#Sushi Master Tokyo

[lepetitlugourmand]

Nogizaka Shin - Tokyo - Retour au pays d'une autre gastronomie d'excellence

Tokyo est une ville qui vous transmet son effervescence tout comme le fait New York. Une envie de tout et tout le temps, de découvrir, d’essayer, de tester… Une fébrilité qui vous tient éveillé malgré un décalage horaire rude et malgré parfois cette sensation de quitter votre corps ….Il ne faut pas s’arrêter car vous risquez d’être atteint par le fameux syndrome du « lost in translation », c’est…

[japanesedoramaandanimelover91]

Today at 18.00 p.m. on japanese time and 10.00 a.m. on european time on "TV Asahi", a new episode of the programme "Aiba Manabu" will be broadcast.

This time Aiba and his colleagues with the guest Yoshihiko Inohara ("V6", "20th Century") will cook the perfect Japanese stew with yams. What will it be? The episode will last two hours. "Aiba Manabu" takes on the challenge of digging up wild yam with Inohara Yoshihiko! "As a senior, I'm happy" to see Aiba Masaki and friends

Aiba Manabu is a show where Aiba learns about various things about Japan. This time, Aiba will be joining Kotoge, Sawabe, Abareru-kun, and even his senior Inohara to dig up wild yam in Machida, Tokyo. This will bring you the footage of the project, which began in 2013 and is now in its 13th year. This time, we interviewed the group on location as they took on the challenge of recording the show's first ever two-hour special.

Inohara, who took part in digging wild yam for the first time, reflected, "It was fun. We had a purpose, and teamwork was important for the work. Everyone had done this 13 times... I learned a lot, learning all that knowledge."

Aiba responded, "I'm happy," and confessed, "This time we were able to bring in the excavator, so it was a lot easier." As he said, one of the highlights was seeing Aiba skillfully operate the excavator and dig the hole. What's more, it's been about nine years since Aiba last drove an excavator. Despite only receiving a lecture on the day, he showed his high level of skill by receiving words of praise from his masters.

Aiba was satisfied, saying, "It was fun!", and Kotoge and the others also praised, saying, "I was hooked." Sawabe also said, "If you change the channel when the excavator comes on, you'll never think that we're digging up wild yams (laughs). It's an incredible episode," and it's a powerful scene.

This is Inohara's first appearance on "Aiba Manabu" in about five years. Last time (2019), he visited "Sushi Restaurant Aibatei" with Terao Akira, which had just opened at the time. Inohara said, "The plan and members were different from then, but it was good that it was all guys, like a club activity (laughs)." ``It's a very long-running program, and I hope they'll call me back soon, not just in five years,'' he said enthusiastically.

As the end of the year approaches, Aiba looked back on this year's "Aiba Manabu" and said with a wry smile, "The most frustrating thing was the matsutake mushroom hunting, wasn't it? We were told that we had a chance this year, but we didn't pick a single one..." Everyone agreed, and Abareru-kun also expressed his gratitude, saying, "In the end, my stomach was full from all the matsutake mushrooms we were given! (laughs)."

Sawabe continued, "The chefs taught us a lot, didn't they?" Aiba responded, "That's true. The taste is completely different when we get a lecture from a chef and when we make it by ourselves!"

Sawabe also said, "We were able to produce two breakout talents (?) in Nonaga (Kimiou) and Komoda (Kinya)," to which Aiba remarked, "We really were helped by a lot of people..." Inohara gently said, "Everyone was relaxed because of this good atmosphere, and in the end, they became breakouts."

Aiba also says that he sometimes makes the dishes he learned on the show at home, and his favorite dish is "I make a soup stock using white dashi, noodle soup stock, and water, and add sliced ​​daikon radish to it. It's so tasty! I can easily eat a whole daikon radish." Inohara was intrigued by the recipe, and his eyes lit up as he said, "I'll give it a try!"

When asked about the highlights of this special, Aiba said, "This is our first two-hour special, but we're all having fun as usual, so I hope everyone will watch it with the feeling that they're digging up wild yams together."

Kotoge said, "I was watching Inocchi and Aiba-kun digging wild yams side by side from behind, and it was really heartwarming. The two seniors and juniors were doing it in a friendly atmosphere, nodding along, so I hope you'll enjoy it."

Aiba responded by apologizing, "Inocchi-kun is my senior, but he always makes eye contact with me. Today he handed me lots of tools, and I'm sorry I said 'thank you' so casually!" Inohara responded with a blushing smile, "No, I was happy. I felt a little excited (laughs)."

Sawabe appealed, "Everyone's kindness is one of the charms of this show, but this time I want you to pay attention to the collaboration of the two greatest kind people in the entertainment industry (Aiba and Inohara) (laughs). And because it's a two-hour special, I think we'll be able to bring you a longer look at the wild yam digging than usual. I think you'll get to see how hard the work is, but also how much fun we are having while doing it."

Meanwhile, Abareru-kun made a unique comment, saying, "The gift from Inohara (the cream bean paste bun) was amazing, so I want you to pay attention to that! It really seeped into your body... It had such a gentle taste that I thought Inohara might be stuck inside it."

Inohara then appealed to the viewers, saying, "I simply enjoyed it, and I think you'll be excited every step of the way. I was fooled by the wild yam many times today...I'd be happy if everyone could watch while imagining, 'I wonder if something really long will come out?'"

Inohara continued, "And above all, I'm grateful to have been able to be part of this teamwork. Especially since Kotoge-san and I are the same age..." As Inohara expressed his joy, Abareru-kun stared at Kotoge in surprise and exclaimed, "I can't believe it!", causing everyone to burst into laughter. "As a senior, it made me very happy to see Aiba-chan surrounded by good friends and having fun and being free," he said with a look of relief, concluding the interview.

[kaitoutrixie]

Mysterious Joker Spidersona OC: Kaitou Rosetta Spider

This is a request drawing by @spyderschaos

I haven't watched Spider-Man Into The Spider Verse or Across The Spider Verse. But I've been seeing everyone's fun spidersonas, and I came up with this idea of a spidersona OC for my favorite anime series.

For those who don't know, Kaitou is the Japanese word that means "Phantom Thief"

Secret Identity; Emi Sasaki

Age; 19

Hair Color; golden bronze brown with dyed light pink on the right side of her head.

Eye Color; light blue

Full-body Picture; (made on the online dress-up game "Soft vs. E-Girl" on Doll Divine)

Home Universe; lives in the anime world of Mysterious Joker, a world full of different types of phantom thieves.

Rosetta Spider Character Info; Unlike other spiderman/woman, Rosetta Spider is a wanted phantom thief who uses her spider powers to steal treasures around the world. Emi dreamed of becoming a phantom thief after meeting one as a little girl. Emi debuted as Kaitou Rosetta Spider at the age of 18. Born in Japan, Tokyo. Emi lives on her own, which makes it easier for her to travel across the world. Rosetta Spider respects the phantom thief code of never killing anyone or causing unnecessary harm to others to steal treasures. Rosetta Spider would offend steal treasures that are spider themed.

Family Background; Both of Emi's parents worked as archeologists, and sometimes they would bring Emi along to their excavations. Her parents died in a plane crash when Emi was 11 years-old.

Spider Powers Origin; When Emi was 10 years-old, and her parents brought Emi to an excavation site. Emi had secretly stuck off on her own, which led her to find an ancient enchanted ring that gave Emi her powers after she accidentally cut her finger on it. Although Emi doesn't need to be wearing the ring to use her powers, the ring does transform her into her phantom thief attire. Emi never told her parents about the ring or her new powers. She wears the ring on her right hand ring finger. But the ring is hidden under her gloves while in her phantom thief attire.

Kaitou Rosetta Spider's advance notice card; Front Back

Rosetta's Powers;

Spider-sense (a precognitive ability that warns her of impending danger)

enhanced strength, stamina, and agility

cling to nearly any surface by her hands and feet.

Healing Factor (she can heal faster then an average person)

able to produce spiderwebs from her own wrists, by applying a small amount of pressure to the base of her palms. The webs are capable of supporting Rosetta’s weight as she swings from building to building. The web is super sticky, can tied people up like rope, and also hold heavy objects up to 178 kilograms.

She can project light pink transparent diamond-shaped shields (same as Rarity's powers from Equestria Girls), which can also project multiple diamond shields and form a dorm. They can even be stood on or used as a flotation device.

Other Skills;

Sleight of hand (a collection of dexterous hand movements designed to manipulate objects and deceive spectators)

Lock-picking

Master Of Disguise (able to disguise as anyone and even mimic other people's voices)

Stealth Mastery (sneaking around quietly and carefully that no one notices)

Cooking & Baking

Acrobatics

Singing

Likes;

Exploring new, abandoned, and ancient places

Meeting other phantom thieves (even if they end up becoming her rival/enemies afterwards)

Mysteries/Local Legends (she would sometimes investigate the local legends that catch her attention. Sometimes she would invite other phantom thieves that are her friends/rivals to investigate with her)

Fairy Tales (Her favorite one is Sleeping Beauty. And sometimes she would steal fairy tale related treasures for fun)

Stealing treasures that have a legend around them (She would sometimes investigate to see if the legend is true or not)

Mexican food (favorite being burritos and nachos)

Seafood (favorite being sushi)

Apple Desserts

Dislikes;

Bullies

People who would purposely hurt other people to get what they want.

Super Spicy Food

Bacon and BBQ

Tea and Coffee

People who don't take her seriously or ignore her challenges/advance notices.

Allies/Rivals; (some Mysterious Joker spoilers here! I won't be adding their pictures though)

Kaitou Joker - a phantom thief who's known as the "Miracle Maker". Rosetta met Joker when they were both trying to steal the same treasure. Joker is one of the few people who knows Rosetta's secret identity. He discovered Rosetta's identity on his own. Joker was very confused, shocked, and curious about Rosetta's spider powers when he first found out about them (especially her webbing ability).

Hachi - a ninja who works with Joker as his phantom thief apprentice. Hachi met Rosetta the sametime as Joker and also knows her secret identity. Hachi sees Rosetta more as a friend then Rival. And Rosetta would sometimes help Hachi in the kitchen when she visits Joker.

Kaitou Silver Heart - a world famous phantom thief that Rosetta looks up to. And is the person who taught Kaitou Joker, Kaitou Diamond Queen, and Kaitou Spade how to be phantom thieves. Emi met Silver Heart during her first year as a phantom thief. Silver Heart knows of Rosetta's secret identity and sees her as another one of his apprentice, teaching Rosetta some phantom thief skills and tricks from time to time. Rosetta would vist Silver Heart at his place to hear about his adventures.

Kaitou Diamond Queen - the granddaughter of Kaitou Silver Heart. Queen lives with Silver Heart and she met Rosetta when she came to visit Silver Heart one day. Rosetta and Queen get along like best friends. Queen is one of the very few people Rosetta told her secret identity to. Queen enjoys hanging out with Rosetta. Sometimes Queen and her phantom thief partner Roko (who is a talking dog) would join Rosetta in investigating legends involving treasures.

Kaitou Spade - a phantom thief Rosetta met through Kaitou Joker. He sees Rosetta as a worthy rival and gets along fine with her.

Rose - a witch who is the twin sister of Kaitou Shadow Joker (Kaitou Joker's rival). Rosetta met Rose after helping Shadow Joker save Rose from Professor Clover. Rose and Rosetta took interest in each other powers, and became friends right away.

Enemies; (also has spoilers here)

Professor Clover - a lunatic + psycho who wants to steal every treasure in the world, and will try to get it by any means necessary.

Devil Fang - an evil organization who put out a bounty on Kaitou Joker, Kaitou Diamond Queen, and Kaitou Spade.

Dr. Neo - a space researcher who is overly obsessed with aliens. Rosetta mainly finds him to be annoying.

The Anti-Phantom Theif Organization - an international police force created in Japan for the soul purpose of fighting and arresting phantom thieves around the world. The only known members so far are Police Inspector Dogusaburo Oniyama, who is the head of the organization, and police officers Ginko Kurosaki and Momo Shirai. Rosetta really doesn't see them as her enemies, she just sees them as Officers who are decided to their jobs.

[ego-856]

Title: Japan's Fascinating Culture and Unique Traditions Japan is a country located at the eastern tip of Asia that offers a unique blend of traditional and modern lifestyles. This magnificent country attracts the world's attention with its rich history, unique traditions and contemporary technology. Here are a few interesting details about Japan's fascinating culture and unique traditions: 1. Traditional Geisha Culture: Geishas, ​​traditionally educated in Japan and equipped with skills such as art, music and dance, constitute an important part of Japanese culture. In cities such as Kyoto and Tokyo, the neighborhoods where geishas live attract the attention of visitors. 2. Zen Gardens and Temples: Japanese garden design is world famous. Zen gardens symbolize that nature and humans live in harmony. Temples are an important part of Japan's religious heritage and are popular visiting spots for those seeking peace and tranquility. 3. Cultural Festivals and Celebrations: Many colorful and interesting festivals are held in Japan. For example, Hanami, the flowering festival, Gion Matsuri, celebrated with traditional costumes, and Obon, the fire festival. These festivals offer a great opportunity to explore the depths of Japanese culture. 4. Technological Innovation and Modern Lifestyle: Japan is home to the world's most advanced technology companies. Cities like Tokyo are symbols of the modern lifestyle with their neon lights, high-speed trains and tall buildings. The Japanese are also masters at combining traditional values ​​with modern life. 5. Magnificent Cuisine: Japanese cuisine is one of the most delicious and diverse cuisines in the world. Iconic dishes like sushi, ramen, tempura and sushi are the perfect start to discovering the taste of Japan. Additionally, the traditional Japanese tea ceremony highlights the cultural importance of Japanese cuisine. Japan is one of the most interesting and attractive countries in the world with its unique culture, traditions and modern lifestyle. Millions of visitors flock to Japan every year to explore this unique country and experience the magic of Japanese culture.

[ramencookingclasses]

Best Cooking Classes in Tokyo

Discover the art of culinary excellence with the best cooking classes in Tokyo! Our expert instructors bring a wealth of experience, guiding you through the vibrant tapestry of Japanese cuisine.

Immerse yourself in hands-on lessons where you'll master the art of sushi rolling, perfect the delicate balance of flavors in traditional ramen, and elevate your skills in crafting exquisite bento boxes. Whether you're a beginner or a seasoned home cook, our classes cater to all skill levels.

Don't miss this opportunity to elevate your culinary prowess and create authentic Japanese dishes that impress friends and family. Enroll in the best cooking classes in Tokyo and embark on a gastronomic adventure like no other!

[rkhemlani]

May 30th Japanese Tea Ceremony

The day was not too packed with activities, but we did attend a beautiful, traditional Japanese tea ceremony. Following lecture, the class headed over to the Ginza district in Tokyo, where we trekked to a very scenic park in the middle of the city, where the tea ceremony was hosted. Our group was split into two and while the first section did the tea ceremony, the rest of us walked through the park. Filled with ponds, beautiful trees, and scenic views of the surrounding city, the park offered a sense of peace and tranquility that were necessary for the tea ceremony. After taking some pictures, we headed to the tea ceremony that was hosted by one of the best tea masters in the world. She had performed ceremonies like this all over the world and had written best-selling novels on the art of the Japanese tea ceremony, also known as “chanoyu”. It was interesting to see every calculated movement that her hands performed to make a bowl of matcha tea. The four most important qualities about this ancient tradition are harmony, peace, tranquility, and respect. Following this beautiful ceremony, the class split and some of us headed to a sushi restaurant with a conveyor belt, also known as “kaiten sushi” restaurant. After that, we headed to the island of Odaiba where we saw a Statue of Liberty, the giant Gundam figure, and walked around the area and its malls. 

            The article written by Reider came to life in the traditional Japanese tea ceremony that we attended today. Led by one of the modern day iemoto, or master of Japanese art schools, the tea ceremony we attended was led by the qualities of harmony, peace, respect, and tranquility. Chanoyu today is mostly led by women and is used in a social setting, unlike hundreds of years ago, in which the ceremony was held amongst upper class samurai. Nevertheless, chanoyu provides a gateway for relaxation that is stimulated by wagashi, or sweet treats, and matcha tea that is believed to have “cleansing” properties. 

            In the chanoyu today, the tea master mentioned that her school includes tea with lots of foam, whereas other schools include tea with little to no foam. This embodies the changing dynamic of chanoyu as an art form that is characterized in the Ohki reading. The tea ceremony we attended included tea bowls that were unique and different from the next, so each guest had a tea bowl with a design of important aspects of Japanese life. The bowls seemed to be a large part of the ceremony as we were asked to show respect to the bowl before and after sipping the tea. Overall, it was an interesting experience and by far the best way to enjoy matcha!

[cleverhottubmiracle]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[norajworld]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[ellajme0]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[chilimili212]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[oliviajoyice21]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[starseedfxofficial]

The Hidden Formula to Mastering Algorithmic Trading in CAD/JPY When you think about algorithmic trading with the Canadian Dollar and Japanese Yen (CAD/JPY), do you imagine robots secretly conspiring to out-trade you? It’s not far from reality. Except, in this case, the robots are your allies—if you know how to use them. In this article, we’re pulling back the curtain on advanced algorithmic trading strategies for CAD/JPY, blending wit with wisdom to ensure you stay ahead in the Forex market. Why Most Traders Get CAD/JPY Wrong (And How to Outsmart Them) Let’s start with a reality check: most traders approach CAD/JPY like it’s just another currency pair. But CAD/JPY is the rockstar duo of the Forex world, blending Canada’s commodity-driven economy with Japan’s export-oriented market. It’s like mixing maple syrup with sushi—unexpected, yet powerful. Myth-Busting Fact: Many assume CAD/JPY follows the same patterns as major pairs like EUR/USD. However, CAD/JPY is highly sensitive to crude oil prices (Canada) and global risk sentiment (Japan). Ignoring these factors is like trying to play chess with checkers rules—you’re doomed before you start. Pro Tip: Use oil price movements as a leading indicator for CAD/JPY trends. When oil prices rise, CAD often strengthens, pushing CAD/JPY higher. Conversely, falling oil prices can weaken CAD. The Ninja Tactics of Algorithmic Trading Algorithmic trading isn’t just for tech geeks or Wall Street pros. It’s the ultimate tool for traders who want precision, speed, and a competitive edge. Let’s break it down step by step: - Identify Hidden Patterns: Use machine learning algorithms to uncover repeating patterns in CAD/JPY. For instance, CAD/JPY often reacts sharply during key economic releases from Canada (e.g., GDP reports) or Japan (e.g., BoJ announcements). - Tool Tip: Platforms like MetaTrader 5 and NinjaTrader allow you to backtest these patterns with historical data. - Optimize Your Strategy: Algorithms can adjust to changing market conditions faster than humans. For CAD/JPY, consider strategies that incorporate: - Crude oil futures data. - Risk-on/risk-off sentiment metrics (e.g., VIX Index). - Technical indicators like Ichimoku Cloud (a favorite among Japanese traders). - Automate Risk Management: Forget setting manual stop-losses. Algorithms can dynamically adjust stop-loss levels based on volatility. This ensures you’re not stopped out prematurely or exposed to excessive risk. Case Study: When Algorithms Beat Humans at Their Own Game Scenario: A trader manually monitors CAD/JPY, relying on gut feelings and general market trends. Meanwhile, their algorithmic counterpart uses a mean reversion strategy, identifying opportunities when CAD/JPY deviates from its 50-day moving average. Result: The algorithm generates consistent profits over six months, while the human trader struggles with emotional decision-making. The lesson? Trust the bots (when programmed correctly). The Forgotten Strategy That Outsmarted the Pros Here’s a secret most traders overlook: time-zone trading. CAD/JPY is most active during overlapping trading hours between Tokyo and London (11:00 PM to 2:00 AM EST). Algorithms programmed to capitalize on these high-liquidity windows can exploit micro-movements for quick profits. Witty Insight: Trading CAD/JPY outside these hours is like ordering sushi at a steakhouse—it’s just not the right time. Game-Changing Tools for CAD/JPY Algorithmic Trading - Smart Trading Tool: Automate lot sizing and order management for precision trading. - Get it here: Smart Trading Tool - Free Trading Journal: Track performance with advanced metrics to refine your strategy. - Access now: Free Trading Journal - Community Membership: Join a tribe of elite traders sharing insights and tactics. - Join today: Community Membership Conclusion: From Strategy to Execution Mastering CAD/JPY with algorithmic trading isn’t just about having the best tools; it’s about understanding the nuances of this unique pair. Use oil prices, risk sentiment, and time-zone strategies to your advantage, and let algorithms handle the heavy lifting. —————– Image Credits: Cover image at the top is AI-generated Read the full article

[soulofarabia]

Culinary Journeys to the Best Foodie Destinations Globally

For passionate food lovers, traveling isn’t just about sightseeing—it’s about tasting the world one dish at a time. Every destination offers a unique culinary experience, reflecting its culture, history, and traditions. From bustling street markets to Michelin-starred restaurants, the world is brimming with flavors waiting to be discovered. Here’s a guide to some of the best foodie destinations globally, where your palate is guaranteed an unforgettable journey tourist agency dubai

1. Tokyo, Japan: A Gastronomic Wonderland

Tokyo is a paradise for food lovers, boasting more Michelin stars than any other city in the world. From traditional sushi bars to innovative fusion cuisine, Tokyo’s culinary scene is unmatched. For an authentic experience, visit Tsukiji Outer Market, where you can enjoy fresh sashimi, tamagoyaki, and street-side ramen stalls. Don’t miss dining at an omakase sushi restaurant, where chefs curate a personalized menu highlighting seasonal ingredients.

2. Paris, France: The Epicenter of Fine Dining

Known as the culinary capital of the world, Paris is synonymous with exquisite flavors and sophisticated techniques. Indulge in buttery croissants at a local patisserie, savor escargot at a traditional bistro, or treat yourself to a multi-course meal at a Michelin-starred restaurant. Paris is also a haven for cheese lovers, offering an array of options from creamy brie to tangy Roquefort. For a deeper dive, consider taking a cooking class to master classic French dishes like coq au vin and ratatouille.

3. Bangkok, Thailand: The Street Food Capital

Bangkok is renowned for its vibrant street food culture, where every corner offers something delicious. Sample dishes like pad Thai, green curry, and mango sticky rice from bustling markets such as Chatuchak and Yaowarat. The city’s floating markets, like Damnoen Saduak, provide a unique opportunity to taste local delicacies while gliding along the waterways. For an elevated dining experience, Bangkok is home to some of Asia’s best fine-dining establishments, blending traditional flavors with modern techniques.

4. Barcelona, Spain: A Tapas Lover’s Dream

Barcelona is a city that celebrates food, with its vibrant markets, innovative chefs, and deep-rooted culinary traditions. The city’s tapas bars are legendary, offering small plates of patatas bravas, jamón ibérico, and pan con tomate. Visit La Boqueria Market to explore fresh produce, seafood, and cured meats. For a taste of Catalan cuisine, try dishes like suquet de peix (fish stew) and crema catalana. Pair your meals with local wines or cava for a truly immersive experience.

5. Istanbul, Turkey: A Blend of East and West

Istanbul’s culinary scene reflects its rich history as a crossroads of cultures. Begin your journey with a traditional Turkish breakfast featuring simit, olives, and kaymak with honey. Explore the Spice Bazaar for a sensory overload of colors and aromas, and savor street food staples like doner kebabs and roasted chestnuts. Don’t miss trying baklava and Turkish delight with a cup of strong Turkish coffee. For an upscale experience, dine at a rooftop restaurant overlooking the Bosphorus.

6. Mexico City, Mexico: The Heart of Mexican Cuisine

Mexico City is a vibrant hub for food lovers, offering everything from street tacos to haute cuisine. Start with tacos al pastor from a local taquería, and explore markets like Mercado de San Juan for exotic ingredients and traditional snacks. Dishes like mole poblano, tamales, and chiles en nogada highlight the country’s diverse culinary heritage. For a sweet treat, try churros with chocolate or pan de muerto during Dia de los Muertos celebrations.

7. Marrakech, Morocco: A Feast for the Senses

Marrakech is a city where food and culture intertwine seamlessly. Wander through the bustling souks to discover spices, dried fruits, and preserved lemons. Traditional Moroccan dishes like tagine, couscous, and harira soup are a must-try, often accompanied by freshly baked bread. Experience the lively atmosphere of Jemaa el-Fnaa Square, where street vendors serve grilled meats, snails, and sweet pastries. Complete your meal with a glass of mint tea, a Moroccan tradition.

8. New Orleans, USA: A Melting Pot of Flavors

New Orleans is a city that lives and breathes food, with a culinary scene influenced by Creole, Cajun, and Southern traditions. Savor gumbo, jambalaya, and crawfish étouffée at local eateries, and don’t miss the iconic beignets at Café du Monde. The city’s vibrant music culture often pairs seamlessly with its food scene, creating an atmosphere unlike any other. For adventurous eaters, fried alligator and boudin sausages are worth a try.

9. Lima, Peru: The Culinary Capital of South America

Lima has emerged as a global foodie destination, thanks to its innovative chefs and rich culinary traditions. Ceviche, Peru’s national dish, is a must-try, best enjoyed at a seaside restaurant. Other highlights include lomo saltado, anticuchos, and causa rellena. Explore the city’s markets for exotic fruits and ingredients, and don’t miss the opportunity to dine at one of Lima’s award-winning restaurants that blend Peruvian flavors with contemporary techniques.

10. Cape Town, South Africa: A Fusion of Cultures

Cape Town’s culinary landscape is as diverse as its history, offering a fusion of African, European, and Asian flavors. Indulge in traditional dishes like bobotie, bunny chow, and boerewors, and explore local wine estates in the nearby Cape Winelands. The city’s seafood is exceptional, with dishes like grilled snoek and Cape Malay curries standing out. For a unique experience, try a traditional braai (barbecue) with locals.

Tips for Planning Your Culinary Journey

Research Ahead: Familiarize yourself with local dishes and dining customs to make the most of your trip.

Explore Local Markets: Markets are often the heart of a city’s food culture, offering fresh produce, street food, and regional specialties.

Take Cooking Classes: Learn to recreate your favorite dishes by participating in local cooking workshops.

Balance Street Food and Fine Dining: Both offer unique insights into a destination’s culinary identity.

Embrace the Unexpected: Be open to trying new flavors and dishes—you might discover a new favorite.

Embarking on a culinary journey is about more than just satisfying your appetite; it’s a way to connect with cultures, traditions, and people. Whether you’re sampling sushi in Tokyo or indulging in tapas in Barcelona, each bite tells a story. So pack your bags, bring your appetite, and prepare to savor the world’s most incredible flavors travel companies in dubai

[hamdanemarat32]

All You Can Eat Buffet: Indulge in Dubai's Most Satisfying Buffet Experiences

Dubai is a city that thrives on luxury, innovation, and culinary excellence. Among the myriad dining options, the all-you-can-eat buffet stands out as a quintessential experience. And when it comes to indulging in one of Dubai’s most satisfying buffet experiences, Toshi, the Pan Asian gem located in the heart of Dubai, takes centre stage.

A Culinary Journey Across Asia

At Toshi, the buffet is more than just a meal; it’s a culinary journey that spans the diverse and rich flavours of Asia. From the bustling streets of Bangkok to the serene sushi bars of Tokyo, Toshi brings together the best of Asian cuisine under one roof. The restaurant’s menu is a celebration of the continent’s most beloved dishes, offering a wide variety of options that cater to every palate.

As you step into Toshi, the ambience instantly transports you to an exotic world, with elegant décor that reflects the restaurant’s Pan Asian roots. The warm lighting, intricate woodwork, and subtle Asian motifs create an inviting atmosphere, perfect for a leisurely dining experience. Whether you’re dining with family, friends, or colleagues, Toshi provides a setting that is both comfortable and sophisticated.

The All-You-Can-Eat Experience

The star attraction at Toshi is undoubtedly the all-you-can-eat buffet. Here, indulgence knows no bounds, as you are invited to savour an extensive array of dishes that showcase the best of Asian cuisine. The buffet is thoughtfully curated to offer a perfect balance of flavours, textures, and aromas, ensuring that every bite is a delightful experience.

A Symphony of Flavors: Toshi’s buffet is a symphony of flavours, with each dish carefully crafted to represent the essence of its origin. Start your culinary journey with a selection of appetisers that range from crispy spring rolls and dim sum to refreshing sushi and sashimi. The sushi station, in particular, is a highlight, offering a variety of fresh, hand-rolled delicacies that are as visually appealing as they are delicious.

Live Cooking Stations: One of the most exciting aspects of Toshi’s buffet is the live cooking stations. Here, you can watch as skilled chefs prepare your food right in front of you, adding a touch of theatre to your dining experience. Whether it’s a sizzling stir-fry, a perfectly grilled skewer, or a delicate bowl of ramen, the live stations allow you to customize your meal to your liking. The chefs at Toshi are masters of their craft, and their expertise is evident in every dish they prepare.

A Feast for the Senses: As you make your way through the buffet, you’ll find an array of main courses that are sure to satisfy even the most discerning diners. From the rich and aromatic curries of India to the spicy and tangy flavours of Thai cuisine, Toshi offers a wide range of options that cater to all tastes. The buffet also features a variety of vegetarian and vegan dishes, ensuring that everyone can find something to enjoy.

Desserts That Delight: No meal is complete without dessert, and Toshi’s buffet does not disappoint. The dessert station is a treasure trove of sweet treats, featuring everything from traditional Asian desserts to more familiar favourites. Whether you’re in the mood for a light and refreshing fruit salad or a decadent slice of chocolate cake, the dessert selection at Toshi is sure to satisfy your sweet tooth.

A Unique Dining Experience

What sets Toshi apart from other buffet experiences in Dubai is its commitment to quality and authenticity. Each dish is prepared with the finest ingredients, ensuring that every bite is bursting with flavour. The chefs at Toshi take great pride in their work, and this is evident in the care and attention that goes into every dish.

In addition to the exceptional food, Toshi also offers a unique dining experience that is both interactive and immersive. The live cooking stations allow you to engage with the chefs and learn more about the dishes you’re enjoying, while the beautifully designed dining area provides a serene and elegant backdrop to your meal.

The all-you-can-eat buffet at Toshi is not just about quantity; it’s about quality. Each dish is carefully crafted to showcase the best of Asian cuisine, and the variety of options ensures that there is something for everyone. Whether you’re a fan of spicy curries, delicate sushi, or hearty stir-fries, you’ll find plenty to love at Toshi.

Perfect for Any Occasion

Toshi’s all-you-can-eat buffet is the perfect choice for any occasion. Whether you’re celebrating a special event, enjoying a meal with loved ones, or simply looking for a place to unwind after a long day, Toshi offers a dining experience that is both satisfying and memorable.

The restaurant also offers private dining options, making it an ideal choice for corporate events, family gatherings, or intimate celebrations. The attentive and professional staff at Toshi are dedicated to ensuring that every aspect of your dining experience is perfect, from the moment you arrive to the moment you leave.

A Culinary Destination in Dubai

Dubai is a city that is known for its world-class dining options, and Toshi is proud to be a part of this vibrant culinary scene. With its all-you-can-eat buffet, Toshi offers a dining experience that is both indulgent and authentic, allowing you to explore the rich and diverse flavours of Asia in a single meal.

Whether you’re a resident of Dubai or a visitor to the city, Toshi’s all-you-can-eat buffet is a must-try experience. The restaurant’s commitment to quality, authenticity, and exceptional service ensures that every visit is a memorable one.

So, if you’re looking for a buffet experience that goes beyond the ordinary, head to Toshi and indulge in one of Dubai’s most satisfying buffet experiences. With its wide variety of dishes, live cooking stations and elegant ambience, Toshi offers a dining experience that is truly one-of-a-kind.

[legofanguy]

Scooby Doo and Inuyasha AU-gust crossover AU

A Scooby-Doo and Inuyasha crossover fanfiction for @augustwritingchallenge event AU-gust 2024 day 20 crossover/fusion.

The Mystery Gang are on a vacation in Tokyo and Daphne Blake said, "Is this great to visit Japan, guys?" and Shaggy Rogers answer Daphne's question from the back seat of the car, "Me and Scoob are more focus on the world famous sushi and ramen that Japan is known for." and the brown dog laugh. Velma Dinkley, a brown hair girl around her friends age wearing orange and glasses, said to Shaggy and Scooby Doo, "Very funny, you two. I'm more in the hobby of visiting the local Higurashi shine. I read online that their miko ancestor once become the master of a demon yokai." and Shaggy said, "I don't get what is important about a dog. What is a Yokai anyway?" and Fred Jones, a blond hair teenage boy wearing white, answer Shaggy's question as he drive their car, "I read that Yokai are supernature creatures like monsters or ghosts." and that quickly cause Shaggy and Scooby to hide in fear.

The gang arrived at the shine.

When Scooby-Doo touch the tree, its starting to glow and the Mystery Gan was taken by its light.

Once the bright light was gone, the Mystery Gang was surprised that they find themselves in some kind of forest. Daphne quickly check her phone and find no signal.

The head of the village tell the Mystery Gang, "Our village has been under the attack of a dog demon whose called himself Inuyasha. Our local lord has been trying his best to capture Inuyasha, but he said his troops meet their end."

The Mystery Gang explore the forest for clues of the battle.

As Scooby and Shaggy look around the area, the teenage boy in green said, "I guess they have the right idea of running away. We should do that too, Scoob." just as a growl from behind said, "Where do you think you are going?" and the pair turn to see a man in red with fangs, red eyes, long white hair and dog ears, and holding a giant sword in his hands and giving a smile on his face, "The sword of I, Inuyasha, hunger for the blood of men and dogs." The scared Shaggy quickly said, "Me and Scoob are more like chickens."

Fred said to the two group as they gathered around the captured fake Inuyasha, "Okay, let's see whose this fake Inuyasha is really is. I do hope that they have masks in their period as we usually take off the mask of the villian." and Kagome said as her hands grow, "I don't think we have good enough masks here in the Fedural Period, Fred, but I do have a feeling I know whose it is, since there is one whose can pull a trick of being Inuyasha before." and the fake Inuyasha face changed into that of a young man with long black hair and unnatural red eyese as Inuyasha and his friends call out, "Naraku!" which Velma said, "I guess that is the name of the local lord here." Naraku laugh, "Can you blame me for enjoying ruining Inuyasha's image again?" and Velma said, "I don't know how you did it, but I have a feeling that something was up when the head of this village said that you send troops after Inuyasha, but there were no sights of battle. You basically disguise yourself as Inuyasha to scare the poor village into ordering you."