#Spiritual Quote Print
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noisycowboyglitter · 9 months ago
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"Be Still & Know That I Am God" Canvas Wall Art - Decorate Your Home with Faith
"Be Still & Know That I Am God" is a powerful biblical phrase from Psalm 46:10 that resonates deeply with many people, offering comfort and perspective in times of uncertainty or turmoil. This profound statement encourages stillness, reflection, and trust in a higher power.
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The phrase invites individuals to pause amidst life's chaos and find inner calm. "Be still" suggests more than physical quietude; it implies a mental and spiritual quieting, a cessation of worry and frantic thought. It's an encouragement to let go of the need to control every aspect of life and instead find peace in surrendering to something greater.
"Know That I Am God" reinforces the idea of divine presence and authority. It reminds believers of God's sovereignty and omnipotence, suggesting that even in the face of life's greatest challenges, there is a higher plan and purpose at work.
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This phrase often appears in various forms of religious and inspirational art, from wall hangings and posters to jewelry and tattoos. It serves as a daily reminder for many to trust in their faith, to find strength in stillness, and to remember that they are not alone in their struggles.
In a broader sense, even for those who aren't religious, this phrase can be interpreted as a call to mindfulness, encouraging people to step back from the rush of daily life and find moments of tranquility and self-reflection.
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Butterfly art captures the delicate beauty and symbolism of these enchanting insects in various creative forms. Artists often depict butterflies using vibrant colors and intricate patterns, reflecting their natural splendor. Techniques range from realistic paintings and detailed sketches to stylized illustrations and abstract interpretations.
Butterfly art can be found in diverse mediums, including watercolors, acrylics, digital art, and mixed media collages. Some artists incorporate real butterfly wings into their work, while others create three-dimensional sculptures or installations.
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These artworks frequently symbolize transformation, hope, and rebirth, making them popular choices for both personal spaces and public displays. Butterfly motifs are also common in decorative arts, appearing on textiles, ceramics, and jewelry.
Whether portrayed in flight or at rest, butterfly art continues to captivate viewers with its graceful forms and rich cultural significance.
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toyastales · 5 months ago
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Idea Of You (Quotes,Thoughts, and Reflections)
 People will love the idea of you but will lack the maturity to handle the reality of you.
https://toyastales.blogspot.com/2024/12/idea-of-you.html
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etherialthings · 1 day ago
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Check out the 200+ items I have for you on my etsy 😍 https://etherialthings.etsy.com
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✝️ Teach. Baptize. Disciple.
The Great Commission isn’t a suggestion—it’s the mission. Wear the calling and live the message.
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Get yours here 👉
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chardikalaart · 1 month ago
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Ang Sang Waheguru Canvas Wall Art | Modern Sikh Spiritual Decor – Chardikala Art
Bring peace and divine energy into your space with the Ang Sang Waheguru canvas print. Featuring a golden background and high-quality FSC-certified framing, this artwork makes a heartfelt gift and a timeless piece of Sikh spiritual decor. Available in various sizes with a mounting kit included.
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nastyblasty · 2 months ago
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perssonofsweden · 10 months ago
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Christian Flower Symbolism Wall Art, Faith Quotes, Inspirational Floral Prints, Religious Typography, Digital Download, Spiritual Home Decor, Minimalism Poster, Minimalist Wall Art, Digital Download, #OwnItOncePrintIt4Ever, #DownloadPrintFrame, https://perssonofsweden.etsy.com/listing/1757310483
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tyej49 · 2 years ago
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I am an entrepreneur who is passionate about sharing my creative vision with the world. God has blessed me with a gift for cultivating ideas and bringing them to life through various artistic mediums. My mission is to inspire and uplift others through the products I offer. In my entrepreneurial journey, I specialize in creating and selling a range of artistic essentials. From sketchbooks and journals that provide a canvas for self-expression, to puzzles and coloring books that ignite imagination and relaxation, I strive to offer tools that empower individuals to tap into their own creativity. With meticulous attention to detail, I curate a collection of products that captivate and engage people of all ages. Each item is crafted with care, reflecting my commitment to quality and excellence. Through my entrepreneurial pursuits, I aim to provide not just products, but also a source of inspiration and joy for those who encounter them. I am grateful for the opportunity to serve others by sharing the fruits of my creative endeavors. It is my belief that by encouraging artistic expression and providing the means to unlock one's imagination, we can make a positive impact on individuals and communities. As an entrepreneur guided by God's grace, I am humbled by the ability to combine my passion for creativity with the joy of inspiring others. I am committed to continuously evolving and expanding my offerings, as I believe that creativity knows no bounds. Together, let us embark on a journey of exploration, inspiration, and artistic fulfillment.
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nyerus · 2 years ago
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The Narrative Importantance of Hualian's Sexual Intimacy
This is a repost and minor edit of a thread I made on Twitter yesterday. This is a topic I have always wanted to talk about because of how often it comes up in TGCF fandom, time and time again.
‼️CW: mentions of sexual assault, self-harm, bodily injury‼️
⚠️Major spoilers for the entire novel ahead⚠️
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Saw a question the other day on what relevance Hualian being sexually intimate by the end of the novel had to either the narrative or Xie Lian's character arc.
In short: it bears significant relevance, especially in context of other themes the novel explores like bodily autonomy.
Throughout the novel, we see time and time again that Xie Lian is often dehumanized by pretty much everyone—including himself—with the sole exception of Hua Cheng. I've talked more in depth about it in an old twt thread, for those interested. @/stalliondany on twt has also made an excellent recent analysis that goes deeper into the specific ways Xie Lian was used as a physical shield, martyr, or scapegoat for others without thought to his humanity or suffering. I highly recommend reading it first!
But to sum it all up: it's important to Xie Lian's character arc to keep in mind that he is used to seeing his own body as a tool to solve problems. And in crucial narrative moments, he is robbed of his bodily autonomy, and either brutalized or violated in service of others.
One of the plot points that ties together all these concepts is actually... Xie Lian's chastity vows. That will be the main focus of this post.
When he was a young teen (or possibly as a child), Xie Lian took an oath of chastity because such was the norm for cultivators seeking ascension in Xian Le. To Xie Lian, even as he grew older, he never had an issue with this because he just never felt sexual attraction to another person, or any desire to be intimate in that way. Even if he yearned for the concept of being loved. And indeed, at first glance, his chastity vows may seem like nothing more than a side note. Or even a funny gag when it comes to Hua Cheng (later).
In reality Xie Lian's chastity vows are not only used against him, but paint a very disturbing picture with regards to his repeated violation.
The Land of the Tender scene is the most obvious example of this. Xie Lian's vows are directly tied to his spiritual powers, and because it affects how his followers see him. They place a high value on his chastity as being vital to his moral character.
For reference, an excerpt from TGCF vol. 3 of the English print translation, page 135:
Xie Lian's method of cultivation required a pure body. Those who worshipped the ascended cultivators who practiced this path were firmly convinced of the transcendence of gods untouched by earthly desires. If they couldn't protect their purity, their following would no doubt collapse and their powers would be devastated. It wouldn't be as serious as plunging from godhood to back to mortality, and there was still the possibility of recovery after many more years of cultivation—but with things as they were now, there was no time for him to sit behind closed doors and cultivate for years!
As a reminder: it is Bai Wuxiang who orchestrated this whole thing. Him trying to compromise Xie Lian in this way is horrific on many levels, yet that's not the main point I want to make here. It's that to preserve his "pure body," the solution Xie Lian realizes is to severely harm himself. To impale himself with his sword through the abdomen.
The juxtaposition of having to maintain bodily purity versus the gruesome violence inflicted on his body is extremely stark.
This grim contrast is no more evident than in the 100 swords scene. Where Xie Lian's body is literally brutalized and defiled to an unthinkable degree. To the point where he, quote: "no longer looked human." Yet he emerges from that temple physically "pure" all the same. His chastity vows were not broken, his body healed without scars. As though he was untouched.... And yet, he was completely destroyed mentally. It left permanent effects on him as a person. It's even worse when the scene is read analogous to sexual assault, as many have talked about before. I think that interpretation actually hits the nail on the head, especially keeping in mind the Land of the Tender scene and all the similarities between them.
Following the 100 swords scene, Xie Lian of course has a complete disconnect between himself and his body. I believe this is part of why he doesn't really feel pain, except when he is with Hua Cheng, who treats him and his body as one. As a person who is cherished, and loved. Hua Cheng is adamant in his adoring treatment of Xie Lian. Small injuries are also something he cannot tolerate because he knows what horrors befell Xie Lian in the past. (He was present at both the terrible moments mentioned above.) He will not let any of that continue, regardless of what Xie Lian says, because he sees it as injustice.
Xie Lian is willing to use himself as a tool to help others no matter the personal cost. He even thinks of it as something he must do, or that he deserves as penance. But Hua Cheng is the one person who asks "what about you?" He's the one that insists "your happiness matters." And it is Hua Cheng that takes issue with Xie Lian's chastity vows as being unfair, unlike everyone else. Regardless of Hua Cheng's reasons for this diegetically, symbolically it means a lot that he is the one opposed to this.
Just thinking about the chastity vows on their own for a moment: Xie Lian can indulge a little bit in stuff like alcohol, which isn't great to begin with for him. But he absolutely cannot engage in "pleasures of the flesh." He can totally have his flesh ripped from his bones, literally, but actually experiencing any kind of sexual gratification? Now that would make him unclean, and lesser.... Why? Because unlike everything else, that's something Xie Lian would do simply for himself to feel good. And what greater crime is there than to ever dare put himself first?
So Hua Cheng—being the one person who puts Xie Lian first above all else—thinking that such a restriction doesn't make sense is important. Hua Cheng being the person who Xie Lian breaks those vows for in the end is important! (Especially because it seems to have been an easy choice for him.)
And of course, the scene with Jun Wu and the Virginity Detector Sword�� has to be mentioned. Again, there's symbolism to be had! The perpetrator of two of the most physically violating moments of Xie Lian's life (both of which were sexual in nature; one literally and one allegorically) being the one to "check" Xie Lian's virginity... oof. Yikes. It's dramatic irony. It's deeply uncomfortable. Especially because Jun Wu probably wanted to know if Xie Lian slept with Hua Cheng, as he already knew Xie Lian wasn't the ghost fetus' father.
So it's once again a stark juxtaposition: of Ghost King Hua Cheng disagreeing with the purity vows, wanting Xie Lian to break them for himself and his own freedom. Versus Heavenly Emperor Jun Wu wanting to weaponize those vows against Xie Lian in whatever way he can, intact or not, to keep control over him.
Naturally, there's something to be said for the real-world problem with such purity vows being used against people, to judge their moral character, societal expectations, etc. Elephant in the room. It's very on the nose, so there isn't even much to say about it that hasn't been said already.
In the end, it comes down to how horrible it is that when Xie Lian tries to help others, it results in immense harm to his body every time. Yet he is expected to continue to bear it, for centuries, by others and also himself. Until he meets Hua Cheng, who helps him rediscover what it means to be happy, and to be loved. So yes, it's absolutely relevant that in the end, Xie Lian decides to break his purity vows to be intimate with Hua Cheng. That he's able to put himself in Hua Cheng's hands, and let himself be treated with affection and desire. It's Xie Lian finally forgiving himself, and beginning to heal.
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toastedclownery · 4 months ago
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Beebs as Xipe Totec
WARNING! Before we get into this one I have to mention that this is a god with no skin who wears the skin of the people that were sacrificed to him. I will be using pictures of statues of him and they may be a little unsettling at first
Xipe Totec, “Our Lord the Flayed” is the god of agriculture, spring, and new vegetation. Although he has other attributes such as skin and eye diseases, goldsmithing and warfare. In the legend of the five suns he’s the eldest of the four creation brothers, the red Tezcatlipoca (sometimes called Camaxtle) 
Ok so. The other three have subtle Tezcatlipoca traits in their designs. Beebs is a walking Xipe statue. I'm gonna go from top to bottom on possible iconographic elements I found. I'm gonna be using these three codex illustrations of Xipe and a bunch of statues of him.
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(Number 5 will surprise you! 🤡)
1. The spikes of his ponytail, matching with Shrike’s, would be a reference to a headdress of quetzal feathers. A lot of gods are illustrated with these long green feathers (quetzalli), including Xipe.
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2. Xipe wears the skin of his sacrificial victims, including the face. One of the most important details in statues of Xipe Totec and his impersonators is that he has sunken eye holes and two sets of mouths: the victim’s and his own underneath. You can see his droopy lips or the two layers of his face in codex illustrations too. Beebs, being a Walrinian, has a wide and stretchy mouth and a big lower lip, which could be a reference to the outstretched outer mouth from the statues.
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3. As the patron god of goldsmiths, statues of Xipe would wear ear spools made from gold. Although this gold is missing now, he still has the holes in his ears in some of them. I thought his headphones could be a reference to those since they have similar shapes.
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4. The sacrificial victim’s heart was taken out before the flaying. And so, the statues all have a horizontal cut or stitching on their chest, where their heart would be. That’s what the “BEARD” print on his shirt is.
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5. Xipe’s name translates to “our lord the flayed” because he had given his own skin to give food to humanity, so he then wears the skin of others. Beebs��� prosthetic arm is designed to look like arm muscles, like a flayed arm. This is easier to appreciate in his pilot design.
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His legs are supposed to be the same thing. In fact the combination of his shorts and his prosthetic legs is the same as how Xipe’s skin usually ends at the knees.
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6. I’m not entirely sure about this point but I thought the bi-colored glove could be a way to sneak in the double hands of Xipe. The fastest way to recognize Xipe in codices is the secondary pair of hands, the dead person’s hands, dangling limply from his wrists. The statues have them too. Beebs has big hands and the two colors of his glove kind of look like two hands, one layered on top of the other.
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Still, if that’s not a reference to that, I’ve noticed that Beebs has a pattern of using the characters around him to match this iconography. Especially Shrike but not exclusively.
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As for additional traits, he's the god of spring and the seasons. The process of flaying and wearing live skin on him represented the annual regenerative cycle of vegetation.
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Because he's a god of agriculture, he is also known for carrying a rattlestaff (chicahuaztli). This was a musical instrument that was mainly used for rituals to fertilize the earth. He's not the only one that is seen carrying it, others have them, like Mictlantecuhtli and Chalchiuhtlicue (<- we'll get to those when we get to them)
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Now I'm gonna quote Mexicolore here, a website specialized in writing about the precolumbian cultures in Mexico. They've taken a snippet from a study on Xipe and his rattlestaff (Neumann, end of the 5th paragraph)
"It was an instrument by means of which one is enabled to make contact with the spiritual world"
And like:
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Beebs uses his guitar to communicate with Us' phantom
And finally for thematic similarities, Xipe is the oldest of the four creation brothers. It's been shown throughout the show that Beebs and Shrike act like brothers, Zeurel and Tito also call them that, and they've implied that they have a "brotherly connection"
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Beebs acts like an older brother to Shrike because... He is his older brother! And he is expected to act the same way towards Lariat and Triangle, his two other younger brothers, when it's their time to come into the picture.
There's also something that he and Shrike as Huitzi share that the other two don't have: they're both war deities! Huitzi is mainly the god of war, and Xipe is also associated with warfare since he is credited for inventing war. Maybe that's why Shrike and Beebs decided to start a mercenary company together?
List
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gay-mormon-wizard · 1 year ago
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he just casually dropped the next quote that every relief society president will be printing on bookmarks and making the young women paint at girls camp for the next 15 years
Ministering is when we go from being neighbors who bring cookies to trusted friends and spiritual first responders
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akumuusu · 5 months ago
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Disclaimer: Most of what I know is through google research, symbolism will be Chinese due to the media’s origin unless specified otherwise.
Link click Bridon Arc/Yingdu Chapter spoilers
Opening:
Solely visual aspects:
The camera at the start of the OP is the same one Lu Guang has in his hands when he first met Cheng Xiaoshi.
Butterfly motif number 1
~ white butterfly right before Cheng Xiaoshi drags Lu Guang.
~ white butterfly symbolizes purity, healing and innocence in English. Seeing as Lu Guang gets dragged outside of his body as a younger version of himself, this is likely referring to the first timeline.
~ Butterflies overall symbolize love and romance in Chinese folk tale, which adds a lot to the common butterfly motifs.
Liu Xiao was holding open the very end of the collection of ‘Sonnets’ by William Shakespeare
~ the final Sonnet, Sonnet 154 is about unbreaking love
~ Sonnet 154 is a retelling of ‘Cupid and the torch parable’, the moral of said story being, quote, “without trust, there can be no love”
~ Sonnet 154 is often considered to be a pair with Sonnet 153.
A feather falls into (what we can assume to be) Cheng Xiaoshi’s blood
~ feathers have many spiritual meanings, but the most accurate to assume one for this context would likely be the association to otherworldliness or heavenly messages.
Everything in Lu Guang and Cheng Xiaoshi’s room burst into photographs, most of which being of jobs they’ve taken, while Lu Guang stands in the middle of the room, shielding his eyes with his arm.
Directly after the previous excerpt, there’s a montage of Cheng Xiaoshi and Qiao Ling just having fun, not much to add to this one other than it pulled on my heart strings a little bit.
We see Lu Guang standing still in a bunch of colored different settings, back to the screen. It goes to the basketball court where he and Cheng Xiaoshi met, of which was greyscale, he wipes his eyes with his arm, visibly sobbing before an arm (presumably Cheng Xiaoshi’s) grabs his wrist and drags him away, the entire scene gaining color.
What we can assume to be Lu Guang’s notebook’s pages flips backwards, all of the pages are the exact same words, until it finally reaches a different page. Atop said page is a bookmark of sorts with the word ‘Rewind’ written on it in large, clean letters, different handwriting from the journal, they look printed.
Throughout all of this, any and all appearances of Lu Guang are colored and rendered differently from the rest of the artstyle. His coloring is finicky as well.
Solely auditory aspects
“I wish I could tell you the truth”
~ There is something keeping Lu Guang from being capable of telling Cheng Xiaoshi about the time loop. (And it better not be Vein or so help me GOD)
“I stopped painting excuses red”
~ this line implies that Lu Guang, to some degree, blames himself. I believe it means that at some point he stopped blaming Cheng Xiaoshi’s deaths on the universe or things out of his control and began to blame them on himself. ‘Painting excuses’ meaning blaming it on something else, while ‘red’ refers to the danger of the world.
“Rewinding right in front of the eye”
~ someone knows of Lu Guang’s rewinds.
~ We can assume it to be one of the new evil trio, as Li Tianchen never showed any form of awareness to this fact.
“I followed every end of the signs”
~ Lu Guang has tried everything he can think of to change Cheng Xiaoshi’s fate, all of which leading to ‘dead ends’ (Cheng Xiaoshi’s death)
“But I couldn’t make it to you”
~ We can take this line either metaphorical or literal
~ On the metaphorical hand, it would simply mean that he failed, but in the literal sense it could mean that Cheng Xiaoshi was too far away to save, which also brings the question of whether thats metaphorical or literal.
“Trapped in endings I don’t want you to know”
~ I believe this is the answer to the first line, that as much as Lu Guang wants Cheng Xiaoshi to know the truth, he can’t tell him about his own deaths leading to his inability to be honest.
If you have anything to add, please say so! I would love to hear others interpretations
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nadiv22 · 1 year ago
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My favorite quotes from civ VI
TECHNOLOGY
“No man ever wetted clay and then left it, as if there would be bricks by chance and fortune.” – Plutarch
“If there are no dogs in Heaven, then when I die I want to go where they went.” – Will Rogers
“I AM FOND OF PIGS. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” – Winston S. Churchill
“Who deserves more credit than the wife of a coal miner?” – Merle Travis
“When you find yourself in a hole, quit digging.” – Will Rogers
“I don’t believe in astrology; I’m a Sagittarius and we’re skeptical.” – Arthur C. Clarke
“Thousands have lived without love, not one without water.” -W. H. Auden
“I shot an arrow into the air. It fell to earth, I knew not where.” – Henry Wadsworth Longfellow
“Writing is easy. All you have to do is cross out the wrong words.” -Mark Twain
“I’m also interested in creating a lasting legacy … because bronze will last for thousands of years.” – Richard MacDonald
“MONEA, if it does not bring you happiness, will at least help you be miserable in comfort.” – Helen Gurley Brown
“A man on a horse is spiritually as well as physically bigger than a man on foot.” – John Steinbeck
“The Lord made us all out of iron. Then he turns up the heat to forge some of us into steel.” – Marie Osmond
“I cannot imagine any condition which would cause a ship to founder … Modern shipbuilding has gone beyond that.” – Capt. E.J. Smith, RMS Titanic
“Create with the heart; build with the mind.” – Criss Jami
“One man’s ‘magic’ is another man’s engineering.” – Robert Heinlein
“There is no easy way to train an apprentice. My two tools are example and nagging.” – Lemony Snicket
The purpose of education is to replace an empty mind with an open one.” – Malcolm Forbes
“It is the mark of an educated mind to be able to entertain a thought without accepting it.” – Aristotle
“Rocks in my path? I keep them all. With them I shall build my castle.” – Nemo Nox
“Not all who wander are lost.” – J.R.R. Tolkien
“People can have the Model T in any color – so long as it’s black.” – Henry Ford
“The pen might not be mightier than the sword, but maybe the printing press is heavier than the siege weapon. Just a few words can change everything.” – Terry Pratchett
“Astronomy’s much more fun when you’re not an astronomer.” – Brian May
“If facts don’t fit the theory, change the facts.” – Albert Einstein
“No one starts a war – or rather, no one in his senses ought to do so – without first being clear in his mind what he intends to achieve by that war and how he intends to conduct it.” – Karl von Clausewitz
“Science owes more to the steam engine than the steam engine owes to science.” – Lawrence Henderson
“Bolt actions speak louder than words.” – Craig Roberts
“Never criticize a rifleman until you have walked a mile in his shoes. That way, he’ll be barefoot and you’ll be out of range.” – The 2nd Target Company
“For once you have tasted flight you will walk the earth with your eyes turned skywards, for there you have been and there you will long to return.” – Leonardo da Vinci
“If you can walk away from a landing, it’s a good landing. If you use the airplane the next day, it’s an outstanding landing.” – Chuck Yeager
“Benjamin Franklin may have discovered electricity, but it was the man who invented the meter who made the money.” – Earl Wilson
“Chemists do not usually stutter. It would be very awkward if they did, seeing that they have at times to get out such words as methylethylamylophenylium.” – Sir William Crookes
“If God had really intended men to fly, He’d make it easier to get to the airport.” – George Winters
“Untutored courage is useless in the face of educated bullets.” – George Patton
“There may be no forgiveness for polyester. On this one matter, Satan and the Lord are in agreement.” – Joe Hill
“I’m a big laser believer – I really think they are the wave of the future.” – Courteney Cox
"Even though the future seems far away, it is actually beginning right now.” – Mattie Stepanek
CIVICS
“Bravery is being the only one who knows you’re afraid.” — Colonel David Hackworth
“A strong economy begins with a strong, well-educated workforce.”– Bill Owens “Look back over the past, with its changing empires that rose and fell, and you can foresee the future, too.” – Marcus Aurelius
“It was luxuries like air conditioning that brought down the Roman Empire. With air conditioning their windows were shut; they couldn’t hear the barbarians coming.” – Garrison Keillor
Divide and rule, a sound motto. Unite and lead, a better one.” – Johann Wolfgang von Goethe
“All the world’s a stage, and all the men and women merely players.” – William Shakespeare
“Invincibility lies in the defense; the possibility of victory in the attack.” – Sun Tzu
“History is the version of past events that people have decided to agree upon.” – Napoleon Bonaparte
“A good navy is not a provocation to war. It is the surest guaranty of peace.” – Theodore Roosevelt
“In democracy it’s your vote that counts; in feudalism it’s your count that votes.” – Mogens Jallberg
“There are very honest people who do not think that they have had a bargain unless they have cheated a merchant.” – Anatole France
“You can’t go around arresting the Thieves’ Guild. I mean, we’d be at it all day!” – Terry Pratchett
“Listen, strange women lying in ponds distributing swords is no basis for a system of government … You can’t expect to wield supreme power just ‘cause some watery tart threw a sword at you!” – Monty Python
“In diplomacy there are two kinds of problems: small ones and large ones. The small ones will go away by themselves, and the large ones you will not be able to do anything about.” – Patrick McGuinness
“A diplomat is a man who always remembers a woman’s birthday but never remembers her age.” – Robert Frost
“New opinions are always suspected, and usually opposed, without any other reason but because they are not already common.” – John Locke
“A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.” – Douglas Adams
“Destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal.” – Edward Wilson
“If you don’t read the newspaper, you’re uninformed. If you read the newspaper, you’re mis-informed.” -Mark Twain
“Sports do not build character. They reveal it.” – Heywood Broun
“A good plan violently executed right now is far better than a perfect plan executed next week.” – George S. Patton
“We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard.” – John F. Kennedy
“Which of all my important nothings shall I tell you first?” -Jane Austen
“I never think of the future. It comes soon enough.” –Albert Einstein
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☀️ It Is a Good Day to Be a Christian ✝️
Every day is a gift—and this one’s no different. Whether you’re walking in grace or just need the reminder… it’s always a good day to be His.Tag someone who lives their faith out loud!
Shop here ➡️ https://thelivingwordcreativedesigns.dashery.com/
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rumiandroses · 29 days ago
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You Are Not Alone || Muslimah Motivationals Photographic Print
Bring serenity, strength, and spiritual comfort to your space with this uplifting Muslimah motivational print. Featuring a gentle floral design and the powerful reminder from Qur’an 50:16 — "You are not alone in your pain. Allah is closer to you than your jugular vein." — this photographic print is a beautiful daily reminder of Allah’s presence and compassion.
Product Details:
Design: Elegant vintage-style floral border with calming earthy tones
Quote: Qur’an 50:16 in a clear, comforting font
Material: High-quality photographic print on archival paper
Size: Small (8 x 12 inches)
Shipped: Securely in protective packaging
Finish Options:
Luster: Fine grain pebble texture with a soft, elegant sheen
Metallic: Glossy finish with striking visual depth and vibrance
Why You’ll Love It:
Inspiring Islamic decor for your prayer corner, desk, or gallery wall
Thoughtful gift for Muslim sisters, reverts, or anyone needing encouragement
A gentle, visual reminder of Allah’s nearness during difficult times
Designed with love by RumiandRoses and printed with care by Redbubble.
Price: $8.39
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thefinalcinderella · 2 years ago
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Tsurune Book 3 Chapter 3 - The Song of Naru (Part 2)
Let me share my personal theory: In this universe, the sport of kyudo possesses the supernatural ability to alter one's brain chemistry. Those who have a deeper affinity with the bow are more transformed by this ability. Kyudo, it seems, can make one become more spiritually attuned and connect seemingly completely unrelated concepts, but also warp one's thought processes to the point of non-kyudo practitioners finding them incomprehensible.
Anyways I still had no idea what's going on. And yes, that last line in the chapter is real
Glossary here
Full list of translations here
Translation Notes
The word used here is 文字絵 (mojie) which means a picture formed by letters
In Japanese, superstring theory (超弦理論) contains the character for "bowstring"
A yotsugake is a kyudo glove that covers four fingers
Dousha is "a form of Japanese archery with the purpose of shooting arrows from one end to the other of the outer area on the west side of Sanjyusangen-do temple"
Toshiya is another name for dousha
A kosode is a short-sleeved kimono. It contains the character for sleeve
Apparently this is a quote from Kuroko no Basuke?
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The sun was flashing, spreading rainbow-colored wings of light.
It was the middle of May. The prefectural high school kyudo tournament preliminaries were being held.
The competition event was “close range.” The first day’s “individual competition” consisted of shooting four arrows in two stages in zasha, and the top ten with the highest number of hits would be selected for the next round.
The “team competition” on the second day consisted of one coach and five to seven archers, and one male and one female team per school could participate. The competition format was teams of five, four shots in zasha, and a time limit of eight minutes. Forty-one schools participated in the boys’ competition, and the eight teams with the highest scores in the first and second rounds would advance to the prefectural tournament. Looking at the past results, winning was between thirty and thirty-five hits, and the lowest halfway point was twenty.
Kazemai High School had a total of six girls: the three second-years Hanazawa, Shiragiku, and Seo, and three first-years. The boys had a total of seven, with the five second-years Kaito, Ryouhei, Seiya, Nanao, and Minato, and the two first-years Himuro and Kanbayashi. A total of thirteen people entered the individual and team competitions.
Kazemai was the winning school last year, so they attracted a lot of attention. Their school’s name was printed on the back of their green jerseys along with the illustration of an arrow.
When a student from another school said, “Oh, it’s Kazamai,” Nanao folded his hands behind his head.
“This is read as Kazemai. I get it, I sometimes say it wrong too.”
Kaito was appalled. “Don’t get the name of your own school wrong.”
“Japanese kanji is hard because there are so many different readings. Nippon, Nihon, Hinomoto, and Yamato are all examples of the ever-changing name of our country, after all.”
“Oh, it’s Asahina and Eddie from YumiDou,” they heard someone say.
They looked and saw the Haneina High School members passing by, with the flashy duo leading them. “Haneine?” someone muttered when they saw the characters printed on the back of their orange jerseys.
“Those guys are called ‘Haneina High School’… Oi, Asahina and Eddie! Merha!”
When Nanao waved at them, Asahina and Eddie also waved back. In addition, there were other unique members following them, such as a man with narrow eyes, a boy with a notebook and pen, and a boy with fresh flowers in his bag.
Asahina saluted them. “Hey, Nanapri and everyone from Kazemai. It’s been a while. How are you guys?”
Eddie continued, “Prince Nanao, it has been long seen we’ve last contacted each other. The frog art (1) I received from you the other way has seen a lot of uses, that it has.”
“I’m glad to hear that. I saw your last stream. You hit the center of the target in the dark!”
“Thank you. My body learned how to do it using something interesting. If it’s my dojo, I rarely miss a shot.”
“That’s amazing. I’d like to learn that technique too,” Seiya said.
“During kai, the second joint of your bow hand’s index finger should be in line with the position of the tree branch outside the kyudojo.”
“That isn’t something you learned with your body, it’s something you saw with your eyes…”
“Haha, well, it’s alright, isn’t it? I’ll be able to do it with my mind’s eye sooner or later.”
Suddenly, Asahina stared at Minato.
“Hmm? Is there something on my face?”
“I don’t know why, but I feel like rubbing your forehead, Narumiya.”
Seiya quickly hid Minato’s forehead. “You need our advisor’s permission.”
“Seriously? Just how strict are things at Kazemai? If only we can use a jutsu to clone him and borrow one of them. Oh, speak of the devil, Doppelgangers No. 1 and 2 have arrived.”
Asahina’s gaze was directed at a group of people dressed in purple jerseys.
It was the Kirisaki High School kyudo club. The twin brothers Senichi and Manji stopped walking at almost exactly the same moment. Their bangs were arranged symmetrically to each other. Senichi, whose bangs were parted to the left, spoke.
“Doppelgangers are already old news. We’re the Twin Fighters now.”
Hearing this, Kaito’s jaw dropped.
“I can’t believe there are guys with terrible naming senses in a different way from Seiya… Are you sure you guys aren’t going against the times?”
“Huh!?” The twins exclaimed in unison. Kabashima and Yushima tried to calm them down, but Senichi picked up the corners of his mouth and bared his teeth, and Manji pulled his eyelid down and stuck out his tongue. Without paying any attention to what was going on around him, Ryouhei ran up to a certain person.
“Shuu-kun!”
“Hey, Ryouhei. Did you grow taller again?”
“Yep. I’m not losing to you yet!”
“Fufu. I guess I have to give up.”
“It’s a shame that Motomura-senpai and Sase-senpai aren’t here anymore. It’s so sad that everyone has to go their separate ways after graduating from high school, even though we had so much fun together. I wish I could shoot with everyone more.”
Shuu’s pale eyelashes wavered. Senichi and Manji reacted.
“Yamanouchi, stop calling him that.”
“Huh? But Shuu-kun is Shuu-kun, isn’t he?”
Someone was watching the jumble of green, orange, and purple as they chattered.
Kuon was lamenting outside the circle.
It’s him! The man I saw in my dreams.
…No, wait. Who is Fujiwara-senpai looking at?
Following his line of sight, Kuon found Minato there. Shuu had a gentle smile on his face.
I can’t believe this. Those who stand at the top should not smile so frivolously. I don’t care about the dog anymore. This guy must be harmful to Fujiwara-senpai.
The antique doll smiled coldly.
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After the opening ceremony, the individual competition started. The order was random in individual competitions.
The girls went first. Hanazawa, Shiragiku, Seo, and six other girls put on their yugake and headed for the waiting room with their bows, arrows, and tsurumaki with spare strings. Tommy-sensei went with them.
Cheering squads from each school took their places in the stands. It was filled with people holding paper cranes with prayers written on them and others recording in notebooks.
The Kazemai girls started appearing from the third group. Hanazawa’s matooto was cheered by the audience, and Shiragiku and Seo, who were in separate groups, followed. They performed a light and lovely dance, and as a result, Hanazawa had two hits, Shiragiku had three hits, and Seo landed all four of her arrows.
Next was the boys’ division.
Haneina’s Asahina, Eddie, Matsuda, Kanuma, and Igarashi. The five unique and showy individuals captured people’s attentions even when they were alone. Two in particular, Asahina and Eddie, had hair colors that couldn’t be misperceived even from a distance, and their shooting was even more beautiful than in their videos. Their arrows were like flashes as lightning, and they hit with all four arrows.
Kanbayashi, a Kazemai first-year, watched them from the waiting room and thought, I can’t shoot disgracefully. I have to do my best not to bring shame to Kazemai.
The first individual match. Kanbayashi was at the second target in the second group. The archer before him drew his bow. He released his arrow and hit the target at three o’clock. It was a good start.
Meanwhile, tension had stiffened Kanbayashi’s shoulders.
Huh? Why can’t I focus?
As he panicked in his mind, he raised his bow and moved to daisan. He slowly pushed his bow open—
Right when Kanbayashi realized it, the arrow was no longer in his hand and was sticking out of the arrow path. The arrow had jumped out of his hand while he was still drawing his bow. He had no idea what happened.
Crap, crap, crap.
No way, is this target panic…?
No, no, no, I’ve been nervous plenty of times, but I’ve never let go this early. No, there’s no time to think about this. I have to nock the next arrow—. His hands were shaking, and his bow grip was becoming slick with sweat.
It’s fine, it’s fine, it’ll be okay next time.
The more he chanted that in his mind, the rougher his breathing became.
For his second shot, Kanbayashi’s arrow was once again released before reaching kai. The venue became noisy as people started murmuring to each other, and the sound of someone saying “Ah” remained in his ears. The archer behind him released a sharp-flying arrow. Shouts of “Yes!” reverberated.
Kanbayashi’s third shot came around. He could feel his hands shaking. He didn’t know how to interpret this first-time sensation. What did Narumiya-senpai say? To overcome target panic, focus on breathing and exhale slowly. Exhale, exha…, oh no, I can’t do it—.
Again, before he even drew his bow back, the arrow was released in an instant. The sound of the aluminum arrow sweeping across the ground resounded, and it pierced the target after bouncing.
Is this what it means to not hear a tsurune?
It was almost terrifying for an archer.
After shooting all four arrows, Kanbayashi didn’t make any matooto, while Kaito, Seiya, and Minato landed all their arrows, and the others ended the first round with three hits.
Once he left the kyudojo, Kanbayashi buried his face in his hands. His heart was still pounding. “Don’t be so hard on yourself,” Nanao called out, but Kanbayashi’s face was so stiff that all he could manage was a forced smile.
This is so embarrassing. I became a complete mess in front of my senpais and my family who came to support me.
I’ve been practicing and practicing, but when the actual competition comes, I end up like this. What am I doing—.
Kanbayashi gripped the arrows that he retrieved.
“Please remove me from the lineup for tomorrow’s team competition! I can’t do it! I definitely have target panic! I don’t want to be a burden on everyone!”
This time it wasn’t Kanbayashi, but Minato and the second-years who were blinking rapidly.
It was Kaito who responded. “Oi, oi. We’re still only halfway through the individual competition. Why don’t you just hit the remaining four?”
Nanao and Ryouhei also chimed in.
“That’s right. It’s a little too early to give up. Let’s focus on the individual competition in front of us first.”
“Yeah, what he said. There was also a time when I panicked because my string snapped, but I managed.”
However, Kanbayashi didn’t change his opinion.
“It’s impossible! I’ve always had the potential to get target panic! My mental weakness is the only thing I’m confident about! You have to have had it to understand how awful it is!”
Everyone’s eyes turned to Minato. Nothing but the words of someone who experienced target panic could reach Kanbayashi’s heart now.
Minato stepped forward.
“Although it’s called target panic, it’s still a relatively early and sudden system. It’s not severe yet. We can get back on track.”
“You saw me, didn’t you!? My terrible shooting! I was so careful about target panic, but why, why…”
“Let’s do the dantian breathing exercises together. You’re too worked up right now, but you’ll calm down in a few minutes.”
“I can’t do such wishful thinking!”
Minato took Kanbayashi’s hand.
“Kanbayashi, listen to me. My mom once told me about something she read in a book. In ancient times, the Japanese named very fast vehicles ‘tsubame.” The second-fastest were ‘kodama,’ and the ones after that were ‘hikari.’ What do you think is a vehicle that’s faster than light?”
“…Was there anything faster than light?”
“The Shinkansen ‘Nozomi.’ It’s the Japanese word for ‘hope.’ The slogans were, ‘Nozomi of Ambitious Japan! is always there for you’ and ‘Nozomi is the fastest way to meet the person you want to see.’”
Tommy-sensei, who had been watching their exchange, smiled broadly.
“I’ve ridden on the ‘Hinotori’ before. E=mc2. It reminds one of Einstein, the monument of theoretical physics. When things move, they get heavier.”
“Tommy-sensei, you’re knowledgeable about physics too?” Kanbayashi said.
“No, not at all. I’m just a geography teacher. I only know the two theories: relativity, which deals with gravity, and quantum mechanics, which explains the behavior of matter in the microscopic world.”
“The only one of the seventeen subatomic particles that hadn’t been confirmed, the Higgs boson particle, was discovered in this century. It was called the God particle, and is responsible for giving mass to everything. And I guess there’s also the ‘superstring theory,’” Seiya supplemented. (2)
“Super-string?”
“The superstring theory. It’s a theory that claims that the origin of all things is ultra-small ‘strings’. The theory is that particles are actually the vibrations of these strings. It’s still at the stage of hypothesis.”
“The universe is made up of the sound of strings. I guess it would be too poetic to say that tsurune is the true nature of matter. Sound is the vibrating waves of air. Since it’s said that everything from people and plants to minerals are made up of waves, to say that ‘Nozomi’ is faster than light might not necessarily be wrong,” Masa-san said.
“Wow, tsurune is incredible.”
Tommy-sensei smiled with satisfaction at Kanbayashi, who was blinking rapidly.
“When I hear the word ‘ambitious,’ I think of Dr. Clark’s words. ‘Boys, be ambitious. Like this old man.’ I can almost hear the doctor laughing as he says, ‘I’m an eternal young man.’ Now, there’s still a long, long way to go. Let’s go to the next stage together.”
“I don’t really understand, but I’m going to let the team competition wait and focus on what’s in front of me right now.”
Kanbayashi changed his mindset and practiced dantian breathing as Minato put his hand on his lower abdomen.
As for the results of the individual competition, Kazemai’s Minato, Seiya, and Kaito, Kirisaki’s Shuu, Kabashima, and Kuon, Haneina’s Asahina and Eddie, and Seo from the girls’ division would be advancing to prefecturals.
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The second day was the team competition.
The first round. The Haneina team, who were famous as Yotubers, drew a lot of attention for their shooting.
The oomae was Eddie Fox.
His long, blond hair was tied high up on his head, and a headband was tied around his forehead. He looked like an actor in a period drama. Once he gripped his bow, his jokester persona disappeared as his eyes sharpened, his breathing became shallower, and his face became dreadfully serious. A burst of sound resounded from the target area as he took advantage of a momentary gap and got in close to his opponent.
The second target was Matsuda Kotetsu.
He had poor vision, and the world he saw was composed of multicolored balls of light. His hearing was above average, and he had an excellent sense of perception. Whenever he stood before the target, he always stood behind someone else because it was easier to perceive the distance when someone was standing in front of him. Kyudo was a sport that could be played by people of all ages, and physical differences were no handicap. With the use of remote video conferencing, it was even possible to have a match with people on the other side of the world at the same time.
The third target was the naka, Kanuma Nobuhiko.
He was a haiku poet who loved writing haikus. He was staring absentmindedly into space during the middle of a competition.
A staff member approached him and asked him in a whisper, “Hey, what’s wrong? Are you not feeling well?”
“The eye of the snake/the white water surface holds/the golden-scaled fish. I tried to write a poem about carps living in a pond, but I guess it’s too mediocre. On a summer’s day/the koi frolic and a cat/sleeps beneath a tree. How’s that?” (3)
“This isn’t a haiku contest, it’s a kyudo tournament! Concentrate on your shooting!”
“Okaaay.”
Kanuma nocked his arrow. The spectators who had witnessed the scene were taken aback by his lack of nervousness and extraordinary strength of his heart.
The fourth target was the ochimae, Igarashi Shion.
He was the Gardening Prince who loved flowers. Even when he was sitting in his chair in the waiting room, he kept fresh flowers with him and left them with his tsurumaki. Even his bow was decorated with flowers he drew himself, and there were even people who wanted him to sell it to them. His shooting was as sweet-smelling as a flower and created the illusion of a fairy flying.
The fifth person was the ochi, Asahina You.
His red hair symbolized the rising sun. He parted his bow and followed the correct tsurumichi path. What was beautiful was good, and what was good was true. If you sought beauty and aesthetic, you would naturally follow the right path without being aware of it. Far from concepts such as “seeking the truth” and “ascetic training,” and the irrepressible joy that radiated from him captivated those who watched him. He liked to have fun, and believed in fundamentally ignoring what wasn’t fun or changing it to be fun.
The Haneina High School kyudo club was both noble and greedy. They lived not by the values of others, but their own axes. The five of them were comrades and friends who had met each other on their travels. Of course, there were occasional clashes of opinion, but they knew when to quit, so there were no lingering resentments. Making videos was a great way to learn about life and society, as what one said and did was constantly exposed to the public eye. It wasn’t easy to communicate something to others. True expressive people seemed to be free and unfettered at first glance, but they kept their feet on the ground and devoted themselves to their work.
The five of them carved out the Eight Stages of Shooting.
Ashibumi, douzukuri, yugamae, uchiokoshi, hikiwake, kai, hanare, zanshin.
When five circles, a “yoko kaichuu,” were lined up next to each other on the scoreboard, there was an eruption of applause.
Hanazawa, Shiragiku, and Seo, who were watching from the stands, let out sighs.
“It feels really fun.”
“Their shooting was brilliant.”
“They’re formidable opponents. It seems that the boys’ division won’t be so smooth-sailing.”
The members of the Haneina High School kyudo club achieved the high results of four, four, four, three, and four hits each.
Second round, first kyudojo. The champions, Kirisaki High School, were taking their turn.
The oomae was Kabashima. He was particular about his face and form. In the name of Kirisaki High School, he shot so that no one could complain. When gripping the bow, the tenmonsuji should be firmly sticking to the todake, and the skin between one’s thumb and index finger should be rolled up from below. It was no exaggeration to say that kyudo began with the Eight Stages of Shooting and ended with the Eight Stages of Shooting. Originally, it was the Seven Stages, but with the addition of “zanshin,” it became eight. Why did they make it eight? He felt something profound in it. He earnestly, single-mindedly, carved out the Eight Stages and created a matooto. He was intoxicated by the sweet tone.
Senichi was at the second target, and Manji was at the third. Although their time-difference attack was sealed up, the confidence of the Twin Fighters was evident. We stand on the front line, the firing line. Come on, follow us. They looked completely relaxed, as if victory had been decided before the fight had even begun.
The ochimae was Kuon Takumi. Unusually for a high school student, he used a yotsugake. (3) There were slight differences in gripping the string depending on whether you were wearing mitsugake and yotsugake. Originally used in dousha, (4) and it was said that yotsugake was more suitable for people who drew many arrows like the toshiya (5)in Sanjusangen-do or for people with tough bows, but since Kuon believed that yotsugake were more superiorly ranked than mitsugake, he chose to use it. The arrow that was released almost hit the center. A rapturous air exuded from his whole body.
When the ochi, Shuu, started to lift his bow, the entire venue resonated with silence.
Even the sound of his clothes rustling was daunting. He possessed a divinity, as if he had reached a higher level than what everyone called the “Young Lord.” He himself became a bow and emitted a tsurune that soared through the heavens. Shuu’s sound instantly erased the uncanny colors created by Kuon and purified the place.
A true sound.
A good sound.
A beautiful sound.
By the time the people whose hearts were pierced came back to their senses, Shuu had already left.
The results were announced over the loudspeaker.
“The results will be announced now. First shooting range, Team 17, four, four, three, four, four, nineteen hits total. Second shooting range, Team 18, four, two, two, four, 12 hits total. That is all.”
Kirisaki won, and Kazemai went after them.
The oomae, Kaito, drew his bow tightly. He relaxed his hands and stretched his upper arms.
More force, more force. He stretched and stretched—then released. The arrow was sucked into the target while spinning clockwise.
The second target, Ryouhei, didn’t only grow in height. He had the dignity of an archer, and he shot with majesty. He was someone who had love for everyone. He would continue to have affection for himself and others for the rest of his life. The target accurately reflected the archer, and the round target, without deceit or calculation, was waiting to be pierced.
The naka, Seiya, was also clearly different from who he was a year ago. He took off his obstinate armor and stretched his limbs freely. He hated himself. He hated irrationality, fate, all of it. When he became entwined with hatred and fell into a swamp, there was someone who reached out to him. That person said that they didn’t care what kind of person he was.
The ochimae, Kanbayashi, began to carry out his shot. He concentrated on the lower abdomen that Minato had put his hand on before.
The dantian is “here.”
Now, gather the light here.
He threw away all speech and listened only to the sound of his breathing. When the wind calmed down, his arrow flew at high speed.
The ochi was Minato. He summoned the wind that should have stopped. The wind that rushed around the earth was the land’s breath. Once you were able to feel that, you became a wind user. He manipulated the wind at will and connected it to a new era.
The tsurune took everything away.
For the results of the first round, Kazemai had fifteen hits out of twenty.
After the first and second rounds were completed, Kirisaki had thirty-six hits, Haneina had thirty-five, and Kazemai had thirty-three.
All three schools made it through the preliminaries.
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After the tournament, the Kazemai second-years and Masa-san waited for a car to pick them up. Tommy-sensei and the first-years went home first. Waves of people came and went to the other shore.
Minato, Seiya, and Ryouhei sat on the edge of a flower bed. Ryouhei immediately started to eat his sweets. Seiya, finding the verse from “Greensleeves” stuck in his head, couldn’t help but hum it.
He met eyes with Masa-san, who was next to them.
“Is that an English folk song? You know a lot of old songs, Seiya.”
“If you know it, then you must be ancient as well, Masa-san. Minato’s mom used to hum it. Oh, it can’t be helped if you don’t know it.”
A bell was rung. Fighters burned with quiet fighting spirit.
Seeing the two jab at each other, Nanao quickly took out his phone. He entered the search words, and the English lyrics and translation were displayed.
Kaito peered at them.
“What’s this? Isn’t this just a guy who got dumped and kept whining about it? Isn’t it too obsessive to say at the end, ‘Goodbye, please come here again and love me?’”
“Kacchan, you don’t understand heartbreak at all.”
“Hah? I don’t need to.”
“Yep, that’s what I thought.”
Ryouhei said that he would eat all the sweets.
“What kind of woman is Greensleeves? He’s calling her name over and over, right?”
Seiya was the one who answered. “I did some research, but the prevailing theory seems to be that it’s a metaphor and not a real name. There are various theories that Greensleeves is a prostitute, a dead person, or a ghost. Also, some people think that Greensleeves isn’t a song about lost love, but more like a hymn.”
For a moment, sound disappeared.
Even though it should have been extremely noisy with all the people around, the area was so silent that it made their ears hurt. Even the birds were quiet.
Masa-san murmured a few words.
“Green kosode—. (6) I think it’s talking about the upper arm.”
“What do you mean?” Minato asked.
“There’s a custom in the West to wear green when one turns into a spirit. When you think of Santa Claus, you think of red clothes, but that was because he was dressed in a company’s image color in advertisements, and in England, he was originally dressed in green. According to one theory, Santa Claus is Saint Nicholas, that is, a clergyman. He is a person who seems to have existed, and his name and deeds are passed on to his disciples.”
“What does that have to do with ‘upper arms’?”
“I think ‘Greensleeves’ refers to the arms themselves. It’s ‘green sleeves.’ When you touch the arm of a person, a miracle will occur. That makes them a vessel of the divine.”
Masa-san typed into his phone.
Alas, my love, you do me wrong.
Greensleeves was all my joy.
Greensleeves was my delight.
Oh, my chest feels like it’s about to burst. You who bestow love, how cruel you are.
You let enjoy your love, and say you’ll forsake me. Is this a test of God?
Greensleeves, you are joy itself.
Greensleeves, you are days of happiness.
I was happy just being by your side.
Seiya spoke.
“That sound like words dedicated to God. A somewhat critical song of lamentation and resignation.”
“Greensleeves may have been a person who had a healing hand that could cure illnesses and injuries, or maybe she was a saint. There are even those who say that it is the name of God. It’s distinct from the secular world and doesn’t appear openly. Even if you’re attracted by, yearn for, adore, sacrifice yourself, and give up all your wealth and power for the singing voice that you overhear from the church, you cannot touch ‘it.’”
“I see. In that case, I can at least acknowledge the manly spirit of ‘I’ll stop you even if I have to cling to you,’” Kaito said. (7)
“Kacchan, this isn’t a rugby play. And ‘manly spirit,’ really? You completely ruined the mood,” Nanao said.
 Seiya lowered his eyes and took off his glasses.
“Being abandoned by God might be an indication that humans are irredeemable.”
Shiragiku’s expression clouded over, and she gripped Seo and Hanazawa’s hands.
“How awful…it was such a wonderful melody.”
As everyone fell silent, Minato pondered.
Has God abandoned humans?
Is this really true? Didn’t I forget something important?
“You’re wrong! Such a sad and gentle melody could never be a criticism and lament to God. This is a joyful song for a coming-of-age ceremony!” he started shouting.
Before he knew it, everyone was staring at him blankly. The three girls shrank back while still holding hands.
Masa-san tried to follow Minato’s thought process.
“Coming-of-age ceremony? What’s with this all of a sudden? Where did your thoughts fly to, Minato?”
“I remembered my mother’s words. She said that at coming-of-age ceremonies, it’s a ‘song of naru.’”
“…What do you mean? Did your mother have a shrine maiden disposition?
“No, she was a normal mom.”
“Don’t put too much stock in what Narumiya calls ‘normal.’ By the way, who’s Naru? Is that a new character? Now I’m even more confused.”
Kaito scratched his head.
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