#Someone Who'll Get It

[ruporas]

need to exist in your warmth (id in alt)

[cosmicgamer]

The way Luz's thank you drawing got rejected by the person it was for when she thought she finally found someone who wouldn't make fun of her for her eccentric behavior, that she is worthless..and then the drawing does get recognized, that it's beautiful and why would it get thrown away. She was finally understood (I am in shambles help-)

[harmonysanreads]

i’m just thinking abot ur recent post about when you cry during a movie… i’m having dr. ratio brainrot rn pls help

no but so real. he’d just delve into the illogicality of the film while ur sobbing your eyes out. he just doesn’t understand why you’re so affected? 1. it’s not real 2. you can see this coming from a mile away (and it can be either: the thing is pretty obvious, or the thing isn’t that obvious and ratio is too smart for his own good).

when he sees you cry he does scoff at the fact that you’re crying at something so trivial, but tones down his comments and maybe… if he feels nice enough, subtly wraps an arm around you in attempt to console you.

this is more general film/movie hcs but;

actually at any point while you’re watching a film he starts rattling on about how the film’s production is bad, how that sound effect wasn’t actually realistic (they could’ve done better sound design), how the actors aren’t actually speaking in the film, they actually record their lines later on.

(he mentioned that once and now you can’t stop thinking about it while watching literally anything, be it a live show or not. when you’re having a mini-crisis over if someone on a live gameshow is actually speaking or saying their lines later, he rolls his eyes and reminds you of the fact that it’s live. you miss the fond smile on his face while he does. it’s nice to know that you pay attention to his comments during the film-)

he just ruins movies for you and at some point you never mention the fact that you’re gonna watch a film or invite him to the movies anymore. he gets a bit pouty over it — maybe you mention a film you recently watched and he stares at you, mildly offended that he wasn’t invited. you explain that he keeps ruining the film for you, why can’t you let imagination be imagination?

okay… so he tries his best to tone it down. only for you. he still points out the obvious, but tries to bite back his comments when the lead does a stunt that comes off a bit too… unnatural? (it’s just nice to see your amazed face… that’s all.) or a poor done joke that really should’ve been performed better (he likes the way you giggle at it, even if it isn’t a very good one).

i’m actualy suffering dr ratio brainrot so bad rn he is taking over my life he lives in my head rent free please help

[ Post in question ]

Anon, please save me because I too am having massive Ratio brainrot after reading your ask(s).

I think infodumping is one of Ratio's love-languages in general. It's difficult to grasp unless you've known him for a while but he wouldn't just go parading around information about a specific topic to just anyone. Moreover, he always puts emphasis on self-learning. So unless he detects enthusiasm and effort for learning or if he really likes someone, I can't see him speaking this much — about movies nonetheless.

But if we consider it being his unique way of showing affection, I presume it'll annoy him greatly if the reaction he gets is counterproductive and refrain from it altogether in the worst-case scenario. Complaining about bad filmmaking is Ratio's way of connecting with you throughout the ordeal, you can watch a movie with anyone but, how many will passionately criticize (and flaunt their knowledge) every scene in front of you? It requires a level of trust and sharing certain thoughts with someone else necessities you have good rapport, at least for characters like Ratio.

So when you mentioned him trying to tone down on the criticisms ultimately instead of shutting it off entirely, that just showed how much he actually cares about you, which I think is very sweet.

[withoutaconscienceorafilter]

Watching the Poolverine fandom collectively write and draw the vision of Wade & Logan in a happy, healthy, dysfunctional-gay-dads relationship has ...... sure been something :')

[s-aint-elmo]

*twirling my hair* do you have some good yuri manga recs?

(lying on my stomach and kicking my feet) i'm SO glad you asked!

to preface this i'll be excluding better-known yuri or yuri that's recently gotten its flowers (whether thru virality or adaptations) (e.g. in love with the villainess, love bullet, bloom into you, etc. etc.) and will instead be recc'ing works i don't often encounter in the wild. some will be more well-known than others, but all of these i've enjoyed and would encourage others to check out! under the cut because. this got. so long. i heart yuri <3

multi-chapter

the princess of sylph (ongoing; self-publishing): plot-heavy fantasy yuri between a bereaved princess with the aura of a thousand sad hamsters and a persistent nun whose silliness conceals a deep well of trauma. gushed about it plenty here. i recommend starting with the serialized version, the proceeding to the twitter version + extras. cw: blood, violence, dismemberment (nothing too graphic, more standard monster-fighting fare).

i love amy (completed): school loner strikes an unlikely friendship with the girl known (and feared) for her violent tendencies and single-minded obsession with the school prince. cute but striking and skilled art with a surprisingly nuanced handling of trauma and neurodivergence. cw: attempted child murder, animal death (non-graphic). there are also depictions of standard yandere fare (kidnapping, torture basements) but they're always presented comedically.

i see you, aizawa-san! (ongoing): girl who steadfastly pretends not to see ghosts meets one she just can't seem to ignore: a deceased classmate and former j-pop idol, who has taken to haunting their classroom. ft. art that harkens back to classic shoujo and a supernatural mystery centred on the relationship between the two leads--that one of them can't seem to remember. cw: blood, body horror.

school zone girls (on hiatus): slice of life yuri comedy ft. a massive interconnected web of girls spanning at least three schools. it juggles gut-busting comedy with genuine heartfelt moments of character growth and connection and expresses it all through a solid, dynamic art style. the sprawling cast also makes for incredible outsider pov moments that lets us really appreciate how far some characters have gotten. this genuinely motivated me to revamp how i approached ensemble casts for my ocs.

brides of iberis (completed): wedding planner unenthusiastic about her engagement falls in love with a bride she's taken as a client. bittersweet but deeply loving; and so compassionate to each and every character, even the men the female leads have relationships with. cw: infidelity.

destroy it all and love me in hell! (ongoing): model student finds her miserable, tightly controlled life unraveling after being blackmailed by the class truant into indulging her ugliest impulses. toxic yuri extravaganza eleganza between two girls desperate for escape and the catharsis of fucking! shit! up!!! also hits that sweet sweet "love triangle as a conflict of ideals" beat. cw: blackmail, coercion, bullying, violence, emotional abuse, physical abuse, verbal abuse, adult/minor relationship.

yuri is forbidden for the yuri otaku (completed): passionate himejoshi enrolls in an all-girls private school to observe class s yuri in action, but never to engage in it herself--at least, until a misunderstanding wins her the resident gyaru's heart. a surprisingly poignant exploration of being queer in a repressive society and experiencing your queerness through the safety of unobtainable fantasy.

the superstar idol crushes on me today too (ongoing): failed idol-slash-middling radio personality finds an unwanted superfan in the country's biggest superstar. explores the merit of pursuing your artistic passions in the face of repeated failure, and what makes an emotional anchor in the fraught seas of showbiz. they are also just so so funny. what if i emphatically declare you my rival in show business but you've been in love with me since you saw me in a cooking show as a child actor and you take any excuse to spend time with me and have my attention with blinding enthusiasm

normality and monsters (ongoing): outcast weirdo witnesses the class idol devour their homeroom teacher in one bite and begs to be trained in the art of appearing normal. the art is snappy and charismatic, the monster design is properly grotesque, and the friendship of convenience between the two leads teeters between overcoming the monster's nature and just being a prelude to the monster acquiring a new meatsuit. cw: blood, gore, death, body horror.

a monster wants to eat me (ongoing): suicidal girl meets carnivore mermaid who promises to eat her if she develops a desire to live. it's been a while since i read this one, but the monster designs are once again sick as fuck and the drama of being cared for by a creature that finds you tantalizing is sooo juicy. cw: suicidal ideation, blood, gore, violence, body horror.

liar satsuki can see death (completed): high schooler who can see corpses before the death occurs strives to save as many lives as possible despite being branded a liar by the entire student body. this and ryouko's other manga, a walk to death, are pretty banging declarations on the value of living ironically (or maybe aptly) wrapped in so much death. blanket cw for blood, gore and death bc i tell you every mini-arc somebody dies in a fun new way and we'd be here all day if we listed them out.

anthology:

i'm the villainess but i'm being captured by the heroine?!: an anthology featuring heroines of otome games swerving hard and sweeping the villainess off her feet. i am such a sucker for villainess yuri. mean women forever. my favourite chapters are vol. 1 ch.1 and vol. 2 chs. 1 and 4.

honourable mentions:

my idol sits the next desk over! (completed): loner idol otaku ends up deskmates with her oshi and between jealous sabotage from a rival stan and the herculean task of acting normal around your fave, lands herself in the first and closest friend group of her life. one girl does explicitly have romantic feelings for another girl, but i bumped it down here because it isn't explored to the extent it could have been. it felt like it was setting up a slow burn only to end abruptly. do not recommend if you want a love story, do recommend if you want lonely people forging deep and enduring bonds of friendship.

the one within the villainess (ongoing): the villainess of an otome game reawakens for her condemnation and sets off on a path of vengeance for the sake of the beloved transmigrator who's occupied her body for years. it's ostensibly het, but to hear the way that the villainess speaks of her transmigrator, the first person to love her wholeheartedly and wish for her happiness and so inadvertently prevent her from becoming the hollow bitter woman she originally grew into...... like. that is yuri. like what if i knew your life in its entirety and loved you for it and i found myself in the position to give you the happiness i always wished for you to have. what if we wrote fix-it fic for each other on the fabric of the universe. what if we never even had a conversation but we knew each other the best and loved each other most. and we were both girls. do you understand why i'm insane about them. cw: blood, gore, violence.

[pirincho]

Doksoo... Doksoo!!!

[stealingpotatoes]

I'm crying. i always forget Yaddle was Jaro's master. We don't know if Jaro had any padawans prior, but the mental image of him going to Yaddle on advice to pick out padawans and Yaddle just going "Opportunity to do the fucking funniest thing, you have.", cutting to him rocking up to the creche like "give me your baby-est coded 11 year old" and walking out with Cal is fucking sending me.

SEE cal actually got assigned jaro bc he was basically Too Good and needed a master who could teach him how to take an L (ie prepare for unplanned imperfection) and probably knock him down a peg.

also probably knock him down a peg in the more literal sense; they needed someone tall enough to grab him when he parkoured too high LOL

[apas-95]

.

[nadiasna7]

Once the childhood will be over After all it cannot stay Children turning into grown-ups, Each will soon fly their own way But today we are still little Growing taller bit by bit Just the heavens, just the air, Just the happiness is there Eng translation of this song

So I started writing a fic about these two throughout the years, and then I drew this. This isn't exactly a companion piece bc they're a bit older here than in the pre-canon chapter of the fic, but it still counts because the vibes are the same.

Here's the fic, btw.

[crustyfloor]

Luka is very good at keeping himself composed on stage, mostly with the help of maintaining track of his heart rate, but during Mizi's attack in ROMH he seemed to slip up, not only was the red background a tell-tale sign of Mizi's violent intentions but it was a more symbolic way of showing Luka in quite visceral fear. Even if for only a second.

I'm not convinced Luka will be as continuously calculated as he normally comes off, it all seems too fake to me. Because it is. It’s a similar case to Ivan who can't feel, isn't normal, isn't human enough so he makes a persona to blend in. So Luka, whoever he is, makes this version of himself to cope with what he has to live through, pretending like he's on top of it all to survive in this world.

So in round 7, I think something drastic will happen to make him 'snap' in a way.

It's safe to say that we don't know Luka. We don't know who he really is. We don't know his real desires. But we do know one thing--he is scared. he is afraid of the aliens. That's why he appeases them--being their trophy. He's only kept around for his purpose as an entertainer and nothing else and he's very aware of that. He knows very well that a dented trophy will be discarded; with that mindset, he's been able to get so far, and he's scared of losing. That's why he holds any little thing he can get his hands on close. And an important extension of that fear is his fear of losing power.

Till should be the more likely in this position, given he's such a rebel. But isn't that just too predictable? Keep in mind, that Till is a strong person. Even after all he's been through, even after he's been beaten into something more manageable for the aliens--He still hasn't lost his spark. Till is a raging storm. subdued but nonetheless a force to be reckoned with.

Round 6's effect on Till is greatly ambiguous for now but at this point when the time for round 7 comes, Till has been put through so much hell. Whatever Luka does to provoke him probably won't work, he and Luka are equally talented individuals and will make for an intense battle, and at the end of the day, the numbers won't lie. Exactly that is what Luka is ready for but scared of--a worthy opponent for the throne. Someone capable of stripping him of his power. (Is fear what makes Luka so dismissive?)

It would be so aggravating that this 'pest'. who is so indignant, so rebellious (in a way Luka envies.), could so easily destroy everything Luka has worked for, disregard every pain Luka has been through to get to this point, and Till doesn't value this throne as much as Luka does, and Luka doesn't want to feel the pain of death anymore. If his facade is as destructible as I think it is, that will be what ultimately brings out Luka.

This idea may be flawed. Luka is so perfect, too perfect and confident and experienced for something as little as that to break him, just think of all the training Luka went through to get to this point. I'm positive he's very aware of what playing unfairly will lead to. But isn't there always room for a wild card?

Just remember what happened to Hyun-woo.

What happened here isn't fully explained (and probably will be in round 7) but imagine Luka: "Trophy child, goody two shoes" Luka possibly killing another human. Whether by accident or not, what happened?--what and how did Luka feel in the moment for the repercussions of whatever happened to be that bad?

A Luka that is secretly greatly insecure, pliable, and defensive enough that in a spur of emotions, he can’t help but lose his cool in a way he hasn’t in a while because he’s afraid—just to try and prove he is still valuable. That is the type of character I theorize we'll come to see in round 7.

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[triglycercule]

ok imagine nightmare sans. now imagine those minecraft villager trading halls where all the villagers are stuck in the little cell blocks to get ideal trades. now that but replace the villagers with the murder time trio and ideal trades with negativity. he's maxxing out the negativity output for every square foot i guess,,,,,,,

there's absolutely NO space for movement it's practically a little closet. only thing is like basic necessities like food and water distributed by a killer (because he wouldn't get attatched to any of them when there's so many,,,, perhaps a different cell warden for a killer only section to avoid a killer meeting another killer and then having to deal with the mindboggle they'd face and then UGH!!!) these little negativity farms cost so little effort to make!!! all nightmare has to do is keep as many (living) sanses (IN FACT NOT EVEN THE TRIO!! but also the trio since they're easy to break down) in as little space as possible and he's practically got like. + 100k negativity every hour with just 6 of these farms. how efficient!

what do you mean it violates the genevarsal convention. DREAM STOP CONDUCTING PRISON BREAKS

(a little birdie told me u wanted 2 be tagged,,, @qin-qin16)

[moongothic]

It's at least a little funny whenever there's a new post on r/OnePiece where people start speculating about Crocodile's past and the comment section in bad faith resort to (transphobic) memes

'Cause I'm just here reading the comments like

[balladofthewhitehorse]

England: I will tear people apart for you. I will hunt down yours and mine enemies, and rend their flesh from their bones. I will spare no mercy. I will not flinch as I cut down men in their hundreds. I will bathe in blood. This is my duty.

Also England: Aheem heem, Portugal do you want to hear my Shakespeare-inspired love poem I wrote for you

[sequentialprophet]

Anthony done taking Max's pissiness 🤣🤣