#Snow White rewrite

[artist-issues]

Screentime For the Prince

You know how in the original Snow White and the Seven Dwarfs, each character's true nature is revealed by what they choose to treasure?

You know, Grumpy treasures safety because his true nature is vulnerable, the Queen treasures beauty because her true nature is ugly, and Snow White is the only one who's treasure is as true as her nature: pure love?

And how the Prince only gets around 5 minutes of screentime, and in those 5 minutes, proves that he A) treasures Snow White's true nature of pure love and B) keeps his promises?

Well, I was thinking. In the new Live Action, they're basically writing in a different male character in place of the Prince and not focusing on any kind of love story. So it's not actually "Snow White." But what would a good, faithful, beautiful adaptation of Snow White look like? (You know, one that actually does adaptations correctly--like Cinderella 2015?)

What should they be doing with the Prince?

I have a general idea below.

I mean, they can't introduce him in the same way they did in the classic animation. Obviously modern people aren't used to so much nuance in their big-screen fairy tales anymore; 5 minutes of screentime isn't enough, we prefer Mr. Darcy & Lizzie Bennet-levels of couple-building interactions, at least. And that's okay.

But it means we have to fill in a lot of the blanks about where this Prince comes from and why he values Snow White's "pure love nature" so strongly.

So I figure, in my head, it might look something like:

The Prince (let's call him Walther, German for "Walt," since basically everybody who worked on the original movie agrees that it was Walt's big brain child, and the popularized "Ferdinand" is not only fan-made but makes me think of a kindhearted bull) is the heir to a neighboring kingdom's throne.

Prince Walther isn't King yet, not because his parents are still King and Queen (they're dead,) but because tradition states he can only take the throne once he's come of age. Prince Walther's like 17, turning 18. So instead, his kingdom is essentially run by this council of busybodies, with one Regent holding the throne until he's old enough to take it. Something like that.

(the picture is of Dean Stockwell who's the son of the original voice actor for the Prince, I think someone who looks like him ought to be cast.) Prince Walther experienced pure love from his parents, who treated him like a normal boy and didn't place much emphasis on courtly manners or politics when raising him. But then they died tragically, leaving their honest and innocent son to be raised by a bunch of old people who put way TOO much emphasis on those things.

Because everyone in Prince Walther's court has had to handle being next-door neighbors to the Wicked Queen's country. They're all super political, and afraid of appearing weak, and therefore, very insincere. That's what I'm saying.

Everyone he interacts with on a daily basis never comes out and says what they really want. Nobody is genuine. He lives a life of hearing words like, "good morning Your Majesty, I hope you slept well. The Grand Duke could certainly stand to sleep better; the poor fellow looked run down at breakfast." but learning that what they actually mean is, "The Duke is getting old and ineffective and when your birthday passes you should decree that he give his land and resources away to me."

And he misses the genuine love the court used to feel from his parents' kind, simple way of ruling. No political games, no complex feuds. Plus, he misses the personal love they shared as a family, genuine, uncomplicated. He missed the days when people just say what they really want, unafraid, so that their rulers can take care of their needs.

Then there's the problem of why Prince Walther's in the Wicked Queen's realm in the original movie--that's not his territory, if he has his own kingdom.

So I think it would be neat and interesting if the Queen wants Walther's land. Maybe she invited his parents, way back when, to a kind of audience to negotiate an alliance. Then she got jealous of his mother's beauty, maybe even tried to seduce Prince Walther's father, and assassinated them both when he rebuffed her. Oo, maybe even the Huntsman (her FAITHFUL Huntsman) helped her do it all those years ago.

But she didn't realize they had a young son, so she couldn't just raise her hand and say, "Hey Neighboring Kingdom, it's too bad your monarchs both mysteriously died--don't worry, I'll be your new leader" because Prince Walther's council suspected foul play (they always do, they're suspicious people) and were preemptively like "NO NO WE HAVE A PRINCE, WE HAVE A PRINCE! We're fine, we don't need help, everything's fine."

So she sort of had to stew on that. Maybe she even tried a couple more halfhearted attempts to get their throne, and they just never worked out--then eventually her attention was occupied by how much older her stepdaughter was getting, and how much prettier.

Anyway, Prince Walther asks for an audience with the Wicked Queen; he's about to become King, and he knows that the council fears their neighbor, and he sort of wants to go over and size the next-door ruler up for himself. So he rides over with a little delegation of the members of the Court he can actually tolerate the best, and is visiting.

It's not fun. They're only there for a day, but the Wicked Queen is definitely scary. For one thing, she's unnaturally beautiful and everyone he brought with him is either stupefied in her presence or terrified. He himself is very confused by her; he's an open-hearted guy, with a touch of naïveté even though he was raised with good intuition and doesn't trust the Queen. All audiences with her are full of all the formal, double-and-triple meaning conversations that he hates back home; except worse, because she makes everything seem more sinister.

So after a particularly weird conversation with the Queen where he can't decide if she was flirting with him or threatening his kingdom, he goes for a ride around the courtyard to clear his head. And what should he hear, like a breath of the freshest air since his parents died?

A pure, beautiful voice. A young girl singing--and not just singing about anything, but singing about what she really wants. Genuinely. Her heart's fondest desire--and it's not power, or land, or even freedom. Just love. She's singing loudly, like she doesn't care who might hear such a vulnerable longing.

And he climbs over the wall and sees this scullery maid. She's absolutely beautiful, even though she's dressed all in rags, and he loves the picture of her: sharing her heart with doves, who feel completely safe with her, and not having to worry about what anyone thinks of her.

He sort of eavesdrops on her for a little bit, and in this part of the movie, maybe we learn how impulsive he is. He just jumps over and tries to join in. Maybe it's even a little funny. And we can stretch out the feelings behind the part where Snow White runs from him--that feeling of her being unsure of a stranger, not because she worries about what he thinks, but because it's so surprising that anyone is taking notice of her so abruptly at all. And she doesn't know him.

Maybe he asks to extend his stay at the Queen's palace and keep negotiating or whatever, but he really just wants to get to know the scullery maid better.

Then the romance is sort of still fast, but built in a way that the audience can sink their teeth into. The Prince and Snow White have a few more mutually-agreed-upon meetings, not necessarily hiding them, but just in breaks between courtly audiences with the wicked Queen. They're both enamored with each other: she's never been treated so kindly by anyone and his whole faith in pure, innocent love and uncomplicated, genuine people is being restored just by talking to her. They bond chiefly over missing their parents.

Eventually he learns that she is the Queen's daughter--maybe from the Huntsman, maybe from Snow herself in an innocent way. He's stunned that she's treated so poorly, but the second he learns it, he confesses that he loves her and he wants to take her away from there. Plus, this solves the whole "will my kingdom go to war with the Wicked Queen or be allies even though we can't trust her" diplomacy thing--Snow White is her heir, so it would be a beautiful twist of Providence that the girl he has fallen in love with can also be the alliance of peace for the kingdoms through marriage.

Snow White accepts his proposal, but she's afraid for a moment that her stepmother won't allow it. The Prince urges her not to be afraid: he'll take her to his castle and they'll be happy no matter what: he promises it, he gives her his word, he encourages her not to worry because he won't let anything stop him. It's lovely. She finally has someone she can gift her superpower of pure love to, and someone who can treasure her like she deserves.

Problem is, the Queen overhears this last conversation, right after learning that Snow White is the new "Fairest of All" from her mirror, just like in the original film.

So while the Prince is convincing his council that he's proposed to Snow White, the Queen's largely-unknown secret stepdaughter, and is going to reveal the fact to the Queen tomorrow, the Huntsman and the Queen herself are plotting the assassination attempt that eventually leads to Snow running for her life and living with the Dwarfs before she ever gets the chance to see her betrothed again.

Then the movie unfolds largely the same way it did, but with more dialogue and nuance strengthening the original's main themes: Snow White is pure love in nature, and that's everything the Prince has been missing, and he fulfills his promise which she has total faith in. And along the way, the Dwarfs learn to care more about protecting an innocent girl than they care about protecting themselves, and treasuring a person over jewels. Grumpy in particular. And the Queen dies because she's a jealous witch who's self-love has twisted her into something ugly.

Basically, what I'm saying is, there's a way to make the Prince compelling for audiences who are now used to more fleshed-out interactions in movie couples. Just give him a background that is longing for pure, uncomplicated, innocent love. Then when he runs into Snow White, who's never been treasured and valued since her parents died, they give each other everything they've been longing for--and then they have faith in one another when circumstances, both funny and sinister, force them apart.

It's like the Notebook (just in story structure)--you build up romance in the first act through a few poignant scenes, but then the rest of the movie is about waiting for that romance to be fulfilled.

Anyway. I guess I could've said all this more succinctly, but I was kind of making it up as I went. 🤷‍♀️

[artist-issues]

artist-issues does like this!

Reflection: A Retelling of “Snow White and the Seven Dwarves”

The mirror is a gift from the dwarves. Its frame of hammered gold is wrought with delicately-crafted birds and beasts, fruit and flowers. Its silver-backed surface, unlike those created by human craftsman, shows a true reflection.

The queen loves to gaze at herself in the mirror. It tells her that she is beautiful—skin like milk, hair like midnight, eyes as blue as a crystalline lake. She is young, healthy, graceful, charming—perfection in human form. Truly a queen worthy of this kingdom.

Then, one day, the mirror’s message changes. It shows that the queen has lines around her eyes, sunspots on her nose, wicked glints of silver in her night-black hair. The queen does all she can to hide the damage, spends hours before the mirror with cosmetics and concealers. To the rest of the world, the queen is as perfect as ever.

Yet every morning, the mirror tells the truth.

Worst of all, her husband has a little daughter—barely fourteen years old—who grows lovelier by the day. Every morning, the mirror says that before long, those who worshiped the queen’s beauty will transfer their devotion to the princess—and will be right to do so.

The queen's beauty would not seem so tarnished if the princess were not there for comparison. The queen tries to send the princess to an isolated estate—tells her husband it is better for the girl to grow up away from the corrupting influences of the court. But the girl is too dear to her father. She wastes away with homesickness, until her father the king orders her to come home for the sake of her health.

The queen tries neglecting the girl in ways the king won't notice—refusing to let her wash with good soap, denying her a maid, forbidding her fashionable clothes and hairstyles. Through it all, the mirror tells her that the girl’s beauty shines out brighter than ever.

Before long, the queen spends hours by the mirror each day, locked in a futile endeavor to restore what is lost forever. One moonlit night, she finds a dagger, and considers plunging it into her heart just to end this ceaseless torment, but the morning shows her a better path.

She will never be perfect, nor make the princess less so—but she can destroy perfection.

It would be easy to take this dagger to where the princess sleeps and shove it through her perfect heart, but the queen doesn't dare to mar her own beauty with blood-stained hands.

She gives the dagger to a loyal huntsman. He takes the girl into the forest—and returns holding a small, bloody heart.

That night before the mirror, the queen's smile makes her glow with a new kind of beauty.

*

People often tell the princess she is beautiful. She believes them, for she has never seen an ugly face. Old Sal’s missing tooth is an open door into her smile. The chambermaid’s freckles make a daytime constellation. The little stable boy’s one good eye glitters green as an emerald. Her stepmother owns a beautiful mirror, but the princess barely gazes at it. Why would she waste time examining her own familiar face in a world with so many other lovely faces to gaze upon?

One day in early spring, she asks to go berrying in the forest beyond the castle, as she once did with her mother. To her surprise, the queen permits it—the queen rarely allows the princess anything that might be a luxury. She even sends one of her huntsmen as protection.

In the eaves of the forest, the princess finds strawberries not far from the path, and she hastens to gather as many as she can. She invites the huntsman to join her, but he stands statue-like at the edge of the clearing, always on guard. Not wanting him to go without, the princess brings the berries to him, and offers him the largest, sweetest one.

As she does, she gazes at his face. Scars make mountain ranges along his cheeks and brow. His hair is edged with silver. The lines of his face are solid as stone. His deep gray eyes hold storm clouds.

“Oh, my,” the princess says in awe. “You are beautiful.”

The huntsman’s face disappears as he hides it in one of his hands. “I can’t,” he says, his voice rough with unshed tears. “I must betray my queen."

His other hands darts to the side, quick as a serpent, and the silver flash of a blade disappears into the undergrowth.

The huntsmen places both of his hands on the princess’ shoulders and crouches to look into her face. “You must run. The queen wants you dead. If you stay at the palace, she will find a way to kill you. You must flee into the forest and never return.”

“The forest?” the princess asks in terror. She has often wandered in the eaves, but she has never dared the strange terrors that are said to lurk in its interior.

“There is nothing there that can harm such innocence,” the huntsman says. “You will find shelter.” He turns her around and pushes her toward the depths of the forest. “Now run! As fast and as far as you can!”

The shadows of the forest embrace her, and the flowers make a path at her feet. She crosses shallow rivers, climbs rocky slopes, winds through twisted groves of trees. She couldn’t return home even if she wanted to.

She had not been blind. She had seen something like ugliness in the queen’s face whenever they were alone. But hatred? Murder?

She nearly collapses with grief, but through the trees, she sees a wisp of smoke. A chimney. A roof over a tumbledown cottage. The princess runs through the open door, collapses on the floor, and is glad to find a safe place to weep.

Her father will think her dead, and she will not be there to comfort him. She will never again see any of the beautiful faces that fill the palace. The hundreds of hidden details that made the castle home are forever out of her reach. The huntsman saved her, but to what end? A lifetime of loneliness and misery? Is this truly a better fate than the quick death of a dagger through the heart?

She opens her eyes. She has looked too long at the sorrows in her heart. She must find solace from without.

She gazes upon the cottage.

And sees seven beautiful faces.

*

The dwarves love their princess. She is beautiful, not only because of her face, but because of the way her soul shines out through it. She is endlessly beautiful because she sees the beauty in everyone and everything.

There never was a girl so selfless. Her every waking moment is spent filling their days with a million small comforts. The cottage has never been so clean. The food has never been so lovingly prepared. There is nothing she would not do for them, and in return, they devote their lives to her service.

She needs their protection. One so naturally kind and innocent can’t recognize when strangers might have ill intent. One day, after being out in the woods, the seven dwarves return to the cottage to find the princess nearly strangled by a set of stays. When they revive her, she tells them of a ragged old woman (with such beautiful hands!) who asked for food and water and then repaid her generosity by giving a nearly-fatal gift. The eldest of the dwarves caught a glimpse of the stranger’s retreat, and saw enough of her form to suspect the queen.

The dwarves keep a closer guard on the princess, but six months later, a few minutes go by when all seven of them are away from home. They return to find the princess nearly killed by a poisoned comb in her hair. The story she tells is similar to the last one—an old woman in need of help repaid their kind princess with a gift meant to kill.

After that, the princess is never alone. The dwarf on guard duty always has the envied task, so lovely is it to be in her presence. A year, then two, go by with no signs of danger.

Then one winter morning, after a night of birthday feasting, all seven of the dwarves sleep late. The princess rises at her usual time, hoping to fix them a holiday breakfast. By the time the dwarves stumble out of bed, they find the princess sprawled across the kitchen floor—cold, pale and lifeless, with a poisoned apple in her hand.

They despise themselves for having failed her, but their love for the princess drives them to serve her the only way they can—by laying her body to rest. The cold, hard earth won’t take her, and they can’t bear to hide her away in the realm of death. Knowing that decay will not touch one so innocent, they place her in a coffin of glass and lay her in their garden, where her beauty can brighten the world in death as it did in life.

They keep a constant vigil, lost in loving grief. They ought to have known she would end this way. This is the fate of all innocence in this dark and sinful world—to be destroyed by wickedness. Even as they see this truth, they know that it is wrong. The world should not be this way, but what can they do? They wish and pray for better, but they can’t hope. How can innocence ever overcome such evil?

In the spring, when the last snow melts and the first snowbells bloom, the dwarves see movement in the woods beyond their cottage. A prince approaches on a snow-white horse. He is ruler of this forest and its mysterious ways—a king of kings, even more beautiful than their princess. His face shines with a wisdom that does nothing to defile the innocence of his heart.

He leaps from his horse, approaches the coffin, raises the lid, and takes the cold hand of the princess between his.

“Beloved,” he says, “arise.”

In his words and actions, the dwarves find the answer to the riddle they have pondered in their long vigil of grief. In a world of wickedness, the salvation of Innocence is Love.

The princess opens her eyes. Takes a breath. Sits up and gazes upon the world she loves, upon the one who loved her back to life. Something of the prince’s wisdom is reflected in her, so that her beauty is almost painful to behold.

The dwarves rejoice, and the princess rejoices with them. She kisses each one atop the head, but does not release the hand of her prince.

Eager to serve one who served them so well, the dwarves cook her breakfast, and she eats with even more enthusiasm than she showed in her former life. Yet when the meal ends, she stands with her prince at the threshold of the cottage.

“I must return to my father,” the princess says.

The dwarves protest. What of the queen? What of the danger?

The princess looks at her prince with eyes full of love. “I have nothing to fear.”

*

The king rejoices at his daughter’s return—he has thought her dead for so many years. Grief has aged and weakened him, but there is beauty in his face that grows brighter with every minute he spends in the presence of the princess.

The princess tells him of her troubles since she went away, and the king is horrified by her words. “I knew my wife had lost her reason,” he says, “but not her heart! She must pay for her crimes!”

He moves toward the door as though he will administer justice this moment.

The prince stops him with a gentle hand upon his chest. “There is no need.”

*

The queen gazes at herself in the mirror. She never looks anywhere else. If there is a world beyond the edges of its frame, she has forgotten it. She sees only her own face, searches for the remaining scraps of beauty, tries desperately to erase the blemishes that grow ever more hateful with the passing of years.

Another face appears in the reflection—a face the queen thought she had destroyed long ago. It is lovelier than ever. The queen hides her face in her hands so she can not see the painful beauty of the princess.

“Come away from there,” the princess says. “Gaze with me upon the other beauties of the world.”

“And lose myself?” the queen shrieks. “That is what you have always wanted—to destroy my very self! To take all the honor and beauty that should be mine!”

“I wish to save you,” the princess says. “Come away.”

“Never!” the queen screams, clutching the mirror in two white-knuckled hands. “I have everything I need right here! You can’t take it from me!”

The princess touches the queen’s shoulder. The queen screams and shrinks away, hiding her face once more in her hands.

A man’s voice—painful in its beauty—says, “Beloved, she has made her choice.”

At long last, they leave. The queen looks in the mirror and sees no face but her own. No greater beauty remains nearby to shame her.

In the confines of her world’s silver surface, she is fairest of all.

*

The queen is locked away in the prison of her choosing.

The king stays to do what good he can for his kingdom, and the princess promises to return for him after he has fulfilled his purpose.

The prince places the princess on his snow-white horse, and they travel once more past the cottage of the dwarves, who are glad to see her so beautiful and beloved.

At last, the prince brings the princess to his kingdom at the heart of the forest.

The beauty she finds there is beyond words.

[pinkshgum]

AAAAAAHHHH!!!!!!!!!!!!!! i read @thisnameisnotspokenfor wish rewrite AU and GOSH IS IT GOOD!!!!!!!! Asha and Cepheus have my heart!!!!!!! EVERYONE GO READ IT RIGHT NOW!!!!

seriously every chapter had me frothing at the mouth kicking my feet!!!! so i decided to draw some scenes from chapters 8, 23 and 29!

i commented on chapter 28 about how amazing this fic is but i'll say it again!! the worldbuilding, the characters and the references to past disney films!!!!! gahhhhhhh!!!!!1111!!1 (also, fellow treasure planet enjoyer, gotta respect that)

[zyn0nn]

Gómez and Morticia walked so they could run, trust

[gwenie-clorrisan]

OKAY SO WAIT A MOMENT...

Disney's Wish could have been so good, and we all know this, but what about this.

Instead of having the power couple out front right away, the movie could have played out almost exactly like it had...

Except at the final moment, when Asha needs help from everyone, one person ruins their plan. One person reveals their evil intent. Not Simon, not one of her cheesy, blank slated friends. Not even the annoying, useless goat. That person is Queen Amaya.

Taking a stand with her husband, she and Magnifico in the end are beaten because, hey, Disney movie. Magnifico is sucked into the staff. But now Asha has to have the stones to either lock up or banish Amaya. She chooses banishment, and is cast out of Rosas.

While away from the kingdom, she pulls something out of her sleeve... Magnifico's mirror, which was supposed to be seized from her before she left.

"Don't worry, my king, we'll find a way to set you free," she whispers. "But you serve a good purpose in there for now."

Magnifico showers his wife with praise of her beauty, and is able to tap into the power of the mirror, viewing the world from his cage. He sees their opportunity. A king with a daughter to raise in a distant kingdom.

They take it. Thus, Queen Amaya becomes a wicked stepmother to Snow White, and the Disney cycle becomes a loop. The newest Disney Princess movie begins the oldest. And the magic continues.

[sp00ky-scary]

It's 2am and I've been working on an Ever After High rewrite/reboot something or other here's my attempt to make an explanation for why the step mother step daughter relationship between the Evil Queen and Snow White doesn't exist (it's really long so I put the read more thing)

So like a few generations back one of the Evil Queen's like didn't have a kid or had a kid really late in life or something (if somebody with a destiny doesn't have a kid then the destiny is magically assigned to someone born into a similar life as the child would've been, same logic as how the Charming families have kids who gets random destinies) and so the next girl destined to be the Evil Queen was like close in age to the girl destined to be Snow White. So when their story played out instead of the Evil Queen being Snow White's step mother she was sort of in like an advisory position I guess (? idk shit about the monarchy) and got to be Queen when Snow White's father passed away because she was of age and Snow was not so like she wouldn't be crowned until she was of age.

Anyway a few generations later Ever After High exists to keep those with destinies on the right track after one too many bad things happen to certain stories (along with this comes the spreading of the belief that if you don't follow your destiny you and everyone in your story go poof). Like 2 or 3 generations have gone through the school and now it's Apple and Raven's generation, and by this point the Evil Queen and Snow White are often the same age or only a few years apart and the destiny of the Evil Queen has evolved from step mother to close "advisor" and Queen is less of an actual position she has and just a remnant of the stories past (although within the story she does have political power for a while).

Also a note just because of how the story cycle works and to explain all the important stories happening at similar times there's sort of like a cycle of those with destinies being around the same age. UNLESS someone is supposed to be older in which case they're technically from the previous generation but their destiny doesn't occur till the next generation fulfills theirs if that makes sense. So like the Sea Witch from the Little Mermaid is older so in Meeshells case the Sea Witch that will be in her story is like her parents age not the Sea Witch she goes to school with. Also some destinies are kinda complicated e.g. Cinderella becomes the next Cinderella's mum when she has a kid, so like she fulfills the destiny of Cinderella and then when it's time for the next Cinderella (her child) to follow their destiny she fulfills the role of Cinderella's mother (who dies) which is technically a part of of fulfilling your first destiny but they don't really talk about that part, (there's a lot of mums who are supposed to die which is difficult to figure out the logic). So basically everyone with destinies is born within less than a decade of eachother and then when they're all in their late 20s-early 30s and have completed their destinies (unless having kids is also a part of it) they have kids who are the next gen of fairytale characters. And obviously there are like common people born inbetween, a few lesser known stories happen, Ever After High takes commoner students (they have to pay) especially during the like gaps between a lot of stories taking place. (Don't ask how Sleeping Beauty works with all this I need to work it out still) (Also don't ask why Snow White is alive if Snow White's mother dies, she needs to be around in the story but I can't figure out why she hasn't died for Apples story, idk maybe it's so supposed to happen once Apple has signed and then completed schooling, alternatively maybe the stories evolved so Snow White's mother doesn't actually die and just gets locked away by the Evil Queen so that she can gain power) (Trying to make Ever After High make sense is really hard okay (still makes more sense than literally anything happening in Descendants though)) (Sorry if this is explained poorly I'm stupid).

I'll figure out like more destinies and the logistics of them later this was initially just to explain why the Evil Queen is no longer Snow White's step mother idk why I went on a whole tangent.

[theyapper0]

OKAY!!!!!! This is my rewrite of EAH Epic Winter!!!!!! It's a LITTLE MESSY and just a BIT disorganized but you'll be able to get the general idea!

If there's any confusing parts, feel free to ask me questions!!! (•◡•)

I was originally gonna draw out like,, the entire thing like how I did w Dragon Games BUT IT WAS A LOT?? Like there's WAAAY more that I changed in Epic Winter (sorry but the whole thing had to go, I BARELY stuck with cannon LOL)

But I drew SOME of it ^^

HERE THE LINK TO THE DOC!!!!!!!! HAVE FUN!

[lizzieheartsdeck]

I just want to see opinions to help with something for my EAH Rewrite

[hinacu-arts]

As a recap ive already done Snow White

[queenerdloser]

remember when the 10th kingdom cast snow white, e.g. the fairest of them all, as a plus-size woman. love that journey for them, what a good casting choice.

[princess-ibri]

Just wondering. What is the relationship like between Eva, Argent and Amelia. Do they see eachother as siblings even though Eva is the aunt?

Haven't seen them in a while and I am starting to miss them.

Hello! Sorry I wanted to do some art for this but I’ve been so busy, but here’s some chibis I did of them!

They are all pretty much siblings due to their ages/closeness. The kids do refer to her as their unit when speaking to others but she’s definitely their big sister all but name

[artist-issues]

You know what else I would put in a Snow White Live Action retelling if I were Disney?

I'd put in a couple more scenes showing the relationship between Snow and the Queen.

I'd have the Queen be up late in the morning because she spent all night studying spell books or something, and then Snow notices she looks tired and brings her an apple, neatly sliced, without being asked. And then the Queen smashes the plate and makes Snow clean it up, because she hates Snow White and in her mind the girl's simple act of kindness was just a reminder that the Queen "looked" tired (and therefore less beautiful.)

I'd have Snow White go to the market and find just the right color thread to stitch up a hole in the Queen's purple cloak, because she noticed it's getting worn down, but then the Queen burns the whole thing and orders her back into the market to buy a whole new cloak instead.

I'd have Snow White consistently trying to feed and befriend the Queen's raven, picking up after it, making it new perches to land on around the castle in her spare time, bringing it treats; but it hates her, which is what makes the Queen like the raven in the first place.

I'd just show how Snow White is not only desperate to be loved, but to love—she's a born motherly soul, super caring, and is never happier than when she gets to take care of someone's needs and make their lives easier. Not necessarily because it'll make them like her—but because she genuinely wants them to be happy. And of course, nothing she can do will make the Queen happy. The stepmother refuses to be loved in any way by her stepdaughter.

So then no wonder Snow White befriends the doves (typically shy easily-frightened creatures) and woodland animals, and is so ready to take care of the Dwarfs even when they haven't accepted her yet. It's why she pays special attention to Grumpy, who won't let her do him any good at first.

I'd just show that a lot more often in the live action movie, in ways that really make you hurt for Snow White—and celebrate with her, when she finally gets a whole family of Dwarfs and her Prince to love and be loved by.

[adamfuckherstanwife]

the timeline and expectations areound stories and how they happen in EAH severely angers me so a large part of my rewrite centers around the stories happening at different ages and kids at the school being in different parts of their stories

as for apple, does this make any sort of sense (its extremely convoluted sorry)

im aware its unreadable but im exhausted ill explain it better if anyone wants me to

ALSO im unsure if i want the poisoning to be raven or the evil queen (i think i want who it is to be a plot point rather than js what happens), but obvs the dwarves do a lot of the caring for apple anyway so it fits in the snow white lore mostly :3 and obviously EQ's motivations are a tad different in this version

and obviously this means apple and raven are half sisters but i dont think its gna end up being super duper relevant

anyway yeah!!!!!!!!

[houseofthelilypads]

Shrek Princesses Rewrite Edition 🐸👑🍎👡😴💇

Based on my own headcanons & plans for their roles in my rewrite of Shrek 3. Because if I can redeem Artie and Charming then the ladies deserve that same chance!!

AND DORIS TOO >:[

Fiona

Had a private tutor during her time at the tower

When food wasn't available she took to eating lava bread and smoked rats and bugs

Is heat resistant

She did venture out the tower when dragon was away

Studied martial arts through books and watching on the magic mirror

Her friends often stopped by to visit her, but as they got settled in adult lives grew too busy

Fiona loves kids and hopes to give her own children a childhood she never had

Does carry some resentment towards her parents she only vents in private tho

She can sing but on a normal range. Any higher it well... The bird scene in the first film

She loves swimming and water activities partly due to being surrounded by lava half of her life

Her favorite colors are green and blue they remind her of nature and to her, nature = freedom

Has bleached her hair a few times

She makes mud based beauty products and sell them on the side

Still listens to Sir Justin's music and has been to his concert

Knows of Artie's existence; they bond a lot over their parental issues

Fiona mentors artie how to defend himself, he has some proficiency in martial arts

Inherited her red hair from her grandmother

The reason Fiona was an ogre is partly due to her father being the Frog prince and guess where frogs live?

It's also believed that one of fiona's ancestors actually married an ogre but VERY long ago; the curse just brought out her genes

Fiona loves to stargaze; she also collected obsidian and volcanic rock

Sleeping Beauty

Is in a long distance relationship with the Sandman

Her dress is green because that's the color her disney counterpart never wears

Is the last one to arrive at a ball and the first one to leave

She has beds in every room but is usually found sleeping on the floor

Doesn't want children because she's too exhausted and fears any potential kids might inherit her condition

She actually understands Fiona dating someone who isn't human nor royalty, she dates the freaking god of SLEEP

Has the most patience with Snow because she sleeps through her nonsense anyways

Just like the video game adaptation of the third movie, she has the power to summon an army

Was the most hurt by Rapunzel's betrayal, they were the closest due to their similar backstories and lack of a biological family

Rapunzel

Used to date another prince but he never came back to her tower so she eventually rescued herself. This is why she latched on to Charming in canon (and Bruce in my fanfic)

After getting charged with treason Rapunzel is made to serve community service. She hates it but considers it better than exile

She wears gold to match her hair

She owns a lot of wigs after suffering loss of her real hair (which she shaved off).

Cinderella

Cleans her own home

Lives in a smaller house compared to the rest

The others tease her for it but understands it's to make it easier for her to clean; having spent her whole childhood cleaning a giant estate

Is a master at blacksmithing and glassblowing; what she didn't JUST clean her home she had to do repairs too

Carries some cleaning supplies

Is VERY careful in leaving crumbs

Dislikes rats and cockroaches; she has a cat named Chandelier for this reason (my twist on Disney's Cinderella)

Is working to unlearn her people pleasing

has a better relationship with her stepsisters as adults

Her prince suffers from face blindness and as such gets her confused with other ladies. He even mistook Shrek for her

She doesn't mind kids but she rather work on reconciling with her stepfamily and heal from the abuse than pass down any baggage

The third strongest princess due to years of heavy lifting

Had the closest relationship with Fairy Godmother; was even considered a potential suitor for Charming but Cindy didn't like his vanity and immaturity.

When Cindy finds out about their plan to break up Fiona's marriage she is saddened but not surprised given Charming's past behavior

Snow White

She's my least favorite but I can explain why she acts like that

Developed an Ice Queen persona to protect herself

Living with seven bachelors rubbed off on her

Love rock music

Trained her animals to fight; found the larger animals surprisingly easier to tame

There's another Snow White but she is younger and has white hair.

If she ever sees her MGA doll irl she would be impressed that it's the only doll that managed to stay the most accurate to how she looks. She'd cut the hair

Does feel a little guilty for her mean girl attitude especially after it pushed Rapunzel away so post canon she works to be a little nicer

Her prince is actually the huntsman sent to kill her; he disguised himself as one to warn her of the evil queen

Still visits the dwarves time to time and even lets them live with her

Doris

Chose to reconcile with Cinderella after taking a good long hard look at herself

Is the girly girl of them all

The first thing she brought with her first paycheck was a purple dress, she couldn't afford the color after losing her home

Doesn't like to talk about her mother

After Fiona she is the 2nd physically strongest Princess

Knows every beauty trick in the book, every ingredient, foundation shade, even which brand of Lead

Shaves her legs using a sugar and lemon wax method, she doesn't use razors

She knows my OC Gwynn from when Gwynn was a teenager first arriving at the Poison Apple

She still has a crush on Charming, but tones it down after he starts dating Gwynn

Her friction with Mabel started after Doris expressed desire to make up wth Cindy, Mabel didn't see what they had to apologize for.

After Shrek 3 Doris works at the Candy Apple, which is an extension of the Poison Apple but FOR KIDS

[fairytale-nonesense]

My map for the descendants universe:

Everything labeled is tied to a Disney movie. Any letters repeated with a numeric value are locations mentioned/inferred in their respective movies.

Not pictured: Agrabah, China, the Americas, London, Isle of the Lost. Incorporating real places is hard and so is making maps, and I didn’t have the space. The grey section on the left is a land bridge that would connect the fictionalizations of these locations. (Also I couldn’t decide where I wanted the Isle.)

Locations:

A. Snow White’s Kingdom

A2. Prince Florian’s Kingdom

B. Cinderella’s Kingdom

C. Aurora’s Kingdom

C2. Prince Phillip’s Kingdom

D. Camelot (The Sword in the Stone)

E. Prydain (The Black Cauldron)

F. Prince Eric’s Kingdom

F2. Atlantica

G. Belle’s Kingdom

H. Fictionalized France

I. Fictionalized Greece

J. Corona

K. Fictionalized Scotland

L. Arendelle

L2. Southern Isles

M. Auradon

Stars= Capitols/Castles

X= relevant movie locations

A X1: home of the 7 dwarves

A X2: the gem mines

B X: the Tremaine estate/Cinderella’s childhood home

C X: Forest where Aurora was in hiding

G X: Belle’s village

J X: Rapunzel’s tower

M X: Auradon Prep

Xa: the horned king’s castle

Xb: YenSid’s tower

[gwenie-clorrisan]

Addressing Asha's AWFUL Accompanists

So the friend group in Wish is just drop-dead AWFUL. No character development, personalities, interactions, NOTHING. The only thing we got a little bit of was the references to the seven dwarves, which wasn't very hidden at all, being that they were the absolute essence for each of their characters.

Well, let's imagine the friend group a little differently, shall we?

We know that Asha becomes the fairy godmother from Cinderella at the end of the movie. That explains how she got the magic to do so: from Star.

But it's been bothering me, that there are several other people throughout the Disney universe that don't have explanations as to why their magical. Specifically OTHER FAIRIES.

Not the fairies in Neverland, since we know their a completely different species than humans, being born from human laughs, having their own society, and so forth. I'm talking about the fairies that are completely different from Tinker Bell and never get a second thought.

So, meet Asha's new friend group, all receiving their powers from Star, similar to Asha's, for their bravery and friendship with the main characters.

Cerulean: The Blue Fairy. From Pinochio (I don't think that's spelled right, but we'll roll with it).

Flora, Fauna, and Merriweather: The Three Fairies from Sleeping Beauty. Because unless Maleficent explained something about them that I missed as a result of never watching it (I want to though), they kinda just fell off the grid and were never heard from again.

And finally, Peter Pan. He was in the movie, but just as a glancing, sad cameo, that sucked all the life and joy out of him. Seriously, Disney, you failed us on that one. He can even have a moment where he's sad that Star's leaving, and Starboy can just turn to him and say:

"Don't worry, you always know where to find me. Second Star on the right. And straight on till morning."

AGH DISNEY WHY???

On that note, I want to rewrite the entirety of Wish, so stay tuned for snipettes and behind the scenes (or whatnot). Thank you for coming to my TedTalk, and I'll see you next time. XD