#Soul Pop

[remi-wolf-music-enjoyer]

Live at Electric Brixton - Remi Wolf

[haveyoulistenedtothisalbum-poll]

Tracklist:

Wake Up, Get Up, Get Out There • Phantom • 脱出 • Life Will Change • 逃走~逮捕 • 尋問室 • 回想~暗示 • 全ての人の魂の詩 • Beneath the Mask (Instrumental Version) • 出会い • 異世界へ • 緊迫 • 覚醒 • Will Power • 王と王妃と奴隷 (Another Version) • 王と王妃と奴隷 • Last Surprise • Talk • 勝利 • Tokyo Emergency • 告白/秘密 • 告白/秘密 (Piano Version) • Layer Cake • Life Will Change (Instrumental Version) • Blood of Villain • Blooming Villain • Regret • 色欲の崩壊 • Beneath the Mask • 終わらない日々 • スターフォルネウス • パンチdeアウチ • 垢太郎鉄道 • 豪血寺一味 • はったれ五右衛門 • プロゴルファー猿田彦 • Tokyo Daylight • Butterfly Kiss • メメントス • Have a Short Rest • Suspicious Person • My Homie • Wicked Plan • A Woman • A Woman (Another Version) • Sunset Bridge • Days of Sisters • Beneath The Mask (Rain) • Bar にゅぅカマー • 疑惑 • High Pressure • Price • Price (Another Version) • Keeper of Lust • Life Goes On • 夏の日の思い出 • 灼熱の砂漠を往く • 母のいた日々 (Another Version) • 母のいた日々 • Alleycat • 憤怒の崩壊 • Alright (Elp Version) • New Beginning • Hawaii • Alright • Break It Down (Elp Version) • The Spirit • What's Going On? • Sweet • ビッグバン・バーガーのマーチ • TRIPLE SEVEN • クレーンゲーム • プラネタリウム • 家電量販店 • おかえりなさいませ! ご主人様♡ • 懺悔のお時間 • デスティニー・ランド • 闇ネットたなか • Beneath The Mask (Rain, Instrumental Version) • Break it Down • つまらない • 廃人化 • Sweatshop • Sweatshop (Another Version) • RUN,RUN,RUN! • 放送事故 • 不穏 • The Whims of Fate • 脱出 (Another Version) • 逃走 (Another Version) • Betrayer • Nothingness...? • Trick • 底知れぬ傲慢 • 方舟 • 次期総理の船路に捧げる即興曲 • Wake Up, Get Up, Get Out There (Instrumental Version) • Rivers In the Desert (Instrumental Version) • 欲望 • Rivers In the Desert • 傲慢の崩壊 • 自由と安心 • Erosion • 対峙 • Jaldabaoth • Swear to My Bones • Our Beginning • 星と僕らと (Piano Version) • 星と僕らと • Wake Up, Get Up, Get Out There (Opening Movie Version)

Spotify ♪ YouTube

[iamlisteningto]

Cindy Lee’s What’s Tonight To Eternity

[spilladabalia]

Blondie - War Child

[randomvarious]

Today's compilation:

25 #1 Hits From 25 Years 1983 R&B / Soul / Girl Groups / Pop-Soul / Disco

Seriously, it's so wild to me that just three years before Motown put out this double-LP that took 25 of their #1 hits from a 25-year period, they released another compilation with the same concept that took 20 #1 hits from a 20-year period; and almost half the tunes between these two releases don't actually overlap at all! To put this in perspective, I don't think there's another record company in America, outside of enormous major labels that have been around for many more decades and have released music across a much broader spectrum of genres, that could put together even one volume of US chart-toppers. But if a single volume consists of roughly 20 to 25 songs, then Motown would need to put out a total of two volumes and change in order to cover every #1 hit that they've ever had! They're just so head-and-shoulders above everyone else.

And while the 20-songs-in-20-years comp put a lot of its focus on the 70s, this one operates chronologically, and starts in 1961 with Motown's first ever #1, the super catchy girl group classic, "Please Mr. Postman," by The Marvelettes. It doesn't then go on to provide every single #1 from the 60s from there, but the album still spends a little less than a third of its tracklist within that decade, which was a critically important part of Motown's history that the prior compilation really seemed to gloss over.

So, again, no obscurities here whatsoever on this thing, but I think this is the most definitive document of Motown's greatest hits that I've ever come across. And if you want even more #1s, you can take this one in tandem with 20/20: Twenty #1 Hits From Twenty Years at Motown too 😊.

Highlights:

The Marvelettes - "Please Mr. Postman" The Supremes - "Baby Love" The Temptations - "My Girl" The Four Tops - "I Can't Help Myself (Sugar Pie, Honey Bunch)" Diana Ross & The Supremes - "You Can't Hurry Love" The Four Tops - "Reach Out (I'll Be There)" Marvin Gaye - "I Heard It Through the Grapevine" The Jackson 5 - "I Want You Back" The Jackson 5 - "ABC" Diana Ross - "Ain't No Mountain High Enough" The Jackson 5 - "I'll Be There" Smokey Robinson & the Miracles - "Tears of a Clown" The Temptations - "Just My Imagination" Marvin Gaye - "What's Going On" Thelma Houston - "Don't Leave Me This Way" Marvin Gaye - "Got to Give It Up (Part 1)" The Temptations - "Papa Was a Rolling Stone" Eddie Kendricks - "Keep On Truckin'" Stevie Wonder - "Superstition" Rick James - "Give It To Me Baby" Stevie Wonder - "You Are the Sunshine of My Life" Marvin Gaye - "Let's Get It On"

[dankalbumart]

Tonight by David Bowie EMI Ameirca 1984 Pop-Rock / Pop / Blue-Eyed Soul / Dance-Rock / Sophisti-Pop / Art Rock / Dance-Pop / New Wave / Pop-Reggae / Pop-Soul

[nonenglishsongs]

Top 40 Tuesday - #2 in Vietnam | Wren Evans, itsnk - Từng Quen (Vietnamese)

[my-chaos-radio]

Release: May 6, 2016

Lyrics:

I got this feeling inside my bones

It goes electric, wavey when I turn it on

And if you want it, inside your soul

Just open up your heart, let music take control

I got that sunshine in my pocket

Got that good soul in my feet

I feel that hot blood in my body when it drops, ooh

I can't take my eyes up off it, moving so phenomenally

The room on lock the way we rock it, so don't stop

Under the lights when everything goes

Nowhere to hide when I'm getting you close

When we move, well, you already know

So just imagine, just imagine, just imagine

Nothing I can see but you when you dance, dance, dance

A feeling good, good, creeping up on you

So just dance, dance, dance, come on

All those things I shouldn't do

But you dance, dance, dance

And ain't nobody leaving soon, so keep dancing

I can't stop the feeling

So just dance, dance, dance

I can't stop the feeling

So just dance, dance, dance, come on

Ooh, it's something magical

It's in the air, it's in my blood, it's rushing on

I don't need no reason, don't need control

I fly so high, no ceiling, when I'm in my zone

'Cause I got that sunshine in my pocket

Got that good soul in my feet

I feel that hot blood in my body when it drops, ooh

I can't take my eyes up off it, moving so phenomenally

The room on lock the way we rock it, so don't stop

Under the lights when everything goes

Nowhere to hide when I'm getting you close

When we move, well, you already know

So just imagine, just imagine, just imagine

Nothing I can see but you when you dance, dance, dance

Feeling good, good, creeping up on you

So just dance, dance, dance, come on

All those things I shouldn't do

But you dance, dance, dance

And ain't nobody leaving soon, so keep dancing

I can't stop the feeling

So just dance, dance, dance

I can't stop the feeling

So just dance, dance, dance

I can't stop the feeling

So just dance, dance, dance

I can't stop the feeling

So keep dancing, come on

I can't stop the, I can't stop the

I can't stop the, I can't stop the

I can't stop the feeling

Nothing I can see but you when you dance, dance, dance

(I can't stop the feeling)

Feeling good, good, creeping up on you

So just dance, dance, dance, come on

(I can't stop the feeling)

All those things I shouldn't do

But you dance, dance, dance

(I can't stop the feeling)

And ain't nobody leaving soon, so keep dancing

Everybody sing (I can't stop the feeling)

Got this feeling in my body

(I can't stop the feeling)

Got this feeling in my body

(I can't stop the feeling)

Wanna see you move your body

(I can't stop the feeling)

Got this feeling in my body

Break it down

Got this feeling in my body

Can't stop the feeling

Got this feeling in my body, come on

Songwriter:

Justin R. Timberlake / Martin Karl Sandberg / Johan Karl Schuster

SongFacts:

👉📖

[elocinting]

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REVIEW: "So Far" by Lillimure

Written by: Nicole Ting

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Flooded with dreamy late-summer heat over pulses of rich R&B instrumental melodies, “So Far” is the sultry first single on Lillimure’s forthcoming album. Written by Lillimure and Sam Everett, every note and line are mesmerizing in intention and honesty, marked by stunning vocal and instrumental arrangements. 

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Based in New York, the artist and musician Lillimure delivers truth and direction through delicate, poignant riffs and earnest words. Softly cutting through the dynamic sound, the repetition of the juxtaposed lines “out of reach” and “wait for me” is painfully sincere in its yearning. When you’re young, finding and knowing yourself are equally terrifying yet illuminating — an unpredictable, hopeful magnetism. Leaning into inflection points along her striking yet soft lyricism the way one leans into tenderness, Lillimure shares the heart of the desire to start over and be known. You can now listen to “So Far” by Lillimure on Spotify and Soundcloud.

[catbookcat]

My mental illness is so bad that I haven't been able to go to a concert and stay the whole way through in over a year. I kept having panic attacks and getting overwhelmed and needing to leave.

By happenstance I saw this new live reaction video to my favorite group to see live.

lawrence - don't lose sight (acoustic)

I love the band Lawrence and I'm going to talk to my therapist to see if I can work my way up to being able to see them again.

[remi-wolf-music-enjoyer]

🎶🎶coughing up big green frooogs

your life's so simple, now that I'm gooone 🎶🎶

[musicftmisfits]

Casii Stephan - Average Man

A soul-drenched punk track brought some sunshine to this grey summer's day, the track is Casii Stephan's soulful rock release 'Average Man' and we can't get enough of it!

A soul-drenched punk track brought some sunshine to this grey summer’s day, the track is Casii Stephan‘s soulful rock release ‘Average Man’ and we can’t get enough of it! Powerful and soulful vocals take us on a journey filled with driving drum rolls and exhilarating compositions, Casii Stephan released ‘Average Man’ and with that gave us a summer anthem fighting off the summer blues this grey…

[spilladabalia]

Dexys Midnight Runners - Keep It

[randomvarious]

Today's compilation:

16 #1 Hits from the Early 60's 1982 Soul / Pop / Girl Groups / Pop-Soul / R&B

Again, I don't think that there's another label in the world, outside of the enormous ones that have had their hooks firmly dug into a wide array of genres, that could possibly have put out a whole series of compilations that consist solely of just their own #1 hits, like Motown managed to do here in the early 80s. Sure, they were just putting together these budget cheat code comps of easily accessible tunes, but by that same token, no other label that produced and released their own music had that same capability to just use US chart-toppers from their very own catalog. It's really such an impressive muscle-flex on their part, and really goes to show why Motown is the single-greatest institution in the history of American pop music 💪.

Now, they had a lot of successful acts, but throughout much of the 60s, the straw that really stirred Motown's drink was the inimitable songwriting and production trio of Holland-Dozier-Holland, whose work appears on eight of these sixteen tracks here. And the one partnership they had that ended up launching Motown into a previously uncharted stratosphere was with Diana Ross & the Supremes, who have six #1s that appear on this comp, all of which were produced by Holland-Dozier-Holland.

In 1964, The Supremes achieved their first ever #1 with "Where Did Our Love Go," and then proceeded to rattle off four more consecutive #1s in "Baby Love," "Come See About Me," "Stop! In the Name of Love," and "Back in My Arms Again." Their streak would then break in '65, but they'd still manage to squeeze out another #1 that year with "I Hear a Symphony." And the acoustics on all of these, along with a common formula of bouncy, undergirding rhythms and percussion, makes them simply unbeatable.

So, without that combination of Holland-Dozier-Holland and The Supremes, the 60s definitely wouldn't have turned out as nearly as fortunate as they did for Motown. HDH would doubtlessly apply their talents to other acts and probably achieve other big hits, but none would probably end up clicking as consistently and perfectly as they did with Diana Ross & the Supremes.

And what's perhaps even more impressive about all of this is that, by the end of the decade, Holland-Dozier-Holland would leave Motown and Diana Ross would go solo, and the label would still manage to rack up #1s in the next decade like no other label could, despite those drastic changes.

So, a killer slate of tunes here that really demonstrates just what an absolute powerhouse Motown really was. An excellent starter pack for any Motown novice out there who wants to get a taste of a bunch of the label's biggest successes in their earlier years.

Highlights:

Smokey Robinson & the Miracles - "Shop Around" The Marvelettes - "Please Mr. Postman" The Contours - "Do You Love Me" Stevie Wonder - "Fingertips, Pt. 2" Martha & the Vandellas - "(Love Is Like A) Heat Wave" Mary Wells - "My Guy" Diana Ross & the Supremes - "Where Did Our Love Go" Diana Ross & the Supremes - "Baby Love" The Temptations - "My Girl" Junior Walker & the All-Stars - "Shotgun" Diana Ross & the Supremes - "Stop! In the Name of Love" The Four Tops - "I Can't Help Myself (Sugar Pie, Honey Bunch)" Diana Ross & the Supremes - "Back in My Arms Again" Diana Ross & the Supremes - "I Hear a Symphony"

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Choke by The Beautiful South GO! Discs / Elektra Records 1990 Pop-Rock / Alternative Rock / Indie Pop / Adult Alternative Rock / Sophisti-Pop / Pop-Soul / Jangle Pop