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hero-nerd · 7 months ago

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The Symbol of Peace: An Analysis of Masculinity in My Hero Academia

Izuku Midoriya runs through the city toward the site of a villain attack, excitement on his face as he knows what this means. He elbows his way to the front of the crowd and up to the very front line the heroes set up as they battle their foe, watching in awe and excitement as the heroes he looks up to are locked in battle.

This scene plays out in the beginning of the hit anime series My Hero Academia. Set in a fantastical version of Japan in which heroes are a part of every day society, the series follows the story of Izuku Midoriya, also known as Deku, as he strives to become a great hero using the power passed on to him by Japan’s number one hero, All Might. The first chapter of the manga series was published in Shonen Jump in 2014, and was adapted into an anime in 2016. Both the manga and anime are still in progress, and have a great level of popularity. According to Parrot Analytics, My Hero Academia is “ranked at the 99.9th percentile in the action genre, indicating that it enjoys exceptional demand compared to 99.9% of all action titles in the United States” (My Hero Academia YTV). Due to its outstanding popularity, I believe this is a relevant text to analyze.

From the very beginning scenes of the series, as Midoriya watches this battle unfold, the audience is shown what the image of a hero looks like. They are strong and powerful, with physiques that look like action figures. They are something for the ladies to swoon over. Notably, they are men. It is not until the very end of the fight we see our first female superhero, who is shown as “stealing the spotlight” from the men in her skintight suit, and immediately subject to objectification and sexualization by the media on the sidelines. To those who know comics and superheroes, these types of hegemonic masculine messages are to be expected. While these messages are seen as such a norm that it’s just a part of the superhero genre, there are real impacts to this. In a study conducted by Coyne et al. about the effects of superhero media on kids, research found that “early superhero exposure was indirectly associated with weaker egalitarian attitudes toward women and greater endorsement of the muscular ideal” (Coyne et al. 634). This shows that superheroes have a real impact and are worth studying. This analysis will look at masculinity in the world of My Hero Academia, as shown through the lens of All Might, the Symbol of Peace.

Who is the Symbol of Peace? All Might is one of the top heroes in the version of Japan this story takes place in, and has been for years by the time the series starts. He is rated the number one hero in the in-universe hero popularity polls, and has one of the greatest powers that citizens in that world have ever seen. As such an important cultural figure in this world of heroes, he is the ideal, the standard, the one everyone looks to when they want to see what it means to be a hero, and we know that what it means to be a hero in this world is to be masculine. That is why I have chosen All Might as the subject of this analysis, and to begin I would like to look at Kimmel’s tenants of masculinity. In his documentary Guyland, Kimmel breaks down four basic rules of masculinity: “No sissy stuff”, “be a big wheel”, “be a sturdy oak”, and “give ‘em hell” (Kimmel). Let’s explore what these mean, and how they are evident in the character of All Might.

When Kimmel says “no sissy stuff”, what he means is that there can be no sign of femininity or weakness. In societies where masculinity is seen as the ideal, femininity and weakness have become synonymous with each other when it comes to the measurement of masculinity. This is apparent in All Might’s appearance. He is the perfect picture of the classic superhero, with bulging muscles and a towering, hulking figure. When he speaks his booming voice resonates and shakes you to your core. It is not just his appearance that this is evident in, however. We can see this line of thinking, “no sissy stuff”, in the way All Might acts, especially toward the beginning of the series. In season one episode 3 “Roaring Muscles”, All Might passes on his power, known as a “quirk” in this world, to the protagonist Izuku Midoriya. As he does this, Midoriya’s eyes welled up with tears as the emotions of all of his dreams finally coming true overwhelm him, All Might says “Seriously! You gotta stop crying so much if you want my quirk” (My Hero Academia). This is a common theme, as Midoriya is very outwardly expressive with his emotions while All Might begins their mentorship with a much more hegemonic view of masculinity.

To “be a big wheel” means to have lots of money, power, and status. This is probably the tenet that All Might intentionally goes after the least, but that does not change the fact that he fully embodies it. As the number one hero in Japan he holds a very important status, and the Symbol of Peace is a name anyone in the world of the show knows. In season three episode 49 “One for All”, All Might is fighting against the main antagonist of the show in a large display that is being televised to all of Japan. He has lost the last of his power that allows him to stay in his superpowered form, but he continues to fight on despite this. His mentor urges him to stay strong, saying “No matter what you look like, you’re still everyone’s number-one hero!” This is just one of many illustrations of the status All Might holds in the eyes of the citizens of Japan.

Arguably the most prevalent of the four tenets in All Might’s story is “be a sturdy oak”. All Might specifically created the idea of the Symbol of Peace to be an unwavering force of help to those in need. This is evident even in his catchphrase. We see him use a variation over and over, a common theme throughout the series, going all the way back to his first appearance as a hero: “Fear not, citizens. Hope has arrived. Because I am here” (My Hero Academia season one episode one “Izuku Midoriya: Origin”). When Midoriya is talking about what he looks up to so much about All Might he says “There’s always a smile on his face, no matter how bad things get. Even when things seem impossible, he never gives up” (My Hero Academia season one episode one “Izuku Midoriya: Origin”).

The last of the tenets is “give ‘em hell”. This comes down to a reckless sense of daring, always throwing yourself in no matter the danger and being willing to do things no matter the risk. This is seen as bravery, the opposite of being a “sissy” as mentioned in the first tenet, even at the cost of the person performing these acts. We see this in All Might’s willingness to throw himself into any battle, no matter the cost to himself, and how he sees that as admirable. In his backstory preceding the events of the show, All Might was injured in a battle with All For One that left him only able to use his power for a finite amount of time each day. During the time All Might first meets Midoriya he has reached his limit on his power use for the day when a villain attacks a student. All Might is on the sidelines in his disguised form, watching this go down while cursing himself for not being able to help because of his limit. When he watches a powerless Midoriya rush in to help, All Might says “I have to do something, no matter the cost” before pushing past his limit to use his power. He tells Midoriya “Pros are always risking their lives, that’s the true test of a hero!” (My Hero Academia season one episode two “What It Takes To Be A Hero”). He uses his great power to blow the villain away with a single hit. After things have calmed down from this battle, All Might talks to Midoriya about this and what it means to be a hero. He tells Midoriya “There are stories about every hero, how they became great. Most have one thing in common. Their bodies moved before they had a chance to think” (My Hero Academia season one episode two “What It Takes To Be A Hero). This becomes a recurring line in the show when people talk about what it means to be a hero, and it truly highlights the reckless and daring action described by the tenet “give ‘em hell”.

These are only a handful of examples of how All Might embodies the tenets of masculinity in each and every episode. However, these tenets do not go without cost to All Might. We can see as his adherence to these tenets broaches the realm of toxic masculinity-”a particular version of masculinity that is unhealthy for the men and boys who conform to it, and harmful to those around them” (Flood).

In season four episode 67 “Fighting Fate” All Might tells his protege about that time from his past. His sidekick, a hero named Sir Nighteye with the power to see the future, warned All Might that if he were to keep fighting, he would die a horrible death at the hands of villains. All Might acknowledges this, but he presses forward despite the warnings in an attempt to uphold the Symbol of Peace. He says “For the sake of this world, I have to be able to say that I am still here” (My Hero Academia season four episode sixty-seven “Fighting Fate”). As he tries to uphold the tenets, particularly “be a sturdy oak” here, he only begins to break himself down and harm himself as he exacerbates his injuries and puts himself at risk again and again. This is often rewarded in the show, saying he is a good hero for doing these things.

This line of thinking gets passed down to his protege Midoriya as All Might trains him to become the next Symbol of Peace. Here we can see the effects of gender socialization on the story. As defined by Dipti, “Gender socialization is a process by which individuals develop, refine, and learn to ‘do’ gender through internalizing gender norms and roles as they interact with key agents of socialization” (Dipti 9). All Might passes down his ideas of masculinity, such as in the “no sissy stuff” point when he tells Midoriya he needs to stop crying so much. In season two episode 19 “The Boy Born With Everything”, Midoriya is competing in his school's sports tournament and is nervous for his upcoming battle. In his pep talk, All Might tells Midoriya “Whenever you’re scared or nervous about a fight, just try to deal with it by smiling!”, passing on the ideals of being a “sturdy oak” that never wavers even in the face of fear.

Midoriya internalizes these messages, and it all comes to a big culmination in season six. The main antagonist appears to be on the winning side, the world has fallen to ruins, and Midoriya is working as a vigilante trying to take on the world and save everyone himself. All Might was initially in contact with him during this, until Midoriya runs off leaving All Might behind to fight the main antagonist alone. In doing so, Midoriya embodies the traits of “be a sturdy oak” and “give ‘em hell'' by rushing off without regards to himself to take everything on his own, and makes sure there is no “sissy stuff” as he insists he is fine, shoving down any emotions and refusing to ask for help. These are all traits he learned from All Might, and in season six All Might has the realization that the messages he passed down to Midoriya were toxic. As Midoriya speeds away, too fast for All Might to catch up, All Might cries after him, saying “I get it! I know what a heavy burden this is to carry alone! Which is why I want to scream at you, ‘Don’t work too hard. It’s okay to take a break when you’re tired.’ Young man, I’m sorry” (My Hero Academia season six episode 135 “Friend”). Later that same season, Midoriya is confronted by his classmates and close friends in a stunning display of emotional vulnerability that warrants an analysis of its own beyond the scope of this paper. Toxic masculinity is broken down as the characters show that it is leaning on others and being vulnerable that shows true strength.

The vulnerability in this show was not lost on viewers. One article details the reaction audiences had to this scene on social media as people shared their thoughts and breaking down their own toxic masculinity. The article states “Many users openly expressed how much they sobbed wholeheartedly alongside Deku and the gang during this segment of the storyline, without a worry in the world about how ‘unmanly’ their confession may be perceived” (Chester-Londt). It is clear that audiences hold a place for this type of breakdown of toxic masculinity, even in superhero stories where that is perceived to be the default.

For a long time superhero stories have been a place of traditional, hegemonic masculine ideals, and My Hero Academia is no exception to that. The leading figure in the hero society, the Symbol of Peace, exhibits clear signs of all four tenets of masculinity talked about by Kimmel. He passes on these masculine ideals to his students, as evident through the character of Midoriya, and the strict adherence to these ideals proves to be quite toxic. What makes this series unique for a hero story, however, is the recognition of that toxic masculinity and a changing of messages saying it’s okay to rely on others, ask for help, and not always live up to unattainable ideals. We know from audience reactions that there is a want for these types of stories, and I hope to see more like it in hero media going forward.

Works Cited

Chester-Londt, Levana Jane. “My Hero Academia Is the Cure for Toxic Masculinity.” Game Rant, 1 Apr. 2023, gamerant.com/my-hero-academia-is-the-cure-for-toxic-masculinity/.

Coyne, Sarah, et al. “Making Men of Steel: Superhero Exposure and the Development of Hegemonic Masculinity in Children.” Sex Roles, vol. 86, no. 11/12, June 2022, pp. 634–47. EBSCOhost, https://doi-org.dmacc.idm.oclc.org/10.1007/s11199-022-01293-2.

Dipti. “Gender and Socialization.” International Journal of Recent Research Aspects, vol. 9, no. 2, June 2022, pp. 9–12. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=asn&AN=158174861&site=ehost-live&scope=site.

Flood, Michael. “'Toxic Masculinity': What Does It Mean, Where Did It Come from – and Is the Term Useful or Harmful?” The Conversation, 21 Sept. 2022, https://theconversation.com/toxic-masculinity-what-does-it-mean-where-did-it-come-from-and-is-the-term-useful-or-harmful-189298.

Kimmel, Michael S., and Media Education Foundation. Guyland : Where Boys Become Men. Media Education Foundation, 2015, http://www.kanopystreaming.com/node/144408.

My Hero Academia, created by Kohei Horikoshi, Bones, June 2016.

“My Hero Academia (YTV): United States Daily TV Audience Insights for Smarter Content Decisions - Parrot Analytics.” Parrot Analytics, tv.parrotanalytics.com/US/my-hero-academia-ytv. Accessed 24 Apr. 2024.

I hope everyone enjoyed!! I have so much more to say about this topic that I didn’t get to due to the page restraints on the paper. This version already goes over the page limit and still manages to cut out about two thirds of my initial points. So if anyone wants to discuss further with me, please do!!!! I love talking about this stuff!!

And for those who asked to be tagged:

@steh-lar-uh-nuhs

@anna-pre

@0im-kinda-dumb0

@ghostspace37

#my hero academia #mha #boku no hero academia #bnha #analysis #meta #my hero academia meta #mha meta #boku no hero academia meta #bnha meta #deku #midoriya izuku #izuku midoriya #all might #yagi toshinori

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linkspooky · 2 years ago

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My Hero Academia, Chapter 374 Thoughts.

Why did the tide turn in the battle, just when Deku was about to finish off a ShigAfo who was well past his limit. Well, it was because Spinner managed to wake up Kurogiri, therefore teleporting all of the villains to the same battlefield sabotaging the hero’s strategy to keep them separate and finish them off individually. However, there are deeper thematic reasons beyond just the strategic aspects of the battle. The villains triumph when the heroes refuse to fix or face their mistakes, so how appropriate the last page of the chapter is Dabi and Twice facing two heroes who don’t want to own up to their mistakes?

1. Endeavor and Hawks.

There is a lot that can be said about Endeavor and Hawks, but I think for the sake of directness rather than delving into their backstory and motivations, it’s more appropriate to focus in on why they haven’t changed.

Before I being though let me explain personal narrative. Narrative is well.. you know... a story. It is how a series of events are told. There are different kinds of ways narrative are written up, for example first person is told as a limited personal account from a single narrator using “I”. In third person the perspective is told from outside of the characters. There are even differences in third person, third person limited can still be told in one character’s limited perspective so they are not privvy to the thoughts and motivations of another character, whereas third person omniscient can randomly jump around into anyone’s heads.

All of this to say is that narrative is telling a story, so one step ahead personal narrative would be like a first person narrative, or a third person limited... it is the story as told in the character’s own head. Oftentimes however, this personal narrative they have will be different from the objective events that are happening in the story.

There’s one thing you should always remember when reading a story, “Characters are liars.” There is text, which is the things either they through internal or external dialogue, or the narrative through prose blatantly say and then there is subtext the underlying theme or implications and you have to consider both when reading.

In other words, Endeavor and Hawks are liars. The internal monologues inside their own heads, often disagree with the reality of their actions. Many times viewers have commented they seem out of touch with the reality around them and this is caused by them being so wrapped up in their personal narratives they can’t see what is happening around them. ANd in doing so, they ignore the feelings of the people around them. I think AFO, as awful as he is, makes some good points sometimes.

I’ve said as much in previous metas, but the heroes as a whole tend to dismiss or even outright ignore the feelings of the villains they are facing, even when villains make honest attempts to communciate why they are doing what they’re doing. When AFO is making that speech, who shows up but Dabi and Twice, the two people that Endeavor and Hawks ignored the personal feelings of.

Toya, was created by the Todoroki Family at the behest of Endeavor ignoring his feelings until they exploded out of him accidentally starting a fire and burning him to death, Twice’s return was facilitated by Hawks coldly stabbing him in the back because Twice did not accept his offer to betray his friends for a chance at rehabilitation. Something which also trampled all over Twice’s personal feelings of affection and desire to protect his loved ones, by asking him to do something he would never do.

Hawks and Enji also have character arcs that have basically ground to a halt, ever since the first War Arc. Hawks reaction this chapter is pretty much proof of this, when he is faced with his failure to help rehabilitate Hawks his only reaction is “Just kill him again” which is exactly what he had done in the war arc. This is what I mean by character stagnation, characters refusing to grow or learn over time and instead making the same decisions over and over.

In Enji’s case the reason is much clearer, because we spend more time in his head than we do Hawks. It is a common criticism that has been levvied against Enji’s “redemption” since the start. Enji’s redemption really isn’t about doing what is best for the feelings of his victims, but rather Enji is always focused on himself, he doesn’t want to be a better father, he wants to be a better hero. He doesn’t want to help ease the pain of his victims, but rather the guilt he feels over it. Nowhere is this best exampled then his own internal monologue. Enji has a single moment where he might have let things be about his sons and not him for once.

But, then it immediately centers on himself. For the most part, Enji seems to truly be upset not about the people he hurt, but rather he’s lamenting the fact his life has gone so wrong that he has to feel guilt in the first place. I think this is central to Enji’s stagnation and the lack of overall progress in Enji’s arc, he still doesn’t really think he did anything wrong.

Or rather. Look at hos he frames Toya’s funeral portrait a “Mistake.” He also repeats the same thing when he tries to talk to Natsuo. He says that he was never trying to neglect any of them. Which is, you know, a blatant lie if there ever was one. Toya calls himself a failure, because Enji literally referred to him and his brother and sister as a failure. We’re shown the flashback where he was kept away from his brother and sisters multiple times. He literally chose to treat three of his children like they didn’t exist, and not even let the youngest talk to them and he can’t own up to the fact afterwards.

And, this once again ties back to personal narrative. Enji believes, and this has been the problem with him since the Pro Hero Arc that his true problem is that he wasn’t a good enough hero. A lot of people didn’t like the sudden inclusion of Enji’s backstory, but it makes sense to some extent, Enji’s regret is his father wasn’t strong enough to protect an innocent girl from a villain and died when he was young, therefore becoming the strongest hero makes it so he can never die and abandon his family the way his father did. Except. He does abandon his family.

Enji can’t face what he has done wrong, because of his self-justification. He is a hero, and therefore he always has good intentions, and he can’t be the villain even when his own actions would make him one. Enji is on such an insane level of sunk cost fallacy, that in his mind, after the death of one son continuing to abuse another son is justifiable because otherwise he quite literally let one son die for nothing.

And, it’s this refusal to even face the fact that he can be wrong, which is why Enji ignores the feelings of everyone around him, and generally lets things fall into ruin. All Enji had to do was show up on that hill the day Toya burned to death, but something so small as lifting a finger is just impossible to Enji who cannot confront his own flaws, or even think of himself as the bad guy in any way.

Which is where we get a common trend between both Hawks and Endeavor, in which, they do not want to face the feelings or even the memories of their victims. In the Todofam dinner arc Enji tells the funeral portrait of Toya he wants him to come home and have dinner, but when he has the oppurtunity for that he won’t even face him and talk to him. Toya is just so much more convenient to face when he is a regretful memory, a mistake on Enji’s part, because then Enji is completely in control of the narrative. He barely thinks of Toya at all, and when he does it’s almost entirely on his own terms.

Toya even comments on this, that he was always running and crying to Natsuo and Enji didn’t even know because he didn’t care to know. We have this same behavior repeated in Hawks. Hawks is really only comfortable seeing himself as the good guy.

@thyandrawrites wrote two meta in regards to Hawks I want to reference now. This one on how Hawks thinks he has to continually justify his existence by acting as a support and helping others, and this one how Hawks in turn dodges responsibility when it comes to light he’s not the good guy.

Hawks is someone a lot more complicated than Enji, because he’s not selfish, and he doesn’t really hurt others for self-gain. If Enji is a black hole, then Hawks is more like a sattelite. He does everything, including dirtying his own hands for the sake of others, and a greater good he likes to believe he is serving rather than for himself. In fact, it often comes at expense of himself, as Hawks has no real life, or friends or place in the world outside of being a hero.

While he is different in intention than Enji, however, I believe it’s still right to call him out on basically everything he does to avoid guilt after the fact. “Doing dirty things for the sake of the greater good” is one thing, but Hawks in total denial of his actions can’t even see himself as dirty. Which once again we return to personal narrative, Hawks’ personal narrative and his self perception trumps everything, even the feelings of other people he is stomping on.

To quote Thy on this:

So this brings us to the present arc. Right after a raid that failed largely because Hawks wasn’t able to warn the heroes of the threat they were about to face, Hawks reacts by shutting down. If his existence is defined by how helpful he is, it goes without saying that he cannot accept being responsible for the huge death toll resulting from the failed ambush. So we witness Hawks not thinking critically at all about his share of responsibilities. He doesn’t think about what it meant to kill Twice.

This was the post-apocalyptic scenario that Hawks envisioned and wanted to avoid, the scenario he killed Twice in order to avoid. But it still happened, and yet we don’t see him reflect on it at all. What he does instead is clinging to something that gave him a sense of purpose before.

Being a tool instrumental to other people’s success.

Which in a way means that the same character stagnation that is present in Endeavor is there for Hawks as well. He has not changed in any significant way since his introduction in the Pro Hero Arc, effectively holding the same beliefs and making the same decisions as he did back then. That he needs to uplift Enji as a hero, and his own personal hero, even after learning the truth of who Enji was.

And, we have this same guilt-avoidance mechanism that is at the root of Hawks’ stagnation the same way it is with Enji’s. Hawks practically does the same thing that Enji does to Toya with Twice, despite literally murdering him with his own hands, instead of taking responsibility for his own actions, or even I don’t know... at the bare minimum... feeling sorry about it, he chooses to remember Twice as an idealized memory, compartmented into a neat little box in a way that’s very flattering to Twice.

It’s not “I killed Twice and I regret it” it’s “I want to learn from Twice and be helpful just like he was.”

In doing so he belittles and ignores not only Twice’s feelings, but also his entire memory. Hawks and Enji both kind of want to believe their own internal narration that deep down they are good people, and their intentions and actions are those of a good person, and therefore everything they might have done wrong along the way is just a mistake or a slip-up on the road. Hawks always returns to the memory of him selflessly helping the people on the bus, because he wasnts to believe who he is at heart, but that’s also not how he is.

They have no identity outside of being heroes, and yes it’s tragic to think they would crumple if ever faced with or trying to process the feelings they outright ignore, and also doubly tragic in Hawks case that he was groomed to feel that way by hero society at large from a young age, I also think it’s important to look at the cost of their actions. Hawks and Enji actively harm people, and get away with it with a slap on the wrist, and because of that they don’t reflect or change on their actions and they continue their bad behavior.

It’s important to remember in Toya’s backstory, if Enji had just stopped and given up on his abuse of Shoto after Toya died, then Dabi would never have come about, and Toya would have come home. It’s this subtle escalation that happens when Enji is not confronted about his actions, and even enabled by the people around him to keep doing his bad behavior, it gets worse and worse over time.

The whole point of the Todoroki household is that it didn’t have to get as bad as it did, but it happened because no one tried to stop Enji, and Enji was so good at self-justification he didn’t try to stop. Which is why I want to point out, it’s not just harmful for Hawks himself, it doesn’t just stunt his growth as a person, it’s extremely harmful to the people around him, because he cannot admit his mistakes and he cannot grow for them and so therefore inevitably he will repeat them again. In fact Hawks has gotten worse in some ways, which is where I want to reference Thy again.

Hawks even outright plays the victim. He’s not doing a public apology through a press conference because his personal ethics tells him it’s the right thing to do. He’s doing it because he knows it’s expected of him, which just isn’t the mindframe of someone who understood the gravity of his actions. From his phrasing, we can parse that he thinks that heroes like the top three are being put under scrutiny for no good reason, and like this is a test of his own endurance, when it should be a matter of proving his good faith. Hawks just killed a man who was running away, and he’s acting like it’s unfair that the world is holding him accountable for it.

The reason why Hawks thinks that society turned on him is because he justified Twice’s extrajudicial killing to himself as something he was doing to protect that same society that is now ungrateful for his personal sacrifice.

Hawks own motive of doing everything for the greater public good has been corrupted, because his killing of Twice did not give him the validation he was seeking. Which reveals once again, Hawks is not entirely selfless, just like a person he wants validation, he wants encouragement, he doesn’t do everything for the sake of the greater good. If he really believed his own personal narrative that he can sacrifice himself and others for the greater good and get his hands dirty and it will all be justified in the end, he wouldn’t be pouting because people criticized him.

There’s a certain fragility to the ego of both Hawks and Endeavor where they can’t really accept any outsiders perspective on their actions at all, because everything has to be in line with their narrative, their own personal hero stories.

Everyone talks about the differences between Nagant and Hawks, but there is one new angle I would like to bring in. Perspective.

In the end what stopped Nagant from blindly following orders was her seeing her own self as dirty, after doing the dirty works of others. Nagant accepted the guilt of murder, and realized in comparison to the ideal way that the kids she was signing autographs for her saw her, she wasn’t living up to the hero they saw.

Nagant was able to divorce herself from her own self image, and because of that she actually changed and took action against the corruption of the hero’s council. Lad Nagant if anything is capable of change in a way that Hawks isn’t, because Hawks can’t perceive any fault in his own self.

“I am optimistic to a fault.” almost quite literally in this case. When he is confronted with the reality of who Endeavor is he prefers to choose the image of a hero he saw as a child, and on the way he actively enables Endeavor to keep doing wrong by his abuse victims. Of course he says Endeavor is living to atone, but Hawks essentially advocates for doing what is worst to Toya which is ignoring Toya entirely, and on top of that making Shoto fight against him for Enji’s convenience.

He remembers Twice in a positive light as someone who was helpful and wants to be like him, but when faced with a Twice who returned from the dead just wants to murder him again. Nagant says, the public gets to stargaze at the bright and shiny side, while the dark truth gnaws away from someone else.

And this, I think is key to understanding why Hawks mental spiral is so harmful because it doesn’t just harm himself, other people are always going to get hurt too so Hawks can maintain his fragile ego and sense of self. Hawks may be a brave hero able to courageously risk his life but at the same time he is an emotional coward, he cannot face himself or his own emotions or even when he does something wrong simply because he is too scared to.

And, yes the villains do this too but they at least at the bare minimum do not think they are good people.

#mha meta #my hero academia meta #my hero academia theory #enji todoroki #endeavor #takami keigo #hawks #jin bubaigawara #twice #toya todoroki #dabi #bnha 374 #bnha 374 spoilers

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imaginarylungfish · 1 year ago

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I've read a lot of meta to understand Izuku and Katsuki's relationship. I never really understood Katsuki's side. But I think I've got it now. I am slow to understand character interactions sometimes (I'm neurodivergent), so please bear with me! I am also open to any corrections! Ok, this is what I understand as canon:

Katsuki thought Izuku was always a better hero (personality wise) than him when they were kids/growing up (ie. Izuku always wanted to help others, even Katsuki). Katsuki was so insecure about this because he wanted to be the best hero. So, he constantly put Izuku down in typical bully fashion.

He was so annoyed, mad, and hurt when he found out Izuku had a quirk when Izuku passed the entrance exam. He felt lied to and betrayed since Izuku always said he was quirkless. This (Izuku getting into UA) was another conformation for Katsuki that Izuku was better than him. Katsuki used to think he was automatically better than Izuku because he had a quirk. Katsuki thought that even though Izuku had a hero's personality and will, he would never surpass Katsuki because he was quirkless. But reality changed once Katsuki found out Izuku did actually have a quirk.

Then, when Katsuki found about All Might, both their childhood hero, passing down OFA to Izuku, Katsuki was heartbroken in another way. His hero (AM) recognized what Katsuki saw all along: Izuku is a hero (and maybe even a better one than Katsuki).

But this whole time, Izuku just admired Katsuki for his persistence and quirk. He thought he was amazing and wanted to be like Katsuki. So he fought tooth and nail to be on Katsuki's level. This was seen as threatening to Katsuki for the reasons above.

So essentially, both think they are inferior to the other and are trying to "catch up." But maybe they've realized neither is better and they're just different? Idk that's all I've got for now.

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selenestarmoon · 1 year ago

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Do you remember the panel in which Himiko bites her wrist while she sleeps?

It turns out that this panel occurs right after, here Himiko's parents saw how their daughter woke up after biting her wrist in her sleep but instead of showing concern for their daughter's well-being, they took her to a doctor to treat her bite wound or try to heal it themselves, or even ask "are you okay?", "what happened to you?" or "how and/or why did you do that to yourself?", they simply say that she's rotten to the core, leaving Himiko's physical or emotional well-being aside. And the fact that Himiko biting her wrist in her sleep is an analogy to self-harm makes this situation and the behavior of Himiko's parents and the upbringing they gave her that much worse.

This shows once again that Himiko's parents never cared for her daughter to the point that they saw her as a monster as an excuse for their psychological abuse and neglect of her emotional and physical well-being and that all they care about are appearances.

#himiko toga #toga himiko #bnha 392 #mha 392 #bnha meta #mha meta #bnha #mha #bnha spoilers #mha spoilers #boku no hero academia #my hero academia #my hero academia spoilers #my hero academia meta #boku no hero academia spoilers #boku no hero academia meta #tw neglect #tw abuse #tw self harm

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dekusbrokenarms · 1 year ago

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I think there's something really beautiful about how powerful fire quirks are in MHA. Hundreds of years of mutations, billions of different quirks in the world, and yet fire remains a dangerous powerhouse that can overpower almost anything.

Isn't that just the human condition? Fire is warmth and life and growth, but it's also destruction and death and devastation. And the two aren't mutually exclusive. In fact, one use is necessary for the other. You can't have a fire's warmth without destruction of fuel. You can't have life without death.

In that vein, it's poetic that Dabi was born in a wildfire.

Wildfires are devastating for the humans and animals caught in them, but they're also necessary for nature to heal itself, to recirculate nutrients into the soil. A forest comes back stronger and more vibrant after a wildfire. Destruction is a result of the wildfire, but renewal is the ultimate goal. However, a fire that burns too long risks hurting the ecosystem more than it helps it.

There's a delicate balance to a wildfire's rage, but we can't forget it's necessity in our efforts towards self-preservation.

#dabi #my hero academia meta #bnha

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die-mitri · 2 years ago

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Some Pre-DvK2 Bakugou Analysis!

Word count: ~4,100 (sorry lol, TL;DR at bottom)

Reading time: ~15 minutes

Note: I made lots of words bold, italicized, or colored and with a lot of paragraph breaks to make this more readable for the bitches with ADHD out there. I see y'all and I can't read either. Sorry if this makes it harder to read for others 🤷🏽

I'm in the process of trying to start a bkdk fanfic and make it as in-character as possible by trying to relate to the characters and get in their heads. While I relate heavily to Bakugou, he's also a character that's very hard to understand.

What I mean is that I relate to a lot of Bakugou's base instincts and thought patterns, but the things he gets upset about in-canon make little sense to me. To try to get into his head I've had to do a deep dive on myself and all the things I've been upset about in a similar way he has been, as well as to understand why I've felt justified acting so similar to him. Considering most people act in ways they feel justified in, I need to analyze what about Izuku would make me so bothered by him, that I would treat him the way Bakugou does. If I can tap into that feeling and try to distort my thinking and apply it to his specific situation, then I’ll have an easier time writing this mostly canon-compliant fic.

I'm gonna use myself as a reference for his behavior and will be talking about a time when I was much a worse person. I've since grown a lot and realized how wrong I was, so please keep that in mind and try not to judge 12-15 year old me too harshly. The stories I use will have fake names for the people involved to help you keep track of them.

None of this is meant to justify the way Bakugou treated Izuku, and is only meant to try to understand why he did it in a more relatable/realistic, less anime-dramatic nonsense way. Mostly, so I can replicate his thought process for accurate fic writing.

I'm gonna address this analysis in 5 different bits: fear, anger, pride/shame, building a persona, and the conclusion.

Let's go!

FEAR!

Bakugou struggles with being seen as weak/incapable. It's DIFFERENT from his superiority complex... Although connected.

It's my belief (backed up by canon) that Bakugou's relationship with his mom has affected his perception of strength and worth; and that because of her, he's attached his identity to his strength, which he felt made him more secure and better than other people. To be weak, is to be pathetic, is to be humiliated. To be clear, I don't think he did this consciously. It was just that kind of thing that seeped into the way he thought and because of it, he tried to fortify himself against any and all vulnerability. Which leads to the bullying/ “Better to hunt than be hunted” mentality. As well as his black and white thinking. If his way is right, everyone else’s must be wrong and anything that challenges his limited world view is a threat to his very being. If his strength doesn’t matter, or isn’t the best, then who is he? That’s a scary thought to me too.

It's a similar story with me, just switch the parent. My dad is a man of principle and one of his principles is that you should not be a pussy and always be the smartest person in the room. I attached my identity to being right all the time and always standing my ground. I’m sure you can guess how fun I was at parties.

So I refused to let others see when I'd actually been hurt and hated the idea of being seen as pathetic or weak. I also couldn't accept that I needed help sometimes. I wanted to be unshakable and plow through everything.

A ridiculous outcome of that, is that I used to hate apologies in any direction. "Don't apologize to me, I don't need your help getting over this. I won't apologize to you bc that means I was thinking about feeling bad about what I did and you can't know that."

In truth, I didn't mind being wrong, just looking like I cared.

That’s the heart of it. I cared a lot less about the values I had, and a lot more about how scared I was to be seen not fulfilling them. It’s embarrassing.

Another, much stupider example of this in my life is that I hate being babied. Even by people who look up to me or respect me as equals.

Once at summer camp I had some friends fuss over me about something. I can't even remember what it was anymore, probably wearing sunscreen. I just got so upset. I was like "I'm not a fucking kid, I can take care of myself. Don't try to help me bc there's no reason I'd ever need help." In retrospect it was seriously not a big deal, and they're both friends that I love dearly, but my own issues with having people take care of me got in the way of me perceiving their affection like a normal human being.

Bakugou is the same about needing help and would rather die/lose than be seen as pathetic/vulnerable. Like he said during their dual exam that not even having the choice to destroy himself in order to have control win would be unbearable. If his strength isn’t enough on its own, then he is not enough.

I think this particular issue is made worse by his poor impulse control in regards to Izuku... (With everything else, he's very calculated, which I talk about more in the "creating a persona" section).

In general, I think Bakugou is just very scared/uneasy about his place in the world (that he’s not enough or that he’s been wrong the whole time [see: kacchan vs deku part 2]) and he covers it up with…:

ANGER!

Bakugou doesn't have a hard time not just being mean, but being cruel. There's little hesitation in going for the throat when it comes to insults and mind games. The same goes for me BUT only when I really dislike someone.

There was one time I was mean to some kid who was weird and pushy with me because he thought I was cool. He was not a bad guy, he just couldn't take a hint and wouldn't leave me alone. Let’s call him Liam. One day Liam made some joke and no one in class laughed. He said something like "tough crowd", and without hesitation I told him he just wasn't funny. It's not exactly bullying, but he probably felt bad about that for a bit.

It was mean tho, right? I did it cuz at the time I just wanted Liam to dislike me enough that he'd leave me alone. Sounds familiar, huh?

It was not the first or last time I acted like that. I want to highlight that I did these things feeling justified (even though I probably wasn't), which is the key component to understanding why Bakugou was so mean to Izuku in the beginning. It wasn't so much about power, as it was about getting Izuku to leave him alone for good. To get somewhere he didn't have to worry about being bothered by him ever again and follow his dream at the same time. You know, like UA? The last possible place you'd find someone without a quirk?

I think it needs to be made INCREDIBLY clear that Bakugou sees Izuku as a fundamentally different person than we, the fandom, do.

To him, Izuku was some weirdo who wouldn't leave him alone, made him feel nervous/stupid, was generally uncool and annoying, and acted like he was better than him. (let’s not forget that Izuku was quite the stalker for a while??) It doesn't matter how wrong Bakugou was, Izuku still made him feel that way and that's a good enough reason to try to get someone to leave you the fuck alone. I know I would. I mean I literally have.

There were multiple kids at my school who freaked me out/ made me uncomfortable and I wasted no time in getting them to fuck off as quickly as possible. I'm sure most of us have similar stories and definitely seemed like one of the bad guys from their point of view. (Especially given that a lot of these annoying kids were probably well-intentioned and just made you uncomfortable)

The following stories are unnecessary to understand my point, but I just wanted to tell them. Feel free to skip over it.

There was one kid in my grade who was around me a lot. Let’s call him Isaac. We walked home the same way and had a few classes together. There were two times I remember getting annoyed enough with him to actually snap at him.

One time was when Isaac tried to hide behind me in a gym class during dodgeball and he touched my shoulder or something. So I turned around and shoved him to the ground and told him not to touch me. He slid on his ass for a sec. I'm sure he was a bit embarrassed and looking back, it was mean. I could have just asked him not to do that politely.

The other time I remember, we were in science class and we were always sat at the same table because the teacher said I was best at handling the "annoying kids" (which is kinda a crazy thing to say to another student). Regardless, Isaac wouldn't stop talking and just overall bothering me. I might be misremembering this part, but I'm pretty sure he had come behind my chair and touched my shoulders again. So I got up and yelled at him. I told him to leave me the fuck alone and stop being weird. My teacher came to check up on me, not him. Asked if I was okay and if I needed help to beat someone up (jokingly ofc). But maybe I was the bad guy here. I could have asked a teacher to reseat me or told Isaac he was making me uncomfortable, but I didn't. I did what would make him leave me alone the fastest. And he did after that. For the most part at least. We still ran into each other on the walk home and would make conversation. Isaac annoyed me, but I didn't hate him, I wasn't close enough to him to. HOWEVER, had he been annoying me since I was FOUR?? I'd probably beat his goofy ass up just like Bakugou did.

AND If I found out later that he was like secretly the president's son and was only letting me push him around to hide his identity? Not only would I be mad, I'd feel so fucking stupid and embarrassed. AND IF HE FOLLOWED THAT UP WITH SOME BULLSHIT LIKE: “no, no, I was only recently adopted by the president bc I'm destined for a future greater than yours.” Are you kidding me??? I'd fuck some shit up. Punch some walls or somethin.

Like what makes you of all people think you’re better than me? You’re just some kid with ideas of grandeur. Get away from me or get hit bitch.

I'm not saying Bakugou's right, only that I get it. He uses anger to cover up all the feelings that make him feel unsafe/uncomfortable/embarrassed. As do I. Annndddd a lot of it is about… (say it with me…)

PRIDE & SHAME!

The infamous superiority/inferiority complex. This is mostly spelled out for you in canon, so I’ll only talk about the parts that interest me the most.

We already know Bakugou doesn't like being looked down on. It enrages him. It's a pride thing. Pride is inherently attached to shame. You care less about using pride to cover up your shame the less shame you have to cover up.

No matter how hard he tries, Bakugou can't be all he expects of himself. He cares that the anger he uses to hide his discomfort makes people dislike him. He's embarrassed that he cares at all and it makes him feel like he's weak. Only a loser would let that get in their way... That vulnerability eats him up and makes him feel stupid and it all becomes a circle.

Gotta be strong > uses force to exert his strength > ppl dislike him for it > he feels hurt > he shouldn't care what they think > need to get stronger to handle it.

THEN he lost to Izuku several times, got kidnapped, AM lost his powers because Bakugou needed saving, and failed to get his hero license. (AND HIS MOM PICKS ON HIM ABOUT IT WHICH DOESN'T HELP) He had to reckon with the fact that his way is wrong. But he's so caught up with attaching himself to the part, that it's very hard to let go. He'd have to change his entire world view and identity.

This post discusses the way he reckons with the cognitive dissonance that comes with his strength having nothing to do with what’s “right”. I'm a really big fan of the concept of Bakugou trying to use his physical strength/lack thereof, to make sense of his emotional weaknesses and lapses in logic.

I didn't want to cheap out on you and leave you without an embarrassing personal story for this bit, so I really had to dig for a story mostly about pride/shame because I feel like this section is mostly about what causes the fear and anger. Pride/shame is a common denominator rather than its own point… but here I go anyway.

When I was 14 I made my math teacher cry. She was kinda a bitch and deserved it a little bit, but I still feel kinda bad in retrospect.

I’ve always been a shit student, which didn’t bode well with the whole “smartest person in the room” deal. It was embarrassing to know that it didn’t matter how smart I was, I could never sit still and think long enough to finish my school work. And yeah, you bet my dad made me feel like an idiot for it. So I took some of it out on my teacher.

It felt justified making her cry because she had always had it out for me. She was rude the moment I walked in the door, she refused to sit me up front so I was never able to read the board, she resented us because she wanted to teach the “smart” kids, and she always made sure to tell me how much I sucked in front of the whole class.

Now the thing about being the rowdy annoying student (especially in the lower level classes) is that most of the kids in class agreed with you. The teachers normally assume the worst about lower level students and were complete dicks, so you can be sure there was almost always animosity and distrust in class. Every time I gave a snarky response or talked over her, I was met with snickers and fist bumps. Maybe she, my Dad, my shame made me feel stupid, but the attention from the kids in my class sure fed my ego.

As bad as I feel for making her cry, I still tell the story with pride. She didn’t break me, I broke her. 5 years later and it still feels good to know that I walked away mostly unscathed, and she quit her job. I was so sick of feeling stupid, but I still do, otherwise the story wouldn’t feel so good to tell. It might not be a thing I’d do to a teacher ever again, but that doesn’t mean I don’t wish I could sometimes. Shame is more powerful than the shield of pride; and both of them are nasty habits.

I think pride and shame would be the hardest traits for Bakugou to let go of. Truthfully, I don’t think he will ever fully abandon those traits. They’re fundamental to his character and are the driving force behind his pursuit of being the number one hero. Which is also a primary factor in what pushes both Bakugou and Izuku to grow as heroes. They wouldn't be themselves without it.

Conversely, part of what drives them to grow as people is Bakugou being honest and letting go of…

THE MASK HE MADE!

Perfectionism, control, and the persona he created...

There’s the way that Bakugou is and the way he wants to believe he is.

Most of fans think of bkg as the person he wants to believe he is. This fake version of him is undeniably strong, laughs in the face of danger and hurdles, is mean without regard because he doesn’t care what anyone thinks of him, and knows EXACTLY what he wants.

Let’s talk about the mask I made which I'm just starting to let go of.

I’ve run away two times in my life. Once when I was 12 because I hated my life, and the other time when I was 17 and wanted to make my dad angry and worried. Both of them had to do with fear, anger, pride, and shame. But both were done to break away from the mask I made.

The first time was done because I was scared I’d be stuck with my Mom and siblings forever, always taking care of everyone and managing all the emotions in the house. I was angry that it was all my job and I had to do it all alone. I was an idiot to think I could handle the world alone as a runaway but I was impulsive and stupid. I wanted to be seen as a loose canon. Too often – and because I had gone out of my way to be seen as such, I was seen as dependable; like I could just keep taking the pressure and never crack. None of it was true. I was scared and weak and I was collapsing under the weight of my family’s problems. So I took everything and left. I just finally wanted my Mom to see that I wasn’t okay. In the end, it didn’t work, so I moved away from it to live with my Dad… Which caused its own set of issues.

The second time I ran away was the day of my high school graduation. I hardly got any days to celebrate myself. Including my birthdays, which were often excuses for my Mom and sibling to invite their own friends over. Once my birthday was forgotten all together. All that to say, I was excited to have a day for myself. As I’m sure you can guess, the day didn’t go as planned and I was sidelined for the entirety of it. When I finally got home, I went to vent to my Dad about it which didn’t go well. To summarize, he told me I was pathetic and dramatic. So I was like “Fine. Clearly no one here gives a shit about me. I’ll just leave without a word.” So I left the house, called a friend for a sleeping bag, and set up shop between a garage and some train tracks for a night.

My intentions are still a bit unclear to me, but from what I remember, It was fear that I truly wasn’t cared about, anger for all that I had lost in order to protect the mask, and shame that I thought they’d care; as well as the fact that I was hurt by how little they cared. Above all, I wanted to make my family feel bad for pushing me to the point that I thought that running away would be the only thing that got to them. It didn't. I came home the next day and no one said anything.

I had given so much energy trying to be steadfast, confident, strong, but on the two occasions I had broken those patterns no one noticed or even really cared. It put me in a weird position. Was I just supposed to give up on those things? Live my life in accordance with my true feelings? It seemed nothing mattered and in the end I did little to change.

Change I certainly did though. I gave up trying to be emotional support for my parents. I started to voice my true feelings a bit (only a little bit) more often. I even stopped trying to act any specific way in front of my family.

Despite all that change, however minor in outward appearance, It’s not like I had let go of those values. I just reevaluated how I interacted with them. I'm still steadfast, I know what I want for my life and plan on letting nothing get in the way. I’m confident that what I’m doing will be best for me, instead of good for maintaining a persona of strength, and now I try to put the anger into standing up for myself and my truth.

In all honesty, It’ll never stop hurting me that no one cared when I tried to show them the truth about how I felt. And I’m not sure I’ll ever stop being embarrassed that I care what they think. I still want to believe that I’m above everyone and above feeling sorry for myself, but I’m not. I’m a hurt kid who’s slowly figuring out how to live with it and become a better person.

The best parallel I can pull here is Deku vs. Kacchan 2. Bakugou’s been holding a lot of feelings in for a very long time and a huge part of his mask is hiding his true feelings. It’s true that he shows anger, but that’s part of his mask, not a crack in it. During this whole scene he’s using anger to cover up his pain and self-doubt. Just the fact that it’s a fight instead of a conversation proves this.

Bakugou choosing to have this fight was a call for help. He needed Izuku and All Might to see that he wasn’t holding it together as well as they thought he was. This was like me running away in that it was a drastic, desperate attempt to escape the mask all while giving himself enough leeway to come back to it if he felt too vulnerable with his newfound freedom.

As a side note, I think that Bakugou sees maintaining his mask in front of Izuku as most important. To the point where he'll let himself get hurt/hurt people he normally wouldn't want to in order to keep up the performance. Izuku is the last person he wants to let see all the vulnerabilities and if getting beat to shit/spewing the most hateful things he could think of will make sure Izuku never sees them, then it's what bkg must do. (which is why the impalement and apology are so important to bkg letting his walls down)

In MHA, as well as in my life, leaving behind the persona you made takes a long time and a lot of baby steps. It’s humiliating and terrifying. I’m not sure if all of you quite understand the amount of trust Bakugou is putting in Izuku following DvK2. To Bakugou, he felt like he had bore his soul to Izuku with the intention of marking this as the beginning of his attempt to become better – as a hero AND a person.

I see DvK2 as the first major step they took together towards reconciliation, friendship, and eventually, love.

IN CONCLUSION

Bakugou made a loud and abrasive personality to hide his insecurities and fear. While he tried his best to maintain it, it became an impossible feat once he finally had to face that he wasn’t as strong as he thought. His rigidity, once his superpower, became is downfall. He used his fight with Izuku to break from the persona he trapped himself in, and in taking his first step away from his mask, he started a new journey to become a better person for himself and for Izuku.

TL;DR

I used personal, embarrassing stories that reminded me of Bakugou in order to pull back the curtains and try to make sense of the way Bakugou behaves in a way that's less dramatic and hopefully easier to relate to. The reason he's bitchy is that he’s a bit delusional. But me too bitch. I hope you all see him as a bit more relatable now :)

~~~~~~~~~~~~~~~~~~~

This was the first of ~4 character analyses, as I want to cover what Bakugou and Izuku would need to change about themselves in order for them to fall in love with each other. As it stands, there’s very little the people in the stories I used as reference could do to make me respect them enough to consider an actual friendship with them, much less love. I’ll have to do a lot of speculation once I get there (which you’ll be able to read here once I’ve written them), but it’s the best I could do, seeing as I didn’t know these people well or long enough to have stories to speak confidently of in the following analyses.

#my hero academia meta #my hero acedamia #boku no hero academia #boku no hero academia meta #mha meta #bnha meta #bakudeku #bkdk #katsudeku #ktdk #bakugou katsuki

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bananafishiguro · 2 years ago

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the way deku early in mha talked about how his dream was to be able to be a hero who saved people with a smile but the reality of his world has pretty much shattered that possibility. the difference in his face when he fought in seasons 1-2 versus how he looks now and especially how he looks in the manga is insane. it’s all rage and pain now, there’s really no trace of the all might kind of performative heroism that deku used to idolize and imitate. I think this says a lot about the world of mha and speaks to the critique that shigaraki and the villains have of hero society, glossing over the bad stuff and performing goodness while the structural issues stay the same. and now that it’s time for deku to actually be a hero it is gritty, violent, desperate, and angry

#my hero academia #mha #boku no hero academia #bnha #midorya izuku #deku #all might #shigaraki tomura #mha deku #mha meta #my hero academia meta

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linkspooky · 2 years ago

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Superman vs. All Might

Hello, this is a post comparing My Hero Academia to the comic books it was inspired by. Despite the title of this post, this is not going to be about the power levels of the individual characters. Rather, a comparison between what kind of heroes Superman, and All Might are respectively, and how All Might compares to the all-American super hero.

1. With Great Power

It's pretty obvious All Might takes his influence from Western / American ideas of superhero comics. He studied in the USA before returning to japan as a part of his training. He wears red, white and blue and shouts the names of American states before his attacks.

Before we begin have you heard about Superman? Really, never? That's kind of unlikely. If you want to read more about him though, there's this post with several recommendations of short comics that help you get the idea of his character. I personally recommend "All Star Superman" which is only twelve issues and is it's own self contained story.

There's also "Superman the Animated Series" which I believed watching just the first few episodes will give you everything you need to know about his character. I also recommend watching the Justice League episodes "Patriot Act", "War World", "Hereafter" and "For the Man Who has Everything" to get a glimpse of his character. I'll be referencing a line from the series finale of Justice League later on in this post, though I don't reccomend watching that because all the above are one shot episodes and the finale has spolers obviously.

So, All Might like Superman the single strongest superhero in his country. The only one of them that could truly be called "Superhuman", to the envy and amazement of others. There's an arc in My Hero Academia Vigilantes, where every single hero struggles only to fail to save a building full of people from collapsing. Only for after an entire arc of more minor heroes completely failing to stop the building from falling down, across the street All Might hears about it and arrives at the last second saving everyone inside and a couple of cats too.

The basic concept of All Might and Superman is basically the same, they are both the respective strongest heroes in their world's, and they are both defined by the fact they use their great power entirely altruistically. They work themselves to the bone saving other people.

In fact, in comparison to Superman All Might overowrks himself so much it can be considered a flaw. It's shown in the overhaul arc that All Might used to have a sidekick who was devoted to him, who quit and left him entirely because he could not stand to see how much All Might was ruining himself to help others.

I wouldn't say Superman doesn't work himself to death, or risk his life just as often, because he is a character with a long history, there are times he's been overworked and in crisis, heck he's even died before (Google: The Death of Superman), but working himself to the point of self destruction is not really a character flaw of superman's the way it is for All Might. I wouldn't say it's because Superman is any less selfless than All Might, though.

Rather, it has to do with the underlying difference in their motivation is. Now I said above, they are both people who use their powers to the best of their ability to help the others around them, but that's their actions not the internal motivation that drives those actions.

I've been calling him "Superman" so far, but that's not really his name. Everyone, meet Clark Kent. (This is from Superman: Secret Origin).

Wholesome geek from Smallville Kansas. He was adopted by Ma and Pa Kent, and raised on a farm, with no clue that he was an alien orphan from outer space until about his teenage years when he began all of a sudden to develop superhuman powers. What was his reaction to learning he has those powers? That he's something stronger than any other human?

He didn't want them. Clark Kent didn't want to be different from everyone else, and he never saw himself as better than them. He only comes to term with his identity, when he realize that these abilities are a gift, the same as any other gift, like being a fast runner, or being good at math, and Clark can use these gifts to help others.

This is essential to understanding Clark's character, he sees himself as gifted yes, but he's never seen himself as superhuman, or better than others. Clark is not superman, Clark is Clark.

He's a reporter at the Daily Planet who helps the city by writing expose articles with his colleague Lois, and who occasionally hears about disasters and puts on his pajamas to save people from a burning building, or catch Lois when she's flying out of a window. Being superman is community service for Clark. Clark never makes himself out to be a savior.

This all comes from Clark's fundamental desire, to be normal, to be a part of the planet that adopted him, and to feel connected to the world. Clark, unlike All Might values both parts of his identity (This is from Superman: Birthright).

There's a lot of things I can tell you about Clark Kent, he's a farm boy, he has a home life, a wife, however I could not tell you anything about Toshinori Yagi, both his past, and what he does when he's not being All Might.

The quirkless Toshinori Yagi may as well have stopped existing the moment he inherited One for All. As for why he has no identity outside of the costume he puts on, and why he devotes everything to being a superhero, it all falls back to that idea of motivation and origin again.

Superman never wanted to be a savior or a symbol, but that's exactly what Toshinori wanted to be, to become what the world needs him to be at the expense of everything including his own identity. Toshinori is not allowed to be human, because he needs to be superhuman. Once again, that makes it seem like Toshinori is more selfless, after all he sacrificed everything. They're both gifted with powers yes, but Toshinori doesn't let himself have anything resembling a normal life because he must be what the world needs him to be.

However, this is where I want to point out, that self-destruction is never a good thing. It's you know, destructive, hence the name. I think one of All Might's greatest flaws is not just that he's "So nice, and so selfless that he always hurts himself helping others", but that he genuinely began to buy the fact that having superhuman powers made him superhuman. He didn't overextend himself just because he was genuinely that selfless, but because he believed HE was the only superhuman with the power to do so and therefore HE had to do it.

We see shades of this in the Dark Deku arc, where this complete selflessness ends up veering into egoism. "I'm the only one in the whole world who could possibly do this, you all are too stupid and slow to catch up."

All Might is known for always flying solo, to the point where he only ever had one sidekick who quit on him because he refused to accept help. Clark cooperates with other heroes all the time, watch literally any episode of the Justice League cartoon.

All Might believes he has to become a superhuman symbol in order to help people, but then he starts to genuinely believe he is superhuman and that's where all the differences between them start to branch out. Superman wants to be a part of the world he wants to be with everyone, All Might wants to stand above everyone as a superhuman symbol. Yes, his motivations are still altruistic, he does it because he wants peace for the general population, but it's still a toxic attitude on his part.

Superman is a character who grapples with his own ability to help everyone too, because someone with his abilities should be able to do just that. (Superman: For all Seasons)

However, unlike All Might who pushes himself further and further away from his own humanity, when Superman reaches his limits, he instead goes back to his humanity instead. Superman's friends and family remind him, he may be strong, but just like anyone else in the world he's not capable of doing anything.

Clark's the kind of guy who when facing a crisis in the big city, comes home to talk with his small town parents, and then is deeply touched and learns a lesson from his father talking about growing corn, because to Clar, his father's efforts at growing corn are the same as him being a hero. They're both just trying to do the best they can do with the skills they have. That is the difference, Clark is rooted in the people around him, and his community, and is basically human in everything but biology.

Toshinori crumples under the expectations of being the perfect symbol that he places for himself, because he has no connection to the world outside being a hero. For Clark, what makes him a hero is the farm boy raising and the good values that his mother and father gave him as a child. For Toshinori, for a long time in the manga at least, he genuinely seems to believe that powers are what make him a hero. (Superman: Brainaac Action Comics #866).

Somewhere down the road, All Might began mistaking power for morality. You know, "All Might Makes Right." This could be partially because All MIght's not entirely based off of superman, Horikoshi has gone on record saying that My Hero Academia is like an exploration of two kinds of heroes, Spiderman and Goku.

Goku being the kind of reassuring hero who always wins a fight. So, All Might himself has two different distinct images, he's someone who's powerful enough to always beat the bad guy, and he's also someone who shows up to save everyone. All Might never really reconciles those two sides of himself though, and because of that he ends up representing a lot of Hero Society's Toxicity.

2. All Might Makes Right

So, I hope the lengths I went to establish "Superman does not think he's superhuman, All Might does, or at least expects himself to be..." have convinced you, because now we're moving onto the more toxic parts of All Might's nature.

All Might set out to do good, yes, but he also inspired a lot of the toxic parts of quirk society, the idea that the only people who can be heroes are people with strong and flashy quirks, the idea that defeating evil is just brutally punching a villain in the face. All of this because, at some point down the line All Might seemed genuinely convinced it was his superhuman powers that made him capable of saving so many that made him the hero.

Hence why we get scenes like All Might whining in front of his All Might Statue that he can't be ahero anymore, because he's too injured to continue fighting on the front lines.

Stain even compares himself to a god, that has now fallen upon the earth and became mortal. Superman was never superhuman or above anyone else, Toshinori can't really cope with being stripped down to having the same powers as everyone else, because he thinks his power lies in showing up to fight the villain.

The one time he's called upon to stop Deku from the same self destructive spiral that he went on, he can't, because All Might hasn't really overcome his own self destructive mentality that being a hero requires him being superhuman.

It's not just self destructive though, All Might clearly believes in the ideal image of a hero that the rest of hero society supports of an overly strong hero, bashing the brains in of a completely evil villain. He never stops to question himself, or the other people who imitate him. To quote League of Legends Arcane of all things, he's so busy worrying about greatness that he doesn't stop to ask himself if his actions are good. Every time we see All Might fight a villain, no matter who it is, it's a complete and absolute beat down.

"A hero's always ready to smash his way through trouble, tell me villain do you know the meaning of, plus ultra?"

All Might himself might have brought in AFO alive despite him being the worst villain ever and kept him in prison without executing him, but he's inspired an entire society of top heroes who are in fact, totally cool with brutalizing villains. Heroes who when they hear the only way to fight the Nomus is to kill them, and killing them is completely okay, are actually excited and find it fun.

"Oh wow, we can kill them? Cool, that's way easier!" All Might himself might not kill, but the attitude he promotes that a hero is someone who punches his way through a villain no matter what, promotes this line of thinking.

I could go through the manga and nitpick All Might, like how he never had any reaction to finding out his close personal colleague abused his own family, how he called Dabi the child Endeavor abused a maniac right in front of his brother's face, I bring these up but they're nit picks, I don't think they're in the spirit of the argument. Horikoshi is not trying to say that All Might is cool with child abuse, I'm nitpicking inconsistencies in the writing there. However, the dual nature of All Might's influence on society and the double nature of heroes themselves has been a long running plot thread.

All Might is completely unaware of the toxic influence he has on others, and also refuses to self-evaluate and look at his own flaws because as I stated above he mistakenly believes that All Might needs to be Superhuman in order to be a hero. Therefore, he can't have flaws. All Might seems to believe it's his ability to perform superhuman deeds that makes him a hero, unlike Clark Kent who's greatest ability is his sense of right and wrong.

Clark also, does not support the brutalization of villains in any way. If you want to watch the animated series, there's an episode called "When there's Smoke" where Superman meets a villain who's the victim of government experimentation, and spends most of the episode trying to talk her down, and de-escalate the fight.

Clark: Don't do it volcana. I can help you. Volcana: No thanks. These days I can help mysrlf. Clark: Listen, nobody will blame you for what you've done, but the stealing has to stop, now. Clark: You have to trust me, Volcana. Volcana: DO you know how many times I've heard that? From my parents before they shuffled me off to the institute? From the institute just before they turned me over to the feds. And from the government just before they took away my life.

At the end of the episode, he doesn't even hand her over to the feds or the government because he knows they're going to experiment on her.

Superman usually attempts to de-escalate first, whereas All Might always skips step one. In fact, one of Superman's most legendary animated scenes in the DCAU is a scene where he shows just how much he always holds back in a fight.

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"That man won't quit as long as he can draw breath. None of my teammates will. Me, I've got a different problem. I feel like I live in a world made of cardboard. Always taking constant care not to break something, to break someone, never allowing myself to lose control even for a moment, as someone could... die. Now, you can take it can't you big man? What we have here is a rare opportunity for me to cut loose, and show you just how powerful I really am."

Clark is constantly concerned that if he doesn't hold back perfectly he might hurt someone more than he intended to, even a bad guy, whereas All Might is always going Plus Ultra on those purse snatchers. When Shigaraki brings up the possibility that All Might might be just as violent as the people he fights, he just laughs it off and pounds Shigaraki into the pavement.

Here's another clip where superman disavows violence. Quoted Here:

"Yes, they did see. They saw the ugliness as a solution and it frightens them. It frightened me too when I decided to cross that line and do what you do. It's so easy, anger, vengeance. *Fake punch* Luckily, I'm not you and I never will be." [...] "You think that's it. It's not over you poncey twit. If you think I'll just go to jail and rot you're living in a dream world." "Good, dreams save us. Dreams lift us up and transform us into something better. ANd on my soul, I swear that until my dream of a world where dignity, honor and justice are the reality we all share I'll never stop fighting, ever..."

Clark deliberately holds himself back from violence, because he knows he's a role model other people look up too and he doesn't want them imitating him.

Clark does not think his powers make him a hero, which is why he is so mindful of them. While I don't think All Might is convinced that powers make you a hero, to the lengths that say Endeavor absolutely seeps convinced that being a strong hero, and having strong powers should make him good.... I do want to compare how Clark and All Might act when they're called to save someone in a situation where their powers don't help.

Shigaraki Tomura, the villain of the manga is the grandson of All Might's mentor Shimura Nana. At her request, he never looked for her son after Nana decided to abandon him for his own safety, so they could remain hidden. As a result, when Shimura Tenko lost control of his own quirk and killed his family, no hero came to save him. Not only was All Might unaware of the situation because he was keeping his promise to his old mentor, but in the society that All Might created, Shimura walked the streets for days and not a single person stopped to help him.

Tenko is the child that All Might cold not save. However, upon learning of his existence, that All For One kidnapped the grandchild of his mentor, and then raised him for years into a villain and twisted him as a pawn to use against All Might... learning those circumstances All Might still doesn't try to go after him.

When All Might learns there was someone he did not save, someone he also has a personal connection too because his grandmother abandoned her family in order to raise him up as a hero, his reaction amounts to "Shucks, what can you do?"

"Shucks, what can you do?"

To compare All Might's dilmena with Tenko, the child he could not / did not save, there is a superman comic called "Superman: Up in the Sky" a six issue self-contained story, about Clark as he attempts to save a single girl who was abducted from earth and taken to space.

It examines the morality of such an action, Clark leaving the earth and going out of his way just for the sake of one person. After all, Clark is the most powerful hero. If Darkseid, or Brainiac shows up, you're going to need Clark fighting on your team.

The comci doesn't brush over the fact that Clark leaving just to save one little girl's life means he won't be there to help whatever natural disaster people need saving from, in fact Clark himself said it was a reason he shouldn't go, and Clark during the comic has constant hallucination and fear sequences of someone on earth dying because they needed his help and he was off saving a little girl.

Clark even has the option of leaving the search of the little girl up to the Green Lantern Corps, who are basically the universe's police with magic rings that let them fly practically anywhere and far more members than Clark, but he doesn't.

And his reasoning is simple. "No, I can't save everyone but maybe I can save her."

Superman even has a crisis of conscience with the two halves of himself, while hallucinating on an alien planet, the human half of him that wants to save one little girl, and the superhero sdie that's responsible for guarding earth from threats.

The alien himself says he only kidnapped her because she was a nobody, because she's someone who would never come after, because she's not worth that effort.

This is the defining scene which makes Superman, Superman. He came to save her, because superman isn't a set of powers, superman isn't a guy who fights bad guys, superman helps people.

Which is why I think All Might is just too different a character from Clark to really be comapred to him in the end, he's too wrapped up in his society's toxic ideals of heroism and too unwilling to bend from it. After all, if All Might had learned something, wouldn't his final stand be doing what Superman did in this comic? Giving everything he had left to save the child he failed to save? Instead, what do we see him do? Go to fight All for One in a giant robot suit.

The child who most needs to hear "I am here" is Shigaraki, but All Might's essentially already given up on him. "Shucks, what can you do?" Indeed. I want to point out in this same chapter though, All Might gives a very touching motivating speech to Todorki, reminding him he doesn't have to beat the big bad All for One, and it's okay for him to go after Dabi, and reassure his family and everyone else as a hero. THAT is the hero All Might could be, even without his powers. THAT is the hero who could try to talk to Shigaraki and bring him down, who could make an effort to be there for him now because he wasn't in the past. All Might's genuine altruism, and his moments where he uses his words and idealism to inspire people shows us what he could be, if he just divorced himself from this toxic notion that being a hero means standing up against a bad guy and beating them up.

However, we have not seen him do that yet. Because in the end All Might is no Superman. And he's DEFINITELY no Clark Kent.

#Youtube #my hero academia #mha meta #superman #dc comics meta #dc comics #clark kent #all might #toshinori yagi #my hero academia meta #my hero academia theory #bnha meta #boku no hero academia #superman comics

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imaginarylungfish · 1 year ago

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I've been thinking about Good vs Bad and how it is portrayed in the media I consume. I'm noticing the binary-ness of Good vs Bad in each story is different.

I will be talking about Death Note, Jujutsu Kaisen, and My Hero Academia. There are anime and manga spoilers. So, if you are not up to date with either, do not continue reading.

In Death Note, there is a pretty clear picture of Good vs Bad. Sure, we see the cliche of "the road to hell is paved with good intentions" through Light's character arc. But even though he started out with Good intentions (punish people who commit crimes), it clearly portrayed that he crosses the line after murdering people whose only crime was wanting to catch Kira. It becomes clear that Light slowly descends into Bad. And Bad has a clear definition: killing innocent people. And in the show as a whole, there are The Good Guys (L and the police) fighting against The Bad Guys (Kira). Viewers see the binary of Good vs Bad pretty clearly.

In Jujutsu Kaisen, I think the lines are more blurred but not totally unrecognizable. We see how Geto started out Good (ie. protect non-sorcerers) yet his morals slowly chipped away at him by the injustices of the jujutsu world. He became fed up with protecting non-sorcerers who never knew or appreciated the sacrifice he and his fellow jujutsu sorcerers made for them. Geto turned Bad even though he started out Good. (This doesn't mean continuing to love someone who is Bad is Bad too. Gojo still cared for and loved Geto through his defection and descent into Badness. But that is a post for another time.)

I mention Geto first instead of Yuji here when talking about JJK because most of the narrative revolves around the fact that Geto and Gojo were so close and Kenjaku could use Geto's body to enact his plan in Shibuya. Geto and Gojo are central to JJK. There isn't much story to tell if we leave those two out.

But if we return to our MC here, I think we still see a clear definition of Good vs Bad through Yuji even though his original worldview was less clear. At first, Yuji believes that he must save people equally--that everyone, no matter if Good or Bad, should receive a proper death. But slowly, he changes his mind. (If I recall correctly, I believe Megumi's opposing belief of saving people unequally as well as Nanami's wisdom influences Yuji's mindset change, but I can't remember exactly. What I'm trying to say is not dependent on what caused Yuji's mindset change though.) Yuji learns more nuance in his original worldview. He realizes he must choose between which people to save. I see this as creating a more binary idea of Good vs Bad because if you're going to save unequally, you're prioritizing some people over others. You must mentally label people as Worth Saving (Good) vs Not Worth Saving (less Good, and potentially therefore Bad).

Plus, the curses/curse users like Sukuna and Kenjaku are presented as fully Bad. We have not, at this time, seen any backstory as to why these curses/curse users became Bad. Therefore, we have no context and no reason to believe they toe the line at all. So, that's why I think JJK has a fairly clear Good vs Bad Guys trope (even if the lines were slightly blurred with Geto).

But in My Hero Academia, the lines are very much blurred. The villains are Bad because of their traumas. We are given reasons as to why Shigaraki, Touya, Toga, Spinner, etc. act the way they do. We are shown that the Bad Guys are that way because Bad was done to them. And I do think Horikoshi is not trying to give excuses, just explanations. Regardless, this poses the questions: who even is Bad? who even is Good?

Deku fights to save everyone, regardless of their Good or Bad label (just like Yuji's original mindset). This is clear as Deku plans on saving Shiggy even though people around him do not share his goal. So, even though this MHA universe has Good vs Bad (ie. Heroes vs Villains), we are presented with ways that question this worldview through our MC's perspective. Deku, I would venture to say, has a foggy definition of Good vs Bad. Therefore, MHA as a manga/anime has a foggy definition of these concepts too.

Alright, that's all I've got for now. I find it interesting which worldview each mangaka takes on to portray in their story. I'd love to hear any ideas in the comments about what anyone else thinks. Please just be nice about it! Thanks!

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