#Star Wars rip offs

[kosmos2999]

Saturday’s Late Night Sci-Fi Cinema:

The Humanoid (1979 film)

Original Italian release poster (left) and American release poster (right)

Main cast:

Richard Kiel as Golob Corinne Clery as Doctor Barbara Gibson Leonard Mann as Nick Ivan Rassimov as Lord Graal Massimo Serato as The Great Brother Marco Yeh as Tom Tom Arthur Kennedy as Doctor Kraspin Barbara Bach as Lady Agatha

Production staff:

Directed by: Aldo Lado (as George B. Lewis) Story by: Adriano Bolzoni Screenplay by: Adriano Bolzoni, Aldo Lado and Garry Rusoff (uncredited) Produced by: Giorgio Venturini Cinematography by: Silvano Ippoliti Edited by: Mario Morra Music by: Ennio Morricone Production company: Merope Film Released by: Titanus (Italy) and Columbia Pictures (US) Original release date: April 11, 1979 (Italy) YouTube channel: Something Wild Video

In a far distant future, the planet known as Earth, Metropolis, is facing a great danger.

Lord Graal, the evil brother of the Ruler of the Peaceful Galactic Democracy, the Great Brother, has escaped from his inprisonment.

The Great Brother (above) and Lord Graal (below)

After a succesfull escape, Graal seeks refuge on the planet Noxon. A world under slavery of the wicked 200 year-old Lady Agatha, who wants to be at Graal's side on his conquest of Metropolis and the rest of the galaxy.

They will get the help of Dr. Kraspin, a malevolous scientist, and also an outcast from Metropolis. He has a hatred for Dr. Barbara Gibson for being the accuser of his lack of ethics.

Dr. Kraspin and Lady Agatha

The evil trio has a ploy to turn the citizens of Metropolis into humanoids using a rare element named Kapitron. As they stole it from the Groven Institute located on Metropolis.

They took a tall man, a soldier named Golob as a guinea pig. And then he was ordered to kill Dr. Gibson. A plan that failed thanks to Tom Tom, a kid with mystic powers.

Golob as a human

Golob with his robot dog, Kip

Golob turrned into a humanoid

Golob now joins Dr. Gibson, Tom Tom, a young soldier named Nick and a couple of mysterious warriors to fight the menace of Lord Graal and his evil allies.

From left to right: Nick, Tom Tom, Dr. Barbara Gibson and Golob

The Humanoid, (a translalation from the original title L' Umanoide) a 1979 space opera film from director Aldo Lado under the pseudonym of George B. Lewis

Fascinating facts:

This film was produced and released two years after Star Wars: Episode IV, A New Hope. Because the similarities in story, plot and character costumes, it is considered a rip off the George Lucas movie. Even more, filmmaker Aldo Lado used the pseudonym of George B. Lewis for directing it.

It was ranked 28 (of a list of 75) of the Best Space Opera Movies by the Independent Movie Database (IMDb).

The opening sequence was directed by Enzo G. Castellari. It was uncredited.

The special effects supervisor was Antonio Margheriti under the pseudonym of Anthony M. Dawson. He was the director of the film shown in this blog last weekend, War Between The Planets and the other three movies of the Gamma-One series.

Some of the scenes -- particullary the ones of the Groven Institute -- were filmed at Eliat, Israel.

The Groven Institute

In Germany, the movie was re-titled Kampf Um Die 5 Galaxis (fight for the 5th galaxy).

Comment: In my opinion, mo matter this is a Star Wars rip off, The Humanoid is a very enjoyable movie. That's why I choose to share it with you this weekend.

Thank you for your support on the third year of this blog.

I also want to share this images from Golob's starship taken from screenshots of the movie. Very nice design!

For more information and more stuff about this movie, you can access the film's official homepage:

[jinprint]

"was that its name?"

rewatching the acolyte (well, parts of it) and i am currently obsessed with reading into the dialogue with a slightly different perspective. like during jecki's death:

sol: jecki!

the stranger: was that its name?

sol: she was a child.

the stranger [shrugging]: you brought her here.

the first time i watched this scene, i totally thought qimir called jecki "it" at first just to be a dick. but it really speaks to the fact that qimir finds the jedi's values and philosophies to be inherently broken.

was jecki a soldier or a kid? pick one. was she a tool or a child? if she was the latter, why would you bring her here to hunt down a criminal that already killed two masters? obviously this is not a person who will hesitate to kill jedi.

you treated her it like a tool, and now you see the consequences of that unfold right before you; hence qimir makes a point of this. (also interesting to wonder how this could tie into his backstory with vernestra)

why would you bring a kid there? is it the enemy's fault when you choose to bring a child to the battlefield? is the enemy really responsible for her death, or you?

referring to jecki as "it" is, i think, a jab at the jedi for treating their padawan as tools, for choosing specific moments to humanize them or weaponize them (perhaps as his master did to him?) it's not because he didn't see her as a person—it's because he doesn't believe that the jedi truly did.

"the jedi live in a dream... an acolyte kills the dream."

but that's just my two cents.

[darthmalewife]

Clone Wars era trip to a planet where men dawning lavish dresses is the norm so to follow cultural tradition Obi-Wan, Anakin, Rex and Cody all have to get dressed up and go to this big event

Cody looks fucking fabulous and he knows it, there is a slit in the dress showing off those toned legs and Obi-Wan is struggling to remember the point of the mission

Rex is having great fun, if he spins the fabric flows about and it amuses him greatly, also a Prince just told him he has a sweet ass?!

Obi-Wan looks like some kind of God, the fabric shimmers in the light, noone can keep their eyes off him [this is also how they find out he has 3 tattoos] and the dress is backless so several photos of that man's shoulders as he reaches to grab something are now online also Rex has to keep smacking Cody because he's been staring at his general's arms for quite some fucking time now

Anakin keeps getting mistaken for a Princess and he's not amused, not at the dress or the royalty comparisons he just fucking hates the colour "Obi-Wan, why do I have to wear lavender? It doesn't work with my pales tones everyone knows I look better in black!" "Anakin there are currently 3 women eyeing you up, stop complaining"

On an unrelated note Rex has just been offered a small city for someone's hand in marriage, Obi-Wan and Cody have been given one room to share because everyone thinks they're a couple [they will be if Cody keeps looking like that for much longer] and some politician has already sent Padme pictures of Anakin

There' a poll on the Holonet after pictures are released publicly:

[thefrogdalorian]

Din and Grogu + N-1 Starfighter

[calkestis]

now you have my full attention

[deathxxfandom]

[showrunnerihardlyknowher]

caught <3

[ve-ti-ver]

I was going through old photos on my phone and found this - the first piece of digital clone art I ever made, circa 2018!

I was very new to digital art at the time and this was quite possible my very first attempt at anything like this. Beginner digital artists, I’m rooting for you just so you know 💕

[retroscifiart]

Trevor Webb

[dang-dood]

i completely forgot that house md was canon in torchwood

[kosmos2999]

Saturday’s Late Night Sci-Fi Cinema (Special Double Feature)

Cosmos: War of the Planets (1977 film)

Italian theatrical (left) and one of the many international release (right) posters

Main cast:

John Richardson as Captain Fred Hamilton Yanti Somer as Meela Massimo Bonetti as Vassilov Aldo Canti as Etor Craig Kelly (as Romeo Constantini) as Commander Armstrong

Production staff:

Directed by: Alfonso Brescia (as Al Bradley) Story by and screenplay by: Alfonso Brescia (as Al Bradley), Aldo Crudo (as Al Crydo), Maxim Lo Jacono (uncredited) and Jacob Macci (uncredited) Cinematography by: Silvio Fraschetti (as S. Fraschetti) Special effects by: Aldo Frollini (as Aldi Frollini) Edited by: Larry Marinelli (as Lawrence Marinelli) and Carlo Reali (as Charles Really) Music by: Marcello Giombini (as Marcel Giombrini) Produced by: Luigi Alessi (as Louis Aless) (executive producer) and Doro Vlado Hreljanovic (executive producer) Production company: Nais Film Distributed by: Picturemedia Limited Original release date: September 23, 1977 (Italy) YouTube channel: Filmix

In a distant time, where most of mankind is putting their unconditional trust in technology, Captain Fred Hamilton has a different attitude.

He is now at Orion Space Complex before its commander facing a charge of insubordination for slapping one of his superiors.

The reason: he refuses to take orders from the WIZ Computer System.

The Commander Armstrong decided not to punish him by now because he thinks Hamilton's mindset will be useful at missions in outer space. And orders the Captain and his crew from the Starship MK-31 to repair a 100 year-old satellite.

After the success of the repair mission, Captain Hamilton receives another order: To track the origin of a signal that interferes with all radio and video communications of planet Earth.

The MK-31 arrives to an alien planet to be received by two flying saucers ready to the attack.

The crew took down one of them and received a direct hit from the other. They had to make a landing on the planet.

In there, they found a race of humanoids who are under the slavery of a giant robot.

It seems the Captain and his crew are the last resort for both Earth and that alien world.

Cosmos: War of the Planets is an Italian space opera film from 1977. Its original title is Anno Zero: Guerra Nello Spazio (Year Zero: War In Space in English). Directed by Alfonso Brescia under the pseudonym of Al Bradley.

Fascinating fact:

A Star Wars rip off that gets its release a few months after the release of Episode IV: A New Hope.

War of the Robots (1978 film)

Italian theatrical release poster (left) and a cover art for one of the many international VHS, DVD and Blu-Ray releases (right)

Main cast:

Antonio Sabato, Sr. as Captain John Boyd Yanti Somer as Julie Malisa Longo (as Melisa Long) as Louis Aldo Canti (as Nick Jordan) as Kuba The Alien Jacques Herlin (as Jacques Herlein) as Professor Carr Ines Pellegrini (as Mickey Pilgrim) Ian Pulley as The Autoritarian Leader Roger Brown (uncredited) as Commander King Licinia Lentini (as Lilian Lacey) as Commander King's Assistant

Production staff:

Directed by: Alfonso Brescia (as Al Bradly) Story by and screenplay by: Alfonso Brescia (as Al Bradly) and Aldo Crudo (as Alan Rawton) Cinematography by: Silvio Fraschetti (as Cyril Franks) Special effects by: Aldo Frollini (as Allan Forsyth) Edited by: Mariano Arditi (as Mark Arnold) Music by: Marcello Giombini (as Marcus Griffin) Produced by: Luigi Alessi Production companies: Nais Film and Koala Cinematografica Distributed by: Picturemedia Limited Original release date: April 21, 1978 (Italy) YouTube channel: Timeless Classic Films

The Professor Carr developed a machine that could give to the ones who own it such a great power to create life but it could also can lead to disastrous results.

At that time, an UFO has infiltrated the planet Earth's security system bringing in a gang of alien robots that kidnapped the Professor and his assitant, Louis.

In the Space Station Sirius, Commander King gave orders to Captain John Boyd and his crew of the Spaceship Trissi to pursue the UFO and rescue the couple of scientists.

There is also an urgent need to rescue the Professor. He is the only one capable of turning off a nuclear reactor. If it is not done, the Station and a nearby city would be destroyed in an explotion.

In the pursuit, they have to face more UFOs. After a intense battle with the saucers, they land on the planet Antor.

There, the crew of the Triss meet a dying world and their inhabitants. They established a friendship with Kuba, the leader of a tribe of slaves who agree to go with them to fight against their tyrannical masters.

Captain Boyd and his crew are about to be witnesses of the true nature of the Professor and his assitant in order to save the future.

War of the Robots, is an Italian space opera film from 1978. Its title is a translation of the original title La Guerra Dei Robot. Directed by Alfonso Brescia under the pseudonym of Al Bradly.

Fascinating facts:

It is not a sequel of Cosmos: War of the Planets. It was produced with much of the production crew, actors and props from the aforementioned movie, but its storyline is different.

The name of Trissi it's also the name of Trissi Sports. The same company in charge of the design and making of the spacesuits.

[fantasticgothicpeachsludge]

I don’t know why but I can’t stop thinking about little Cal hugging Cody like a koala and when anyone tries to pull him off he digs his fingers into Cody’s armor plates and cries like a cat

[carcassarkis]

this is the purpose of university. ms paint.

English version under the cut (just because)

[mystarwarsmatters]

There are ppl that think the ending of Rogue One is “peak Star Wars” and oh god that makes me so sad.

[showrunnerihardlyknowher]

boohoo sob sob whimper

[catyuy]

I've seen "Time Travel to the Prequels" Luke, Leia, R2 and even Han but I've never seen it with Chewbacca.

Chewie wakes up in the past at the beginning of the Clone Wars. He warns Tarfull of what he knows is coming. He then tells Malla, his wife, that he's going to rescue some cubs. Then he goes to Corellia and kidnaps Han and Qi'ra.

He eventually gets to the Jedi Temple where he talks to/berates Yoda. When he meets Anakin he makes it his mission to befriend him as this young man needs more hugs in his life. This leads to him adopting their entire Jedi Line into his family. He makes Obi Wan, Anakin and Ashoka spend time as a family, relaxing, talking and grooming each other. He and Han join them on occasion.

(Not sure if Qi'ra joins him, if he left her on Kashyyyk with his wife, sent her with Shaak Ti to Kamino or convinced Padme to bring her to Naboo.)

He's not worried about Lando at this time. He'll find him when Han is older and the twins are safely born.

He knows he can't just rip off the Supreme Chancellor's arms but he does makes various contingency plans with R2. He does what he can while he makes sure his family and future family's parents are safe.