#She's just mean like that

[pushing500]

My colonists are so rude to the new guy, Zonovo. Like, I get that he came to raid the base and do unsavoury things with that warhammer he's carrying, but now he cooks their food, and he's very nice otherwise! Leave the poor kid alone!

He does, in fact, have a permanent gunshot injury on his left leg, by the way. I'll have to remember to get Fafo to make another bionic leg to fix that up.

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[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[archi-pelago]

maybe never forgive. but things are different now. so we'll use maybe.

[crumb-crumblet-s-crumbington]

elita pep talk

[madscientistenthusiast]

Personally I think that Azula should have been redeemed simply so that she can become Zuko's horrible little advisor who whispers evil little plans to him so that he can do the exact opposite

[bacchuschucklefuck]

typical tavern scene

[chloesimaginationthings]

Vanny finally meets FNAF tape girl in person...

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[akanemnon]

I don't like this place. It's turning everyone edgy and sad.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[inkskinned]

the thing about some men is that they want you to remember, at all times, that you are underneath them. that with one word or look or "joke", you will stay beneath them. that even "exceptions" to the rule are not true exceptions - the commonly cited statistic that one in eight men believe they could win against serena williams.

women's gymnastics is often not seen as real gymnastics. whatever the fuck non-euclidian horrors rhythmic gymnasts are capable of, it's often tamped down as being not a sport. some of the most dominant athletes in the world are women. nobody watches women's soccer. despite years of dancing and being built like a fucking brick, men always assume they're faster and stronger than i am. you wouldn't like what happens when they are incorrect. once while drunk at a guy's house i won a held-plank challenge by a solid minute. the party was over after that - he became exceedingly violent.

what i mean is that you can be perfect, and they still think you're ... lacking, somehow. i hope you understand i'm trying to express a neutral statement when i say: taylor swift was the possibly the most patriarchy-palatable, straight-down-the-line woman we could churn out. she is white, conventionally attractive, usually pretty mild in personality. say what you will about her (and you should, she's a billionaire, she can handle it), but a few things seem to be true about her: 1. she can write a damn catchy song, and 2. the eras tour truly was a massive commercial success and was also genuinely an impressive feat of human athleticism and performance.

i don't know if she deserves the title of "woman of the year," i'm not debating that in this post. what i am saying is that she was named Woman of The Year, and then an untalented man got onstage at the golden globes and made fun of her for attending her boyfriend's football games. what i am saying is that this woman altered local economies - and her dating life is still being made into a "harmless" punchline. the camera panned, greedy, over to her downing a full glass of champagne. congratulations taylor! you are woman of the year! but you are a woman. even her.

fuck, man. write better material.

a guy gets onstage at a college graduation and despite the fact like half the crowd is made up of women, he spends a significant proportion of it warning these people - who spent possibly hundreds of thousands of dollars on their education - that they were lied to. that the "real" meaning of femininity is motherhood. that they shouldn't rest on the laurels of that education-they-paid-for but instead throw it away to kneel at a man's heel. imagine that. sweating in your godawful polyester gown (that you also had to pay for!), fresh out of 4 years of pushing yourself ever-harder: and some guy you've never met - who knows nothing about you - he reminds you this "win" is a pyrrhic one at best. you really shouldn't consider yourself that extraordinary. you're still a woman, even after years of study.

god forbid you are not a pretty woman, but if you are pretty, you must be dumb. god forbid you are not ablebodied or white or cis or straight or good at swallowing. you must be beneath a man, or else they are not a man. the equation for masculinity seems to just be: that which is not a woman or womanly (god forbid). anything "feminine" is thereby anathema. to engage in "feminine" things such as therapy, getting a hug from a friend, or crying - it is giving up ones manhood. therefore women need to be put in their place to ensure that masculinity is protected.

this is something i have struggled to explain to terfs - they are not doing the work of feminism, but rather the patriarchy. by asserting that women and men must be (on some secret level) oppositional and in conflict, they also assume that being a woman is akin to being another species. but bigotry does not stem from observational truths or clarity - that is what makes it bigotry. there was nothing in my childhood that made me fundamentally different from my brother. we are treated differently nonetheless. to assert there is some biological drive that enforces my gender role is to assert that women have a gendered role. men do not see women as equal to them not because of biological reality - but instead because the core tenant of the patriarchy is that women aren't full, realized people.

we are told from a very young age to excuse misbehavior as a single man's choice - not all men. it is not all men, just that one guy. all women are gold-digging bitches who belong in the kitchen - but if a man is mean, bigoted, or violent to you, it's just that particular guy, and that means nothing about men-as-a-whole. it is only one guy who got mad when you gently rejected him. it is only one guy who warns her this trophy is heavy, are you sure you can hold it? it is only one guy who smashes her face into the cake. it is only one guy talking into a mic about hating our bodily autonomy.

i have just found that they often wait until the moment we actually seem to be upstaging them. you sit in a meeting where you're presenting your own findings and he says get me a coffee? or you run to the end of the marathon and are about to finish first and he pushes your kids out in front of you. you win the chess game and they make some comment akin to well, you're ugly away. we can be the billionaire and get the dream life and finally fucking do it and yet! still! they have this strange, visceral urge to say well actually, if you think you're so great -

it's not one just one guy. it's one in eight.

[quantumshade]

there's an interesting thing rtd said from the commentary about the "real mom" line:

i get not liking the line but like. it's an intentional mistake and an intentional character choice, and something we'll return to in the future, and that seems like important context to have when talking about the episode.

[hansoeii]

stede bunnet

[bigfatbreak]

Birds of a Feather previous / next

[pseudowho]

"Hey, Kento," you began, approaching him, thoughtful, while the shower warmed up in the background. Kento hummed in response, turning the page of his book.

"Darling?" Kento inquired.

"Have you ever noticed how...I don't know...convenient and...I dont know, I suppose how coincidental some details of your life are?" Kento caught your eye now, one thin eyebrow arched uncertainly.

"...what do you--"

"I mean," you interrupted, "your 7:3 thing. It's...it's everywhere. You part your hair in 7:3. Your inherent technique is 7:3. Your surname means 'seven-three'. I mean, jesus, your birthday is even--"

"--July the...3rd." Kento looked a little ill, closing his book and feeling his world close in around him. You headed to the shower, calling back; "Just a crazy random happenstance, I'm sure!"

You came out, some time later, to an abandoned book on the bed and Kento stood at the balcony, with an enormous whiskey in his hand and staring, haunted, into the distance.

"...Kento?"

Kento turned, face twisted with existential crisis; "I don't-- I've never-- ...am I an anime character or something?"