#So except for the difference in family relation they’re the same case closed

[eloquentsisyphianturmoil]

The Thingol to Dior pipeline is the same as the First French Empire to Second French Empire pipeline okay I’m right

[thesadboy]

Baby pies! In my next gen ‘verse, Pinkie is polyamorous and in a threeway relationship with Cheese Sandwich and Party Favor. Also, I wanted to incorporate canon characters into my MLP next gen ‘verse, so Lil Cheese (leftmost) is here! The others, from left to right, are named as such: Peanut “Pick” Pickler, Jelly “JG” Gelato, Roxy Road, and Chicory “Chic” Root. Jelly Gelato’s another one of my old MLP next gen OCs who underwent a revamp, a revamp that I quite liked since I wanted him to pop out a bit more from other Cheesepie babies (don’t get on my case for green hair, colored honse genetics can be weird lmao). He’s meant to look like a pony version of a pistachio ice cream cone and his older sister Peanut Pickler is meant to represent a peanut (the “inside” part of her hair has the same color as the inside of a peanut).

Some more info on them below👇

Pick and JG were named after the food combinations that Pinkie craved while she was pregnant with each of them. Yes, she ate peanuts and pickles together and placed jelly on top of gelato ice cream. That’s Pinkie for ya.

Chic is a magically conceived baby and the only one among his siblings who has three biological parents. You see, Cadance had developed spells to allow same sex couples or poly couples to conceive, with Pinkie and her husbands using one of these spells. Since Pinkie already had four tiring pregnancies and Cheese and PF were worried about her health, they both volunteered to be temporarily turned into a mare so that someone could carry the baby. The matter was settled with a coin toss, resulting in Cheese being the one to carry Chic.

Lil’ Cheese is genderfluid and goes by He/They/She pronouns! It can get confusing for most ponies when they learn about this, but his immediate family always remembers and seamlessly went into referring to her as such.

Roxy Road, like her mother, inherited recessive traits from a distant/extended relative. This resulted in her having colors closer to that of her maternal aunts and her father’s brother, Mudbriar.

Pick works as a barista in a Canterlot cafe and has had to deal wth numerous snobby elites and the occasional Karen or two. She’s honestly learnt to be unfazed in the face of annoying customers.

While the kids love both of their dads, that doesn’t mean the relationships are perfect. Lil’ Cheese was at first, suspicious of Party Favor, worried that he could get in between her parents but they eventually warmed up to him. Pick and Roxy Road have some trouble relating with Cheese, who while he means well, can sometimes not find the right response to their issues.

Jelly and Chic are rather close, often spending time together. The green-maned earth pony loves giving rides to his little brother and Chic will sometimes even emulate his older brother’s mannerisms.

Lil’ Cheese’s actual name is Cheese Slice, but they’re often called Lil Cheese by her loved ones.

Save for Lil’ Cheese (who got hers fairly early) and Chic (who’s still trying to figure out what he likes to do) the siblings got their cutie marks rather late in life. Pick was indifferent to this (except when other ponies made fun of her for it), Jelly was optimistic and just ecstatic when he finally got his, and Roxy was frustrated with herself.

The Cake twins babysat for all of them, save for Chic, since they had full-time jobs by the time he was born. Because of this, the Pie brood consider them family and wasted no time introducing Chic to them so that he could learn about some family friends.

Much like her aunt Maud, Roxy Road went to college to get her rocktorate degree but dropped out after seeing that the courses weren’t for her. On the day she dropped out, she had used her crazy earth pony strenght to buck at some rocks and smash them just to vent out her frustration (the combination of low grades and stress had resulted in some pent-up anger). Only, she noticed that some of the rocks she smashed look vaguely like different shapes or objects, so she then started smash and buck at them but with the goal of making them look more like rough sculptures than messes. It was from that point on, she truly realized her passion for sculpting.

Jelly and Lil Cheese apprenticed under the Cakes, wanting to work at Sugarcub Corner like their mom did, so they’re on very good terms with the family.

Jelly’s really good at making ice cream, in fact, it’s what he’s known for.When he discovered this talent of his, Sugarcube Corner began adding ice cream among the desserts it sold. Pinkie would always proudly proclaim that her gorging on ice cream while she was pregnant with him meant that ice cream went into his destiny.

[releasing-my-insanity]

Trick or Treat Exchange Letter

Hi everyone, I decided to participate in the trick or treat exchange this year and here’s my letter. (I've requested the same things two years in a row so I'm reusing the letter.) Under the cut for length.

Hello content creator. I’m glad you’ve joined this exchange. I’m sure I’ll love anything you make. Obviously nothing in here is required except for DNWs. I just like to provide information and suggestions in case they’re helpful. I put in some Halloween specific likes, but I'm fine with Halloween or non-Halloween stories. Largely copied from other exchange letters. I've asked for treats only, no tricks. So my suggestions are all with that in mind.

General fic likes:

Fluff.

Humor.

Kindness and helping others.

Cuddles and snuggles.

Cozy scenes.

Bedsharing.

Casual touching.

Little soft and/or quiet moments between friends or significant others.

Characters sharing a love of music or movies or books or hobbies.

Pet owners.

Cute kids when those kids are canon children of requested characters.

Living together, either platonically or romantically.

People being really good at what they do and their friends/partners being impressed.

Characters who speak languages other than English slipping into those languages occasionally.

Teaching each other.

Communities supporting each other.

Everyone being accepting of the characters and their differences and/or relationships.

Women who get stuff done.

Bi and Ace-spectrum headcanons.

Shippy stuff:

Soulmates (both common and creative varieties).

The Soulmate Goose of Enforcement.

Polyamory.

Friends to lovers.

Rivals to lovers.

Annoying each other constantly to lovers.

Established relationships.

Couples knowing each other really well and doing things the other one likes just because.

“Man I really love my wife” guys.

Asking before kissing someone.

Stopping a kiss or a touch immediately when asked.

Surprise kisses in an established relationship.

True Love’s Kiss when fairy tale elements are present.

Only One Bed snuggles.

Marriage Proposals (doesn’t have to be the man proposing to the woman in het ships, the woman can propose to the man too.)

Weddings.

Platonic/familial stuff:

Becoming friends.

Insta-friends.

Female Friendship.

Friends who stay friends (they don’t become romantic and they don’t stop enjoying each other’s company).

Found families.

True companions.

Healthy families of origin.

Halloween-related likes: I'm not much for the "spooky" elements of Halloween. But I do like cute Halloween related things. Children's parties, fun costumes, candy, trick-or-treating, pumpkins, jack-o-lanterns, sheet ghosts, witches' hats, pets in costumes, amusing decorations. Anything fun but non-scary. I put in Halloween prompts where I thought of them, but I don't have many.

Reiterating DNWs for convenience:

Any sort of death or death imagery.

Abuse of any sort.

Anything that AO3 has under major warnings.

Unhealthy relationships.

Cheating, especially cheating being presented as a *good* thing.

Character bashing.

Explicit sex (implied or referenced sex between consenting adults is fine).

Anything that could be considered a loss of control.

Anyone transforming into anything else.

Illness beyond the common cold.

Mpreg.

Non-canonical pregnancy.

Discrimination or bigotry unless in the context of characters working to end it.

Unhappy ending.

-

Fandom Specific:

Emergency!:

Fandom content notes: It's a medical/firefighting show so the usual content warnings for that genre. Fires, accidents, illnesses, hospitals, heights, danger, a few episodes with snakes, etc. Cops appear often.

Relationships requested: The Crew of Station 51, Dixie/Joe/Kel, Joanne/Roy/Johnny

Tumblr tag for fandom: Emergency!

Fandom specific likes: The crew all being close. The fact that Johnny and Chet are good friends being obvious even through the bickering. Roy and Joanne's kids absolutely adoring Johnny. Joanne being 1000% on board with the firefighting work even if she worries about Roy and Johnny getting hurt. Appearances by Nurse Sharon.

Fandom specific DNW: No rescues involving snakes, spiders, or deadly diseases please. I also don't want anything where Joanne is unsupportive of the guys and their work.

Optional prompts: For Joanne/Roy/Johnny, I really love fluffy stories where Johnny spends time with the DeSotos. Maybe they all take the kids trick-or-treating, or help them make costumes, or Johnny gets a little too into "helping" the kids eat their Halloween candy. Or maybe they all just have dinner together and talk about their days and there's just a lot of love there.

For Station 51, I'd love to see them hold a station Halloween party for the various local kids. Or another show-typical silly event happening in their downtime.

For Dixie/Joe/Kel, I guess I'd just like to see more of the three of them getting to spend time together and get a break from ER work for a bit. Maybe when Joe and Kel went to that conference they were so excited about, Dixie got to go too and they had a fun time getting a little vacation around the conference events. For a Halloween prompt treating people in absurd costumes could be fun. I'd also be happy with them all supporting each other after a hard day in the ER.

-

Enchanted Forest Chronicles:

Fandom content notes: Cimorene runs away to avoid an arranged marriage. A few bad guys are mentioned as being eaten by dragons. Mendanbar is imprisoned for 17 years between books 3 and 4. Two characters in the 3rd book are transformed into something else. One by accident, the other as a punishment.

Relationships requested: Alianora/The Stone Prince, Cimorene/Mendanbar, Morwen/Telemain, Shiara/Daystar

Tumblr tag for fandom: Enchanted Forest Chronicles

Fandom specific likes: Mentions/Appearances of Alianora even if she’s not the focus. Morwen’s cats being snarky.

Fandom specific DNW: A story where the focus is on the time between Calling On Dragons and Talking To Dragons.

Optional prompts:

- Cimorene/Mendanbar: We don’t get to see very much of their married life so I would love to see some fluff taking place after their wedding but before Book 3.

- Daystar/Shiara: In an AU where they found some way to rescue Mendanbar sooner and Daystar grew up as the prince knowing both of his parents, how does this effect his and Shiara’s first meeting? Do they get along better or worse? Why is Daystar out in the forest at the right time to find her?

- Morewen/Telemain: I am down for basically anything with these two as long as it’s fun. Growing up together. Being classmates in magic school. Quests/adventures. Spending time together between adventures. Married life. Anything that appeals to you.

How exactly did they manage to get engaged? I would love to get the story of what conversations happened that we aren’t shown.

-  Alianora/The Stone Prince: I just want to see anything about their relationship. We don’t get to see a lot of it in the book but I find it fascinating. I like how by the rules of this world, their one-day courtship and falling in love incredibly fast is normal and would enjoy seeing more about it.

-

Highway to Heaven:

Fandom content notes: A wide range of injustice and discrimination appear throughout the show. Within the episodes relevant to Jane, Diane, and Scotty, there’s character death, a suicide attempt, and some ableism.

Relationships requested: Diane/Scotty, Jonathan/Jane | Jennifer, Jonathan & Mark

Tumblr tag for fandom: Highway to Heaven

Fandom specific likes: Jonathan is an angel but sometimes he’s still painfully human. (E.G. Getting too emotionally involved with an assignment, his crisis of faith in We Have Forever, his reaction to Mark getting hurt in Going Home, Going Home.) I just really like that Jonathan isn’t perfect and makes mistakes and has strong emotions just like the rest of us.

Exception to no character death: I’m okay with mentions of it in relation to Jonathan and Jane, but I don’t want it to be the focus or the ending. I need to see them as angels afterwards if their deaths come up.

Fandom specific DNW: Ignoring the fact that Scotty is quadriplegic. Making the entire story about Scotty being quadriplegic as though it’s his only trait. Not a hugely important thing, but I would prefer Jonathan and Jennifer not sleep together (except literally) since he doesn’t know that she’s Jane.

Optional prompts:

Jonathan/Jane: I am down with basically any story for these two that you want to tell.

How they fell in love. Scenes from their marriage. Missing scenes between the two in Keep Smiling.

What it was like for Jane to become Jennifer and be given the first assignment of helping her husband regain his faith? A missing scene from their two months together.

Something where they meet again later, either between assignments, sharing an assignment, or being reunited in heaven when they’ve both earned their wings.

Scotty/Diane: A Match Made in Heaven is my absolute favorite episode, I would love literally anything based on it.

I’d also love the missing scene of their wedding, or scenes from their married life, or something with them being parents.

Jonathan & Mark: I just really enjoy their friendship and watching the two of them helping others so anything based on that would be lovely.

-

Magic School Bus:

Fandom content notes: There are multiple episodes where the characters turn into different animals. There are also many episodes going inside the human body.

Relationships requested: Arnold & Carlos & Dorothy Ann & Keesha & Phoebe & Ralphie & Tim & Wanda, Ms. Frizzle/Mr. Seedplot, DA & Keesha

Tumblr tag for fandom: Magic School Bus

Fandom specific likes: Ms. Frizzle being open to dating many different people, not just Mr. Seedplot. The kids all being close friends and no matter how many arguments they have they always make up quickly. Appearances by Mikey.

Fandom specific DNW: Romances between the kids. I don’t mind occasional references to crushes, but I don’t want shipping with them. The sequel show.

Optional prompts:

- The Kids: How did they first become friends? Phoebe transferred in, but have the other seven always been classmates? Was it hard for Phoebe to fit in at first or did they all make her feel welcome? Did they used to have other classmates before Ms. Frizzle’s class? What do they like to do for fun when they’re not in school or doing science?

A favorite headcanon of mine is that after college, the eight of them chip in and buy a house to use as home base. And they all travel around researching in their respective fields, but sometimes they just stay right there and do science. I would love any sort of story set in that world.

- Ms. Frizzle/Mr. Seedplot: How did they first meet? What happens after Liz brings Ms. Frizzle the flowers and note? Do they go on a date? Do the class ship them?

- DA and Keesha: I accidentally thought of the concept of Keesha and Dorothy Ann being sisters and now I'm extra obsessed with their dynamic. Whether actual sisters or just friends who are like sisters.

- Halloween: I'm a big fan of the Haunted House music episode so anything based on that would be lovely.

-

The Monkees:

Fandom content notes: It's been awhile since I watched the show, but I do remember that various plots included danger, kidnapping, a couple of nazi references played for laughs (Monkees Race Again), implied drug use, brainwashing, Mike mistakenly believing a woman is planning to kill herself (Monkees On The Line), a deal with the devil, all played for laughs.

Relationships requested: Davy/Peter/Micky/Mike

Tumblr tag for fandom: The Monkees

Fandom specific likes: The Monkees all absolutely adoring each other. Being best friends as well as romantic partners. A whole lot of goofy nonsense like in the show. Casual affection. Milly from Monkee Mother staying in their lives and them all loving her as their honorary mom, but still being a little annoyed by her sometimes. The reunion episode.

Fandom specific DNW: A fic focusing on less than all four of them. Drug use. Anything trying to split them up. Any episode where they're not character!Monkees (e.g. the one on tour or the one with Princess Gwen or something similar I'm forgetting). Any episode/movie that's notably darker in tone than the rest.

Optional prompts: I'd just like a nice fun romp. That's what this show is all about to me. A whole lot of fun and silly content. I love the episode Monkee See, Monkee Die. "Spend the night in the haunted house for the inheritance" episodes in sitcoms where they all get jumpy but nothing bad actually happens and it's all revealed to be a hoax anyway is one of my favorite kinds of episodes.

-

Sesame Street:

Fandom content notes: One episode deals with the aftermath of the death of a main character.

Relationships (and character) requested: Linda, Linda/Bob, Maria/Linda, Maria/Luis/David, Susan/Gordon, Susan/Gordon/Bob

Tumblr tag for fandom: Sesame Street

Fandom specific likes: Mr. Hooper lives. No one ages. The characters making sure to sign for Linda so that she knows what’s going on. Miles and Gabi being best friends. Bob and Maria being metamours and having a very sibling-like relationship. Mr. Hooper refusing to tell anyone what his orientation is. Big Bird basically being everyone’s child.

Fandom specific DNW: Anything involving the death of Mr. Hooper. Making Linda hearing instead of Deaf.

Optional prompts: As with all of these I’d be happy with anything you want to write but here are a few thoughts.

Linda: I love her so much and how silly and how sarcastic she can be. Something with her training Barkley might be fun. Or something where she gets a new book that she's excited about. Or a day at the library.

Linda/Bob: If they had gotten married, what would their wedding look like? What kind of dates do they go on?

According to episode summaries on The Muppet wiki, Bob writes songs for Linda and she teaches him American Sign Language. I would love to see either or both of those things.

Maria/Linda: When Linda first arrives on Sesame Street, Maria is the person who’s the most fluent in ASL and that leads to her and Linda becoming friends quickly. Linda learning some Spanish sign language so she and Maria can both speak Spanish.

Susan/Gordon: I would dearly love some fic about how they met and fell in love. Or a fic about how they decided that they were ready to be parents and that they wanted to adopt. Maybe something with them geeking out together over science.

Maria/David/Luis: The only logical solution to the Maria/David, Maria/Luis relationships. I actually shipped David/Luis before I shipped Maria/David, so I definitely view this as a full triad.

How do they get together? Are two of them together first and then the third joins them? Or do they become a triad all at once? What do their dates as a triad look like? Do the three of them ever go dancing?

How do they decide to get married? To become parents? Does it matter which of Maria’s husbands is Gabi’s biological father or do they only know for medical history reasons?

Susan/Gordon/Bob: Did they know each other before Sesame Street or did they meet there? When did they get together? One thing I really like is the idea of them having gone to college together and getting up to hijinks. I would love to see some of that. How involved is Bob in parenting Miles?

-

WordGirl:

Fandom content notes: Some danger, one episode (Dr. WordGirl Brains) features a mind-swap, another episode features a kidnapping, there are some cops.

Relationships requested: Becky/Tobey, Becky/Violet/Tobey/Scoops, TJ/Johnson

Tumblr tag for fandom: WordGirl

Fandom specific likes: Tobey realizing that he’s loved. Tobey’s robots being sweet.

Fandom specific DNW: Angst. These are children so I’d prefer they not show affection with anything more than a handhold or maybe a kiss on the cheek, unless they’re aged up. Tobey causing genuine harm beyond his usual property destruction.

Optional prompts: I’m happy with any kind of cute content for any of these pairings. I would especially like to see a get together.

I also read a fic once where Becky and TJ were allowed to invite their friends on a Botsford family trip to a cabin on a lake. Scoops and Violet couldn’t go in the fic, but I keep wondering what it would be like if they did and Becky was there with her mutual crushes and TJ was there with his.

[royalnugget42]

Ok so now that I’m officially in the Resident Evil fandom here’s something

In the aftermath of the explosion in that little village, Ethan’s body is recovered. He is completely molded though, and has no memory except that he has a daughter named Rose, and he is sent to a secret facility to be contained and researched. He spends years being experimented on, poked and prodded and his regenerative abilities grow to astonishing strength.

He can regrow whole limbs now. He found this out the hard way, when the scientists started cutting off bits and pieces of him. Whole bones have been regrown from nothing but mold, though he has to eat a lot of rotten food to make up for it. His captors never tell him who he was or what he did, not even telling him his name, and referring to him only by Subject F-001, or Series F.

Their guess as to how he got like this without showing any of the homicidal tendencies of his predecessors is a mystery to them. Perhaps it is the memory of his daughter, perhaps it is his isolation from the rest of the molded, perhaps he just has something in his DNA. Whatever the case, when he is not being hurt he is resentful and angry, but never violent, nor does he seem interested in spreading the mold further.

It’s 16 years after they took him that funding starts to run out for the project. They’ve devoted all the time to research that they can, and now they must look to utilize him in other ways.

They begin with that question, of why he is different from the rest of the molded, retaining some semblance of his humanity. They can’t take his memory of Rose, though they’ve tried, and instead start to introduce foreign samples of mold into his diet, to see if he gains any of their traits.

Did they know what was left catalogued in the E-series mold? Did they realize that every infected soul has left a mark in that strain? Did they predict...no they couldn’t have. But they should have.

Ethan Winters goes to sleep and dreams of his wife. He doesn’t remember having a wife, how could he? But he supposes this must be her, she is lying in bed with him and calling him baby. This is Rose’s mother, and she is beautiful. But she doesn’t say his name. He doesn’t know hers.

When he wakes up he sees a little girl with black hair at the foot of his bed. She giggles at him, but runs when he calls out, vanishing through the concrete walls. When he mentions this apparition, the scientists dutifully catalogue the apparent hallucinations in their notes on him, but they do nothing to help him when he begs them for knowledge.

“Where is she?” he shouts into the stark, empty air. “Where is my wife, where is my daughter? Where’s Rose?” There is no answer. Just the buzzing of fluorescent lights and the quiet beeps of machinery.

The second dream is of a kitchen. Sunlight pours through the window, and the wooden floor is grimy, but only because it hasn’t been washed since breakfast yesterday.

There’s an old man at the table. His wife brings a meal to the table, and whatever it is smells delicious. Their son, it must be their son, sits off to the side, scrolling nonchalantly through his phone. Their daughter is gathering silverware.

They are the picture of an idyllic, loving family. They smile at him and ask him if he’d like anything more to eat, gently chiding him. He’s so thin, shouldn’t he have just one more helping? So he dutifully finishes off another, before declaring he is done. The old man turns to him.

“You’ve got to go back soon. When you do you’ve got to remember.” Remember what? He only remembers Rose, he doesn’t even know who these people are. They aren’t his family, he knows that, but in a warped and twisted way they also are. The edges of his vision are black with mold as they all beg him to remember, to break free, to be himself again. Zoe is the last to speak.

“I know you remember us. We live on in you, everyone does. We’re all counting on you, kid.” He feels like he’s too old to be called a kid by this girl, but maybe this girl is older than she looks. Maybe he’s younger than he thought.

The little girl is back. She doesn’t run this time, just stares at him. It seems she is waiting for a question, and it’s only as he realizes this that he knows what to ask. “Who are you?” he asks. “Who am I?”

She laughs at this, bright and sharp as glass. “I’m your daughter, of course! And you’re my daddy.”

Rose? Is this little girl Rose? But no, she isn’t. He’s not sure how he knows but he does. This girl isn’t his daughter, except she is, isn’t she? They’re connected. A family in reverse. He didn’t make her, not like he made Rose, but she didn’t make him either. He’s too new for that. How can he be younger than his daughter?

“Evelyn.”

She smiles at the recognition in his eyes. There’s fear there, but also familiarity. This is at least someone he knows. If she is his daughter, then he must be her father. That’s how it works isn’t it? All at once he feels like a part of his identity is locked into place. If he is a father then he has to protect his daughters, both of them. He must find Rose, and his wife.

She fades away before he passes out again. He dreams of pain, in his hand, in his legs. He dreams of terror and aching phantom memories. There’s a woman, tall and beautiful, with hands like long knives, her daughters all over him, many-legged. There’s a doll, there are so many dolls, and there’s a woman in mourning. A creature of water and filth confronts him, spewing out acid that burns in his mind. He talks to a man that moves metal without touching it. The man tells him to remember, tells him not to give up.

“You were always so stubborn. Don’t lose that. You’ll get those bastards yet.”

There’s a woman, and she has Rose. He kills her, and as she crumbles she whispers that she is finally with her daughter. She whispers to him that they are family, that they are both related and the same. He takes Rose from where she cries amongst the stones, and feels his hands fall apart.

Evelyn is a good daughter. When he is awake, he tells stories, about his dreams, about her mother. Evelyn tells him things too.

“You and mom tried to kill me, but I never knew why. I had a long time to think though, and I think I might’ve been a bad girl.”

For what it’s worth, he is sorry, but Evelyn shakes her head. “It was for the best, after all. You weren’t really my dad then.”

He doesn’t know what he is. The scientists call him series F, but he doesn’t know what that means. Evelyn used to be called series E. She says maybe his name starts with an F, but he knows that it doesn’t.

He’s different from Evelyn, but not so different that he is distant from her. Evelyn says that she tried to give him a gift, something she gave to lots of people. She gave it to his wife too, but she never gave anything to him.

“You have a gift too,” she says, “but it didn’t come from me. You made it all on your own. I came from this place, from these scientists, but you made yourself. It’s like you grew from nothing.”

Evelyn always wants to have more family, always wants to give more of her gift. She asks if Ethan is the same, and he realizes that he has never tried to give his gift to someone else. He doesn’t know if he wants to. He already has all the family he could ask for.

He dreams of his wife. Her name is Mia. He knows that now. His name is Ethan, and her name is Mia and they are family.

Scientists have been recording his conversations, and they’re growing concerned. Ethan spends so much time talking to his “daughter” Evelyn. They have realized by now that the E strain mold in his diet must have contained some trace of Evelyn’s consciousness, possibly along with others. They’ve stopped exposing him to it but it seems the damage is done. He asks for Mia and Rose at every waking moment that he does not spend talking to Evelyn.

They took a risk. They took far too many risks. Something happens one day, when a woman comes in to monitor his physical state. He was supposed to be sleeping, but the drugs wore off sooner than expected. He saw the woman through the door, and he begged her, to let him out, to bring him to his family. She ignored him. He pounded against the glass and she just rolled her eyes and took more notes.

Something snapped. No, not snapped. It twisted and warped and grew. It blossomed.

If this woman wasn’t going to let him see his family, then he would make more family. He would make her see his side, and once they were family she would have to help him. That’s what family does. His breathing slowed, and he closed his eyes. With every ounce of longing and loneliness he reached—

Agony.

[postmodernmulticoloredcloak]

The shifting narrative of God’s interventism and how it reflects on the narrative on John

This post will ignore the issue authorial intent entirely because I can, but it’s also about authorial intent in a way, but I also don’t like to talk about things as happening “accidentally” because a) a serialized story like Supernatural, especially one that got renewed for much longer than anyone could possibly expect or hope in their wildest ambitions, structurally relies on serendipity, because that’s how stories work when they’re work in progress, b) a television show is an extremely multi-authored text and the chance that something happens out of the intent of any of the multiple layers of creators is kind of... statistically negligible. So, yeah, that’s my stance on the topic. Anyway.

The shifting narrative about God is simultaneously something that hangs on fortunate storytelling clicks on an essentially programmed narrative. At first, we don’t know where the fuck God is. Cas starts looking for him with little success. Raphael says he’s dead, Cas doesn’t believe it. Dean relates to his struggle because he knows the feeling of not knowing where the fuck your father is and going looking for him with little success, not knowing if he’s even alive. Then the theory that gets assumed as the truth is that God has left. He fucked off who knows where, who knows why, leaving his creation to struggle alone. Also essentially how Dean had felt after John had died; in that case there was guilt for his demon deal and everything, but the most cruel weight on Dean’s shoulder was that John left him alone to struggle with his devastatingly horrific instructions he doesn’t understand. The angels are also left with horrific instructions they don’t understand. No wonder Cas does his own ‘demon deal’ in season 6, as he desperately tries to do what he assumes his father wants from him, but he doesn’t actually know what that is.

“God has left” is maddening, and everyone is angry about it, but it has its own dignity. God has left us without clear instructions, we are confused and in pain and evil runs amock but at least, we suppose, the evil of it is our own doing. We are alone and we do our best, our best is simply not enough. We wish he gave us guidance, but he won’t. He wants us to figure it out ourselves, possibly. We don’t actually know what he wants. But maybe that’s the point. It’s possible he doesn’t even know what’s happening, he just has left the building entirely.

But then Chuck reveals himself. We find out that he never actually left. He was there. “I like front row seats. You know, I figured I’d hide out in plain sight”. He simply chooses not to intervene. He chooses not to answer. He chooses to be hands-off. He presents himself as a laissez-faire parent, because, he says, it’s better for his children to have the responsibility they need to grow up. He’s absent, but in a different way than we thought! It’s not that he doesn’t know what’s happening or isn’t interested in knowing what’s happening. He’s here, he knows what’s happening, he just stays there and watches as you stumble and struggle and scream. It’s worse, and it pains Dean so much he isn’t even afraid to yell at God. You know we’re suffering and you just don’t give us any support, any comfort.

You’re frustrated. I get it. Believe me, I was hands-on, real hands-on, for, wow, ages. I was so sure if I kept stepping in, teaching, punishing, that these beautiful creatures that I created... would grow up. But it only stayed the same. And I saw that I needed to step away and let my baby find its way. Being overinvolved is no longer parenting. It’s enabling.

But it didn’t get better.

Well, I’ve been mulling it over. And from where I sit, I think it has.

Well, from where I sit, it feels like you left us and you’re trying to justify it.

I know you had a complicated upbringing, Dean, but don’t confuse me with your dad.

At that point of the show, the writing team almost certainly didn’t have the s14-15 twist in mind. So this was probably intended to be Chuck’s truth. Later it gets twisted (retconned?) into a lie, but about that later.

Here, Chuck is really good at manipulating the conversation. Dean has a perfectly valid point, because there IS a middle ground between being overinvolved and not being involved at all. There is a middle ground between enabling your children and abandoning them completely. But Chuck hits Dean where it hurts, plays the emotional card, basically tells him that he’s too emotional to understand, too emotional to think rationally about it, because he mixes his feelings about his father to the issue and thus cannot see it clearly. He basically tells him he’s too close to it to get it. You don’t understand parenting, Dean, because you’re too blinded by your emotions about your own little life and cannot see the big picture.

It doesn’t really matter here if he’s telling the truth or lying, it already says a lot about Chuck that he’s emotionally manipulating Dean, silencing him by hitting the painful spot.

But the thing is, 11.20 immediately presents Chuck as a liar. He makes Metatron read his autobiography and the very first line is a lie (“In the beginning, there was me. Boom – detail. And what a grabber. I mean, I’m hooked, and I was there.” “I’m hooked too, and yet... details. You weren’t alone in the beginning. Your sister was with you.”) and the stuff he talks about his experience as Chuck is not exactly truthful about anything (“That, you know, makes you seem like a really grounded, likable person.” “Yeah, what’s wrong with that?” “You are neither grounded nor a person!”). Metatron calls him out (“Okay. There are two types of memoir. One is honest... the other, not so much. Truth and fairy tale. Now, do you want to write Life by Keith Richards? Or do you want to write Wouldn’t It Be Nice by Brian Wilson?”). Chuck SAYS he chooses truth and gives Metatron a different manuscript, supposedly containing the truth, to which Metatron reacts positively. Metatron believes it, and we believe it with him.

Oh! Oh, this! This is what I was talking about. Chapter Ten “Why I Never Answer Prayers, and You Should Be Glad I Don’t”, and Chapter Eleven “The Truth About Divine Intervention and Why I Avoid It At All Costs”.

Nature? Divine. Human nature – toxic.

They do like blowing stuff up.

Yeah. And the worst part – they do it in my name. And then they come crying to me, asking me to forgive, to fix things. Never taking any responsibility.

What about your responsibility?

I took responsibility... by leaving. At a certain point, training wheels got to come off. No one likes a helicopter parent.

This is sort of what he later says to Dean, except that to Dean he talks about “beautiful creatures” “my baby”, talks about helping, none of the harsh tone he’s using here. When Metatron accuses him of hiding from Amara, he retorts “I am not hiding. I am just done watching my experiments’ failures”. What a different language, uh? Then Metatron asks him why he abandoned them, and Chuck answers “Because you disappointed me. You all disappointed me”. Then, he admits he lied about “learning” to play the guitar and so on, because he just gave himself the ability, and then appears to Dean and Sam, after Metatron’s passionate speech about humanity.

So, no matter the authorial intent at the time - the truthiness of Chuck’s words was already ambiguous. He kept lying and being called out, or silencing the conversation with some good ol’ gaslighting.

The season 14 finale introduces the big twist: it was, indeed, all a lie. The whole of it. Chuck didn’t abandon shit. It was all him, minutely controlling the narrative of the universe, putting the characters through all the pain and struggles for his own amusement.

The “absent father” narrative was a lie.

What does this tell us about John? Nothing, according to the authorial intent that shines through Dabb’s Lebanon. But we don’t give a crap about Dabb’s authorial intent about John! He’s just one dude and plenty of other authors have painted a different picture. So I’m going to read the narrative the way I want, because I can, and the narrative allows me to. It’s all there.

I’m suggesting that the fact that Chuck lied when he talked about being a hands-off/absentee father parallels how Dean and Sam prefer to think of their father as an “absent father” when that’s not exactly a reflection of the truth.

You left us. Alone. ‘Cause Dad was just a shell. [...] And I-I had to be more than just a brother. I had to be a father and I had to be a mother, to keep him safe.

Setting aside how “I had to be a father and I had to be a mother” sort of retcons and cleans up the Winchester family picture painted by ealier seasons, the fact that John didn’t really count as a functional father figure and Dean and Sam were essentually alone is not incorrect or anything. It is true that John would leave them to their own devices a lot, thus the long stays in motels, the hunger, the food-stealing, and all. But John wasn’t always absent, at all. He trained them as soldiers, he disciplined them, he was around enough for them to be intimately familiar with what happened when he drank. He drove them around.

It’s almost like it’s preferable to Dean and Sam to spin their own “absent father” narrative, putting the accent on the time they spent alone, painting their childhood as a time they had to grow up on their own, rather than acknowledge they grew up under the thumb of a controlling, looming figure they would regularly live in fear of, even when he was not physically present.

The “absent father” narrative is what Dean and Sam need to use to avoid confronting the reality of the father figure whose moods and whims they had to dance around. “I know things got dicey... you know, with Dad... the way he was. And I just... I didn’t always look out for you the way that I should have. I mean, I had my own stuff, you know. In order to keep the peace, probably looked like I took his side quite a bit.”

John shaped their lives. He shaped their identities. Even in the episodes where he abandons Dean or both children somewhere, he’s portrayed as the figure who drives the car. He symbolically drives the car, you know? John shaped Dean and Sam’s relationship with each other, both on a surface level (the conflicts) and on a deeper level (the parental dynamic).

Heck. The entire first season of the show plays on John’s disappearance as the “elephant in the room”. John is there by not being there, you know? And after he dies, his death - his absence - is again the elephant in the room for Dean, the weight on his psyche that he shatters under.

It is not wrong that Dean and Sam had to spend long periods of time without John. But John structured their lives in quite minute detail. Where they needed to be, what they needed to do, what they must not do, everything had to follow John’s instructions. A drill sergeant, the narrative called him, ordering how his sons needed to live their lives. That’s no absence, except on a level where Chuck not showing himself and pretending he’s not there can be considered absent. That’s a presence, not necessarily always physical, but semiotical and psychological.

John is an absent father as much as Chuck is a hands-off god. He even writes himself into the story around the time Cas has the “season 1” phase (let’s go look for dad/let’s go look for god), which is when John actually was alive and appeared. Then he was no longer physically there, but he was still shaping his characters’ lives, just like he’d always done.

The “absent father” narrative on John is that - a narrative. Spun by the characters themselves because it’s easier and actually kinder on John. Or, better, it allows them not to be crushed by the psychological implications of having to accept that their father was such a looming, minutely formative figure in their lives. They know, but they can wave the “absent father” idea around to avoid thinking about it.

“I had to be a father and I had to be a mother” is something easier to tell yourself. I was the one who did it all. But he wasn’t, and that’s the problem. The fact that John was their father - Dean’s and Sam’s - is the problem. But ironically, blaming himself for every failure is a better option for Dean than fully acknowledging John’s abuse. As long as he blames himself, he has control over it. The moment he acknowledges the extent of John’s influence, he loses control over the entire narrative of his own identity and the family identity, the family dynamics. That’s scarier, just like realizing that God manipulated everything is much scarier than the alternative. “God abandoned us” was indeed a better option, and “John left us alone” was a better option. But neither was true, and the characters faced the implications of the cosmic level, but never got to face the implication of the familial level, because the narrative always danced around it and then Dabb’s apologist version “won”.

But what’s been put in the show is still there. The narrative of John’s abuse is still there. Nothing can take it out of the story.

[demonslayedher]

Buriko-Senpai! This is such a wonderful blog to read, and I love your art so much! It's so nice to see other traditional artists out there! What's your thoughts on the demon slayer marks and their affects after Muzan's defeat? Do you think they're a purely physical effect, or a supernatural curse like Ubuyashiki's? It seems like in the latter case it would be lifted? In Tanjiro's status report, he mentions wanting everyone to be happy "when he's gone", and hints of preparation for the future...

Thank you for the kind words on my art! (≧◡≦) Glad to know people like the style, I like the feel of trad art both for the final product and how the pen feels in my hand, haha~. I love all the additional possibilities in digital art, but will leave that to the people who are good at it. Glad you find my blog a good read too, because we’ve got another lengthy read ahead.

As for the mark and whether it works in a purely physical sense or a curse sense, I'm ok thinking of it in either way, depending on its purposes in post-canon fanwork (but of course, you can do whatever you want in fanwork totally inventing the mark or completely ignoring it too). As Gotouge never states exactly what becomes of Tanjiro, Giyuu, and Sanemi, I don’t feel we can declare it working one way or another. We'll consider it from both angles, but in general, I think canon evidence leans toward an avoidable physical impact. Even that, however, leaves room for interpretation on strict "25" might be or not.

If we approach the curse direction first, the worldbuilding surrounding the Ubuyashiki curse gives a lot of framework for the mark being a curse. The second fanbook even gives us more circumstance and age-related perimeters that seem very arbitrary, like how only one male will survive each generation and how the daughters will also die young by sudden illness or accident if they don’t marry out. As the curse is tied to Muzan’s/demons existence, it is completely lifted once Muzan is eradicated, but Kiriya still anticipates dying in his 20’s and does not feel relieved that it’s gone until he’s in his 30’s. This would put Giyuu and Sanemi in their 50’s if they’re still around, and with their own curses effectively gone, they’d probably have spent the past couple decades insisting to Kiriya that he can relax.

If the rebound of the mark is a supernatural curse, there are a couple other things that make sense about this to me, in the light of cosmic justice at play in this universe. First, it’s a general rule in a lot of philosophies and other works of fiction that to gain something powerful, you must pay the price and sacrifice something. Second, the Ubuyashiki family is cursed to carry the sins of one of its members until they can stop that demon member. While Demon Slayers may not necessarily be carrying the sins of demons, we see demon marks at play in this series first, though its effects are not clear until we see how Nezuko is stronger when her vines appear. A Demon Slayer also gaining extra strength like this is, perhaps, taboo.

As for the mark being a purely physical effect, I think the emphasis on physical effects of the mark (especially how in Chapter 129 Muichiro analyzes its effects on body temperature and the heart), and how throughout the manga it is continually stressed that the Demon Slayers are mere humans even if Breath helps them push the natural limits of human ability, lend to a more physical interpretation that in order to push so far past normal limits, it has to borrow against the natural human lifespan. This is how the characters in-universe also interpret its effects. If we look more into what Muichiro says:

Muichiro: The anger was too strong for me to have any handle on my emotions. I believe that in that moment, my heartrate exceeded 200 beats, and my body felt as hot as though it was burning. My temperature would had measured at least 39 degrees or more. Shinobu: !? Could you move like that? That would be life-threatening. Muichiro: Right. That’s why I think it’s a matter of falling into one category or another. Whether you die or survive that moment is what determines whether a mark will appear or not. Amane: A heartrate of over 200, and why a temperature of 39 degrees? Muichiro: That’s because when I was received treatment at Kocho-san’s place I was running a fever. When my temperature was taken, the thermometer read 39 degrees. At the time I would have been said to have a mark appear, my body was just as feverish.

(For reference, according to searching with the same terms used in the original text, your top heartrate is 220 minus your age, making Muichiro's 206 beats per minute. The average for someone in their 20's is 120~140, somewhat hard exercise would put it at 150, and hard exercise puts it at 170, according to the Borg scale. Normal body temperature in Celsius is 37 degrees; while 39 C = 102.2 F.)

If we look back at when Tanjiro is first facing off against Daki, he considers how he gets more power out of Hinokami Kagura than from Water Breathing because it suits his body better, but he is not yet physically capable of the switch between them. As he psyches himself out in Chapter 77, we see that he has physically been trying to prepare himself for this, and he’s shouting at himself to set his heart ablaze. Clearly, Tanjiro is leaning into that advice from Rengoku-san, and if he’s on his way to getting the mark, he’s been taking that advice somewhat literally.

In Chapter 78, as he purposely raises his own temperature to fight the side effects of switching to Hinokami Kagura, we get a flashback that Kiyo-chan was very worried that Tanjiro was running a temperature of 38 degrees (100.4 F) for three days, but Tanjiro begged her not to tell Shinobu yet because he felt fine in that sustained feverish state, and was able to put more power into Hinokami Kagura that way. (This may also be part of why the mark seems to have a different effect on Sun Breath users, as their body draws from this power in a more sustained way.)

We can probably think of most of the other Breath Users who attained the mark as having gotten it in a similar way to Muichiro. In a fit of high emotion and desperate battle, their body pulled from its natural reserves, and similar to a human and/or demon being exposed to lots of Muzan’s cells all at once and either dying or quickly adapting, they attained a mark and relied on that temporary extra burst of strength. While it either happens or doesn’t happen for the others (Muichiro plainly states he was unaware of a mark’s appearance) based on being the flow of tense battle, Himejima seemed to have gained enough ability that he could choose when he wanted to tap into that power. When we’re first left not knowing what else Amane told the Pillars, Himejima openly wonders what would happen in his case (seeing as he is over the age of 25). In the third light novel, we get a brief scene of Himejima pulling Muichiro aside after that meeting to ask if he’s alright with this, since he’s just found out that he has no chance already of living a long life. Muichiro is fine and wonders about Himejima, who is also fine with this. They both are willing to do whatever it takes to fight Upper Moons and know their survival has never been assured. Himejima goes on to say similar things to Kokushibo in Chapters 169 and 170, when we the readers are finally told about the limited life expectancy. The two of them both sort of expect Himejima to drop dead that night because of his limited stores to draw from. Himejima would had preferred to not raise his temperature so much until facing Muzan (seeing as he knows he’ll be racing against time), but knows he has no choice but to start while facing Kokushibo. Kokushibo is somewhat impressed with his control of getting a mark and his preparation to die, and he finds it a waste of Himejima’s ability and likewise is like, “why not preserve your flesh as a demon” because, as we find out in Kokushibo’s flashbacks in Chapter 178, this was part of what motivated him to accept Muzan’s blood. He couldn’t handle the frustration of his polished techniques being wiped out by a short life span, especially since it would mean he was soon out of time to match or best Yoriichi. If we go back to that conversation between Himejima and Kokushibo, Kokushibo loses his cool (hahaha, that feels like a bit of a pun here) the moment Himejima is like, “there was one exception to the rule though, wasn’t there?” I suspect that Yoriichi was the exception partly due to Sun Breathing being a more perfected, sustained form of pushing the limits of human capability, and Yoriichi being born naturally perfect at it, so his body didn’t need to scramble looking for extras sources of power like hastily (or slowly) borrowing against his lifespan. What’s very interesting about Kokushibo is that he also regularly sustained his mark, so perhaps it’s possible he could had lived past 25? Here's what really key: We also don’t know about these early marked users. Did they regularly sustain their marks, or did they only show up regularly when they battled demons, repeatedly borrowing against their future lifespan? Or was it a one-off thing for each of them, like it was for Giyuu and Sanemi? It’s possible that even if Giyuu and Sanemi are doomed to shorter lives, since they both only had the marks for relatively short periods of time on a single night, they might well exceed 25 years. The fact that Gotouge gave them descendants (as opposed to only implied reincarnations), and because they are both characters generally written as dense in the ways of love and close personal relationships, that sort of implies they needed some time before leaving behind offspring, and I hear a lot of voices in the fandom displeased with the idea of them leaving children behind when they know they won't be around to raise them. Since we don't know any canon details on this, let's cut the boys some slack and say they took a chance on being happy. After all, all their time in the Corp already teaches them tomorrow is never assured.

Side note while we’re on the Sanemi topic, he attains his mark right after Himejima brings his own forth (because Himejima is a badass who can just be like, “ok, now”). While he comments to Himejima what a good idea it was to do Pillar Training so he could attain that powerful state, it’s also possible that being in the presence of someone who already had one was part of what triggered Sanemi’s body to access that state as well. The nature of the mark’s spread from person to person is another tick in the “supernatural curse” box if people like that interpretation more.

Let’s take a look back at Tanjiro, though.

Tanjiro, our special Hinokami Kagura boy, was already a special case for his own knowledge of Sun Breathing (however imperfect), and his own sustained mark (though as Genya notes in Chapter 134, it tends to transform slowly, and as Tanjiro remarks in response to Shinjuro’s comments in Chapter 81, his mark was not something he was born with like the original Sun Breath user was, it was but a childhood injury which took on a different shape when he was injured at the Final Selection). While Amane cites him as the one who started the trickle of marks appearing again, we know in the Pleasure Quarter arc than Tanjiro was been unknowingly training himself to make the mark appear, like the Pillars later tried to do in training.

Tanjiro also, however, has the very unique experience of undergoing repeated cruel and unusual suffering in battle against Muzan, basically dying, turning into a demon with more of Muzan’s cells than any other demon in history, and turning human again with man-made medicine all in the span of about two hours.

We can’t really compare Tanjiro’s case to Giyuu’s and Sanemi’s very easily. Besides the slightly different nature of his mark (which Muzan says will still kill him anyway if he becomes human again, but whether he says that based on a cosmic rule or historical precident, we don't know), we simply don’t know all the details of how Tanjiro's flesh has been affected by everything that happened to him in that two hour period. It seems safe to say that becoming a demon is what saved his life since it rebuilt his flesh and supercharged life back into him, but since he wasn’t a demon long enough to have fully integrated those new cells, the entirely reconstructed parts of him (his left arm and right eye) are essentially lifeless. However, there may still be some amount of reclaiming that his body did during his demon minutes, for the whole right side of his face should be paralyzed (yet he can still use it expressively), and there was probably internal damage throughout his entire body and other various injuries (like stabbing himself) which were repaired enough for him to survive. Had he been a demon longer (long enough that his body with Muzan’s memories likely would had broken down the medicine Kanao gave him), my guess is that he would had fully integrated these body parts, like how Nezuko gets to keep her legs despite all the times they were blown or chopped off.

But we also know that Tanjiro had to take a few months to recover (his visitors looked like they waited the whole three months before getting permission to see him), and that his condition allows him to live and work, but he generally is in a weakened state. Again, rather than only having borrowed (on multiple occasions) against his own lifespan, we don't know the extent of the damage and repair he's undergone.

While he’s got 25 as a historical benchmark to anticipate, and as you mention, he does seem to fully anticipate that early demise, his case is so unique that it could go in any direction. Tanjiro might live longer than 25, as this would give him time to pass on Hinokami Kagura to at least his eldest son, but like Tanjuro, he’d probably have a pretty weak constitution for the rest of his dwindling life. But also worth noting, the phrase is that they die by at least age 25. That means some of the Warring States era swordsmen probably died before that age. (｡•́︿•̀｡) I don't feel this is likely for Tanjiro, Giyuu, and Sanemi, but it is worth noting as a possibility.

[vickyvicarious]

Leverage Redemption Pros/Cons List

Okay! Now that I've finally finished watching the first half of Leverage: Redemption, I thought I'd kind of sum up my overall impression. Sort of a pro/con list, except a little more just loosely structured rambles on each bullet point rather than a simple list.

This got way out of hand from what I expected so I'm going to put it all under a cut. If you want the actual bulletpoint list, here it is:

PROS

References

Continuity

Nate

Representation

Themes

New Characters

General Vibe

CONS

'Maker and Fixer'

Episode Twins

Sophie's Stagefright

Thiefsome

You might notice the pros list is longer, and that's because I do love the show! I really like most of what it does, and my gripes are fewer in number and mostly smaller in size. But they do exist and I felt like talking about them as well as the stuff I loved.

PROS

References

There is clearly so much love and respect for the original show here. Quite aside from the general situation, there's a lot of references to individual episodes or character traits from the first show. For example, Parker's comments on disliking clowns, liking puppets, disliking horses, stabbing vs. tasing people. The tasing was an ongoing thing in the original, the stabbing happened once (S1) but was referenced later in the original show, the clown thing only had a few mentions scattered across the entire original show. The puppet thing was mentioned once in S5, and the horses thing in particular was only brought up in S1 once. But they didn't miss the chance to put the nod to it in there; in fact with those alone we see a good mix of common/ongoing jokes and smaller details.

We got "dammit Hardison" and "it's a very distinctive..." but also Eliot and Parker arguing about him catering a mob wedding, and Eliot being delighted by lemon as a secret ingredient in a dish in that same episode (another reference to the mob episode). Hardison and Eliot banter about "plan M", an ongoing joke starting from the very first episode of the original show. We see Sophie bring up Hardison's accent in the Ice Job, Parker also makes reference to an early episode when describing "backlash effect" to Breanna, in an episode that also references her brother slightly if you look for it.

Heck, the last episode of these first eight makes a big deal out of nearly reproducing the iconic opening lines of the original show with Fake Nate's "we provide... an advantage." And I mean, all the "let's go steal a ___" with Harry being confused about how to use them.

Some of the lines are more obviously references to the original show, but they strike a decent balance with smaller or unspoken stuff as well, and also mix in some references between the team to events we the audience have never seen. If someone was coming into this show for the first time, they wouldn't get all the easter egg joy but most of the references would stand on their own as dialogue anyway. In general, I think they struck a good balance of restating needed context for new viewers while still having enough standalone good lines and more-fun-if-you-get-it callbacks.

Continuity

Similar to the last point, but slightly different. The characters' development from the original to now is shown so well. I'm not going to go on about this too long, but the writers clearly didn't want to let the original characters stagnate during the offscreen years. There was a lot of real thought put into how they would change or not.

It's really written well. We can see just how cohesive a team Parker, Hardison, and Eliot became. We get a sense of how they've spent their time, and there's plenty of evidence that they remained incredibly close with Sophie and Nate until this past year. The way everyone defers to Parker is different from the original show and clearly demonstrates how she's been well established as the leader for years now - they show this well even as Parker is stepping back to let Sophie take point in these episodes. Eventually that is actually called out by Sophie in the eighth episode, so we might see more mastermind Parker in the back half of the show, maybe. But even with her leading, it's clear how collaborative the team has become, with everyone bouncing ideas off one another and adding their input freely. Sometimes they even get so caught up they leave the newbies completely in the dust. But for the most part we get a good sense of how the Parker/Hardison/Eliot team worked with her having final say on plans but the others discussing everything together. A little bit more collaborative than it was with Nate at the helm.

Meanwhile Sophie has built a home and is deeply attached to it. She and Nate really did retire, at least for the most part, and she was living her happy ending until he died. She's out of practice but still as skilled as ever, and we're shown how much her grief has changed her and how concerned the others are for her.

There's a lot of emphasis on how they all look after one another and the found family is clearer than ever. Sophie even calls Hardison "his father's son" - clearly referring to Nate.

Nate

Speaking of Nate! They handled his loss so, so well. His story was the most complete at the end of the last show, and just from a narrative point, losing him makes the most sense of all the characters. But the way he dies and his impact on the show and the characters continues. It's very respectful to who he was - who he truly was.

Nate was someone they all loved, but he was a deeply flawed individual. Sophie talks about how he burned too hot, but at least he burned - possibly implying to me that his drinking was related to his death. In any case, there's no mystery to it. We don't know how he died but that's not what's most important about his death. This isn't a quest for revenge or anything... it's just a study of grief and trying to heal.

Back to who he really was real quick - the show doesn't eulogize him as better than he was. They're honest about him. From the first episode's toast they raise in his memory, to the final episode where Sophie and Eliot are deeply confused by Fake Nate singing his praises, the team knows who he was. They don't erase his flaws... but at the same time he was so clearly theirs. He was family, he was the man they trusted and loved and followed into incredibly dangerous situations, and whose loss they all still feel deeply.

That said, the show doesn't harp on this point. They reference him, but they don't overwhelm new viewers with a constant barrage of Nate talk. It always serves a purpose, primarily for Sophie's storyline of moving through her grief. Anyway, @robinasnyder said all of this way better than me here, so go read that as well.

Representation

Or should I say, Jewish Hardison, Autistic Parker, Queer Breanna!

Granted, Hardison's religion isn't quite explicitly stated to be Jewish so much as he mentions that his "Nana runs a multi-denominational household", but nonetheless. He gets the shows big thesis statement moment, he gets a beautiful speech about redemption that is the emotional cornerstone of that episode and probably Harry's entire arc throughout the show. And while I'm not Jewish myself, most of what I've seen from Jewish fans is saying that Hardison's words here were excellent representation of their beliefs. (@featherquillpen does a great job in that meta of contextualizing this with his depiction in the original show as well.)

Autistic Parker, however, is shown pretty dang blatantly. She already was very much coded as autistic in the original show, but the reboot has if anything gone further. She sees a child psychologist because she likes using puppets to represent emotions, she stims, she uses cue cards and pre-written scripts for social interactions, there's mention of possible texture sensitivity and her clothes are generally more loose and comfortable. She's gotten better at performing empathy and understanding how people typically work, but it's specifically described as something she learned how to do and she views her brain as being different from ones that work that way (same link). Again, not autistic myself but from what I've seen autistic fans find a lot to relate to in her portrayal. And best of all, this well-rounded and respectful depiction does not show any of these qualities as a lack on her part. There's no more of those kinda ableist comments or "what's wrong with you" jokes that were in the original show. Parker is the way she is, and that allows her to do things differently. She's loved for who she is, and any effort made to fit in is more just to know how so that she can use it to her advantage when she wants to on the job - for her convenience, not others' comfort.

Speaking of loved for who you are.... okay, again, queer Breanna isn't confirmed onscreen yet, and I don't count Word of God as true canon. But I can definitely believe we're building there. Breanna dresses in a very GNC way, and just her dialogue and, I dunno, vibes seem very queer to me. She has a beautiful speech in the Card Game Job about not belonging or being accepted and specifically mentions "the way they love" as one of those things that made her feel like she didn't belong. And that scene is given so much weight and respect. (Not to mention other hints throughout the episode about how much finding her own space meant to her.) Also, the whole theme of feeling rejected and the key for her to begin really flourishing is acceptance for who she is, not any desire for her to be anyone else, is made into another big moment. Yeah, textually that moment is about her feeling like she has to fill Hardison's shoes and worrying about her past, but the themes are there, man.

Themes

I talked a bit about this yesterday, so I'm mostly just going to link to that post, but... this series so far is doing a really good job in my opinion of giving people arcs and having some good themes. Namely the redemption one, from Hardison's speech (which I'm gonna talk a little more about in the next point), and this overall theme of growing up and looking to the future (from above the linked post).

New Characters

Harry and Breanna are fantastic characters. I was kind of worried about Harry being a replacement Nate, but... he really isn't. Sure, he's the older white guy who has an angsty past but it's in a very different way and his personality and relationships with the rest of the crew are correspondingly different. I think the dynamic of a very friendly, cheerful, kind, but still bad guy (as @soundsfaebutokay points out) is a great one to show, and he's got a really cool arc I think of learning to be a better person, and truly understanding Hardison's point about redemption being a process not a goal. His role on the team also has some interesting applications and drawbacks, as @allegorymetaphor talked about. I've kind of grown to think that the show is gradually building up to an eventual Sophie/Harry romance a ways down the line, and I'm actually here for it. Regardless, his relationships with everyone are really interesting.

As for Breanna, first of all and most importantly I love her. Secondly, I think she's got a really interesting story. She's a link to Hardison's past, and provides a really interesting perspective for us as someone younger who has grown up a) looking up to Leverage and b) in a bleaker and more hopeless world. Breanna's not an optimist, and she's not someone who was self-sufficient and unconcerned with the rest of the world at the start, like everyone else. She believes that the world sucks and she wants it to be better, but she doesn't know how to make that happen. She outright says she's desperate and that's why she's working with Leverage. At the same time, Breanna is pretty down on herself and wants to prove herself but gets easily shaken by mistakes or being scolded, which is a stark contrast to Hardison's general self-confidence. There are several times when she starts to have an idea then hesitates to share it, or expects her emotions to be dismissed, or gets really disheartened when she's corrected or rejected, or dwells on her mistakes, or when she is accepted or praised she usually takes a surprised beat and is shy about it (she almost always looks down and away from the person, and her smile is often small or startled). Breanna looks up to the team so much (Parker especially, then probably Eliot) and she wants to prove herself. It's going to be so good to see her grow.

General Vibe

A brief note, but it seems a fitting one to end on. The show keeps it's overall tone and feeling from the original show. The fun, the competency porn, the bad guys and clever plans and happy endings. It's got differences for sure, but the characters are recognizably themselves and the show as a whole is recognizably still Leverage. For the most part they just got the feeling right, and it's really nice.

CONS (no, not that kind)

'Maker and Fixer'

So when I started writing this meta earlier today, I was actually a lot more annoyed by the lack of unique 'maker' skills being shown by Breanna. Basically the only time she tries to use a drone, the very thing she introduced herself as being good at, it breaks instantly. I was concerned about her being relegated into just doing what Hardison did, instead of bringing her own stuff to the table. But the seventh episode eased some of those fears, and the meta I just wrote for someone else asking about Breanna's 'maker' skills as shown this season made me realize there's more nuance than that. I'd still like to have seen more of that from her, but for now the fact that we don't see a lot of 'maker' from her so far seems more like a character decision based in Breanna's insecurities.

Harry definitely gets more 'inside man' usage. His knowledge as a 'fixer' comes in handy several times. Nonetheless, I'm really curious if there are any bigger ways to use it, aside from him just adding in some exposition/insight from time to time. I'm not even entirely sure how much more they can pull from this premise in terms of relevant skills, but I hope there's more and I'd like to see it. Maybe a con built more around him playing a longer role playing his old self, like they tried in the Tower Job? Maybe it's more a matter of him needed distance from that part of his past, being unable to face it without lashing out - in that case it could be a good character growth moment possibly for him to succeed in being Scummy Lawyer again down the line? I dunno.

Episode Twins

This was something small that kind of bothered me a little earlier in the season. It's kind of the negative side to the references, I guess? And I'm not even sure how much it annoys me really, but I just kinda noticed and felt sort of weird about it.

Rollin' on the River has a lot of references/callbacks to the The Wedding Job.

The Tower Job has a lot of references/callbacks to The White Rabbit Job.

The Paranormal Hacktivity Job has a lot of references/callbacks to the Future Job.

I guess I was getting a little concerned that there would be a 'match this episode' situation where almost every new Redemption episode is very reminiscent of an old one. I love the callbacks, but I don't want to see a lack of creativity in this new show, and this worried me for a minute. Especially when it was combined with all three of those episodes dealing with housing issues of some kind. Now, that's a huge concern for a lot of people, and each episode has its own take on a different problem within that huge umbrella, but it still got me worried about a lack of variety in topics/cases.

The rest of the episodes failing to line up so neatly in my head with older episodes helped a lot to ease this one, though. Still, this is my complaining section so I figured I'd express my concerns as they were at the time. Even if I no longer really worry about it much.

Sophie's Stagefright

Yeah, I know this is just a small moment in a single episode, but it annoyed me! Eliot made a bit of a face at Sophie going onstage, but I thought it was just him being annoyed at the general situation. However, they started out with her being awful up there until she realized the poem was relevant to the con - at which point her reading got so much better.

This felt like a complete betrayal of Sophie's beautiful moment at the end of the original show where she got over her trouble with regular acting and played Lady Macbeth beautifully in front of a full theater of audience members. This was part of the con, but only in the sense that it gave her an alibi/place to hide, and I always interpreted it as her genuinely getting over her stagefright problems. It felt like such a beautiful place to end her arc for that show, especially after all her time spent directing.

Now, her difficulty onstage in the Card Game Job was brief and at the very beginning of being up on stage. @rinahale suggested to me that maybe it was a deliberate tactic to draw the guy's attention, and the later skill was simply her shifting focus to make the sonnet easier for Breanna to listen to and interpret, but he seemed more enraptured when she was doing well than otherwise in my opinion and it just doesn't quite sit well with me. My other theory was that maybe she just hasn't been up on stage in a long time, and much like she complaining about being rusty at grifting before the team pushed her into trying, she got nervous for a moment at the very beginning. The problem there is that I think she'd definitely still get involved in theater even when she and Nate were retired. I guess she could've quit after he died, and a year might be long enough to make her doubt herself again, but... still.

I just resent that they even left it ambiguous at all. Sophie's skills should be solid on stage at this point in my opinion.

Thiefsome

...And now we come to my main complaint. This is, by far, the biggest issue I have with the show.

I feel like I should put a disclaimer here that I had my doubts from the beginning about the thiefsome becoming canon onscreen. I thought the famous "the OT3 is safe" tweet could easily just mean that they are all still alive and well, or all still working together, without giving us confirmation of a romantic relationship. Despite this, the general fandom expectations/hopes really got to me, especially with the whole "lock/pick/key" thing. I tried to temper my expectations again when the character descriptions came out and only mentioned Hardison loving Parker, not Eliot, but I still got my hopes up.

The thing is, I was disappointed pretty quickly.

The very first episode told me that in all likelihood we would never see Hardison and Parker and Eliot together in a romantic sense. Oh, there was so much coding. So much hinting. So much in the way of conversations that were about Parker/Hardison's relationship but then Eliot kept getting brought into them. They were portrayed as a unit of three.

But then there was this.

I love all of those scenes of Parker and Hardison being intimate and loving and comfortable with one another and their relationship. I really do. But it didn't escape my notice that there's nothing of the sort with Eliot. If they wanted a canon onscreen thiefsome, it would by far make the most sense to just have it established from the start. But there aren't any scenes where Eliot shares the same kind of physical closeness with either of them like they do each other. Parker and Hardison kiss; he doesn't kiss anyone. They have several clearly romantic conversations when alone; he gets important conversations with both but the sense of it being romantic isn't there.

Establishing Eliot as part of the relationship after Hardison is gone just... doesn't make any sense. It would be more likely to confuse new viewers, to make them wonder if Parker is cheating on Hardison with Eliot, or if they have a Y shaped relationship rather that a triangle. It would be so much clumsier.

Still, up until the Double-Edged-Sword Job I believed the writers might keep it at this level of 'plausible hinting but not quite saying'. There's a lot of great stuff with all of them, and I never expecting making out or whatever anyway; a cheek-kiss was about the height of my hopes to be honest. I mostly just hoped for outright confirmation and, failing that, I was happy enough to have the many hints and implications.

But then Marshal Maria Shipp came along. And I don't really have anything against her as a character - in fact, I think she has interesting story potential and will definitely come back. But the episode framed her fight with Eliot as a sexyfight TM, much like his fight with Mikel back in the day. And then his flirting with her rode the line a little of "he's playing her for the con" and "he's genuinely flirting." The scene where he tells her his real name is particularly iffy, but actually was the one that convinced me he was playing her. Because he seems to be watching her really closely, and to be very concerned about her figuring out who he really is. I am very aware though that I'm doing a lot of work to interpret it the way I want. On surface appearance, Eliot's just flirting with an attractive woman, like he did on the last show. And that's probably the intention, too.

But the real nail in the coffin for me was when Sophie compared herself and Nate to Eliot and Maria. That was a genuine scene, not the continuation of the teasing from before. And Sophie is the one whose insight into people is always, always trustworthy. She is family to the thiefsome. For this to make any sense, either Eliot/Parker/Hardison isn't a thing, or they are and Sophie doesn't know - and I can't imagine why in the hell she wouldn't know.

Any argument to make them still canon leaves me unsatisfied. If she knows and they haven't admitted it to her - why wouldn't they, after all this time? Why would she not have picked up on it even without an outright announcement? Some people suggested they wouldn't admit it because they thought Nate would be weird about it, but that doesn't seem any more in character to me than the other possibilities. In fact, the only option that doesn't go against my understanding of these people and their observational abilities/the close relationship they share.... is that the thiefsome is not a thing.

And furthermore, the implication of this conversation - especially the way it ended, with Eliot stomping off looking embarrassed while Sophie smiled knowingly - is that Eliot will get into another relationship onscreen. Maybe not a full-blown romantic relationship. But the Maria Shipp tension is going to be resolved somehow, and at this point I'm half-expecting a hook-up simply because of Sophie's reaction and how much I trust her judgement of such things. Even if she's letting her grief cloud her usual perceptiveness... it feels iffy.

It just kinda feels like I wasn't even allowed to keep my "interpret these hints/maybe they are" thiefsome that I expected after the first couple episodes convinced me we wouldn't get outright confirmation. (I mean, I will anyway, and I love the hints and allusions regardless.) And while I'm definitely not the kind of fan who is dependent on canon for my ships, and still enjoy all their interactions/will keep right on headcanoning them all in a relationship, it's just.... a bummer.

Feels like a real cop-out. Like the hints of Breanna being queer are enough to meet their quota and they won't try anything 'risky' like a poly relationship. I dunno. It's annoying.

.

That's the end of the list! Again, overall I love the new show a lot and have few complaints.

[canary3d-obsessed]

Restless Rewatch: The Untamed Episode 21, second part

(Masterpost) (Other Canary Stuff) (Previous Post)

Warning: Spoilers for All 50 Episodes!

Flute Solo

For some reason Wei Wuxian has decided to take a walk outside of the fortress, or behind the fortress, or something? Can people just take a stroll outside during wartime? Seems unwise.

There are guards and these extra-bossy crows herding some Wen prisoners along, and Wei Wuxian stands up above and gets totally overwhelmed by resentful energy.  

He falls to one knee while clutching his chest, in the spot where all cultivators seem to stow a bag of holding. I guess this is the Xuanwu sword? Or maybe it's his surgical incision; those things can take a while to finish healing. I think the golden core is further down in the abdomen, though; this is right over his heart. 

Wen Qing, Granny, and Fourth Uncle are in the group, but Wen Qing has her hood up so Wei Wuxian can't see her, and he's unlikely to remember the other two, since he only saw them that one time at the shrine, and he doesn't remember people he's literally had dinner with.  

The guards decide to be assholes and beat the shit out of a prisoner because he fell down, which inspires some extra aggressive crows to swoop in and attack the not-dead guy on the ground. That is...not how carrion-eaters behave, generally. They're pretty good about waiting for you to stop moving.

Wei Wuxian continues to struggle, obviously having an orgasm in a lot of pain, and starting to leak resentful energy.

(more after the cut)

He brings his flute up and starts playing it, which causes the wind to rise, rocks to fall from a nearby cliff, and the whole group of people on the ground under him to start having Yin Iron lines crawling up their faces.

Would Wen Qing be a beautiful fierce corpse? She would. 

Eventually Wei Wuxian stops torturing everybody, having gotten it out of his system for a bit, and stands up.  The group gets up, skin clearing up, and starts moving along again, a little shook. Wen Qing looks up and sees Wei Wuxian and hides her face in anguish.

She was there in the dungeon, listening to the same flute music, when he was resentfully slaughtering everyone around her in Yiling. Does she understand what she’s seeing, what he’s become? 

Her hood is off and it seems that he sees her, or at least that he is trying to figure out what he's seeing. But Jiang Yanli arrives before he can do more than look puzzled and cast his eyes around.  

Jiang Yanli asks him what just happened and he laughs and says it was the strong wind, in an extremely transparent lie that Yanli nearly chokes trying to swallow. She drags him back to the meeting while he continues to look troubled.

War Council

Meanwhile, the war council is meeting. This is mostly a boring rehash of stuff we already know, but someone has drawn a nice big map that's been installed in a custom frame. Because apparently the table with the mountains on it is not a good enough representation of "and then we will walk from our house to Wen Ruohan's house," which is basically their plan. The gist of this scene is that Wen Ruohan having the Yin Iron gives him an advantage, in case we needed to be reminded of that. 

The doors fly open and Wei Wuxian and his fabulous ass literally blow into the room. 

Everyone reacts in a comically extreme way. 

He casts his eyes malevolently and/or sexily over to Lan Wangji, who is still grumpy with him, while Jiang Cheng comes up and stands almost as close to him as Lan Wangji used to.

He tells everybody that he might have something to counteract the yin iron.

Everybody: Really? Do tell!  

Wei Wuxian: Happy to!

Wei Wuxian: *theatrical side-eye at judgy ex boyfriend* 

Wei Wuxian: Actually, nope.

He says "we'll see in about a month" while fondling whatever is hidden next to his ribcage.

This behavior, while ridiculous, isn't quite as absurd as it seems from a corporate-meeting standpoint. Part of what cultivators do is invent and refine spiritual tools. So when Wei Wuxian makes this speech, the people in the meeting are going to infer that he is creating a spiritual tool to counter the Yin Iron.

Now it's Lan Xichen's turn to ask everybody’s favorite question. Lan Xichen wasn’t at the party when everyone else asked him, and we're apparently supposed to believe these gossips haven't been talking about the not-sword-carrying 24x7.

Wei Wuxian says he's just not in the mood, and we get to see Lan Xichen's impressive ability to hold his face completely still while he represses his desire to slap someone.

Jin Zixun complains about Wei Wuxian after he leaves, but for once his bitching is on point; he correctly surmises that the counter to yin iron is...yin iron. 

Now, to be fair, the yin tiger amulet is different from the yin iron because it exists in the novel Wei Wuxian specially refines it to be more manageable than the sword it started from. And maybe it’s gel coated to be easier on the stomach. But it's basically the same shit.

Lan Xichen and Nie Mingjue exchange intense gazes, just to prove that the young people aren’t the only ones who know how to eye fuck. 

Lying Is Forbidden 

Lan Xichen talks to Lan Wangji, and we discover that Lan Wangji is perfectly capable of lying. He manages to maintain a reputation for not lying but I think the trick is that he just avoids talking in general, so when, for example, people in later years say "who's your masked boyfriend" he just doesn't answer, which isn't really lying. (How many times did Lan Qiren and Lan Xichen ask “where did you get this kid?” and just not get an answer, I wonder.) 

At other times he actually directly lies, as when he claims he is “just passing through” Yiling on a night hunt. The current conversation with Lan Xichen definitely involves actual lying.

Let's play multiple choice answers with the Lan brothers!

Q:  Why is WWX so confident we can have Yin Iron against WRH in a month? 

a.) Because he's been walking around with that Xuanwu sword for months, and it is obviously made of Yin iron b.) because he used a fucking ghost flute to flay Wen Chao more or less in front of me, so he is clearly down with some dark magics c.) I don’t know

Q: Was the death of people in the Yiling supervisory office really related to yin iron?

a.) obviously b.) maybe he was using some other source of overwhelming necromantic power c.) no, he’s not like that

Q. When you approached Yiling, was there anything unusual?

a.) yes, the talismans had been altered to draw in evil spirits b.) yes, everyone except his particular friend Wen Qing had killed themselves in horrifying, outlandish ways c.) are there rules already set for everything in the world?

Xichen, bless him, actually lets Lan Wangji change the subject like that and answers his question honestly.

Xichen: Actually, rules are pretty much shit Wangji: fucking hell, you're telling me this NOW? What have I been doing for the past 18 years then?

They both look just ridiculously beautiful in this conversation. Lan Wangji’s affect with his brother is so interesting. He’s trusting, emotionally open, willing to be seen...but only because he knows Lan Xichen won’t push past his barriers, won’t force him to speak the truth of what’s on his mind.

Awkwardness

The Yunmeng bros roll up, and awkwardness ensues. 

Wangji is frowning hard. His frowns are of the micro variety just like his smiles, but boy they are consistent and Wei Wuxian and Xichen both know how to read them.

Wei Wuxian gives Lan Xichen a small, sunny smile--it seems genuine, not like the fake ones he's trotting out on demand for his family. 

Then he gives Lan Wangji a pointed gaze of yearning and reproachfulness, which Lan Wangji returns, switching from frowning to a softer expression that seems about equal parts hurt, apology, and thirst.

Wei Wuxian reacts to that by bowing again and leaving, with Jiang Cheng quickly following, wondering what the fuck just happened.

Lans Xichen and Wangji pivot gracefully to watch them go, which Lan Wangji should know is not correct post-breakup behavior; you're supposed to act disinterested, my dude. 

And then Lan Xichen asks Lan Wangji what the fuck is going on. Lan Wangji gets one more lie in, saying he's not worried about Wei Wuxian, before reapplying his frown and walking away from the conversation.

Macroexpression Brothers

OP was wrong about Wei Wuxian not hugging Jiang Cheng any more--here he is hanging on him just like the old days, and Jiang Cheng is shoving him off, just like the old days. However, it emerges that this is mostly an act that WWX is putting on to seem normal. 

Jiang Cheng wants to know what's wrong between him and Lan Wangji, and asks why they broke up. Wei Wuxian points out that Jiang Cheng didn't like him dating Lan Wangji before, so why is he pushing him to get back together with him now, and Jiang Cheng says that now they're allies in a war, so Wei Wuxian needs to do his duty and help keep Lan Wangji in fighting trim, nudge nudge. 

Then he starts lecturing Wei Wuxian about sword cultivation and generally good behavior, and Wei Wuxian theatrically nods and give him appraising looks, telling him he really seems like a clan leader now.

Jiang Cheng headshakes this away. Wei Wuxian actually giving Jiang Cheng a sincere compliment here, disguised as teasing, and he's not wrong. Jiang Cheng has matured and is becoming a strong leader. Not strong enough to ignore peer pressure, but that’s true of most clan leaders in this environment. They’re not supposed to ignore peer pressure. 

Wei Wuxian is pointing it out for his own reasons - he doesn't want to be having this conversation - but it's nice to see him giving his clan leader his due.

Jiang Cheng walks away as Wei Wuxian smiles after him; as soon as he's out of sight the smile falls off of Wei Wuxian's face as fast as fast as gravity can take it. It's like someone snuffed a candle.

No one bites back as hard On their anger None of my pain and woe Can show through

But my dreams, they aren't as empty As my conscience seems to be I have hours, only lonely My love is vengeance that's never free

More Awkwardness

Lan Wangji and his ambivalence come looking for Wei Wuxian, standing outside his door and raising a hand to knock before changing his mind and fleeing. 

Lan Wangji is on the back foot for the first time in his relationship with Wei Wuxian; this boy who pursued and pursued and PURSUED him is now a man who won't speak to him.  This boy who hung on every one of his words, and saw through all of his minute facial expressions, has become a man who won't listen to him. Lan Wangji is in the position of pursuer, now, and it's not a role he's well equipped for.

Yanli stops him as he's bailing. He looks so relieved to see her, but he tries to escape immediately after greeting her. She stops him so she can ask what the fuck is going on. 

Unfortunately, Wei Wuxian rolls up while Lan Wangji is in the middle of talking to her.  He's telling her about the heterodox cultivation, and Wei Wuxian busts him. Wei Wuxian steps up and asks what he was telling her, and Lan Wangji says "Wei Ying," but doesn't get much further than that.

Nunya

Wei Wuxian reminds him that he told him to stay out of Jiang Clan business. Now, here I want to mention that "private" and "not your bidness" are culturally specific concepts. OP, for example, grew up in version of Irish-American culture so secretive that the problems of a person's life and (often) the cause of their death are things only discovered by whoever inherits their papers. [OP inherited 3 generations of letters a few years ago, and HOO BOY]

In the version of Chinese culture which we see in this drama, your choices, thoughts & troubles belong to the family and clan, not just to you.  Wei Wuxian, in shutting his elder sister out of his struggles, is not family-ing correctly. Jiang Yanli is right to try to get around that by asking his friend. His friend is also right to give her--in sanitized form--the information she is asking for. 

Wei Wuxian has zero trust in Lan Wangji at this point, unfortunately. He doesn’t know that Lan Wangji has been lying to cover for him; he just knows he’s being a grumpy aggressive holy roller. Now, when Lan Wangji has just been given permission to disregard all 3000 rules and look at a person’s heart, that person’s heart has been hardened against him. 

Yanli is used to dealing with Wei Wuxian's moods at this point -- after all, a lifetime of Jiang Cheng has got her used to volatile little brothers, and Wei Wuxian is clearly a new, not-improved man since his return. 

She tries to get him to chill out while Lan Wangji gives him a death glare -- not a return to the earlier generalized frown, more of a specific "I can't believe how full of shit you are" frown.

Wei Wuxian calls him Lan Er Gongzi, like a dick. Lan Wangji started this but at this point Wei Wuxian is kind of in the lead for who is being The Worst. Lan Wangji executes a beautiful 180 and walks away at top speed. 

Wei Wuxian asks Yanli if he talked about Yiling and when she says he didn't, he realizes he fucked up. 

He goes running after him and calls him Lan Zhan and says "listen to me" but Lan Wangji is no longer in a listening mood. 

Eat A Dick Sword

Lan Wangji is so far in his feelings at this point that he just hauls out his sword and goes after Wei Wuxian, taking complete control of the interaction and forcing Wei Wuxian to concede the fight. Aww, he’s so angry! I love him. 

This is a rough moment for Wei Wuxian. He really genuinely can't hold his own against Lan Wangji, unless he's going to directly use necromancy against him the way he does later in their final confrontation. 

When they first met he was able to defend himself on the rooftop without drawing his sword, but he's weaker now; Chenqing is an adequate hand weapon against most cultivators and puppets, but it's not a match for Lan Wangji's full attack. 

Wei Wuxian is not enjoying this fight, and can’t win in, so he just throws in the towel, exposing his throat and trusting Lan Wangji's control.

On the surface, this fight appears to re-establish their former rapport, but it puts them on such an uneven footing it might actually drive a larger wedge between them.  I think that Lan Wangji has made a strategic error in doing this.  

Lan Wangji seems to want to prove to Wei Wuxian that his new style of cultivation is inadequate, that he would do better with a sword. Swordplay was the beginning of their relationship; their matched power was the source of their mutual attraction. Lan Wangji can't accept that Wei Wuxian has given it up; he doesn't (yet) respect his agency enough to assume that he has a good reason.

This fight functions as yet another punishment that Lan Wangji doles out to Wei Wuxian; not a physical one, this time, but a psychological one, and their relationship pays the price. 

By attacking Wei Wuxian and forcing him to concede, Lan Wangji is showing that they're unequal. By criticizing Wei Wuxian's lack of progress and asking him the same goddamn question everybody else is asking him -- where is your sword? -- Lan Wangji is humiliating him. 

This encounter does not re-establish Wei Wuxian’s trust in him; it just forces him to accept Lan Wangji’s authority, for now. Which is not what either of them really wants. 

Soundtrack: Behind Blue Eyes, by The Who

Writing Prompt: What would Wei Wuxian have said if Lan Wangji had listened to him instead of drawing his sword?

[pocketaltar]

please more desi supernatural?

just for u anon i love u sm

*disclaimer: i am desi! i am not sikh! lmk if anything is inaccurate or offensive! also in this au mary was a bengali hindu but died before she could teach sam and dean much, and john doesn’t care enough to keep their culture alive.*

this is a bit of a different take bc im picturing desi/half desi sam and dean who were raised by good ol’ white american john. their cultures were demonized (quite literally) and they’re not only distrustful of the more supernatural parts of their culture, they’re distrustful of other brown people, because they’re so cut off from knowing other people of color at all. (kinda related: if ur a poc in a majority yt area u are stronger than any us marine)

so im picturing early seasons sam and dean, before cas, before hell, before any of it. a hunter calls them up and tells them about a case in queens. it sounds like something john cleared up twenty years, and despite dean grumbling about new york traffic, they get in the car. 

for the case: im thinking a ghost’s terrorizing a family owned indian restaurant in queens. why? i don’t know. ghosts don’t like spicy food. someone’s colonizer ancestor. it doesnt matter

what does matter is sam and dean pull up to this restaurant after 12 hours of driving, after an hour and a half of carefully maneuvering the impala. they go inside just before the restaurant closes, ordering a thali to split and waiting until the place is empty. in my head, they know they’re too young, too scruffy, too openly sad to pass as fbi agents, so they pretend to be college kids, introducing themselves as sam and dean chowdari, asking what they can do to help. 

the owner and his wife - mr. and mrs. shergill, sikh, celebrating their 37th wedding in april, kept saying they’re going to move out of the city and never really meaning it - recognize these desi half-starved college kids in the same way they recognize their children, in the same way they’d recognize themselves from 40 years ago. 

they give them a glass of leftover lassi each and answer their questions, and well, when the boys help them ward the building, what else was there to do except invite them upstairs for some tea and dinner? it’s past midnight, they’re young men, they must be hungry. we have some leftover saag aloo and rotis, it’s really no imposition at all. where are you sleeping? you don’t know? i’m certainly not going to let you sleep in that car of yours. we’ve got a pullout couch and our son’s old bed should be big enough for you, sam. 

so sam and dean are spending the night in this apartment that still has plastic on the remote. doilies on the side tables, that one blanket on the bed, spices in a round steel tin, plastic bags under the sink, a picture of guru nanak watching over dean on the couch. they feel comfortable and taken care off and at home in a way they never have, in a way they were never allowed. 

eventually, they take care of the ghost. they go to the gurudwara with the shergills, they eat langar, they load up the impala with murukku and hand-me-downs from the shergill’s son. they promise to stop by the next time they’re in town, and mr shergill spends an hour telling dean the best ways to go to avoid traffic. they head off into the sunday night sunset, a devdas cassette tape tucked between the classic rock.

[aliatori]

Hello hi listen I just need any and all information and headcanons you have on Libra queen Camille Vidale and her wives and also her (non-Gabriel) babies THANKS LOVE U

Ah yes, my favourite Libra for my favourite Libra. To be honest I was not expecting Camille to be such a hit, but honestly, she’s a huge favourite of mine and I’m glad she was well-received. A true lesbian icon.

Musings under the cut because, predictably, this got long.

Sometimes in character development their sign is immediate, but in Camille’s case the zodiac sign came much later. Even though she has a lot of the stability and grounded-ness of an earth sign, when I really thought about her priorities and the goals she has in life, the Libra jumped.

Insomuch as it is possible in the career path of pirate cultist, Camille is interested in preserving harmony among social groups, has a strong sense of fairness (we see this in her role as quartermaster and in some of the conversations she has with Gab around fold events). As I was writing her, her natural charisma and the way most people feel at ease with her regardless of their position or social standing gave me huge Libra vibes. Where Gab (rightfully) accuses Hugo of being unfriendly, Camille is incredibly friendly, especially in context of the world. While she doesn’t necessarily uphold traditional values, she DOES hold harmony in high regard, especially relational and organizational harmony.

Libras tend to be flagged as indecisive and non-confrontational, but also—Camille has LIVED through almost 50 years of being fold-born and like, 30+ of those have been spent on a ship of some sort in piracy and sea reaving. One develops a certain confrontational demeanor and confidence in that line of work (but if you asked her, it’s definitely not her favourite part—she’s much more interested in the sailing and spoils portions). 

Fun fact tangent—Auxier is around the same age as Hugo, mid 40s, and she and Camille served on the Siren’s Maw together when they were younger, though Camille eventually left to come aboard the Screaming Squall. Auxier has also tried to poach Camille for her crew multiple times from Hugo and later Gab. 😂They’re actually on friendly terms, or close to it, and being able to compartmentalize different kinds of relationships that might resolve tension feels very Libra to me too.

Obviously her duties aboard the Squall take up most of her time, but Camille is definitely fond of gatherings and parties. Not in the same sense that, say, Team Trouble of Sparrow and Luc might be, but in that she enjoys the camaraderie and energy. She enjoys revels a lot, probably as much as Del and Gab do but for different reasons. Unlike real pirates of the age of sail, there is no prohibition on gambling aboard ships so long as it doesn’t interfere with duties, and she will absolutely destroy you in most tavern/shipside games of amusement; the exceptions being Aurele and xyr special interest dominos and Hugo at darts. She’s gracious enough to let people win for morale and mood occasionally, though (;

Fun fact tangent: In her younger years, Camille was an excellent spearfisher and it’s also part of how she got so handy with a trident.

As far as her ‘wives’ — it’s a close enough shorthand, but there’s no such thing as marriage in the fold. Palm cutting is the closest thing and would probably be the ritual with enough significance, but even that can mean different things to different people. For Cammy and her partners, it was a serious gesture of commitment to each other and to their family (in comparison to what it means to Gab and Hugo, which, lol).  Monogamy is also not the cultural default or expectation, though certainly some folks choose to maintain monogamous partnerships for periods. I wouldn’t go so far as to say polyamory is the default either, at least not as we understand it in modern day; non-monogamy by default with the particulars up to the individuals involved is most accurate.

I say this to illustrate… Camille’s situation is a little unusual not because the polyamory or commitment, but because it’s just unusual for families to have ‘units’ in the fold. Especially because children in the fold, whether born to the people who live at Watcher’s Cove or taken (in the days before the brine started killing everyone), are raised communally, but Camille, Aline, and Claudine (yes, they have heard every cute comment about their name synergy, they WILL stab you for it) took it upon themselves to have a more involved hand.

Aline and Claudine are both fold born and were actually a long term couple before Cammy entered the picture. If I had but world enough and time, I would love to write that getting together story, but essentially it was Big Messy Poly Feelings until they were less messy. Aline and Cammy were together first separately, and then Camille and Claudine ended up eventually developing a relationship as well.

Fun fact but NOT tangent: Aline is what passes for a clothier in the fold, which basically means being proficient in a lot of weird odds and ends materials and multiple disciplines. She was the one who made Camille’s hat as part of this getting together story, and it’s why Camille is so attached to it. (: Definitely the sharpest of the three, in attitude and appearance alike.

Claudine splits her time doing a lot of fishing for the fold during the good seasons and stepping into a crechewarden role when not. She’s also genuinely devout, closer on the Gab/Del scale of things rather than the Sparrow/Hugo side of things.

I’ve not spent a lot of time with Ghys (full name Ghyslain, he/him) and Miri (they/them) to be honest with you, but I do know a few things. Their OTHER nicknames are Guppy and Jelly respectively, but strictly for Cammy/Ally/Claudine usage… and Gab, because they are definitely around the Squall from time to time when it’s docked at the Cove. Learning the ropes, literally. (Had Gab not been otherwise preoccupied with very pressing matters at the end of Fate and Furor, it would have been a much happier, louder reunion). They’re both old enough to have duties around the fold even if they weren’t already raised outside of the creches; Miri is dying to follow in Camille’s footsteps as part of the fleet, and Ghys already sort of apprentices with Aline. (:

I’m sure I could go on and on, but I think I’ll wrap it up there for now. Thanks so much for asking!! <3

[linkspooky]

Can I Be a Hero?

Shigaraki and Hawks are two children who started with the exact same dream, to become a hero only to take completely opposite paths in life. One raised from childhood to be a hero by the hero association, and the other raised by AFO to become a villain. 

These two characters are written in parallel, as intentional hero-villain foils. They’re destined to meet in canon one day and just keep barely missing one another so until then let’s explore more of their relationship under the cut.

1. The Same

First, there are several similarities in both their characters and their origins. 

They both come from abusive households. In Hawks’ case it’s only implied but, one he lives in trash and squalor with a beer bottle in the background. The dysfucntion in Hawks’ household life from an early age is obvious, to the point where having his life uprooted by the hero commission is considered a privilege because they promised to pay for everything. 

Shigaraki came from what seemed on the surface to be a healthy household. His father was a succesful businessman, the family owned the house, even the in-laws were happily invited to live in the house. Hawks is implied to have grown up in isolation, whereas Shigaraki grew up surrounded by people. However, Tenko suffered from a quieter, and subtler more insidious form of domestic abuse where he was the scapegoated child of an otherwise “Happy home.” Tenko was treated as the problem child and made constantly to feel bad for suffering his father’s abuse like he provoked it by breaking the rules. 

They both were born into a sort of lineage. Hawks is most likely related to the Great Theif Takami who Endeavor captured, and Shigaraki is the grandson of Nana Shimura. 

They’re both adversely affected by the circumstances they were born into. Hawks’ household was probably in that condition because his father was a villain, or his father was captured and he was living on his own. Shigaraki was targeted by AFO because he was Nana’s descendant, and Kotaro carried his feelings of Nana’s abandonment with him for life and this eventually turned him into Tenko’s abuser. 

They both have an event that sets them on their life course.

Tenko’s quirk activates on accident killing his whole family. 

Tenko sees a truck accident and uses his quirk to save several people. 

As a result of these incidents they are “saved” from their abusive households. It’s important to notice the difference, Hawks conforms by being offered a chance at education and a better life if he decides to become a hero. However, Shigaraki destroyed the household that demanded conformity from him in the first place. He becomes outcasted as a result to the point where nobody even notices him suffering on the street. 

They’re both saved by predatory people who take their original names away:

Takami’s name is suppressed and he’s given a hero name instead. He’s literally renamed as a hero.

Tenko is renamed with AFO’s last name. He’s literally renamed as a villain. 

On a third note they are both children who you would never look for if they went missing: Hawks was poor, Tenko was literally neglected in the middle of the street in broad daylight allowing AFO to kidnap him. 

That’s even literally brought up by All Might and Gran Torino. If they had ignored Nana’s request, and actually monitored her child Kotaro and his family then Shigaraki never would have happened. 

They’re both defined by their quirk, to the extent that their whole lives have been defined by it. 

Shigaraki was born with a quirk suited for destruction, and this is what several characters insist that’s all he’s capable of. Shigaraki is then raised to be a symbol of fear who lusts only for destruction. 

Hawks was called a genius for his quirk, and raised as a prodigy hero. His quirk is ideally suited for saving people and he’s done so his entire life. His own wish was to become a shining light that inspires everyone the same way Endeavor inspired him. 

This is where they start to diverge. There’s more details I could go on about with all the differences, but I’ll summarize it like this. They present themselves as literal opposites. That is, the character they show to others. Their image. Etc. 

Shigaraki is regarded by everyone he meets as a man child. He has visible scarring on his face that he hides. He’s frank and honest, and always tells everyone exactly how he’s feeling. 

Hawks’ thing is being “The Man who goes too fast.” If Shigaraki never grew up, then Hawks grew up far too fast. Hawks is deceiptful, never shows his true face even though he doesn’t wear a mask. He’s considered traditionally attractive, does modeling, and is extremely popular and well liked. 

2. But Different

If there’s one way to summarize the main difference between Hawks and Shigaraki it’s this. Shigaraki externalizes everything, every feeling, every little bit of trauma he has, instead of holding it all inside of him he pushes everything out. Hawks internalizes he has a rich inner world, but everything on the surface is vapid, it’s shallow, it’s just a performance for him. All of his trauma is inside of him, and he keeps it there. His real self is hidden somewhere in a cage deep within. 

The reason they rely on these different strategies of expression is entirely to do with how they were raised. Hawks was raised inside of the system, and was taught confromity. Shigaraki was raised outside of the system. He was taught the exact opposite, to never conform to anybody’s standards. 

They both grew up inside of an assigned role. Shigaraki was told it was his job to destroy whatever he likes, Hawks was told it was his job to save people. However, Hawks is not a better person, or a better victim than Shigaraki. Interanlization is just as bad of a coping strategy as externalization, and just as unhealthy. They are both characters who are barely coping with a lifetime worth of the trauma as being raised as literal child soldiers and exposed to so much violence a young age they’re both desensitized and numb to it. They’re hurting all the time, but also they’re numb. 

They’re so similiar down to the fact that they both have the same internal desire. Shigaraki longs to be free from all of his trauma, and Hawks longs to be free from the weight of his responsibility, but it’s still the same longing. 

But they are different. 

It would be easy to say that Hawks is the more selfless character because he devotes himself to saving others, whereas Shigaraki is the more selfish because he lashes out at the world from his trauma. However, there’s no such thing as a perfectly selfless person. Hawks is capable of shockingly great feats of selfishness. Shigaraki is someone who can be selfless and do things for other people. 

Hawks will go out of his way to destroy people too, just like Shigaraki.  Hawks will destroy his own friends. 

There’s a marked difference in the way Hawks and Shigaraki both treat Twice, someone who is a victim with many things in common with the both of them. Twice is someone who did not get saved and fell through the cracks like Shigaraki. Twice is someone who grew up in abject poverty and had to rely on his quirk to survive like Hawks. 

Twice is constantly more of a burden to the league than an asset. He’s the reason Magne died, because his too trusting nature had him invite someone like Chisaki without knowing the risk. A normal villain would throw Twice out for his incompetent mistake, but instead he’s comforted. 

Shigaraki says the two of them can work together to fix his mistake. Instead of being thrown out, he’s told he’s needed. He’s asked to stay together with the league for everyone’s sake. Twice at this point is still too traumatized to use his quirk properly. Afterwards, he fails even to duplicate Chisaki’s special bullets. However, Twice has value to the league no matter what his quirk can do. He’s valued as a person. 

He’s humanized, both by Shigaraki’s and Toga’s actions together. 

However, Hawks reacts differently. He dehumanizes the people who need his saving the most. When he’s at his most vulnerable, Hawks corners him and rutlessly mocks him. 

Look at the opposite way they show their faces. Shigaraki shows his full face for the first time to Twice when Twice, whereas when Hawks reveals his true intentions his face is almost completely obscured. 

Hawks dehuamnizes twice in two regards. One, he insists that Twice conform to his black and white standards. Hawks divides people into good people worthy of saving and bad people who are not. Every member of the league is a victim like Twice. However, Hawks only considers one of them a good person, and one of them is worth saving. Even when Twice says they’re all his friends, Hawks demands Twice betray all of them for the sake of himself. Of course Hawks would, Hawks doesn’t even know what it means to have friends. 

The second way Twice is dehumanized is that Hawks only sees him as the potential damage his quirk can do. Twice is not a three dimmensional person, with reasons for what he’s doing, thoughts, and feelings. Hawks only sees him as a time bomb about to go off. This also relates how Hawks sees people in general, he always, always, always strips them down to their worth to him. Endeavor is someone he can position to be the next number one hero. Twice is someone to use to get closer to the league, and then destroy because he’s too trusting. Hawks only got close to Tokoyami because he wanted information about Class A, even though he did grow a little bit more fond of him. 

Twice makes mistakes over and over again for the league, but he’s never thrown out. Even when Twice is the reason the raid is happening, Dabi rushes as fast as he can to save him, Toga almost loses herself avenging him. Twice’s life had value. 

Except to Hawks. 

Here we strike upon the difference between them and it’s almost entirely in how they treat the people closest between them. They’ve been raised all of their lives as tools, but Shigaraki doesn’t treat other people as tools. Shigaraki accepts people and gives them shelter, Hawks throws them out. 

Shigaraki also used to be like this. He used to throw away all the recruits that AFO gave him and waste them on stunts like the UA Invasion. However, it’s something he grew past.

Which is one more difference between them. Shigaraki has this great capacity for change that Hawks has not shown us so far. They both long to be free, but Shigaraki is the only one of the two of them that actually fights against something for that freedom. 

Shigaraki will always choose to make his own decisions, to be his own person. 

However, Hawks is given that same choice and chooses the opposite. He wants his decisions made for him. He wants to remain inside the cage because it’s safer there. 

It’s not just that though - it also extends to how they treat other people. Shigaraki liberates those he interacts with. Twice, Himiko, Dabi, Magne, Spinner, Mr. Compress (whatever his issues are) are all given a place of belonging within the league. 

However, Hawks will take away the freedom of other people too. He does so to Twice. He possibly did so to Best Jeanist. He pushes others to conformity, believing that is what saves them because it saved him. 

Utlimately what’s different about them is the choices they make despite their circumstances. Hawks was given a choice to be free. He’s given the oppurtunity to get better but doesn’t. Every time Shigaraki fails he learns from his lesson. Shigaraki is rising up, and Hawks is spiraling downward entirely because of the choices they made. Shigaraki has friends, Hawks has none. (Because he murdered the only real friend he did have). 

That’s not to judge on whether they’re good or bad people. It’s just the direction their arcs are taking them. Shigaraki has always been on a self improvement kick, getting better with every failure. Hawks tragically is consumed by his failures and gets worse and worse, hence why there are so many references to Icarus in his character. 

It’s been built up for a long time now that Hawks is going to meet Shigaraki at some point. In fact his desire to meet Shigaraki is what caused the hero raid on the PLF in the first place. 

Those two are destined to meet in a Javert / Jean Valjean fashion. However, the question is what will Shigaraki do now? Hawks is someone who at least had a chance of Shigaraki sympathizing with him before because Shiga takes in all kinds of strays. However, now with Hawks chosen action to kill Twice who genuinely sympathized with him - he must have murdered off any chance of that.

Either way the two have so much in common that they have to meet. At which point Hawks’ fate will be left in Shigaraki’s hands. It’s likely even if Hawks is to be saved, it will be Shigaraki’s job to do it, because Shigaraki is the character with the most in common with him. 

Either way their meeting has been building for a long time, and when they do finally meet something will change about both of them. That’s how integral both of their parallel stories are about one another. 

[thiswasinevitableid]

for the meet uglies, sternclay 60 sfw? OwO

Here you go!

60 Sterncly SFW. we’re both on a reality show (like the queer bachelor) where we’re told to be friends but the first time we met, you were incredibly rude and judgmental and I don’t know if I can do this for the damn cameras

“So, Barclay, now that we’re a few days in, what’s your impression of the other contestants?”

“They, uh, they all seem like great guys. We come from a lot of different backgrounds, so that’s kind of interesting to be around but, uh, I live in a place that’s like a big, chosen family, so being in a house with a bunch of types of personalities is kinda, uh, homey.”

“There’s no one you think you’ll struggle with?”

“Uh. Well. I, uh, I don’t like Joseph too much. He came in and he’s so, like, phony from all the years in the FBI. It’s like he’s trying to be polite and charming but really he thinks we’re all idiots for being here. Which, like, buddy, last I checked you signed up for this the same as the rest of us.”

------------------------------------------------------

“Joseph, any worries about the other contestants?”

“No. I mean, we’re competitors on a dating show, not enemies. I think we’re all trying to show Vincent the best versions of ourselves.”

“There’s no one you’ve had conflicts with?”

“........I, um, Barclay and I got into a small argument earlier about the house rules. But I’m sure if we both stick around long enough we’ll come to an understanding.”

----------------------------------------------------

“Gentlemen, this cannot continue.” Ned, the producer, sits on the couch across from them. Barclay glares at Joseph, but the other man keeps a cool demeanor. Great, he’s making Barclay look like the big, angry mountain even off camera.

“I thought reality shows needed conflict to thrive.” Joseph cocks an eyebrow.

“They do, but about big things, like love and rivalry. Not how to properly load a dishwasher.”

“I’m just trying to be efficient.”

“My way is perfectly fine.” Barclay snaps, “jesus, I worked in kitchens for years, I know how to get clean plates.”

“That doesn’t make it optimal.”

“Do you have to be right about everything?”

“Gentlemen, you recall we have a housekeeping staff, right?”

“It doesn’t matter” Barclay doesn’t take his eyes off Ned, “we’re supposed to all get along, not all try and prove we’re the smartest guy in the room.”

“See, this is your problem, you need everyone to like you, to see you like a big brother, but you’re missing the fact that at least three of them have decided your gentle giant persona is a threat and they’re trying to oust you.”

“It’s not a persona, it’s just how I am. We aren’t all government shams disguised as men.”

Joseph’s facade cracks for a moment, blue eyes trying to light Barclay on fire.

“Enough.” Ned shakes his head, “you may despise each other as much as you please behind the scenes. In front of the cameras, please try to act as if you’re not ten seconds away from coming to blows. Agreed?”

They trade a final, furious look.

“Agreed.”

------------------------------------------------------

They’re a little over three weeks in; Vincent is still doing lots and lots of short, individual dates between the group outings, so the contestants have ample time to hang around the house and get on each others nerves.

Case in point: Joseph was right when he warned Barclay that others saw him as a threat. Chad, Alex, Nico, and Rich have all decided to go after him. Just this morning he’s been told he’s not man enough for Vincent (he shooed a wolf spider out of the kitchen with a broom instead of squishing it), too girly (he offered to make cupcakes if people wanted), and too big (who'd want to fuck a six foot tall puppy).

His mood is not helped by Joseph chatting away on the couch about his former job with the FBI. Barclay swears it’s all the asshole knows how to talk about. Maybe it’s time for Barclay to play a game of his own.

“Hey, Joseph.”

The other man turns, black hair perfectly slicked back like he thinks he’s some kind of movie star.

“I bet you ten bucks you can’t make it until eight tonight without talking about your job.”

The other contestants in the room snicker, several even giving Barclay a thumbs up.

Joseph adjusts his shirt sleeves, “You’re on.”

Ten hours later, Barclay is forced to get his wallet. The other man never mentioned the FBI once. In fact, he did Barclay an even bigger favor; he didn’t talk at all.

He finds the agent sitting on the back steps leading into the garden. Stays standing as he holds out the cash, “you win fair and square.”

Joseph looks at the money, then looks away, “I did it to show I could, not for the bet.”

“I mean, you didn’t have to go, uh, quite so hard on the silence thing.”

“I didn’t mean to. But, um, every time I was going to open my mouth, I realized it was somehow related to work. So I kept quiet.” He sighs, stretches out his legs. He’s in slacks, because of course he is, “I must have been so tedious to listen to, no wonder I was driving you up the wall.”

“Joseph-”

“I really am married to my career. I guess it’s not surprising my last chance for love is on a T.V show.”

“Hey, I get it.” Barclay sits down next to him, “when I was first working in commercial kitchens my hours were crazy; I barely saw my apartment, my friends, my boyfriend who pretty quickly became my ex. But it was what I needed to do to build the career I wanted for myself. To do what I loved.”

Only the crickets and the distant waves reply. Then, “You said you were a private chef now, right? Along with writing cookbooks?”

“Yeah. Kinda surprised you remembered.”

“Listening is a major skill in my profession. Besides, it’s polite to pay attention to what people tell you.”

“What’s your job now? You only ever talk about the FBI stuff?”

“Paranormal investigation. I never bring it up because people assume I’m out chasing Bigfoot with a shaky-cam or trying to communicate with haunted dolls.”

“So...what is it instead?”

“Helping people figure out they’re homes aren’t haunted or the monster on their property is just some owls. I like the challenge of solving the mystery, and I like helping people feel safe in they’re homes.”

Loud voices form inside; the caterers must have refilled the bar. He doesn’t really want to go in. It’s too nice out here.

“You wanna hear about the restaurant my coworkers swore was haunted?”

Joseph perks up, turning to face him, “Yes, please.”

-----------------------------------------------------

He’d been really looking forward to beach day. Six guys are already gone, and Vincent has taken his fleet of suitors to the sunny San Diego shores. Barclay is dismayed to find all but three of the other guys have waxed their chests. Joseph hasn’t, but his happy trail is nothing compared to fucking black forest on Barclays torso. Nico’s gotten half the guys to call Barclay “bigfoot.”It makes him feel like he’s back in high school P.E freshman year, and his body image is rapidly sliding into that of a shy fourteen year old.

“Barclay!” Joseph comes jogging out of the surf towards the towels they lay down side by side when they arrived, “you should come in, it’s really the perfect weather for swimming.” He drops onto his towel, black hair a bit mussed. The swim-shorts that he thought were blue with green spots turn out to have not dots, but tiny UFOs on them.

“I, uh, I’m good. I, uh, I burn easily and I don’t think anyone wants to rub sunscreen on my hairy back.”

“Hey, Bigfoot, what’s wrong? Scared of what’ll happen if the cameras get a load of your gut?”

Barclay growls, stares at his toes. Joseph tracks Nico as he finishes jogging by. Then he calmly picks up a frisbee, aims a throw, and knocks his snapback off his head. He’s sitting down before the other man can work out who threw it. Barclay chuckles, but doesn’t get up.

“Bigfoot’s my favorite cryptid.”

“Uh, thanks?”

“And who gives a shit if you have a stomach.”

“Easy for you to say, you’re cut.”

Joseph grabs his sunglasses, “because I like that for my body. I happen to like yours just as much. Um I, I mean, it seems like Vincent likes it.” He tips his head towards the Bachelor, who gives them both a long once-over.

“...Will you do my back?”

“Of course, big guy.” The nickname sounds so right on his tongue it makes Barclay want to set his head in his lap and ask him to pet it.

It’s late afternoon when Ned herds them all onto a boat which promptly steers towards some cliffs. Joseph stays close to Barclay, pleasant expression noticeably tightening the closer they get to the rocks.

“I’ve been dreading this. Cliff diving is not something I’d pick to do on my own.”

“Heights?”

He shakes his head, “Deep water. I know it’s not rational, and I even checked to be sure there hadn’t been large shark sightings in the area, but I can never shake the feeling there’s something waiting just out of sight, ready to surge up and eat me.”

They all climb up together, Vincent staying on the boat to watch them jump (this is technically a friendly competition to show off how brave they are). As they’re turns get closer, Barclay sees Joseph doing deep breathing exercises.

They hit the edge. The agent freezes.

“Shit. I don’t think I can do this.”

“C’mon, where’s my daring special agent?”

Joseph still doesn’t move.

“You, uh, you wanna jump together? Maybe the megaladon or whatever will eat me instead.”

“Megalodons are extinct; we’d know if they weren’t, same as we know Whale Sharks aren’t.”

“They you are.” Barclay murmurs, smiling.

Joseph manages a smile back, “On three?”

“Yep. One, two” he grabs Joseph’s hand “three”

The water rises to swallow them with terrifying speed, but nothing is waiting for them except one very startled fish. They surface together, Joseph laughing triumphantly, hair plaster to his head and sun shining in his ocean eyes.

If Vincent doesn’t pick him, he’s out of his mind.

--------------------------------------------------------

“Ohmylord, we have to play this.” Joseph cannot believe his luck; he figured the barcade group date would mean a lot of solo time, but here’s his favorite game in the whole wide world.

“Monster Hunt?” Barclay laughs as he lets himself be lovingly shoved down into the seat of a cut-out Jeep, “very on brand.”

“They had this at the bowling alley near my house. I’d play when my parents had league night but couldn't get a sitter. I never could beat the Mothman level without a player two.”

He doesn’t have that problem tonight, even with Barclay distractingly delighted and handsome in the seat beside him. After that, they make it their mission to find every two-player game in the thrum of flashing colors and tinny music. He finds they both like the Bowser Bourbon Smash, and somewhere around their fourth, heated game of air hockey they each polish of one too many of them to stay upright without the support of a game, a helpful show staff member, or each other.

When they get back to the house (their fellow contestants all in a similar state to themselves) they manage to make it to Joseph’s room before collapsing into a giggling heap on the bed.

“That, hic, that was fun. Games are, hic, fun.” Barclay blinks at him, “what’re you laughing, hic, at.”

“You, you got the hiccups. S’funny because you’re so big, like, like watching a, a pitbull with a, um, a” he makes a squeezing motion that his sober self would recognize as “squeaky toy.”

“M’not big” Barclay pouts, “I, hic, maybe everyone else is, hic, just small. Ever think of th--hic--at.”

“S’not a bad thing.” Joseph shifts so they’re facing each other, “like how big you are. Makes you sexy.”

Barclay blushes, “you’re, hic, one to, to talk. You’re hot, so, hic, so fucking out. Got, got those eyes. That, hic, that face” He touches Joseph’s cheek, “love your face.”

“Love yours too.” Joseph says, stroking his beard. Then they’re moving in inelegant tandem, grabbing at each others shoulders and faces as their mouths find each other. Barclay is so warm, whimpering when Joseph rolls him on top, nipping his lips and pawing at him like a puppy hoping for a treat. Joseph is going to hold him close and let him have it.

A clatter from below, one of the other men knocking something over in the kitchen, breaks the spell.

“Wait, wait” Joseph reluctantly slides his hands of Barclays ass, “we, drunk, we’re drunk, too drunk.”

Barclay blinks down at him, pouting a little even as he groans “fuck, you’re, you’re right. Wanna, gotta remember this. Don’t wanna” he yawns, “regret it.” The instant he flops onto his back Joseph climbs into his arms and falls asleep to the slow rhythm of his breathing.

-----------------------------------------------

After that night, they agree to be more careful; they’re here for Vincent, to see if one of them is his true love. That’s what the contract they signed says.

“More careful” turns out to mean watching their alcohol intake around each other and only touching platonically (including falling asleep on the couch together. They wake up to cameras recording their nap. Barclay isn’t sure what Joseph threatens Ned with, but the footage never sees the light of day).

But unless they’re on a solo date with Vincent, they’re by each others side. Barclay teaches Joseph dominoes and how to make biscuits. Joseph introduces him to terrible old horror movies that they watch on his laptop and compliments his cooking every chance he gets.

They must be doing something right, because they move to the next round week after week, Vincent clearly enamored with both of them. Barclay certainly understands the feeling. Just not for the person who he’s supposed to.

“Joseph? If, uh, if neither of us win, what are you gonna do after this.”

“Go back to work. Maybe pitch my book about U.S cryptids.” Joseph’s smile goes shy for a moment before recovering, “but I wouldn’t worry, big guy; I think you’re the front runner for sure.”

Barclay knows for a fact that Joseph is a fan favorite and the suitor most people think will win. Which is why, when Vincent selects his final four, he’s not surprised Joseph gets the first rose. Then everyone but Barclay is holding one and Vincent is touching his shoulder.

“Barclay, please don’t take this as a sign I’m not deeply fond of you. This wasn’t an easy choice but I, well, I feel like your heart may not be in this anymore.”

He takes Vincent’s hand and squeezes it, “It’s okay. It was wonderful just to get to know you. All of you.” He looks at the final four, at Joseph’s calm, polite expression. He meets blue eyes as he says, “I hope you find someone who makes you happy.”

With that he turns, all too aware of the cameras tracking his exit, his face, how he’ll have to do a final interview and not reveal that he’ll hate Vincent forever but not blame him in the slightest if he marries Joseph.

“Wait!”

Every eye, lensed or no, turns back to the gazebo. Joseph is at the edge of the steps, poised to run. When he sees Barclay stop, he turns to Vincent.

“I’m sorry, but I can’t accept this.” He hands the bachelor the rose, “I hope you understand.”

There’s no soundtrack on set, but strings swell in his ears all the same as Joseph descends the stairs and leaps into his arms, kissing him so hard he still has stars in his eyes when he opens them.

“It’s not a marriage proposal” Joseph whispers, kissing his cheek, “but I do have a question for you.” He pulls back, all cameras on them but his attention for Barclay alone, “would you like to be my boyfriend, big guy?”

Barclay rests their foreheads together, “Yeah, babe, I really, really would.”

[postmodernmulticoloredcloak]

So I watched 10.09 recently, and it has that part where Dean tells a story about him basically being almost roofied as a teen, but somehow it ends up framed as the funny joke and yet another proof that John "did what he could", and I kind of hate this? And it's the same episode in which MoC!Dean killed guys that kidnapped and tried to rape Claire, and you'd think writers would've addressed the parallels and acknowledge that Dean could've been triggered by this situation. 1/2

2/2 But in the end, it's never addressed, and the whole situation is framed as the proof that Dean is evil now. And I'm not even sure what I am trying to say, but with that being the show's approach back in s10, I'm not surprised about the finale anymore. Guess we should've known?

That’s an excellent angle to look at the issue because the Mark of Cain arc is a clear example of how people with different experiences will see the same thing in wildly different ways. There’s this phase of season 10 where everyone is like “oh no Dean is Getting Worse” and when you look at what Dean is doing... you actually go “...good for him”.

Let’s give Caesar what belongs to Caesar. It’s not “the writers” in this case, it’s Dabb. Plenty of other writers don’t fall into this John apologism thing. Just look at how the episode before Lebanon, written by Buckner and Ross Leming, says that sometimes John would temporarily kick Dean out because he was “pissed at him” despite Dean always taking his side to mantain the peace. It almost seems like a statement to sprinkle some salt given what Dabb does in Lebanon, you know? Maybe not, but there is a tension between “John was shitty” writers and “John did his best” writers.

In hindsight, we gave Dabb too much of the benefit of the doubt. We were like, weeell, that’s supposed to be way the characters perceive the truth, which is distorted by the trauma... But now it’s obvious that he truly believed in the John-did-his-best version. He brought him back and got Mary back with him. No matter what happened to the finale, the network didn’t print those pictures of John and Mary to hang on Sam’s wall. He never took Dean’s abuse seriously and it shows.

The “anedocte” of Dean getting drugged and “saved” by John from being raped is obviously there to parallel him with Claire. Which works! It’s so weird because it’s like. You are soooo close to getting the point. Younger Dean was assaulted just like this teenage girl is assaulted and Dean saves her... but apparently John yelling at those people is a good way of dealing with the issue, while murdering child traffickers is an overraction thus bad.

That’s the problem, isn’t it? That Dean’s murder spree is framed as an overreaction. Sam is like “tell me you had to do this! tell me it was you or them!” - the answer to which (by the narrative) is obviously no, it wasn’t self defense, he just killed them because he could. He just murdered those men for no reason except he felt like being murdery. And the audience is supposed to be like “oh no! Dean is murdery for no reason except for murderiness! That’s bad!”.

But it’s a power fantasy, isn’t it? Going on a murder spree on rapists and traffickers. I bet any people who’s been violated like that has fantasized of doing the exact thing Dean does here. Killing them all.

Dean had the physical strength and skill to kill them all, why shouldn’t he kill them? (I mean, in real life I’m against private justice because I’m a fan of the state of law, but the Supernatural universe obviously works on different principles than the state of law. Again, it’s a fictional narrative that plays out as a fantasy for the audience, so.)

So what was Dabb’s intention? I’m afraid it’s the worst one. “John Winchester’s not going to win any Number One Dad awards, you know? But, you know, damn if he wasn’t there when we needed him”. What the fuck, Dabb? It’s been established since season 1 that John WASN’T there when they needed him. Which... I’m afraid... leads us to the Cas-Claire plot in the episode. Cas has fucked off with Jimmy’s body leaving Claire on her own. Parallels how John wasn’t going to win wny Number One Dad awards. But! Cas is there when Claire Really Needs Him i.e. when she’s about to be raped by older men. Parallels how John was there when Dean Really Needed Him i.e. when he was about to be raped by older men.

I think the point is to say, Cas kinda sucked because he took Claire’s dad away but hey! He’s actually a good figure for Claire because he gets there in time to prevent her from being raped. Just like (ew) John kinda sucked as a father because hunting and stuff, but hey! He’s actually a good figure for Dean because he got there in time to prevent him from being raped.

It’s pretty yucky. Literally NOBODY wanted a parallel between Cas and John. But he made one. And he made one to absolve Cas from the guilt he carried for what he did to Claire (Claire’s mother is a mother so who fucking cares about her. She’s basically a Blurry Wife(TM), she’s only a tool for Claire’s arc, Cas apparently only cares about the harm he did the child, not the wife, for some reason.) and to absolve Cas from his guilt it absolves John too. Don’t worry, being a parent is hard. You often screw up. But you can *looks at smudged writing on hand* prevent the kid from being raped by predatory adults and everything’s fine now.

It’s not really important if the child suffered hunger or whatever, the only important thing is that they don’t get raped, because that’s bad, everything else is just a little detail.

All Dabb got with that scene was to paint Sam as extremely unsympathetic because he’s no longer a child, he’s a full adult now and still thinks of that episode at the CBGB as a funny story. That’s not a good look. It almost makes you think that the writer himself saw it as a funny story. Lol teenage boy biting more than he can chew. But then why the Claire parallel? The Claire scene onviously is not supposed to be anything but horrific. I'll give Dabb the benefit of the doubt on this specific thing.

It’s weird, yes, because Dabb wrote Dark Side of the Moon where he establishes that John was a bad husband/father even before tragedy hit the family. But apparently that’s the “not going to win any Number One Dad awards” part, I suppose? I guess he intended to write John as this flawed, ~complex~ figure who was imperfect but still brave and whatever blah blah did his best blah blah. I’m all for flawed complicated characters but a horrible father is a horrible father. A rose by any other name... parental abuse is still parental abuse even if the poor guy was complicated and traumatized and did what he thought he had to do to prepare his sons for a violent world.

Also, the story frames Dean’s escapade as a teenager being stupid. “You know what he got for that? Me whining about how much he embarrassed me. Me telling him that I hated him. But then he stopped and turned around looked at me and said, Son, you don’t like me? That’s fine. It’s not my job to be liked.” “It’s my job to raise you right.” This seems straight from a novel about teenagers doing something stupid that they’re too young to realize that their parents are right to be against them doing. But this isn’t just... a parent walking into a bar to stop their child to drink alcohol. Dean literally describes feeling sick from something that was inside the alcohol.

Sure, it makes sense that he’d lash out to John because of the shame and shock. But the scene is... off. Are we supposed to see this as a typical teenage mistake? Are we supposed to read it as something as horrific as what happened to Claire, literally sold into rape? Or, worse, are we supposed to see what happened to Claire as a teenage mistake, ah silly teenager, blindly trusting shady people, no wonder you end up in a situation where you’d get raped if a father figure didn’t sweep in and save you. I hope that wasn’t the intent.

To get back to Dean’s Mark-of-Cain violence, the writers clearly didn’t intend it to come from the Darkness up to a certain point. It was supposed to an arc about your own inner darkness (consider the Charlie episode, a couple episodes later). Then they came up with the idea of The(TM) Darkness, the suppressed cosmic feminine. While it caused a bit of dissonance in the subtext, it doesn’t really change Dean’s narrative, because his inner darkness is the trauma, and his trauma is inherebtly tied to the “feminine” i.e. the parts of him that don’t fit seamlessly into the scheme of toxic masculinity values. That the violence that comes from the Mark of Cain comes from Dean himself and that’s it, or is connected to the Darkness, it doesn’t change what it means for Dean. Dean and Amara have parallel histories, the feminine principle locked away, the trauma the anger stems from.

In 10x09 we’re still in the Before The (TM) Darkness era, before the suppressed cosmic feminine. The Mark of Cain arc is still about... well, Cain. But the shift is the signal that someone looked at Dean’s arc and said... you know what? “Lucifer gave me this curse so now I’m demonic and murdery” is meh. “Toxic masculinity suppresses the feminine and it creates trauma which rage and violence comes from” is more interesting. I don’t know whose idea it was, but it was a good idea, and surely the idea came from seeing how Dean’s MoC narrative was unfolding.

Dean’s MoC narrative was unfolding in a certain way, in fact, because of a pretty simple reason. There’s a fundamental tension in Dean’s MoC arc. We want him to go murdery, but it’s also our main character, so we don’t want him to do really horrible things because he still needs to be relatable. The audience cannot hate him, so he must NOT do something entirely unforgivable. He still needs to be somewhat relatable, even when demonic or demonic-adjacent.

So he goes on a murder spree... but it’s rapists and child traffickers. He’s demon, but he kills a misogynistic dude that wanted his wife dead for cheating on him. He’s a demon, but beats up dudes that harass women. He does a slaughter, but they’re nazi. He’s off the deep end, but works a case of kidnapped and abused young women...

Speaking of which. 10x23, written by Jeremy Carver. Dean works a case where a girl was killed while dressed scantily and Dean makes some slut-shaming remarks, and we’re supposed to think “whoa Dean, that’s bad”. But later he confronts the girl’s father and what does he say?

I’m just doing my job, Mr. McKinley.

By suggesting my daughter was a slut?

I’ll admit that thought crossed my mind. Then I came here, and I smelled the deceit and the beatings and the shame that pervade this home.

You shut your face right now.

And you know what? I don’t blame Rose anymore. No wonder she put on that skank outfit and went out there looking for validation, right into the arms of the monster that killed her.

Back then the episode was super controversial and everyone hated the case because of the apparent slut-shaming but I loved it! Because it’s not about the girl. It’s about Dean. Dean doesn’t think that a girl gets killed because she dresses in a miniskirt so it’s her fault. Dean is projecting on himself and he’s not actually victim blaming the girl, he’s victim blaming himself. And when he absolves the girl by putting the blame on the father... well, subtextually he’s absolving himself by putting the blame on his father. On the deceit and the beatings and the shame that pervaded his own home. He’s textually not ready to absolve himself, of course, he summons Death to ask him to kill him later, but subtextually he’s on the right path.

Rose McKinley basically did the same mistake Dean did at the CBGB when he trusted some older people who offered him drinks and the same mistake Claire did when she trusted a man who sold her for money because he offered him a place and stability. She trusted the wrong people (in this case, vampires, which adds the whole subtext of vampires and sexuality) who took advantage of her. Except Rose had no one to save her. (Her friend, Crystal, gets rescued by Dean, even if he causes the other hunter Rudy to die in the process.)

Carver’s writing is pretty brutal. The girl made that mistake because was abused at home, so she was desperate for validation and that desperation drove her into the wrong hands. (Rose even has a brother who blames himself for bringing her sister to her future murderers, destructive sibling relationship check.) It doesn’t actually even matter if Dean guessed right about Rose’s family situation, because what matters is what it tells us about Dean. He basically relates to a dead abused girl. Actually all through the season Dean is paralleled to “skanks” “sluts” and sex workers. Obviously this happens kinda all through the show, the whole “the business is based on absent fathers” thing happened much earlier in the story, so it’s not new. But s10 draws a picture of female suffering - abuse, manipulation and death. Season 10 was difficult to go through. In hindsight, it was probably on purpose because it was supposed to be darkest hour of the feminine. Summed with some good old fashioned misogyny, but hey.

The Carver era was wonky but Carver wanted to free the feminine. (I believe that Mary’s comeback, while written by Dabb because of the showrunner shift, was planned before the showrunner shift.) We thought the Dabb era wanted the same, with Mary choosing life and Amara being independent and so on, but it evidently wasn’t the case. Not a single woman arrives at end of the story. It’s hardly ~Bucklemming or ~the network or ~covid because it starts before the very end.

I’m not saying that dead sluts are more feminist than living women, but if the women die or disappear anyway (and they did) I’d rather have an exploration of trauma than nothing. And I definitely prefer a dead slut narrative that calls out parental abuse than a narrative where women live but abuse gets the you-did-your-best treatment.

Whoops! I digressed! But feel free to ask for any clarification or send me any observation or thought.

[softluci]

atla hcs

i’ve been thinking about this for a minute, and i wanna do a set of headcanons for how i think the brothers (and eventually the undateables) would feel about certain avatar: the last airbender characters, or something along those lines. i actually just wanted to talk about lucifer and azula, so everything else here is a bonus. this doesn’t matter, but for what it’s worth: wherever the mc pops up, they will be gn, enjoy!

also: this kinda goes without saying, but there are most definitely spoilers in here. for which seasons? i don’t remember, i watched this show when i was nine, but proceed with caution if you have yet to watch it.

lucifer

if it’s one thing you are not gonna play with him about, it is princess azula. this man is an azula supremacist, and while he might not say those words exactly, anyone would be able to tell that’s the case if they talked to him about the show for longer than two minutes. he actually wasn’t even interested in the show until azula showed up, and he will readily admit this to anyone who inquires about it. what makes it funny is the fact that her first appearance is literally, like, ten seconds, so that means he saw her and immediately knew she was the best, which, like—real recognize real. is he projecting? am i projecting? yes, no. in that order. shut up.

he actually almost couldn’t hide how proud he was when azula almost killed aang, this man is deranged. the same way he takes her wins personally, he takes every loss of hers personally as well, so when she lost that agni kai? 🚶‍♂️ 

the average azula enjoyer believes azula should get a redemption arc, lucifer believes azula should simply get whatever she wants, and the difference between those two things is striking.

average azula enjoyer: i believe azula deserves to heal and redeem herself. it isn’t fair that she was left with her tyrannical, abusive father during formative years of her childhood, with no one to help her or show her what it means to be good. she cannot be blamed for the way she turned out. it especially isn’t fair that she gets no redemption for evil things she did at age fourteen, for a year, while the entire show is iroh’s redemption arc, and he was doing evil for decades—he is literally called “the dragon of the west” because of it. additionally—

lucifer morningstar, resident azula supremacist: everything azula did, she was right to do, because i would’ve done the same. there was never a point at which she was wrong, it’s just unfortunate that nobody could keep up with her, her father included. the only reason why she ended up losing, ultimately, is because this is a children’s show, and good is supposed to win out. it was plot armor. if this were realistic, she would’ve beaten everyone—at the very least, she would’ve beaten zuko in the final agni kai, it’s just that he broke the rules and brought backup. at the time of the agni kai, she was literally the strongest firebender in the show. that’s actually the only part of this lucifer is right about, but you can’t tell him that.

if you ask him what his favorite quote in the show is, he’ll immediately say, “i can see your whole history in your eyes. you were born with nothing, so you’ve had to struggle, and connive, and claw your way to power. but true power? the divine right to rule? is something you’re born with.” and he will do it so well that it’ll give you the chills. 

in actuality, his favorite quote is, “i’d really rather our family physician look after little zuzu, if you don’t mind.” it’s just that it doesn’t have the same chilling effect as the first one. 

does he like any other characters? does he even care about any other characters? he has a deep fondness for sokka because he reminds him of mammon.  yes, and they are katara and suki, with honorable mention to avatar kyoshi. 

does he hate any characters? no, but if you mention avatar kuruk or uncle iroh to him, he might get annoyed. is mildly frustrated by aang, but has the sense to cut him some slack for being twelve and the last of his kind. never speak of ozai.

mammon 

toph supremacist. frequent user of the phrase, “toph is just fucking class.” knows for a fact that toph is the best and strongest bender in the entire show, and no one has ever managed to convince him otherwise. mainly because nobody really disagrees. like, have you ever even seen toph slander?

just like lucifer with azula, he wasn’t invested in the show until toph showed up, which, once again, is funny, because technically her very first appearance is only a few seconds long, so that means he saw her for a literal second and just knew. you can’t even be mad at that, real recognize real. 

no one will ever see him more proud than when he’s talking about one toph beifong. he can’t get over her raw, unbridled talent, and he really never should. if you let him (so, if you’re levi), he will spend so much time analyzing her character and every single one of her strengths, from the fact that she’s the only one who knows when azula is lying, all the way down to the fact that even though she projects a tough persona, she can still be vulnerable, AND—

not only is she strong, but her personality is simply untouchable. this girl grows on literally everyone; like, even lucifer likes her, even though he’ll die before saying it out loud. 

he gets so smug whenever someone asks him who his favorite is and it’s because he knows his taste is top tier, and what makes it worse is that no one can even disagree because toph is just that good. 

will never admit it, but he was shaking and crying during the scene where it looked like toph and sokka were literally gonna die. was also gonna cry when toph almost drowned. basically: he is eternally grateful to suki. 

his favorite line in the entire show is, “i am the greatest earthbender in the world! don’t you two dunderheads ever forget it.” it’s just fucking class.

does he like any other characters? he sees himself in sokka, he’ll tell you that much. he also knows that satan and lucifer like sokka because of him, and he found out because he heard them talking about it. to their joint dismay, they turned to see him standing behind them, grinning like an idiot, and they couldn’t even scare him into leaving them alone when he hugged both of them at the same time because, one, they didn’t really want to, and two, they couldn’t turn off their fondness for him fast enough ^_^. did they reciprocate his hug? did they stay like that for a little bit? did lucifer kiss the tops of their heads? maybe so🤨

does he hate any characters? not really, but he doesn’t particularly like azula because she scares him and makes him sad, like lucifer and doesn’t see her appeal. once tried to make a case for why she shouldn’t have a redemption arc and felt painfully human from the way he almost died. do not mention toph’s parents to him. the name ozai should also never be on your tongue.

levi 

resident sokka enjoyer and suki appreciator. do not ever call sokka dumb in front of this man unless you want a proper lecture. unlike a few of his brothers, he doesn’t like sokka just because of his similarities to mammon. he also likes sokka because he relates to him on a personal level. 

levi absolutely knows what it’s like to feel inadequate and outshined by people younger than you. he absolutely knows what it’s like to feel like your competence is overlooked. while he might be unfamiliar with how it feels to strategize for a war and lose a battle, but it is one of his biggest fears and it absolutely crushed him to see sokka go through that. 

on a lighter note, levi has a deep appreciation for sokka’s comedic value, despite the fact that it can overshadow his intelligence. levi would actually venture to say that he likes sokka’s funnier side because it overshadows his intelligence to the point that it throws the opposition for a loop. this is the aspect of sokka that reminds him of mammon. 

it also seriously warmed his heart to see how everyone missed sokka while he was away for sword training; he especially liked that episode because it was just an affirmation of the fact that sokka is an integral part of team avatar, which he really needed to see. 

you know who else is an integral part of team avatar who needs to be recognized as such more often? suki. do you know how much pain levi is in every time he thinks about the lack of suki screentime . it’s a lot . suki is just too good for the amount of screentime she has, he’s sorry, but it’s true. this is evidenced by the scene of her literally running across prisoners’ heads to apprehend the warden of boiling rock. that scene speaks for itself—she and the other kyoshi warriors end up as zuko’s body guards for a reason. 

he will never let anyone forget that if it weren’t for suki, sokka would still be a misogynist. she was an essential element to sokka’s growth as a character and everyone had better remember it or so help him. also , he is a firm believer in the fact that suki was the best love interest for sokka, with zuko as a close second. don’t ask questions. rip yue but argue with the wall.

his favorite line in the series? 

“zuko’s gone crazy! i made a sand sculpture of suki, and he destroyed it! oh, and he’s attacking aang.” 

it’s not profound or cool or anything like that, but it makes him smile and giggle every time he thinks of it ^_^. 

does he like any other characters? he has a lot of love for toph and azula for the sole fact that the series improved exponentially after both of their introductions; he thinks both of them are in leagues of their own and seeing them in action just puts a smile on his face. he’s also inexplicably fond of king bumi. 

does he hate any characters? not particularly, actually! he pretty much respects and appreciates everyone, except the guy who mutilated his thirteen year old son for speaking out of turn.

satan 

just pick a girl. any girl. and from the way he talks about them, you’ll think they’re his favorite. he can and will go on about the girls of atla for the rest of eternity.

but since we’re being specific:

katara appreciator. azula enjoyer. basically, between him and lucifer, no tongue raised against azula shall prosper. he has a deep respect for each of their wraths. he also really must have a thing for angst because both of these characters just break his heart. 

if you let him (in other words, if you’re levi), he will go on about how it’s not fair that people call katara annoying when, in reality, she just hasn’t healed from the trauma of seeing her mother’s corpse at age eight, followed by having to take care of her village, meaning she got literally no time to grieve properly, and—

call katara annoying in front of him and you might actually have to meet god for your shallow views of such a deep, complex character. 

he will also go on and on about how katara would be the best bender in the show, if it weren’t for toph, who is untouchable. instead, he’ll talk about how katara almost killed pakku for being misogynistic and how she single handedly beat azula during sozin’s comet. you will frequently hear this man say, “katara aang’s master for a reason,” and he’s right. 

similar to if you call katara annoying, if you call azula scary in front of satan, he’s bullying you. he’s sorry, but it has to happen. no way you’re scared of a traumatized fourteen year old, what are you, eight? or do you have no understanding of azula’s depth? both are unacceptable. 

satan is the average azula enjoyer, times about seven. you simply won’t get away with speaking poorly of azula in front of this man, so if you’re like mammon and don’t like her, you better tread very carefully. 

one time mammon tried to be like, “azula is too far gone to deserve redemption anyways,” and satan literally reverted to his demon form as he said: “if i were abandoned with my terrible father as a child, with literally no one to help me, and then my friends betrayed me, and then, as i was about to be crowned ruler of my country, my dumb fucking idiot brother showed up with his dumb peasant friend for backup, which isn’t even allowed, i might be mad forever too, actually—” and then he threw the nearest chair at mammon for his criminally bad take.

another reason why satan loves azula so much is because he’s convinced she’s a lesbian and satan is the most “let’s go lesbians!!!” person you will ever meet. you actually can’t convince him that she isn’t a lesbian. forget chan. nobody gives a fuck about chan.

what’s his favorite line in the entire series? 

“trust me, zuko—it’s not going to be much of a match.” 

like, come on. katara is just too good. 

does he like any other characters (other than the girls of atla)? he’ll never admit it, but he has a lot of respect for sokka and a soft spot for him because he reminds him of mammon. he also has a lot of respect for aang because he reminds him of beel of how well he handled literally everything despite being twelve. 

does he hate any—yes. never speak of avatar roku. or iroh. or ozai. for good measure, don’t mention general zhao either. 

asmo 

what lucifer is to azula, asmo is to ty lee. like do i even have to say anything else. but for what it’s worth, he also love, love, loves azula because she reminds him of lucifer, from her strength and class, all the way down to her descent into madness. and even though she breaks his heart just as much as she does satan’s. he may or may not have cried over azula in satan’s room while they were talking about her. unlike lucifer and satan, he can respect it if you don’t like her, but it’ll make him so sad. 

but enough about azula. ty lee is where it’s at for him. her subtle strength and unwavering love is something to die for, and he will defend it against anyone, up to and including lucifer, and he’ll win too. asmo is not to be trifled with and neither is ty lee; he can make a strong argument as to why ty lee is the strongest character in the show, and you will have a very hard time trying to refute his points. (the main point being: it’ll be really hard to win a fight against someone who can paralyze you in a few seconds, bender or not.)

the fact that ty lee ran away from home because she was tired of the fact that nobody ever saw her as her own person is just something that tugs at asmo’s heartstrings. he thinks ty lee’s bravery is just something that can be so personal. 

also—he has a massive appreciation for the fact that, even though there’s a war going on and ty lee is in near-constant danger, she still has the sense to maintain her appearance and worry about the skincare of not just herself, but also people she’s close to. that is a detail he will never let anyone forget. 

never mentions it in front of lucifer but one of his favorite scenes is when she paralyzes azula to save mai. once again: ty lee’s bravery is just something that can be so personal. 

he doesn’t have a favorite line in the series, but his favorite exchange of dialogue is between ty lee and azula, wherein ty lee is trying to teach azula how to flirt. he thinks it’s the cutest thing in the world.

does he like any other characters? of course! he likes everyone ^_^ . you’d actually be hard pressed to find someone he hates. ozai. it’s ozai. he has a real soft spot for mai because she reminds him of belphie. something about their shared aversion to affection is just so cute to him!

beel

aang supremacist, will hold steadfast to the fact that aang is the best character in the show and you will struggle to figure out how to convince him otherwise. 

if you ask him why aang is his favorite, the first thing he will do is gesture to a picture of him and say, “look at the material,” like it’s the most obvious thing in the world, before diving into a ten minute in depth character analysis for this boy. 

come on. he shouldn’t even have to explain himself. not only is aang one of the strongest, most competent avatars to exist, ever, he also mastered all four elements in a year, when he was twelve—he’s literally a different breed. and he managed to beat ozai in his own way, without killing him, as a means of staying true to a culture that could have literally died with him at any point in the show. aang is just fucking class.

he also admires aang for his near unwavering kindness and lighthearted nature. and for never going berserk and killing everyone he sees, especially after finding out his people were killed while he was in ice.

you have no idea how much pain beel was in when he found out that the air nomads were just gone. seeing a child find out that not only their family is gone, but also the entirety of their people and culture, just absolutely broke his heart. and that guilt aang was feeling? hit way too close to home for him. 

he also thinks it’s really nice that aang was so quick to forgive zuko after everything, and the two of them ended up being really good friends. it just puts a smile on his face. 

after some reflection with levi, he would’ve liked to see the full scope of an airbender’s power in the series; as in, he would’ve liked to see someone suffocated, but it’s okay, because aang wasn’t like that.  and he heard it happens in the next series over.

anyway, beel’s favorite quote in the show...well, it isn’t really a quote, as much as it’s a dialogue between two characters. it’s the scene where toph asks, “do you really think friendships can last more than one lifetime?” and aang says, “i don’t see why not.” it could bring a tears to his eyes just thinking about it; and in the next series over when it’s proven to be true, he absolutely cried. 

does he like any other characters? he’s actually really fond of zuko and mai because they both remind him of belphie. he also likes sokka for the same reason lucifer and satan like sokka. he has a deep appreciation for katara because aang would literally be dead without if it weren’t for her.

does he hate any characters? well, he doesn’t really like azula. he feels bad for her, but he doesn’t like her. but as for who he hates? take a wild guess. 

belphie 

zuko makes him sob is his number one. yes zuko is his favorite because of his redemption arc, yes he sees himself in zuko, no he will not explain any further than that, what’s your point🤨

in actuality, he will never be able to properly articulate how important it is for him to see that redemption is, indeed, attainable, if you put the work in. in a similar vein, he will also never be able to give words to how important it is for him to see that forgiveness is also attainable.  it means the world to him. that is why it makes him cry. the feeling is overwhelming. i’m gonna cry if i think about it for too long.

he will cling to the fact that zuko is the best character in the show, and he will cling to it even when zuko embarrasses him by saying stupid shit like, “no lightning today?” and even when zuko is so awkward it causes him physical pain. that’s his number one and he’s not changing on it!

firm zukka supporter. will not argue. that’s all.

what’s his favorite line in the entire series? it’s one of the two you’re thinking of. make that decision for yourself.

does he like any other characters? he positively adores aang and will readily admit that it’s because he reminds him of beel. bonus points for aang because he also loves the dynamic between him and zuko. toph is a distant third, mainly because he just really likes her attitude. he looks at her and thinks, now this is someone who would not hesitate to kick lucifer’s ass. 

does he hate any characters? you better believe it. he hates iroh because he reminds him of dia. he can’t really bring himself to like azula because she makes him a different kind of sad. and if you know what’s good for you, you will never mention ozai. 

[mc-critical]

This ask got me thinking after one of your latest asks about Hurrem's suicide attempt. Do you think Hurrem's enemies( such as Mahidevran, Hatice, Ibrahim, Gulfem...) would start to be a little bit more sympatic towards to Hurrem if they learn her suicide attemps for Suleiman?(Like when Afife saved her in ep 72) I mean, Valide started to respect and understand her after she saw how much she really loved Suleiman and was willing to give her life for him. Also Afife started to understand her after saving her life. What do you think about the other enemies ? :)

It highly depends on the dynamic each one has with Hürrem individually, their own reasons for putting their foot down on her or being enemies with her, how much can that "new knowledge" move past these reasons and everyone's own individual view on Süleiman.

I feel the one who would sympathize with Hürrem the most in such circumstance would be Gülfem. She has experienced a level of loss and knows what it means to feel that life isn't worth living after that loss. If she learns, she would surely understand and perhaps say that, despite of everything, Hürrem is attached very strongly to Süleiman and has immense loyalty for him. She wouldn't condone Hürrem's other actions that don't sit well with her (like bringing Nigar in the harem only to spite Hatice, reminding her of the infidelity at every turn and even using Gülfem herself to frame Mahidevran for an assault in order to become the ruler of the harem since that was relatively soon), but would put the action into context in front of everyone.

This reaction would be helped by the fact that Gülfem isn't exactly her enemy per say, is very forgiving and patient, isn't used to holding grudges, and is only ever against Hürrem when she does something against her loved ones or she crosses some kind of a line by petty insults or comebacks. Besides, Gülfem still strives to see the good in Süleiman by this point of the show, being his emotional support and conscience even before S04 and becomes worried about what would happen to everyone every time he's ill, so such action of Hürrem's would be pretty explainable for her, even though she could certainly think that Firuze is something she had coming for her, and if they get a chance to talk about it in the depths of my headcanon, they would be the most possible "duo" to have a heart to heart.

Both Ibrahim and Mahidevran's perspectives have pretty much in many ways been shown by episode 55 where Hürrem prepares to do something pretty similar to her suicide attempt in episode 72, just with even more massive stakes.

A major part of the conflict between Hürrem and Ibrahim is rooted on Süleiman: his attention on both of them and the amount of influence Hürrem wants to exercise over him. However, the loyalties they have towards Süleiman is where they have managed to find common ground. Ibrahim is fully aware that Hürrem would never directly act against him. Him learning about a suicide attempt of Hürrem's due to the prospect of losing Süleiman would be nothing new to him, since, as highlighted by their confrontation in E55, he was aware that she was in such a state where she was willing to 'do the impossible'. They were both devastated by the ongoing events and they could come to a mutual understanding. It's possible for him to at least try to understand what she's going through there. But that would only last for so long, for the moment he learns about it. He would widen and maybe think, but... that would be about it. Because if Mahidevran directly acted before Valide hid the children and with SS's fate still being uncertain in E55, Hü and Ibro would have teamed up to stop this mess, but not here.

I once again come back to the comparatively more personal stakes of Hürrem's suicide in E72: this attempt wouldn't be enough to put everything between them behind, for Ibrahim to have such a strong amount of sympathy, none of this can be forgotten by a single suicide attempt. Their history is much longer than that. I would say that he would indeed think about the fact that Firuze is bothering Hürrem so much, wonder for a few seconds, how did it come to this, tell Matrakci about it and tell him that Hürrem must be very threatened to go for this, maybe with a hint of understanding... but that would be about it. It would be a temporary reaction, nothing between them or their dynamic would change in a significant way, he wouldn't get more sympathetic with Hürrem. Because that is a side of her Ibrahim has seen, on the possibility of another, scarier, more dangerous future for them both.

Mahidevran is the person who, is not only the least likely to, but surely, by one hundred percent, wouldn't sympathize with Hürrem over her suicide attempt at. all. Her hatred for Hürrem is seriously big and the points where they both could ever come to an understanding are rare. Some suicide attempt would seem something incredibly trivial and far too small to turn the tables. That is empowered even further by Mahidevran's own ongoing character arc that relates to Süleiman and the way her inner strength evolves by her letting go of him. At this point of the show, Mahidevran wouldn't even be able to relate to what Hürrem has done on a personal level, since Süleiman is nothing but memories to her already. It's not an experience she could connect herself with because of this exact shifting of priorities. What she wants even more at this point is Hürrem's end and she would be fine with however would it happen. {We could say she would generally prefer suffering for her (as she said in E55, but it's a belief confirmed again in E79, saying that death would only be a salvation for her spy; and then advanced even further in S04.), but is on board with killing her as well. (see her sending Diana to kill her)} I even imagine her to still widen at the news, but to wonder why did Afife even save her. (if they learn about that, too)

Despite of this, I feel there're a few angles of how precisely Mahidevran would view this suicide: the confrontation between Hürrem and her in front of SS's bed in E55 is key in her witnessing her say that it's namely dying with Süleiman that she would do if SS died anyway. And there we have Mahidevran claim that Hürrem doesn't do it out of love, but out of fear for her life. She could view Hürrem's suicide in E72 like this, too, and this way she would not only not sympathize with her for it, but also condemn her for doing it in some way. She may not read these intentions as genuine, she may even see it all as a plan of Hürrem's to win Afife over? There wasn't an indication that Mahidevran's view of these stunts of hers changed by that point, even though Mahidevran realized that her E55 actions were a mistake. The second angle of this could be the direct demonstration of her belief of the endless cycle of the harem that would never change. Yes, in E64 Mahidevran had stopped believing that another woman could defeat Hürrem (seen by her expression when Hatice told everyone that this is the only thing that would beat Hürrem), but seeing Firuze brought something else to the table. Then Mahidevran begins once again saying that Hü would burn in the same fire she did, calling back to her words in E61 that one woman would come and destroy this indestructible love. Seeing this realized with Firuze, seeing Hürrem struggle against her that much to the point of giving up, albeit in the opposite way Mahidevran did from SS... it would just show that Hürrem indeed isn't irreplaceable, that every good thing comes to an end, that Hürrem's victories wouldn't be endless and that she would doom herself one day. This could be a part of what Mahidevran wanted, confirming her beliefs of then, yet weakening her rival by a severe amount. Firuze having such an affect on Hürrem would by no means be approached sympathetically by Mahidevran, even if it hypothetically happened in the moment where it could (by that I mean early S01, in E10, when SS was rumored to be dead and if Hü tried such a thing then. And if, say, Firuze existed instead of Sadıka, ofc.), because even then Mahidevran's priorities would be immediately switched to the baggage little Mustafa had to deal with. Hürrem and Mahidevran had their few and far between moments of understanding, but that understanding was connected to their children and their motherly instincts. Only then would they be close to put their differences behind. Not here.

I find Hatice's possible reaction to be kind of a mix between what virtues she has seen in Hürrem before and their relationship in S03A's present. We know that Hatice completely stood against Hürrem because of her simultaniously threatening dynasty and family and what they stood for in Hatice's eyes. However, there have been two exceptions throughout S03A where Hatice actually sided with Hürrem or was shown to be empathetic to her. One of the exceptions was Süleiman falling ill once again in E78 where she was standing next to Hürrem and sharing her desire to see SS recover. That circumstance is similar to what E55 offered, because Hatice saw Hürrem in a better light, albeit for a moment in this case, while showing a loyalty to both the dynasty and the family that is Süleiman. That's where they're able to set their differences even in times where they are full on enemies. It is possible that Hatice may show a hint of understanding for Hürrem's suicide, because she is showing some kind of loyalty to Süleiman and after all, Hatice did once truly admire their love and even understood Hürrem's urge to send the Russian concubines off back in S01. She could understand why Hürrem did it and even empathize with it in part. It wouldn't be completely impossible, since she also has an idea of what it is like. But on the other hand, things have changed since S01: Firuze is the person Hatice counted on to take the win out of Hürrem's hands and Hatice was in such a state that she wanted Firuze to completely take over, which would make us think.

Nonetheless, learning of Hürrem's suicide attempt would definetly surprise Hatice, because even though she wanted for Firuze to take away Hürrem's Thursdays, such a reaction from Hürrem wouldn't be that expected and she would possibly view it as extreme even, since as I have said, Hatice didn't want to kill her in S03A. To knock her down a peg, to put her in her place, yes, but to want or expect such an ending for her, with her doing it herself.. I don't think so. She could even ask her is she okay and even thank Afife for saving her. Again, I don't think it would change their dynamic all that much, probably would keep a bigger eye on Firuze's moves?, but it would be a little moment of piece between them and Hatice could really sympathize. Because Hatice is still very human at her core.

[Side note: Ayşe Hafsa's dynamic with Hürrem changed so much after she saw Hürrem in E55, namely because she saw another side of Hürrem, virtues she didn't think she had and for the defense of which she stood up against Hürrem - again, the loyalty to dynasty and family. In E38, when she overheard her, she saw Hürrem marching against all of them by saying she would get rid of basically everyone and then her seemigly using SS's trust and love for her in cold calculation. In E55, she saw her love for SS in a different better light, a loyalty so strong and contrasting it negated every doubt Valide had against her and made her fully support her as a result. To be fair, the contrast with Mahidevran also helped, since Valide was conversely disappointed by a person she had an almost familial bond with and it's just that the occurrences in the whole episode were just so massive they made her switch from one side to another. Her son's future was put in question as much as her own.

Afife wasn't really an enemy of Hürrem's. She was more of a "lawful neutral" type of character: she helped with the Firuze case only because she was led to believe that Hürrem disrupted the balance in the harem and this balance could be fixed only through another woman. She told Hürrem off that one time, because Afife was so loyal to the laws she found herself to act by them and them alone, thus claiming that Hürrem isn't a Valide Sultan and Afife could arrange the entertainment regardless. (and also because the plot demanded it.) There wasn't any personal ire there. But Hürrem's suicide is something that touched her on a personal level, for she loves SS as her own son. That's once again, something she has never had the chance to see in her life, something new that moved her and made her more supportive of Hürrem and view Firuze in another way. Because after such event she couldn't help, but think: "Could Firuze do the bold thing the legal wife and the mother of his majesty's five kids just did?".]

[jaeminscoffee]

The midnight man | l.ty

Pairing- Lee Taeyong x reader

Mentions- Lee Donghyuck, Na Jaemin, Liu YangYang, Nakamoto Yuta, Seo Johnny, Kim Doyoung, Ten Lee, Lee Dong Wook.

Genre- Horror!au, angst, crack, part fluff.

Warning(s)- Evil entity!Taeyong, Manipulation, Major character death (lmao you'll actually punch yourself towards the end), sexual themes suggested, impulsive decision making, talks with religion.

Word count- 11.83k

Synopsis- 'Lust though pleasurable, innocent and vice, thee shall stay loyal to thy partner regardless of wants. To betray thy partner is to deceive thy people and hence the kingdom. Thou shall pay for thy soul shall remain wandering, driven by the desires but, shall not be able to feel the human love thou took for a grain of salt. And all who shall follow thy steps shall face the same wrath.'

@kpopscape

This story is pure work of fiction and therefore doesn't speak about the mentioned members' personality in real life. I, in no manner, am trying to encourage hate speech towards the members so please don't come at me. This story was written using a mix of a bunch of urban legends and few made up by myself and therefore it isn't going to be spoken about the same way as it is in google. I also worked really hard on this piece and it's by far, the longest story I've written so feedbacks would mean a lot!, also it could get a little boring since i took time to focus on the side characters too. Make sure not to repost my works and sign it off as your own because that's a little disheartening and mockful towards the writer. So all credits reversed to @jaeminscoffee 2020©®

If anyone here doesn't know the story behind the midnight game, then read on! Because I've described it throughout the story! Happy reading!

29/10, Thursday, 10:57PM

"We need to do something this halloween man, Y/n come on!" 

Your friends all collectively whined as you constantly kept rejecting their proposal. 

Halloween is bullshit. It's overhyped and in all honesty, childish. You'd rather prefer staying home than go house to house and make a fool out of your existence. Not to mention you were all past the age of trick or treating. And to add on top of that came all the sugar rush you'd all go through at the end of the day. "For the last time, Hyuck we're not dressing up like crewmates and going trick or treating. I've got other things to do for the love of god" you grunt, rubbing the scrunched up skin to soothe the pain at the temples. University has been acting up again and so has life. "If your 'other things to do' is binge watch high school musical then no, you have no other better things to do" Yangyang bites back. 

"It's just, I don't feel like it anymore, alright? It feels too weird going out asking for candies when we're all literally 19 and above. It's time to up the notch." you say, plopping down.

When Haechan called for an emergency meeting in pure 'among us' style back at the guys' dorm, you'd expected it to be about something along the lines of having to console Jaemin or someone for having been stood up on a date. What you didn't expect was to have the boys prepare an entire presentation on who'd dress up as what character from among us and who'd be the impostor, do a little play and then say 'red is sus' and then ask for candies. What made it worse was that you thought they were just pulling a prank on you when in all reality, they were dead serious which made you go, 'oh, oh they aren't pretending to be stupid, they're just in their original form.'

"It won't be that bad, doll. It's a genius plan if you ask me" Jaemim chirped in on the conversation finally after looking back and forth between you, Donghyuck and Yangyang caught up in a meaningless fight. "I don't see how any of this is genius, Jaem. If this plan's anything, it's stupid." You pull out your phone after making your way all the way to the headboard of Jaemin's bed. "How about we try out one of these creepy pasta games?" Yuta finally spoke up. Jaemin's brother, an early graduate, senior and of course a dear friend of yours. Yuta, despite the age difference between your classmates and you, had little to no trouble blending in with the tiny group of yours. Probably the only one who didn't behave like a toddler and the most sane one according to you. Yuta's been an amazing planner since junior year where you first met Jaemin, Yangyang and Donghyuck who then proceeded to introduce you to their senior friend group that consists of Yuta, Johnny, Doyoung; Donghyuck's cousin and Ten. You guys had a friendship the entire campus was envious of. But two year after you getting into the university, the seniors had to graduate. But that didn't stop all your bonds from staying as strong as ever. Not even after Ten got his posting in a town a little far away from the one you guys lived in. The distance didn't change anything between you guys and you were as close as you could ever get. 

"Creepypasta?" Donghyuck inquired, looking straight at the guy who aimlessly scrolled down the screen of his device as Yuta didn't even bother looking up while passing the confused boy a nod. Sitting up cross legged from his previous side sitting posture, Yuta showed his phone screen to Donghyuck, who immediately got surrounded by the other two while you stare at the oldest in the room, slightly intrigued by the idea. "Creepypasta's like these horror-related legends that have been copied and pasted around the Internet by people who're too bored for their own sake." you explain as Haechan took the phone out of Yuta's hand who agreed to your explanation. "I read some sick games that I kinda wanna try out and see for myself," he said, looking at you with expectations and then the rest who seemed too immersed in surfing the website. 

"Yuta, you of all people should know better than to think all these made up crap's real" you say nonchalantly. 

Yuta's a huge skeptic, and so were you. Which is why you got along really well despite the mentioned age gap. The night gatherings back at the boy's dormitory or the girls (in this case, girl, yours) would always end up in narration of on spot made up stories of all genre, mostly horror because apparently according to Jaemin 'Rom-com's overhyped, sci-fi won't be fun when you narrate it out loud, mystery can easily turn boring, comedy, meh i guess, but a good horror story narrated properly, -yes, like you, Haechan- while adding jumpscares here and there could actually result in y'all being too scared to use the bathroom on your own'. And yeah, you'd startle here and there but the stories weren't believable enough for you to actually be scared. On the other hand, Haechan and Jaemin were scaredy cats. Literal toddler's who're so gullible, you could literally tell them there was an alien invasion news flash two minutes ago and they'd be hiding under their bed. And then there's Yangyang, he just doesn't care. He goes along with the plans solely for the fun of it and for the other's' (Haechan and Jaemin) reaction. "That's the point. I don't" he shuffled around to shift closer to you,

 "Which is exactly why i want to try them out" 

Maybe it's the feline that crossed over his body, maybe it was the fact that his spirit just wasn't ready to leave the human realm yet. Maybe it's the mourning of his family or maybe it's him himself knowing full too well his potential was truly wasted due to the fast departure. Whatever it was, his spirit was definitely made restless. 

The world is a cruel place where harsh actions are always sugar coated by honey like words. It's how he knew the doings of his people were wrong that made him disappointed. The practices of the people, his people, were stupid, meaningless and only harmful to the human kind. They fend off the satisfaction of their almighty even if that means that there needs to be sacrification of their loved ones, their nemesis, or them themselves. And it was his ancestors fault for starting all these practices. 

Passed down generations from generations was the curse put on the first of their bloodline by the princess he'd defied to go out and be ruthless by disregarding his duties as a husband, a father, a member of the royal courts and as a human being.

Lee Dong Wook. The root of all evil, the main reason the males of the family line faced the same wrath as him, all cursing at him but one namely enjoying his role. The pagans, dating back to the roman times era had a very, let's say, interesting method of punishing. The said lords they'd worship, the people following the religions had a strong belief that nature is sacred and that the natural cycles of birth, growth and death observed in the world around us carry profoundly spiritual meanings. Gods and goddesses of life, or say, death or anything else that exists beyond life and death, they believed in all. 

The doings of his ancestors started off innocent. Sacrifices to the lords of goodness and tranquility, a peaceful life by the towns and outskirts, forgiveness for wrong doings and of course, happiness. It's how any religious rituals would go about and all were happy until the said betrayer of the group came in with that curse of his. 'The doings of his shall be repented for all the men following shall be the one paying it,' 

At first glance when the man returned back to his royals, there were little to no suspicions of a curse being casted on him. He seemed normal to his family, his people except for the occasional forcing people to do something they despised. And it wasn't just the men of the family instead, it was all. But mostly the men, unless the same sin were to be committed by the females. Obscure behaviors have been asked to follow starting exactly at midnight to the witch's hour be it hurting your loved one, your enemy, doing sinful things, allowing self to get manipulated and mostly, shortening their own life time in the human realm. It was all unexplainable. Why was he asking people to do things like this but most of all, why are they even listening to him? 

It wasn't until they discovered that Dong Wook, for one, was never the one who returned home. On a second note, he, 'Dong Wook' mainly only targeted the men whose doings were similar to his that was fueled by the same sin that had him going. Which only remained undiscovered. The curse was unbeknownst to all still, Dong Wook himself remained undiscovered. Or proposed by the elders of the community, his body remained undiscovered while his spirit roamed restless among the people. 

The pagan romanticists are, in most cases, ignorant of the “paganism” they praise—the redeemed paganism of Christianity depicted in the transfigured water of the True Well of Life. Wrestling with the Greek gods, however, leads us to see the hyper-anthropomorphization of the gods with one intention in mind—justification of sexual lusts and displays of power over the weak.

The oldest written account of the Greek deities is from Hesiod. His Theogony, literally “birth of the gods,” charts out the genealogies of the major and minor deities in two branches. The first set of gods come into existence without sex. The second set of gods come into existence with sex; often very graphic and violent sex and they continue to have violent sex after their birth. 

As Hesiod continues to describe the birth and death of the gods and great monsters of antiquity, the chaining of Prometheus to his eternal torment is described. So too is Hades’ rape of Persephone. Battle is depicted left and right, and “a terrible din arose from their dreadful wrath, and the work of power was revealed”. Lust, sex, and war reign supreme in Hesiod’s telling of the birth of the gods. Moreover, it is from this brutality and carnality that Hesiod gives them praise—only those with enough cunning and ambition are worthy of having the praise of the muses.

That the gods birthed through sexual lust are themselves lustful was not missed by Christians of the pagan community. Though St. Augustine received the Romanized version of the Greek myths, he goes to great lengths and laborious pains—using the pagans’ own prophecies —to highlight the moral depravity of the gods in Confessions and City of God.

His sin, after all the years, was lust and the want to dominate. 

'Lust though pleasurable, innocent and vice, thee shall stay loyal to thy partner regardless of wants. To betray thy partner is to deceive thy people and hence the kingdom. Thou shall pay for thy soul shall remain wandering, driven by the desires but, shall not be able to feel the human love thou took for a grain of salt. And all who shall follow thy steps shall face the same wrath.'

Oh, how lust was a dangerous feeling. 

29/10 continued. 11:28PM

It's how you all circled around in the living room like any other day that was comical to you. Instead of reading out your own made up story, it so happened to be the Creepypastas Yuta screenshotted for what he wanted to try out and see for himself. It wasn't even his idea to read them out. Haechan and Jaemin's 'too curious for their own sake' selves were the ones who wanted to read it out loud. "How about we sit in the order of who's gonna read out what and when?" Yangyang suggested, standing up from his seat. "Yuta read out the topics and we'll pick randomly." 

"No fun! Hold up," Haechan did some pretty exaggerated hand actions before getting up and heading to his room, well, Jaemin's room to do who knows what. "Okay? I'll get the candles!" Yangyang said, him getting out of his seat too, "And I'll go get the bible, jesus christ" and Jaemin was out of his seat too. You look at Jaemin in a funny manner, as though questioning him with your eyes if he's actually going to get a bible or not, "What? I don't want to die young, I'm too hot for that" he said, before following Haechan's steps to his bedroom, "Yikes, you aren't going to die dude" 

"Okayy, I'm back, make way bitches" Haechan dictated to which he earned a few groans and a smack on the ankle from Yuta, "Jaemin! I can't find the candles!" "It's beside the Reese's cups! Second rack inside of the refrigerator!" Jaemin says while walking back up to your tiny circle with an empyre comic in his hand and a cross pendant dangling off of his neck, "That's a bible?" you question. "Shush, do not question the power of avengers and fantastic four." Jaemin replies, holding the comic up close to his chest. You all collectively dismiss it with a concerned look directed towards the male, "Are we not going to question the fact that Jaemin keeps his candles inside the fridge?" 

"So here's what we're going to do, I've got these tiny papers which have numbers from 1 to 5,because we're five people and I've folded the paper into chits, once i toss it, we pick random sheets and the number you get is when your turn to read is, any objections?" Haechan explained, "Even if you have any, keep it to yourself because I don't care" he bites in again while juggling the folded sheets in a closed palm while the other supports his body by it being planted behind him. "Okay I'm back with the candles" Yangyang finally joins in on the circle, completing it, "You took that long to find one candle?" Yuta asks, "No i was eating the reese's cups" he replied, wiping his hand on your jean clad thighs earning him a loud whine of 'Eww that's disgusting man' and a little too far from soft smacks on his shoulder, "You piece of sh-" Jaemin starts, "Okay all, Focus!" Haechan cuts him off, ready to throw the bits onto the space between the five of you in front of the now lit candle (Thank you, Yuta), and so he tossed it a little high up from the ground, letting the paper fall of his palms and onto the floor while being cautious of not throwing it anywhere near the flame. 

"Now let's arrange ourselves according to the numbers, who's number one?" Haechan asks, Yuta raises his hands while pointing at where he's sitting, "I'm not getting up, y'all arrange yourself so that the person going second is to my right and the last person would be to my left", you all look at him nonchalantly, "What?" with a shake of your head, you proceed calling out numbers, "Number two?" Haechan shoves Yangyang back to take his place beside Yuta, "bitch." Yangyang seats himself beside Haechan, followed by Jaemin and lastly, you. 

"First, Yuta!" Jaemin slurs the elders name, receiving a death glare from his cousin. Nevertheless, Yuta cleared up his throat and switched his attention to his phone screen, "The first urban legend is from Japan, ironically." He states as a matter of fact, "It's called Aka Manto."

"Aka manto is an urban legend related to toilets—particularly those in elementary schools.-"

"Is that why you take a relatively long time inside of the bathroom? Are you, you know? Tickling pickles with Aka Mant-ow! Sorry!" Yangyang was wasted as he was tackled onto the floor by Yuta, while the rest of you cracked up, "Now let's get a little serious, come onnn!" Haechan whines. 

"This phenomenon is known all over Japan, with countless variations on the same theme. It usually takes place in a specific stall in a specific bathroom in the school. Usually it is an older or seldom used bathroom, often in a stall with an older style squat toilet.  Often the fourth stall is the cursed one, as the number four is associated with death." "I'm so glad our university has only two stalls," Jaemin chimes in, suddenly grasping the cross pendant. 

"Most stories follow this general pattern: while at school late in the evening, a student suddenly finds him or herself in desperate need of a toilet. The closest restroom available is one that is normally avoided by the students; it is older and less well-kept, separated from the rest of the school, and is rumored to be haunted. But with no time to search for a different restroom, the student enters. He or she does their business, and when they have finished, they reach for the toilet paper only to find that there is none. Then they hear a strange voice" Yuta looks up from the phone screen, "“Do you want red paper? Or blue paper?”" 

"None bitch, give me the classic white,"

With a roll of his eyes, Yuta continues, "If the student answers, Red paper, moments later, they're stabbed and sliced up violently that blood seeps out of them, painting the walls of the stall red and it soaks up into their body, making them appear red", "And if the student responds blue paper, then their blood is going to be sucked up dry, leaving them dead and blue-faced on the floor."

"But! If you try to outsmart Aka Manto, by replying to question with, i don't know, "Yellow paper" then too, dead is inevitable, you will be shoved onto the floor where the spirit is said hold your head down in the dirty toilet water until you drown and well, die" Yuta ends with a shrug of his shoulder, "Seems pretty bullshit to me" and you agree alongside, though, it could be a little creepy if the existing legend did turn out to be true. "Okay next!"

Yuta leans back a little more, pressing onto your side which you took as an invitation to lean on his shoulder. When you did so, all Yuta did was beam at you and wrap his arms around you to keep you close after handing the phone over to Haechan, "If you want me to start reading you have to give it up for me. Give me the grand welcome that i deserve" the lad said in a childish voice which again only earned him a few smacks and half hearted applauds. "So this one is apparently called, the one man hide and seek" though all narrations were being taken on a lighter note, the mood set in the room gave you enough space to picture the stories, added to that came the factor that Donghyuck knows exactly how to narrate what. 

"The "One-Man Hide and Seek", also known as the "One-Man Tag," is a ritual for contacting the dead. The spirits, which are wandering restless on the Earth, are always looking for bodies to possess. In this ritual, you will summon such a spirit, by offering it a doll instead of a human body." He lowers his voice while focusing solely on the screen.

"The warnings say that if you have any psychic abilities, you may feel unwell or be prone to accidents during the ritual." He raises his eyebrows, looking at all four of you in a curious manner. The things you need for this game seems lowkey sketch"

"One stuffed doll. It must have limbs, Rice, enough to stuff the doll full. One needle, and one crimson thread. One pair of nail clippers. One sharp-edged tool, such as a knife, glass shard, or scissors. One cup of salt water. Natural salt would be best. A bathroom, with a bathtub and some form of counter. A hiding place, preferably a room purified by incense and ofuda. There must be a TV in there." Haechan's face contorts with each requirement for the game. Letting out a defeated sigh, he hands the phone over to Yangyang, "Of all the stories i could've narrated, i got chosen for this and for what? Just to contact stupid poltergeists. Just play a ouija board and go" 

Giving Haechan a sympathetic pat on the back, he takes the device. Looking through the screen he cracks up a smile, "Alright, listen up closely. This is an Urban legend classic"

"The Slender Man-" a bunch of 'aahhs' of realization resonate through the room

"-is a supernatural creature that is described as appearing as a normal human being but he is described as being 8 feet tall and he has vectors or extra appendages that are described to be as sharp as swords. The creature is known to stalk humans and cause many disappearances. He is described as a shadow creature that has a missing face. The creature fits into many mythologies in legends from nations such as germany and celts which brings up the possibility that he could be real." Yangyang pauses to add in a little more life to his reading while all of your paid full concentration to him

"A man named victor Surge found this legend and made his own version of it which he called slender man. The slender man is not exactly evil according to mythology but victor Surge’s version shows him as an evil creature that stalks humans to kill. In mythology he was actually trying to save you from a painful death by taking you to the underworld early." he ends, placing the phone down in front of him, screen down. "Kills you to save you from a death and collectively shortens your lifespan? Seems legit to me" Jaemin chimes in while the rest of you chuckle whereas Haechan pouted at the device in front of his friend, "I should've gotten that story" 

"My turn!" 

"So, ahem-" Once the focus is all on him,Jaemin  looks down onto the device containing his part of narration. "- This is an urban legend about a girl named Daruma who was a young Japanese woman that died in the bathroom, which upon entering to take a bath, it stumbled and her forehead ended up against the edge of the tube, destroying it the brain, at the same time that her eye embedded in the tube , leaving it in consequence, one-eyed key and later , dead by bleed out."  "Oh god ouch" You hiss as though your forehead was the one that hit the edge, " Her appearance as described is apparently; black hair that is entangled, her clothes rotting and made shreds. She only has one eye. Her left eye is completely open and injected with blood." "That's gruesome," Yangyang adds, earning a nod from Jaemin who's eyes were still fixated on the screen. "And apparently there's a ritual that you can follow to summon her into your house for twenty four hours straight" At the silence, he continues. "I'll shorten it, so you have to begin it right before your bedtime, shed all your clothing and enter your bathroom, turn off all the lights and fill in your bathtub, climb into it while being seated facing faucet, close your eyes and start washing your hair while chanting "Daruma-san fell down" and keep chanting that until you're done washing your hair, and yeah don't open your eyes."

"If you did it right then you'll get this image of a japanese who'll slip and fall in front of you. Even if you hear a noise behind you, do not open your eyes, no matter what it takes, Ask out loud, 'why did you fall in the bathtub' and let that hang in the air. With your eyes still closed, get up and out of the tub and be careful not to slip and do not drain the tub. Go to your room, don't turn the lights on, shut the bathroom door closed and sleep. Wake up the next day and carry on with your day and you'll apparently feel her presence alongside you all day. She'll constantly try getting close to you, when she does, scream 'Tomare!',"

"That means stop," Yuta adds to which you all hum in understanding.

"To end the game, capture her gaze from over your shoulder and say 'Kitta' which means 'I cut you loose' while swinging your arm in a chopping motion. If you followed the procedures then you'll be rewarded but if not then, run. That's all it says here" He stops, looking a little shaken at how he created an image of it all in his mind. "They didn't say how to get rid of her if you fail following the procedure?" you ask

"No." Jaemin shrugs it off

"Alright boys, my turn"

30th October, Friday, 10:53PM

It's probably how you read out your part of story telling, or it was how he felt the game was a little too unrealistic that had Yuta hooked onto the urban legend. 

Yuta found himself at his dorm doing a little more research on the midnight ritual. A backpack already consisting of all the elements required for the game, 'could it really be played just by one person?'. Whatever it was, he really wanted to do the game. He wanted someone to accompany him, of course. But knowing his friend group, not many would be ready to play it alongside. Doyoung was probably busy preparing his resumes for his job interviews. Johnny's all the way back in Chicago for a little family time. Ten was a little too far from your town so he'd feel bad calling him all the way over just to perform a probably demonic ritual. Donghyuck and Jaemin are out of the question, they'd obviously say no. Yangyang has a company party to attend as the heir. And you had to study for your test on Monday so he didn't really feel like disturbing you though, he did inform you that he was going out to have some fun and that you could join him anytime. Closing his laptop with a sigh, he gets up and walks over to where his bag was sprawled across the floor, picks it up and makes his way out of the studio apartment like dormitory after grabbing his car keys. 

Not like he believed it was real, it's incase if the legend turns out to be even the slightest of reality, he wasn't going to get his dormitory haunted, instead opting to perform it at the house he grew up in, his childhood house. That was left abandoned ever since they moved out months before his younger brother was born after his father had an episode still unknown to him inside the place. It was convenient enough to perform the ritual in and no one lives there anymore, and it was just a few minutes from where his house was anyways. 

Reaching the place and swinging the backpack over his shoulder, he makes his way into the surprisingly still intact house. Not much time to waste, looking around, Yuta slowly made his way up the wooden stairs, the wood creaking with each step he took to prove the existence of this house dated long back. The guest room shut lock from lack of human souls even when they used to live there. The paintings still hung off of a single screw, nostalgia hitting him straight as he recalled the one time he was playing catch with a neighbor's kid and ended up breaking the glass frame. The wallpaper's adhesive seemingly had gotten weaker from how they had started coming out from nooks and crannies of the walls. The place, without doubt, looked a little creepy but nonetheless felt homely. 

Switching on all switches from the main controller that was in the control room right by the end of the hallway, the entire darkness was replaced with light as the bulbs shockingly still seemed to function. The warm white colour of the lights took Yuta all the way back to his growing up years, missing all the fun he'd had there and all the memories he'd created. He, though grew up mostly by himself from how busy his parents were on the weekdays and sometimes the weekends, missed them more now that they live far off in Japan with his mother's family. Especially now that he was in the place they spent the most time together in. Shaking his head, he had no trouble navigating his way to his childhood room. Where he set the bag down.

He reached out to his back pocket to get out his phone, switching it on as the screen illuminated, 11:28PM, the screen read. To kill the time, Yuta set up all the items required in place to proceed the ritual smoothly. He pulled his laptop out of the backpack once he was all set to maybe watch something on the internet. It being other peoples attempt at the ritual he was about to perform.

11:55PM.

Yuta inhaled, having only a few more minutes until he had to proceed. He recalled your words,

"Alright boys, my turn" You snatch the phone out of Jaemin's hand who seemed really immersed in finding out more about the legend he just read out about, earning a pout from him. "I was reading" he let out in a whiny tone immediately going stoic after receiving a 'do i care' look from your end. "Okay, so the story I'm going to read out is called the midnight man, or the midnight game" You scroll back and forth through the pages the oldest of the group screenshotted. "From what he's gathered, there's not much backstory, but apparently it's a ritual or mostly a punishment that the pagan's use to punish the betrayer of the group who failed to stay loyal to their lords or the group. One of the people of the religion will summon the midnight man to an abandoned house where they lock up the said betrayer who'll then be put through god knows what by the midnight stranger," You stop to look up from the screen to look at each of your friends before letting out a sigh. 

"My take on this though is that it's highly impossible since the rules here state that once you start the ritual you aren't allowed the leave the place until the game is completely done unless you want the midnight man to follow you around for as long as you live, so unless the midnight man actually favored the pagans, there's no way they could punish the betrayer without one of the loyal ones passing away along with the one being punished" you state, "But what if, it's the midnight man that they preach? You know, like, they could be praying the midnight man" Haechan adds in a point which seemed to make sense, "That's possible too" 

"Why would someone preach an evil entity? That's so sketch" Jaemin asks perplexed. "They did a lot of sketchy things back in the days, Jaem. I wouldn't question it," Yuta chirps. "Is there any other backstory given about the midnight man?" Yangyang finally speaks up, "Well not really, but when i was taking screenshots of this it apparently started with a curse on someone whose identity is unknown to most. There was no such thing as the midnight game or ritual until the said bewitched man came back into town. I only know up to there, but there are high chances that he's probably the origin of the ritual." Yuta explains. "Why does Y/n get the best always, that's so unfair"  Haechan's dramatic self whines while leaning onto Yangyang who rolled his eyes but nonetheless threw his hands around the latter's shoulder, "Anyways, the procedure for the ritual is given here."

"You need one candle, a lighter or a match box or anything that ignites fire, a piece of paper, something to write with, a sharp object, it could be a pin, it just needs to be something sharp enough to draw blood, a wooden door, and salt for protection-" You read out, "Now why the fuck would they need blood," Jaemin asks, shaken up. "That's for them to know and us to find out" 

"Here's how the invitation for the midnight man goes. Begin prior to midnight," 

Yuta stood up from his bed, and walked up to the backpack on the floor, picking out the papers he'd brought along and took out a blunt pencil. 

"Write your full name- first, middle, and last- on the piece of paper with your writing implement." He wrote syllable by syllable, Nakamoto Yuta. "Prick your finger with the pin and squeeze until a drop of blood appears. Dot the blood on the paper and allow it to soak in. Turn off every light in your home." He took out the small safety pin he brought along from his jean pocket, pressing his fingers hard and pricked into the skin as hard as he could, keeping in mind to not draw too much blood. Yuta let the droplet fall right in the space between his last name and first. 

"Place the paper with your name and blood on it in front of the closed wooden door. Light the candle using the matches or lighter and place it on top of the paper. If you are using a taper, make sure it is placed in a candle holder." He walks up to the door and places down the paper with his name and blood on it, with the half melted scented candle he brought along. Yuta took out his phone once again, 11:59. "Knock on the door 22 times. The final knock must occur precisely when the clock chimes 12am. Open the door; then blow out the candle and close the door. Relight your candle immediately." He starts to knock on the door, drumming on the dusty wood, 18, 19, 20, 21, 22.

He checks the time once again, 12:00AM.

He leans down to pick the glass jar containing the candle, relighting it, 

"I welcome you."

Taeyong loved the tiny creatures in the human realm. They were so naive and so, stupid but weirdly smart at the same time that made playing with them ten times more interesting. The callings from them, or the way they say it in the human realm, summoning the spirit was the only way he could gain access to enter the place. Summoning wasn't even necessary. Saying his name out was more than enough for him to go up to you. Midnight man, midnight stranger, midnight visitor, pagan's god, What not had the human's named him. 

The only one besides his ancestor of said curse that enjoyed the power of punishing people was Taeyong himself. The youngest of the bloodline and the freshest of pagan's spirit, he loved the power he had. Sure he had no access to love, instead besides lust and range he felt nothing, maybe amusement too, but none other than that and he seemed perfectly fine with that. Human's always seeked lust more than love either way so he found no problem in being void of feeling a vulnerable emotion. Instead, he found love pathetic. Watching human's from where he lived, he'd seen all from men and women seeking love by going to heights of trouble only to waste away your remaining life with one partner. Leeching off of pleasure at times when you had a significant other. He always got a hearty laugh from all of that. According to him, if you want someone, get them. Instead of tailing them and trying to be a goody two shoes, just make them yours in a way that's inevitable for them to fall for you. Control how they feel. Easier said than done since he was the only one with the ability to do so, 'how fucking pitiful'.

So when he saw you and your small group of friends discussing about him, laughing at all the assumptions you made along the way, he wanted each of you to himself. "My take on this though is that it's highly impossible since the rules here state that once you start the ritual you aren't allowed to the leave the place until the game is completely done unless you want the midnight man to follow you around for as long as you live, so unless the midnight man actually favored the pagans, there's no way they could punish the betrayer without one of the loyal ones passing away along with the one being punished" you're smart and that was intriguing to him. He liked the way you thought of things and the male beside you too, you both seemed to take tales of him as a grain of salt and that, besides angering him, made him feel the want to prove himself to you. Taeyong found the other three cute, seemingly scared of him just the way he liked it. 

His ancestor's who held the same power as him, the curse actually, came to be known as said lord because of their power of manipulation and to inject in their worst nightmare into their minds that had the people divide themselves into groups. One that believed the power they had was for the good and considered them to be their god, their savior. And the other being the one's scared of their power and the fear that the same faith would bestow upon them that had them pray for forgiveness for sins they never committed. So your friend had the point a little, but it was inaccurate. They believed him. Believed Taeyong and feared his power. He loved people bowing down in front of him, eyes trembling and body shivering. It gave him a sense of dictatorship. And he had set his mind to have both of you non-believers fear him. 

Having been brought up with little to no love, Taeyong followed down the same path as his great grandfather. Not having enough time to feel the vulnerable emotion, he chose to go down the path of pleasure and power play. His powers though, seemingly stronger than the past generations, probably due to the fact that he was young, ruthless and free of care. He could make himself appear physically in the human realm in any shape and form, though he always preferred to go in his original, but less scarier form. His visuals were out of the world. He didn't have to scare people to make them obey, instead all he had to do was pretend to be there and just be himself and that only made humans seem even pathetic to him. 

"Relight your candle immediately"

12:01PM, The main event. 

"Keeping your candle in hand and your salt and matches or lighter close by, begin to move about your home. Should your candle go out, you must relight it within the next ten seconds.  If you are successful, continue moving about your home. Do not stop moving until 3:33 am. If you are unsuccessful in relighting the candle, immediately surround yourself with a circle of salt.  Remain inside the circle until 3:33 am. At 3:33 am, it is safe to stop moving or to step outside your circle of salt. You may also turn on the lights. The game Is Over."* You conclude. Hissing slightly at the sudden pain by your shoulder that was exposed from the minimalistic clothing you'd adorned, the stranger looking over it all smirked to himself. 'Got it'

Yuta opened the door again, mindful to keep his phone back in his jean pocket along with the lighter and of course, the salt be brought along. Starting from the end of the hallway, nothing seemed to change except now, the eerie silence was starting to bother him, 'Just 3 hours to go,'. He didn't miss a single corner, walking room to room, corner to corner, mindful to stay inside all the way. The temperature of certain rooms seemingly lesser than others. A cold pocket. 

"There are few warnings too," you swipe the image to go to the next one, "At 3:33 am, the Midnight Man will leave your home. After he has left, you may safely end the game. Do NOT turn on any lights during the game.  Do NOT use a flashlight during the game. Do NOT go to sleep during the game. Do NOT use a lighter instead of a candle during the game." Check. He had a lighter on him just to relight the candle anyways. 

Taeyong, following the guy seemed to be quite impressed by his bravery. Not even the slightest of shaken up as he proceeded to walk about the villa. That's good, no slip ups and he seemed too good to mess anything up either ways, and that bored the entity. Where's the fun if he just succeeded? 

To avoid the candle from going off at the sudden flickering, Yuta covered it up the best he could with his hands and checked around whether any windows were left open. Darkness engulfed the surrounding all of a sudden, the lad being taken aback, 10 seconds. He rushed to take out his lighter, 9,  pressing the button repeatedly to ignite the flame only to get a small blue flame instead, huh? 8, running back full speed happy that he was in the premises of where his backpack is, he pulled the spare lighter, a brand new one out of the side pocket, 7, repeating the same process of flicking the button over and over, 6 until a bright orange flame engulfed the dark room, 5, he immediately grabbed his candle from besides the bag, 4 reaching in close by the wick, burning himself slightly in 3-, the process. Yuta heaves out a sigh of relief, while the spirit laughs at the frantic boy. 'He's cute.'

For a breaker, he took out his phone, looking at the time that seemed to pass by quickly throughout the ritual, 2:47 AM. A little more while to go until he'd finally get it over with. "Do not attempt to provoke the Midnight Man during the game." You ended for the nth time that night, "Which idiot would-" Yangyang asks "Haechan-" Jaemin pretends to cough while blurting out his best friends name, the mentioned feigning offence while tilting his head to the side, tongue poking at the insides of his cheek. "Seems like that's pretty much it." you shrug while the older guy beside you leaning back on both of his hands, "I kinda wanna try that out" Yuta raised his eyebrows at you. "Halloween night? We all go together" you chirp in, both of you whipping your heads to look at the three perplexed boys. "Uh, I have to water my fish on halloween? She'd get pretty thirsty". Jaemin's eyes wandered about, coming up with an excuse, "And I gotta walk my rock yo, physical fitness." Haechan adds, "Can I bring my fish along? She could use some exercising". 

"Come on guys, it won't be that bad, we'll stick in a group?" You pleaded, trying your best to muster up the cutest puppy eyes. "I'm down" Yangyang shrugs. You do a tiny seal clap, looking expectedly at the other two, Yangyang and Yuta doing the same. "We stick together?" Haechan asks, to which the three of you nod your head, 

"Alright then we're down too"

[3:04AM 30th, October. ]

A few more minutes left until he'd succeed, Yuta was starting to grow tired of constantly roaming. He'd usually not the one to wear out that quickly, but for a reason unknown to him, he felt utterly sleepy, tired, hungry and just wanted to lie down. He decided to take a small break, the candle still light, dangerously flickering but yet still intact. Yuta sat by the foot of the stairs as Taeyong looked at him with the same cocky smirk on his face, contemplating whether to pop out or not. 'Maybe let's make it subtle? '

Taking up the form of a black humanoid figure, Taeyong makes his way towards Yuta whose eyes seem to be dropping low with each passing second. Upon hearing the sounds of footsteps Yuta looks up, a hand on his forehead from the sudden throbbing headache. Letting out a loud yell at the figure in front of him that disappeared almost immediately, he rushed to grab his lighter again. The sudden temperature drop made him shudder. Taking out the new lighter, he pressed the button again and again as the time limit started to exhaust, 6, at a successful fire, he reached for his candle, only for the flame to go off when it neared the candle wick. "what the fuck.." 5, "come on.." he stated in a rushed voice, sure that he just saw whatever he saw once again. Finally flicking the button one last time, he succeeded in lighting the candle. 

Contrary to popular belief, the midnight man didn't always radiate death. Sometimes he just messes around with the humans because the underworld could get a little boring. And as the curse states death and wrath is only to be faced by those who sinned and the boy playing right now seemed to be of no threat. All Taeyong wanted to do was get the guy to believe in his existence. Skeptics were like an insult to him. So if he had to prove himself and his existence on his own, then so be it. He gets some pretty good experience out of it anyways. 

Yuta stood up immediately, remembering the warning's you'd stated, "Do not stop moving until 3:33am", walking back up the stairs, he took out his phone to check the time, 3:29am. Almost. 

The same sounds of footsteps resonated from behind him, Yuta took an immediate U-turn. Going back down the stairs and roaming the empty, dark hallways, making sure to enter each and every room, keeping a mental note to thank his parents for having a slightly confusing infrastructure. The wax was almost completely out in the glass jar, but he had to hang in there for a little longer than 2 more minutes when he felt something brush his shoulder, much similar to how a friend would drape their hands over his/her friends' shoulder. He could've brushed it off as anything if it weren't for the sharp pain he felt right after the feeling of someone touching him. He's getting the proof he wants. Almost as if someone pulled his hoodie, Yuta stumbled back, letting out a shaky scream, tripping on his own foot, landing butt down onto the floor, catching a glimpse of the same humanoid figure he'd been seeing. He needs to get out of there. 

Stumbling back onto his feet, Yuta bolted it upstairs, grabbing his phone once again to check the time, 3:32am. Reaching his room, he set the candle down right beside him, vary of the windows and doors, starting to back his backpack, the sounds of rushed footsteps running start to where he is ringing through his ears, hands shakingly packing his bag. Keeping the candle closeby, contemplating whether to draw a salt circle or not since there was only less than half a minute left when the same humanoid figure neared him with fast footsteps, reaching by the door frame with a loud agonizing scream only to disappear immediately. 

Not realising the stress of tears flowing and the tresses sticking to his forehead, Yuta looked at the door frame in a perplexed yet confused manner. What the fuck was that. 

Taking out his phone once again while grabbing his backpack, laptop and the car keys in the other hand, 3:34 am. He'd made it through. After reaching the front door, not even bothering to close it, he rushed to his car, starting it before pulling up your contacts, seeing the messages he'd never sent you. 

Yuta san 1:39am: The boys said they won't make it tomorrow, it's gonna be just you and i

Y/nleE 1:43am: Why not? 

Yuta san 1:45am: Dk, they said they aren't interested. So come near xxxx tomorrow at 11:30. I'll meet you there. 

Y/nleE 1:48am: Coolsies. 

Yuta san 3:38am: Y/n don't come here, gather the boys and meet me by Haechan's dorm tomorrow. The game's no fucking joke. 

And with that he started driving away quickly to his dormitory, not once looking back at the house to see a human. Or a human like figure standing there, A bright red hair standing out due to his blood drained looking pale skin. A smirk on his face

Message not delivered. 

31st October, 22:37PM, 2020.

Today was a weird day, 

Having all plan's set two days before, you'd make sure to keep yourself ready for whatever you and your friend group were supposed to do today. You finished up all your assignments earlier that day to keep yourself free from afternoon and on. 

The weird part was that, no matter how much you kept your phone for charge, each time you tried calling one of the guys to ask for the sudden bailing out on plan, which is a shocker because they've never done that, your phone kept switching off. You could've gone all the way to their apartment, well, dorm, but you decided to wait until later to do so. Maybe a few minutes before leaving to the place Yuta texted you so that they'd have no choice but to come along. Since your last time texting with Yuta, you hadn't heard from him. Granted, he did text you quite late at night saying he's going to do god knows what and to tell you of the sudden plan change, but you hadn't heard from him after, that being weird since he literally lives a floor below yours, he could've come any moment but nope. You kept a mental note to tell him off later. 

You took out your phone once again to check if they'd sent any messages or missed calls only to have an empty chat box, other than that of your other friends that is. Added on top of that came the constant pricking feeling on your shoulder blades from the last day you hung out with the boys. The pain would appear randomly and it would be hurtful enough to draw blood, which is weird considering the fact that you kept yourself away from all sharp objects and had a full sleeve covering the area. 

One stone, two birds. Taeyong's motto. 

After having interfered with your phone, your friends, trying to keep you away from them until you'd go through the same as your other skeptic partner, Taeyong made sure that Yuta would be sick enough after returning home to keep him from even getting up from his bed. Temporary paralysis. Your other friends, of course they tried reaching out to you, only for him to cut the service to keep you away from them for a while. They got easily distracted from you ignoring their texts as they were focused on reaching out to Yuta. 

Unknown: Hey Y/n, I'm Yuta's friend. He told me you aren't replying to his texts so asked me to do so. 

Y/n: Who's this? 

Unknown: Oh! I'm Taeyong! A close friend of well, your friend XD. 

Y/n: Nice to meet you, Taeyong. I'm Y/n but it seems like you already know that. 

Unknown: Yeah :). Yuta's on his way here and told me that you'd be joining us? Are you nearby?

Y/n: He left? No, actually, I'm just leaving my place. I guess I'll meet you there? 

Taeyong: Meet ya :)

[23:22PM, 31st October, 2020 continued. ]

Hailing a cab to the address Yuta had sent you with his friends, Taeyong's number saved on your phone in case the later won't pick up, you left your place. Still feeling a little eerie from how Yuta just decided to leave you behind when he could've just offered to go together, which is pure Yuta style. He probably wasn't in the best of moods but he could've at least texted you letting you know of his departure from the apartment building. 

The journey to the given address didn't take that long surprisingly. A little towards the outskirts of the town in a much aloof part but nonetheless, doable. It's not like you'd be alone there any ways. Paying for your fare, you took your purse, brushed your fingers through your hair to tame it a little from the ride, and turned towards the building, jumping slightly at the bright haired guy sitting by the front porch. Adorning the simplest of fit, a black knee slit jeans, with a graphic tee and a black leather jacket with a chain or two. He, in no doubts, was ethereal. His pale skin stood out the most in the street light if you could call it that and his lips seemed a little drained of blood, eyes hollow yet captivating when he looked up from the dirt below him to you who still stood yards away. Smiling, he got up, making his way towards after brushing off the invisible lint from his jeans, "Hey" he offered you his hands for you to shake upon reaching you. "Hey..? Taeyong, right?" 

Wanting so badly to smirk, he only looked down with a silent snicker, looking up immediately to not look suspicious, "Yeah, Y/n..?" you nod in response, shuddering from the coldness of his skin, "Have you been out for too long? You're freezing," you exclaim, looking at him with a guilty expression and taking a mental note to hit Yuta for not arriving earlier. "Oh no, i just reached a minute or two prior to your arrival." you nod in understanding, withdrawing your hands from his hold, "By the way, Yuta called me a few minutes ago, telling me that he wouldn't make it and to just carry on" Taeyong said, looking at you with his eyebrows raised at your confused, innocent expression, his humane form threatening to change into his original form. "What? Why? It's like,-" you look down at your wrist watch, "11:50! And he's bailing out now?", smiling at you in fake sympathy, he replied, "he said he had other things to take care of," "But you said he'd left the place and was on his way here?" you ask, hands on either sides of your hip, "Last minute plan changes" Taeyong shrugs, "Anyways, let's get inside?" 

He pointed towards the front door with both his hands, gesturing you to go forward first. And so you do. You offer him a smile before turning your back towards him and making your way towards the old house, the door seemingly open. Climbing up the stairs with caution, humming at the sound of dried leaves crunching up below your feet with each footstep. Taeyong stood behind where you two had introduced yourselves for a few minutes, a few more minutes. "Taeyong? Are you not coming?" you turn around slightly, looking over your shoulder at lad standing still, "Yeah, I'm coming" he replied soullessly, still standing his group until he saw you open the door ajar and then took his first step forward. Not bothering to go too quick. 

The insides were simple, very very simple yet magnificent. The flooring seemed to be that of wooden finishing that creaked with each step you took, implying that of how old the infrastructure must be. You look around in awe, clutching at the sling bag that you carried along. You go corner to corner, not bothering to look behind to see if the friendly stranger was hot on your trail, instead seemingly being captivated by the olden time-ish wallpapers and paintings and antique pieces that the wall adorned. Taeyong on the other hand was just growing restless, 4 more minutes until he could play his next victim, he was growing frantic. He did follow you inside, instead opting to walk the opposite direction as you, towards where he'd hidden the paper with your crimson blood and name written on it, contemplating whether to just tear it and carry on proving his existence to the female in the room. 3 more minutes, he bit into his lips, "Taeyong? Look, i found something!" He heard you scream.

Puffing out a breath of frustration, Taeyong replied "Coming!" and he walked out of the room, hands in his pocket towards where you stood by the bottom of the stairs, looking at the lighter in your hand that seemed relatively unused. "I found lighter down here" you look at him with a tiny pout evident on your lips, looking back and forth between the candle and the guy, puzzled. "It must be some thugs who came here to smoke or something" He shrugged it off, taking the lighter out of your hand. It must be you over analyzing things but without a single light turned on in the villa with only your flashlight acting as a source of light, but Taeyong looked even more lifeless than before. Eyes dark ebony and dangerous, somehow intimidating, lips adorning a bright shade of red in contrast to how you saw it the first time, and his aura had seemingly darkened. 2 more minutes. You shake your head and walk up the stairs and towards a room which has it's door wide open. Choosing to lay out your things there, you stretch out a few stiff limbs, "So, me and the boys were planning on doing the midnight game, you know. One of those stupid creepy pastas? I can't believe all of them bailed out on me last minute," you speak particularly to no one in the room, assuming that Taeyong was listening to you, whose ears only perked up at the words midnight and stupid. Midnight. 00:00Am. The devil smirked to himself. Midnight, at last. 

"I mean, Yangyang, Jaemin and Haechan came off as no shock to me- they're the other friend's by the way, but Yuta, it's weird for him to at least not let me know." You keep going, scrolling through your phone screen, only for it to load suddenly, No internet access. Sighing, you pull out offline downloads, "Did he tell you anything else? Like if he's feeling unwell or something?" you ask, letting the question float in the air, waiting for a reply. Getting known even after the passing of a few seconds, a minute too maybe, "Taeyong?" you stand up from the bed, well, the bed frame and make your way outside, "Tae?" you look left and right, searching for any moving soul when you feel your phone vibrate in your hands, and the sound of notification resonates through the eerie silence. You look down at the device in your hand, one new message from Yuta san and an immediate black out of the screen. Impossible. 

You remembered full well charging your phone to a hundred percent before leaving your dorm. Hell, you even kept it on airplane mode your whole cab ride. Shrugging it off, you keep your phone beside your bag and then proceed to go out to look for your new friend? acquaintance? You didn't even know how to classify him as yet. "Tae, if you're trying to scare me, I'll give you heads up, it doesn't work on me." you chuckle, walking to the room beside the one you were previously lounging in. "It's past midnight and we both seem too uninterested to try out whatever we were supposed to anyways, how about we just head out?" you start, looking down at your wrist watch which displayed 00:09 on the screen in neon green. "I mean, it was stupid enough that my friends and i even decided to try it out knowing it's some made up shit to scare some seven olds, probably" you continue, feeling as though you're talking to the walls at the lack of response. "Taeyong, come on. I'm growing bored." 

"Tae-" "You know, the way you logicised made it seem like you're smart enough. It was impressive," you hear his voice, a little too hoarse and plain for your liking, he continued before you could muster up a reply, "But seems like you aren't all that smart after all, seeing how you believed a total stranger and are even ready to spend time with him." you look around the place, only hearing his voice but his figure to be nowhere near you, "Taeyong, what are you talking about?" you head out of the room you currently stood in, jogging to catch his voice.

"It was a little angering you know? The way you spoke about me and my followers, it was disrespectful. And I could've taken you then and there, but what to do. You seemed too cute to take your soul without a small game? Is that what you humans call it?" You feel breathing fanning the nape of your neck and a cold air following it right after, making you turn back, "Your friend got his share of play" you whip your head forward, finally seeing the male in front of you, standing by the door frame of a connective hallway, you swore you felt his presence behind you though. His infamous smirk still adorning his features. Figure a little more towering and intimidating. If you thought he couldn't have seemed more lifeless a few minutes ago, then his appearance now only seemed to prove you wrong. "So it's only fair if you got your part of the play too, right?" 

"Taeyong, you're only making your existence weird for me, let's go if you're done." He only tilted his head in amusement, "Oh it's only about to get weirder, darling" You turn back to face a blood red shot eyed male, well, Taeyong, eliciting a gasp from you, you look over your shoulder to see the place where Taeyong stood a blink of eye ago. "How..did-" His chest visibly vibrated from the hearty laugh he let out, "How did I do that?," you step back as his voice dropped even lower, only for you to bump your back into something rigid, something cold, making you let out a yelp as Taeyong seemed to stand still in front of you, "I can do a whole lot of things," you feared turning back, the insides of your stomach hurdling around as whatever was behind you reached their arms up and held you still in a vice grip. "Y/n!" you hear a voice scream from downstairs, "Y/n! Come out! We need to get out of here!" you recognize the voice as that of your friends, Yuta's. 

You squirm hard to loosen the person's grip on your shoulder. Once succeeding, you bolt down the stairs, skipping a few steps, tripping now and then but nevertheless making it down without landing face first as you hear Taeyong's laugh thunder throughout the place. You take a turn to reach the front door, where Yuta stood in all his glory. You immediately run into his embrace, ignoring how his body seemed just as cold as the one you felt from whatever Taeyong was, "Y-yuta, he's sick, let's go, we need to go!" you try pulling Yuta's body a little closer to the exit, only for him to stand his ground, wrapping his hands around you even tighter as he caressed your hair, "Oh, Y/n.." your body goes stiff as your eyebrows furrowed in confusion, that sounded nothing like your best friend, "Yuta..?" 

You try pulling your head away from the nape of his neck to look at him, "No darling, it's 'stupid made up shit''," his body vibrated once again from the laughing against yours, as you feel yourself growing scared each passing second. You try mustering up all your strength to bring it to his sides and push him away when you feel a plush yet cold muscle press against your neck, only for it to go futile. "Still made up for you?" you feel a sharp pang of pain flow through your nerves, result of him biting the skin in a manner far too away from soft, "Taeyon-g- lord--midnight man, whatever you are.. I'm --sorry" you say in a hushed voice, scared that if you voiced out a little louder, he'd pounce at you. You feel him nibble at the soft skin, making you whimper, "Oh no, darling, do not apologize. Your doings really intoxicated me. Kept me entertained for a while." 

"But now, it's angering me to know a feeble creature as you kept poking fun at my people. At me. And I want no more than to turn you into something belonging to me. Who'd worship me the way 'my people' do." He whispered against the area, lifting his head up and leaning down, making sure not to let go of his grip on you, "oh no, pretty girls aren't supposed to cry. Tsk tsk, what is this, Y/n" His eyes bore holes onto the crown of your head. "Look at me." he acted on making you look at him faster than you could, "Could you beg for forgiveness? Give me a piece of yourself?" he inched closer to your face, a small snarl escaping his throat at your scared and trembling figure, "Or you could just be my queen and come below with me, and you'd not have to cut down your lifespan" 

"Are you turned on by all of this, Y/n? Or is it out of fear?" you let out a shaky breath as the tip of his nose touched yours, "Because i can smell you from here and oh," he let out what sounded like an animalistic growl, "Is it delicious.". "Taeyong, please let me go.. I'm sorry. I really am, just please don't hurt me,-" you let out a whine of pain when you feel his other hand knot his fingers in your locks and pull it back with much aggression, immediately planting his lips onto your trembling once, bearing his fang like teeth into plush flesh to draw out blood, earning a loud high pitched scream from your end as you try your best to push him away, futile once again. His hands tighten their grip at the waist while his other hand pulled your head further back, latching onto the firm skin of your neck, treating it with the same aggression, puncturing through the skin with his teeth as your hands go limp beside your body, nevertheless, letting out a whimper from the harsh treatment, which, in all your defense couldn't be help since you still are a human with all emotion any human would feel, that including lust. You feel his cold lips curve into a smirk against where blood flowed out, lapping it up with his tongue as you feel your vision blacken the more as time went by. 

"Oh darling you're no different than me.."

4th November, 19:48Pm, 2020.

"She's awake!!" you blink multiple times to get accustomed to the blaring lights in the room, a comfortable white filling your eyesight. You move your head towards the side to find all your friends sprawled out on each side. A drip connected to your hands making you squint in confusion, "Can you hear us, Y/n?" you feel your shoulders being shaken as jolt, "Hey? Yeah i can hear you, why won't i be able to?" you ask, confusion still laced in your voice, "Because you hadn't responded to us the last time we called you. And because you've been laying dead the past few days" Jaemin spoke up first, earning a smack from his elder brother 

"Why didn't you stop when we screamed your name the other day, Y/n? You literally weren't breathing the day we found you" Yangyang inquired and stated, "And why did you leave us all on seen??" Haechan added, "Most of all, where were you even??" Yuta spoke. You hiss at all the questions being thrown at you as you try sitting up by the inclined hospital bed, "Screamed? Didn't respond? I left you on seen? That's highly impossible and where was i??" you stare blankly at the plain wall in front of you, trying to remember any such episode. The more you strained your head, the more clueless you grew. Your throat starts to grow dry so you turn your neck to check if there are any water bottles nearby, only for a sharp pain to flow through your nerves at a particular spot in your throat. You yelp at the sudden pain, "I'll get the doctor," Haechan rushed outside, when you reached out to touch your neck, feeling it with the tips of your finger, feeling in the swollen skin, the dried up blood when it all hit you. Your eyes grow wide as you start shaking, for it to be first noticed by Yuta, "Yuta, that house! The game, it's all real! I saw hi-him, his name! I swear he's real!" growing concerned at your sudden frenzy behavior, Yuta kneeled down beside your bed, holding your non-injected hand giving it a comforting behavior. 

"Calm down, angel. Tell me point by point," he encouraged you to take in a long breath, as Haechan rushed in along with the doctor whose face was half covered with a doctor's mask, "Doctor, he-he's probably out for me, you need to get me far away from here! Please" you beg with your eyes stinging with all the tears, "No one's going to get you from here, Ms. Y/n, you're safe here" You pause your frantic actions for a while. That voice sounded a little too familiar for your liking, making you think you're over analyzing everything again. The doctor gestured to your friends to leave you up to him to have a doctor to patient talk. All of your friends nodded in understanding, giving you one last reassuring smile before collectively leaving the room. 

The doctor, once after making sure that everyone left, removed his mask to reveal the oh so familiar smirk and the hair protector, rustling the same, familiar bright red hair with the same familiar pale fingers of his. Your eyes widen, mouth falls wide ajar

"Oh wait, there's one last warning, Do not assume that the Midnight Man has left your home for good at the conclusion of the game. I'm for real done now" You laugh at your friend who snatched the phone away from you,

"Pleasure to meet you again, darling"