#Shock comedy

[bass-si]

Time to put it fully here- Yep, I think they would spend time together Yep, they would have sex Yep, it's TOXIC YAOI

[merinoed]

watched pink flamingos (I'm horrified)

and I doodled divine (ain't great but oh well)

[organizationhimself]

if you've ever played a game where """choices matter""" and weren't exactly taken with the one (1) different line of dialogue you got--scarlet hollow.

if you've ever lied to a character or went against your character's principles or wrecked a pottery shop just to see what would happen, and were disappointed when nothing did--scarlet hollow.

if the first time you got arrested for ransacking a random house in fable you hooted in surprise and delight--scarlet hollow.

if you liked disco elysium literally at all even a little bit, SCARLET. HOLLOW.

also play slay the princess if you haven't and it's not too violent for you (tw for gore and death and body horror, all of which is usually impermanent in case that has an effect on what bothers you like it does for me)

[noperopesaredope]

One thing I always find both funny and sad to see in SW TCW fics is the clones not realizing just how fucked up their childhoods and current treatment is. Like, they'll be reminiscing on childhood memories and it'll be the most fucked up stuff you've ever heard in your life, and they'll all be laughing about it without a care in the world as their Jedi looks at them in horror.

I literally read a fic earlier where the first chapter is Rex telling Anakin he's a natural blonde and apologizing for it, saying that he understands if Anakin wants him to be decommissioned, and Anakin immediately loses his shit at the implications. He spends a good portion of the chapter trying to explain to Rex why the Kaminoan eugenics stuff is bad, while Rex is just kind of standing there like "???"

It's all incredibly sad, but also weirdly funny to see the clones be so chill about it while the Jedi are incredibly disturbed and concerned.

[an-android-in-a-tutu]

Been seeing a lot of takes like this and I appreciate where they're coming from, it's a good idea to be especially wary of excessive criticism aimed at things made by and for women but like. Yes you do see hot takes about Marvel, and the lego movie, and Batman films. To say this with your whole chest you have to spend zero time in leftist circles and pay zero attention to criticism of big blockbuster movies or just. Yknow. Lie to make your point.

More relevantly you see this specific thing happen whenever a big corporation makes flaccid listless gestures towards progressivism for the sake of their bottom line. Because the end result is always too toothless to have meaning for leftists while still being offensive enough to right wingers simply by virtue of having a lot of women or gay people or people of colour in it to have them frothing at the mouth. Sexist dudebros hating Barbie doesn't shield it from feminist critique, they were going to hate it whether it succeeded or failed but it can still fail.

And as nice as the big feminist speach in barbie is I have to wonder if its primary purpose is to actually uplift women so much as it is to shut down criticism of the movie and the brand. If even Barbie can't escape this criticism what hope is there for the rest of us, right? Except Barbie isn't a real woman, she's a plastic toy made in sweatshops by a brand attempting to rehabilitate a progressive image out of a long history of being criticized for its portrayal of women because that's what will boost sales. This movie is part of that, and pointing that out is important.

You don't need my or ayone's permission to enjoy the Barbie movie, if it was meaninful to you I'm genuinely happy for you, if you just thought it was fun and funny, great! But to act like the only reason to criticize the movie is sexism is glossing over some very real problems and like, straight up falling for the corporate propaganda. Yes every big blockbuster movie actually does get criticized bc they are political tools that serve the people in power. Not every big blockbuster is also being sold as a feminist masterpiece though, so you probably are gonna hear it more about Barbie. You'll also hear it more about Barbie bc people are hypercritical of women and that will motivate some critique, but to assume bad faith is to shut out conversations that need to happen.

[bitter69uk]

Hagsploitation truly is the horror sub-genre that keeps on giving. Sparked by the unexpected success of 1962’s What Ever Happened to Baby Jane? in the 1960s and 70s, maturing female stars of golden age Hollywood extended their careers by swallowing their pride, embracing their inner scream queen and plunging into exploitation shockers: think of Joan Crawford, Bette Davis, Tallulah Bankhead, Olivia de Havilland, Agnes Moorehead and Shelley Winters starring in the likes of Strait-Jacket, Hush … Hush … Sweet Charlotte, Berserk, Lady in a Cage, Die Die My Darling, Dear Dead Delilah and especially the “question movies” Whoever Slew Auntie Roo?, What’s the Matter with Helen? and What Ever Happened to Aunt Alice? Roaring back from career doldrums (I last remember her playing Miley Cyrus’ mother), 61-year-old Demi Moore finds herself in a similar position in director Coralie Fargeat’s grisly and stylish satire The Substance. In a gutsy, exposed (in every sense) performance, Moore plays Elisabeth Sparkle, a middle-aged television celebrity abruptly fired by ageist and sexist network executive Dennis Quaid (really chomping the scenery). Despondent, Elisabeth takes desperate measures to rejuvenate her “best self” with a mysterious unregulated black market scientific procedure called The Substance … and things swiftly unravel. Characterized by stunning art direction and a visceral sound design that emphasizes every repulsive squelching noise, The Substance ratchets up maximum dread and offers a goldmine of knowing movie references: Basket Case. Carrie. Death Becomes Her. Every single David Cronenberg “body horror” flick but particularly The Fly. Thematically, it reminded me of two specific b-movies from the late 1950s: The Wasp Woman and The Leech Woman, in which the anti-heroine experiments with science (or voodoo) to restore youth and beauty with monstrous consequences (and – it must be noted - these films make their point with a fraction of The Substance’s budget and two hour-and 40-minute running time). The Substance is bound to be divisive. There was multiple “walk outs” when I saw it. And has Fargeat lost control of the material by the ultra-gory splatter fest finale? However you cut it, it’s a wild ride and destined for cult status.

[act2drama]

I feel one of the most underrated aspects of Mischief Movie Night In is Henry Shields' constant unparalleled determination to either play the villain or else make things as un-family-friendly as is humanly possible.

Or both. Usually both.

[guerrilla-operator]

GWAR ON THE JOAN RIVERS SHOW, 1990.

[kosmikowboj]

shawn smacking lassie’s ass in front of his (soon-to-be former) father-in-law is genuinely one of the most insane things I’ve ever seen. how did I forget this episode it’s so ridiculous and unhinged

[footballshowrot]

having a normal one👍

[variksel]

ok ven is genuineposting about a comedy podcast again alert but im in the middle of the newest dndads ep and ngl. one thing the crew has always done SO WELL is the way they manage to portray that these characters are real friends

the s1 dads are the strongest example of this to me and ill use those moments as examples because ive listened to it the most but its so obvious in every single other season and character group theyve ever made, and it popped into my head when the s3 crew learn that trudys a bot

like all the characters do fight and get into disagreements and do shitty things to eachother, sometimes the reason being that its a comedy and sometimes glenn stealing darryls car or any of them really calling any other dad a bad parent is funny ..... but then they have these insanely genuine moments that feel so fucking real and honest that arent played for laughs for a second. glenn hugging ron when he gets out of prison and ron crying, the rest of the dad crew essentially tackling glenn into a big hug after learning his wife is dead, everyone being SO ready to dropkick willy when they learn what they did to ron and yelling at him so much that anthony cant get a word in for a good minute, the hug darryl, henry, and ron have after ron talks to a therapist and henry talks to autumn and darryl talks to his dad, glenn sharing with darryl that he doesnt know what hes gonna do or if hes gonna stay in the realms after the big omegadaddies finale fight but never for a second even considering not helping the daddies get back to earth even if hes not gonna follow them,,,

i 100% believe that its one of the core foundations of dndads, that thats a big subconscious reason why people instantly adore this podcast so much and the crew is so fucking good at being earnest when they need to be. these characters, no matter which group of them were talking about (s1, 2, 3, or the miniseries ones) are real friends who care about eachother and would kill and die for eachother

[markantonys]

me thinking about how elayne has a boyfriend who is her half-brother's half-brother and with whom her other brother (who is dating her boyfriend's ex) is in a one-sided homoerotic rivalry, and they all have daddy issues because their dad tried to kill their mom but was killed by their mom's ex-boyfriend who is now dating their aunt whose girlfriend is dating their mom's other ex-boyfriend, and also elayne and her boyfriend are in a polycule with their two other girlfriends (one of whose people have an ancestral feud with elayne's grandfather) and their other boyfriend who is married to the empress in charge of the people who once enslaved elayne's brother's girlfriend

[nnnn99999]

The ending of peaceful property, much like the entirety of the show, was bittersweet. I really tried to hold in my tears, but ended up crying anyway.

The ridiculous part is that it wasn't the sad backstory or Home's goodbye with his grandpa that made me cry. No, it was Home's silly little song and dance wearing that bright orange outfit that broke me. To me, it was the most impactful scene in the whole series. For me, this was the climax of the story. Because to me, this scene represents everything I feel this show was about. It was the perfect culmination of contradictory emotions.

Yes, this show has its flaws. Yes, it is nowhere near perfect. But I loved it anyway. There was so much love and effort poured into this series and it shows. Everyone involved in this project tried their best to present something meaningful and wholesome, and I appreciate that genuine love and passion.

Finding comfort in your own home with the people you truly love amidst the cruelties and unfairness of life-to me, this is what this whole show was about. To be able to laugh amidst the difficulties of life, to feel deep sorrow even in the happiest of times, to survive the harshest struggles without a moment of weakness yet fall apart because of a simple sentence, to love the person you hate and hate the person you love, and so much more that makes us human-this is what this show gave us.

It started as a silly little ghost show, and ended up becoming an exploration of family and home. While watching this show, I laughed, I cried, I became angry, I felt frustrated, I felt helpless, I became excited, I felt disheartened and so much more. To me, a show that managed to make me feel so much is a good show. I had a wonderful time watching it.

Was the ending of this show happy or sad? You could say it was neither, or you could say it was both. And that is why I think it was the best ending for this show. I am glad that my ragtag family of weirdos can stay together and start a new journey together. Suradech is alive and well, and so are the other four, and that's all I wanted from the ending. Because as long as you live, the possibilities are endless.

Peaceful property will always have a place in my heart.

Side note 1: I really appreciate the fact that Suradech remained the mvp till the very end. He really saved the day. Suradech is the ultimate best boy. Making a shades wearing bodyguard without any dialogue so endearing to the point I was willing to get into a fight for him is the real achievement of this show in my opinion.

Side note 2: I have a lot of things to say about family and familial love in this series. This is something that has been brewing in my mind since the first episode so my thoughts re all jumbled. But I will write an essay once I manage to organize my thoughts.

Side note 3: I was not scared by the horror part of this show. I don't know if it was because I am genuinely that unbothered by horror or because I was too busy appreciating the ghost makeup. Whatever the reason may be, the primary emotion I associated with the ghosts was sadness, not fear. The team truly did a great job with the ghosts.

[gothamite-rambler]

AJR

Wally West: Okay and then the last chorus comes in

So put your best face on everybody

Pretend you know this song everybody

Come hang

Let's go out with a bang!

Dick (wanting to vanish): Wally-

Jason (enjoying himself): I'm way too young to lie here forever

Wally (surprised but happy): I'm way too old to try so whatever

Come hang

Jason: Come hang!

Both: Let's go out with a bang!

Bang! Bang! Bang!

Jason: Here we go!

Both: Bang! Bang!

Dick (confused and slightly unnerved): What the hell was that?

Jason (nonchalantly): I like the band, sue me.

Wally: Would you like to come with us?

Dick (being ignored): I never agreed to go.

Wally: Ignore him. I paid for the tickets and I'll pay for snacks. You just got to go and enjoy yourself.

Jason: Hm... Free food and AJR? That kicks ass! Yes I would love to go.

Wally: Oh my God, this is great. We'll meet you in my car!

Dick doesn't get a word to complain or stop this as his surrogate boyfriend picks him up and races to the car.

Jason (grabbing his helmet): A band I like and tormenting my brother... It's gonna be a good week.

[fromtheseventhhell]

"It's powerful, it's visceral, it's dark, it's like a Shakespearean tragedy. There’s no Arya — a character everybody's going to love. They're all flawed. They're all human. They do good things. They do bad things. They're driven by lust for power, jealousy, old wounds — just like human beings. Just like I wrote them."

Seeing people debate which grey characters can still be considered "morally good" and somehow Arya never makes the list, so it's the perfect time to bring back this quote from George which shows exactly how he views her character 🫶🏾

[milfygerard]

what is this about gerard being at least friendly with multiple dropout cast members?