#Studio Hari”

[cleoenfaserum]

ANIMALS KNOW HOW to HAVE FUN(1295)

A series of short animated videos that will amaze you in a fun way and the product of a great imagery imagination and creativeness.

link https://youtu.be/nPrWo5pEvyk

"5 Metres 80" (also know as high diviing Giraffes) is an award-winning computer generated short animation film produced by Cube Creative & directed by Nicholas Deveaux.

The animated short was inspired by '7 Tonnes 3′, an earlier project by Devaux which featured an elephant jumping on a trampoline.  Below

link https://youtu.be/TK27aknWVI4

link https://youtu.be/rDWzQ6lZNpY

Oscar's Oasis is an animated comedy television series consisting of 78 seven (7)-minute episodes. It was produced by TeamTO and Tuba Entertainment, in co-production with Cake Entertainment and Synergy Media. The show takes heavy inspiration from the Wile E. Coyote and Road Runner shorts from the Golden age of American animation. Oscar's Oasis - Wikipedia

link https://youtu.be/F3lASSa7jjg

"Athleticus" is an animated series created by Nicolas  Deveaux. The series is produced by Cube Creative  Productions and ARTE France. The show features  wild animals competing in various athletic events. (AI Copilot)

link https://youtu.be/j16xNzNQ8Gk

link https://youtu.be/LtnQsVc40MY

"Rollin' Wild" is a series of animated short films  created by students at the German  Filmakademie Baden-Wuerttemberg in 20121. The  project was led by Kyra  Buschor, Ännie Habermehl,  and  Constantin Paeplow. The concept revolves around a whimsical world where all animals are round,exploring how their daily lives would be affected by  this transformation. Continue reading (note 1 at bottom)

link https://youtu.be/YrmXjoyqGQQ

Leon of Lion created "Life's Unluckiest Lion!" by the French "Studio Hari", an animation studio founded in  2006 by Josselin Charier and Antoine Rodelet. The  studio specializes in producing high-quality 3D  animated  TV series and films for children  and  families. They are known for their original character-driven  properties and have built a reputation for  blending  artistic brilliance with technical mastery. (AI Copiot)

link https://youtu.be/lw21Ji8GHb0

"1 METRE/HEURE" is a short animated film directed  by Nicolas Deveaux1. The film is set on an airplane  wing, where a group of snails performs a beautifully  choreographed dance2. The film explores the  contrast  between human time and the much  slower  pace of the  snails, creating a surreal  and  visually  captivating  experience

link https://youtu.be/-EHAhuNi0sM

Liuyu Animation is a creative studio based in China,  known for producing animated content that often  features imaginative and educational themes. While  specific details about the individual creators behind  the studio aren't widely available, it's clear that they  focus on creating engaging and visually appealing content for a younger audience.

Their work, such as the "Savanna Version - Zebra"  series, showcases their ability to blend humor,  creativity, and educational elements to entertain and  inform viewers. The studio seems to be dedicated to exploring various aspects of nature and animal life,  making their content both fun and informative. (AI Copilot)

NOTES:

NOTE 1: The short films were produced as trailers for the Stuttgart International  Festival of Animated Film  (ITFS) 2013 and the FMX 2013 festival. The unique  and imaginative idea quickly gained popularity,  leading  to the creation  of  more  content under the  "Rollin'  Wild" banner.

The creators of "Rollin' Wild", Kyra Buschor and  Constantin  Paeplow, are both  alumni of the  Filmakademie Baden-Wuerttemberg  in  Germany. They  collaborated on the project while studying there, and their unique and  imaginative concept quickly gained attention and  acclaim.

Are they mimicking today's obesity problem? It seems like "Rollin' Wild" does touch on themes  related to obesity and the  consequences of unhealthy eating habits, but it's done in a whimsical and  exaggerated way. The series imagines a world where all animals are round, which  can be seen as a playful  commentary on the effects of overeating and  obesity.

The creators, Kyra Buschor and Constantin Paeplow, use humor and creativity to  highlight these issues,  making the shorts both entertaining and thought-provoking. It's a fun way to raise awareness about the importance of healthy eating and lifestyle choices.

Was this their intention?While the creators of "Rollin' Wild," Kyra Buschor and Constantin  Paeplow,  haven't explicitly stated that  their  intention was to comment  on  obesity, the  exaggerated, round shapes of the animals can be  seenas a playful nod  to  the  idea. The series  more broadly  explores humor  and the whimsical  consequences of  animals being unexpectedly  rotund, using it as a  vehicle for entertainment  and  subtle social  commentary. It's one of those creative works that can be  interpreted in multiple ways,  allowing viewers  to  derive their  own meanings and messages. Enjoy the  whimsy while pondering the deeper implications! (AI Copilot)

[hisiggy]

///hbd cher <3\\\

[nofatclips]

Puer Blue by Void Droid from the compilation album Unity vol 1 - In Solidarity With The Refugees of Moria Camp

[chiisana-lion]

at least im at home w my family. i definitely cant do anything drastic with them in the vicinity

[itz-rae]

is Kai Chisaki incapable of love?

platonic and romantic

(Ik I'm probably not the first person to point this out but whatever)

One of the most important people to Chisaki is the Boss who he clearly sees as a father figure though because studio bones fucking sucks they cut a lot of there interactions out of the anima

The Boss is one of the only people we see him show care or empathy towards

although as soon as the Boss goes against him with what he was planning on doing to Eri, Overhaul put him in a coma

But it's clear this comes from Kai wanting to make him proud it is still an incredibly fucked up way to do it

But I don't believe it's entirely Kai's fault I believe it's part of his quirk instincts (ie like how Himiko Toga's need to drink blood and La Brava loving people more intensely) make Chisaki more controlling

I mean, it's not outright stated, but come on, he can manipulate matter with his bear hands it's not a stretch to say part of the reason he's such a control freak is because of that

Which brings me to his relationship with Chronostasis, the only other person he cares about

We know Hari is one of his childhood friends though we don't know much else but he is Kai's right hand man and one of the only people we see Overhaul consistently trusts with Eri and his plan for the Shie Hassaikai

And even during the raid, we see Kai going out of his way to heal Hari while he eminently fused with Nemoto (probably killing him if Eri didn't rewind them) as soon as he wasn’t able to fight anymore

The big difference being that Chronostasis never disagreed with Kai to the extent Hari was more loyal to Chisaki than the actual Shie Hassaikai

While the Boss definitely loved his adopted son he wasn’t okay with his plan (understandable) and was worried about the path Kai was going down but in the end he was too late and didn't give him the help he needed

In conclusion, Chisaki is definitely capable of loving and caring for someone, though he'd definitely be controlling about it and do what he'd think is best in the long run

[luvrlou]

Heyy girll can u do a niko o/s where yn gets invited to shoot with the beta squad as a guest nd ppl knows abt yn nd nikos relationship so they think it’s cute etc nd they keep flirting while they’re filming 😭🙏🏼

Cutie Patooties

Pairing: Niko Omilana x fem!reader

Summary: Niko's day seems to lighten up incredibly after a certain guest is invited into the studio.

Warnings: Swearing

A/N: Recently I have been really into the beta squad and the sidemen so please keep these requests coming! This is so rushed I'm sorry!!

Word Count: 1k

The other 4 members of The Beta Squad, plus Yung Filly and Hary Pinero, were sat giddily in the studio awaiting the special guest for this Saturday's video, everyone knew this would send Niko's mood sky rocketing.

He had been in a mood for the past 2 weeks since his girlfriend, you, had been on tour for your newest album so he hadn't been able to see you. Little did he know you were going to be waltzing through that set of double doors at the rear end of the studio as soon as the cameras start rolling.

"Niko! Get up!" Kendall, one of the members of the camera crew called, he pulled himself off the couch and towards the other boys.

"Today on Beta Squad.." Kenny began the intro before Chunks interrupted.

"We have a guest!" He announced, earning a confused look from your boyfriend.

All the boys turned to look at the double doors at the back as all the cameras moved to focus on it.

The doors swung open as you waltzed in, "it's me!" You stated, twirling around.

"No way!" Niko shouted, his mood immediately lighting up.

"Yes way!" You shouted back with a laugh as he jogged over to engulf you in a hug. "Can you guys believe this? My own boyfriend didn't notice my 10-day break in shows!" You jokingly complained to the camera, earning a huff from Niko.

"Be quiet and let me enjoy your presence for 2 seconds," he mumbled, picking you up and spinning you in the air, earning a squeal from you. He placed you back down on the ground and engulfed you in yet another hug. "I missed you baby."

You both walked over to the other boys, Niko's hand grasping yours for dear life. The boys then began to explain the video. They had 5 girls waiting in the main studio as Filly was going to be playing Blind Dating Girls Based On Their Outfits.

You were sat on your boyfriend's lap, in between both Chunkz and Sharky, with Aj, Harry and Kenny in front of you on the couch.

"The Beta Squad are gonna play cupid, by trying to find, our friend Filly, love. The twist is, the girls are hidden behind a curtain, and round, by round, we'll slowly raise the curtain to reveal the girls that may take Filly's heart. Also! Another twist, Filly doesn't get to pick who goes through each round, we do. By wingmanning from another room and deciding which girls will get rejected. Let's see if we can find Filly true love!" Chunkz explained, going over each rule of the episode.

"See if Aj was doing this, he'd be able to see under." Niko stated, earning laughs from the other boys.

You turned around to him, "and if it was you, you would see over it."

"Yeah! What she said! Lanky!" Aj quipped, making Harry pull him back down to the couch.

You leaned back into Niko, Sharky audibly awing at your comfort around him. Filly started asking the girls their names and ages, without interruption from the 7 of you in the next room.

He went on to ask about icks which sparked conversation between you and the boys.

"Y/N what are your icks?" Harry asked you, making you lean further into Niko in thought.

You hummed, "I haven't really thought of any."

"Well what's one thing Niko could do that would make you be like 'wtf is that thing I'm dating'?" Kenny asked you.

You smiled in return before speaking, "I love him too much! He couldn't do anything!"

Niko grinned and kissed the top of your hair, everyone else reacted with disgusted sounds and Aj mumbled "they're so cute it's disgusting."

After a while of watching Filly talk to the women, Niko grabbed the mic.

"Ask them if they shave." He told him in a monotone voice.

"Niko!" You shrieked hitting his arm and snatching the mic. "Don't you fucking dare Finny, that is the crudest thing you can ask a girl! Instead ask what their favourite song is or something."

He smiled at the camera that was used to show you guys what was going on in the other studio. He went down the line asking what the girls' favourite songs were.

The first girl said a song by you, which made all the boys, including Finny cheer, the next said Under the Influence by Chris Brown, the next said anything by Britney Spears, and the final girl said Irregular Love by LilTjay.

"Okay, It's time for us to vote out another girl," Harry said into the mic.

"Girl 2, she really said Under the Influence, absolutely not." You stated.

This caused Chunkz to pipe up, "what's wrong with Under the Influence? Huh!"

"It's a shit song that's what's wrong with it!" Niko answered, making you nod your head proudly.

"Shut up! You're only saying that cause you don't want to upset Y/N!" Sharky exclaimed, making Niko flush.

"All I'm saying is I want rid of her," you huffed, making Niko wrap his arms around you softly.

"The fans will be loving this," Kenny laughed, indicating to you and Niko.

He was right, the number of edits you had seen floating around Instagram, Twitter and Tiktok of the two of you was crazy. They were adorable, you had to admit, and seeing the reactions of fans when you commented on their videos was enough to leave you happy for a week.

"So what? I'm just showing my girl some love." Niko nonchalantly answered, making you hide your face in his arm.

The video continued on, every so often the cameras would switch from Filly to you and Niko cuddling into eachother.

When the video came to an end Filly walked into the other studio which contained you and the boys, with his new girl, Melissa.

"Love is in the air!" Chunkz grinned, looking between you and Niko to Filly and Melissa.

[jokeroutsubs]

[📝 ENG translation] Joker Out pleased 50 chosen fans the night before the release of a new album

Original article written by Niko Hari for RTV MMC, published 15.11.2024. English translation by a member of JokerOutSubs, review by IG 10_anja, proofread by @flowerlotus8

The fans listened to five new songs for the first time in the listening room of Val 202.

The night right before the release of Joker Out's third album, 50 chosen fans listened to the band's five freshest songs for the first time. Through their song selection, the members exposed the album's stylistic diversity, which will be presented in concert form at the end of the month.

The most loyal fans waited for more than 800 days for the release of Joker Out's third studio album Souvenir Pop.

(Ph: MMC RTV SLO)

After a few days of the release of Joker Out's second LP Demoni, the Slovenian public was convinced by how quickly their fans fall in love with new music since the fans managed to memorise the lyrics of almost the entire album in a short amount of time and were, at the surprise of everybody, even the band, singing along with Bojan Cvjetićanin at the top of their lungs.

This time, around 50 lucky fans got the opportunity to "consume" the band's new music before the other mere mortals at Val 202's listening room.

The fans listened to five songs from the album Souvenir Pop with the company of Andrej Karoli, the editor and radio presenter on Val 202, who can be at least partially credited for the renaissance of Slovenian pop due to his intense playing of young local bands on the radio waves.

First, Joker Out pleased the fans by playing the acoustic version of the already well known hit 'Novi Val' and soon after, the first notes of the new songs were heard in studio 26. It was a little bit anticlimactic since the songs were not played live, however, the band listened to the studio versions of the songs alongside the 50 fans.

(Ph: Kaja Ravnak/Val 202)

On the other hand, the fans were able to get to know the album best through the recorded songs. The honour of choosing the first song went to Karolij, who first offered the fans the song 'Sonce'. He admitted that all of the members of the band were surprised by his song selection, considering the song is quite gloomy and at the same time carries a heavy message.

"'Sonce' is actually a story in which a dead son talks to his mother who is alive. The story was directly inspired by the current situation in Palestine. Some people thought that it's a love song when I showed them the song without context, but it's not. Jan took over the task of writing the music to the lyrics. The entire arrangement is Jan playing the piano. The story could not be told more beautifully through music." said Cvjetićanin.

An extreme move away from Umazane Misli

Immediately after the first song, it was obvious that Souvenir Pop would not be an album of radio hits but rather a mature product of music, which also highlights the band's musical development. From songs off the album Umazane misli, which shot the band to the very top of the Slovenian music scene, and with the move away from Demoni, the boys showed the public can relate to the different styles of music they create.

The third album confirmed this move, since the chosen five songs showcased a powerful genre, textual and linguistic diversity as well as the band's ability to step-up with every album, which was appreciated at the first listen by the fans too.

"At the start I was very sceptical of the lyrics, since the song was originally written in English. We really liked it, besides, it's difficult to let go of something that's familiar, but Bojan convinced us to let him also have this song in Slovenian. He was right, the song written in this form was missing for me on this album." said Kris Guštin about the second song of the evening and Bojan added that him and Kris have a completely different interpretation of the song:

"'Mesto duhov' is the reflection of when I realised for the first time in my life that we as a society fell into a very negative mindset. People have a defensive aura around them, always on guard - which is normal when we see everything go in the opposite direction from what we want every day." He also added that this is the first lyric he wrote in which he was 100% pessimistic.

They observed the fans' reactions

If the gloomy sound of the song titled 'Sonce' was surprising, it was even more unexpected to hear much upbeat rhythms in a song titled 'Mesto duhov.' The song ticks all the expectations of a quality modern rock song, and in the chorus, the music and the lyrics are almost ironically cute. Karoli also noticed the discrepancy: "How can you be sad and write pa, pa, pa ..."

The guys attributed the reason to the fusion of the Slovenian and English versions of the song, and the most (un)obvious indicator of the fusion is certainly the guitar solo, which in the final version still "sings" the lyrics of the original version in Morse code. Even before the first song, Karoli asked the audience to leave their mobile phones in their pockets this time, as this is the only way they will be able to fully enjoy the new songs.

Between the ballads, Lina, a fan, was completely engrossed in the music and with closed eyes took in every note. "I didn't expect for it to be as good as it was, and I had high expectations. I really liked it, I just closed my eyes and really felt the music. Although I'm a lover of rock, I really liked the diversity of the album.

"I enjoyed 'Mesto duhov' the most. Obviously I like the other hits as well, but 'Mesto duhov' and 'Sonce' touched me the most. I thought that they would perform the songs live, but just listening to the tracks was okay too, since we could also observe them and how they listen to their own music." she told us.

Before playing the third track, Karoli asked the boys about how they feel when they listen to their own songs with their fans and what they do while listening. "I am constantly looking at the reactions. With this song especially, I was observing how you will react to the chorus." admitted Nace Jordan to the 50 fans.

Joker Out explained that the final version of 'Lips' did not sound anything like the first, since they wanted to at least partially record it in French. "At the start, it was a very Franz Ferdinant rock 'n' roll song. The idea was to even invite a French singer to collaborate on this track. But then it quickly went down the drain since we realised that none of us knows French." said Cvjetićanin before the premiere of this song.

Instead of the originally intended rock song, the audience received a complex and musically multi-layered track, which probably will never be the most desired song at concerts, but Joker Out still added one of the highest quality tracks to their collection to date. "I believe that all lovers of pop music would like to have as many hits as possible, but on the other hand I'm happy that the band makes music that carries weight and stands on its own," approved the music editor of Val 202.

He added that Jure Maček will not have much to do due to the absence of acoustic drums, but Jure quickly reminded him that he plays one part in the old-fashioned way at concerts. Nace also said that throughout the entire song, we can hear a heartbeat in the background.

The favourite song from the album

Then followed the song which was, based on the reactions, the most liked by the audience and at the same time the song 'Muzika za Decu,' which was described by Karoli as a tribute to Partibrejkers (a well-known old Serbian rock band), is probably also the one that will play the most on the Slovenian radio.

If the audience was enjoying the previous songs by closing their eyes and swaying to the music, the penultimate song broke the peace, like a crystal in a glass factory shattering during an earthquake of the smallest magnitude. "'Muzika za decu' was definitely the best song today," was what a group of girls agreed while exiting the studio satisfied after listening to all the songs. The last song on the list of the new songs was 'Ako toga više neče biti.'

"This is Bojan and I's favourite song on this album," told Karoli to the audience before listening to the last song off the new album and added that this song, at least in terms of lyrics, is a description of a middle-aged man after going through a truly difficult divorce. Still a sad ballad, but sounding more optimistic than let's say 'Sonce', again had the audience closing their eyes and all that was left was to enjoy it.

"This song will always be relevant after every broken heart. I can't wait for the concert performance," is how Karoli finished the listening. After the "official" part, fans were given a rare opportunity to ask the band practically anything. Until the end of the session, various questions were asked about the album, songs, clothes and the friendship between band members.

The visibly delighted group of mostly female fans (there were also some male fans of Joker Out) then got a few minutes to capture the moment in front of the cameras. All that remained was the wait until midnight, when the fans of the band could listen through the entire album for the first time, on which Joker Out included 10 songs.

[hellopersimmonpie]

Ketemu mahasiswa yang beberapa kali merasa nggak bisa achieve sesuatu yang dia targetkan. Jadi keinget pas gue masih mahasiswa dulu tuh sering banget denger motivator ngomong:

Sama-sama 24 jam tapi mereka lebih produktif. Kenapa kita tidak bisa? Ayo jangan biarkan diri kita terjebak rasa malas.

Kamipun jadinya ngobrol dan gue bilang ke dia bahwa terkadang dia nggak bisa achieve target bukan melulu karena dia malas. Kadang ini masalah support system yang kurang. Bukan untuk blaming kegagalan kita ke system tapi biar kita bisa lebih rasional aja. Support system yang kita punya, bisa kita manfaatkan sebatas apa.

Gue kadang mentarget sesuatu yang berbeda ke kelompok yang berbeda simply karena titik berangkatnya beda, mesinnya beda. It's not that bad.

Tahun 2021 akhir, gue mulai nggak double job dan gue punya lebih banyak waktu luang buat mikir. Gue ngerasa skill programming gue di Game kurang banget. Gue pengen upgrade tuh mentok karena gue nggak pernah ketemu problem aneh-aneh. Mau kerja di studio? Studio game di Indonesia tuh banyak banget yang baru berdiri dan pace kerjanya cepet banget. Hustling banget. Belum ada studio yang pola kerjanya tuh bisa part time dan remote.

Instead of nyari tutorial di youtube, gue lebih mikir untuk bikin game sendiri dengan mode produksi standar industri tapi lebih slow dan bisa remote. Waktu itu gue belum punya duit sih. Gue beruntung banget punya mahasiswa dengan visi yang sama jadi bisa diajak buat kerja keras di riset.

Gue mengawali dengan riset tentang game Tycoon tapi pake elemen Narrative. Gue ngerjain game ini selama enam bulan dan ternyata gagal. Ini pengalaman gue pertama kali sebagai Game Director dan ternyata gue nggak bisa deliver visi dengan baik.

Tahun 2022 gue sama mahasiswa angkatan 2020 nyoba bikin genre Heavy Narrative - Story Driven. Gue nggak ambisius bikin game yang rumit. Target gue waktu itu cuma bikin game linear dan plotnya udah jelas. Tapi ternyata juga nggak semudah yang gue bayangin. Setahun lebih terjebak di desain gameplay. Sampai gue suatu hari nanya ke director-nya:

"Kamu nyadar nggak sih kalo kita muter-muter di satu tempat? Kenapa begini ya?"

Dari situ gue belajar tentang framework Game Design dan akhirnya kami keluar dari kebuntuan. Tahun 2023, gue mulai bikin game sama mahasiswa angkatan 2021 dengan start yang lebih baik. Gue pun involve sebagai Game Writer. Gue udah banyak belajar dari angkatan 2020 sehingga masalah dengan angkatan 2020 nggak sampai terulang. Tapi di sini gue juga nemu masalah yang nggak kalah rumitnya.

Waktu ngobrol sama anak 2020, gue bilang:

"Kalian nggak saya target sampai sini karena tahun ini kalian harus lulus. Kalian udah ngerjain yang terbaik. Jangan pernah bandingin game kalian dengan adek kelas karena kalian itu raksasa dan adek kelas kalian berdiri di pundak raksasa-nya"

Gue berani bilang kadang achievement itu memang matters of support system setelah menyadari bahwa variasi masalah di game desain yang gue temui bareng angkatan 2021 tuh jauh beda dibanding 2020 karena gue udah mulai punya infrastrukturnya.

Ini yang bikin gue sedikit tenggelam di studio dan agak ninggalin rencana S3. Gue berharap kalau kelak gue S3, gue juga tetep punya studio yang sustain. Karena studio itu seperti laboratorium. Dan ngebuat game itu beneran kerjaan kreatif yang ga cuma butuh otak dan teknologi tapi juga butuh banyak banget orang. Bisa banget bikin game sederhana sendirian. Tapi jelas kualitasnya beda dengan yang dikerjain bareng.

Minggu ini gue ngelihat Research Group gue masuk Research Group kurang produktif karena nggak memproduksi paper sama sekali. Tapi gue sepenuhnya menyadari kalo tahun lalu tuh gue sibuk menata produksi sampai nggak sempat bikin paper. Bulan ini gue udah mulai bikin paper dan semoga pelan-pelan produktif.

Gue tuh berharap saat gagal, orang tuh nggak mudah desperate tapi mereka mengevaluasi diri mereka dengan baik, punya self compassion lalu menabung tenaga untuk terus berjalan.

[mimpinightmare]

Guys. Guys! GUYS!!! GUYS!!!!!!!

✨SELAMAT HARI MEDEKA! ✨GUYS!!!!

💙💛❤🤍❤🤍❤🤍❤🤍❤🤍❤🤍❤🤍

( SONG : Saya Anak Malaysia 2020 (Malaysia Day Song) )

💙💛❤🤍❤🤍❤🤍❤🤍❤🤍❤🤍❤🤍

GIVING SOME LOVE FOR THE SEPAK TAKWAR TRIO, THE ACES!!! (WHO ARE CANONICALLY MALYSIANS! LET'S GOOOOOOO!!!!!!)

(At least, I think they are- WELL, THEY ARE TO ME!! LEAVE ME BE TO BE HAPPY-)

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉

HAVE I MENTION IS MALAYSIA'S 67TH INDEPENCE DAY??? :D

SELAMAT HARI KE-67 KEMEDEKAAN MALAYSIA TO ALL MALAYSIANS IN THE SUPA STRIKAS COMMUNITY, AND AROUND OR OUTSIDE MALAYSIA!!! Hope you all are having a GREAT DAY ON THIS SPECIAL OCCASSION (ALSO MONTH AND YEAR!) regardless what you're doing!!! (This goes to people who aren't Malaysians too. You deserve great days in your life, like the rest of us!) ✨💛💜💛💜💛💜💛✨

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉

I REWACTHED "SEPAK ATTACK S6E4" FOR THIS. CAN YOU TELL???? ALSO:

They REALLY name the Stadium that held the Sepak Takwar Event, "STADIUM MERDEKA"- Which just translates to:

"INDEPENDENCE Stadium"- (Edited after correction!)

"Merdeka" literally just means "Independence" in Bahasa Melayu-

Kinda ironic and an coincidence for today- And because Animasia Studios is from Malaysia. I wonder if this the people from Animasia Studios decision, or the writers/concept artists outside Animasia to name the stadium that.

This isn't really important- But I've been thinking this since I first watched and notice it in "Sepack Atack S6E4".

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉

(GOING TO BE VERY PERSONAL IN THIS PARAGRAPH-) I will say, it took me awhile to accept my nationality self when I was younger, because always grow up thinking, "You're only special and stand out if you were "English", from a country that is Native Language is English, or any other country that isn't in Southeast Asia." But growing up and surrounding myself with loving and accepting people, I slowly accept myself and falling in love with this country again, despite of it's many flaws.

Malaysia isn't a perfect country, that's the truth. There are many things I would criticize so Malaysia can be a better, safer and inclusive country. In my opinion, I think it's getting better (at least I hope it is-), so I hope it will continue getting better on, in the future. But, of course, despite the terrible things that happens in Malaysia, my love is always towards the people, culture, ecosystem, etc. of this country. And nothing would change that. ✨💙💛❤🤍❤🤍❤🤍❤🤍❤🤍❤🤍❤🤍✨

( This is my artwork, of me, btw :) )

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉

Originally, I wanted to make a drawing for the "Sepak Takwar Trio", with them wearing traditional clothing from different cultures in Malaysia (Pretty much Headcanons for them). Unfortunately, I don't have time... So I decided to make a little short edit of them instead! ✨💛💜✨ (I'M SO SERIOUS AND UNSERIOUS WHEN I MADE THE EDIT YESTERDAY- 😭😭 ) Maybe next year I will do the drawing 👀👀

Like I said, SELAMAT HARI MEDEKA!

💙💛❤🤍❤🤍❤🤍❤🤍❤🤍❤🤍❤🤍

[nofatclips]

Love To Lose by 10 Code from the album Swiftlets

[mayweblue]

"if we didn't make it, you know for sure it was for my parents mistake."

"hey, that's terrible way to tell me you don't love me."

aku cuma bisa ketawa, entah sedih entah getir, atau karena betulan menyadari kalau kami nggak akan ke mana-mana. seperti biasa, menuju penerbangan paling pagi hari itu, kita berdua terjaga semalaman. tanpa seks, lagi-lagi. aku cuma diam di ujung ranjang—membaca buku, sepanjang kamu menyelesaikan lima report yang harus kamu presentasikan senin pagi nanti. sambil kamu mengajakku bicara tentang alam semesta dan ray, temanmu dari india yang memberimu pelajaran soal hidup setelah dia drop out dari sekolah.

"gue respect ray," suaramu sehangat matahari yang pecah di selasa pagi. "he didn't have to to anything, an only child, from upper class parents, loving family. malah sempet-sempetnya belajar bahasa inggris dan pergi dari rumah, bikin start up sendiri. i don't know what was he thinking."

"the meaning of existence is absurd, somehow," aku menjawab sambil mengambil kopi dari tepi meja. "that's why sartre was confused."

"and so are you."

buku yang baru kamu beli, yang berada di tanganku saat ini, bab satunya bercerita tentang cinta. tentang bagaimana perasaan bekerja di otak manusia, bagaimana endorfin membuatnya jadi rumit.

kalau bicara soal seks, kita bisa dengan sederhana menyalahkan hormon. tapi cinta selalu ada di level lain, di tempat yang tak bisa dengan mudah kita jangkau, untuk kemudian kita salahkan kalau ia tak lagi bekerja di antara dua manusia.

aku membingungkan dan kamu juga, makanya kita berdua tidak ke mana-mana. selalu hanya di ruangan tipe studio, di tamansari semanggi, tempat semua ketakutan itu berubah jadi apapun yang tak bisa kita bagi. kamu dengan duniamu, aku dengan kesepian-kesepianku. di tempat yang selalu dingin ini, pelukanmu tidak pernah bekerja sebagaimana yang selalu aku butuhkan.

aku benci bagaimana saat bersamapun, kita berdua tetap seperti sendirian.

"report kelar!" kamu tersenyum, menutup laptop, lalu menuju ranjang. "tapi kita kehabisan kondom."

aku tersenyum sebelum mengusap puncak kepalamu, lalu berkata, "tidur aja."

kamu menciumku saat aku mengatakannya.

dan aku membalas lumatan itu meski satu-satunya yang kurasakan adalah kegetiran.

("jangan jatuh cinta.

"iya, jangan.")

[bayuvedha]

Mengelola Diri Sendiri Dahulu.

Pulang dari studio hari itu hujan deras. Sama sekali ndak kepikiran bawa jas hujan—mesti aja basah kuyup!

Baju, celana, tas, bahkan helm ikut mengucur air. Helm yang siangnya tak jemur untuk mengeringkan, eh, malamnya malah jadi teko tampung hujan karena lupa!

Kata orang sini "Lali sak plengan" a.k.a Teledor.

Lain cerita,

Ini cerita tentang selepas selesai kajian.

Dapat gethuk dari buibu kajian, yang ada di kepala dan terpikir ya untuk disantap nanti. Pas sampai di rumah, dibuka, ternyata penuh semut.

Lagi-lagi lali sak plengan, lupa kalau semut suka manis. Padahal sudah masuk tas dengan aman.

Dari sini kita bisa merenung, kok ya bisa manusia gampang teledor untuk urusan kecil seperti helm dan gethuk, tapi merasa bisa mengendalikan hidup sepenuhnya?

Duh, padahal mengurus hal-hal sederhana saja kadang masih sering lupa.

Apa nggak lucu kalau kita bergaya sok mampu mengatur segalanya? padahal perkara gampang teledor saja belum lulus ujian.

Di sinilah Islam ngajak kita untuk mulai dari yang kecil dulu—ngelola diri, ngurus amanah sederhana, sebelum ngebayangin hal-hal besar. Biar gak mudah lupa, biar nggak keburu sok tahu, mulai dari mengingat Allah lewat langkah-langkah kecil.

Dari hal-hal sepele itu, kita diajari Allah bahwa hidup itu bukan sekadar jalan lurus tanpa tantangan. Kadang-kadang ada udan deres, helm kebes banyu, semut penuh di gethuk.

Tapi justru dari situ kita disadarkan bahwa hal kecil yang kita abaikan bisa bikin urip berasa makin ribet.

[asrisgratitudejournal]

The Wild Robot

Haii hari Sabtu adalah waktunya aku menulis tumblr post. Ini lagi di department, awalnya sih mau kerja, tapi yaudah secukupnya aja lah ya crossing off to-do lists yang kubikin Jumat kemarin. Seharian ini udah banyak banget deh yang dikerjain: bangun-bangun udah ngucek sprei, sarung bedcover, alas bed yang di bawah sprei, bedcovernya juga, sama ada mattress topper ya namanya (tentu saja juga underwear dan celana tidur) gara-gara tembus heboh, buset. Jadi dari bangun pun udah cranky dan langsung bekerja keras. Terus ngevakum rumah karena udah lama banget gak divakum dan debu-debu sampe kelihatan. Cabut jam 11.18-an buat ke bioskop, jalan 25 menit-an, jadwal filemnya padahal 11.30, plan awalnya tu mau jalan dari rumah jam 11 tapi ya namanya juga Noni kan, pake ada acara masukin laundry dulu dsb. Untungnya sampe studio belum mulai filmnya. Tapi udah gelap, jadinya susah banget nemu tempat duduk. Berujung sepanjang film ku duduk di 1 seat belakang tempatku yang seharusnya. Untungnya dari nonton jam 11.30 tu tapi studionya sepi sih, jadi aman-aman aja sebetulnya mau duduk di mana-pun. Kayanya tadi total penontonnya ga sampai 15 orang di satu studio itu.

Nonton The Wild Robot huhu bagus banget. Dan di Odeon tuh cuma £5 kursi standard jadi yaudah lumayan banget kan. Sebetulnya semalam dikasih link ilegalnya sama Hanif tapi aku tuh kalau nonton film perlu banget dengan sound system yang proper. Jadi £5 tu worth it banget kalo kata aku mah. Se-Oxford raya ada 3 bioskop. Dulu paling rajin nonton di Curzon di Westgate sampai punya annual membership (karena se-suka itu aku nonton di bioskop dengan proper sound system). Si Curzon ini bioskop yang paling proper di Oxford, se-levelnya CGV-lah, tapi MUAHAL banget. Sekali nonton £15. Waktu itu pas member kayanya bayar £50/tahun dapet 4 film gratis dan sisanya diskon 20% apa ya. Terus baru Odeon. Dulu ada 2 Odeon di Oxford, tapi yang satu yang Magdalene St tutup, karena emang udah gedung tua banget juga sih, dan kayanya nggak se-laku itu buka bioskop di Oxford. Ramenya kan pas lagi term time aja. Sempat nonton Suzume di Odeon Magdalene St itu. Terus kayanya sisanya selalu yang di George St. Sempet nonton Godzilla Minus One sama Mas Rangga, terus Wonka juga sama Diny dan Deva. Tadi kayanya baru pertama kali dapet yang Screen 1 deh. Pernah nonton supermurah juga dulu apa ya filemnya, sama Sarah Iris. Lupa euy. Odeon Oxford ini murah banget tapi juga kualitasnya B banget, cenderung jelek bahkan. Betul-betul bioskop tua aja gitu. Jadi kalo gak pinter milih tempat duduk bakalan jauh banget dari Screen dan kaya lagi lihat slide kuliah. OH, kayak Depok XXI! Yang di Ramayana itu. Kalau gak salah ada screen di situ yang modelnya mirip banget kaya bioskop Odeon. Jadi dulu kayanya aku nonton Frozen 2 apa ya sendirian Jumat-jumat gitu pas lagi break Jumatan. Nah karena gak tahu layout studionya, kupilih aja yang A paling atas kan. Eh ternyata JAUH BANGET itu teh dari layar, buset. Anyway, iya gitu, jadi kalau ke Odeon pun harus pintar-pintar pilih seats. Bioskop satu lagi bioskop indie gitu dekat rumah, namanya The Phoenix, lumayan tua juga itu bioskop. Waktu itu sempat nonton The Boy and The Heron di situ. Yang diputer situ biasanya film-film festival gitu sih, bukan yang di Box Office.

Lah jadi cerita panjang bioskop, naon Non. Awalnya mau cerita betapa bagusnya ni filem, The Wild Robot. Tapi kalau diceritain banyak kepanjangan. Intinya kalau kalian fansnya DreamWorks, nonton Puss in Boots: The Last Wish kemarin yang juga bagus banget dan sangat menghibur, nah inituh kualitas animasinya di level itu, tapi writingnya, dan character buildingnya dan SOUND FXnyaaa. Semua berkombinasi menjadi satu dan jadi filem yang sangat CAKEUP. Ku nangis 7x deh kayanya. Mulai nangis pas Brightbill training habis-habisan buat bisa terbang dan ada background music yang super touching (sebetulnya agak uplifting sih), ku langsung yang: YAAMPUN ITU ADALAH AKU DI PHD INI (nangis). Hahaha bukan bermaksud membuat everything is about me tapi betulan yang relatable aja gituu. Kaya.. what are the odds buat dia succeed, but he’s still trying anyway.

Terus nangis lagi lainnya lebih ke karena hubungan ibu-anak aja sih, kan hubungan ibu-anak-ku agak traumatic yah (ku rasa kebanyakan dari kalian juga). I love my mom, I do, with all of my heart. Dan kalau bukan karena kritikannya, supportnya, semua pilihan yang dia ambil: ke mana aku sekolah SD, SMP, SMA, kuliah, les sempoa, ga bakal aku di sini sekarang. Cuma ya exactly criticism itu pulak yang membuatku jadi gampang burnout, jadi unnecessarily perfeksionis yang bikin ku juga punya acute procrastination, ga bisa kind ke diriku sendiri, being SO HARD on myself, selalu ngerasa gak good enough karena ga pernah di-validate feelingnya.

Nangis ke-3 kayanya karena climate change yang membuat SEMUA MAKHLUK HIDUP suffer!!! Si hewan-hewan (dan tumbuhan) ini gak tau apa-apa, mereka literally just existing aja, tapi harus menanggung beban berat kena storm, long super cold winter, dan harus bisa survive. Sedih banget lihatnya.

Terus apa lagi ya… kayanya karena ku juga hard empath aja jadinya ngerasa sedih sama Fink, Ros, dan Brightbill yang dimusuhi semua orang dan gapunya teman padahal bukan salah mereka, Cuma karena mereka beda aja.

Udah sih sisanya sedih balik lagi ke interrelationship character itu lagi. Yang ku bisa relate banget juga tuh sebagai dosen/guru kadang kita yang bantuin students kita sampe udah jago, terus tapi supaya mereka bisa terus berkembang ya gabisa kita keep terus, at one point harus dilepas merekanya, padahal kita udah sayang (ini berlaku buat ibu ke anak juga).

Yaudah intinya ni filem bagus banget lah. Gatau sih bakal beda apa nggak reaksi emosional diriku ini kalau nggak lagi mens, mungkin jumlah nangisnya bakal berkurang.

Terus mau cerita apa lagi ya… Minggu ini lumayan seru dan produktif walaupun hari Jumat kemarin KAYAK HELL. CAPEK BANGET semua ada di twitter aku. Bentar, kita coba recount dari Minggu dulu. Oh! Minggu ke rumah Bu Yani merayakan ulangtahunku huhu dan makan-makan. Sambil ada rapat mau bikin acara minggu depan juga sih ada orang pemerintahan gitu lah dateng ke Oxford, aku sih gak ikut-ikutan yah karena fokusnya mau submit thesis. Cuma seru aja melihat dinamika itu semua. Dikasih bunga juga sama Kak Kaca! Huhu so happy.

Senin lupa lagi ngapain. Kayanya Senin Selasa Rabu kerja kaya biasa aja deh. OHHHHH. Hari Selasa sore KU SUBMIT chapter result ke-2 dari thesisku ke JOURNAL! HAHAHA. Harusnya ini lebih jadi highlight of the week, tapi jujur the Wild Robot >>> submit paper sih. Terus Kamis meeting sama spv dan postdoc, mulai keluar nama-nama calon internal/external examiner HAMDALAH makin dekat ni finish line saya PhD.

Jumat kemarin itu sebetulnya capek karena mix antara dapet hari ke-2, salah pake underwear (yang tidak period friendly), dan co-author-ku yang resek (dan post-doc-ku juga sih yang entah kenapa berulah banyak bener kemarin), dan kurang tidur juga kayanya karena belakangan ini susah banget tidur di bawah jam 1 entah kenapa???

Tapi yaudah overall good kok hidup. Amat sangat bersyukur. MAKASIH BANYAK YAA ALLAH. Sekian dulu. Kayanya pulang aja ah. Bawa laptop. Serem juga departemen kalau udah gelap. Bye, undur diri dulu. Oh. Terakhir. Tadi juga habis datang dari acara kumpul-kumpul warga Oxford gitu setelah ku selesai nonton bioskop. Dan sempat bahas sama teman-teman terkait ada satu teman kami (sebut namanya A) yang sudah memasuki tahun ke-4 PhD-nya tapi progresnya cukup mengkhawatirkan. Masalahnya (nggak masalah juga sih), aku adalah salah satu orang yang cukup frequent ketemu sama si A ini. Seminggu bisa minimal 1x-lah. Tapi emang aku ketemuan sama si A ini betulan buat nyampah aja gitu. Ku jarang banget nanya “gimana kerjaan?” begitu pula dia. Betul-betul buat decompress aja gitu. Dan lagipula ku mikirnya kalau ku nanya-nanya dia, dia jadi nggak comfortable lagi dan malah makin narik diri dan avoidant (dia bukan tipe yang banyak teman, jadi kalau udah sekali ilang, bubar). Barusan tapi udah ku-chat ke dia kalau aku pun pernah sempat konseling ke uni (karena kadang cuma perlu tahu satu orang lain buat bisa mendorong berani melakukan hal yang sama). Soalnya kesimpulan dari diskusi dengan teman-teman tadi, kami semua gaada yang bisa bantu juga… semua punya load PhD masing-masing… dan emang udah di ranahnya professional gaksih kalau sampai udah 3 tahun dia nggak tahu dia PhD-nya ngapain??? Karena kita teman-teman yang peduli juga kan, jadi gak bisa dibiarin aja… Bismillah deh. Semoga membaik keadaan si kawan ini.

Dah beneran terakhir, karena udah dingin banget beneran. See you next week!!!

Best,

Noni

Office 26/10/2024 18:48

[debbiesblondie]

Scenario: 🍒Debbie was on a tour and a bunch of fans asked her if she was going to make a Tumblr due to every other rock star having one🍒

Please be 15 or Older to Look at this account, Riot GRRL is a very Mature and adult movement but for the kiddy winks who are interested go watch Moxie on Netflix.

if you don't like the account then block it, simple as that but don't go harassing me or any other rock roleplay accounts because of your hatred.

This Account is all Parody, I do not know Debbie Harry own the rights to any Blondie or Runaways songs and am only a harmless fan.

Bands

Blondie

Blondie is an American rock band formed in New York City in 1974 by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the American new wave genre and scene of the mid-1970s.

Bio on Debbie Hary

Deborah Ann Harry (born Angela Trimble; July 1, 1945) is an American singer, songwriter and actress, best known as the lead vocalist of the band Blondie. Four of her songs with the band reached No. 1 on the US charts between 1979 and 1981.

Born in Miami, Florida, Harry was adopted as an infant and raised in Hawthorne, New Jersey. After college she worked various jobs—as a dancer, a Playboy Bunny, and a secretary (including at the BBC in New York)—before her breakthrough in the music industry.

She co-formed Blondie in 1974 in New York City. The band released its eponymous debut studio album in 1976 and released three more studio albums between then and 1979, including Parallel Lines, which spawned six singles, including "Heart of Glass". Their fifth studio album, Autoamerican (1980), produced hits including a cover of "The Tide Is High", and "Rapture", which is considered the first rap song to chart at number one in the United States.

1945–1965: Early life

Harry was born Angela Trimble on July 1, 1945, in Miami, Florida. At the age of three months, she was adopted by Catherine (née Peters) and Richard Harry, gift shop proprietors in Hawthorne, New Jersey, and renamed Deborah Ann Harry. She is of Scottish ancestry and her biological parents' surnames were Trimble and Mackenzie.

Harry learned of her adoption at four years old.

At first, she decided against locating her birth parents, but nonetheless, in the late 1980s, located her birth mother, a concert pianist, who chose not to establish a relationship with Harry.

 In her memoir, she recalls being a tomboy, spending much of her childhood playing in the woods adjacent to her home.

Harry attended Hawthorne High School, where she was voted "Best Looking", graduating in 1963. She graduated from Centenary College in Hackettstown, New Jersey, with an Associate of Arts degree in 1965.

 Before beginning her singing career, she moved to New York City in the late 1960s, and worked there as a secretary at BBC Radio's office for one year.

Later, she was a waitress at Max's Kansas City, a go-go dancer in a discothèque in Union City, New Jersey, and a Playboy Bunny.

1966–1975: Early projects; formation of Blondie

In the late 1960s, Harry began her musical career as a backing singer for the folk rock group The Wind in the Willows,which released an eponymous album in 1968 on Capitol Records.

In 1973, Harry joined The Stilettos with Elda Gentile and Amanda Jones. Shortly thereafter, the band added guitarist Chris Stein, who became her boyfriend.

 In her memoir, Face It, Harry describes having been raped at knifepoint during a burglary of the home she shared with Stein.

In 1974 Harry and Stein left the Stilettos (along with the band's bassist and drummer) and formed Angel and the Snake with Tish Bellomo and Snooky Bellomo. Shortly thereafter, they changed the name of the band to Blondie, named after the catcall men often directed at Harry after she bleached her hair blonde.

 The band quickly became regulars at Max's Kansas City and CBGB in New York City.

1976–1980: Global success

With her beauty, daring choice of clothing, and two-tone bleached-blonde hair, Harry quickly became a punk icon.

Blondie released their self-titled debut album in 1976; it peaked at No. 14 in Australia and (later, in 1979) No. 75 in the United Kingdom.

Their second album, Plastic Letters, garnered some success outside the United States, but their third album, Parallel Lines (1978), was a worldwide hit and catapulted the group to international success.

It included the global hit single "Heart of Glass". Riding the crest of disco's domination, the track made No. 1 in the US and sold nearly two million copies. It also reached No. 1 in the UK and was the second highest-selling single of 1979.

In June 1979, Blondie was featured on the cover of Rolling Stone. Harry's persona, combining cool sexuality with streetwise style, became so closely associated with the group's name that many came to believe "Blondie" was the singer's name.

The difference between the individual Harry and the band Blondie was emphasized by a "Blondie is a group" button campaign by the band in 1979. The band's success continued with the release of the platinum-selling Eat to the Beat album (UK No. 1, US No. 17) in September.

Autoamerican (UK No. 3, US No. 7) was released in 1980. Blondie had further No. 1 hits with "Call Me" (American Gigolo soundtrack) (US and UK No. 1), "Atomic" (Eat to the Beat album) (UK No. 1), "The Tide Is High" (US and UK No. 1), and "Rapture" (US No. 1).

During this time, both Harry and Stein befriended graffiti artist Fab Five Freddy, who introduced them to the emerging hip-hop scene in the Bronx. Freddy is mentioned in "Rapture".

Through Fab Five Freddy they were also able to connect with Grandmaster Flash who is played by Jean-Michel Basquiat in the video.

 "Rapture" became the first rap-oriented song to reach No. 1 in the US Billboard charts.

Grandmaster Flash said Harry "opened up so many doors for hip hop" by mentioning him in Rapture.

Harry was immortalized by Andy Warhol in 1980, who produced a number of artworks of her image from a single photoshoot at the Factory. The artist created a small series of four acrylic and silkscreen ink on canvas portraits of the star in different colors, as well as Polaroids and a small number of rare silver gelatin prints from the shoot. Stein was also present that day to capture Warhol photographing Harry in a series of his own photographs, exhibited in 2013 in London.

Her collaboration and friendship with Warhol continued and she was his first guest on the MTV show Andy Warhol's Fifteen Minutes. The first episode opened with Harry announcing the theme: "Sex, Vegetables, Brothers and Sisters".

Harry said of her relationship with Warhol, "I think the best thing [Andy Warhol] taught me was always to be open to new things, new music, new style, new bands, new technology and just go with it. Never get mired in the past and always accept new things whatever age you are."

1981–1996: Solo work and acting

In 1981, Harry issued a press release to clarify that her name was not "Debbie Blondie" or "Debbie Harry" but rather Deborah Harry, though Harry later described her character in the band as being named "Blondie", as in this quote from the No Exit tour book:

Hi, it's Deb. You know, when I woke up this morning I had a realization about myself. I was always Blondie. People always called me Blondie, ever since I was a little kid. What I realized is that at some point I became Dirty Harry. I couldn't be Blondie anymore, so I became Dirty Harry.

Harry began her solo career with the album KooKoo (1981). Produced by Nile Rodgers and Bernard Edwards of Chic, the album peaked at No. 25 in the US and No. 6 in the UK; and was later certified gold in the US and silver in the UK.

The album's cover art was controversial, showing Harry apparently with skewers through her face, and many stores refused to stock it."Backfired", the first single from the album, had a video directed by H.R. Giger (who also created the album's front cover featuring Harry's face with metal skewers through it).

The single reached No. 43 on the Billboard Hot 100, No. 29 on the Hot Dance Club Songs, and No. 32 on the UK Singles Chart "The Jam Was Moving" was lifted as the second single and peaked at No. 82 in the US. In the same year (1981) Harry appeared in the movie "Downtown 81" where Jean-Michel Basquiat played the leading role. Harry plays a bag lady who turns into a princess when Basquiat kisses her.

After a year-long hiatus, Blondie regrouped and released their sixth studio album, The Hunter (1982). The album was not as successful as their previous works, and a world tour was cut short due to slow ticket sales. It was around this time that Stein also fell seriously ill with the rare autoimmune disease pemphigus. His illness, along with declining record sales and internal struggles, caused the band to split up.

In June 1982, Harry contributed backing vocals to The Gun Club's second album Miami, being credited as 'D.H. Lawrence Jr' while Chris Stein also produced the record and is credited as 'bongos' and 'cover photos/design'. The Gun Club's singer Jeffrey Lee Pierce was an ardent fan, emulating Harry's hairstyle and founding the West Coast Blondie Fan Club, before becoming friends with the band in New York.

After Blondie split up in 1982, Harry's solo output slowed down as she cared for ailing partner Chris Stein. She released the single "Rush Rush" in 1983 (produced by Giorgio Moroder and taken from the film Scarface), but it was commercially unsuccessful. The same year, Harry had a leading role in David Cronenberg's body horror film Videodrome (1983), playing the sadomasochistic lover of a television producer who uncovers an underground video output of snuff films. Harry received rave reviews for her performance in the film.

Critic Howard Hampton noted in a retrospective that Harry "carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either anchor or undo a risky, conceptually spiky film like David Cronenberg's viscerally deranged phantasia: Harry's presence grounds it in acute, self-aware reality."

A new single, "Feel The Spin" (taken from the film Krush Groove), was released as a limited 12" single in 1985, which peaked at No. 5 on the Billboard Dance Chart. In 1986, Harry released her second solo album, called Rockbird, which peaked at No. 97 in the US, and No. 31 in the UK(where it has been certified gold for 100,000 sales by the BPI).

The single "French Kissin' in the USA" gave Harry her only UK solo top 10 hit (No. 8) and became a moderate US hit (No. 57). Other singles released from the album were "Free to Fall" and "In Love with Love", with the latter completely re-recorded in London with hit British producers Stock Aitken Waterman (SAW).

The track hit No. 1 on the US Dance Charts and was released with several remixes. Harry also recorded another track with SAW during the same sessions, "Mind Over Matter", which was never officially released.

In 1987, Harry starred opposite Alec Baldwin in the comedy mystery film Forever, Lulu, playing the title character

"Liar, Liar" was recorded by Harry for the soundtrack album Married to the Mob in 1988 and was produced by Mike Chapman. It was their first collaboration since the 1982 Blondie album The Hunter. The same year, Harry starred as Velma Von Tussle in John Waters's satirical dance film Hairspray

Her next solo venture was the album Def, Dumb and Blonde in 1989. At this point Harry reverted from "Debbie" to "Deborah" as her professional name. The first single "I Want That Man" was a hit in Europe and Australia and on the US Modern Rock Charts. The success of the single propelled the album to No. 12 on the UK chart, where it earned a silver disc. However, with little promotion from her record company in the US, it peaked at No. 123. She followed this up with the ballad "Brite Side" and the club hit "Sweet and Low". "Maybe for Sure", a reworked version of "Angel's Song" she'd recorded for the Rock and Rule animated film, was the fourth single released from the album in June 1990 to coincide with a UK tour (her second in six months). The track "Kiss It Better" was also a Top 15 Modern Rock single in the US.

Harry also appeared in film during this time, with a supporting part in Tales from the Darkside: The Movie (1990). From 1989 to 1991, Harry toured extensively across the world with former Blondie guitarist Chris Stein, Underworld's Karl Hyde, and future Blondie bassist Leigh Foxx. In July 1991 she played Wembley Stadium, supporting INXS. In 1991, Chrysalis released a new "best of" compilation in Europe entitled The Complete Picture: The Very Best of Deborah Harry and Blondie, containing hits with Blondie as well as her solo hits. The collection reached No. 3 in the UK album chart[36] and earned a gold disc. The album also included her duet with Iggy Pop of the Cole Porter song "Well, Did You Evah!" from the 1990 Red Hot + Blue AIDS charity album.

In 1992, Harry collaborated with German post-punk band Die Haut on the track "Don't Cross My Mind" and released the song "Prelude to a Kiss" on the soundtrack to the film of the same name. She also released a cover of "Summertime Blues" from the soundtrack to the film That Night in Australia. Her fourth solo album, Debravation, was released in July 1993. The album peaked at #24 in the UK but was less successful in the US. The album's first single was "I Can See Clearly", which peaked at No. 23 in the UK and No. 2 on the US dance charts.

This was followed by "Strike Me Pink" in September. Controversy surrounded the latter track's promotional video, which featured a man drowning in a water tank, resulting in its being banned.

 US editions of the album feature two additional tracks recorded with prerecorded music by R.E.M.: "Tear Drops" and a cover of Skeeter Davis's 1961 hit "My Last Date (with You)". Also in 1993, Harry had a supporting role in a John Carpenter-directed segment of the anthology horror film Body Bags.

In November 1993, Harry toured the UK with Stein, guitarist Peter Min, bassist Greta Brinkman, and drummer James Murphy. The set list of the Debravation Tour featured an offbeat selection of Harry material including the previously unreleased track "Close Your Eyes" (from 1989) and "Ordinary Bummer" (from the Stein-produced Iggy Pop album Zombie Birdhouse, a track that, under the moniker Adolph's Dog, Blondie covered in 1997). Tentative plans to record these shows and release them as a live double CD never came to fruition. However, covers of the Rolling Stones' "Wild Horses" and David Oliver's "Love TKO" exist as bootlegs. In early 1994, Harry took the Debravation tour to the US.

 In the UK, Harry's long tenure with Chrysalis Records also came to an end after Debravation's lackluster sales, but the label released all of Blondie's albums and Harry's KooKoo album (for the first time on CD) as remastered editions with bonus tracks.

In the mid 1990s, Harry worked as a guest vocalist on several projects: She joined the avant-garde jazz ensemble the Jazz Passengers in 1994, appearing on their album In Love (1994). Harry also reunited with Blondie keyboardist Jimmy Destri for a cover of Otis Blackwell's "Don't Be Cruel" for the 1995 album Brace Yourself! A Tribute to Otis Blackwell. During this period, she also recorded a duet with actor Robert Jacks titled "Der Einziger Weg (The Only Way)", a theme for the horror film Texas Chainsaw Massacre: The Next Generation (1994), which was recorded in German and in English. Harry also served as a vocalist in Talking Heads side project the Heads' 1996 release No Talking, Just Head, followed by the Jazz Passengers' Individually Twisted (1997).

The same year, she collaborated with Jazz Passengers' Bill Ware in his side project Groove Thing, singing lead vocals on the club hit "Command and Obey". Another Jazz Passengers collaboration, "The City in the Sea", appeared on the Edgar Allan Poe tribute album Closed on Account of Rabies (1997).

In film, Harry co-starred with Pruitt Taylor Vince and Liv Tyler in James Mangold's directorial debut Heavy (1995), playing a misanthropic waitress at an upstate New York restaurant.

 The following year, she filmed Mangold's Cop Land (1997), a neo-noir thriller in which she portrayed a bartender.

1997–2007: Blondie reformation and solo output

In 1997, Blondie began working together again for the first time in 15 years. The four original members (Harry, Stein, Clem Burke and Jimmy Destri) began sessions for what would become Blondie's seventh studio album, No Exit (1999). The lead single from the album, "Maria", debuted at No. 1 in the UK, giving Blondie their sixth UK No. 1 hit. "Maria" also reached No. 1 in 14 countries, the top 10 on the US Dance Charts, and Top 20 on the US Adult Top 40 Charts. No Exit debuted at No. 3 in the UK and No. 17 in the US.

Harry appears on the 2001 Bill Ware album Vibes 4 singing the track "Me and You" as well as on former Police guitarist Andy Summers's album Peggy's Blue Skylight on the track "Weird Nightmare". A techno cover of Stan Jones' "Ghost Riders in the Sky" was featured on the soundtrack to the 1998 film Three Businessmen, and was available on her website to download. Harry sings on two tracks on Andrea Griminelli's Cinema Italiano project: "You'll Come to Me" (inspired by Amarcord's main theme) and "When Love Comes By" (from Il Postino), as well as on a tribute album reinterpreting the music of Harold Arlen, on which she sings the title track "Stormy Weather". In May 2002, she accompanied the Jazz Passengers and the BBC Concert Orchestra in a performance of her jazz material at the Barbican Centre in London. In 2003, she was featured vocalist on the song "Uncontrollable Love" by DJ duo Blow-Up. She also sang on the version of "Waltzing Matilda" recorded by Dan Zanes and Friends, released on the 2003 album House Party. The same year, Blondie released the album The Curse of Blondie (2003).

In 2006, Harry started work in New York City on her fifth solo album, Necessary Evil (released in 2007). Working with production duo Super Buddha (who produced the remix of Blondie's "In the Flesh" for the 2005 Sound and Vision compilation), the first music to surface in was a hip-hop track titled "Dirty and Deep" in which she spoke out against rapper Lil' Kim's incarceration. Throughout 2006, a number of new tracks surfaced on Harry's Myspace page, including "Charm Alarm", "Deep End", "Love with a Vengeance", "School for Scandal", and "Necessary Evil", as well as duets she recorded with Miss Guy (of Toilet Böys fame), "God Save New York" and "New York Groove". A streaming version of the lead single, "Two Times Blue", was added to Harry's Myspace page in May 2007. On June 6, 2007, a downloadable version was released via her official website.

In 2007, Harry delineated the different personae (Blondie the band, her role in the band, and Deborah Harry the singer) to an interviewer who asked why she played only solo music on the 2007 True Colors World Tour with Cyndi Lauper: "I've put together a new trio with no Blondie members in it. I really want to make a clear definition between Debbie's solo projects and Blondie, and I hope that the audience can appreciate that and also appreciate this other material."

Harry's fifth solo album, Necessary Evil (2007), was released after she completed the True Colors World Tour. The first single, "Two Times Blue", peaked at No. 5 on the US Dance Club Play chart. The album peaked at No. 86 in the UK and No. 37 in the US Billboard Top Independent Albums chart. Harry performed "Two Times Blue" on various talk shows to promote the album. She also started a 22-date US tour on November 8, lasting until December 9, playing small venues and clubs across the country. On January 18, 2008, an official music video for "If I Had You" was released.

Other riot grrl rp accounts

Gwen Stefani- @gwenstefoubt Kathleen Hanna- @bikinikillhanna Tobi Vail- @t0bi-is-cool Joan Jett- @queen-o-rock

[putrikaguya]

Malem minggu kemarin janjian nonton di XXI sama suami, karna aku praktek jadi kita ketemuan di sana. Filmnya jam 20.20, jam 19.40 aku udah kelar pasien, jarak dr klinik ke XXI sekitar 15-20 menit, jadi aku istirahat sambil siap-siap nunggu jam 20.00 baru pesen gojek.

Kebetulan aku ga bawa jas hujan karna ku yakin pas berangkat ga akan hujan, beberapa hari ini cuaca cerah terik gada tuh petir atau mendung gitu. Eh ternyata pas pesen gojek jam 20.00 hujan besar. Langsung dicancel sama abang gojeknya, gue cuma bengong.

Sampai jam 20.15 hujan belum berhenti, suami nanya udah sampai mana ku jawab masih di klinik karna hujan besar. Mau pesen gocar juga udah pasti ga kekejar karna macet. Jam 20.20 hujan mulai reda, mulai pesen gojek dan dijemput jam 20.25. Pas di jalan drivernya nanya "Mau naik busway ya kak?" Karna halte tj tepat di depan mall nya, ku bilang "Engga pak mau nonton, udah telat sih tapi gapapa krn saya udah berusaha juga sebelumnya eh ujan. " Akhirnya bapaknya ngebut..

Pas baru sampai mall aku tlp suami suru masuk duluan aja nanti aku nyusul, eh dia malah tetep nunggu di depan studio, katanya gpp aku tunggu kamu aja.. Kadang hal hal kayak gini yang bikin bingung tapi juga seneng kayak masih pacaran aja hahahaa. Pas ketemu aku lebih kaget lagi dia beli cemilan sama minuman dengan porsi banyak.

Pas selsei film kita langsung pulang, menuju mobil dia langsung lari duluan bukain pintu mobil. Akhir-akhir ini dia sering banget ngelakuin ini semenjak aku cerita dulu sebelum sama dia ada yang suka bukain pintu mobil, itu yang bikin aku inget sampai sekarang. Eh suami sekarang kayak gitu, gercep banget tapi kadang malu kayak gimana gitu walau dalam hati iya seneng juga sih hahahaa (semoga pada ga jijay yang baca ya).

Yah beginilah usia pernikahan kami yg ke-6, aku bersyukur sebelum nikah doaku adalah semoga punya suami dan keluarga nya yang bisa nerima keadaan aku apa adanya, udah itu aja.

[pjs-daycare-rebooted]

Hello! Welcome to the Daycare!

I hope you’re having a good day today!

First of all, thank you for making a visit here <3 we really appreciate it!

I’m the new owner of the AU “Pj’s Daycare”! Nice to meet you!

I always loved the idea of the universe (parents turning into kids, kids turning into adults and taking care of them 😭💖) and the designs too!

The original comic was discontinued so I plan on making right from the start! I’ll be rebooting some stuff like the age, personality, surnames etc.

I hope I’ll be able to turn this AU into a better one! (If I do anything wrong, please inform me personally since I can be quite distracted in excitement sometimes 😓 I’m sorry)

Side note: Any ships in this AU aren’t canon :’3 yes even the ones I ship TvT so please don’t start a ship fight😭 anything can happen :’D yes there are boundaries like come on-

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Caretakers reference sheets:-

(Still working of the reference sheets)

Paper Jam (PJ)

Palette Roller

Goth Afterdeath

Gradient

Blue Screen (Blue)

Fika Melonsweet

(Other additional characters will be added later!)

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Children’s reference sheets:-

(Still working on the reference sheet)

Sans

Frisk

Chara

Undyne

Papyrus (Papy)

Alphys

Toreal

Argore

Betty

Amber

Core!Frisk (Core)

Swap

Fell

Error

Ink

Dream

Nightmare

Gaster sans (Gin)

Science (Sci)

FlowerFell (Red)

Sugar

Melon

Dust

Horror

Killer

Reaper

Geno

Fresh

Lust (Lulu)

Outer

Cross

Fellswap (raspberry)

Alter

Bill

Epic

Dance

Gas

Outer

(Other additional characters will be added!)

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Other characters reference sheets:-

Cray Spray

Elys Francis

Raven

Arno Francis

Mafia

Furry

Sprinkle

Lux

Bullet Port

Blueprint

Økse

Deneb

Neon

Morgue

Crescent

Starcross

Lucid

Kuro

Mord

Haris

Molpe

(Other additional characters will be added!)

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If you want to know about more information, please feel free to ask on the askbox :3

That’s all, thank you for your visit and support!♡

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Credits:-

PaperJam and Bluescreen belongs to @7goodangel

Gradient belongs to @askcomboclub

Goth belongs to @nekophy

Palette belongs to @lasseutblogo / @lasserbatsu

Cray belongs to @weezy-pup

Fika belongs to @missladytale

Frisk, Chara, Sans, Papyrus, Toreal, Asgore, Undyne, Alphys belongs to Toby Fox

Betty and Amber belongs to Camila Cuevas (I do no support her actions)

Swap(Underswap sans) belongs to @popcornpr1nce

Fell (Underfell sans) belongs to Undertale community

Error, Geno and Freah belongs to @loverofpiggies

Ink belongs to @comyet

Dream and Nightmare belongs to @jokublog

Gaster sans (Echotale) belongs to Yoralim

Science (Sciencetale) belongs to HolyTraitor

Flower Belongs to ???

Outertale belongs to ???

Reaper (Reapertale) belongs to @renrink

Dance (Dancetale) belongs to ???

Mafia (undermafia) belongs to @undermafiaz

Horrortale belongs to Sour Apple Studios

Killer!sans belongs to @rahafwabas

Dust (Dusttale) belongs to @ask-dusttale