stared at Dougie's calm and rather composed face, the more she could feel herself calming down. The presence of his hands, his eyes, him.

"I know." Dougie said quietly, taking a small step forward between them, that small smile on his face growing as she peered up into his eyes, "You okay? Don't need you losing your breath, huh?" Carrie managed a crack of a smile on her lips, before she found her eyes welling with tears.

"You're just saying that to not rile me up." she managed out, hoping her attempt at a joking tone was evident.

"Oh am I?" he asked with a laugh, his warm hand appearing on her cheek, his thumb brushing over the scars left behind from her time in the sky, left behind by the war, the memories scathed across her face, "You think that's what I'm trying to do?"

"It's usually what you're trying to do." she whispered, eyes flicking to his lips for a brief moment before meeting his gaze upwards again, "You're just like that."

"With you I am." he said, his face lingering closer, his dark eyes inviting her into him it felt.

"With me?" she whispered, her hands finding their way to the front of his B3, gripping the leather tightly as she stared up at him with a slightly watery gaze, "So, you do it just to piss me off?"

"Sometimes." he said with an almost surprised, gruff chuckle to follow that made her heart twist, "I also know it makes you laugh so…."

"Makes me laugh, huh?" she whispered as his other hand traveled down to her waist, his grip tight as he watched her in the darkness, "Not always."

"How so?" he whispered back, "I know you, Bergie." Carrie watched him - and she could feel her insides calm. It was true. He did know her. He really did. Just like in this moment.

He knew her.

With Dougie pressed so close to her, his gaze persistent in front of her own, her own eyes scoring the blood across his face, the damage of war done to someone she wanted to protect suddenly with her life, she couldn't help but let out a quiet laugh.

"What're you laughing at now?" he whispered, "I didn't even get the chance to say anything funny." Carrie laughed again and shook her head.

"You know the first time I met you, I couldn't stand that carpet on your face?" Carrie whispered quietly, "I thought it looked like a squirrel, or….I don't know…a mangled bird." Dougie let out a laugh.

"A mangled bird, are you crazy?" he whispered, his thumb brushing on her cheek as his grin grew.

"Maybe." she whispered back.

"At least Ev appreciates the 'stache." he said and Carrie chuckled at his words, before going quiet, simply gazing up at his eyes, her own smile growing.

"What?" he asked her, "You always got that look on your face, you know that? When you look at me."

"I know." she whispered, her smile growing, her boldness flickering at the edges. Dougie watched her, his tender eyes quiet and content, and Carrie was sure she could spend the rest of the night simply staring at his face, memorizing that look in his eyes, the closeness of his face, all those little bits of his eyes you never saw until you were up close. She almost couldn't take the pounding of her heart anymore.

"I had wanted to kiss you, by the way," Carrie said quietly, "when we had danced together. And I guess….it scared me what it could mean. Especially during the war. And then it sort of came true. The possibility of losing you then. After they told me." Dougie smirked at her, before leaning closer to her, his eyes looking tired and lazy, his smile wide.

"Fuck the war." he whispered, before he leaned forward fully, his lips meeting hers.

It was a desperate kiss, she will admit fully - especially from herself. Clinging onto him, hands curled into the front of his B3, trying to pull him as close as she could, her mind a scattered array of thoughts as all she could focus on was his lips on her own.

Of course, the first time it had happened, she had been slightly buzzed, a little out of sorts, and taken off guard. Yet she had enjoyed every second.

Now, it was familiar, comfortable and safe. And she had never felt more wanted. It felt as if there was a million unsaid words between them in this moment, rooted in passion, desperation and grief that couldn't be described in any other way. Her hands were in his hair at one point, his cradling her face, her heart continuing to pound inside her chest. She felt out-of-body, like she didn't know what was happening to her.

When they had pulled apart, faces still inches from each other, trying to catch some sort of breath in this moment, all Carrie could do was stare up at him.

"What?" he asked her, his voice rich with warmth and what nearly felt like adoration in his tone.

She couldn't seem to get words in her mind and out of her mouth.

She was in love, she knew that much.

Softly, she gave him a gentle kiss before pulling back.

"Nothing to worry your pretty little face about." she whispered, as he chuckled. In that quiet moment, where they could only just watch the other, a soft red lit clicked on somewhere around the corner, near the door to the flying club. It hit the side of Dougie's face gently, and in a sinking realization, she saw the smile on his face drop, mirroring her own.

They both knew what that meant - another mission. Another mission. Dougie let out a quiet sigh, leaning forward to rest his forehead against her own.

"I can stay the night, y'know. If it'd make you feel better." he whispered. They were walking a very thin line.

"Please do."

[copias-juicebox]

"I CAN EXPRESS MYSELF MORE IN DANCE MACABRE OR MUMMY DUST"

mans telling us he is a little dancey princess and a fucking sex god at the same time... 💀

Interview from Sweden Rock Magazine 10/2023

Hi, hi. There is an interview with Tobias in SRM’s newest issue, but it’s in the subscribers only section, so I thought I’d translate/share since I guess not many people will be able to get their hands on it. It is about Prequelle and it’s part of SRM’s „200 best Swedish hard rock albums of all time” series. Prequelle placed #68. The other albums may have scored higher, but for now we don’t know the whole list. Either way, enjoy. Very insightful. 

„Do you think that "Prequelle" is Ghost's worst album?” Now that’s an unusual opening question. Especially when the interview is about an album that Sweden Rock Magazine's writers and qualified Swedish hard rock musicians (including Tobias Forge) have voted as one of the 200 best Swedish hard rock albums of all time. The question wasn’t planned, but comes spontaneously, as a reaction to the first thing Tobias Forge says when we sit down on opposite sofas in the record company office. I'm here for a two-part interview, partly about the EP "Phantomime" (published in #6 2023), partly about "Prequelle". Neither record companies, artists, voters, nor even our writers who conduct interviews for this series of articles have any idea what placement an album has received. Interviews are often done well in advance and we simply don't want placements to leak and become public long before publication.

No Ghost album has ever been on the list before. The idea is actually to end the day with the "Prequelle" talk, but when Tobias Forge suddenly starts with a funny little comment that this album is probably the one that those who have voted think is Ghost's worst or least popular album, I just have to take the opportunity to ask the question: Do you think that "Prequelle" is Ghost's worst album?

No, absolutely not, he says and laughs. If I'm going to be completely pragmatic, I'd say: "How many songs do we actually play from that record?" There are songs that work damn well live and sit where they should. So it's a pretty strong album.

But is this what you are basing it on? "Prequelle" was released after Ghost had become really big so it can't be compared to "Opus Eponymous" and "Infestissumam" which you don't play many songs from. I mean, no matter what kind of record you had released when "Prequelle" came out, you would still have played many songs from it and they would have worked precisely because Ghost's songs nowadays are moulded more to the arena format.

I don't know how to answer that, it's difficult. If the album had been different, it would have been. If I'm going to talk somehow both artistically and practically, I know that for every record we have become exponentially bigger. "Prequelle" was definitely no exception, but it also took us a big step forward and upwards and we became bigger and broader. To the extent that when we introduce old songs in the live set, you notice that there are elements on albums one and two that make some songs more difficult to play. Not technically, we can play the songs, but they don't work in quite the same way as the later songs, which means that there is a slight favouritism.

I asked the original question about whether you think it's Ghost's worst album only because you directly said that this means it's the least popular one.

I'm just so full of myself I assumed all the other albums are also in the top 200, which may actually be incorrect. This might be the best album and the others aren't even there, haha.

It wasn't long after "Prequelle" was released that you were self-critical of the album in interviews, saying that it was too ballad-heavy and a bit too soft. I haven't noticed that before, you being so self-critical shortly after the release.

Yes, but I still feel that way. If, as an artist, I am only going to look at the work with the criticism that one can feel towards one's own work, I think that if things had been different or if I had more time, I might have wished that I had managed to get maybe two more hard songs. Maybe one more hard song would have fit on the album and another harder song might have phased out one of the ballads. Now five years after the album came out, I know that the two ballads ("Pro Memoria" and "Life Eternal"), which I may not think are bad, are one too many. But I know that many of the people who like the band like both of them, so it's kind of a useless argument.

Who sets the length of an album? Have you set a limit, that it can't be longer than this and have no more songs than that?

No, but it must fit on an LP disc and there is a physical limit. I think the absolute pain threshold is 46 minutes and that's 23 minutes on each side. Now maybe Mikkey Dee (co-owner of Spinroad Vinyl Factory) will raise his hand here: "But I can make it longer!" And it's maybe 48 minutes, I don't know, but I do know that when a disc starts getting so full that you start getting close to the sticker, it starts to sound bad. Especially nowadays, because recordings today are so very maximalist in scope. It's one thing if you record 60s music with drums, a guitar and bass where the sound is cleaner and finer or if you play acoustic stuff with just vocals. Bob Dylan records could have eight songs on each side and it worked all the way through. But this kind of fairly compact music doesn't work well. Not only am I a militant vinyl advocate, I think we should respect the fact that most artists don't manage to create more than 45 minutes of good music on a regular basis. A lot of famous double records are not that good. I don't think the Rolling Stones "Exile On Main St" is very good. It might as well have been on one disc. And if I'm actually going to turn it into something completely mundane, I'd say that I think it's irresponsible to sit and make records with twelve songs if it results in the record being 63 minutes long and you automatically have to make a double record. It's pretty wasteful.

When you said that it's irresponsible, I thought you were going to say that it's irresponsible to print a double vinyl because of the environmental destruction that it entails.

Of course, if we're going to be completely straightforward and not do anything that harms nature, we shouldn't even release any records, so I say this with reservation. But with that in mind and for the sake of art, I think more people should embrace the actual given format that has been the most prevalent in rock history. There is a reason why a film is usually one hour and 30 minutes. You can’t take any more. There's a certain dramaturgical structure and there’s a certain comfort in it. Then the CDs came along they screwed that up, and suddenly there weren't two sides anymore but it started one way and ended another. Now that the CD is no longer important and we've gone back to vinyl, creators should follow suit and start embracing the physical rules.

Are there songs that have been rounded off just because you thought „I have to round off here, because if I continue, it won't fit on the vinyl disc"?

We actually had that problem on the last album. „Watcher In The Sky” ended the A-side and the outro is much longer on the CD and digitally. Two minutes longer I think. Much, much, much longer. It's long, noisy and has all these dives. It's a very chaotic soundscape. You get the feeling that it goes on and on, and on the vinyl it's just the beginning of an outro and then it drops almost immediately. I think that was a huge mistake.

So the overall sound quality was more important than vinyl buyers getting everything? Because you could have pressed the vinyl and it would have fit, but you would have had to compromise the sound quality.

Yes, exactly. You can get the song to just keep going until the vinyl simply runs out. Then it just starts spinning in the middle, depending on what kind of record player you have. But the problem then, if you want to anticipate events at a creative stage, is that people today buy and listen to vinyl records and are sensitive. It's quite common for people to complain that the record is broken. I don't just mean our records, but people complain a lot about the presses. If you make ten songs, it's therefore stupid to have a too thick soundscape towards the end of song number five and song number ten. If you want to be really good and old school, that's where you put a piano ballad because it's an easier sound to handle so far into the record. This is what I think about when I make records. But clearly sometimes I miscalculate.

This must cut right through the record collector Tobias Forge's whole body and soul, that "Watcher In The Sky” is shortened by two minutes on the vinyl of all versions.

Well... I don't toss and turn and wake up in the middle of the night thinking about it anymore. But when it happened, I was livid. Luckily it was just an outro. It would have been worse if it had continued with some kind of narrative into the next song. Now I can't remember in my head how long "Prequelle" is, but if I'd had to go back in time and just re-construct it, the re-construction wouldn't have had much to do with the existing material, I would have just wanted to add a scene. And it's not a scene that's missing, it's just for the sake of balance. It became asymmetrical in a way that bothers me a bit.

You've talked about this before, but it was before "Prequelle" that you really started to talk a lot about how you were thinking about what kind of new songs might suit the live show. Can you get stuck in that mindset, thinking more about what songs are needed live right now rather than creating an album that will last 30 years?

Hmm... (long pause)... The reason I'm sitting here thinking is because I'm trying to come up with examples of other bands that I think might have gone through something similar. I’m looking for examples to the answer I'm about to formulate and that is that: yes, I think there comes a point in the career when most bands make a record because they simply feel they need to… Because what we're talking about is that when you go from playing in small smoky clubs in front of an already inveterate audience that already understands the perhaps a little more chewy expression, that experience can change if you start playing in front of a larger and especially a different type of audience. When a different type of audience comes and you play in a different format, you discover that this song doesn't work very well, it doesn't sound very good and it's difficult to get the sound right. Then there's usually a record or two or three during your career when this transition happens where you start filling in with songs that work better live. Look at Piece of mind", "Powerslave" and "Somewhere in time". There's a reason why Iron Maiden didn't play a lot of the first two albums there and then, because it was easier to play the new songs. You get to that point somewhere in your career and it's very difficult to say when it is - there's no given rule and there are artists who continue to release relevant records and have an amazing ability to release new records and just play the whole new record. Well, now Iron Maiden does that and tests their audience a little bit in that way, but then they will always compensate by doing like a "best of" set the following year so everything is forgiven. Now we're in the middle of the "Impera" period here and have a very strong set, but I'm starting to feel that now that I'm about to start writing a new album, it feels like it's not really on my agenda to write three more albums that will change the live setlist ten years ahead. I think we already have the blueprint for what is Ghost's setlist, especially if you include the entire catalogue. After a while, each new record you make becomes a little less important. It's really hard to know when that point comes, but the truth is that new records don't matter in the same way. Slayer didn't have to release "Divine Intervention”. They definitely didn't have to release "Diabolus In Musica". I didn't care about it and I just wanted to hear the old stuff. If they had just come up and played "Reign In Blood" I would have been soooo happy. And that's the way it is with most bands. Nobody would be sad if the Rolling Stones came up and didn't play anything from "Emotional Rescue". And that's just the way it is. In the future, I can see a scenario where there is probably a basis to possibly build up an alternative setlist. There are so many songs that we do not play and that I have nothing against - I love them too! But it would almost be easier to build up a completely alternative setlist and run a show with only the odd songs. There are so many songs now. There's no reason not to build on that. But when I want to make a new record, it's irresponsible for me not to consider that there might have to be some songs that are a bit more direct. But it doesn't hurt me if we have more songs that we don't play live. I don't know if this answers your question...

I would actually like to ask exactly the same question again, because I wonder if you yourself feel that you get stuck during the making of the record. You said that you would have liked to include another hard song because "Prequelle" doesn't have the balance that you would have liked to have in retrospect.

Exactly, but the explanation for that has more to do with my mental capacity there and then. I simply couldn't cope. I felt that I had probably maxed out… It was probably about as much as I could do that year. That's the simple explanation. To get another song that would have fit and that would have fulfilled this requirement that I now in retrospect would have wished I had, it would have required something that I did not have there and then. The only thing that could have made it easier is if I had more time. It is difficult to reason about it, you see.

I was in the studio for a few days during the recording and it's one of the few times in all these years that I've done interviews where someone has started crying during an interview. It was quite obvious that everything that had happened with the split of the band affected you.

Yes. Of course. It did.

Is "Prequelle" a difficult album to listen to for you? Can you sit and listen to it all the way through? 

Well, at the moment I have to do that from time to time, and listen to all the records, because we're just about to start rehearsing again and then I sometimes have to go back and just listen to the record to go: "Fuck, is that really how I sing?" Especially when we start rehearsing, I can be a bit like: "Damn, who changed this bit?” Then I usually sit down and it hits me: "Oh, it's me who has changed my song!" You simply do that over the years, you start singing it in a slightly different way. So sometimes I have to go back and listen, but it’s more practical. I don't think it's fun to listen them. I do it until they are finished. I listen over and over and over again and really try to listen with all the imaginary ears and all the imaginary perspectives you can have. "How would I have listened to this if I had heard it from this perspective?" Just to get as "objective" a perspective as I can until I'm satisfied, but then it's like „No, I don't want to hear this anymore". But I have to say that I think "Prequelle" is a very tolerable disc despite everything that interfered with the process. Therapeutically, it works quite well considering that we are still playing at least half of the album. For every artist there are songs that you want to play, and there are songs that you don’t want to play because they feel too personal. I don't feel that way about this one, it's more like: "Ah hell, they're part of the setlist and people like it and it sounds good. So that's what we're doing."

On a personal level, was Tom Dalgety the perfect producer for you, the way you were feeling at the time? Tom feels like the kindest, sweetest producer you can meet. He wasn't the kind of producer who pushed you very much, it was more of a nice atmosphere between you.

Yes, really, and it would have been different if Klas Åhlund, who is more confrontational, had been in the room. Now Klas and I are great mates, so it would certainly have been very therapeutic also, but it would have been a different process. If an artist comes in who is in such bad shape that they can't make a record, or a band where the main songwriter has just left them, then a Bob Ezrin goes in and says: "If you don't make the record, I'll make the record myself.” And he goes and makes Kiss "Destroyer" or Alice Cooper records. I'm not saying they didn't make them, just that you hear that Bob Ezrin made "Beth". It's a type of producer that's very different from a lot of other producers who maybe act a little bit more like buddies and cheerleaders and make the atmosphere good. Bob Ezrin doesn't care so much about the atmosphere in the room. Klas is somewhere in between, I would say. Given the condition I was in during "Prequelle", the result could probably have been different if Klas had come in. Ironically, there was actually talk of him doing it, but he didn't have the time and we'll never know how it would have turned out. I only know that it would have been different, but right there and then Tom was fantastic. I know that a lot of bands like to work with him because he is technically brilliant. He's really good at those typical sounds that people like: cool drums, guitar, bass, tone and clarity. He is also very "happy go lucky", a nice guy who sits and jokes all the time. Even if he has a bad day, it doesn't affect anyone else, which is convenient.

Let me compare it to when a writer contacts me after an interview and says "that was such a nice interview". For me, "nice" is not something positive in such a work situation and the result is often better when there is a little friction.

Mmm, and that is more Klas. There is more friction and more confrontation. And I was much better equipped for that at "Meliora" and later at "Impera". I felt better and was simply stronger. There wasn't the same survival instinct as on "Prequelle". If I think back, not about how the album turned out and how I have to live with it, but if I think back to the situation I was in, I was very anxious all the time. Even though I'm happy with the result, I wouldn't want to go through the recording again, even though Tom was great. Because it's hard to work when you're under attack. I realised that now when I made "Impera", when it was no longer like that. You are much more comfortable, it doesn't feel the same, you are more mature, you make better decisions, you are more controlled or dare to be uncontrolled. When things are this serious, you can end up in a freeze mode. Maybe that's also why there wasn't another song. The song that I miss doesn't exist because I simply squeezed out everything I had. If I had been in a different emotional state, I might have been more comfortable working out something at the last second from bits and pieces. But I felt that I really just wanted to get it done, deliver it, get back out on tour and start over again.

When you described being more mature during "Impera" you sounded like a 70-year-old, kind of like all the Aerosmith-like bands that have been fighting all their lives and now that they're in their 70s they say "we're soooo mature,” haha.

I think with all artists, especially when they're required to work in a group, there are many recordings that have been a collision with a wall because you're expected to function in a context all the time, whatever and whenever. But you do change and from one year to a few years down the line there can be a huge difference in a person's drive, hunger and priorities in life. Whether you have the same band structure as I do or whether you play in Metallica, people come in one state and they may end up in another, because you have different priorities at different times. It's unfortunately against the whole rock myth. I think that's the biggest problem for bands and businesses, that you always have this idea that if you just get to a certain stage - not just monetarily or career-wise, but you get to a certain stage of fun - then we've reached the status quo. But that is never the case! Never! There’s always something. Even in the best moments when everything is working, the band is awesome, everyone is working well, the crew is awesome, everyone is laughing, it's just a party all the time mentally, you have the world's best tour manager, everything is flowing and the tickets are selling, there will always be someone who doesn't like it and then has to break away and want to do their thing because it's no longer fun. It's usually somewhere in the lead-up to a stage where it's interesting and then once you've achieved it, it all becomes a bit boring. Just like in a relationship some people may eventually think, "well, that's a bit boring, I have to go out and do something else".

Since I was in the studio when you were laying down guitars on "Witch Image", my heart beats a little extra for that song and I thought it would be a great live song, but you've barely played it (at the time of writing it's Ghost's forty-fourth most played song live).

We did it during the "Prequelle" tour, or "A Pale Tour Named Death" as it was called. Then we did quite a few "an evening with" concerts, for better or worse. The advantage was that if you were a big fan of the band we actually played a lot of songs and actually a lot of the first albums, like "Idolatrine" - or "Witch Image". We did a set, a break and then a whole other set. That was a bit of a taste of what I was talking about earlier: doing a slightly larger set and then a slightly smaller one. You just shouldn't do it on the same night because it gets a bit stale. We played for two hours and 30 minutes or something and that wasn’t a good idea, haha. At least we did "Witch Image", but it has fallen behind a bit and it doesn't mean that we will never play it again, just that we don't do it right now. What I've been happy about is that there has been a feeling for the records that we've made recently, "Prequelle" and "Impera", that people still want to hear the new stuff. We haven't gotten to that stage that I talked about earlier when it doesn't matter anymore. Then it's very fun to try to find a new way to perform the songs, not technically, but suddenly a song like "Witch Image" might fulfill a very nice purpose between a completely new song and another song.

Let me speculate: in 30 years, I think "Rats" will be considered the great hard rock song, "Dance Macabre" the great hit and "Life Eternal" the great ballad. What do you think? Will this in the future be seen as the three big songs of the album?

Yes, that makes sense, I think. I understand that an instrumental song automatically ends up in the wake of a "best of" collection, in the sense that you do one in 30 years. I realise it's not a hit but the instrumental "Miasma" is a big part of our live show. It's strong and feels like such a keeper. Now we don't play "Life Eternal" very often actually, but it was very well received. For some reason people like to get married to it, I don’t know why, hehe. It's nice but it's also a bit like U2’s „I still haven't found what I'm looking for" and you don't use that one at a wedding. But people like it and I guess interpret it differently to me. It’s also a song that I don't think is fun to play live.

And why not?

Because I find it hard to play ballads. Physically, they don't feel the same as rock songs. I miss the "dunka dunka". Now everyone who plays music today knows what I mean - sorry, readers who don't play music - and it's that there's a small problem with having in-ear monitors. This means that you have to reach a certain frequency of beats in order to feel the music, unlike when you played at clubs with only a guitar amp behind you. You felt every single note you made and it just went through your body. Nowadays, I think it's sometimes hard when you play slow songs, because you have to trust that it sounds good, whereas when you play a rock song, you feel that it sounds good.

Does it also apply to "He Is” which is such a huge ballad, not least live?

Well, just the intro and then it gets going quite quickly and suddenly becomes a hard and rather fast-paced song. The classic ballad concept has always been that you play so-called edge beats to make it sound soft, while "He Is” is actually a rather hard-played song considering that it is a ballad. Once the drums come in – boom, boom – it's got AC/DC bite to it. It has a rock feel to it that "Life Eternal" doesn't really have. As I said, I don't think that "Life Eternal" is a lot of fun to perform, but that doesn't mean that it isn't quite good to listen to. It’s just that when I play "Dance Macabre" or "Mummy Dust" I feel that I can express myself physically more in line with what the text says and what it means.

[mrspark7777777]

The translation though

https://x.com/cFCKBtshEFcVgx0/status/1821583637718192150

does it make sense? I can’t grasp it, because it almost feels backwards. But really the gist is they weren’t free to meet up at the same time, a bit like what you said before about distractions. I almost felt that last year there was some self imposed ban on seeking each other, especially going to he others promotions, which is why when JK is free he didn’t go to music bank to see JM like Yoongi or on a show with him, or like Hobi to see the mv filmed, like they did it on purpose? I’m probably not making sense, but as in to lay low as best they could with impending enlistment, not that they weren’t seeing each other but not overtly or maybe not enough quality time?

Thanks for the ask my lovely. I've addressed some of this here but sure, let's talk about this too. Just like OP said;

Its been established JK had a hard time during FACE era. His boyfriend was MIA, he didn't see him much, it took a toll. A toll Jimin was very aware of. My friends and I were just talking about this and we agreed AYS could be a result of Jimin's guilt. Him wanting to make it up to JK. I also believe what happened with JK during that time was the reason why they applied to enlist together.

Jimin loves to joke and make fun and he loves to make us happy but he loves to make JK happy even more. Say what you will about him but he priorities JK's needs and always has. This travel show, we will enjoy the hell out of it and have a great time, but Jikook needed this. They needed this escape and if they could only get away but portraying it as work, then thats exactly what they were going to do.

So yes anon, you're correct. The operative word here is enough. They talked of course, but not enough. They spend time together of course, just not enough. They were busy, they needed to behave while waiting to see if they would be approved for the buddy system, and so they didn't get to enjoy eo as much as they would have loved to.

It's as simple as that

During 3D era JK said Jimin kept coming up to him and singing "pweuriri" clearly that means they were spending time together. In a live he talked about Jimin rearranging his lights at his home. Then just recently Jimin told RM him and JK drink alot and talk about music. I mean, these are just 3 examples and they sure as hell didn't happen via osmosis.

They saw eo, they talked, of course they fucking did. Think hickeygate. When it doubt, think hickeygate. They couldn't outright tell us what happened and therefore manipulated the truth or rather didn't give us the whole story. That has and will always be an ongoing theme with Jikook: a gay couple in the closet. Go back to that scene and watch JK during this conversation. At some point he does this thing where he's like scratching his neck but you can tell there is no itch. That to me was a sign that there was more to the story.

So just think hickeygate and go from there. There is more to Jikook than meets the eye...