#So let the bad guy exposit!

[kaaragen]

As an example: the Mortis gods statue reveal.

Now in the writer's room, or whatever passed for it, I'm sure everyone was saying things like 'this will be so cool!' 'We pan back, we see it, the audience will go nuts!'

Except, the only people who will recognise it are those who watched The Clone Wars and Rebels. The casual audience will be lost. And it has other impacts as well, namely Baylan speaking in vague murmurs about 'powers' and 'things calling to him'.

It would have worked so much better if, when Baylan and Shin are trotting after Sabine, he instead tells Shin the story of the Mortis gods. Doesn't have to be anything grand, just something like:

'There was a fairy tale, that goes with this place. They say that, long ago, there were three Gods. Avatars of the Force. And one day, at the height of their power and arrogance, the Kingdom of the Witches sought their power for their own. Through that, they brought their own destruction. In the Temple, we were taught it as a cautionary tale. But Peridia is real. So perhaps that power is too.'

Bang. Baylan's motivation is laid out, with some deepening of his character; the concept of the Mortis Gods has been introduced; and a great big warning sign has been flashed. The causal audience can infer that the statues refer to the Gods, and the power is what Baylan is looking for; the Clone Wars and Rebels crowd knows its the Mortis Gods and get excited seeing the confirmation through the statues; and if you really want to add an extra layer of fuckery you can stick in a fourth statue, so the Legends crowd who grimly stuck it through Fate of the Jedi can scream (in excitement/horror delete as appropriate)

I think that what Star Wars really needs right now is to have someone on the production team whose familiarity with the franchise can be summarized as 'has watched the movies a couple of times'. And their one job is to read scripts and write comments like 'who is this?' 'why is this important?' 'why should I care?' 'If this is a BAD thing you need to SHOW ME WHY'

[100-gar]

Controversial take but i watched all of jjk, in subbed, so it had my full attention 100% of the time, and i am of the opinion that it just fucking sucks.

So me and my wife were talking about it, and we were trying to figure out why people like it and we've come up short. I do not understand what's so appealing about this show for so many people. Can someone PLEASE tell me.

[unproduciblesmackdown]

fr both taylor's quants as mirrors to themself. rian Seen as so meritous and deserving and talked to and tasked with and advised and considered but apparently rian's whole thing is going "huh. wha" and having wendy's level of self-reflection (none). winston who is begrudgingly allowed to sit in his corner and ignored b/c he's undeserving so he can't really be meritous and nobody would look in that mirror b/c it's gonna be So not their reflection. while he just won't stop cassandraing and having all these insights and perception and observations nobody even asked or told him to have and is peak taylor understander and just like taylor: isn't guided by a paper-thin ego but also will take criticism / blame / mistreatment Too Much for his own good

[mochamadeleines]

Sweethearts and Sweet Dreams <3

“Nothin’?”

“Mhm.”

“Whats behind your back then?”

You sway in place, trying to suppress a knowing smile. “I dont have anything behind my back.” (6.4k words)

tags!! - 18+ modern au! Husband! Joel Miller, Wife! Reader, you guys are happy and in love!, mutual obsession if u squint, lots of exposition im so freaking sorry, pervert Joel if u squint, praise kink joel if you squint, dumbification if you squint, written for those with daddy issues lowkeeyyyyy, written with game joel in mind but could be hbo joel no problem!, lowk i combined the two in my mind, mentions of shy old man joel, housewife! reader (by choice), unspecified age gap but reader is like. thirty? and joels Like...55??, talk about joel taking medication for his anxiety, p in v sex, dirty talk, public sex, outdoor sex, joel has a kink for dresses because i said so? service top joel if you squint, pet names, a pinch of jealousy and possessiveness for fun, playful banter, mentions of maria and tommy and their baby with a made up name Lol, mentions of ellie and sarah (rip), mentions of readers past abusive relationships, talk about joel struggling with substance abuse/addiction and being hospitalized.....Im sure u can theorize why </3, lots of lore ill get into in another fic MAYBE *smirks*, flip flop in perspective, sometimes showing what joel is thinking or what reader is thinking blah blah

authors notes!! - hi there!!! im mocha and this is my first joel fic ever + my first fic posted to tumblr!! im really nervous cuz i havent written anything in months and ive never written joel before so please let me know if you like it!! id love to write more of this au for u guys if theres a demand for it...Thank u for reading!! also barely proof read im ngl. ive been staring at this fic all day im sick of itttt. p.s i dont usually write smut i also kinda do idfk Is this bad or am i tweaking

You step out of the house, morning sun soaking into the roots of your hair and the driveway beneath your feet. Theres a package youve been waiting for. 

You cant contain your grin as you wiggle it out of the hot prison that is your mailbox.

“What the hell are you doin’ out there barefoot?” Joel chastises you from the front door, leaning his elbow on the frame. Joel, your lovely husband of two years. Been together for five. And because of how hard he works, you have the privilege of being a stay at home wife. Some people think that sort of life is stifling, but youve never felt so free. No more jobs you hate, no more financial struggles. Just you, Joel, and your cat, Cement. He likes to pretend it isnt a totally hilarious name for a pet.

You were his first relationship in almost a decade, so it was a lot of work helping him unpack his anxieties about dating, and a lot of work for you to feel safe and unafraid. Honestly? Youve been mistreated by enough men to land you in the psychward.

But Joel never yells at you, he never breaks things when hes angry or threatens to hurt you. He might raise his voice every now and again, but its never because of something you did. Sometimes the stress of life is just too much. 

He works hard, he loves his daughter- daughters- and he would do anything to keep you happy. Whatever you say goes, he says. Even now, you hardly argue. Of course you have disagreements, or off days thatd lead to one of you being especially moody, but the both of you do your best to communicate.

Behind that rough exterior, is someone who just wants to be needed. 

You first met Joel at a youth center you volunteered at, he taught guitar, you taught arts and crafts. Joel says it was your smile and sense of humor that charmed him. It was his singing and southern accent for you.

Your favorite thing about Joel is how soft he gets around you. He says its because you make it easy to be soft. 

Joel was a shy lover at first. He would get nervous just kissing you, or holding your hand. While most people become intimate very early on in their relationship, you and Joel didnt do anything sexual for the first five months of you dated. Sure, you almost did, plenty of times, but he would get so overwhelmed and cut things short. You broke two of your vibrators during this era of your relationship. Embarassing.

You remember your first time very vividly. Joel had worked back to back doubles trying to meet a deadline, and on the final day, after having barely spoken to you for almost a week, you had shown up to his house, unannounced. You were wringing water out of your jacket when he swung the door open. 

“How-” Joel blinks a few times, stepping forward to examine the rainfall. “How long you been out here?”

“Not that long,” You lie and pick up the container you brought off the porch chair. Part of you had a hard time mustering up the courage to even knock on the door. Droplets of water cascade down your chin. “Hi, sorry. I know youre tired.”

He shakes his head, voice soft and warm. “S’fine. Now c’mon, youre gonna get sick.”

Youre seated at the little dining table next to the kitchen now, trying to let the sound of the rainfall ease your nerves.

Joel was quick to grab you a towel, and does the honors of drying your face and hair with it. “Why didnt you jus’ call me? Woulda gotten out of the shower faster if i knew you were gettin’ soaked out there like this.”

“I dunno, sorry.”

“An’ whatd i tell you about apologizin’ all the time?”

“Sor- Uh. Right. Okay.” You tighten your jaw. No more.

Joel moves behind you, now squeezing water out the ends of your hair. “Whas’ that?”

“Oh!-” You peel back the lid, showing it to him. “Old fashion cake donuts are your favorite right? I remember you saying you liked eating them with your coffee in the mornings so…I made these. Youve been working a lot lately and I wanted to do something nice for you.”

Joel gingerly grasps the container from your hands, looking into it. Theyre a warm golden brown, outside evenly fried, and the sweet scent of them hits his nose right away.

“I was just gonna leave them on the doorstep and call you to tell you they were there, but I wanted to see you.”

His adam's apple bobs as he swallows the dryness in his throat. Youre too good for him. 

“Thank you very much.” He presses a kiss to your damp hair. “Now, lets get you into some dry clothes.”

Joel gives you a t-shirt and a pair of his boxers to keep you modest while your clothes wash and dry. 

You wait patiently on his bed for the hot chocolate he promised you before you showered. Theres nothing to watch on the tv, so you just turn it off and reach for the lamp on his nightstand instead. 

He comes in quietly, and sets the mug down beside the lamp. You finally come into focus, clear as day even under the low lighting.

“You uh.. You look nice.”

You blink. “I look nice?”

“In my shirt.”

That gets a smile out of you. 

Joel tips his head towards the mug. “S’hot so, give it a few minutes. Dont want you burnin’ your mouth.”

You nod. “Okay.”

Hes sat beside you now and the two of you sit in silence for a while. Its not awkward, just the kind of silence where both of you want to say something but just.. Cant.

Joel unravels first. “Missed you, y’know. Just been tired.”

“I know.” Your voice wobbles, and Joels jaw tightens like hearing you sound so sad stings him. “I missed you, too.” 

He slides his hand over yours, giving it a squeeze. Its okay. 

“Hey Joel...Can I stay the night?” 

“Sure. Id really like that.”

While you drink your hot chocolate, you and Joel catch up. You both talk about work, and about your new found interest in baking. Joel teases you about your lack of cooking skills, you do the same. Youre both useless. 

When its time to climb into bed, neither of you can actually fall asleep. Joel rolls onto his side, away from you and the window. You follow, curling up like a little cat against his back. The sensation is nice for the both of you.

You speak up after a little while.

“Joel?”

“Mm.”

“Thank you for letting me stay.”

He scoffs, voice thick with exhaustion. “Like I'd force you to leave after you brought me such a nice present.”

You let out a little giggle, “So if i didnt, youd kick me out?”

“Id think ‘bout it.”

You gasp, gently shoving at his back. “Thats mean…!”

“S’really not.”

“Oh yeah? And what if I poisoned them?.”

“Then itd jus' be a regular day of your cookin’ then.” Joel reminds you, lighthearted. Too many times where you left the shells in your eggs or burnt toast or left the bacon on the pan for too long.

“You cant get mad at me for my dark past when you made a perfectly good sirloin taste like horse leather.”

“Ugh. Dont remind me. That was like putting a one-hundred dollar bill into a paper shredder. How do either of us stay alive again?”

“Uh. Digiorno?”

“Digiorno.”

After a few moments, Joels rolling over again, and hes guiding your head to settle against his chest. Your arms wrap around him, and his arms around you. 

“Joel,” You whisper. He hums. “Im cold.”

“S’cause youre not wearin’ any pants.”

“And whos fault is that?”

“Still yours.”

“I was left out in the rain like a sad, sopping wet cat. One that was left in a box all alone with no family…” You pretend to sniffle. “Dont you feel bad for me?”

Joel sighs, not saying anything more except making sure the part of the comforter behind your back is tucked into your side so the cold air doesnt get in. When hes done, you do a little shimmy up his body, and throw your leg over his hip. Oh no.

Hes alert now. Very alert. Be normal. Joel hesitates, licking the dryness off his lips. “Uh. Feel better?”

“Mhm.” You push your face into his throat, cat-like, before settling down again. Hes like a radiator.

Actually scratch that, he cant be normal. 

“Darlin’.” He rasps, patting your back to get your attention.

“Mm?”

“Your leg. Move it.”

A few beats pass. “Why?”

“Because…” Wow,  he didnt think hed get this far. You shift forward and Joel lets out a quiet exhale through his nose, one that couldve been masked by the rain if you werent so close.

“Are you-”

“No! No. Its- Its not what you think-” He cant see your face in the darkness but he knows you feel the semi-hard struggling through the confines of his pants. Lame.

“Joel,” You say, soft. Your hands slide up his arm to cradle his jaw. Lightning flashes into the room, giving you a glimpse of Joels tight expression. He whispers your name back, just as soft.

“This is normal.” 

Its normal, it is! Except for the fact that you guys havent had sex yet. The stress of being intimate is too much, kills his boner in a blink. The longer he waits the worse the anxiety gets.

“I-I know.”

You place a hand on his chest, feeling it pound away like crazy through all the soft muscle.  

“Youve been taking your medication, right?”

Has he?

The silence of him thinking is proof enough. “Joel-”

He sighs, rubbing his eyes through the darkness .“I know, I know. Shoot, Im sorry. I just forget sometimes.”

“Its okay.” The pad of your thumb strokes the tops of his cheek, and you press a tender kiss to his mouth to soothe him.  “...Want me to remind you?”

The softness of your lips has him a bit dazed. “Huh?”

“I said, do you want me to remind you? I can- You know, call you before you leave work. Make sure you take them.”

“You know I wake up at five-o-clock in the mornin’ , right?”

“I know.” 

In a whisper, “Okay.”

Joels rough palms trail down your back and stop at the curve of your butt, finger tips delicately tracing the skin above your shorts. You shiver.

Barely above a whisper. “We dont have to go all the way.”

He says your name again, laced with worry. He doesnt want you to feel pressured. 

You pull your leg off his hip and push yourself up, settling your hands on either side of Joels head.

“Can I tell you something?”

“Yes-”

“-And you cant get all in your head about it. You stay here, with me. You stay present.”

“Okay, okay.” He nods, a bit defeated. “I will stay present.”

“When you...When you say you dont wanna have sex, what is it that youre thinking exactly? I know you said you just get really nervous but I feel like youre not being totally honest.”

Joel stays quiet, idly rubbing your sides. Maybe you are a cat. Just getting to feel any part of you is soothing. “I jus’ want you to feel good. ‘Fraid ill do somethin’ you dont like.”

“You cant assume how I feel, Joel. Being intimate.. It takes time to learn what the other person likes.”

He sighs. “I know.” Youre always right.

Adding on, “Like I said, we dont have to go all the way,” You lean further back, situating yourself on his hips. He lets out a shaky breath when he feels the pressure of your ass through his sweats.

“But, I want to start somewhere. I want to feel you.” 

“Fuck- Um-” Hes shaking now, letting you grind your hips down onto him. Joel cant seem to control the way his hips instinctively push up to meet yours. Youre both becoming of a mess of little gasps and hot breaths and tiny whimpers already.

You hunch forward, guiding his hand under your your shirt- His shirt- letting him feel up the supple skin of your stomach, then the area where your ribs are, then your-

“And I want you to feel me,”

Surprisingly, you did actually go all the way that night.

Your sex life was a bit of a rocky start, but after Joel got over most of his anxiety, you learned quickly just how goddamn insatiable he was. Five years in and he still regularly makes you sore. 

There are a couple things you learned about him and his sexual interests. He loves to take you in his truck, in your kitchen, in your bathroom, on your couch. Other, riskier places. Anywhere that isnt your bed apparently, not that he isnt fucking you there either.

Joel is handsy, so handsy infact it embarasses you to no end, especially when youre infront of others. Thats usually how it starts, too. First he kisses you, then gropes your hips and your ass, and the next thing you know, youre cumming on his fingers. Then hed bend you over, or get you on your back, or make you ride him. Is it really riding if hes just slamming up into you until your brain turns into mush?

He likes that too. Making you not think.

Youd be lying if you said its only ever him. Sleepy morning handjobs before work, whining to him over the phone and touching yourself to his voice, arching your back into him while you're washing dishes, sucking him off after hours in his office.

And while most men prefer lingerie or little costumes, Joel likes dresses. Dresses that are discreet so he can take you in the backyard when he comes home early and sees you gardening. Or when youre both at a friends house and hes had a little too much to drink and finds himself alone with you. Dresses that make it easy to play his favorite game with you. I touch you, and you make sure we dont get caught by being too loud. Joel really is the worst sometimes.

Now, you only ever wear pants when its cold, or to bed or sometimes when youre lounging, like today. Youre in some shorts and a tank top. Otherwise, its dresses all year round, usually retro styles or ones meant for spring. Joels not picky though, he loves any dress on you.

Even if you wear an extremely modest, white lacey sleep dress, looking like some kind of vintage ghost, the man would still keep you up all night. And he has. He said you looked like a princess. You guess you kind of did.

The entire thing is like an unspoken arrangement between you both. He doesnt tell you to wear them, you just do.

And he works hard to spoil you, so why not buy as many cute dresses as possible? 

You got a cute dress today too, on the same day Joel has off. You think its going to be a new favorite of his.

The big polymailer stays hidden behind your back. Be casual. “Uh- Nothing!”

“Nothin’?”

“Mhm.”

“Whats behind your back then?”

You sway in place, trying to suppress a knowing smile. “I dont have anything behind my back.”

“Lemme see then. Show me your hands-”

“Hey, Mrs. Miller!”

Both you and Joel turn your heads to the voice, and only one of you has the energy to fake a a smile. Your neighbor is stopping in his driveway, having come back from a jog it looks.

“Hi, Lee.” 

Joel really, really, really doesnt like Lee. You dont like him either, but youre not one to cause problems. Lee on the other hand, is. Hes a bit younger than you, and a lot younger than Joel. Hes one of those tech dudes with a massive ego, thinks that youll be swayed by his money and his “charm” and youth as if youre some sad housewife in need of saving. Gross. 

And another thing, Lee doesnt even actually live here! Hes here ever so often to visit his dad between, you dont know, tech expos? You forget. Joel believes he started showing up more often to see you. 

Youre walking towards the porch again. Joels looking especially unhappy to see him today, knuckles pulled taut into a fist. His lips stay pressed into a thin line, careful not to let anything slip out. He usually lets you do most of the talking, as much as it pains him. 

Joels really not a fan of the way Lees eyes take a trip up your bare legs. Little shit.

“Out with no shoes again, Mrs. Miller?”

“You know me, Im uh- Im weird.”

“The weird ones do it best.” He smiles, all teeth. It gives you the creeps. His attention is on Joel now. Its like watching a puppy try to one up a wolf. “Right, Joel?”

“Uh huh.” Whatever that means.

“Actually, I've been meaning to ask you something, Mrs. Miller.” Lee crosses into your driveway and you glance briefly at Joel, as if to make sure he isnt going to start growling at the other to stay away. Youre clutching the package to your chest now. 

“Have you ever been to a support group for uh- you know, the spouses of addicts?  I have a friend from work and shes really struggling.” 

Lees tone is sugary sweet, but the fake kind you put in diet soda except that stuff is way better. Joel sighs from the door. You stand there, dumbfounded on the porch steps because what the fuck is he going on about. 

You clear your throat, keeping your voice firm. “No. Ive never needed to.”  

Joels voice cuts in like a knife. “Been clean for almost twenty years now.”

“Yeah but, you know,” He shrugs, squinting a bit under the morning sun. “Relapses happen.”

Joel and Lee are at a stand still, and the moment Joel lets the arm leaning on the frame drop to his side, you know youre in for a lot of trouble. You move quickly towards the door. “We have to get ready for a- uh- a thing? but Im sorry about your friend.”

“Thank you, Mrs. Miller. Im doing my best to support her.” And before he turns away, he just has to be slimy to you. “If you need someone to talk to, Im here for you.”

“No, that really wont be necess-”

Joels slinging a strong arm around you to yank you back inside before shutting the door. 

“Motherfucker,” He hisses to himself, stomping through the walkway and into the kitchen.

“How-” You rub your eyes, letting them adjust to the light inside of the house. You put the package down onto the bar counter that opens up the kitchen and follow Joel to the fridge. “How does he know?? I thought-”

“Been living in this house for decades now,” His expression is tight, brows knitted together while he chugs a bottle of water. “People talk. ‘Specially if I'm being rolled into an ambulance on more than one occasion.” Joel frowns. “Fuck- I shoulda punched him in the fuckin’ face- Do you see how hard he tries so hard to flirt with you infront’a me?”

“I know, love. I was there.” You take the bottle from his hand and set it to the side, then wrap your arms around him. “Try not to let it get to you okay?”

Joel sighs into your hair, giving your body a squeeze. “I know, I know, but jus’ hearin’ him tryin’ta use my baggage to make a pass at you…S’fuckin’ evil.”

“I agree, but I dont want his blood on the driveway.”

“So get it on his driveway instead, got it.”

You giggle and tip your head up to kiss him. The tension eases from Joels shoulders, and he cups your cheeks, letting his worries melt away into your mouth. When the pads of his fingers start to slide under your tank top, youre leaning back. Youll be here for a while if this goes any further.

Joel mindlessly chases your lips, looking a bit pouty now that its over.

“Im gonna start getting ready for the barbecue, okay?”

“This early?”

“I like being punctual.” 

“My brother wont give a damn if were late.” He noses your jaw, pressing a kiss here and there. Your knees are beginning to feel weak. The bastard is trying to distract you.

“But I do. The farmers market opened today, and I promised Maria I'd get her fresh strawberries before we got there, remember?”

“Alright, alright.” He grumbles into your shoulder.

Joel lets you go, watching you round the bar counter to get your package and disappear upstairs.

-

Ever since you came down to a freshly showered Joel, and got into the car with the gift bags you prepared for Maria and Tommy, Hes been staring at you. One wrong move and the drools gonna start pouring out of his mouth.

Your hair is in its relatively natural state, freshly washed and shiny from the oil you put in it. You put on some light makeup, and went a bit heavy handed on the blush to look sunkissed, and topped it off with a flavored lip gloss Joel especially enjoys. 

Now, the dress. Its a pink floral mid-length dress, with a low cut sweetheart neckline and a corset style backing to cinch your waist and push out your chest. The material is thick and pretty, and there are two other layers under the skirt to keep its shape. You have on a pair of little pink pumps with little bows to match. 

The drive to the farmers market is fairly peaceful, the windows are half down and theres music playing at low volume on the radio. You and Joel have different tastes in music, but one genre you can always agree on is alternative rock. 

The weathers beautiful, sun high in the sky, and its not too hot or humid. The day really is perfect. Youre gonna soak up some sun when youre at the barbecue. Hopefully, they made lemonade again too.

Joel has been mostly quiet throughout your shopping. While it would worry some, youve been with him long enough to know that he just has a lot on his mind. What hes thinking about? Maybe youll learn when you make it back home at the end of the day.

You gasp, strolling through the grass to a stand with a mountain of apples. Granny smith, Macintosh, Pink Ladys, Honeycrisp, the works. He grunts, trying to keep the things that are already in your basket steady. You came for strawberries and are going to leave with much more than that.

Joel nudges you softly. “Remember, this is quality stuff, meaning itll go bad faster. Dont get too much.”

“Okay, got it.” You beam, and then begin inspecting the Pink Lady apples first, trying to find the ones with the best color.  He keeps the basket within reach so you can drop your picks in.

"These were Sarahs favorites."

"Oh yeah?"

"Yeah, it was funny 'cause we started arguin' over these or Red Delicious. I think Red Delicious is better."

"Thats so cute! Hmm. Should we get one for her? A Pink Lady?"

"Uh," He thinks on it for a moment, unsure, but the smile on your face helps him make a decision. "Sure, why not."

You drop two perfect Pink Ladys into the basket, moving onto the next pile.

“Hey, Joel.” You grin, holding out a wrinkled granny smith apple. “This one looks like you”

“Ha ha.” He deadpans, and grabs it from you to put back. In turn, hes reaching for the runt of the pile. A pathetically small one sitting near the bottom. “Now this one looks like you.”

“Does not!”

“Does too.” 

The next stand has golden kiwis, and youre practically dragging Joel forward to try them. You ask for one, and the man at the stand slices it into halves, giving you a plastic spoon to go with. 

You let Joel smell it first. “S’good.”

“Lets see if it tastes good.”

You sink your spoon into it, humming when you see how soft and easy it is to scoop out. In your mouth it goes!

Its tastes sweet, a bit mango-y and fucking delicious. You bounce in place, spoon feeding Joel next. “Oh yeah,” He smiles, smacking his lips a bit to really let the taste settle on his tongue. “Were takin’ some of these.”

You take one, then two, then three and four then five and as you reach for the sixth one, Joels stopping you with a gentle hand. 

“Darlin’.” 

“Right.” 

For the next few stands its just you and Joel trying various kinds of fruit. Starfruit, blueberries, some mangos, and then youre going back to the truck.

“I think my favorites were the mangos and golden kiwis. I hope Maria and Tommy have enough space in their fridge for all of this.”

“They moved into a bigger house, I reckon their fridge s’probably bigger, too.”

“What time is it?” 

You let go of Joels arm so he can switch the basket from one hand to the other. 

“‘Bout…” Hes squinting at his watch. “12:34 in the afternoon.”

“Oh! Guess we got the shopping done sooner than I expected. Hmm. Should we stop somewhere in the mean time?-" You snap your finger when you remember something. "They opened up this cafe that has cats in it! We can drink coffee and play with them for bit! The next fourty-five minutes will go by super fast."

“Youre gonna make Cement jealous.”

You bat your hand dismissively. “Hes not gonna caaare.” 

“Oh yes he will. And remind me again why we named our cat Cement?

“Uh, we were both drunk and had gotten him the day before without a name picked out?”

“A whole year later and we still kept it. Worst pet owners ever.” Joel chuckles, opening the passenger door for you like he always does. 

“Thank you.”

“Mhm.”

The giant basket of fruit goes into the back seat next to the gift bags before Joel slots himself into the drivers seat. 

You fumble with the radio a bit, trying to see what else is on but ultimately landing back on your preferred station. Theyve been playing a lot of Linkin Park recently. Hell yeah. Joel buckles himself in at last, and pulls out of the parking lot. 

“Marias gonna teach me how to make baked chicken,” You hum, gazing outside the window.

“You sure youre not jus’ unteachable?”

“Ha ha,” You lightly shove his shoulder, making him smile. “I thought you loved the meat sauce pasta I learned how to make.”

He settles into his seat more comfortably at the stop light, elbow rested on the window. “Got me with that one. Think I like ground turkey over beef, though.”

“Yeah? Me too. The beef tastes better but the turkey is lighter. Stops me from feeling all sick.”

“Agreed.”

Youre looking out the windshield now. Where did all the buildings go? Youre out of the city. 

“Uh, Joel?”

“Mm?”

“Where are we going?”

“Somewhere to kill time.”

“Yeah but where?”

“Youll see.” 

Your brows pinch together. “I see a whole lot of nothing except for trees."

“Almost there.”

Joel makes a hasty left turn onto some campgrounds. Your stomach starts to twist into excited knots. Is he gonna show you a baby deer or something? Bunnies? He used to be a park ranger for this area, and would tell you stories about all sorts of baby animals hed run into.

The car comes to a stop, and he turns the engine off. Silence.

“So…Were out in the woods to kill time?”

“Mhm.” Joel unbuckles his seat belt and twists into the back to grab the spare jacket he usually keeps there, then gets out of the truck and comes around the back to open the door for you. 

He holds your hand to help you get down from the passenger side, and as soon as both of your shoes hit the ground Joel is on you. 

You dont know where your hands should go, youve kissed Joel a thousand times and yet you still get so flustered when he catches you by surprise. You keep your hands on his shoulders for now, letting him press wet kisses to your neck and shoulder.

“This is new right? The dress?” He gives your ass an appreciative squeeze through the fabric. “Thought you looked so pretty when you came down stairs in it.” 

Your heads spinning. Something about your dress? 

“Woulda been okay if you let me have you earlier.” He pulls away, examining your flushed face cradled by his hand. Every part of you just fits so well in his palms. “Then I thought, why not have you now? We got time to spare.”

“Joel- We- Someone could see us-” You sputter, and Joels already shaking his head with a knowing smirk. He pulls you around to the bed of the truck, popping it open, only pausing to spread open the jacket he grabbed, just having just thrown it in there when he came around to get you.

“No ones gonna come lookin’ for us.” He turns you around, pushing you down onto your front. “As long as youre quiet.” 

Fuck. You really hate this game. At least, you like to tell yourself that.

Blood rushes to your ears while Joels rough palms lift up the skirt of your dress, exposing your ass and thighs to the cool air. He whistles from behind you. 

“Red lace panties?” His fingers dont shy away from tracing along the fabric covering your cunt. “This new too?”

You crane your neck over your shoulder to look at his face. “Uh.. Surprise?”

Joels smiling now, fingers dipping under the lace. “Thas' awfully sweet of you.”

His touch slips and slides around your growing wetness, then trails down to your clit. Your voice wobbles a bit and fuck- fuck hes going too fast. “Joel- Ah-” You whimper and try to push yourself up to look at him but his hand is steady on your spine, keeping you down. 

Smug, “Go on, sweetheart. Keep sayin’ my name. Jus’ like that.”

A whine escapes you when he pulls away, “Nooo.” You push your ass back, as if to entice him. You succeed, because hes skipped his usual routine of fucking you with his hands and is now unbuckling his belt.

Joel rolls you onto your back, and peels your underwear all the way off, bunching it up and shoving it into his back pocket. Your face burns just watching him.

“Think i'll hold onto these for a lil’ while.”

His hands push the back of your knees towards your chest, exposing your heat. Youll never get used to the way he just seems so interested just watching your cunt squeeze around nothing. 

“Thats-” You swallow, pushing yourself up onto your elbows. "Joel.”

“Relax." He coos, "Seen it a thousand times already, and ill be seein' it a thousand more. Get used to it, honey.”

Your attention flickers down to where his dick is about to meet your entrance. Joels nudging you down onto your back again and pulling the top of your dress down to expose your chest. Its when youre distracted that he actually moves to push himself in.

Both of you groan together, and Joel could never get bored of fucking you, not when your cunt just pulses around him everytime hes inside you.

Joel wastes no time fucking you once he eases all the way inside. Youre trying your best to keep quiet. Shit is no easy task. Its like Joel is trying to get you guys arrested.

He props himself up with a hand near your head, and lets the other keep one of your legs pinned open. The moans start to claw out of your throat. “Joel- Joel-” 

“Shh. Thas’ enough.” He growls through his teeth, fucking you harder. “Youre gonna- Gh- Get us caught-”

Something rustles between the trees, making you both freeze. You clasp your hands over your mouth, watching Joel straighten up to look around.

After a few seconds of squinting, Joel can see a few foxes moving about through the trees. Thank fuck. His shoulders visibly relax.

Hushed, “E-Everything okay?”

“Yeah, jus’ some animals.” 

And like that, hes back to it. His dick is going to make your eyes permanently stay rolled into your head. 

Joel is always just so handsome when hes pounding into you. His forehead gets shiny with sweat, and his jaw is tight from clenching his teeth, keeping himself quiet so he can focus on your moans. His face is noticeably redder against his usual farmers tan too. Really, hes just so attractive.

A flurry of yes and harder and fuck spills out of your mouth and into your palms. Not too loud, you try to remind yourself.

“Joel- S’too much-”

“Nah, thas’ not it.” He huffs, humorous. “You can take it. Y'always do. In fact, you love gettin’ your cunt bullied by me, aint that right?” As if to get his point across, he thrust in all the way to the hilt, making you keen. You forgot how to breathe, lungs drawing tight in your chest.

"Fuck," You manage to squeeze out.

Your palms push weakly at his shoulders, trying to ground yourself somehow. His head drops to the junction of your neck and shoulder, inhaling deeply.

“You good?” He checks in, breath hot on your skin. As if your crying isnt enough.

“So g-good, Joel- Fuck- Youre so good.” 

With a little nod, Joels pushing himself up, switching to slow and deep strokes, really digging himself into you, and trying to find that spot he likes to call home.

He massages your chest, then squeezes your sides and your hips and finally, his thumb finds your clit. Immediately, you jolt. 

“Oh fuck-” 

“Quiet.” And he says it to keep the charade going, even though his favorite thing is hearing your sobs.

His thumb rubbing incessantly against your that sweet little nub of yours. You choke, and Joels chuckling, watching the way you squirm, body not knowing whether it should lean into his touch because its too good or away because its too much.

It starts with this firey feeling under the pad of his thumb, then deep inside your stuffed cunt. Youre going to cum. 

Your hands fly to your mouth again, and you get all wide eyed from the sensation. Its cute. Your muscles pull taut, legs locking around Joels hips. Youre wailing into your palm when it happens.

“Good girl,” His voice soothes you through it. “Very good.”

He pets away the fly aways sticking to your sweaty face when its over. Your eyes drop shut while you catch your breath. 

Joels moving again now. He rolls his hips a few times, and thumb is building the foundation of another orgasm in you. Youre shaking badly.

Your words slur too, “Cant- Too soon- Joel- Joel-”

“Another one.” Joel says firmly, but breathless. 

Youre gasping, not sure where to focus your eyes. The trees around you look like theyre spinning. Your attention is back on Joel, whos looking rather satisfied watching you squirm and cry. If thats how wants to play, then fine.

Your hands slide up Joels biceps, and rests on the nap of his neck to bring him down. “Juh-Joel,” You pant, cradling his face with both hands. “Youre so good- The best-”

Oh, Joel likes that one, you can tell by the way he looks away briefly. Shyness. Excitement runs up your spine. Joel loves being told hes doing well. 

“You are- Nghh-” You swallow the drool in your mouth, trying to get the words out clearly. “The best husband I could ever ask for.”

Joel wheezes, head dropping into the curve of your shoulder. “Please.”

“S’true,” You nod rapidly, fingers curling into his hair. “Youre so good to me and-and youre mine and- Joel-  Im yours.”

“Jesus-” He groans, soaking up the feeling of you pressing kisses to his face and up his jaw. 

“Hhah-  No one else can have me, okay? No one- Not even-”

The name doesnt even come out of your mouth before Joels coming to a stop to slip his arms all the way around your middle. With the new leverage he has on your body, hes drilling his way into you. You fucking squeal, rules now long forgotten. Youre a useless ragdoll in his arms and he wouldnt have it any other way.

Your lips are shiny with spit and left over lip gloss, and he can still taste the mintiness in his tongue. Every now and again your eyes drop shut, but his dick just punches into your guts a little harder. Look at me. 

Your brain is mush, just the way he likes it, and youre perfectly pliant in his arms, babbling over how good you feel. Hes kisses along the valley of your breasts now, stopping to suck the flesh of your nipples.

Youre just so pretty. Even when you have bedhead, or youre snotty from a cold, or youre all dirty from working in the garden  youre still so pretty. Including now, all sweaty with you lipgloss all smudged and your mascara starting to run. Youre perfect. 

Joel grunts loud, jaw clenched tight as he gets lost in the feeling of your insides. His perfect little wife.

When he cums, hes doubling over with a loud grunt, getting a few last thrusts in before his spent floods your cunt.

Youre blinking away your tears, now watching the clouds inch along the sky. It really is a beautiful day. You pet Joels sweaty hair, and kiss the side of his temple. Your core throbs faintly. Jesus, he did a number on you.

“Love,” You say softly, patting his back.

“Mm?”

“Get up.” Another pat. “Youre squishing me.” 

Joel backs off to buckle himself up, but you stay seated to catch your breath and adjust your dress. At least it didnt get ripped during all the… Commotion. Not like last time.

“I need my underwear back.”

“Nope,”

“Joel.”

He kisses the center of your forehead and helps you down from the bed and into the passenger seat instead.  “Told you i'm keepin’ ‘em.”

You sputter, “I cant go to barbecue commando!”

“Sure you can.” He pops open the glove compartment and gets out some tissues, hand snaking under your dress again to clean you. You sigh softly at the sensation.

“Youre the worst.”

“I am indeed the worst.” Joel pulls the seatbelt over your chest and clicks it in. “You can tell me all about it on the way to Tommys.” 

[dadsbongos]

how to (unintentionally) drive away a suitor

5.4 k words / warnings - misunderstandings, you're manipulative but in a marriage-seeker way, lame ass exposition dump at the beginning sorry

summary - you go to The Island in hopes of finding a suitor better than what your parents picked, you meet Laios. disaster ensues.

posting while bleaching my hair send hlep ~~~

When you were five, your father’s first hunting dog died. Matilda. A hound mix he praised as if she were his firstborn, and that would sound neglectful if she didn’t feel like your eldest sister. When she died, a true member of the family died. Your child heart exploding out of your little chest with the mosaic of grief ripping you this way and that. It was so ugly, you hadn’t expected to feel that way until your parents or a human sister croaked on you.

It’d also inspired you to do better for yourself than what destiny had in mind. As the youngest in a long line of children, you had little hope of a large inheritance from your well-off father. Instead, you would marry rich and smart and handsome.

Leading you, with a throbbing disinterest in the suitor picked by your parents, to set for The Island in the year 510.

Where you met a very strange man named Laios Touden.

Denial

Month 1 - your first proposition

“We should celebrate with drinks,” you skim a finger along the waistline of his cuirass, “Another dive with no deaths.”

“Oh, yeah,” Laios nods, grinning blandly at you, “You think I could rope Shuro into sticking around this time? He usually skips nights out unless Falin asks.”

“I was thinking something a little more private. Just you and me, maybe?”

“Sure,” suddenly his brows furrow, a serious ridge setting across his lips, “Is there something you need? I know rent in the western part of The Island is starting to go up, do you live there?”

“Laios, I- “ you cut yourself off before reminding him you two live on the same street because a sudden idea strikes you. He’s doing this on purpose. Of course, he is. He’s the type of guy that wants you to actually ask for it, “I mean, if you really want then I guess everyone coming isn’t so bad.”

But two can play at that game.

“Okay, great! I’ll let the party know,” he gives you a thumbs up and turns towards the rest of your group as they pack for the surface.

You watch him wrap an arm around Toshiro and beam at the withdrawn man. You deduce that he’s the type that likes to be chased. Which you feel is a little beneath you, but you’re willing to play a long game as long as he makes it worth your time.

Month 2 - the time you take him to dinner

“This place is so quiet,” Laios murmurs, both hands splayed across the table.

You study his fingers, thick and red at the joints -- you bet a gold wedding band would glitter nicely on his hand. Candle light flickers suddenly, a shadow sharpening across his face as he looks around. This snags your attention, you lean forward and curl both arms on the table, chest pressing into the well.

“Well, it’s nice, right?”

“I guess,” he avoids looking you in the face, instead focusing on your painted lips before flitting to the table, “I just feel like it's more for couples, right?”

This is it!

“Huh, you think so?”

“Mhm,” his eyes settle between your own, observing the curve from your forehead to your nose.

“I bet we make a pretty couple, then.”

“Oh,” he nods slowly, mulling over the suggestion, “Probably. I’d say we’re both decently attractive people.”

Is this it?

Just as you go to ask what exactly he means by that, your food is ready and Laios starts rambling about how hungry he was regardless of the awkward atmosphere. It makes no sense, but he’s the next village chief of his hometown so you let it pass.

Month 6 - the time you two take a walk

“Thanks for accompanying me.”

Laios waves off your gratitude, “It was nice to find out we live on the same street anyway.”

You bite your tongue from telling him that he should already know this in favor of boldly wrapping an arm around his. A rehearsed yelp splices your throat; practiced stumble rocking you askew. Immediately, you set to memorizing the feel of his beefy bicep around yours, wondering how his waist feels. His thighs. His neck and calves and cheeks.

“I saw a rat,” the lie slips easily, spare hand coming up to coyly cup your own cheek.

“Really?” he peeks over your head, “Where?”

“Laios, that’s not important!”

“I didn’t hear any squeaking, do you think it was trying to be quiet?”

“Laios!” you pinch his arm, apologetically rubbing over the tender skin when he whines, “I hate rats…”

“They’re just- “ your sudden furrowing brows and massive scowl halts the rest of his sentence, “Sorry. Are you scared of them?” before you can respond, he spins you towards his other side -- arms still linked tightly, “If you heard it over here, it’s probably best I stay on this side.”

“Aww,” you tilt your head against his shoulder, “That’s actually so sweet, Laios. Thank you.”

“Uh-huh,” you’re too blinded by the gesture to notice his intense stare scavenging along the dark ground, if you did then you probably would’ve realized he just wanted to see a rat.

Month 11 - the time you find his gourmet guide

“Is this why you started a party?”

“No,” his face flushes rogue from forehead to collarbones, eyes darting away from you. Hands twitching to rip the book from your own.

“You’re an awful liar,” you wave the stained, peeling green book -- careful to not rip any of his carefully placed tabs or note cards in the swaying, “Why hide this? Everyone already knows you’re chock full of monster trivia.”

Laios sighs quietly, reaching out for the book, and he seems genuinely surprised with what little fight you put up. He smooths one of the curling edges of the cover under his thumb, “This book hasn’t gotten the best reception before. It's easier to just avoid people seeing it.”

Somewhere in your chest, there’s a twinge and ache before you’re speaking again -- for once no plan or motive to your words, “That’s terrible, Laios. You should be able to show it off.”

“You think so?” he grins.

Technically comforting him will only advance your plan to wed, but strangely you’re finding that you just… want to. You don’t want him to filter himself to live, that sounds cruel.

“You can talk to me about it anytime,” you don’t find monsters so fascinating -- to you they’re no different from a common beast, what does it matter that they’re eaten by Laios? Despite your own indifference, you want nothing more than to indulge Laios, “I’d love to hear about how they taste.”

And you’re not sure where that desire comes from.

“I haven’t been able to eat one yet, but I’m hoping to. I can’t find time to traverse the first few floors by myself.”

You just know that it feels right to see him excited.

“You don’t have to go by yourself now, I can join. You’ll be able to go deeper that way, right?” you laugh at his flaming cheeks, “And what luck: I’m a support mage, you couldn’t ask for a better setup.”

“I’ll have to see when our next rest period is, that way we won’t be exhausted before going on our own.”

And when you’re in bed alone later that night, you justify to yourself that having a secret between one another will lay good foundation for future intimacy. You pretend that was on your mind the entire time you made the offer.

Year 2 - the time you invite him into your home

“I have lychees. It’d be a shame to let them go bad, you know?”

“What are lychee?” Laios glances from your neck to your room door.

“You’re kidding,” you twist the knob and swing it open with the weight of your body, thudding against the wall to allow Laios entry, “They’re fruits! Imports from the Eastern Archipelago, I would’ve thought you’d hear about them since you pester Toshiro about the area all the time…”

Laios’ head is on a full axis swivel to find anything unfamiliar, ready to taste all your excitement about the fruits, “No, never came up,” he watches you stride past him to a cabinet, “By the way, whose Toshiro?”

Quietly, you laugh to yourself, pulling down a rocky, pinkish ball. Laios is too busy thinking about the damage it’s looking to do to his bare hand to process the fact you never answered his question.

(you thought he was joking)

“Consider this a gift for walking me home again.”

“You asked,” he shrugs, watching as you squeeze around the fruit until it cracks in the middle, then peeling the shell away, “Besides, we live on the same street so it’s not out of my way.”

You hope he says that because he remembered, rather than having ‘discovered’ it for the fourth time. To stop yourself from asking clarification, you slice the pearly fruit in two, plucking the dark seed before handing both halves to Laios.

“I’ve heard some people just pop the whole thing in their mouth, but I’ve never tried it that way,” you confess, watching him roll the fruit from one cheek to the other before chomping down.

Laios’ eyes flutter shut, a muted moan following, “That’s sweet.”

“I know, right?”

“But I still get hints of citrus.”

“I know, right?!”

He points to the other lychee in your palm, “Do you have more, or…?”

You don’t.

“Have it,” you peel and deseed the one in your hand to press against his lips, “Say ‘ahh’!”

He smiles faintly at the cooing, popping his mouth open for you to slide the fruit past his teeth and onto his tongue. A soft kiss tickles your fingertips as he mutters, “Thanks.”

“Uh, yeah,” you pull back slowly, tangling your fingers behind your back and rocking onto the balls of your feet nervously, “Yeah, of course.”

You’ve never been nervous this way around a man before. You’ve felt fear and you’ve felt hatred and you’ve had crushes, but none of those have made your heart pound quite so hard.

It’ll be good to be attracted to your husband, you think, anybody can marry into power but it takes a real hunter to find power so handsome and polite.

Year 3 - the time you ask him to marry you

“We should get married,” you blurt, interrupting Laios as he ponders aloud the best way to safely boil a scorpion.

Laios darts up from his book, wide eyes unabashedly boring into your soul, “What?”

“You and me,” you’ve chased enough, now you’re ready for him to get serious -- you can’t live like this. Dangling just out of reach, only to be abruptly yanked at his whim. Your parents want to meet your fiance, the one you’ve abandoned home to find: the one you’re apparently certain is better than their choice for you. You need him to admit defeat before you go insane, “We should get married.”

“That’s what I thought you said, but I wasn’t sure,” he closes his beloved gourmet guide around a bookmark you crafted specially for him from braided yarn and beads. It had multiple tassels for slotting various spots through the guide simultaneously to more easily find sections he was currently occupied with rather than sort through tabs. He loves its practicality, and he loves it more when he thinks about how you made it with him in mind.

He thinks you’re nice. He thinks you’re charming. He likes spending time with you. You even already know about his monster obsession, and you’re on-board!

Which is basically the best he can get, right?

Dinners with his parents were silent, and the room’s temperature would sink to match their chilly demeanors.

Dinners with you would be warm, and the quiet moments would be comfortable.

“Sure,” he eventually answers, when he finds no protesting nausea bubbling in his gut he takes it as a good sign, “We can get married.”

Not the exact response you’d been hoping for. Though, you should’ve been more direct, Laios is stubbornly socially inept after all.

You’ll mark it as progress anyway, overjoyed Laios is baseline willing. Which is enough for you.

Definitely enough.

Definitely. Just. Enough.

Anger

Upon arrival to the dungeon three years ago, you found it difficult to acclimate to the fact that death was not the end down here. When you saw your first corpse on the second level, you were nigh inconsolable in the weary arms of Toshiro as he mumbled assurances in your ear.

Now, as a seasoned adventurer, you’re reasoning that coldblooded murder isn’t immoral in the dungeon.

(of course, it is, and also of course, you won’t murder anybody. but- )

You rather like the image of the woman flirting with Laios exploding

Honestly the longer he goes without refusing her, the more you like the image of him exploding too.

“Laios is an idiot,” Toshiro again is the one to comfort you, “It’s best not to watch.”

You’re sure he’s right. You’re also sure you want to keep watching -- which will entirely ruin your mood for the crawl ahead of your party. This is only your first day, on the first level, during the first meal before you all officially set off. And Laios is explaining to a strange, yet beautiful, woman the way a slime can seep out overhead and suffocate her to death. She isn’t even appreciating the knowledge, she’s just staring at his stupid pink lips.

“Once she hears what he’s saying, she’ll lose all interest,” Toshiro adds, then continuing as your glare fails to subside, “It isn’t like you two are actually married. She probably thinks he’s single.”

“He is single,” Chilchuck buds in, hands locked behind his head, “Inter-party relationships are bad news, you know? I’ve seen lots of people fall apart because of jealousy and cheating,” he shoots daggers at Toshiro briefly, “Pining is just the first step to an all out collapse.”

You gasp at the accusation. You are not pining!

“I don’t even like him that way. We should just get married for the land and wealth advantages!”

You entertain his monster fantasies for the money, you feed him lychees for the status, and you’re fiending to rip that woman away for the property expansion. That’s all! His being handsome is just a bonus, not a factor. His soft heart is a neat detail, not something you dream about holding.

Chilchuck doesn’t believe you. And you don’t think you believe yourself at this point either.

Depression

In the wake of Chilchuck’s ominous warning: you’ve been avoiding Laios. You’ve been avoiding most of your party, actually. First to lay and last to rise from your bedroll to most effectively close yourself off from nipping at Laios again.

He hadn’t even managed the nerve to ask what had you so perturbed following his conversation with the floozy on the first floor. He just strolls along, normal as he could hope to be while you languish in the back of the party with Toshiro. You wonder if Laios notices you’re not at his side, you wonder what precisely is going through his head. Did he notice she was flirting? Did he care? Is he still keen on marrying you?

Was he ever?

Toshiro catches the sudden exasperated huff you let out, you rub at your aching eyes. While he detests Laios’ clueless and overly familiar nature, he does feel grateful to work with you. He’d consider it a massive shame if you were to drop from the party because of emotional duress.

“Read any good books lately?”

Your hands lower, eyes blinking sluggishly until you’re staring at him with full inquisition, “What…?”

Maintaining a forward stare, Toshiro reaffirms his resolve, “Humor me.”

“Uh, well…” you comb through your brain for any answer other than the honest one, exhaustion and melancholy blurring your lying ability, “Just one.”

Eager to strengthen your bond and hopefully secure your stay in the party when this Laios fiasco fully explodes, Toshiro smiles softly at you, “Tell me about it.”

“It’s, well, old. Really old. A little gourmet guide…” you pout, “Laios and I read it together.”

“Oh,” Toshiro clears his throat, “Sorry.”

Bargaining

Laios could not seem to care less as the handsome dwarf perched at your side pays you yet another compliment. A shred of you feels terrible, terrible pity for the man as every other second your attention sears across the packed tavern to your party. To the blondie still in his armor; the blondie not even looking your way.

“Another drink, then?”

“Hm?” you beat ungracefully, forgetting you were meant to be charming the man.

“Would you like another drink?” he gestures to the barrels behind the bar, “On my coin, of course,” his tone falters, head shifting to follow yours, “I get the idea you need to forget this night.”

“Oh, I- no, it’s nothing…” you risk another peek at Laios, finding him somehow more disinterested in you than before -- thoroughly enjoying a one-sided conversation with Toshiro, “I’m not…”

“Better ways to get your mister’s attention than flirting.”

“Oh,” you’re embarrassed to be figured out like this, “I’m sorry. Really, I can’t- God- I’m sorry.”

“He’s lookin’ this way.”

Chancing it, you confirm that Laios is now looking at the both of you. His amber eyes flit from your face to the man beside you, to the floor. He returns all focus to Toshiro.

“Wow.”

From pitier to pitied at breakneck speed is more jarring than Laios’ carelessness.

“He said he wanted to marry me,” you reason.

“Did he now?” the dwarf so obviously disbelieves you, you’re sick just hearing his voice.

“Yeah!”

The dwarf nods slowly, a sarcastic lilt in his following words, “Seems like he meant it.”

“I’m not drinking anymore…” you slide off the bar stool, pausing when the man’s voice punches your gut once more.

“You should find someone more attentive to you.”

Racing away from the dwarf, you tug Laios away from your party’s table by his elbow. You’re glaring, you’re glaring so hard and so viciously that it genuinely startles him.

“Are you okay?” his neck cranes to gaze upon the dwarf, “You were talking to that guy, right? Did he freak you out?”

“So you knew I was with him?” you scoff, “Don’t you care at all?”

Laios shrugs, he didn’t see flirting -- he has no idea what you’re talking about, and he doesn’t want to seem like a nightmare boss, so… “Not really, I guess.”

“Are you serious?!”

“It’s not a crime for you to unwind at a bar. Besides, it isn’t like we belong to each other or something.”

You turn suddenly, back completely to him before charging out of the bar -- Laios chases, disliking how this conversation is slated to end. He slams into you at the edge of the street, and when he tries balancing you by the shoulders you knock his hands away.

“I thought- “ you circle back to stare at his face, “I thought we were… I was always on top of you, and we- I said- you said we should get married.”

Laios squirms with humiliation, then irritation, “Well, you said it weird. Marcille says that stuff to Falin all the time. Why didn’t you just ask to be together?”

“I did!”

“Did you?”

“All the time…”

Acceptance

Laios squirms with humiliation, then irritation, “Well, you said it weird. Marcille says that stuff to Falin all the time. Why didn’t you just ask to be together?”

“I did!”

“Did you?”

“All the time…”

“I never knew,” he blinks at you, and the most dreadful thing is you know he’s not bluffing. Laios is a terrible liar, you’ve prided yourself on plucking his fibs apart in the past, but this is not one of those times.

“You didn’t notice?” you’re lightheaded at his nonchalance, arms coiling around your waist as if to belt your insides right where they are, “You seriously didn’t notice?”

“No,” Laios’ pretty lips tear in a frown, “Should I have?”

He means it literally: are you terribly sad or can we start all over again?

You assume he’s being himself, oblivious and avoidant and so, so, so annoying.

“I’m…” you stumble back, face so hot you’re seconds away from blacking out with terror. Stretching out to steady you, Laios continues to play the kind leader, and it only makes your dinner lurch up your throat. Instinctually, you clasp a hand over your mouth, shaking your head and taking a step back toward the bustling dirt path, “I’m going home.”

“Are you sure? You don’t have to, we can- ”

You shush Laios, memories whacking you over the head every millisecond just to taunt how stupid you were. Indignity blinds you, eyes snapping shut, “I’m going home, Laios.”

Panicked, you stammer a goodbye before lugging yourself away. Laios watches you fade into silhouette, drowning under the clogging crowd by townsquare until not even your head is visible. His fists screw at his sides, knuckles burning white, his feet feel the phantom pummeling of a rush against the ground; urging him forward. That might scare you though, and you already seemed awfully upset, so Laios figures it better to let you sleep off tonight. The two of you can rekindle tomorrow.

Peeking over your shoulder, you spot no broad shoulders or sandy blonde hair looming over the rest of the townsfolk.

Call it melodramatic and frustrating, but you were hoping Laios would follow just to grab your hand and ask you to stay. Not that you should be surprised. More often than not recently, you’d felt a burden on the party. Perhaps Laios is content you’re removing yourself. Perhaps he’ll be relieved you’re no longer pestering him. Perhaps he’ll walk inside and out your feelings to the rest of the party for them to share a laugh over.

(you should know him better than that, but you’re not in your right mind: storming into your room, a teary-eyed mess, to throw your things into bags)

Laios feels a lithe hand dig nails into his arm, he squeals sharply at the sensation and rips back to see Marcille gaping up at him. She throws an arm out toward the dirt road, “What are you doing?!”

Falin gently pries the elf off from Laios before humming thoughtfully at her brother, “They seemed really distraught. What happened?”

“Where’d you two come from?” Laios twists toward the tavern door, “I didn’t hear you at all…”

Flustered at the questioning, Marcille scoffs and drags Laios inside toward their table, “This isn’t about us! Have you never read romance before?! That was terrible!”

“They were upset, they probably wanted space,” Laios reasons, slumping into his seat at the head of the table, “We’ll see them tomorrow, we’ll talk again.”

“What’d you do now?” Chilchuck lifts a bottle of wine to his lips and tosses it back in a way that makes Toshiro cringe.

Namari quirks a brow at the man, waiting until he’s finished gulping to ask, “I thought you hated personal relationships and work?”

“I do, but if he just got rid of our other cleric then we should probably know about it.”

“I didn’t get rid of them!” Laios folds his arms with a sigh, “We’ll sort everything out tomorrow when we’re well-rested.”

Toshiro debates even opening his mouth. Laios is a one-man paradox, somehow well-meaning and belligerent in one breath -- overbearing and entirely hands-off. Laios’ spot in Toshiro’s heart is a complicated one: at this very moment the spot is incredibly tender. Down to that part of a night out where Toshiro empathizes with how clueless the bumpkin is, and it's that part of his brain that chastises him. After all, if it were him and Falin, he would want someone to say something.

“They’re going home,” Toshiro mumbles.

“Huh?” Laios cocks his head at the input, “I know, buddy, she told me she was heading home.”

“No,” be nice, be nice, be nice, be nice, “Home off The Island. No returning to the dungeon.”

“How’d you get all that?” Marcille leans onto the table with both elbows, nervously brushing long flaxen locks behind her ears.

“When we first met, it was something we talked about,” Toshiro confesses, “If they couldn’t marry on The Island, they’d have to take the suitor arranged by their parents back home. This rejection must be the final one.”

With Falin around, he decides to bite back his next statement: I’m not sure why Laios caught their eye in the first place, though.

“Pretty ditzy of you, party leader,” Chilchuck’s jab echoes into the bottle already resettled against his lips.

Laios stands, unsure of why except for the fact he cannot take the news lightly. His heart is racing in protest, one word jamming another in his hurry to speak, until he finally stutters out, “So?”

So, what should I do?

So, why wouldn’t you mention that?

So, why did he let you walk home alone?

“So…” Falin jumps to respond first, settling a massassing hand on Marcille’s shoulder to subdue the fuming woman, “If you want to smooth things over, you should probably go.”

Laios charges from the tavern despite Namari’s scolding that tonight was supposed to be on his tab.

Quickly coming to terms with the fact you’re long gone, Laios heads straight for the inn he and Falin live above. Certain once on that road, the memory of which hostel you’re renting out of will flood back to him.

. . .

You’re jamming bags puffy to the clasp when overzealous knocks threaten to rattle your door from its hinges. The only reason you don’t flee via window to shake the banging madman is because you recognize his voice: Laios, calling your name.

You sigh, forfeiting, “Come in, Laios!”

Despite your own disinterest, you want nothing more than to indulge Laios. It seems that this is something you’ll let devour you.

Flinging the door open and shut behind him, Laios stares at you -- slack jawed and pupils eating away irises. He stares into your face.

“What is it, Lai- “

“We can actually get married!” he blurts, stunning you into utter bewilderment, “You don’t have to take a suitor, you can marry me for real! I don’t care much for inheriting the village, but we can tell your parents I do.”

“Laios…”

“I don’t have much to throw for a wedding, though, so it’ll have to be something quieter than you probably imagined.”

“Laios.”

“Huh?”

“I can’t marry you,” you turn away from his confused pinch, now sweeping a finger along the scratched edge of your nightstand, “You don’t get it.”

“So make me get it,” he says so casually, you almost believe it’s really that easy.

“I can’t marry you because I don’t care about your dad,” he’s struggling to hold in the confused puppy-head-tilt of questioning, you can sense it, “I stopped throwing myself at you for stupid titles a while ago. For a long time I did it genuinely. Because I wanted to.”

“Because you liked me.”

“Now he gets it,” you huff bitterly.

“I can hear you,” Laios steps bravely to be beside you, “Do you still like me?”

You laugh because that’s all you can think to do. The sun just asked a daisy if it enjoys photosynthesis. A rhino wonders if the oxpecker is well fed. A black cat curls around an orange one in a window sill. Weeds grow so tangled up they need to be ripped as a knot. Two moth-gnawed coats hanging in the back of a rich man’s closet. Stars scorching at one another, colliding lightyears ahead. Squiggly stick figures holding hands in a defaced oil painting. Two eagles clawing at one another as they plummet from the sky.

“I don’t know if there’s a plane where I don’t.”

His morbid fascination and tactless enjoyment of life have you in a chokehold, one so fatally unshakable you’re certain he’ll someday kill you. Eventually, he’ll say something so thoughtlessly true to himself, with so much excitement it oozes from his pores, that you’ll have a heart attack then and there.

“So, why not stay?”

One day, he’ll lead you so deep into the dungeon that you cannot escape.

“You know what you’re implying, right?” your voice catches behind chattering teeth, a nervous whisper all you can manage, “I couldn’t, not if you’re just saying this out of guilt.”

“I know what I’m saying, I want you to stay so we can be together,” his face flushes, “I know how selfish it is, but I don’t want you to go home and marry someone else for your family. I want us to marry each other because I like you.”

His abrupt and daring confession has you petrified. Only your jaw is capable of movement, and the most it can do is dumbly drop before you gargle out a stunted, “Okay.”

“Okay!” he excitedly flails out both arms before crushing you against his cuirass, intensely aggressive and deeply endearing at once, “Do I have to meet your parents now?”

“Yes, that’s kind of the reason they let me stay here, you know? To see who I’d find on The Island instead of home.”

“I hate meeting adults… they’re so… weird.”

You choose not to point out that he, as well as everyone he associates with, is an adult.

“Just be yourself,” a sudden, maybe minorly manipulative, plan roars behind your eyes, “You’ll impress them so much, they’ll leave me alone forever!”

Hope

“And since they’re slimes, if you poke their eyes they stay perfectly calm! Which is another good way to tell them from the human they’re mimicking,” your dad made the mistake of asking Laios what he studied, misinterpreting your use of ‘fascinated by nature’ to mean ‘biology scholar’. Laios immediately began ranting and neither of your parents had reawakened from their shock yet, “Succubi can also duplicate people, but that’s usually when taking the most desired form their target has. Which is mainly sex appeal, so for me it’d probably be, well you know!” he affectionately squeezes your hand in view of your parents. You watch a little more of your dad’s soul crumble within his eyes, “The strangest is probably mirror monsters though, since they reflect what they see. They rely on flattery and illusions to swap with humans. I’d love to meet one so I could see their lure techniques in real time.”

“Wow, honey,” you grin, peeking at your parents across the table, “Can you circle back to how the shapeshifters make their copies? I just can’t wrap my head around why they’d use memories instead of the real things!”

“Oh, so it’s actually pretty simple!” Laios devolves into another ramble, eyes alight with excitement.

You’re just as glad to be feeding his need to talk about monsters as you are to be terrifying your parents.

“And you have a village in the North?” your father finally coughs out, holding a hand up to silence Laios.

“It’s my father’s,” Laios glances at you through his peripherals, visibly unsure how to carry out the conversation. To his credit, he’d pestered you about what exactly you wanted him to say about his father, and you only brushed it off as something you’d take care of.

“You’re the eldest, right?” your mom chews her thumbnail nervously, “A son at that!”

“Yes, yes, he’s a firstborn son,” Dad looks to you, “It was in the letter!”

“I am,” Laios’ foot taps beneath the table. Again glancing at you for further prompting.

“We’re not moving from The Island anytime soon,” you return Laios’ previous hand-squeeze, hoping to ease his nerves. You sit up straight, “We want to keep exploring the dungeon.”

“Yes, but after that?” Dad’s eyes are wet with concern and dread, “You’ll have to settle down eventually.”

“We’ll be fine, Dad. I’m fine living like this, I’ve had lots of fun -- I want to keep having fun. I’m excited to marry Laios, and he’s excited to marry me,” to add to your point, Laios nods enthusiastically, “I’m happy marrying for love, and I don’t care what it implies about me as your child.”

Meeting Laios was like striking gold. He’s different from anybody you grew up with, and you’re content to be with him as you continue to grow old.

“If you’re sure,” Mom lays a hand on your father’s back, as if to wrangle a dog before it bites, “Just visit more often, okay?” she catches how Laios perks up at the mention of more traveling, “And bring Laios, too. He’s very… interesting…”

You know. That’s why you courted (suffered) him for actual years.

[saffalilac]

that one scene in spiderverse when miguel pulls out the silly expository lady for some silly exposition time. and he starts talking about the universe and webs and canons and you’re like oh boy this is getting complicated. time to get exposited. but then he starts talking about how your dad HAS to die. and you’re like wait this feels kinda…wrong. isn’t it really sad that this is a necessary thing for every spiderman? isn’t it really sour that pavitr didn’t let that man die, but now everyone in his universe is suffering for it? why does it have to be this way? and then miles starts to realize, my dad is next. but he’s my DAD. and you’re like this is jeff we’re talking about. and this scene that’s framed like, here’s the exposition, now let’s go punch some bad guys—miles is like no. stop. this can’t be right. and we’re also like this can’t be right. and then the movie starts breaking down. and the problem stops feeling like it can be solved in 140 minutes because suddenly the problem is so very big and baked into the foundation of the universe. and then miles starts running. and then you’re like oh…the exposition was supposed to feel wrong cause it wasn’t exposition by the heroes, it was a villain speech.

[bruh-anator3000]

im obsessed with the Black Cat, I hope that's clear, too. and Miguel. And Logan and Wade, so what if we mashed them all up in a blender and see what happens?

Edit: I didn't mean for this one to get so out of hand, but it did, so its a short story now I guess.

Warnings: sexual themes, hella suggestive, SPOILERS HINTED from the new Deadpool, tension sexy styles, I might get Gambit '97 involved so we can listen to '4 big guys' for part two, it is a love triangle/square, trust and don't worry. Everyone's bisexual. No pronouns for reader used, but written w fem!reader in mind, that's why I'm saying bisexual, but this could just be gay for my amabs.

Parinings: Black Cat!reader x Miguel O'Hara x Logan Howlett x Wade Wilson (uh-huh. I said what I said)

~~~◇◇◇~~~♡♡♡~~~◇◇◇~~~♡♡♡~~~◇◇◇~~~♡♡♡~~

Like, you didn't want to bring your roommates along with you for this heist. God. You didn't even want their sticky fingers on the paper plans. But you were running low on rent, Blind Al was a bitch now that they suspended her coke supply, and your normal crew got sick!

Dr. Boris Korpse was the smartest man alive. He could hack any system, jimmy any lock, and blew the ones he couldn't up. Bruno wasn't the brightest, but he was the bravest. And he had the muscles to prove it. He was a great getaway driver, too. And they were sick.

Wade was smart... enough. Logan was... decently strong. Logan was more of a brute, actually. Careless with his strength when it came to it, but trusting Wade Wilson to drive you home safe? With his self destructive streak? It was safer to have him do the code cracking. Hopefully.

"I wonder how many people caught the earlier exposition is from the actual comics," Wade grunted under his mask, typing in a special security code into the keypad.

Looking around with furrowed brows, he did realize it was just you three, right? You glanced at Logan, wondering if he understood what Deadpool was saying. He only gave a slight shake of his head.

"It's a quick in and out," You reminded the two, walking past the gates as the hissed open, thanks to Wilson. How he knew the password so easily, you didn't know. He said something about 'writer being too lazy to build up to the reveal,' which made it 'easier to follow if he just knew.'

Logan grunted as he followed. It frightened you how well he could retain the plans you've gone over so many times this week. It was great for him, and for you! But also sucked, because they guy replacing your 'smart guy' still needed a refresher.

You take your stance beside the large bars hiding the painting. Idly looking around while Logan let out a primal roar as he pried the gap between the metal bars wider.

"I bet that's what it sounds like when you're close, huh?" Wade snickered, pinching the yellow fabric on his hips. You cringed for several reasons. Wade's constant immaturity. And, God's above, Logan's ridiculous outfit.

Honoring the X-men or not, the yellow was as bright as a trafficlight.

You slipped through the widened gap now, ignoring Wade's whistle behind you. "You do realize this is supposed to be a silent mission?" You sneered, now on the other side of the enclosure.

Wade shrugged. "Don't worry, peaches. Nothing bad ever happens to the sexy ones. Logan might get left behind, but you and me?" His mask hid the way he bit his lip and winked. It looked like he was just staring at you.

"Alright." You sighed and moved on. That was the best way to handle these two. They gave you no other choice. I mean, you could give in and fuck them, but you were planning to save that for later if they did a good job tonight.

With the painting carefully removed, the bars bent back in place, and Wade managing to keep his pants on for a few minutes, all that was left to do was leave. You had Logan carry the painting as you all ran back to the World War 1 exhibit - the way you entered through.

You made sure the two were in front of you the entire time. You couldn't risk them getting lost, their bulk and dead brains might break something if you weren't watching them carefully. And the red and blue lights glowing as you ran past were not any help.

You stopped dead in your tracks. That wasn't your normal bisexual lighting. There were no sirens, either.

You jogged back a few paces, stopping by the archway of one of the many halls in the museum. Face to face with the digital glow of a blue and red mask.

"Hey Spider," Grinning softly, you leaned on the doorway. The Spider-Man hung upside-down on his red wire webs, per usual. You didn't need to see his sexy face to see that stoic pout he always wore.

"Good evening." He greets in that deep voice, hinting with an accent you loved. The red outlines of his eyes squinting as you boop his nose. "Are we really going to do this tonight?" He scowls, and you swoon.

He flips down, landing on his feet. Broad shoulders and thin waist beautifully extenuated by the suit that was more code than fabric. Towering over you, red blades on the back of his forearms.

"At least take your mask off," You taunt. To which he does. When has Miguel ever denied that request? As infuriating as it was, it was also a very freeing day when the two of you finally put the suits aside and fu- talked. In bed.

His brown curls looked neat today. Dark red eyes watching your every move. That pout on his sharp angled face was too cute. He was so grumpy all the time.

He glances behind you, leaning over slightly to look at the damage you've done. "Portrait of Madame X?" He notes the missing piece of work. Thick brow arching in suspicion.

You shrug. "She's an idol of mine." An idol worth 20 million to your buyer. But he didn't need to worry his pretty little head about the details.

"Do you want a 10 second head start?" He offers, placing a hand by your head and leaning in. Keeping you between his hard chest and the wall. His lips parted with a slight smirk.

"Bub, where'd you go?" Logan's gruff voice grows closer. Wade skipping alongside him. Both of them stopping dead in their tracks at the sight of Miguel.

His mask quickly ripples into place and he steps back, snarling. "Who are you?" His eyes dart to the painting you were supposed to be stealing, in some other man's hold. Keeping his body towards and more in between to block you from the other two, he snarls.

"I am soaking wet right now." Wade groans softly, admiring this little stand off. He wasn't kidding, Spider-Man had been in his 'hit' list for a few years now.

Miguel bristles, back going tense. And as great of a view that was, you knew it meant trouble.

"No, they're with me." Grabbing his broad and beefy shoulder, you push him back. Accidentally putting yourself in the middle of this odd triangle you've created.

Miguel glowers at you. "My regulars were out. I needed an extra hand." You shrug it off. That's all they were. Extra hands. In a heist. You totally weren't going to make out with them on the car ride home.

Tension thick, your shoulders weigh down as you look at all three of the men. A tinge of embarrassment hits you as you realize how similar their figures looked. You definitely had a type.

Wade breaks it up, or attempts to with another sentence you don't exactly understand. "Jesus, if the writer would get over themselves, I would fuck you two so hard." He gestures to Logan and Miguel. Earning an angry grunt from both of them that just seems to further his excitement.

"I'm so pissed we have to wait for a part two."

"Part two? Of what?" You raise a brow, looking at Wade.

He waves a hand. They don't get it.

...

But you do. And if you want a part two, please let me know! This was just an idea festering (that got out of hand a little) and I'm not sure what to make with it just yet. I also need a title for this, so if you guys have any suggestions, please let me know. Love you!

[3hks]

3hks' Guide to Plot (2024)

Alright guys... Here's a big one! These are MY personal thoughts on how to create and write plot. As time continues, I'm positive that some of these things will change, which is why I included "(2024)" in the title! Let's start with some of the basics and definitions, shall we? Hint: you probably want to see the last tip!

~PLOT STRUCTURE~

For 99.9% of novels, they follow a similar--if not the same plot structure--so let's take a look at them chronologically!

>>> Exposition: The beginning of the story, the starting characters, settings, relationships, and ideas are established. This is meant to give the reader a basic sense of the story.

>>> Inciting Incident (initial conflict): This is what sparks the conflict. The characters themselves may not realize it, but this event ultimately changes the whole course of the plot! (This may not always be before the rising action.)

>>> Rising Action: The GOOD stuff starts here! More introductions, more development, more action! Tension builds as the story continues.

>>> Climax: The climax is NOT equivalent to the conflict. The climax is the most exciting or tensest part of the story. The protagonist often is forced into making a difficult decision, whether it be self-inflicted or by another character's hand.

>>> Falling Action: The climax has ended, and things are coming to an end! The falling action is always shorter than the rising action, because there isn't much to introduce, and the characters are simply rolling through the consequences (good or bad) of their previous actions.

>>> Resolution: This is the end of the story. Many people will tell you to tie all the knots together during this part, but it's ultimately up to you! However, there should be some sort of ending to provide closure, at the very least. The conflict should also be resolved (hence the name).

Let's look at the diagram itself! (I'm using Freytag's pyramid because it's well-known. Thank you Writer's Hive for the image!)

~CONFLICT~

Alright, let's talk about the types of conflict real quick!

Character v.s Character: This is your typical conflict, where there are two opposing characters struggling against each other.

Character v.s Self: This is a less common conflict that takes place within the character's mind. (Examples: Self-doubt, decision making, moral dilemma, etc.)

Character v.s Society: This is a conflict between a character (or even a small group of characters) struggling against a larger, typically oppressive society as a whole.

Character v.s. Nature: Just like in the name, this is a character against a force of nature: a tornado, storm, flood, etc.

Character v.s Supernatural: Simply put, this is just a character struggling against a supernatural force.

While knowing and being able to identify the different conflicts doesn't necessarily help you write, it's important to understand what your character is battling against in order to build the conflict.

~BUILDING THE ARCS~

If you watch a lot of shows or movies, you're probably familiar with the term "arc," which is just another way to say plot or subplot, depending on your story.

When writing plot, you want to have a MAIN or LEADING ARC. This is your character's goal that's usually established at the exposition. However, there is usually more to add so your storyline isn't too one-dimensional. These are more arcs or subplots that simply branch out. In a way, it's meant to slow the plot down and add more content while still advancing the story.

So yeah, subplots are able to assist in slowing down the story but they need to help advance the main arc.

This can be done by simply connecting the two--making sure that both of them are at least relevant to one another.

Here's an example! Let's look at HunterxHunter (Yoshihiro Togashi)

The main character, Gon, has a goal to locate his father. This is what HunterxHunter is mainly about. The leading arc, main plot, etc.

It's incredibly simple and straightforward, but it's not that easy.

Along the way, you see different problems arise, creating more subtle and smaller arcs. For instance, there's the Yorknew arc, the Greed Island arc, and the Chimera Ant arc.

The focus of those arcs aren't necessarily for Gon to find his dad. As a matter of fact, his objective is kind of an afterthought in the presence of these subplots. Still, they are connected to Gon's objective and push the story!

See how modest the main plot is? It does not have to be the world's most complex storyline.

Your protagonist's goal is the leading arc, and things just get in the way of it.

Keep this in mind and it may actually help you design your plot events!

~KEY POINTS~

Character introductions: By the end of the rising action, you want most of your characters to have been introduced. This may vary for some certain scenarios, but logically, most characters are going to be involved in the climax, so they must be introduced beforehand.

Environment: Your character will typically start out with a set view of their society, world, and people. Through your developing plot, there should be some changes in their view. What they believe is true could prove to be false.

Triumphs and losses: Sometimes, your character needs to win, and sometimes, they need to lose. This adds a sense of naturalness (not everyone gets what they want) and aids your character development. There are times when a loss is actually the foundation of the exposition! (Wink-wink, nudge-nudge)

~WHERE TO PLACE "THAT SCENE"~

Here's a pretty big one! As writers, we often have just "that scene" pictured out in our minds--it's absolute perfection and a REAL piece of art.

But where are we going to insert it?

If it's not too important, there are three places I suggest! 1. The exposition, 2. the rising action, 3. the falling action.

If your moment is able to introduce a relationship, character, or setting, the exposition is the way to go. If it can build on the three things I listed AND may have a part in the conflict and/or climax, then rising action it is! If it's somewhere in between and somewhere else, then try falling action!

And it can even be the inciting incident if begins the conflict!

Resolution is also a possibility, but because it's near the end, your scene may have less impact than you want. However, if you're still into that idea, then I suggest placing it at the very end! (You'll just need a lot of patience to get through your whole story just for that part, though lol.)

The most important part is to understand what the moment can contribute to the plot, because then you'll have a much better idea of whether you should place it closer to the climax or further away!

Did this help? Let me know!

Happy writing~

3hks <3

[thejakeformerlyknownasprince]

Ok love your thoughts on Animorphs tv series pacing. Hear me out: episode 1? Starts with *David’s* POV finding the cube, being attacked by Visser three and “rescued” by the animorphs, and given morphing power. Episode 2 starts with book 1 and progresses normally through the series from there

I think like “Machete order”, this really reframes the slow escalation of paranoia, and in episode one when these strangers show up and are like “Yes david you have to abandon your parents, they can’t be saved” you’re like “fuck these guys”

But by episode [redacted] of meeting david in animorphs pov, youre like “DAVID YOU MORON THEYRE LOST TO US GET IN THE FUCKING CAR”

And Jake goes from episode one “David, face reality, shit’s bad and your parents are a loss” to episode two Jake “of course i can save Tom”.

I love this, because it's a great way to throw the viewers right into the story. In the original series, it was necessary to give us some kind of origin for the Animorphs — it's a superhero story convention, it's important in a kids' series, it gives out exposition nice and slow, and it sets the tone of the books. However, there are a lot of things like "touching this box lets you turn into animals" and "the enemy are sea slugs who live in brains and eat in a cavern under the school" that you can simply show on TV without having to tell anyone. Concepts like "andalite navy" and "kandrona" can be conveyed with a few shots, so there's no need to have a scene where Elfangor explains them to Jake or brain-dumps them to Tobias.

This adaptation would probably lean more toward YA than middle grade, because it'd require trapping and/or killing the focal character, but I think YA would make sense for an Animorphs adaptation. YA series are more able to depict violence and body horror than children's shows, and Animorphs isn't Animorphs without realistic violence and body horror. There's also a lot of potential for making the conflict between David and Jake even more complex than it is in canon, if we don't see why Jake is the leader, only a bunch of his close friends insisting that it's for the best.

[hoodieschaoticreviews]

Ok I watched the leaked episodes

Let’s start with the positives! I love positives!

- Alex Brightman put his whole Alexussy into this shit oh my god, Pentious and Adam actually sound really good. Adam singing is also really really good. Alex can sing in character and carry things well and I’m glad now he’s part of the project. Because at least it’ll be bearable if I see the other episodes.

-Vox is actually weirdly really compelling? Like I actually ended up enjoying the vibe he’s got and his own voice grew on me, I know it’s not what people wanted but it works well.

-Nifty’s voice is pretty ok, so is Charlie’s. They’re some of the better voices of the cast, Alastor’s performance was uh. It wasn’t bad so there’s that!

-the opening exposition was needed but also a bit hamfisted- wait shit the positives- uh, I love the direction it went? Art wise?

-the songs are pretty good, they get you from point A to point B, and at least wasn’t Poison levels of cringe in writing.

-Charlie actually helping Pentious in episode 2 try to repent and be a better person actually feels nice, like a crumb of what the show should of be-

…

Ok let’s get to the point.

-the episodes clearly are trying to shove as much of the plot as humanly possible, to the point that you get whiplash.

-Angel Dust, Vaggie, Valentino, Husk all have voices that either do not fit, crack from the pressure to perform, or are trying so hard to mimic the previous voice that it’s actually worrying. The Angel dust one in particular I’ll get to when I get to the point.

-The plot starts with the main antagonist, literally telling Charlie that her plan is pointless and she should give up. There’s no actual “I want” song to counter this, unless you count the song where Adam mocks her for trying and tells her the exterminations will happen twice a year now.

-Pentious at least wasn’t a creep like i was fearing in the script, but he comes off too pathetic? Like I know he was pathetic and that’s the point but why the fuck does he want to be equal to the Vees now? Didn’t he want to rule over hell himself? I know the instagram had him crop himself into pictures with the Vees but remember those aren’t canon!

-I realized I was able to hop in because I had Wikipedia level knowledge of these characters to the point they click in my head (and enough to where Alastor, Charlie, Vaggie and Husk all felt a little off but that’s neither here nor there). But god I cannot imagine being a new person trying to jump into this show, this is bad. None of the characters get actually introduced outside of Charlie, the show references the pilot which isn’t part of the show so new audiences have no idea what they’re talking about, and the staff gets actually introduced in episode 2. EPISODE 2, TO PENTIOUS!? GIRLIE POP HAVE HIM COME EPISODE 1 THEN?

-Animation that’s either too floaty, too janky, too stiff or straight up traced. Which I don’t blame the animators for, Mammon was busy buying 10,000 dollars worth of peacocks to bother paying them more than a dollar per frame. There’s no charm here.

-Where did the fucking cat key come from? No I’m serious. Where did it come from? It just kinda exists now.

-Alastor’s commercial is just straight up MEAN and he’s often more mean than chaotic, which I know is ironic since he wasn’t a good person and I wasn’t expecting him to be but it’s to a point where it’s not even fun mean. He literally called Charlie’s endeavor “Daddy issues”. It felt like he was just there to slap Charlie in the face.

-Angel Dust rant is gonna be so long that I saved it for last.

I have to put it under the read more because of talk of SA! Fun!

Ok.

I’m saying this as someone who loved him from the pilot and was willing to excuse his behavior as “flaws he can work on” since Addict and everything else proved that there was more under the surface and he was a character that could change and grow and-

…

…

Angel dust, the rape victim… the guy running away from his abuser…

The Angel dust who has traumatic episodes so fucking graphic that he flashes back to them when he’s performing.

Saying “yeah no, fucking sexually exploit me! It turns me on!”

Viv, I know you’re not reading this but I mean this genuinely.

Fuck you.

As someone who’s family has experienced sexual abuse, as someone who’s family still has CPTSD because men in power decide to exploit them… how fuckin dare you make a character enjoy their own exploitation.

This isn’t me kink shaming a sexual character! He can be sexual and like sex! It’s never been the problem and hell it could of been liberation to have sex he deserves.

But no.

Let’s make the SA victim into the sexual harassment character, let’s make the SA victim the Stolas of the show where he wears down his love interest so thin that they have to give up.

Let’s make the SA victim still work under his shitty abuser, and make that into a joke as the abuser mentions wanting to rape everyone in the hotel.

Don’t pay to watch this show, I mean it.

Pirate it.

Hell don’t even watch it, find something better to watch. I’ve been binging anime as of late and I still like captain lazerhawk.

[its-all-papaya]

landoscar + 41? 🧡 maybe fake/pr-dating-turned-real-dating coded, so maybe even + 56? like, they realize the fake wasn't that fake anymore �� (insert i am in love are you in love audio here)

they are both in love, anon.

(because i found it kind of impossible to explain without adding sooo much exposition... oscar is not a driver. he's just... a guy. that mclaren found. to date lando. suspend your disbelief, idk)

send me a ship and a number and i will write a kiss

41. to pretend (or is it?) | landoscar | 1.2k

Lando is in over his head. His aching, pounding, hurts-so-bad-it’s-making-him nauseous head. If he’d known one throw-away trip to the club in Miami was going to complicate his life so irreparably, he would have tucked his P1 trophy into bed next to him and gone straight to sleep like a good, boring boy. Instead, he’d gotten catastrophically fucked-up on any number of things he doesn’t remember and tossed himself dick-first into an entire publicity nightmare. That’s the worst part, probably: Lando doesn’t even remember. He remembers taking shots with Max and Danny and he remembers – barely – stumbling to the bathroom, and the next discernable point on that mental timeline comes at approximately 6:45 a.m., when he’d woken up to go vomit and found his lock screen so full of notifications that it’d made him forget to wonder where the man he’d gone to bed next to had pissed off to so early.

Since then, every minute of Lando’s life not spent in the car has felt full wall-to-wall with interviews, and meetings with crisis management, and saying “I’d prefer not to comment on that” so many times he hears it on repeat like an ear worm when he’s falling asleep at night. And also Oscar. There’s been a lot of Oscar.

He’s waiting in the lobby of McLaren’s hospitality when Lando arrives down from his driver’s room after qualifying in Brazil. Lando wonders how he got in, if their bosses have finally decided he’s trustworthy enough to walk around unchaperoned. It’s funny that he ever didn’t have a pass, actually; he is technically a McLaren employee. Probably. Lando thinks he gets paid. They’ve never talked about the specifics.

Either way, however he got there, Oscar is by himself in the lobby, leaned back in a chair, thumbing at his phone. He looks up when he senses Lando’s arrival, and Lando must look even more pathetic than he even thought, because Oscar’s face immediately goes soft with concern and he leaps up to take Lando’s bag off his hands.

“Hey, you alright?” he asks. He slides the backpack onto his own shoulders and then steadies a hand in the middle of Lando’s back, thumb tracing comforting little circles near his spine.

Lando could lie, but there’s not really any point to that, so he lets his face fold into the grimace it wants to be in and presses his thumb between his eyebrows.

“Head’s killing me,” he says. It comes out weak.

Oscar makes a sad little sound in sympathy, and the palm on Lando’s back shifts to his side so Oscar can tug him closer. Lando doesn’t have the energy to fight Oscar on these things at the best of times lately, so he’s definitely not going to when he’s exhausted and sick with the pain behind his eyes. Even though there’s really nobody around to see them.

“Let’s get you back to the hotel, then,” Oscar says, and Lando has never agreed to anything faster.

Oscar leads the way out of hospitality and through the paddock, fingers linked securely between Lando’s own. It’s baffling that he’s already been around this circus long enough to know the way without help. Nice, though, because Lando’s not really in a state to be of any.

They run into a few people along the way – fans or sponsors or employees. Lando doesn’t get the chance to tell which are which, because every time somebody new greets them, Oscar’s fingers tighten around his own and he talks the both of them cleverly out of the conversation before Lando can even consider what he would say if he was left to his own devices. It feels nearly impossible that less than six months ago, Oscar could barely say two words to Lando without being directly asked to.

“Oscar!” he hears as they’re nearing the exit, and they’re so close to relative quiet that Lando can’t help but groan about it. Oscar squeezes his hand again like an apology as he turns to address whoever it is.

"What’s up?” Oscar asks. When Lando lifts his eyes from the pavement, it’s Max stood before them. Both of his hands are hooked in the straps of his backpack and his chest is heaving just a little, like he’d jogged to catch them up.

“You’ll of course be at the race tomorrow?” Max asks. Lando’s not sure where this conversation is going, but he’s pretty sure it doesn’t have to happen right now. He hopes the look he’s giving Max is sufficiently irritated.

It must do the job, because Max’s eyes brighten and he says “Not pleased about that, Lando?”

Oscar’s hand goes from Lando’s palm to his back again, quick, and before Lando can open his mouth, Oscar’s saying, “He doesn’t feel good.”

“Ah,” Max says. Lando can’t figure out the look he’s being given.

“The race tomorrow?” Lando presses. If they’re going to chat about whatever it was right now, they could at least get to the point.

Max nods, shifting his gaze back to Oscar, “You are staying, yeah?”

“Yeah," Oscar says, "Why?”

It’s taking too long. Lando squeezes his eyes shut and presses his forehead against Oscar’s shoulder, hoping the counterpressure might do anything at all for the hot ache in his brain. Oscar’s hand goes immediately to the back of Lando’s neck, like it’s habit, and his thumb starts drawing firm lines down the muscle there, hairline to nape. It feels…really, really nice, actually.

“You’ll fly back with us after,” he can make out Max saying, “to Monaco. Lando and I and a few others.”

That doesn’t really make sense. Oscar’s been planning to go home for a bit over the mini break, Lando knows, they talked about it nearly right away when the agreement was drawn up. Far be it from him to argue that point, though, not when Oscar’s saying “Yeah, thanks, mate,” and his thumb’s still easing the pain in Lando’s skull. Lando would blame it on the headache, but it’s not like he’ll mind the extra time with Oscar, either. Which Max knows.

Lando cracks his eyes open and shifts enough to squint suspiciously at his friend, but Max is just grinning happily at the pair of them.

“Very good,” Max says. Sure.

“That’s all?” Oscar asks. His thumb finally stills. Lando does not whine about it, but it’s a close thing.

“Yes,” Max says, “you can take grumpy home now.”

Then, before Lando can decide whether that’s worth getting upset over, Oscar squeezes the back of his neck and nudges him up off his shoulder. His eyes are apologetic when Lando meets them, and he kisses Lando once on the forehead as he slides their palms back together.

It’s nice. Domestic. Very convincing, probably. Oscar’s gotten really good at his job.

“We’ll see you, mate,” Oscar says.

Max clasps Oscar’s hand for a second, then squeezes Lando’s shoulder on his way by.

When he's a few steps off, Oscar says, “Ready?” like Lando hasn’t been begging to go this whole time.

Lando says yes, please and he can tell it's a little whiny, because Oscar says "Hey, okay love, I'm sorry" and brushes a gentle kiss against his lips. Lando thinks Max is probably too far away to see it, but Oscar would know better.

It’s not until they’re finally settled into the back of the car, sides pressed together, that Lando remembers:

“Max knows about everything. You didn’t have to… he knows.”

Oscar’s gaze is soft and maybe a little sad, for some reason, but he smiles past it and combs his fingers through Lando’s hair until he settles.

“Yeah,” Oscar says as Lando’s head falls back against his shoulder, “He does.”

[young-dumb-and-vaccinated]

Okay I know I promised a rant, but it came out like a bunch of bullet points instead, so sorry.

The time skip was entirely unnecessary and makes the job of writing a finale harder

Having the umbrellas split up again undoes all of the character development up to this point

The relationships between the siblings have changed in the interim and needs to be explained through clunky expositional dialog

Why is there no learning curve after six years of not having powers?

There is no reason to include children and it actually works to the season's detriment

The children are non-entities and only exist to motivate Diego and Lila, just like Claire in season 1

The entirety of season 3 was just a testament to how bad at parenting Diego and Lila would be

Watching Diego and Lila bicker about domestic disputes is just boomer humor at this point

Your target audience of queer people do not want to see the people they're supposed to root for abandoning their children

It would have been both entertaining and entirely in character to keep the Diego/Lila dispute to suspected infidelity

Lila moonlights as a FBI agent but Diego thinks she's cheating so he goes through all the woman scorned tropes

This way it subverts the trope and gives us more opportunities to see duplicitous Lila and himbo Diego

I really thought Nick Offerman and Megan Mullaly would bring the energy, but no

I've never seen three hilarious people be so unfunny in my life

I cannot take David Cross seriously as a villain. He is so unthreatening.

Luther is the only one allowed to keep his character development and I just kinda wish they let him keep his wife

Allison is back to being an unrepentant bitch and does not earn the family's trust back

With a title like "the unbearable tragedy of getting what you want", I thought the episode would follow Allison trying to feel like she deserves to enjoy her life with Claire and Ray while dealing with the guilt of selling out her siblings

Considering that her entire season 3 arc was backsliding

But what it actually meant was okay I guess we'll never know

I heard a rumor??? Allison I think I heard a rumor about this guy?

Can we please give Klaus a break

Klaus can now clip into pushing daisies episodes

Klaus is trying to escape from his Angel Dust prison

Five looks like he's twelve

I'm always going to be suspicious of a showrunner that's trying to manufacture situations in which infidelity/incest is okay

Can we please give Viktor something to do

I do not blame him for fucking off to the middle of nowhere

Emmy for Elliot for depicting transmasc rageyt665ikju

I wish elliot would remove my marigold

Viktor has the power every autist secretly wants: to rule the fucking universe

Viktor between you and me I don't think this family is worth saving

Idk if Ben's arc is racist but it sure don't feel right

It's fuckin SHORTER. Why does it feel LONGER.

The no volume balancing is really fucking annoying

It would have been interesting to see hargreeves interacting with more than just one sibling at a time per season

Is being in your family like being stuck in a constant apocalyptic nightmare? You might just be transgender 

[pikahlua]

Not the same anon, but there was a thread on X summarizing problems with this chapter and how rushed it feels. I think these are pretty valid criticism if I am being honest. [link removed] I really love MHA and I want to enjoy this epilogue, but I really do feel like it is being rushed in some places.

I resubmitted this ask to remove the link. I'm not interested in sending critics flying at someone I disagree with.

The link you provided is for a criticism that is precisely the sort of commentary my blog exists to correct. Why are you guys judging the story based on a bad fan translation??? Is that really what the issue is here? If you're feeling like a chapter is rushed based on Rukasu's rushed summaries or my own disjointed, unnatural-sounding translations or the fan translations that just push along with awkward translations they clearly don't research that well, yeah, I bet it does seem pretty rushed.

Fan translation (left) vs official translation (right)

Some differences are stark and some subtle, but they all lead to totally different readings!

And as for this criticism:

And while I get what Horikoshi was trying to communicate here, the execution is just... Absolutely tone deaf

I don't understand how anyone could say something like they know what the author intended in good faith when they KNOW they're reading a fan translation.

Starting with the 1st page: now, I get Horikoshi is trying to this monologue more for the audience to highlight Uraraka's self sacrificial tendencies similar to Izuku in order to explain her behavior and showcase her flaws. [...] Because, in universe, Uraraka is breaking down with guilt and grief over someone she finally reached/understood sacrificing her life for her, something only SHE knows, and Izuku shows up, ignoring what's going on, and starts "explaining" her flaws and HIS feelings about it all. [...] Now, again, I understand that Hori is trying to communicate to the audience that Izuku has realized Uraraka's flaws and struggles and is deciding to become her support instead.

This reading completely ignores the fact that Ochako doesn't want to open up. Izuku is trying to convince her to! That's what's happening in this scene! He's not "ignoring" what happened with Toga--because he doesn't even know what happened! That's part of why Ochako is so upset!

I've explained before how the western fandom has a bad reading on these so-called self-sacrificial "flaws" Izuku and now ostensibly Ochako have. This is not the first time a character has realized they relied too much on another person's strength and let that person shoulder their burdens alone. All Might acknowledged the same thing with Katsuki after DvK2. I do not think what Izuku is doing here is "explaining her flaws and HIS feelings about it all." My reading of this scene is based on their conversation after she lost to Katsuki in the sports festival. He's saying the same stuff she said to him back to her. He's talking about HIS OWN flaws. He's saying "You are my hero, the way you've been since the beginning is heroic, I admire you, when you're hurting I'll protect you just like you protected me, I won't be a burden by relying on your strength to get you through and letting you handle your pain alone anymore, I'll pull my own weight and be here for you now that you need me, it will be easier to shoulder the pain together." That last part is coming from her UA speech, of course, and I don't know how it could be more relevant to addressing Ochako's pain. "Please open up to me, just like you encouraged me to do." That's what he's saying!

Now, the other criticism this person levies is that using Izuku as a vehicle of exposition is clunky. I don't disagree, but the thing is...this isn't new. This isn't unique to the ending. He's been like this really since chapter 1. I've criticized this before. This isn't a sudden change that makes the ending feel any more rushed than any other part of the story. To focus on this just feels like an attempt by the critic to FIND something to criticize.

I do think there is an emotional reaction at play in the fandom's general response here, but I'm not convinced that the criticism I've been reading actually gets to the heart of what's upsetting people. Something IS upsetting people. Is it BAD WRITING? I'm not sure. In some (not all) cases it seems to be a bad reaction to tragedy or anticlimax. I do also think there are people who have convinced themselves such and such will be addressed, that these two characters will talk about X, etc. etc. and they're panicking that there may not be any space allotted for that in the end, and that's why they feel things are being "rushed." I certainly have some criticisms I could levy at the ending, but I'd like to wait until the ending (the OFFICIAL ending) before I put them on the record.

The thing is, in the end, "what Horikoshi was trying to do" is entirely irrelevant to the final product. If all we do is just argue over what we each think Horikoshi was trying to do, we'll get no where. This was hammered into me in my education, that what an author intended is useless to literary analysis. When I find something in a story that doesn't make sense to me, I take a step back and try to figure out what reading does make it make sense. Sometimes I have to ask others their opinions to puzzle it out. I do appreciate that you sent me this criticism, but I am not yet convinced the fandom has truly identified any concrete issues with the actual writing of the ending as of now. I'm not saying the ending is perfect, just that the problems I see with the ending are very different from what the fandom so far keeps talking about.

[dasnercaret]

how ISAT makes you feel like going home

so one of my friends said to me "the first time i played (isat) was when i was home sick, i felt like it had curative properties. analyse that mr playstyle 😎" and i took it as a fucking challenge. i've never written an (tumblr-posted) analysis essay before and i'm going into this with a bunch of haphazardly folded ideas and NO OUTLINE fuck it we ball

so to begin with: DORMONT.

isat, as a whole, is extremely a traditional rpg setup. which unfortunately i know little to nothing about, so forgive me in advance if i put my foot in my mouth regarding traditional rpg mechanics. but like many games, you start at a home base, at home. and the whole vibes of the place honestly serve to only emphasize the safe / at home / storybook atmosphere isat cultivates. you wake up in a field, sleepy and tired. your dear friend mirabelle leans over you and tells you to wake up, because you're going to beat the king tomorrow! and you laugh and you're sleepy but eventually you start playing. eventually, you push yourself up and wander around and meet the townsfolk and your party.

now, the player doesn't know the party. they've just opened the game! they don't know these characters. siffrin does though, and it shows in the interactions he has with each one of them. mirabelle teases siffrin about the quality of his nap. isabeau puns with siffrin. odile smiles at him. bonnie... looks away, because of backstory you don't have yet, because you're leaping into this story at its very end. but siffrin knows.

(...)

siffrin knows. which informs his narration, of course, and overall it gives the sense of - you're watching a story already known, with characters who already love each other. like walking into a family home midway through a dinner party, to know and be known in turn.

(you know where you are. you're home!)

siffrin provides some exposition of course, enough to catch the player up and let them know the basics of the world you've set foot into. these people are here because they have natural ties, connections to the land they've been born or raised in or are travelling through. you all are here to defeat the king, who is the epitome of a traditional storybook villain, the big bad evil you defeat at the end of the fairytale. he's just the generically evil guy, with no focus given to the atrocities he must have committed and been willing to commit in order to get where he is. there's no need to be scared of him, not really. (yet.) he's evil, but in the way a storybook villain is evil. all the sharp edges defanged, sanded away, all the humanity and dimensionality and violence inherent in his character compressed into a set of scribbles on the page, words on a screen. it's not personal. it's not.... scary. not to you, and not to siffrin, who's already been floating above it all.

(the rest is under a cut! spoilers for The Entire Rest Of The Game)

similarly, the exposition is in the form of little childlike drawings, emphasizing the same nostalgia it draws on - fairytales, fables, those stories where the heroes collect the magic sword and slay the dragon and save the princess. you know these stories, consciously or not. you love these stories, (probably), and it all serves to emphasize the familiarity with which you step into dormont. heroic stories are extremely common in the stories we love today, from the old classic prince charming to (somewhat) more modern legend of zelda, and no doubt many people picking up isat have a similar passing familiarity with the overarching story of rpgs. (i in fact was the exception, but that's a whole other essay)

the townspeople definitely do not help this vibe as well. they are practically one and all kind, steady people, precisely the sort of common folk you'd want to save in a story where nothing hurts and everyone is safe and loved. they're happy to gift you a flower or a pan au chocolat and cheer you on in your quest, certain of your victory and at least certain of their continued happiness even if you fail. simple, easy, familiar, comforting in the way redwall is comforting or an old set of childhood fairytales is comforting. there's no real judgement, no anger at you for potentially failing and (almost) none of the gross ugly real emotions that would be present in a more 'realistic' story. simple, easy, familiar, comforting.

(You like knowing what happens next!)

so. i think we all know that isat at its core is a game about homesickness. god's sakes mal du pays is literally right there. the central conflict of this game, beneath the overlaying fluff of an rpg archetype and an evil to defeat, is about siffrin not being able to go home while the rest of his party get to do so. and even at this very early stage (approximately act 1 and i would argue a bit into act 2) you can start to see the cracks. siffrin is shown alone, tagging along with the party because he had "nothing else to do" (read: nowhere else to go.) he laughs and pals and jokes with the party, but like before, like always, he merely mirrors them. he makes puns with isabeau because isabeau likes puns, and siffrin liked making him laugh so much so that he adopted puns into a part of his personality. he comforts mirabelle about her future, jokes with odile about her research, and always, always, avoids talking about himself. when they ask where he's going to go after their journey is over, his answer is always a mirror of their own - pilgrimage, research, travel, comedy. when he makes a wish at the favor tree, there's no option to wish for himself.

because the thing is, right. siffrin never thinks of himself. the only options instead are to wish for his family - his home, his only living and real connections in his life, the people surrounding him that really make dormont feel like a real home and not just another friendly place in vaugaurde he's passing through. cause the townsfolk are nice, sure, they're friendly, sure, but - they don't know him. they're not important enough for him to literally rewrite his personality for them. it's his party instead, that he laughs and jokes with and is known with, even if superficially. he wants to be allowed to go home, to stay home. he's been homeless both literally and figuratively for so long that he's beyond desperate to be allowed to keep what little he's found for himself.

(You want to stay with them!)

except - what happens when you beat the game? what happens when you finish the rpg, when you reach the end of the book, when you grow up and leave this set of children's fairytales behind?

you put it down, right? you go home, right? you go back to your home, you go back to travelling, you go back to your family.

what do you do when you don't get to go home? when dormont and the clocktower and the house are the closest you will ever get to home, are the last moment you will ever have being home before it's ripped away from you forever? (ripped away from you just like before - )

you'd want to stay, right? forever and ever and ever?

siffrin is a character who has a very bad time letting go. just like the king, he wants to have, desperately, enough to kill himself a hundred times over for it. and, through the timeloop, he can pull you, the player, and himself and his hapless party along through the timeloop, repeating the same two comforting days over and over and over and over.

and perhaps after a few loops of settling in you, too, can understand why he would want to do this. it's nice, isn't it? knowing what will happen? knowing that these people will always love you? knowing that you can always get the flower, always get the drawing, always get the pan au chocolat, always beat the tutorial kid and get the jackpot? that the townsfolk will always smile at you, that your party - your family, your home - will never know what you've done?

it's not enough, isn't it?

(Dormont, unchanging! Dormont, stagnating!)

no matter how hard siffrin tries to cling to the past turned present to stave off his inevitable future, he is still human. under the fairytale setting and pretty lights, even under his own desire to stay with them, he needs that human connection. he needs something to change, to give way. needs to be seen, to be known, to be loved for himself and not because he's learned the perfect pretty words and actions to trick them into loving him. you, the player, the person driving siffrin, can understand this frustration perfectly as well - you need something to change. you need something to give way, because you can't keep doing this. because you can't hear the same lines over and over and over anymore. you can't do the same thing over and over anymore. you're not happy. siffrin's not happy. something needs to change.

i finished isat over the course of about four days, playing about 12-14 hours per day. during that time, i experienced possibly the most deeply intensely felt emotion i have ever experienced. to this day when i look back on my first playthrough of isat, the sheer depth and fury of that emotion takes my breath away.

and it was frustration. just like siffrin, i was trapped. i couldn't look away, because i loved these characters, because i loved their story, because i wanted them to keep going and going and living and i wanted to keep living alongside them. but i couldn't keep going like this. i couldn't do the same thing over and over and over. i needed something to change, but both siffrin and i were desperately, agonizingly trapped in the same few days. the same places, the same faces, the same lines said rote until i was zoning out through every dialogue interaction, only pausing when i needed to make sure that i hadn't missed something new.

because i loved these characters. i loved how homely they felt. i loved them, i loved them, i -

needed them to be real. to change, to grow, to have their future returned to them. i needed to see them go home, not trapped in this same endless time-frozen loop. i had been trapped at home too long, and the cabin fever was eating me alive. my desire to be allowed to keep playing (to stay in the timeloop) was duking it out with my desire to see them change beyond what they were allowed to change in the span of just two days. i wanted to see bonnie grow up, to see isabeau change into someone else, to see odile come to terms with her half-vaugardian nature, to see mirabelle learn to accept her sexuality (or lack thereof). i wanted them to remember us as family.

ah, isat, absolute king of getting in my head and making me think like siffrin.

back to dormont. in the end, dormont only changes permanently in act 6, after the time loop breaks. the only time the townsfolk ever change, ever coherently move to different places and act differently (act 5 is similar, but i would argue that's because siffrin changes, dormont still doesn't really meaningfully change) is after the loops.

and it's fitting, isn't it? by this point in the game, you could recite dormont backwards and forwards. but by this point in the game, you are well aware that you need to give them back a future. their future. the one they wished for in the first place. they've been trapped in their fairy tale wonderland for long enough. they deserve to go home, truly home, to go forward and live their lives and keep moving on. to allow them to change, to grow.

to allow yourself to change, to grow. to allow yourself to go home, to admit that you want to keep your home you have now, to keep the family you've built from blood and death and tears and stars.

(You want to stay with them!)

to leave dormont. to leave this fairytale behind, and keep living.

[p-taryn-dactyl]

when fire meets fate

a/n: ok guys this isn't the best but i started writing at the library and this just came so easily so im just proud i wrote it word count: 2.1k warning(s): mentions of graphic injury/death - EXPOSITION SO MUCH OF IT - dialogue heavy - wrote this in a day im sorry for any mistakes - cheesy title and bad picture sorry :( prompt: agatha stumbles across someone unexpected in an ancient abandoned library on her search to learn more about the scarlet witch

Agatha simply wanted to investigate the magical trail she had been following for the past few weeks and now there was a knife being held to her throat. In her defense, she thought this library was long abandoned and had wanted to do some research. 

“Who are you?” Your voice shook with the effort to sound tough but Agatha could see the fear evident in you. Guess you didn’t have much experience holding people at knifepoint.

“What?” Your confused voice sounded, the knife pointed at Agatha’s throat slightly raising as your brow furrowed. Oops, she had said that out loud. Agatha simply laughed, raising a hand to lightly push the knife away, letting her magic swirl around her hands and in her eyes. You stumbled backwards, hand tightening around your knife, bringing it to more of a defensive pose. 

“You,” swallowing, you steadied yourself to appear composed in front of the witch, “You haven’t answered my question. Who are you? What do you want? How did you find this place?” Agatha chuckled again, pointing at you with a finger ignited with magic as she slowly approached you. 

“Now, I believe you only asked one of those previously, darling.” 

You felt your face grow warm at the name, internally scolding yourself. You wanted your questions answered, no matter how deflective this beautiful woma-witch became. Agatha passed you, her shoulder lightly brushing yours as she took in the state of the once great magical library. The giant bookshelves had been eaten away with termites, the wood sagging with the weight of the books. The books which were now covered in layers upon layer of dust and webs. But it wasn’t the state of the actual library that caught her eye. No, it was the makeshift bed made of the slightly sagging reading chairs and blankets eaten away by moths, pillows that looked older than Agatha. Bags of groceries, new and fresh, sat on a splintered reading table, a box of oatmeal cream pies open. You turned to where you now faced her back, your eyes trained on the purple magic still wrapping itself around Agatha’s arms and torso. If you squinted, you could’ve sworn you saw the witch’s palms and fingertips turning black. 

“You…live here?” Her voice echoed in the silence between the two of you. She turned to face you, one eyebrow raised. But the answer to her question was obvious, whereas yours still hung in the air unanswered. In a huff, you sheathed your knife on your hip and crossed your arms, glaring at the witch. 

“Seriously, who are you? And why do you,” you gestured to the magic surrounding her, “glow?” 

Agatha let out an actual laugh that bounced off the walls of your home, raising her arms in a surrendering position. 

“Okay, okay.” 

Making her way to where your makeshift bed laid in the middle of the library, Agatha took a seat in one of the unoccupied seats, wincing at how it sagged in the middle and the old fabric staples dug into her arms and legs. 

“The name is Agatha Harkness, lovely to meet you dear. And for the glowing,” she finger quotes, “I’m sure in this day and age you can recognize magic.” 

You glared at the slight taunt, cautiously coming to sit in the chair opposite Agatha. But she was right, your question was a bit stupid considering how much people saw of Doctor Strange and the other superpowered Avengers. Superpowers, something in your mind clicked and you leaned forward, stabilizing yourself on your elbows as you stared at the witch. Agatha blinked at the sudden intensity. 

“Wow, you really want me to answer your questions. Fine, but only if you answer a few of mine.” 

You nodded, you had an idea of what she would ask you and it was a perfect way for you to get answers of your own. Agatha adjusted in her seat, her discomfort visible on her face. 

“I can’t quite say what I want per say, however I’m here to simply do some reading. It’s a library after all. Now, as to how I found this place…” She trailed off, her blue eyes boring into you, matching your intensity. You wanted to look away, the eye contact intense and intimate in a way it shouldn’t be with a woman you just met, but you didn’t. Apparently this was the right choice as Agatha smirked slightly and continued talking. 

“I’m almost positive I’ve known about this place longer than you’ve been alive, sweetheart.” Damn this woman and her pet names, your heart was too vulnerable and you already felt a crush beginning to form. Agatha leaned back in the chair like it was a throne she had rightfully claimed, all traces of discomfort gone. 

“Now, I believe it’s my turn to ask questions.” Her eyes never left yours and you felt pinned in place as you gave a slight nod. 

“Why are you here? A pretty thing like you shouldn’t be so hidden from the world.” 

Damn, damn, damn, you couldn’t handle another compliment, you couldn’t stop the heat from rising in your cheeks. You finally broke eye contact to fiddle with the ring on your middle finger. It was one your dad had made from a kit he had bought online. You still remember the kid-like joy in his eyes as he gave it to you, proud of the slightly hideous creation. Tears built up in your eyes and you willed them away. You wouldn’t cry in front of Agatha, not as your first impression. 

“I have nowhere to go, I stumbled across this place and decided it was better than nothing.” 

Agatha just stared at you before she spoke, her words a monotone disbelief. 

“You just stumbled across an ancient underground library hidden in a labyrinth-like cave?” 

Agatha caught the slight flinch before you laughed, nodding as you leaned to grab an oatmeal cream pie, opening the wrapper just to hold the sweet in your hands as you stared at it. 

“Come on now, there’s more to this story and I’m curious. Spill!” She clapped her hands together, a mug of steaming tea appearing in her hands and a soft blanket surrounded your shoulders. The chairs you sat on weren’t as uncomfortable anymore and Agatha brought her legs up like a little girl listening to a great story. You almost wanted to laugh at the imagery, this woman growing on you in the short time you’ve known each other. 

“Can’t you like,” you wiggled your fingers at your temple, “find out yourself?” 

Agatha gasped, bringing the hand that wasn’t holding the tea to practically grasp her pearls. 

“I’m aghast you would think I would invade your privacy. Now spill your guts to me, stranger.” 

It was at that moment you realized you hadn’t shared your name. 

“I’m Y/N.”

“No last name?”

“Not anymore,” you muttered under your breath, “No, no last name.” 

Agatha merely conceded, gesturing for you to continue. You took a breath, silently wondering how holding a knife to an intruder led to an impromptu therapy session. 

“I was left by the entrance of the tunnels,” you started strong, enjoying Agatha’s reaction. Her body tensed and she leaned forward slightly, close to spilling her tea. “It was after a doctor's appointment, I was so confused because they called my parents. My parents! I’m an adult for crying out loud, that had to break a law or something. Anyways, I had some blood drawn and after the tests were finished,” you paused, looking at the skin on your arm where the needle had pierced it, “The doctors and nurses started to look at me weird. I was brought to a secluded room, where my parents were waiting. My mom looked angry but my dad, my dad looked devastated.” You had started to choke up so you paused, looking anywhere but Agatha. You supposed it felt nice to let all this out, afterall, you still didn’t understand what was really happening to you or why it was happening. 

“Apparently, they found something in my blood, something rare and dangerous. To add insult to injury, the only place in the world which could help me learn about it shut down decades ago and then, ha, ironically caught on fire.” 

Agatha looked at you skeptically, swirling the now cold tea in its mug. 

“Why is that ironic?” 

Instead of answering, you looked at her tea and stood up. 

“Is that cold?” 

She nodded slowly, confused as to why the temperature of her tea mattered. You held out a hand and she gave you the mug, her face perplexed. For a moment, you just looked at the dark liquid, rocking the cup slightly in your hands, feeling the tea barely touch the rim, almost spilling. Then, you concentrated, willed the tea to do what you wished. 

“Um, what are you-?” 

Steam started rising from the mug and you handed it back to Agatha, who winced when her palms touched the ceramic. You went back to your seat and held your palm out towards the ceiling. Agatha just watched, passing the mug in between her hands. A small flame ignited in the center of your palm, slowly growing larger until you brought up your other hand to morph the flame into a sphere. 

“Of course, when they found the mutated gene in my DNA they didn’t know what it really would change. Not until it manifested.” 

“How did it manifest?” 

You knew the question was coming, you knew you had led the story to this yet you didn’t want to relive that moment again. But you had started telling Agatha and for some reason you didn’t want to stop. 

“I went to my parents house after the appointment. My mom was screaming about how she couldn’t raise a freak, how the x-gene better not be noticeable once it emerged. My dad stayed quiet, silently collecting everything he deemed his from the living room. I don’t know when my mom noticed what he was doing, I was just frozen on the couch, staring at the blank TV screen. Then they both were screaming and I had noticed the temperature in the room was heating up,” You hated this next part, hated how it haunted your sleep but you had to keep going, “It got too hot. Things were melting, bubbling, and boiling everywhere, including my parents. When the screaming stopped, I got up from the couch, and they were behind me on the floor, unrecognizable. I think that’s when the actual fire started. I don’t remember much, just the smell of the smoke as it surrounded me and the sound of the police and firefighters. There were other men at the scene who took me, they were wearing suits and earpieces, very out of place for a house fire. Figured out pretty quickly that they worked for the government, S.H.I.E.L.D, or something because they kept talking to each other about mutants, inhumans, Skrulls, whatever they are. I guess they thought I was too in shock to understand. But then they tied up my hands and feet and left me at the front of the tunnels. Obviously I got out of the restraints but I knew what leaving me behind meant. I’m dead to the world.” 

Agatha stayed silent for a few moments, blinking at you in shock. You laughed nervously, putting out the ball of fire that was dancing between your hands as you talked. 

“Sorry, that was too much too soon.” 

Agatha shook her head. 

“No I asked, all you did was answer. How long have you been here?” 

“A few months. I couldn’t risk using mine or my parents bank account so I kinda took a credit card from a lady who definitely won’t miss it or see the charges. I know this because nothing has happened yet.” 

Agatha shook her head again, this time almost in a scolding way. You didn’t like her being disappointed in you but you weren’t ready to accept why yet.  

“No that just won’t do,” she exclaimed as she stood up, setting her tea down and clapping her hands together, “You’re obviously in need of a teacher and, quite frankly, any company at all. You’ll come with me!” 

You laughed in disbelief, also standing. 

“Oh am I? You’ve just decided?” 

Agatha nodded, coming to stand close to you and wrapping an arm around your waist. She started walking towards the entrance-slash-exit of the library, her grip tight. 

“Plus, I like you,” your heart fluttered a bit at her words, letting Agatha walk you through the tunnels. You didn’t notice her magic behind you gathering your things in a seemingly endless suitcase, “This’ll be fun!”

“Wait, didn’t you need to do some reading?” You ask, concerned. Agatha chuckled and patted your arm. 

“Oh don’t worry dear, I got what I needed. Now, how do you feel about New Jersey?”

[a-kaash-me-outside]

a bit dirty - ch2

in which you hook up with osamu in a club bathroom and that's just the beginning. prev | ch2 | next [masterlist]

// most likely a bad idea ~ ᴏsᴀᴍᴜ x ʀᴇᴀᴅᴇʀ ~ 5608 ᴡᴏʀᴅs

a look into this chapter: 18+ minors dni nsfw, more exposition in this one, osamu being a caring adorable little bitch oh my god, fucking your boss, names names names pet names a million pet names, slight slowburn? like they fuck but-, afab she/her pronouns

join my taglist here!! ~~ ♡ ʀᴇʙʟᴏɢs ᴀɴᴅ ɪɴᴛᴇʀᴀᴄᴛɪᴏɴs ᴍᴇᴀɴ ᴛʜᴇ ᴡᴏʀʟᴅ ♡

you can’t take your eyes off of him.

you can’t stop staring at miya osamu for a number of varying reasons, each one maybe a bit worse than the last starting with oh he’s looking at you and ending with he’s your boss and also your most recent hookup with a bit of wow he’s so attractive sprinkled in the middle. 

neither of you are saying anything. the tension is palpable, evident, buzzing in the air, and you just keep strong eye-contact with him because you don’t know what else to do. what do you say to him? do you instantly address it? let him bring it up? just walk out of here right now and leave in embarrassment?

osamu is about to open his mouth, save you from this repetitive torture in your head, but he’s interrupted by another voice.

“hey,” a voice calls from the kitchen, getting louder as the swinging door is pushed open and the blonde guy from last night emerges. “unless you need me to stick around and run front of house while you train today, i’m headin’ out, kay, samu?” his voice trails off at the end as he notices osamu just standing there, confused only until he sees you and remembers you right away. 

“holy shit,” he says, “what? did ya track him down or somethin? thought you didn’t know each other’s na-” the end of his sentence trails off again as he notices the apron in your arms and the signature onigiri miya black t-shirt that you’re wearing. “holy shit.”

“atsumu, kitchen, now,” osamu says, low and commanding and despite how joking and mischievous this atsumu seems, he knows not to push it any further than he already has. he pushes the swinging door open with his shoulder and walks back inside of the kitchen. 

it’s quiet again, but he’s already spoken now, the air of his voice still lingering as you wait for him to talk once more, to you this time. you take a few more steps inside towards the counter and when you’re close enough, you let your hands rest on the edge. “sorry, let me just,” osamu says, turning around and setting the rice cooker down on the counter by the kitchen door. he wipes his hands on his white apron and then walks back over to you. 

“we should probably talk about…,” he says, not finishing his sentence because both of you know exactly what you need to probably talk about. you don’t just know this man, he’s been inside of you. you nod in agreement, pushing the thought from your mind before you get yourself all flustered, setting your apron on the counter and tapping your fingers against the fabric.

osamu takes a deep breath very similar to the one you took right outside of the restaurant, “if you’re uncomfortable at all, i would be happy to ask around to my restaurant buddies to find you a new position or write you a letter of recommendation or-”

you cut him off, shaking your head curtly, “that won’t be necessary, really.”

“are you sure?” he asks, eyebrows furrowed, “i want to make sure that-”

“miya-san,” you interrupt, eyes flickering down to his name tag, “i’m not uncomfortable, i swear. i’m okay. i’m good. i wasn’t even working here when it happened. and it really isn’t a big deal, we don’t have to make it a big thing. it happened. it’s over. it’s a new morning,” kinda, you think, “and it’s in the past. i’m great to just move on from it.”

osamu is quiet, thinking over everything you’ve said, but not saying anything in return. 

“if- if that’s okay with you,” you tack on.

“yea, of course,” he responds quickly, “i just wanted to make sure that ya have a comfortable work environment and that,” he clears his throat, “last night doesn’t hinder that fact for ya.”

you shake your head back and forth. the thought of going through the process of finding another job, even with a recommendation letter and networking, is already giving you a headache. besides, you’d probably end up working for someone osamu knows anyway and then what? they know about what happened or they don’t and you have to guess whether they do or not? you shake your head harder. you can get over this. 

“‘m sorry i didn’t notice. if i’d’ve known your name or somethin’, i would’ve maybe put the pieces together, but i only saw your resume, didn’t talk to ya or meet with ya, y’know?” he says, hand on the back of his neck, eyes on the floor for just a moment. 

“no worries, i get it,” you say, tiny laugh, but you’re really thinking, wasn’t expecting my boss to be out at a club 6 hours before my shift. 

he hums, a knowing smile on his lips as if he read your mind and shot right back, wasn’t expecting my new employee to be out at a club 6 hours before her shift. 

“it won’t happen again,” you say, “already out of my mind,” you lie. 

“right,” he says, smiling, and you’re not sure if you’re reading into it or if it’s real, that same regret and hesitancy that you saw last night as he left without your number. he shakes whatever it is quickly, “lemme teach ya how to make the onigiri.” he nods towards the kitchen, pushes the door open for you and you walk under his arm, sliding past him, shoulder brushing up against his chest in passing. 

already out of your mind, yea fuckin’ right.

/\ /\ /\

if there was a chart of the relationship between the time you’ve spent working at onigiri miya and the tension between you and osamu, it wouldn’t be linear or exponential or constant in any sort of way, it would be disruptive, an arrhythmic pattern of ups and downs. 

even if the two of you hadn’t mentioned it a single other time, it lives in both of your heads, the events of that night. well, you know that it lives in your head, you suppose you can’t speak for osamu completely, but you can’t imagine the things that remind you of that night don’t remind him as well.

there are spans of time when you don’t think about it for weeks, usually the times that you aren’t scheduled as frequently or the back to back shifts that you spend busy out of your mind, no room in your head for anything other than work work work work work. you’re not sure if you welcome or rebuke these bouts.

in fact, between these mindless interim periods and the many instances that filled your head with reminiscing thoughts, you’ve survived over four months at onigiri miya without a single incident. rather, without a single explicit incident.

there were plenty of times that the chart spiked, that the chaotic pattern between your timeline and the tension skyrocketed only to fall back down to a normal level shortly thereafter, no follow up, no mention. 

it was as simple as his strong hands on your hips, exceedingly busy as he rushed from one side of the bar to the other, sliding behind you, but not wanting to bump you out of the way, unwavering grip, fingers digging into the fabric of your apron and your soft hips beneath it, a low sorry under his breath ghosting over the skin of your exposed neck. the butterflies that accompanied it and the bewildered look you threw him and the one he threw back as he approached the other side of the bar.

it was as quick as him reaching over your shoulder for something in the kitchen, fast-paced and thoughtless as his chest pressed up against your side, pushing you into the counter the slightest bit, hips pressing against your lower back, hand on your shoulder to steady you as he withdrew.

it was as innate as asking to tie your apron on one of your first days, hands smoothing over your stomach to find the strings without sight, pulling them a bit too taut as you step backwards into his hips, the way that he stayed put for a few moments before creating a bit of distance to tie it behind your back, one hand holding both loose strings as he adjusted it correctly against your waist, the carefulness of his fingers as they made a neat bow against your back and pulled it tight.

it was as effortless as a question, walking past the open door of the walk-in, “can i help you with that?” asking, arms already reaching up to support the heavy cardboard box that you were pulling down from the top shelf, not grabbing on until you nodded yes, and the second that you did, placing his hands on top of yours and guiding it down with you, soft hand on the back of your elbow, making sure, “got it?”

tonight is just another one of those nights, a night home to instances of incline and tension. you haven’t had one in a while. you enjoy living in these moments, drinking in the tiny amounts of callback to a really great night you once had. 

“shit, we were so busy tonight,” you say, throwing your bag over your shoulder, undoing your apron and stuffing it in said bag. you remove the clip that’s containing your hair, punch your employee number into the computer, clocking out and exhaling a breath without the weight of your work day resting on your shoulders. you are no longer on the clock, no longer responsible for people’s order and the restaurant's reputation. 

“yea, can’t believe you’re better than sumu and it’s only been a few months,” osamu laughs and you shrug with a false smugness. 

“what can i say?” you ask, tilting your head into your shoulder as you hold your shrug, a very genuine and prideful smile replacing your joking cocky one. “i had a really great teacher.”

“ha! so did sumu,” osamu says, pointing at you, “promise it’s not me makin’ the difference.”

ba-bump.

osamu clears his throat in the small bout of silence, shaking his head as if to reset. “anyway, seriously,” he starts, “thanks for stickin’ around and all your great work.”

“no sweat,” you say, fiddling with the strap of your bag to distract yourself from the praise he keeps sending your way. “i’ll see you tomorrow? i switched shifts with aran, so i think you and i are opening together, yay.”

he laughs, dipping his clean rag into the clean sink filled with soapy water, ringing it out tightly before wiping it along the bartop. “i do enjoy opening with you,” he admits, “ya know what you’re doing and i don’t have to babysit you.”

“i’m telling aran,” you quip, smiling.

“i mean, i don’t have to babysit aran either,” osamu points out.

“then what’s the difference?” you tease, but it’s not really supposed to be a tease, not like this. the two of you often joked around with each other, but typically in larger groups where there were more people to witness it and the words held less weight than they do now. 

osamu ignores your question, shaking his head as he throws a different one to you instead, “hey, didya even eat?” what was maybe meant to be distracting turns into straight concern, his eyebrows furrowed as he pauses his cleaning motions.

you tilt your head back. “shit, no,” you groan, “ugh, i was so busy i didn’t even remember to eat dinner.” you pull out your phone, opening your maps to try and find somewhere decent that’s open this late, somewhere fast and easy to get to. you let out another groan. “i could probably make it to-”

“i can whip ya up somethin real fast,” osamu says, cutting you off.

“no, no, you have to get home,” you wave your hand at him, eyes still on your phone as you scroll past all of the quick places on your way home that say closed closed closed closed. you point at him, “i know what time you’re in tomorrow, it’s far too late to make food.”

“i was gonna make myself dinner, anyway,” he says, hands up in surrender. you squint your eyes at him, skeptical. “honest,” he says and your words and breath get caught in your throat. you’re not sure he clocks the parallels and the way that that word has stuck around in the back of your mind for four months, but that coupled with his enticing smile is coaxing you back to the barstool. you set your bag on one of the seats. 

“fine,” you say, finger tapping on the wooden bartop before grabbing your apron back from your bag and reclipping your hair. “but i’m helping you in the kitchen so it goes even faster.”

“alright, alright, deal,” osamu says. his laughter is already buried in your chest and now his smile is burned into the backs of your eyelids and soon enough his entire memory will be with you no matter where you go.

you follow his instructions in the kitchen, chopping up vegetables and stirring the food on the stove and grabbing ingredients from the pantry and every so often when you’re not deadset focused on something and when he’s just casually moving around food in a pan, you watch him watch you with a very familiar look in his pretty gray eyes.

he’s behind the bar, standing as he’s about to take a bite of the dinner the two of you have quickly made and you’re sitting on the barstool in front of him. “do you ever sit?” you ask, spoonful shoved in your mouth as you realize how hungry you actually are now that you have food in front of you. 

“usually, no,” he laughs, watching your lips close around the spoon and smiling only once your food-caused smile arises. 

“well, come sit,” you say, gesturing to the seat beside you, “makin’ me feel like a customer or something, gonna start talking to you about the weather and how business is going if you don’t hurry.”

he doesn’t say anything, only offers a teasing eye roll as he pushes the bowl in front of the seat next to you and makes his way beside you, leaning down to pluck two beers from the fridge before joining you on the other side of the counter. he sits down, a soft grunt falling from his lips as he realizes that, huh, he really hasn’t sat down all day and, huh, it does feel nice, but maybe that’s not entirely due to the fact that he’s sitting. in fact, most of it is probably due to who he’s sitting with. 

“see? isn’t that better?” you ask, reaching in front of him and taking one of the beers. you stand up in your seat, reaching over the counter and grabbing the bottle opener because you know exactly where it is without even having to look. he hums in agreement.

by the time your bowls are finished, so are a handful of beers, 2 for you, 3 for him, and long after your dinner is over, each of you are nursing one more. you have been for the better half of an hour. you haven’t mentioned the time and he hasn’t either and there isn’t any plan to.

“thanks for dinner,” you say, a bit quieter now because you’re facing him, knee up clashing against his as you swivel in your chair, but neither of you say anything about it and you don��t go to move it. you rest your head in your hand, chin on your palm as you smile up at him, warm from the alcohol and the fact that you’ve been dying to have a moment like this with osamu since the moment you were hired.

“wasn’t gonna let you go home hungry, doll,” he says, lets it slip in the lateness of the night and the laziness of the conversation and it takes him a few half-seconds to clock it. when he does, his mouth is open, back straighter, instantly about to apologize, but you reach out, desperate for him not to regret it, and you rest your hand on his upper thigh.

“i know,” you say, low and viscous, tip of your tongue swiping against your bottom lip, teeth biting down, slow blinks and fingers curling against his toned thigh, “you’re thoughtful like that, samu.”

you swear you can hear his heart skip a beat as he tries to take in everything that’s happening, tries to make a rational decision, but any rationality is quickly leaving his mind as you stand up, supporting yourself on his thigh, now standing between his chair and yours, little room to move, pressed up against the sides of his knees. 

your movements are slow, giving him plenty of time to object or stop you, but he doesn’t. his lips part as your palm rests against his jaw, thumb under his chin to tilt his head up towards you and if you could hear his heart skip a beat earlier, you know he can hear how furiously yours is beating right now. 

you lower your head, guide his lips to yours and kiss him again, finally. he tastes like beer and dinner, but somehow just like you remember him tasting that night. it takes him only a second to move, for his brain to catch up to the events that are happening, but when he does, it’s like something snaps. 

hand on your lower back, standing up to meet you, to pull you closer to him, other hand on the side of your neck, fingers spanning the skin, massaging your throat, curling around the back, fingers grabbing onto strands of your hair, his touch is desperate. 

his kiss is even worse, teeth dragging against your bottom lip, sucking it into his mouth, tongue mashing over yours, he can’t taste you enough. and you get it. you understand more than anyone because you’ve had to work with osamu for the last four months, see him every week, be reminded of his strong arms and tight chest and pretty eyes and soft voice and you need him very quickly, embarrassingly quickly. 

you want to take your time, more time than you were given in the club, more time than you could ask for. you want to kiss down his chest and feel his heavy cock on your tongue and have his head between your thighs, but your mind is filling in all of the blanks, telling you exactly how the rest of the night is going to go and it doesn’t matter how much you want hours and hours of teasing foreplay and drawn-out intimacy, you’ve been empty since he came all over your thighs.

you let him hold your face, move you to kiss him exactly how he wants to be kissed, and you snake your hands down to his belt and his zipper. you need him now. you murmur it into his mouth, down his throat, “need you now, osamu, please, been so long, please.”

he hears you, every whiney syllable, every desperate word, and he’s not going to deny you, no matter how badly he wants to taste you like he didn’t get to taste you before. “okay,” he breathes, “not here, though, puppy, okay?” 

he cycles through acceptable places for him to fuck you in his restaurant and the very open floor plan of the main dining area definitely isn’t it. absolutely not the kitchen either. his office is locked, would take an entire code, a 2 minute waiting period, and, at worst, a call to his security company. he looks down at you, eyes darting all around your whimpering face and you know what he’s going to say before he’s even said it. 

you laugh first, and then nod. “guess i was right,” you say, “that you’re gonna fuck me in the bathroom again.”

he doesn’t know whether to roll his eyes again or shake his head jokingly or laugh along with you, so he doesn’t do any. “thank god,” he groans, pulling you through the restaurant into the single-room women’s restroom. 

he shuts the door behind him and locks it as if anyone was even able to get inside of the restaurant right now. still, being trapped in these confines is reminiscent in the best way. it’s cleaner here, quieter. you’re able to focus on osamu instead of worrying about touching wet spots and if people can hear you.

you’re in front of the mirror staring back at yourself and osamu behind you. you go to turn around, to face him, but you watch his hands root onto your hips, fingers digging in to hold you still, and then you watch them slip under your shirt, the shape under the fabric moving from your tits to your stomach up to your neck and back down to the button of your jeans. 

all the while, he’s grinding into you, hard cock confined in his jeans thrusting into your ass and all you can do- all you want to do is watch it happen. he’s not paying any attention to the mirror, but he makes sure that you are, moving your chin to stare directly back at yourself every time you turn your head.

he kisses the side of your neck as he quickly undoes your jeans, zipper, hooks his fingers into the waistband of both and pulls them down to your ankles, nudging them apart while he’s down there to spread them as far as they can. you can’t see him fiddling with his own, but you can hear it and you can see his arms moving in the mirror, head down, and you can hear his jeans fall onto the floor as well.

“can- can i ask?” you preface your question with a question, timid and sweet, and he looks up into the mirror, meets your eyes and there’s no way that he can turn you down.

“anything,” he says, hand on the base of your neck, heel of his palm pushing as it slides down your spine. your chest falls towards the sink slowly, both of your hands gripping the sides of it as your face gets closer to the mirror and the faucet. 

“did-,” the question is circling in your head, but the embarrassment is rising to your cheeks, trapping it in your throat, you can’t get it out. you look at him through the mirror. 

“what is it, doll? anything,” he reminds you, three fingers gingerly touching your clit, following up between your lips, scooping some of the mess that he’s already of you onto his fingertips to circle around his leaking head. 

“did you- were you thinking about this? have- have you thought about this?” you ask, because you’re dying, burning, aching to know. 

“that’s hardly appropriate, bunny,” he says, shaking his head. 

you feel so warm, insanely warm, impossibly hot, but he leans down and kisses the back of your shoulder, replacing his lips with his grip as he pulls you backwards onto his cock, not using his hand to guide himself inside, but the tightness of your cunt sucking him in again. he grunts as he enters you, fingers like a vice on your shoulder so hard that if you weren’t so drunk off the feeling of being so full again, it might even have hurt. 

he lets out a soft laugh, a tiny chuckle, “every fucking night, angel.”

you don’t get to watch it disappear inside of you, but you get to watch osamu’s expression as he does, eyes screwed shut, chin tilted upwards as a moan rises from his chest and leaves his throat. the stretch is so much better than last time, no prep from his thick fingers, just his fat cock slipping inside of you, hips driving it deeper until they’re right against your ass. 

he pushes the back of your shirt up, places the heels of both of his palms in the small of your back, soft against your skin, and then he moves you back and forth on his cock. he moves his hips to match the pace, fucking into you repeatedly, eyes trained on your movements in the mirror, of your facial expressions melting as his cock drags against your fluttering walls. 

“o-,” you whimper, “s- samu, fuck.” your fingers grip into the sink harder, trying to brace yourself as best you can, pushing back onto his cock as he continues to fuck you because you can’t get enough. you need him deeper, harder, more. 

“should’ve told you my name that night,” he says, clicking his tongue. he reaches down, grabs you by the inside of your thigh to spread your legs even wider, and then rubs small circles into your swollen clit. your arms are shaking against the sink at the feeling. you’re unraveling very quickly, eyes closing, unable to focus on the sights in front of you and now it’s him that can’t take his eyes off your reflection. you look fucked out, gorgeous, adorable, eyes rolling back, trying so hard to stay strong as your first orgasm approaches.

“what?” you breathe at his last sentence, eyebrows furrowed, so much on your mind. he could mean a million things. you can barely focus on not crashing your face into the faucet let alone understanding whatever he’s saying.

“sounds so good coming out of your mouth,” he huffs, picking up the pace, balls brushing against the inside of your thighs as he fucks into you harder, “need to hear it forever, pretty girl.”

you don’t even say it to show off or to make him happy, barely register what he’s asking for, just need to repeat it over and over again because how else are you going to prove that the noises you’re making are just for him, are because of him. “s- samu, please, gon’ come, please make m’ come, samu,” you cry.

“can’t say no to you, dove,” he whispers into your skin, kissing the back of your shoulder softly as he rubs his messy fingers against your throbbing clit. 

a symphony of thank yous and osamus leave your tongue as you come around him, walls choking his fat cock, gushing all over him as he continues to fuck you through your orgasm. when you’ve come down from your high, when the immense pleasure has faded, you feel weak, drunk, so fucked out that you can barely stand, arms wobbling against the edges of the sink. osamu notices it in an instant, leans back, takes care of you, pulls you up with him, walking backwards, holding you in place on his cock as he pushes his back up against the bathroom wall. you can still see yourself perfectly in the mirror when you recover enough to fully open your eyes. 

you can’t imagine that the way that he’s holding you now is a walk in the park, supporting all of your weight on his thighs and in his hands, but he’s acting like it’s nothing, or maybe it is nothing to him. regardless, you feel completely supported as he thrusts up into you and you fall back down onto his cock. you’re not moving a muscle, not expending a single bit of energy other than to keep yourself from falling from side to side and even that is helped by osamu’s hold on you. 

you’re moving like a doll on top of him, bouncing up and down. he can barely get a good look, view obstructed by you, but he can see the ripples in the fat of your ass as you slam down against his hips. he can hear the sharp inhale every time his head dives as deep as it can go. he can feel how tight you are around him, how your walls hug him perfectly. he can remember how much he’s missed this feeling, how he’s tried to replicate this snugness with his fist and failed miserably.

“fuck, angel, gonna come,” he exhales.

“gonna fuck m’ thighs again, samu?” you ask, sweet and thick like syrup and he grunts at the tone, hips skipping just from the sound of your voice.

“yea, puppy, been thinkin’ bout this since that night,” he says, kissing the side of your neck, pulling out of you quickly as he feels the tightness in his balls. he slips between your thighs, soft and plush and messy. he fucks up into them the same way he fucked into your cunt. you squeeze your thighs around his hard length as tight as you can and he almost falls to the ground, a growl leaving his throat as he fucks your thighs even faster. you reach down, wrapping your fist around his head, swiping your thumb over the slit, tightening your grip as he fucks into it.

his release is unannounced, ropes of come spilling over your fist and onto your thighs, running down the insides of them gathering around the base of his cock as he slips through the mess he’s made, come leaking from the tip, drooling down the sides, between your legs and onto him. 

he presses his back completely against the wall, slides onto the floor breathless, arm instantly wrapping around your stomach to hold you in place and you don’t mind one bit, leaning back into him, feeling his heartbeat against your back and his cheek nuzzling into your neck, small kisses being placed at the base. 

you could’ve fallen asleep here, right here, in osamu’s arms.

you really could’ve fallen asleep here.

right here.

in osamu’s arms.

in the bathroom of onigiri miya.

where you work.

where someone could’ve found you in the morning. 

a customer or a coworker or someone much worse. 

fuck.

you’re too far down on the floor to see your reflection in the mirror still and you’re so grateful for it. you don’t want him to see the pained expression on your face and you don’t want to know what his looks like either. “we-,” you hesitate because you really don’t want to say what you’re about to say, “we probably shouldn’t- do this anymore-,” you whisper.

his response is instant, remorseful, embarrassed, “fuck, shit- yea, no, i’m so sorry-”

“no,” you cut him off, shaking your head, “i don’t- i don’t regret it,” you say, strong, “don’t regret the first time, definitely don’t regret this one, fuck actually, i really needed that, but i think maybe that should just be our last time.” if he can hear your voice break and crack a bit at the end, he doesn’t mention it as you push on, “‘ts a fine line we’re walking, fucking in the bathroom at work.”

“neither of us on the clock,” he notes and you suppose that does make it somewhat better, though, you’re not sure he’s ever really on the clock, “but you’re completely right.” he lets go of your waist. you’re slow to move to your feet, terrified that this whole act of cleaning up and going home will be weird and awkward, but the second that you’re off of him, he rushes to his feet, pulls you up gently, one hand on your waist to steady to you as you stand up straight. 

he hands you tissues and fixes himself up, brushes your hair out of your eyes and looks at your lips as he does and the atmosphere of the bathroom isn’t awkward or weird, it’s impossibly hard. you don’t want to leave, suddenly feeling very guilty about telling him that you should probably stop these impromptu sessions because you’re not sure how you’re going to keep up with your side of the bargain at the very least.  

“should we-,” you motion to the floor, to the wet marks and the fingerprints on the sink. he shakes his head.

“i’ll get it in the mornin’, okay? you head home,” he gestures to the front door. 

“are you sure?” you ask, smoothing out your shirt, swallowing gently as you look into his soft gray eyes. 

he nods, quick and assured. “i’ll see ya in the morning.” he hesitates before adding, “unless you want me to call aran and see if he won’t switch back with ya-”

you shake your head, “no way. you prefer opening with me anyway,” you tease, “i’ll see you in the morning, samu.” you offer a small wave as you leave the bathroom. 

he doesn’t move until he hears the front door open and then close again and then he lets out a huge sigh, puts his face in his hands and lets out another along with a small, but audible, “fuck. fuck, how does she this to me?”

he doesn’t hear the door open and close the second time, the time that you actually leave after hearing his exacerbated private sentence with your forgotten bag in tow and a sinking feeling in your stomach.

the guilt is biting at your heels as you walk down the street to your bus stop, screaming at you to turn around and run back and kiss him very hard and very confidently, god knows you could’ve, but you don’t. 

each step is heavy, dragging, and your bus shows up at the exact second that you make it to the stop, no time to overthink decisions or even look back in the direction whence you came. 

and yet, despite everything, no regret is harbored in your heart or your veins, just an underlying fear that you won’t be able to follow your own rules very well or very long.

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