#Simon Brandon
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guy60660 · 1 year ago
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Simon Brandon | LifeFramer
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kentjohnson91 · 3 months ago
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dragonnarrative-writes · 11 months ago
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Part 8 - Romance Isn't Dead
Slasher Handler Masterlist
NSFW under the cut.
CW: Bones, flashback, high anxiety/panic, violence and gore, brandon being brandon (assholery), crying, manic pixie dream ghost (assholery), MREs, descriptions of knives/multi-tools (not in use)
You can’t fucking breathe. It’s like your diaphragm is frozen and you can’t pull air into your lungs. Your vision is tunneled onto the skull in the box, the bright blue scrap of painters tape with Simon’s messy scrawl. Behind and under you, you know he’s saying something. All you can hear is the blood rushing through your ears.
The last expression you’d ever seen on Brandon’s face flashes before your eyes.
A big hand closes over your mouth and nose.
You flail. Before you even know you’re doing it, your elbow comes up to slam against the man behind you. The hand disappears. Using the momentum of your swing, you pitch yourself sideways. But a huge arm wraps around your waist. You’re trapped. You’re trapped. The killer is at your back and you’re trapped.
Simon’s voice cuts through the panic. “Stop squirmin’ before you hurt yourself, precious. Or I’ll make you.”
Every muscle in your body locks up. You burst into tears.
It’s awful, the way he coos at you. But when he gathers you in this arms and cradles you, you can’t help the way you cling. You’re torn between burying your face in his neck and being too terrified to close your eyes.
Images from that night at the ski lodge flash behind your eyes. Finding Stacy bleeding out from her shoulder, already too weak to stand. Your manager, propped against a wall with his guts spilled in his lap. Amber, her throat slit long before you and Brandon stumbled across her. Brandon, who’d followed you downstairs as you looked for matches and candles. The same Brandon who had been trying to convince you to share a bed with him when the power went out.
“To conserve warmth,” he’d said, with that that stupid smirk on his face as he followed you into the kitchen area.
“No, Brandon,” you’d finally hissed at him, whirling on him with a long, unlit white candle in your hand. You poked him with it as you whisper-shouted, sick of his shit. “No. No. Fucking no. What do I need to say to get you to get it? I don’t sleep with my co-workers. And even if I did, I wouldn’t sleep with you because you’re an asshole who can’t take a hint. Go find Amber if you’re so hard up. She’s actually interested in you.”
“Amber’s a slag,” Brandon said, not bothering to whisper. “What, you’re not actually fucking Riley, are you? Won’t fuck a co-worker, but you’re fine shagging a neighbor.”
“I’m not fucking Riley,” you’d snapped, still at a whisper because you weren’t about to be goaded into shouting.
“Then what’s the problem?” Brandon’d snapped right back. “Stop being so stuck up. I bought you drinks, I walked you home more than once-”
“I told you not to!”
“-I’ve brought you flowers and chocolates. I got you coffee from your favorite spot, and a pastry-”
“You think I’m interested in dating you because you picked up a danish on your way to work?” You’d wanted to pull your hair out. Wanted to wrap your hands around his throat and shake. “Brandon, I fucking hate cherries and you-! No, that’s not even the point. I’m not interested. I’ve never been interested. Leave me alone.”
His fingers closing around your upper arm, tight, had made you push him away. Not as hard as you could, just enough to startle and put some distance between you. But he’d slipped in something on the tile and fallen to his knees.
“Shit,” he’d yelped. “What the fuck? Ugh, the floor is wet. You’re lucky I didn’t break something.”
You had snorted, turned your back and picked up the matches that were laying on the counter. Lighting one, and then your candle, you’d turned back as you heard him getting up. You’d opened your mouth to say something scathing, but… “Brandon, what… is that?”
There’d been something dark and wet on his hands, his sleeve. Whatever it was, he’d slipped on more than a trickle of it, coming from under the table. And when you rounded the table, there she was. Amber, in a pink pajama set and a pool of her own blood.
Yours was the first scream of the night. Brandon’s had been the last.
And now the man that had killed both of them is petting your hair and shushing you. You gasp as you pull yourself from the flashback, teeth chattering with remembered cold. A wave of goosebumps sweeps over you. You’re very aware of the gloved hand that rubs up and down your calf.
“A couple of deep breaths now,” Simon murmurs. You can feel his lips on your forehead through the cloth of his balaclava. “Deep breath in, there you are, precious. Let it out. Slow yourself down. That’s it. There’s a good girl.”
Another memory flashes through your body. Simon’s hands holding your hips steady as you rode him, just last night. His voice smoky and soft, “Easy, easy. There’s a good girl. Let me do all the work, yeah?”
You’re wracked by another wave of sobbing.
Eventually, you tire yourself out. Your limbs are suddenly just so much dead weight. Your eyes are so sore it hurts to blink. Every hitched breath shakes your whole body. You don’t fight it when Simon makes you tip your face up so he can see how puffy and red your face is. Only let out a shaky breath when he lifts the bottom of his mask just enough to let him taste the tears on your face.
“That was the worst night of my life,” you rasp.
Simon hums at that. “Worse than the hospital?”
“I thought I could trust you,” you say. You sniffle, then continue. “I knew you weren’t safe. But I thought I could trust you.”
“Can’t you?”
You think about that for a long moment. Have to concede, “Don’t think you’ve ever actually lied to me. Well… you lied about your name. Fae rules.”
He chuckles at that. “Callin’ me a fairy?”
“Equal opportunity serial killer,” you murmur. If you weren’t so tired, it might have been funny. Right now, it feels like the words are all that carry you from one moment to the next.
“Cute.”
He lets you sit in his lap for a little while longer. It reminds you of being locked in his apartment that first week after the lodge. You’d sobbed yourself empty so many times. Felt hollowed out just like this. You’re going to need water, soon.
Finally, you put your feet on the ground, so you’re perched on Simon’s knee. He lifts a water bottle to your mouth, tips a mouthful at a time for you until you feel ready to hold it yourself. When you look at him, the skull is less menacing than in your memories. But his eyes are just as cold and dead.
“You’re fucked up,” you say to him. “You know that?”
The way his eyes crinkle at the edges means he’s genuinely grinning. “You think so?”
“I know so.”
“That’s good, clever girl. Can you tell what I’m thinking?”
You shrug. “Any time I try, I get it wrong. So tell me.”
“I’m thinking,” he says, leaning in to kiss your cheekbone. “That you have eleven minutes left.”
Everything in your body freezes. “What?”
“Haven’t found the key,” he says, kissing your cheek again before pulling his mask back down. “Clock’s still ticking until you’re out of the cuffs.”
The urge to burst into tears again wars with the urge to scream. You take a deep breath, hold it, and let it out slow. “Why are you like this?”
“Probably all the trauma,” he drawls. His hands lift you to stand and he pats your ass. “G’won then. Key’s in the box. You have plenty of time.”
Looking back at Brandon’s skull makes you feel ill. “Can I have the key you have?”
“Too late for that, precious. Don’t have enough time left to trade.”
“You fucking fucker,” you mutter around a hitching breath. A few deep breaths and you make yourself look at the skull again. Try to look at it as an object, a pile of shapes, not the remains of a person.
It takes you longer than you’d like to admit to step closer to the box. But you do. And you realize that the skull is on top of something. Cloth is folded up under it. On the left side of the box is a small, black hard case. You step over to that side, crouch down to pick the box up. Avoid the profile of the skull as much as possible. It has simple clasps. You take a deep breath and hold it before you open it.
Inside, surrounded by foam lining, are what look like three folding knives.
“It’s not in there,” Simon tells you. “Once the timer stops, you’ll have plenty of time for those.”
You don’t bother to answer, just put the case down next to you on the ground. The only other option for looking for the key is to move the cloth and, by extension, the skull. You clench your hand into a nervous fist, take a deep breath, and let it out. The cloth, when you touch it, is stiff. A gentle tug wiggles the skull a in place, just a bit.
You put your hands on the edge of the box and close your eyes for another few deep breaths. Fight the urge to vomit. Try to think.
Simon put it there to get a reaction out of you. Labeled it so you’d panic and cry. He knows you, so he probably knew you’d have to interact with the skull with a time limit. The key is in the box, somewhere, under all of that cloth and the skull.
The key… is under the skull.
Before you can let the nausea set in, you open you eyes and reach out to poke the skull hard with one finger. It tips, the bulk of it falling away from the jaw. And there’s the key, taped to the palate. A tiny metal cylinder, just like the one around Simon’s neck.
Even though you know the answer, you ask, “Do I have to touch it?”
Simon, of course, doesn’t say anything. You tug the cloth closer to yourself so you don’t have to reach too far and lay your fingers on the cheekbone. It’s cold, solid, and dry. You’re not sure why you expected different. You use your thumb to pick at the tape, focusing on that and nothing else. It comes away remarkably easily. The key falls from its spot with a soft clack against a tooth and lands on the cloth.
Unlocking your cuffs feels anticlimactic after all of that.
“Three minutes to spare,” Simon says. He sounds impressed.
You sniffle a bit as you rub your wrists. “New personal record.”
“You did yourself proud, Precious.”
The truth bubbles out of you before you can think better of it. “I can’t think of a reason not to hate you right now.”
“That’s because you’ve got some sense in your head,” Simon says. He stands, turns his back to you to go to the table. He picks up two of the MREs, reads off, “Chili with Beans or Mexican Rice and Bean Bowl?”
“I’m not hungry.”
“Gotta eat more than crackers,” he says. “Might as well have some while I tell you about the rest of our little adventure together. Come sit at the table.”
You stand, look at his back where he’s picking grapes from the bag. “What’s outside the door?”
“The not-so-safe zone,” Simon says, without turning. “You go out that door, the next part of the game starts.”
Hunting trip three-point-oh. You sigh and walk across the mattress to the chair at the table. “Mexican rice, please.”
He passes it over. “Good choice.”
He’s quiet while you reacquaint yourself with the heating element and examine the rest of the package. He opens his own MRE and cracks open a bottle of water, offers it to you first. You use it to start the heating process, watch him do the same.
“So,” you huff, crossing your arms. There are a few minutes until the food will be hot. “What’s the next part of the game?”
“We’re gonna play a bit of capture the flag,” he says. “You ever been paintballing?”
You stare at him, jaw dropped. A headache starts to form under your left temple. “Have you lost your mind?”
It’s not often that Simon looks affronted. “Paintball is fun.”
You can’t help the disbelieving laughter. “Then why didn’t you take me to paintball?”
“Gotta train you on gun safety first,” he points out. “And most places make you play on teams.”
“And the guns aren’t real,” you counter. “That’s the real reason, right?”
He shrugs, “I prefer knives. But yeah, I’d want you to have something real.”
That reminds you. “What are the knives for?”
Simon goes to retrieve the little carrying case, snags his chair on the way back. He places the box on the table, turns it toward you and opens it. He picks up the leftmost blade and flicks it open with a quick motion. He hands it to you, black handle first as he takes a seat.
The handle is thick and the whole thing is a bit heavy. You turn it in your hand and realize that it’s a multi-tool.
“This is a Leatherman Free K4,” he says. “Decent multi-tool, lots of uses. How does it feel in your hand?”
How are you supposed to know? “Fine? It’s a knife.”
“Show me you can close the blade?”
You find the mechanism pretty easily, close the knife without incident. Simon nods, presents his hand, so you give him the knife back. He fiddles with it for a moment, and out pop a pair of scissors. And he hands it back.
“This one,” Simon calls your attention to the second item. It has a black handle as well, but the frame is open so you can actually see the tools. “is a Leatherman Skeletool CX.”
It’s impossible for you not to poke around. There are 8 little tools attached the the knife, including the scissors. A few you don’t really understand, but there are three separate screwdrivers and a bottle opener. You can think of a few times in the last couple of years a multi-tool like this could have come in handy.
You snort. “Skeletool?”
“Hush,” he chides you, smile audible in his voice as he hands it over. “This one has pliers, and a few other tools the other one doesn’t. Shorter blade, a bit lighter.”
“I can kind of feel the difference?” you offer.
“Don’t worry too much about it. Open and close it.”
You do. Pliers first, because you can. Then the blade. “Cool.”
He hands you the last one, a tiny thing that’s all silver, as he takes the second from your hand. “This one is the Skeletool KBX.”
You flick it open and closed without him asking. “Itty bitty.”
“That one’s very straightforward. Just the blade and a bottle opener on the handle.”
You pick up the little package of pretzel nuggets that came with your meal and cut into it. The plastic splits like butter. “Dangerous.”
“I dunno,” you admit. “I haven’t used them yet. You gonna tell me what they’re for?”
Simon hums, a noise you secretly have categorized as one of his “happy tiger” noises. You look up to see he’s got those eye wrinkles that mean he’s pleased. He’s looking at the little blade in your hand.
“Do you like them?”
“They’re gifts,” he says. “One for your usual purse, one for your backpack. The little one for the next time you want to go out dancing. After lunch, I’ll show you how to hold them.”
Staring at him, you think that you’d call the way his shoulders come up toward his ears bashful if he was anyone else. “Did you get me romance knives?”
“Skull’s got me in the doghouse,” he mutters, picking up his now-hot food. “Gotta give you something nice to balance it out.”
“Drugging and kidnapping me got you in the doghouse,” you correct him. “The skull has you under it.”
“I’ve got experience digging myself out,” Simon says with a shrug. “Eat.”
You grab your food and start extracting it from the heat pack. “You want to get back into my good graces? Tell me what the fuck happened in 2007. What the fuck does Roba mean?”
Simon chuckles. “That’s not a story you want to hear while you’re eating, sweet thing.”
“You made me touch Brandon’s skull,” you point out as you tear the packaging open. The smell of hot food makes you suddenly aware of how hungry you are. “So you had better start talking.”
“Promise I’ll tell you more when we’re home, Precious.”
“Swear it.”
“Cross my heart,” he says, flat blue eyes staring into yours. “Hope to die.”
“The whole story.”
“Promise you a summary that won’t make you vomit more than once,” he offers. “And I’ll rub your feet.”
You scoop a spoonful of rice and pop it in your mouth. “You’re going to rub my feet regardless.”
Simon gives a dry little laugh as he pushes his mask up over his mouth. “Yes, ma’am. Now eat. I’ll tell you the rules of capture the flag.”
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rogloptimist · 5 months ago
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AND ALL MY DEVOTION TURNS VIOLENT
when i make one web weave i am physically unable to not make at least three more (credits under cut)
ada limon - the good fight // mads pedersen, tadej pogacar, jonas vingegaard, and wout van aert - stage 16, tour de france 2022 // tadej pogacar and jonas vingegaard - stage 17, tour de france 2022 // tadej pogacar and jonas vingegaard - stage 11, tour de france 2024 // romance - elaine kahn // american sonnet for my past and future assassin - terrance hayes // tadej pogacar and jonas vingegaard - stage 18, tour de france 2022 // tadej pogacar and jonas vingegaard - stage 17, tour de france 2022 // horoscope for the heartbroken - schuyler peck // tadej pogacar and marc soler - stage 17, tour de france 2023 (anne-christine poujoulat, getty images) // vingegaard marches towards tour de france title as pogacar cracks - julien pretot // jonas vingegaard - stage 15, tour de france 2024 (IMAGO) // pogacar wins in high mountains to deal blow to vingegaard and extend tour de france lead - kieran crichard // peripety series - jen mazza // tadej pogacar and jonas vingegaard - stage 7, tour de france 2024 // mabel, episode 28: matryoshka // tadej pogacar and jonas vingegaard - stage 7, tour de france 2024 // it's a circus and we all paid to be here - ashe vernon // the winner's kiss - marie rutkoski // tadej pogacar and jonas vingegaard - podium ceremony, tour de france 2024 // you are the apple - lady lamb // tadej pogacar, brandon mcnulty, and jonas vingegaard - stage 17, tour de france 2022 (gruber images) // i don't smoke - mitski // tadej pogacar and jonas vingegaard - stage 17, tour de france 2022 // tadej pogacar and jonas vingegaard - stage 20, tour de france 2024 (presse sports, belga images) // vingegaard and pogacar 'allies' says former tour de france champion - AFP // 'now we have a fair fight:' pogacar remains bullish despite vingegaard counter-punch at tour de france - andrew hood // the fall - alan stephens foster // vingegaard vows to keep swinging at imperious pogacar: 'we will fight to the end of the tour de france - andy mcgrath // i'm your man - mitski // jonas vingegaard - stage 18, tour de france 2024 (gruber images) // tadej pogacar - stage 18, tour de france 2024 (gruber images) // tadej pogacar and jonas vingegaard - stage 9, tour de france 2024 (getty images)
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yihzni · 1 year ago
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all of these came to me in dreams…. enjoy
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90ssuperheroes · 7 months ago
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directors directing their heroes
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hamishlinklaters · 11 months ago
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Hamish Linklater and the cast of Manhunt for EW photographed by Jordan Payne
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aherdofbees · 9 months ago
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callsign-bubbles · 9 months ago
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hockey duos as so american by olivia rodrigo!
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in order, from L-R: simon benoit & jake mccabe, jamie drysdale & trevor zegras, scott wedgewood & jake oettinger, tyson jost & jt compher, leon draisaitl & matthew tkachuk, connor dewar & brandon duhaime, linus ullmark & jeremy swayman, nico hischier & jack hughes, sasha barkov & matthew tkachuk, mitch marner & auston matthews, tim stützle & brady tkachuk
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disneytva · 3 months ago
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Moon Girl and Devil Dinosaur Gets Live Drawing Session At NYCC As Part Of Disney's EnterTOONment HQ.
Moon Girl And Devil Dinosaur: Wreck & Roll author Asia Simone, Moon Girl's co-creator Amy Reeder moderated by Chris Robinson will attended Disney's EnterTOONment HQ at New York Comic-Con showcasing a live drawing session with kids to draw Moon Girl characters.
Draw Marvel's Moon Girl and Devil Dinosaur: With Asia Simone and Amy Reeder
Thu, Oct 17, 2024
 6:15 PM - 7:15 PM
Family HQ: Workshops 1E01
Learn how to draw your favorite crime-fighting-girl-and-dino duo, with the help of Asia Simone, artist of Scholastic's Moon Girl And Devil Dinosaur: Wreck & Roll, and Amy Reeder, cover artist and co-creator of Marvel's original comic series. Moderated by original series editor Chris Robinson, our panelists discuss how Moon Girl's look has evolved through the years, from comic book to animated Disney show to graphic novel. Watch them demonstrate their approach and give it a try yourself! Open to all ages; art supplies will be provided.
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iheartbadger · 6 months ago
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request post!
fandoms i write for-
breaking bad
better call saul
call of duty modern warfarre
inside job
shameless
what i write -
x reader (gn and fem)
sfw
headcanons
fics
angst
fluff
feel free to leave requests in my inbox!
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booksydaisy · 7 months ago
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So I made a lil something for pride month. HAPPY PRIDE GUYS 🌈🏳️‍🌈.
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kentjohnson91 · 5 months ago
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justanoasisimagines · 8 months ago
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I don’t want to sleep alone -Preference- Set B
Warnings; Mentions of anxiety and past trauma, typical canon violence, mentions of manlipuation and obsession. A/N; Requests are open! Guidlines are pinned at the top of my page Credit to @cafekitsune for the divider and banner
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Daryl Dixon; After you and Daryl reunite after the prison fell, neither one of you wants to be out of each other's sight. Except you are both too nervous to admit it. However, one night before you go to bed, Daryl starts moving your stuff closer to his. He's not always great with words, yet his actions speak for him.
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Milton Mamet; It occurs after your and Milton's third date. He drops it suddenly, and you ask him if he's positive. Milton is adamant, he even makes the promise of breakfast with coffee. When you tell him you need to grab your things, he offers to escort you.
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Glenn Rhee; Glenn and you are setting up camp on the farm. making sure everyone had a tent and a space to sleep. As you go to put up your tent, Glenn suddenly gets tongue-tied. He doesn't want to sleep alone anymore. He blurts the question at you. You laugh, but ask him where he wants to sleep.
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Morgan Jones; Morgan's sitting outside admiring the view. He enjoys sitting back, reflecting on the day's events and the possibilities of the future. When you step out, he immediately turns adjusting in his chair holding his hand out for you. When you tell Morgan you don't want to sleep alone, Morgan tells you, you don't have to, but asks for five more minutes
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Ceasar Martinez; Ceasar and you argued. It was over your safety. He didn't want you to go on patrol but you were insistent on attempting to prove yourself. Ceasar's well aware of your capabilities, but he's terrified of losing you. He's trying to fall asleep on the couch when you walk over to him and hold out your hand. Ceasar doesn't say anything as he follows you. He's just grateful he'll be able to sleep tonight.
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Ozzy; Ozzy comes to your room after a night full of tossing and turning. He needs his mind to settle and there's only one person to successfully help him. It's you. He doesn't know how you do it. Maybe it's the way you run your hands through his hair lightly tugging or how right it feels when you sleep beside him.
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Spencer Monroe; Spencer comes to you after he's completed his chores. Ever since he spent the night with you he's struggled to sleep. He doesn't have anymore on his mind than usual. His body is screaming at him to sleep, but sleep evades him. It's got to be you. He can't be tired like this all the time anymore. So he heads to your place so he can crawl into bed beside you.
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Brandon; Brandon is watching you as you slowly begin to nod off. He goes to make his way out of your room when you grab hold of his arm. When you ask him not to leave, Brandon unlaces his boots, shedding his clothes and gets into bed sides you. He pulls you close and quickly drifts off with you in his arms.
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King Ezekiel; Ezekiel has a lot of pressure on his shoulders. He has an entire community of people to look after. Naturally, sometimes he needs to be looked after. It's late when you remind Ezekiel to go to bed. Instinctively he begins to protest. You remain firm reminding him, he's no good to anyone if he's dead on his feet. Reluctantly he agrees as long as you come with him
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Dwight; Dwight thought he'd lost you. He's walking through the Sanctuary when he sees you. His heart is racing as he approaches you. His mind cannot fathom it's truly you, even after you're in his arms holding onto him for dear life. He's not going to let you out of his sight from now on. Where he goes you go and vice versa.
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Aaron; It's your fifth date when Aaron finally asks you if you would like to sleep over. He knows you don't live very far away, but he would like to wake up beside you. Perhaps you could go for an early morning walk before the two of you get some breakfast before your day truly begins.
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Tyreese Williams; Tyreese tells you he doesn't want to sleep alone on the first night he arrives at the prison. You're both in a new place with new dynamics. You both need something familiar. Secondly with you close by, he'll be able to keep you safe. Tyreese is still trying to figure out if the prison is a safe place for you all.
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Simon; Simon's becoming more and more infatuated with you. You are everything to him. His focus is solely centered on you. He refuses to let you out of his sight. He asks you to sleep in his room so he can keep his eye on you, to keep you safe.
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Phillip 'The Governor' Blake; When you approach the Governor tell him you don't want to sleep alone, the governor smirks, explaining you don't have to. Slowly his plan is coming together. Soon he'll have you in the palm of his hands. To access where your old group is currently hiding. So he can move in and take over.
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Dante; Dante was supposed to be working on the inside for the Whispers, however, he never intended to meet someone or fall for them. Yet here you were. You walk into the infirmary one day with a smile on your face to ask him if he has any plans. When he reveals he does you ask him if he'd want to stay at yours. He agrees.
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Bob Stookley; Bob has a lot of demons. He's fighting to be a better partner to you and a proactive member of the group. Some days are worse than others, so as you go settle for the night he asks you. You don't say a word as you grab his hand and lead him towards his cell.
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Aiden Monroe; When you tell Aiden you don't want to sleep alone, he finds it endearing. He knows his parents won't mind you staying over. They adore you. Besides both of you are always so nice, it's nice to spend some time with you, even if you both are technically asleep. Aiden plans to make you breakfast in the morning.
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Otis; When Rick's group comes to the farm, Everything is pure chaos. You hadn't been feeling the most comfortable with all the new people dotted around the place When you stepped into Otis's room that night, he was quick to reassure you. To provide you with a quiet space to breathe and accept the changes going on around you.
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Paul "Jesus" Rovia; It had been a rough day dealing with the Saviours. Everyone was tired and stressed out. One by one everyone begins to turn in for the night. When you go to head in Jesus entwines your fingers together, asking you to come to bed with him. You nod as he leads you towards his room.
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dailydccomics · 1 year ago
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Green Lanterns by Brandon Peterson
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purplespacekitty · 6 months ago
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every now and then, the spirit of angsty rock musicals possesses me and I descend into a cycle of listening to, watching, acting out, talking about and singing Jesus Christ Superstar for about 2 weeks straight. during this time period, the falsettos of Ted Neeley and Ian Gillan, masterful ad libs of Carl Anderson, sorrowful balladic notes of Yvonne Elliman and all those who came before and after them consume my every waking thought. I become compelled to listen to every version of “Heaven On Their Minds” and “Gethsemane (I Only Want to Say)” I can find, even the ones recorded with shitty iPhone cameras and mics. my voice goes hoarse singing along with Judas’ lament over blood money and Simon’s overenthusiastic powerpoint to Jesus about how great he is. I obsess over how cunty Judas’, Herod’s, Caiaphas’ and Pilate’s outfits are by production. I weep over the kiss of betrayal as Judas and Jesus are separated for the last time. I learn new stuff about the singers and productions every time.
I soak up the inevitable poetic tragedy of it all and then I go back to our regularly scheduled programming.
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