#Sorry you feel sick

[icycoldninja]

Hiiii hope you're doing well! I have a cold and wanted to request Dante taking care of a sick fem S/O. Thank you!

Oh no, I'm so sorry to hear that. I hope you get better soon, and that you enjoy. 💜

Caught a cold (Dante x Sick!Fem!Reader)

You woke up that morning with a hot, flushed forehead, an awfully sore, scratchy throat, and a runny nose. You didn't have to take your temperature to know you'd come down with a cold.

"Dante," You grumbled, coughing. "Could you bring me some tissues and medicine?" There was silence for a few moments, then the sound of rapid footsteps nearing your room. The door suddenly flew open, revealing your boyfriend Dante, with three plastic bags full of medicine bottles, ten boxes of tissues, and a mini garbage can.

"Here ya go, babe," He said, shuffling into your room and laying the items out on your bed. "I got Ibuprofen, Nyquil, cough drops, and, uhh...aspirin. Here, take these." He shoved two Ibuprofen tablets into your hands and handed you a bottle of water. Once you'd taken the medicine, he popped open the cap of a Nyquil bottle and measured out 30ml of the medicine. "Alright, take this too." You took the bottle cap/measuring cup from him and reluctantly gulped it down, wincing at the medicine's bitter taste. "There ya go," Dante praised, as you washed down the gross liquid with a capful of water. "Now get some rest, ok?" You nodded, snatching a tissue from the box and blowing your nose into it. Dante chuckled, leaned down, and planted a kiss on your forehead. "Rest up, ok, babe? I'll be right back."

He zipped out of the room, leaving you lying there, exhausted. You let out a soft sigh and flopped backwards, pulling the blankets up over your shoulders and blowing your nose one more time before closing your eyes and trying to get some sleep. You were interrupted about 20 minutes later by a bizarre, horribly loud scraping sound, like a heavy object being dragged across the floor. You wearily raised your head from the pillow and peered at the doorway, shocked to find Dante attempting to lug your TV stand through the doorway.

"Dante, what are you doing?" You groaned, rolling over.

"Just trying to get some entertainment set up, y'know." He grunted, and with one final yank, the wide TV slid through the doorway. "Got it!" He announced, pushing the piece of furniture over to the wall in front of your bed. "Now, wait right there and lemme get the TV." Before you could reply, he was gone, having returned to the living room for the TV. He came back 5 minutes later, holding the TV remote in his mouth. After mounting the TV on its stand and plugging in all the required cables, he leaped into bed beside you, took the remote out of his mouth, and flicked on the TV.

"Dante...why?" You rasped, your words immediately followed up by a series of loud coughs and sneezes.

"Aw, c'mon, you and I both know that sleep is impossible when you're sick, especially when your medicine hasn't kicked in yet," Dante said, sighing and hooking an arm around your shoulder. "Besides, I can't leave you all alone when you're sick, you'll get lonely! Gotta keep my baby company, and I have a low attention span, so..." He let out a low snigger and pressed a kiss to your cheek before rearranging the covers for you. "You can go ahead and try to sleep if ya want, I'll keep the volume low." You shook your head; Dante was right, you didn't really feel sleepy yet.

"Nah, I'll stay awake. Put on something interesting, will you?" Dante nodded, grinning. "Sure thing, babe."

[datcravat]

It seems there's a new lawyer in town!!!

[medicalunprofessional]

never change, man !

[cracklewink]

mister hot topic im a huge fan

[skipporeity]

bro omfg

[fatehbaz]

patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

[bamsara]

being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now

[canon-gabriel-quotes]

i am sincerely sorry

I. I-

you know what nevermjsnimhh jj

Eeeeee

Jajhhh gm

yeah ok

[yesmissnyx]

An Unsexy Post About Censorship

Sooo...gumroad is shutting down NSFW content sales because of Stripe and Paypal. This is also why Wishtender has been down as well, if you weren't aware. And why Patreon is also cracking down on anything remotely kinky.

(If you're wondering why your favorite FICTIONAL sexual content isn't allowed on most platforms, it's payment processors.)

Please be extra kind to anyone who works with NSFW content right now, whether it be art, writing, audio, photos or video. Whether it be tasteful erotica, or the kinkiest BDSM porn you can think of, we're all in the crosshairs right now.

And, judging by trends from these past few years, this is only going to get worse.

Support NSFW creators where you can, whether by tipping or buying our content (where you still can) or just helping boost content on sites where algorithms want to drown us out.

Call representatives where you can and complain about payment processors acting as arbiters of what YOU are and aren't allowed to pay for and enjoy.

This may be about porn right now, but censorship of this caliber doesn't just stop with porn. Any transgressive (read: non-conservative) media is fair game.

Fight against it where you can. Support creators where you can.

Art is important. Reflections of our sexuality are important. We don't want a world where people aren't free to make or see the things they love and enjoy.

[fckbatmanhiskidsareminenow]

What’s for Breakfast?

(yes it’s the parsnip fic)

(tw mentioned nightmares and mildly dissociation)

disclaimer: this will probably be ooc, i’m still extremely new to the fandom so be nice please

description: jason decides to cook and is interrupted by the rest of the bat siblings.

word count: 1556

All he came here to do was drop off some intel for Bruce but now? Now Jason is standing in the middle of the Wayne manor kitchen, with his hands on his hips, wondering what he should cook. He’s hungry, alright, sue him.

It’s Sunday and Sunday is the day Alfred restocks the kitchen so the chances of Jason actually finding something other than premade pancake mix was not great.

The first ingredient item he finds is a few parsnips. He passes one between his hands trying to think of what he can make with them. After a few seconds he comes up with something, tossing the parsnips onto the counter and he collects some onions, a leek, flour, eggs and vegetable oil. He gets the grater out and it’s decided. He’s gonna make parsnip and onion fritters.

Jason starts with slicing the onion. Just get that shit over and done with. The familiar burn of the onion begins in his eyes and he is immediately reminded of the last time he cooked in here. He was 15, it was a few weeks before his death. He and Alfred were making home made burgers, requested by Jason himself, and they made caramelised onions to go with it.

He’s pulled out of the memory by the wet feeling of tears dripping down onto his hand. He glares down at the vegetable as if it had personally wronged him. And you know what? It did. He’s crying all because of a fucking onion.

He continues slicing only slightly more aggressively when he hears a soft patter of feet.

“Todd?” At the sound of his name he looks up and is met with a sleepy Damian staring back. The kid’s got on a set of cat pyjamas, that Jason can admit is kinda cute, and is wiping away what looks to be tears. Must have had a nightmare or something.

“Cooking.” Jason replied gruffly. Damian approaches the island he’s cooking on and stands on his toes to try and see what Jason is cooking. Once again he can admit the kid looked kinda cute with only just his head and little hands poking over the bench.

“Cooking what?” He asks softly and with genuine childlike curiosity, which is rare for Damian. Jason breathes out a sigh and walks over to the small table on the far side of the kitchen and pulls a chair up against the bench.

“Parsnip and onion fritters. Wash your hands and come grate the parsnips for me.” He usually would tell him to fuck off but the kid looks like he could use a distraction and he does love a mission.

Damian washes his hands, climbs up the chair and starts grating.

They slice and grate mostly in quiet, only breaking the silence to quietly giggle at each other's onion induced tears.

“Cooking?” The sound of a voice startles them both so badly Damian almost throws a parsnip and Jason damn near cuts his finger off. When they look up at the source, Cass is standing there with an eyebrow raised.

“Christ, Cassandra, you could have killed us.” Damian says as he lowers the parsnip. Jason huffs out a laugh.

“Again.” He mutters and doesn’t miss the nasty look Damian throws him. Cass only smirks and shrugs. She looks dishevelled but Jason chooses to ignore it. She wanders over to the island, inspects what they’re doing before sitting on one of the stools and pulling her phone out of her pocket. Jason and Damian share a look before continuing what they were doing.

They finally get through all the slicing and grating when Steph and Tim stumble in looking like they had not slept all week. Jason stops what he’s doing just to look at them judgingly.

“Where the fuck have you two been?” he asks like he doesn’t want to know. Steph groans and collapses into the stool next to Cass.

“We were out all night for a stake out that turned up nothing.” Jason makes a confused face at that and looks to Tim who is all but dragging himself to the coffee machine.

“I don’t even want to talk about it.” He says holding a hand up to block out Jason’s judgmental look. Stake outs like that happen, not often but they happen. But for Tim? It’s even less often, he gathers all the intel he can before going out. Make sense for his mood to be shit.

Jason can practically sense Damian is about to say something so he scoops him up by the armpits and places him onto the ground.

“Your jobs done now.” He tells him before the kid can protest. He only receives a slightly grumpy nod before Damian drags the chair back to its regular spot and sits down. Tim looks away from the coffee machine.

“Are you making breakfast?” He asks half judgy half genuine. Jason almost responds with some snarky sarcasm but just looking at Tim tells him the poor guy's exhausted brain would probably melt if he did.

“Yeah I am. Parsnip and onion fritters.”

Steph lifts her head from where it was laying against the kitchen island.

“What the fuck is a parsnip?” Jason chuckles and holds up one of the unused parsnips.

“It's like a white carrot thing. They taste good, trust me.” Steph eyes it suspiciously before shrugging and laying her head back down.

Duke runs in while Jason is mixing in the flour and eggs. He stops and looks at everyone surprised. To Duke’s credit it is rare for all of them to be in the same room for a non vigilante related reason. He looks at Jason and into the bowl.

“Hey, that looks great! I’m heading out to patrol but save me some for when I get back?” He says as he grabs an apple and speeds out of the kitchen without waiting for an answer. Jason files the information to save some away in his head before he continues mixing. He makes sure everything is evenly coated before heating up a pan and drizzling some vegetable oil onto it. He places as many scoops as he can evenly spread on the pan and waits until he can flip them.

The sizzly of the fritters and the oil almost covers up the sound of a new pair of feet entering the kitchen.

“Whatchya making, Jaybird?” This time he doesn’t jump at the sound of Dick’s voice coming from directly over his shoulder. Just by looking at Dick’s eyes tells Jason the eldest is floating in between a dissociation episode. He’s not really all there.

Jesus Christ, was he the only one who had a good night? Well, he doesn’t really know how Duke’s night went but with the way he was rushing to get on patrol, if Jason had to guess it would be probably not good.

“Parsnip and Onion fritters.” He replies while scanning the kitchen for what task he can give Dick to help him out.

“Hey, could you do the dishes for me? I wouldn’t want Alfred to wake up and find the kitchen a mess.” He asks softly. Jason doesn’t mention that Alfred is already up and upon seeing all of them in the kitchen, about ten minutes ago, gave Jason a soft smile and left to do whatever Alfred does when he’s not butlering.

Dick turns to where Jason points to the dishes and nods.

“Oh yeah, of course.” He says spacely. Jason fights the urge to fist pump. If he’s learnt anything it's if you wanna get Dick Grayson to help himself, you gotta guilt trip him a little bit. He does take the knife before Dick can add it to his washing pile. Yeah he’s got some less than moral helping tactics but he’s not gonna let the guy hurt himself.

Damian gets up to help Dick with the dishes and they make quiet conversation. With Damian occasionally yelling when Dick splashes him or tries to place bubbles on his head.

Jason hands the empty bowl to Dick before placing the last of the fritters onto one big plate. He quickly whips up a greek yogurt and herb dip sauce. He grabs out enough plates for everyone and places two on a plate for Duke before wrapping it with foil and placing them in the fridge. He then hands the remaining stack of plates to Dick.

“Alright losers follow if you want breakfast.” He calls out before heading into the proper dining room. Dick sets the table before taking one for himself.

Jason will never tell anyone but he did feel nervous waiting for everyone’s reaction.

“Wait, why is this good?”

“I can’t tell if these are good or if I’m just really fucking hungry.”

“These are really good Jaybird.”

He tried to hide the way the tension fell from his shoulders before digging into his own food. The atmosphere was good and it made Jason kinda miss moments like this. This sense of family and belonging. Just a family having breakfast together.

“Is there any left for me?” Bruce asks as he walks in. Jason looks up at him. He’s met with a proud look he hasn’t seen in what feels like a lifetime. He hides his face and gestures to an empty chair.

“Take a seat, old man.”

I hope the fic is a good as you guys imagined 🥰

here’s a special thanks to @kaycynyrs for sending in the ask that inspired me to look at this fic again and @yourlocal-edgelord for encouraging me to rewrite it and to @heavenssolitude for being there and supporting me 🥰

(i’ll totally untag you guys if you didn’t wanna be tagged. just wanted to say thanks)

[parasitoidism]

Full-page color illustrations

Shin Megami Tensei: Strange Journey Comic Anthology (2010)

Artists: Sumino Hirune, Ryuuji Tsukiyama, Munetaka, Jin Tatsumi, Mikanagi Fubito, Mitsuhashi Takashi

[yarrow-leaf]

A kindling of a swordless bloodshed,

The creaking of a voiceless door —

Another piece inspired by something @mincemeat-the-warforged said that absolutely altered my brain chemistry (the same 1 am conversation that sparked this in fact!)

[timothylawrence]

if anything i find it even more tragic that Wyll doesn't get that resolution that you can find with some of the other characters. Sure, you can break him out of his pact with Mizora, but he... never understands that he was a victim of both his Mizora's manipulation and his father's neglect.

He was still a very much neglected seventeen year old boy who was cast out by the one person he idolized and the only family he ever had.

The tav never gets a moment to go 'hey your dad is actually a piece of shit' nor 'hey your dad also neglected you your whole life' that actually has a whole impact on him. Wyll spends the whole game mentioning numerous occasions where his father would scold him for being a child. he mentions having to repeat balduran's pledge every single day by his father's request. Ulder even admits to drifting from Wyll from the day he was born.

Yet Wyll idolized him and saw him as if he was the very sun because he had no one else. He puts his own father on a pedestal and doesn't even entertain the idea that maybe his father isnt as great as he sees him to be. he doesn't get a moment where he can realize that he is worthy and great without needing to be the blade of avernus/frontiers nor as the archduke's son.... he can just be Wyll and that's enough- even if it wasn't enough for Ulder.

It's a tragedy that, whether due to Larian's mistreatment to his character or crunch, that Wyll doesn't get to see his father as someone who hurt him too.

[heartorbit]

i would advise against sneaking a bunch of silly billies into your castle

[skylee-spider-lillis]

At this point I just refuse to believe Charles is not inlove with Edwin.

Like besides the fact he looks at him like he's the sun and stars and everything in the universe and all of that; it's so in character for Charles to fall for the first boy that ever showed him kindness. The first person that was ever nice to him, made him feel safe, cared for him as he died. After the way they met?? Of course Charles will bloody fall for Edwin, how couldn't he?

That's so in character of him.

[h4unted-d4rling]

“Bill Cipher’s blood canonically makes humans ill” okay??? And???? Your point?????