#Shadow Reviews

[thatonedemonnamedlucifer]

SHADOW REVIEWS - MARRY MY HUSBAND

Decided to do a little series on this blog titled "Shadow Reviews" where I review some random shit (tv shows, books, etc). I'll start off by reviewing a webtoon I've been i n v e s t e d in for quite some time now, that webtoon being Marry my Husband! I won't give away too much, but the review is not entirely spoiler free so tread lightly! Additionally, please don't start discourse! These are all my personal thoughts. (Brief TW for mentions of domestic violence, financial abuse and illness)

PLOT SUMMARIZED: We start the story off with our protagonist, Jiwon Kang, who is dying of cancer. Minhwan Park, her husband is not answering any of her texts or giving her money she needs for treatment. She eventually returns home and finds Minhwan cheating on her with her best friend, Sumin Jeong (I'm hoping I spelled that right). And also finds out that Minhwan has basically been spending all her money. Jiwon attempts to confront the two, but Minhwan ends up murdering her in cold blood. But then Jiwon is brought back to life... back in time ten years before her death, and during the year she married Minhwan. Jiwon decides to get her revenge on both Minhwan and Sumin by making them marry each other. In the process, she develops a friendship with two co-workers, Juran Yang and Huiyeon Yu, and eventually falls in love with her boss, Jihyeok Yu. I won't go any further than that because I don't wanna spoil the story too much. WHAT I LIKED:

While I don't normally read webtoons, let alone isekai stories and romance stories, this one somehow won me over because of the plot alone. I love that while Jiwon is mainly focused on avenging her own death, she also tries to help her own co-workers, especially Mrs. Yang (who btw has the CUTEST KID :DDD) Also. Huiyeon. That's all I have to say here. While I wish Jiye and her friends got a bigger role, I still love those characters. From them crashing Sumin's wedding to helping Jiwon expose Sumin and Minhwan as assholes, Jiye and the girls definitely won me over. Lastly, Sumin. No, not the character herself, but how she was portrayed in the story. While Minhwan was the shitty ex-husband, I think Sumin is definitely supposed to be the main villain of the story, and the perfect foil to Jiwon. I don't have much complains about how she was written. Oh yeah. That one scene where Minhwan tries to confront Jiwon in her apartment... only to be greeted by a mean looking guy who immediately takes a disliking to Minhwan. That was funny lmfao. WHAT I DIDN'T LIKE:

Speaking of, Minhwan's character was... kind of flat to be honest. There's not much to know about him besides the fact he's a cheater, abuser and a murderer. I do wish I learned more about him. Additionally, Mr. Lee, Jiye and her friends, and the other minor characters definitely deserved more appearances than they had. I am DEFINITELY not a fan of the "prettier without glasses" trope that showed up here to say the least. Tbh, as cute as they are together near the end, Jiwon and Mr.Yu's first interactions were... uncomfortable to say the least. Lastly, and this is mostly my personal preferences rather than an issue I have with the story itself but I need to say it anyway: Can the fake pregnancy trope just FUCKING DIE already.

OVERALL THOUGHTS:

It's not the greatest love story by any means, and it's not for everyone, but I would definitely recommend for folks to atleast read up to Episode 47 to say the least. This is definitely one of very few romance stories that I actually enjoyed even with some of it's issues. I'm especially looking forward to the side stories which I might review as well! FINAL RATING - 9.5/10.

[setaflow]

People in the comments of the Assassin's Creed: Shadows trailer becoming armchair historians trying to explain why Yasuke shouldn't be a protagonist actually are hilarious. Like besties this is a franchise where people can control eagles with their minds and a good 5% of the population are descended from evil psychic aliens. I THINK we can expand on a story of Japan's only-recorded African koshō without it jumping the shark.

[rad-roche]

scornfully rolling my eyes and declaring myself above 'they did the thing in movie adaptation' until they do it to the cartoon hedgehog and i'm sobbing and wailing in the theatre and yelling yeehaw and clicking my boots and scromiting and throwing other people's children over my shoulder and i'm barred for life

[beansprean]

I forgot to put these on tumblr lol! These romcom posters were made as an 'anonymous' gift for returnofthelu for the 2023 Halloween Exchangeapalooza! Check out all the entries on AO3 here!

These are also avail as posters, prints and stickers on my RedBubble!

Support me on Patreon or send a tip on Kofi!

(ID in alt and under cut)

1. Movie poster based on Practical Magic, with the title in the top center and the names Guillermo de la Cruz and Nandor the Relentless along the top. Nandor is close up in the center, face worried and thrown into harsh shadows by candlelight. Guillermo is just behind him, staring determinedly at the viewer with a stake raised. Nandor's left hand is held out behind him, the back of it pressed to Guillermo's chest as if to hold him back. In the foreground in front of them is a cluster of lit candles and the silhouettes of dozens of bats flying past. A tagline reads 'for a vampire with a lifetime of heartbreak, falling out of love is the trickiest spell of all.' Text at the bottom says 'a beansprean production.'

2. Movie poster based on While You Were Sleeping, with the names Guillermo de la Cruz and Nandor the Relentless along the top. Close up of Nandor in his super slumber robes, eyes half open, drooling and looking barely awake, head surrounded by question marks. Guillermo, a vampire, is beaming and hugging him around the neck from behind, a smear of blood on his cheek. The title 'While You Were In Super Slumber' lays across them in white with the tagline 'a story about love at second sight.' Text at the bottom says 'a beansprean production.'

3. Movie poster based on The Wedding Planner, with the names Guillermo de la Cruz and Nandor the Relentless along the top with the tagline 'a romantic horror comedy about love, wishes, and other events you just can't plan for.' Waist up of Guillermo and Nandor on a background of white roses dripping with blood, pooling and staining at the bottom. Guillermo is leaning heavily against the bottom of the poster with both elbows, one hand holding up his face as he stares blankly into the middle distance, tired beyond belief with dark circles beneath his eyes. Nandor is leaning into him from behind, one arm propped on his shoulders and holding a pen while he gestures vaguely. The other hand is holding up a notebook. Nandor, also with dark circles beneath his eyes but with a more manic expression, is looking upward and appears in the middle of reciting some new list of demands. The title 'The Wedding Planner' is scrawled over the top of them in fancy font. Text at the bottom says 'a beansprean production.'

4. Movie poster based on Pretty Woman, with the names Guillermo de la Cruz and Laszlo Cravensworth along the top. The title 'Pretty Vampire' is printed vertically on the right side with the tagline 'he flew into their lives, off the balcony, and needed medical attention.' In the center, Laszlo floats midair, facing left with one hand in his pocket. He is wearing a black suit with a patterned purple waistcoat and embroidered loafers. He is wrenched backward with a shocked and angry expression, bent almost in half, as Guillermo grabs onto his tie from behind. Guillermo, wearing a pink and red patterned sweater, black chinos, and black boots, is flailing midair, held up only by his death grip on Laszlo's tie as he pumps his legs back and forth in an effort to regain flight. His eyes are wide and panicked, teeth clenched together, and there are shadows of bat wings at his back. Text at the bottom says 'a beansprean production.'

5. Movie poster based on The Vow, with the names Guillermo de la Cruz and Nandor the Relentless along the top. Nandor and Guillermo are facing each other in profile, intimately close and with their foreheads pressed together, smiling gently and staring into each other's eyes. Nandor has his hands on Guillermo's hips and Guillermo has one hand on Nandor's waist and the other tucked around the back of his neck. Several top buttons of Guillermo's shirt is open, and there is blood staining the collar and dripping sluggishly from two holes on his throat. Blood is also smeared around Nandor's mouth and chin. The title 'The Vow' is overlaid with the tagline 'his word is their bond'. Text at the bottom says 'a beansprean production.'

6. Movie poster based on The Breakup, with the names Guillermo de la Cruz and Nandor the Relentless along the top. Nandor and vampire Guillermo are both sitting up on either side of a massive king-sized coffin with a double lid. A line of duct tape runs down the adjacent wall and divides the coffin down the middle. On the left, Guillermo, hair a mess and wearing a blue striped pajama set, sits with his knees to his chest, hugging his balled-up corner of their shared comforter to his chest and glaring off to the side, away from Nandor. On the right, Nandor, wearing a loose cream blouse, sits pouting with his arms crossed, glaring over at the side of Guillermo's head. The title over their heads says 'the break-up' with the tagline '…pick a side.' Text at the bottom says 'a beansprean production. coming on a sheet near you November 2023.'

7. Movie poster based on Failure to Launch, with the names Guillermo de la Cruz and Laszlo Cravensworth along the top. Full body of Laszlo and Guillermo as Laszlo, wearing a burgundy and pink suit, cheerfully pushes Guillermo across the screen from behind, grinning at the viewer. Guillermo, wearing a teal and brown patterned cardigan, beige chinos, and boots, is leaning back into Laszlo, body fully straight and rigid, digging his heels in as they scrape along the ground. He looks anxious and terrified, hands up in front of him as if to protect him from whatever he's headed toward. The title above their heads reads 'failure to launch' with the tagline 'to leave the nest, some fledglings just need a little push.' Falling down from the title is a little black and orange bat, a dotted line following it down as it fails to fly upward. Text at the bottom says 'a beansprean production.'

8. Movie poster based on 10 Things I Hate About You, with the title '10 Things I Ate Instead of You' large in the right center of frame with the names Nandor the Relentless and Guillermo de la Cruz above and below it, respectively. A tagline along the top reads 'how do I resent thee? let me count the ways'. In the center is Nandor from knees up, curled in an armchair with his knees tucked to one side, his left arm resting on the chair arm and his right elbow braced on the other to play idly with his hair. His expression is a practice in aloofness, looking off to the side. Behind him stands Guillermo, left arm leaning against the back of the chair and right elbow braced to lean his head against his hand. He stares longingly at the side of Nandor's head, face flushed and lips pressed together nervously. Text at the bottom says 'a beansprean production.'

9. Movie poster based on You've Got Mail, with Guillermo and Nandor. Their names are listed at the top. They are walking casually toward the viewer on far sides of the image, looking off to the side away from each other with dreamy smiles, ignorant of the other's presence. Nandor is wearing a brown and gold belted tunic and boots, twiddling his fingers together. Guillermo is wearing black boots, gray chinos and vest, and his trenchcoat, a stake loose in his hand as it swings at his side. The background is blurry green and white, shadows stretching out in front of them. Between them, a tagline reads 'Someone you pass on the street may already be the love of your afterlife.' and then the title 'You've Got Mail' beneath. 'Text at the bottom says 'a beansprean production.' /end ID

[reyreadersblog]

i'm actually pissed off.

I am sure everyone in grishaverse fandom has seen this negative review of six of crows. If you don't know who i am talking about..

This, i'm talking about this specific review.

(Go watch it if you haven't but know that it the dumbest review ever)

(I couldn't take a better screenshot, *cough* she didn't deserve it *cough*)

At first when she started critisizing the book, i though "woah.." because it's one of my favourite books, but since everyone has different opinions, i decided to watch the video, in order to understand what she disliked about this book.

I don't know why, but i expected logical a explanation from her, mabye because she is a grown ass woman...

and what came out of this woman's mouth actually shocked me💀

First of all "it's a fucking heist for god's sake" and mabye she has sight problems? Because it litearlly says "six dangerous outcasts. One impossible heist" on the freaking cover so wtf did she expect?

"Do i look like that's something i would enjoy?" (Keep in mind she read the full summary) let me answer your question with a question, are you dumb? It's a ya book about group of teenagers with a heartbreaking past who go on this dangerous heist, if it is something you know you will not enjoy, then why tf did you read it in the first place?

Oh and uhm..this is her bio

She also said "half of the book was written in different laguage" saying that at your grown age is insane...

A. I understand that it is a little difficult to get into it, especially if you haven't read shadow and bone, and i haven't read it so it was a bit hard to understand certian magic elements in the book, but nothing that a human's brain can't comperhend...

B. Saying those kind of things about a YA book is crazy. I've seen her videos before and she is definitley one of those "i can't read a book if there is no smut" kind of reader, (litearlly her bio) so when you are reading a ya book and you decide to critisize it just because there was no smut in it is EMBARASSING, the book is about literal teens with trauma and you expect them to have sex??? DISGUSTING.

C. Soc has one the best romance subplot(s), oh wait let me spell it: S-U-B-P-L-O-T.

Definition:

And again, if you know you're a an adult romance girlie (with a lot of smut) , why are you reading a ya fantasy book with a HINT of romance in it and then start shitting about it??

Atp it's not even a "negative review" it's an insufferable blabbering.

Six of crows is an amazing duology and mabye next time she shouldn't read a book she know she won't like!?!

Like...go read Credence or any book by Penelope Douglas tbh

And leave ya books alone from this fucking smut for god's sake.

[anyosu]

okay it's been around hm 10 hours since s3 dropped and here is my full review of the season

this season feels like a fucking hallucination i was fED SO WELL

[e-vay]

My In-Depth Review of Sonic X Shadow Generations (Spoilers!)

I completed Sonic X Shadow Generations so I'm ready to talk about it! Remember, these are just my personal opinions about the game, so don't take this review as me saying that my opinion is "right." I'd hate to accidentally spoil the game for you, so all my thoughts are below the cut:

Did you mean to click "Keep Reading"? I warned you, there's gonna be spoilers here! One last chance to back out...

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Okay here we go!

THE SHADOW PORTION

Let's start with what we've all been hyped about: the Shadow portion of Sonic X Shadow Generations. If you single out the Shadow story of this game, I think it is an absolute masterpiece! Everyone who worked on it gave it their all, and it clearly shows. I'd give it a 9.75/10.

THE GRAPHICS

The visuals of this game are STUNNING. These new models for Maria and Gerald Robotnik are perfection! I am so glad they went with the more 'cartoon' style for the human models, similar to what we saw in Sonic Unleashed. They feel like they belong in this world among these peculiar looking anthropomorphic animals, but they aren't so odd looking that they feel goofy. They found a perfect balance and I couldn't be happier with them. Speaking of character models, to see all the bosses throughout the years in this new high definition was a sight to behold! Though I do feel nostalgia for the lower-poly version of the Biolizard, it was great to see it as the creators originally envisioned. It went from this loveable (and admittedly silly-looking) salamander to a truly intimidating and disturbing looking beast. The animation is superb. The characters move so fluidly and the poses are dynamic and striking! The frame rate makes everything look and feel fast and smooth which is exactly what you'd hope for in a Sonic game. I also appreciated the variety of poses/animations even just for the different stage ranks. I found myself purposely replaying stages to get different ranks just so I could see the different animations Shadow had regarding his "performance" evaluation. That really adds to the replay value! I am a graphic designer for a living, so of course I have to gush about the design, too! The graphic elements that appear before, during, and after each stage are straight up BADASS! I love the 2D animated flame that appears along the stage name and the color scheme and sharp lines are so appropriate to Shadow, and are a very strong contrast to Sonic's graphic elements that are colorful and round in shape. These are small details that most people might not outright notice, but it really enhances the overall aesthetic of the game.

THE STORY

LOOOOORE! Sweet nectar of the gods, we were given so much more lore with this game! Even though the Shadow portion of this game was fairly short, they jam-packed a ton of information and I am forever thankful for it! If you didn't do so while playing, I highly recommend playing again and talking to the NPCs regularly for little nuggets of lore. I was initially worried that this was going to be a rehash of the same 'origin' story we've heard a dozen times already, but that was not the case! Instead of focusing entirely on the tragedy that happened on the ARK, we got to learn what life was like on the ARK while times were still good! Learning that Shadow didn't used to be confident at all, to the point where Maria basically doesn't recognize this confident version of him that we've all known him as. And that Shadow never did his homework??? HA! I loved the confirmation that yes, Maria WAS INDEED the person who gave Shadow his name, and the meaning behind it was EVERYTHING TO ME! (Also works so well for my my AU. IYKYK hehehe) Plus all the Robotnik family history?! MARIA HAD A LITTLE SISTER?!?! She'd be old now, if she's even alive, but will we ever meet her? Will Shadow ever meet her (and would he even want to, or does he feel like that chapter of his life is closed now)? What was she like, and how did Maria's death impact her and her parents??? I hope we'll find out some day! Plus getting to learn a little bit more about Gerald's sons was exciting too. Will more Robotnik family members make appearances down the line? What do they think of Eggman's misdeeds? I'm so curious for more! It was heartbreaking in the best way for Shadow to get to interact with Maria and Gerald again, especially knowing he can't do anything to change what will inevitably happen to them. His sense of desperation paired with the growing affects that Doom's powers were having on him really had me worried about what was going to happen to Shadow's state of mind and overall well-being. It was amazing to see the toll it was taking on his body and his mind. In particular, I'm thinking of the scene where Shadow goes to fight Sonic and you see him having to actually restrain himself and go easy on Sonic. I thought it a great scene to demonstrate how easy it would have been for Shadow to just give in to the rage and take Sonic out without hesitation, but his willpower was able to win in the end. I have heard some people saying they're disappointed that Shadow lost his Doom abilities by the end of the story, but I think it made complete sense for the story. Black Doom is insistent that Shadow isn't 'complete' yet and he has to be more like him in order to be 'perfect.' But that isn't true! Shadow is already the ultimate life form, especially because there's more to him than his Black Doom DNA. By rejecting Doom's influence in the end, that was Shadow's true evolution. He's perfect as he is. Obviously I could gush forever and ever about all the Shadow and Maria scenes, but words aren't going to do it justice. It was just so moving to see how different he is when he's with her. In fact, at the end of this game I believe this is the first instance we ever see a true, genuine, heartwarming smile from Shadow and it DEVASTATED ME! We are used to his smirks, but when he's trying to reassure Maria that everything's going to be okay, we get to see him truly smile and we aren't seeing Shadow the Ultimate Lifeform or Shadow the Destroyer/Weapon, we are seeing Shadow the Brother and it felt like the warm embrace of a security blanket. God bless the writing in this game.

THE ACTING

The acting in this game is incredible from a visual and auditory performance. The animators really pushed the acting of the character models and you can feel Shadow's transformations throughout the game and the toll it's taking on his body. The emotions are cranked up to the max and they didn't pull any punches. In the past, Shadow was often limited in his portrayal of emotions, but that wasn't the case in this game at all. We saw anger, we saw resentment, we saw panic and sadness, and affection. There was so much thought put into the shaking of his hands, the gritting of his teeth, the shrinking and dilating of his pupils, all to show what's going on in his head without even resorting to words. SO MUCH ATTENTION was put into how these characters moved and interacted with each other and it truly tugged at my heart strings. There were too many wonderful moments for me to break down, so I will just single out one for now and applaud the creative direction and the animators for these scenes as a whole. There's this moment right near the end of the story, when Shadow is trying to stop Gerald and Maria from disappearing for good. His gestures are wild and panicked, his pupils and irises are small due to fear, but then Maria simply frames his face and rests her forehead against his. It's subtle, but Shadow's eyes widen and then return to their regular size and everything from his stance to how his shoulders fall show what a calming presence Maria has and how she helped (and will continue to help) him find his inner piece. Those performances are going to stick with me forever! Mike Pollock as Gerald Robotnik was truly *chef's kiss* MP is such a fantastic actor with great range. Though his voice is easily recognizable, the manner in which he speaks as Gerald is so different compared to Eggman, that you couldn't mistake the two characters even just by listening. We have been so used to only hearing from the angry, driven-insane-by-grief Gerald that it was so refreshing to get to see and hear the calm, brilliant, caring genius that created The Ultimate Life Form. P.S. I'm going to be crying over hearing Gerald call Shadow "son" for the rest of my life, thank you very much. I don't care about the future crimes he commits, we got to witness Shadow's father in this game and I'm weeping. Kirk Thornton is not my favorite Shadow. That being said, he really gave it his all and I was pleasantly surprised by what he accomplished. One of the performances that surprised me the most was Mephiles! This is a credit to the writers as well as the voice actor. The sense of wild desperation in his voice as he fights to even 'exist' in this timeline was so visceral and terrifying. Sure the other villains had their "I'm the best, this world belongs to me" lines, but Mephiles' voice lines were on a completely different level to me. What a treat! Lastly, if you can, please replay the game in Japanese! Kōji Yusa's performance is STUNNING. Ooh I'm getting shivers just recalling his voice lines while you're playing through the stages. I don't mean to discredit the English voice actors, but I think this game is even better when listening in Japanese. Give it a try yourself!

THE MUSIC

This is a Sonic game we're talking about, of course the music is going to be fantastic! The score did not disappoint one bit. It was great to hear all the callbacks to songs in the past as well as new tracks that were catchy and enjoyable even after playing the stages several times. "All Hail Shadow" has always been one of my favorites, but the new instrumental version used for majority of this game was so haunting and eerie. It was a delight to my ears as well as my emotions.

THE BOSSES

I loved the chosen bosses for Shadow's story. It was great fun to revisit some of the more iconic baddies throughout Shadow's history, and even though some of the gameplay was the same, the battle would then shift and offer the player something new. However, it's actually the boss fights where I dock the game a few fractions of a point. The boss battles were far too easy to defeat, and I actually found them easier and easier as the game progressed. I beat Mephiles and Devil Doom so quickly that I didn't realize their fights were over already. One could argue this was intentional by design. After all, throughout the story Shadow is evolving more and more into the 'perfect' killing machine. It would make sense that the more Doom Abilities he acquires, the weaker these bosses would seem. Still, as a life-long gamer, I appreciate when I have to actually work to achieve the ending of a game. I would have liked more of a challenge.

OVERALL GAMEPLAY

Whether you're roaming about White Space or you're actually playing through stages, the Shadow portion of this game is an absolute blast. Even having played the Shadow the Hedgehog game (which I'm a fan of, btw), I feel like this game really gave you a better feeling of what it's like to be Shadow. I LOVED that I got to use Chaos Control way more than ever before in previous games. If you had the ability to stop time, wouldn't you take advantage of it every chance you could??? The opportunity to use Chaos (and Doom) Spear as frequently as you wanted and Chaos Control almost constantly really shows how formidable of a character Shadow is and just how different it is to play as him compared to playing as Sonic. I loved the 'free-roam' aspect of White Space compared to the 2D version in Sonic's story. Hunting for rocket parts or figuring out how to unlock collectibles was a lot of fun and let the player really explore these new Doom abilities to the fullest. I'll admit that I struggled with navigating some of the Doom abilities, but even so I still had a ton of fun. I already mentioned replay value, but before you even have to go about replaying the game, there is SO MUCH to this portion of the game! The amount of stages, challenges, collectibles within stages, FINDING the unlockables USING the collectibles you obtained from stages, even the mini challenges available AFTER you've completed the key challenges (I'm talking about the bell that's located above the challenge portal), all of it made for a ton of opportunities for play. I found myself wanting to take on every quest instead of begrudgingly going through it just because I'm a completionist.

My biggest gripe is that the game was too short. Am I greedy for wanting more? Probably, but I can't help it. The developers gave us a ton of content in the Shadow story, but I still would have loved to have a full length game of just this gameplay. I managed to complete the Shadow portion in a few hours, and that was even with me leisurely taking my time to get collectibles and get S ranks for stages before progressing through the story. I miss the days where games took much longer to complete. But hey, I'm a nostalgia-prone 33 year old, so I guess that's to be expected of me haha.

THE SONIC PORTION

Here is where Sonic X Shadow Generations loses more points for me, which is a shame because I think it's a great game overall. Admittedly, I was disappointed when I first learned that the Sonic portion of the game was just a remaster of Generations. I had really hoped we were going to receive something new to help elevate SXS Gens as an entirely new game, instead of just "Sonic Gens + Shadow DLC".

Don't get me wrong, the stages in Sonic Generations are fun to play. However, when you go from playing Shadow's story to Sonic's story, Sonic's side drastically pales in comparison in my opinion.

My other complaint is that for a remaster, they really didn't improve Sonic's portion of the game significantly (at least from what I can recall, as I haven't played the original Sonic Generations since it first came out in 2011). This was a missed opportunity to correct more of the drawbacks of the original game. However, I will admit there are some minor changes that were made that I was thankful for. Let's start with the positive before I point out some of the negatives.

THE STORY

As mentioned earlier, I acknowledge that Sonic Generations is just a remaster so it makes sense that the story didn't change much. That being said, there were some small changes that I did really appreciate and helped improve the story. One of the things that always bothered me about the original Sonic Generations was how indifferent/annoyed Sonic was regarding his friends. I mean, the story is about time being erased! His friends and home are literally getting removed from the fabric of time and Sonic seemed more inconvenienced than concerned. In more recent games, the writing has really focused on the value Sonic finds in his friendships and found family. He always has his signature cool, aloof attitude, but I think the writers in recent years have successfully showed just how much he cares about his group, whether the games were serious (Sonic Frontiers) or silly (The Murder of Sonic the Hedgehog). The story wasn't drastically changed for Sonic X Shadow Generations, but some altered dialogue and blink-and-you-miss-it edits helped to cut that jackass attitude from the original and gave him more realistic reactions. Especially by having him respond when he rescues everybody this time! It never seemed right when Tails was first rescued and he's trauma dumping on Sonic about how awful the experience was and Sonic just sits there in silence haha. At least in the new version, Sonic reassures Tails that he's safe now. Also, huge kudos to whoever decided to alter that scene where Sonic is shoving Amy away by the face. I always hated that. Ship or not, you don't treat your friends like that when they're throwing you a bday party!

This is me getting nitpicky, but there were a few things I had really hoped they were going to improve, but remained untouched:

THE GRAPHICS

I was never happy with the visuals of this game outside of the stages (the visuals within the stages are great!). The colors are extremely oversaturated and the characters are way too intense and some are even off model (ex: Amy is so blindingly vivid magenta in this game instead of her signature blush pink. What the heck?!). What's worse, the cutscenes during the birthday party scenes are SO GREEN. The light bounces off the neon green landscape and reflects onto the already oversaturated characters, giving them an unappealing green glow. I get that the Sonic world is not realistic, but it felt like the scenery in these cutscenes made it look like we were watching a bunch of toys interacting on a playset instead of characters living in their world. Sure the visuals during the levels are great, but it's a real disappointment when I'm specifically not looking forward to the cutscenes in a game. I wish they would have tweaked that.

THE ANIMATION/GAMEPLAY

I have zero complaints when it comes to Act 1 (the "Classic" version) of the different stages. These look great, play great, and if you've played classic Sonic games then you can appreciate how identical the map of the level is compared to the originals. The issue for me lies in Act 2, aka Modern Sonic's gameplay. For the most part these levels are good, but there were a couple of small things that always bothered me that I was sincerely hoping they'd fix (and they did not). There are portions of Modern Sonic's gameplay that is SO. SLOW. I'm referring to when you are jumping from one Grind Rail to another, or when you are sliding under an obstacle. These animations are so bizarrely slow and make absolutely no sense when your character is running blindingly fast. I don't understand why they didn't use this opportunity to fix those animations. When you're playing the Shadow side of the story, his animations are constantly fast moving and appropriately paced. Why wouldn't they apply these physics to the Sonic side?

As a whole, the Sonic portion of Sonic X Shadow Generations is still a fun game, but I think it could have used a little more attention to help it feel more balanced compared to the Shadow portion.

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This game also has some notably fun DLC and the promise of more DLC in the future! I have my Sonic side of the story set to the Sonic Adventure Legacy skin and Sonic Jam Legacy skin and they are so CUTE! They win all the nostalgia points! I'll be honest with you, I have never been a fan of Terios' design hahaha. BUT! I love that they made a Terios skin for this game so players have the chance to play as him if you choose and we get to see how he was intended outside of the initial sketches we've all seen. (Still, y'all can keep your Terios skin. I won't touch it LOL!). And I am OVER THE MOON ECSTATIC for the upcoming Movie Shadow addition to the game! I still can't believe they got Keanu Reeves to voice lines for it! I'm sure it will be a small thing, but I am on the edge of my seat to see what that will be like.

-

Overall, I'm super happy with the game as a whole and I enjoyed every minute I played of it!

If you read all of this, thank you for reading! Again, my opinion isn't fact and if you disagree with what I had to say, that's totally fair. And if you haven't played the game yourself, please go play it and see what you think for yourself!

[dangermousie]

2023 End of Year Post - kdrama edition

Yes, we have a some of December left, and I want to check out Death's Game but whatever. I got time for this now and not sure if I will have later so here goes.

This is only going to cover kdramas that aired in 2023; if I watched it but it was made in a different year, it’s not on the list. This was an excellent kdrama year, the likes of which we hadn't had in a long time.

DRAMAS WATCHED

In order of liking from least to most as opposed to pure quality so pls don't come for me, fans of some popular dramas that are on my nope list. Also, I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list.

33. The Escape of the Seven - this is so aggressively stupid and mean that it feels like the makers are playing a practical joke seeing how much their audience will take. This has a season 2 coming, so the answer is a lot.

32. Behind Your Touch - the FL gets superpowers by touching people's and animals' butts. Yes, you read this right. Do I really need to add anything?

31. King the Land - yes, it was a hit. Yes, it stars popular actors. I HATED IT LIKE IT TOUCHED MY BUTT TO GET SUPERPOWERS!!! Plastic people in paint by the numbers story, with about as much genuineness or retability as a barbie aisle in walmart. I never expect much from Yoona so whatever, but to have LJH go from The Red Sleeve to this boggles the mind.

30. Mrs Durian - this is so dumb that I think I lost a few IQ points watching this, but its insanity becomes entertaining - I mean what kdrama can you name where a daughter in law declares her love and lust for her mother in law at a family dinner?

29. The Matchmakers - there is nothing offensive about this drama at all. But there is nothing in the least interesting either. If elevator music took drama shape, it would be this show.

28. Destined with You - sorry, Rowoon, I am still fond of you, but you are two for two in drama duds department this year. This is a drama where I loved ep 1, liked ep 2, was indifferent to 3 and...you get the point. Each ep was worse than the one before, and I bailed before I was dragged into a cosmic singularity.

27. Oasis - great first two episodes. Unfortunately it was not a two ep show. The performances are solid but the story is just not there - the effect is like a fancy chef making an amazing sauce to put on pig slop.

26. Boyhood - it's not you, it's me in action. I can see why people would like it but a 34-year old playing a high schooler in a Weak Hero Class 1 Slapstick Edition is no go for me.

25. Castaway Diva - it's so precious and kooky in the most annoying ways, with the most well-adjusted abused castaway in history. I like magic realism when done by Jorge Amado, but this ain't Amado.

24. Island - it had a good concept, good cast and fun visuals but the execution deserved one of ML's swords through the neck.

23. The Worst of Evil - if I wanted an American show, I'd watch one. Very solid performances though.

22. Song of the Bandits - period edition of what I said about The Worst of Evil.

21. Welcome to Samdalri - and goodbye to any hope of emotional involvement.

20. Joseon Attorney - I have yet to like a single sageuk centered around a profession and this was not an exception. I guess it could be worse but it also could have been so much better.

19. Twinkling Watermelon - everyone loved this drama. Everyone except for me. It's the kind of precious that sets my teeth on edge and I couldn't stand half the main characters we were supposed to root for. I guess I like my fruits to shine steadily.

18. Our Blooming Youth - probably the biggest disappointment on this list. This is not a bad drama by any means, but with that cast and that story (I loved the novel), I was hoping for a memorable sageuk not merely all right.

17. Vigilante - it has the emotional complexity and nuance of a punch to the throat but it gives us quasi-gay openly-murderous dudes going after psychos and Yoo Ji Tae holding feral Nam Joo Hyuk by his hoodie at his feet.

16. The Forbidden Marriage - expected nothing but it was a surprisingly enjoyable trifle of a costume drama that was also quite pretty.

15. Arthdal Chronicles: Sword of Aramun - a hot mess but such an entertaining epic one. And it gave us TWO Lee Jun Kis in period gear and who am I to cavil at the bounty of God?

14. The Story of Park's Marriage - it's a trifle, a souffle, so light it might blow away, but it keeps my attention and is so fun and sweet.

13. My Lovely Liar - a huge surprise, that manages to mix a murder mystery and a romcom, and shocked me by showing Hwang Minhyun can act.

12. Tale of the Nine Tailed 1938 - the original ToNT was my fave drama of its year and I did not think it needed a sequel. But this is not a sequel but more of a side-quel and is such a total delight with brotherly love, adventures, romance and hijinks. It's a joy.

11. Perfect Marriage Revenge - it's actually very hard to do a soap right but this slim 12 ep drama managed. So fun, so crazy, such a good ship!

10. My Lovely Boxer - not really about sports, but about two broken people finding salvation because of and in each other. Also, if you like age gap romances, this is delicious. Sort of loses steam by the end but c’est la vie.

9. The Secret Romantic Guesthouse - this was a sageuk that was not on my radar with a bunch of actors I was not familiar with but it took my heart away. A good plot that was perfectly paced, characters and ships I adored, a logical ending. This is one of the biggest positive surprises of the year for me.

8. Tell Me That You Love Me - a slice of life remake (sort of, it's more "inspired by") of my favorite jdrama of all time. It's not as good as the jdrama because nothing could be, but it's an aching lovely story with some incredible performances.

7. See You In My 19th Life - funny and romantic and haunting and hopeful and odd. This was one of my favorites of the year.

6. Alchemy of Souls: Light and Shadow - it's rare for me to like a (1) sequel (2) with FL actress change (3) that is a Hong Sisters drama. But this was such a gorgeous, surprisingly achy story of love and loss and love regained with some cool monster fighting in the middle. Between the two seasons, this is the first Hong Sisters' drama I enjoyed from beginning to end in well over a decade.

5. My Demon - so tropey (chaebols, supernaturals) but it proves that these tropes are popular for a reason. The chemistry is fire, the story is unpredictable and the whole thing is an addictive delight. A rare drama where I like each new ep more than the last one.

4. Goryeo Khitan War - an old school sageuk in every meaning of the term (no romance, no eye candy, lots of bearded men, battles and politics), this feels like watching an epic movie more than a drama. The vast cast all earns their place and the performances (mainly from character actors given a chance to shine) are incredible.

3. Call It Love - two very very damaged people finding love and healing with each other. This is a narrative very hard to do to my satisfaction but when it's done well, as here, there are few things that can hold a candle to it.

2. My Dearest - a masterpiece of cinematography, narrative, performances. This is an old-school epic romance in the best sense of the term. If it doesn't make you swoon or break your heart, there is something wrong with you. A story of two untraditional, strong-willed, flawed people who fall in love in the middle of the horrifying Qing invasion of Korea and have to deal with all that the world throws at them, this is a bona fide masterpiece.

1 - Moon in the Day - who knew my favorite kdrama of the year will star a store brand Domyoji from Extraordinary You and an actress I was never familiar with. But this part period/part modern fantasy tale of doomed cursed lovers is everything I knew I wanted and everything I didn't know I wanted but did. Two lovers where their love did not save them and in modern day it might not again, has got me obsessed the way I haven't been in years.

FAVORITE DRAMA

Moon in the Day - if there is such a thing as a drama made perfectly for me, this gorgeous, emotionally haunting, utterly romantic, twisty tale is it.

WORST DRAMA

The Escape of the Seven. This drama is proof that demons exist and not sexy ones like Song Kang but horrible nasty ones who delight in the torment this hot mess inflicted on its viewers.

FAVORITE MALE CHARACTER

Do Ha, Moon in the Day - a Silla general and a consummate killer who committed atrocities on the orders of his monster father and yearned to die for them, who found the meaning in life in loving his enemy but it did not make him better, a man so obsessed he literally was around for 1500 years of horrifying ghostly existence and still went "worth it" for a woman who killed him as long as he knew she loved him while she did it. He's intense and competent and beyond fucked up and has never had a normal day and I love him so so so very much from a safe distance.

FAVORITE FEMALE CHARACTER

Gil Chae, My Dearest - she starts out as vain and spoiled but the horrors that break so many others bring out all her fierce survivor potential and she becomes such a force of nature - capable of incredible love but also sacrifice and strength and compassion.

Runner Up: Shin Hye Sun's reincarnator in See You In My 19th Life - quirky, damaged, strong, so odd and so vulnerable at once.

NEEDS TO BE MURDERED

There are a lot of characters who fit that category (King Injo in My Dearest? My God) but the crown belongs to So Ri Bu from Moon in the Day. You think you've seen abusive parents but until you've seen a man abuse his son his whole life and then continue for 1500 years after his death, you ain't seen nothing!

FAVORITE SHIP

The doomed by the narrative OTP of Moon in The Day. Only thing that's better than enemies to lovers is enemies while lovers and their impossible relationship where her killing him is a supreme act of love and his refusing to let go is so strong that he stays around for 1500 years watching her, helpless as she dies over and over again, is everything you ever want.

Runner up: Jang Hyun/Gil Chae, My Dearest. They are so strong and so damaged and it takes them so long to figure out what they feel and what the other person feels but their love and sacrifice and complexities are perfect.

FAVORITE SECONDARY OTP

Kim Shi Yeol/Hong Joo, The Secret Romantic Guesthouse - an assassin bodyguard pretending to be a carefree scholar and a widow of the man he killed to protect his king (and whose life was destroyed as a result.) I enjoyed the main OTP of this drama but I was utterly and completely unhinged for the secondary couple.

I'd have probably picked Rang and his mermaid from TotNT 1938 even over them, but they really were the main OTP of that drama.

NOTP

King the Land couple seems like an easy target but honestly, they are both so terribly bland and antiseptic and marketing by committee, they kinda deserve each other. So I am gonna go with Destined with You, one half of which thinks supernaturally roofying someone into loving them is cute and the other half thinks dating one woman while wooing another is totally a-ok. Ugh.

FAVORITE SCENE

There is no competition for the scene in the slave market in My Dearest, where Jang Hyun finds Gil Chae - the way he screams and tries to clutch the hem of her skirt will live in my head forever.

And the scene where he 'wins' that horrifying bet, or the scene where she finds him in a pile of bodies - they are as good also. Or when he fights off a squad to protect her even though he's sick. That whole drama is perfect.

Runner up: the scene of Do Ha executing Ri Ta's family, covered in blood, as she looks at him from the crowd in Moon in the Day.

Or the scene where he talks about how he cannot live as a person but at least maybe she will kill him and he will die as one. Or when her confession in the past intercuts with his walking in the present, or when he comes home in his bloodied armor and she finds he has a fever and it's the first tender touch he's probably ever known. Her murdering So Ri Bu saying she knows she's going against filial piety in loving her parents' murderer, the way they hug, both bloody, as he says "let's live." The way she says she can't go on as she's hit rock bottom and he replies she cannot quit because she must accompany him to his rock bottom now. Honestly, the drama is a font of amazingness.

Also, the opening scene of Goryeo Khitan War or the scene of Yang Gyu ordering to shoot the captives and having to do so himself.

The OTP meeting again at the intersection at the end of ep 1 of Tell Me That You Love Me. SHS comforting ABH as he's having a traumatic breakdown in 19th Life. The love-making scene in Call It Love. There were a lot of great scenes this year.

BIGGEST CRUSH

Lee Jang Hyun, My Dearest - is that even a competition? He's flawed - vain, often emotionally closed off, not great at processing emotions, lashing out when hurt. He is also incredibly heroic in a real, knows the cost but bears it, kind of way. Whatever he does, he commits utterly but it's never without understanding the cost. He felt both larger than life and utterly real. He went through hell and maintained his soul and the way he loved Gil Chae was breath-taking to behold.

Runner Up: Yang Gyu, Goryeo Khitan War - an experienced military commander who wins an impossible victory even as it ravages his soul. Competence is sexy as fuck.

BEST SCENE STEALER CHARACTER

Rang, Tale of the Nine Tailed 1938 - 1938 really was Rang's chance to shine and he took it. For a character I started out disliking in the original, he really stole my entire heart in this drama. I am so glad he got his happy ending with his brother and his girl.

Runner Up: Crown Prince, My Dearest. He started out as a sheltered, spoiled aristocrat, convinced the world owed him for existing. He grew up slowly and painfully into an amazing man. And then was murdered for it and I cried.

NEEDS A SEQUEL

Arthdal - it leaves the story at a good stopping point but it's very much a "world in flux, adventures and conflicts continue" ending and I would love to see more of these characters. I know we won't but it would have been nice.

NEEDS SCISSORS TAKEN TO IT

Behind Your Touch - should have been snipped at birth.

TOO MANY SCISSORS TAKEN TO IT

Vigilante - I don't mean it had scissors taken to it because it's not cdrama and there is no NRTA, but this drama would have benefitted from being longer. I mean, I love fights and gay polycules as much as the next tumblr person but a bit more character development would not have come amiss. (ahaha - I said come. Leave me alone.)

TROPE THAT NEEDS TO DIE

I don't care about cops/doctors/trash collectors/whoever - workplace drama centering on their "cases" needs to die. I hate procedurals from any country and Korea is no exception.

FAVORITE TROPE WE’VE SEEN A LOT OF

Supernatural critter devoted to their OTP with all the power of their long life.

BIGGEST DISAPPOINTMENT

Our Blooming Youth - it was far from terrible but it was a giant meh. I was so excited to see Park Hyung Sik in a sageuk (that wasn't the hot mess that was Hwarang) and I adored the source novel. It actually started well and then...it's like Revenge of the Beige!

BIGGEST GOOD SURPRISE

I want to say Moon in the Day but to be honest, I was excited by posters and trailers so it wasn't wholly a surprise despite not having much of an opinion on the actors before I saw them. So I am going to say My Demon. I was bored by the trailers, I can't remember the last time I enjoyed a Kim Yoo Jung drama and before this year I would have said Song Kang was an incredibly limited actor in everything I've seen him in and not appealing to me at all. And here I am rabidly rabiding for this drama!

If I am not limiting myself to dramas but can use this for actors - Hwang Minhyun in My Lovely Liar. I genuinely did not think the man could act and then he gave such a pitch-perfect, nuanced performance out of nowhere!

2023 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

I have actually watched all the kdramas that aired this year that I wanted to check out except for Evilive. I am saving this for when I have time.

BEST NON-2023 DRAMA I’VE WATCHED IN 2023

I don't know if I'd say it's the best but Say You Love Me (2004) with Kim Rae Won as a quasi monk seduced away from his true love by an evil older woman was a hell of a ride.

MOST ANTICIPATED

Love Song for Illusion (Lady assassin falls for her royal target who has two personalities), Captivating the King (lady spy falls for her royal target who is tormented) - notice a theme? Also Flower that Blooms at Night because Honey Lee in a sageuk, The Life of Mrs Ock (Lim Ji Yeon in a sageuk), The Love Story of Chun Hwa (an "erotic" sageuk, hmmmm, what?!), Hong Rang (Lee Jae Wook in a super angst sageuk), Queen Woo (that cast and set in Goguryeo!), Wong Kyung (about Lee Bang Won's wife and I love the cast.) Basically, if it's period, I am there with bells on.

[nyaskitten]

SHATTERSPIN GOT DELAYED AGAIN??? WHAT THE FUCK???

(Source)

[julijbee]

so i finished the dlc.

[zebracorn-chan]

If you're upset the FNaF Movie got low ratings by critics I would like to remind you what they think about "Cuties".

[thegayhimbo]

Stranger Things The First Shadow Review

Synopsis: Following a horrific incident from their previous life in Nevada, the Creel family relocates to Hawkins, Indiana in an attempt to make a fresh start and instill a sense of normalcy in their son, Henry Creel. However, Henry is anything but normal, and harbors a dark secret of his own that scares both himself and his family. When a series of gruesome animal killings takes place, attracting the attention of a group of teenage outcasts and a Doctor with his own agenda, Henry realizes his secret is about to be exposed, and is forced into a reckoning that will change the course of his life, and of Hawkins, forever.........

Observations:

FINALLY!!!!

I've been waiting for MONTHS to see The First Shadow. As far back as January, we got tickets and made plans to travel to London specifically for this. Last Thursday (June 20, 2024), we were able to view it on-stage.

Was it worth it? Short answer: YES.

This is going to be divided into several parts. The first bit will detail my experience at the play, and the remaining parts will contain SPOILER HEAVY analysis of the story, the characters, and plot revelations tied directly to the mythology of the show. There's a lot to speculate on where the Duffer Brothers will take the final season from here.

Part 1: My Experience

In terms of production value, this was top-notch. I loved the set designs, from Hawkins High School, to the classic 50s Diner the characters hang out at, to the gothic Creel House, to the cold white rooms of Hawkins Lab, to the hellish landscape of Upside Down, and so on. The 50s aesthetic works well, and there were multiple shots that conveyed the sense I was watching an episode from the show.

The special effects were spectacular. Huge shout-out to the way they choreographed the mutilation of both animals and humans. It actually looked like bones being snapped and limbs twisted around. There's even a disturbing scene where Hopper and Bob are digging up the carcass of a butchered cat, and the prop they used for it looked realistic (combined with dirt and blood for nauseating effect). The lighting also helped elevate the creepiness of it all.

The music was also great. They had a nice selection of 50s songs, but they also brought back familiar themes from the show. One of my favorite musical cues was the use of Philip Glass's "Window of Appearances" which is heard when Vecna's origins are revealed in "The Massacre at Hawkins Lab" (Season 4, Episode 7). They also use it in the climax of this play:

The actors brought their A-game, but the two performances that really stood out for me were Isabella Pappas as Joyce and Louis McCartney as Henry Creel. Pappas does a stellar job combining Joyce's world-weary "I'm sick of everyone's bullshit" attitude with the fierceness that makes Joyce stand out as a character. It reminded me a little of Natalia Dyer's performance as Nancy Wheeler, especially with the "take charge" attitude that both of them have.

As for McCartney, he was the show-stealer. I didn't go into this play expecting to feel any sympathy for Vecna, but the emotional depth McCartney brings to his performance elevates the character to a 3-dimensional complex tragic villain, which makes his eventual fall to evil all the more heartbreaking.

The audience I was with was fully immersed. Most of the jokes got a laugh, there were a few screams when jump-scares occurred, and there was a standing ovation at the end when the cast came out to give a bow. Even during intermission, everyone was chatting happily about the play, and I heard nothing but compliments.

My only regret is, due to a scheduling conflict that day, we ended up missing the first 5 minutes, and they wouldn't let us in the theater until the title cards came up. We did see parts of the beginning on a TV screen in the lobby (and one of the patrons was gracious enough to fill us in on what happened), but I wish I'd been in the theater for the beginning. My advice is GET THERE EARLY if you plan to see it. The theater fills quickly, and they may not let you in at certain points.

The only minor nitpick I have about the quality of the play is there were a few moments I had a hard time understanding what certain characters were saying. This was mostly in the scenes with Henry/One/Vecna when he was either screaming or alternating to his demonic voice. I was usually able to figure out what was going on, but I wish the dialogue had been clearer.

Overall, this was a fun experience, and I even brought back memorabilia from it:

Part 2: Characters/Story (MAJOR SPOILERS AHEAD!)

It's pretty much advertised in the synopsis, but the play takes place in 1959 when Joyce, Hopper, and Bob are in high school during the time the Creel family moves into Hawkins. The story is largely centered on Henry Creel's villain origins as he becomes more unhinged due to the power he possesses. This leads to a series of pet killings in Hawkins that catches the attention of Hopper, who ropes in both Joyce and Bob to investigate and find the culprit. All the while, Joyce is struggling to put on a play at Hawkins High School (i.e. The Dark of the Moon), which coincidentally happens to have Henry/One/Vecna as the main star! :)

These three arcs sound like they shouldn't connect at all, but to the Duffer Brothers credit, they manage to thread them in a way that's believable and engaging. Joyce's exasperated attempts to get The Dark of the Moon off the ground provide some light comedy to what is essentially a grim story, and it was a nice way for the audience to see all the adult characters from the show (i.e. Ted Wheeler, Karen Wheeler, Al Munson, Lonnie Byers, Sue Sinclair, Charles Sinclair, etc) as they were during their teen years.

The investigation of Hopper, Joyce, and Bob into the pet killings hearkens back to the old-fashioned dynamic the Party had in the first season when they were looking into Will's disappearance.

As for Henry/One/Vecna, his arc was well executed and horrifying on so many levels:

The way a young Henry Creel was portrayed in this play was oddly endearing. I mentioned earlier that McCartney brings a lot of emotional depth to the character, and by that, I mean he portrays teenage Henry as awkward, shy, creepy, funny, and even sympathetic at times. He's a kid who doesn't feel comfortable in his own skin, who has a hard time interacting with other people, and has powers that frighten him with the added side-effect of NOT knowing how to control them yet. Victor Creel mentioned to Nancy and Robin in S4 that Henry was a "sensitive child" and it turns out that was meant literally: Lights go on or off (or even explode) whenever Henry's mood fluctuates (making Henry constantly jumpy), he can unknowingly tune into the radio with his powers and mistakes it for voices in his head, he can read the thoughts/moods of other people, he can create illusions (similar to Kali/Eight), and whenever he tries experimenting with his powers, it ends in disaster. In short, he's someone who's terrified of his own shadow, and almost everything in his environment sets him off. At the same time though, there are some relatable qualities to him, such as his love for comics like Captain Midnight (which he eagerly shares with Patty), and there is an internal struggle he deals with for most of the play to genuinely be a good person in spite of the demons (both literal and figurative) that threaten to overwhelm him. He reminds me of Will Byers in some ways, and I am dead sure that parallel between these two characters was intentional on the Duffer Brothers part.

Contrary to what's implied on the show, it turns out Henry had his powers long before he moved to Hawkins. Previously, he lived in Rachel, Nevada until an incident between him and another boy resulted in said boy ending up in a wheelchair. It's ambiguous whether Henry deliberately attacked the boy or if it was an accident (it could have been either one), but it was enough to force his family to move. His parents (particularly his mother) are insistent on pretending everything is normal and that Henry will eventually get better, all the while putting more of an emotional strain on Henry as he tries (and fails) to conform.

We get a little more insight into Henry's parents, and it's not pretty: Victor Creel was already established on the show as a war veteran with severe trauma and PTSD over killing innocents during a raid, and the play depicts him the same way, with the added effect of being so wrapped up with his own issues that he fails to see his own son spiraling. The sad thing is there are scenes indicating he does love Henry (and also defends Henry's relationship with Patty, referring to it as "puppy love") but he isn't able to convey that in a way which makes Henry feel safe.

As for Virginia Creel, I don't know if this was intentional in the narration, but I found her unlikable. Putting aside the unsettling 50s Stepford Wife persona she projected, her treatment of Henry bordered on emotional abuse. She likely didn't intend that, but everything, from her attempts to keep Henry isolated from the one relationship that brings him any happiness, to constantly treating him like a time bomb waiting to go off, to pretending everything is okay when it isn't.........all of this causes whatever mother/son relationship she has with Henry to deteriorate. There's even one nasty scene where she smacks him, though she quickly regrets it when Henry lashes out in anger and forces his mom to witness a vision of herself being covered in spiders when she was locked in the closet by her abusive parents as a child. In some ways, it reminded me a little of the Norma/Norman Bates relationship from the Psycho series (minus the incest subtext) in how unhealthy it is. It was deeply uncomfortable seeing her attempt to force Henry to be something he wasn't just so she could maintain the image that she and her family were perfect. And when she realized she couldn't do that, she finally tried to wash her hands of Henry the moment Dr. Brenner showed up and offered to take Henry into his care ("Lock him up and throw away the key" to paraphrase one of her comments). I get that this is set in the 50s where there's plenty of values dissonance with how parents raised their kids at that time, and there is some context behind why she was scared of her son and his behavior (because there were times Henry wasn't acting okay), but she still handled this situation poorly and contributed to Henry internalizing his trauma and insecurities until they exploded out of him in the worst possible way. It was bad enough that Henry was dealing with something he didn't understand, but she needlessly added on to those problems.

Alice (Henry's sister) is also in the play, but she only appears in a few brief scenes, and sadly doesn't get a lot of characterization beyond being the "cheerful child" in the family. It's implied she knows that something is wrong with her brother, but doesn't look closely at it. Interestingly, they portray her like she's Henry's younger sister, even though the show established that she's supposed to be older (There's a news article in S4 that claims Henry was 12 and Alice was 15 when the Creel murders happened). Other than that, there isn't really much to say about Alice.

The three main characters (Joyce, Hopper, Bob) have their familiar quirks that will follow them into adulthood: Bob is nerdy, smart, good with technology (which comes in handy in their investigation) and the host of a radio show. Hopper is the disgruntled son of the Chief of Police who's trying to make something of his life. Joyce is high-strung, in a dead-end relationship with Lonnie, and trying to find a balance between optimism and pessimism. In a way, I'm reminded of the Steve/Jonathan/Nancy dynamic we briefly got in the S1 finale, with Joyce having similarities to Nancy, Bob to Jonathan, and Hopper to Steve. This was clearly set up as a love triangle between the 3 of them, and I have to question if the Duffer Brothers deliberately did this to foreshadow what could end up happening between Steve/Jonathan/Nancy in S5. In any case, Joyce, Hopper, and Bob investigate the animal killings when they start to happen, and while they come close to figuring out who it is, they ultimately miss the mark and pin the crime on the wrong person (Poor Victor Creel). Sadly, by that time, it's too late, and both Virginia and Alice Creel are dead.

There is a new character introduced named Patty Newby who plays an important role. She's the adopted sister of Bob and was revealed to have been taken in (or stolen as a child, as Henry later claims) by Bob's father, Principal Newby. Despite his misanthropy and awkward nature, Henry takes an interest in Patty, and the two of them develop genuine affection for one another. When Patty auditions for Joyce's play, Henry helps her with her lines (which leads to both of them getting cast as the main leads), and later feels comfortable enough to share his secret powers with her, including giving her a glamorous vision of starring and singing in a Las Vegas show. Against all odds, I actually found the relationship between Henry and Patty to be cute. Not only did it humanize Henry, but the way it was presented made sense: Both of them are outcasts with deep insecurities that they're trying to work through. Patty feels like an outsider in her family and at school due to her race (which isn't helped by people like Dustin's father making disgustingly bigoted comment towards her during class) and her complicated relationship with her adopted dad, who treats her coldly. Since Henry also feels like an outcast in his family, he's able to empathize with her, and both of them try to encourage the best in one another. In a moment of genuine kindness, Henry helps Patty locate her biological mother (who coincidentally is also a singer), and Patty returns the favor by trying to encourage Henry into believing that he is a good person and that there are positives with his powers.

I know some fans will complain about how Patty was never mentioned on the show even though she's supposed to be adopted siblings with Bob, but I'm not bothered by that. Nothing about her existence contradicts anything on the show, and it was nice to see a redeemable side to Henry that proves he wasn't a complete monster to begin with. The only thing that's harsher in hindsight is that, because Patty and Bob were close growing up, and because of Henry's affection for Patty, it makes what he does to Bob in S2 (i.e. siccing the demodogs on Bob) a lot more vile.

Finally, there's Dr. Brenner himself: If there was ever any doubt that he saw Henry and the other special kids like El as a means to an end, this play erases that. He is at his absolute worst here. Manipulative. Cruel. Determined to push Henry over the edge. Egging Henry into murdering a convicted prisoner, even though Henry fights back against doing that, all so Brenner can test him. Hurling verbal abuse at Henry, and then playing up the "Loving Papa" persona in the same way he would do with El years later. It really says something that he is the most loathsome character in the play, and that he doesn't see Henry as a person so much as a tool.

This was already a given on the show, but I still remember fans who kept making apologies for Brenner's behavior in S4 while insisting he really did care about Henry and the other kids in spite of his abuse of them. 🙄 I always maintained those were garbage apologies, and this play only reinforces that. Even though Henry is ultimately responsible for the choices he makes (regardless of the negative influences in his life), there is an argument to be had that Brenner bears responsibility for destroying whatever remaining goodness Henry had left in him until Henry became the cold, calculating monster with a plethora of rage and a deep hatred for humanity to accompany it.

Part 3: Revelations

For a while now, I've held theories that the powers El, Henry, and the other special kids have had were connected to the Upside Down. These theories were even talked about in my reviews for Stranger Things Six, Stranger Things The Other Side, and Stranger Things Suspicious Minds. I've also speculated on the idea that the Mind Flayer might be its own entity, and that Henry/One/Vecna didn't create it so much as gave it a form when he found those black particles in the Upside Down decades later.

This play confirms those theories: Not only is the Upside Down connected to their powers, but it's revealed in this play that the Mind Flayer acted as a malevolent corrupter to a young Henry, which would later lead to him becoming the monstrous Vecna.

At the beginning of the play, there's a flashback to 1943 where the U.S. military was experimenting with a new technology on the USS Eldridge to create a force field to hide the ship from the Germans during WWII. Interestingly, this bit was based on a real life experiment called "Project Rainbow," and the pamphlet I bought gives more details about it:

In the play, the technology caused the ship to end up in the Upside Down, where most of the crew was slaughtered by Demogorgons. The sole survivor turned out to be Dr. Brenner's father, who came back to the real world with altered blood in his system. He ends up dying, but passed on his secret to his son, kick-starting Brenner's scientific pursuits for the military. In other words: Brenner was aware of the Upside Down long before El banished Vecna to it in 1979.

Fast-forward a few years later. Henry is in Rachel, Nevada, playing in one of the caves with a spyglass when he encounters a rogue scientist who worked under Brenner in Nevada. Brenner had spent years attempting to replicate the experiment on the USS Eldridge in Nevada, and one of his scientists had stolen key technology and fled to the caves. When Henry discovers the technology, it transports both him and the scientist to the Upside Down. The scientist is killed, but Henry gets exposed to a malevolent entity (The Mind Flayer) before he is transported back to this world. Just like with Brenner's father, his blood is altered, and so is his personality. Brenner would later be able to track Henry down due to the spyglass he dropped in the caves after his exposure. In spite of escaping the Upside Down, Henry was now connected to the Mind Flayer, who spends the majority of the play acting as a malicious influence driving Henry to kill, and chipping away at his personality bit-by-bit:

It's not really a spoiler to say Henry is behind the pet killings in Hawkins (since he was shown killing animals on the show), but the difference here is the play makes it ambiguous how much control Henry has over his powers and actions. The Mind Flayer certainly uses Henry as a vessel, but there are moments Henry was shown to be capable of resisting it, indicating there was some manner of agency on Henry's part. In some moments, he chose to drive off the monster, whereas in others (like the deaths of Virginia and Alice Creel), he allowed the monster to work through him.

Like I said, these are theories I've held for a while now, so it felt gratifying to see them validated. While Vecna's monologue to El in 1979 implies that he was always a sociopath with powers who acted on his own accord with no outside influence, it's important to note that Vecna in that scene is an unreliable narrator twisting past events to paint himself a certain way to El. Part of it may be that he doesn't want to admit he was a victim of the Mind Flayer and that he made his own choices (Which is true: He DID have choices and the ability to reject the Mind Flayer, which we see in one scene when the Mind Flayer attacks Patty's father, and Henry intervenes on Patty's behalf to save him). Part of it may be that he's been under the hold of the Mind Flayer for so many years that, by the time El meets him, he's come to believe he and The Mind Flayer are one in the same.

Either way, regardless of what happened, there were a lot of elements stacked against Henry that makes me pity him: The Mind Flayer's influence, Brenner exploiting Henry's powers for his own selfish scientific desires instead of genuinely helping him, his parents trying to force Henry to be normal and shove down his issues instead of taking the time to deal with them..............the only positive thing Henry had going for him was his relationship with Patty. Her determination to see the good in Henry and his powers, and her belief that Henry could rise above the darkness gave some brief salvation for him. Unfortunately, that wasn't enough to save him, and the darkness won in the end.

There is a slight change I was okay with: In the show, Henry mentions that he fell into a coma after killing his mother and sister. While that is true to some extent, he actually wakes up a few hours later and flees the house to go find Patty at the school. He encounters Joyce in the basement (after the power gets knocked out) and, in a scene that's both creepy and sad, he acknowledges that Joyce is a good person and warns her that the world will punish her for it while taking away everything she holds dear. There's a dark irony to his words considering he would later be responsible for the disappearance of her son, the death of Bob, and most of the problems Joyce would later deal with on the show.

Following his encounter with Joyce, Henry finds Patty on an elevated stage platform, and begs her to run away with him. She is basically his last hope at this point, and even that is taken away when Brenner manages to track him and Patty down. There's a whole "Good Angel/Bad Devil" exchange that occurs as Patty (the Angel) implores Henry to fight against The Mind Flayer while Brenner (the Devil) snarls that Henry is already a monster and he might as well accept it. All of this cultivates in Henry using his powers on Patty, having finally surrendered to the Mind Flayer's influence, and throwing her from the rafters, almost killing her. Henry passes out after this, and Brenner takes him back to Hawkins Lab, where he will spend the next 20 years as Brenner's prisoner. Patty manages to survive the fall and, thanks to information Henry gave her earlier, she's able to locate her biological mother in Las Vegas and reunite with her. The last act of redemption Henry would ever have.

These revelations help give context to the mythology of the show. They explain what motivated Dr. Brenner for so many years. They explain the Mind Flayer was well aware of this world, and that Brenner was aware of the Upside Down long before El opened the gate in 1983. They explain Henry already had troubling aspects to begin with, and that his encounter with the Upside Down and the Mind Flayer only amplified those problems. They explain how and why Henry became disillusioned, nihilistic, and angry over the next 2 decades, and how he would project that onto his enemies once he became Vecna. They explain why Henry/One/Vecna takes an interest in certain characters on the show, from El (whose upbringing and struggles are similar to what Henry went through as a child) to Will (who shares similar traits with him as an outcast and a nerd) to even Billy (with both of them projecting their rage onto the world), and went as far as to target them. And, most importantly, it explains how Henry and other special kids like Kali and El got their powers.

This does raise interesting questions that I hope S5 will explore more of:

Since Will was kidnapped and taken to the Upside Down in S1, does this mean his blood type has been altered as well due to his exposure to the Mind Flayer? Does he now possess some kind of power similar to El that we haven't seen yet but might be unveiled in the last season?

And what about the Upside Down freezing in time in 1983? Considering the Upside Down remained consistent as a hellish environment (even after El banished Vecna to it in 1979), this gives the impression that what happened there was an anomaly. I still maintain Will's disappearance had something to do with the altered environment, and I have provided theories for it in my review of Stranger Things The Other Side, but it's still a question that remains unanswered by this play.

And then there's Patty: She does survive, and last we see of Patty is her reuniting with her biological mom, but it's also mentioned she disappeared and that Bob (her adopted brother) misses her and plays songs over his radio podcast in her memory. Did Bob ever find Patty following this, or did he die before that could happen? Does she even remember Bob or Henry, or did the fall (which injured her badly enough that she now walks with a cane) cause her retrograde amnesia? Is it possible S5 might bring her back, and she could have some role in reaching out to Henry/One/Vecna? Is she still alive at this point?

So many questions that I'm hoping S5 provides answers for.

Part 4: Themes

It's no coincidence that the play Joyce produces for the school holds parallels to the tragedy of Henry and Patty's relationship. The Dark of the Moon is a ballad about a "witch boy" named John who falls in love with a human girl named Barbara Allen. He is given a human form on the condition that she remains true to him. Through a series of tragic events (including the death of their child at the hands of religiously-crazed townsfolk), Barbara ends up betraying John, causing him to lose his humanity and become a part of the fog from the place he came from.

If we're drawing direct parallels, it's pretty obvious Henry is John, the "witch boy" embedded with special powers who falls for the human girl, Barbara/Patty. The difference is that the "humanity" of Henry is more metaphorical than literal: He attempts to not give into the monstrous influence of the Mind Flayer, and Patty recognizes this and is determined to help him through the love she gives him. However, the key difference is Patty isn't the one who betrays Henry. If anything, she remains a loyal friend and confidant to Henry (even AFTER Brenner tells her that Henry killed his mother and sister) and desperately tries to convey to Henry that she believes in him and that he can fight off The Mind Flayer. Unfortunately, that proves insufficient, and it's Henry who inflicts the final betrayal on Patty, destroying their relationship, and causing Henry to become prisoner of Dr. Brenner at Hawkins Lab. He is the "witch boy" who returned to where he came from.

It should be noted that the ballad this play is based on contains these final lyrics:

They laid poor Barbra by the old church gate,

With the wild, wild rose growin' nigh her,

And witch boy roamed the mountain high,

'Til mountain fog became him.

And then one morn, before the dawn,

The fog rolled down that mountain,

It came to rest nigh Barbara's rose,

and watered there a briar.

The rose and briar climbed the old church gate,

'Til they could grow no higher,

And there they tied in a true love's knot,

The rose wrapped 'round the briar.

And so a witch and human gal,

Had conquered death eternal,

And 'neath the darkness of the moon,

Their love's entwined forever.

Could this be foreshadowing that, as evil as Henry/One/Vecna has become, there is still a chance at redemption for him through Patty? That whatever love he held for her could bring back Henry's humanity and allow him to overcome the Mind Flayer one last time? They did a similar thing with Billy Hargrove in S3 (with the platonic love he had for his mother), and since love is one of the key forces that's been shown to repel the Mind Flayer, it could work again in Henry's favor if he chooses to take it.

However, a lot of this is tied to whether Henry is capable of remorse or empathy at this point, and considering what we've seen on the show, it's a safe bet to say whatever humanity he had left in him is now gone. I'm doubtful that even if Patty shows up in S5, it'll be enough to redeem Henry. There are some things you can't come back from, and regardless of the negative influences he was dealing with, Henry still had choices, and he chose to hurt others.

In a way, Henry's story reminds me of Coriolanus Snow's arc in The Ballad of Songbirds and Snakes: Despite the relationship he has with Lucy Gray Baird, it wasn't enough to cancel out his negative personality traits (narcissism, entitlement, etc) and whatever love he may have had for her isn't enough to redeem him, or prevent him from becoming the tyrant we all know and loathe by the events of The Hunger Games.

Another theme present was the exploration of the adult characters and how the personality traits they had as teens continue well into adulthood. It's been speculated before by various groups of people that, internally, there's a certain point where you stop growing mentally and remain the same age, and that definitely seems to be the case here with some characters. The problem is that while these qualities might have been excusable when they were teenagers, they become less appealing as time goes on:

Ted Wheeler, for example, is depicted in the play as a dumb jock who's clueless most of the time. Fast-forward to the 80s, and he's now an apathetic father who still remains clueless. Not only is this not cute anymore, it's frustrating to his wife and those around him.

Karen Wheeler is depicted in her teens as interested in her youth and beauty and dating Ted BECAUSE he's a hot jock. By the time she's an adult, she's still into that (though she does make more of an effort to be emotionally available to her kids unlike Ted) and her desire for youth and a passionate relationship almost leads her to sleeping with Billy despite the inappropriate age difference between the two. 🤮

Jim Hopper is a younger man with a fractured relationship with his abusive father, and a lot of his motivation is rooted in trying to stick it to his dad and prove that he isn't the loser his father thinks he is. It's why he takes an interest in the animal killings around Hawkins and conducts an investigation similar to how police would do it. It's also why he joins the Vietnam War later (as he would later tell Enzo/Dmitri in S4). Even later becoming the Chief of Police on the show likely has its roots in this. Years later, long after his dad is likely dead, he's still trying to prove him wrong.

Lonnie Byers is depicted as a douchebag, even as a teen, who isn't really interested in making something of his life, who's coasting off other people, and really doesn't have any desire to improve himself. Come Season 1, and is it any surprised he's a deadbeat dad who's divorced from Joyce and still making shitty decisions down the line?

Same goes for Al Munson: The play depicts him as an improv actor who's deeply self-centered, who isn't as good as he thinks he is, and is someone who just annoys everyone around him with his antics. Anyone who's read Flight of Icarus knows he doesn't get any better as an adult, and it has completely wrecked his relationship with his brother Wayne and his son Eddie.

And then there's Dustin's father: "Asshole" is the best term I can use to describe him. He's very belittling and not well-liked (even among his peers), and it doesn't surprise me that Mrs. Henderson (who's also shown to be a cat-lover as a teenager) would eventually split with him and raised Dustin on her own.

There are a few positives though: Both Charles and Sue Sinclair come out of the play as decent people, and Sue is shown to be a loyal friend to Joyce, helping Joyce to get her play organized. I can see why they ended up together, and I maintain both Lucas and Erica are lucky to have them as parents.

The overall point is, like with Henry (who also never really grew up, and is now an angry kid trapped in the body of a 30-something adult), there is a theme that change is a process you have to work on. All of these characters (including Henry) have their own flaws they have to work through, and it is a choice about whether you put in the hard work of overcoming those flaws, or you surrender to them and let them dictate your life and stilt your growth. It's always an uphill battle, and it's never easy, but when the alternative is hurting the people around you, I would argue it's worth the effort for their sake.

Final Thoughts:

While there is some leeway between how events in the play can be interpreted, there is one tiny retcon that was hard to ignore: Henry's age. In the show, it's specifically mentioned in the newspaper article that Nancy and Robin look up that Henry was 12 when Virginia and Alice Creel were killed. However, this play retcons his age to being 14 years old. My guess is this was likely done so that Henry would be a freshman, and therefore able to attend Hawkins High School with Joyce, Hopper, Bob, and the other characters. While I don't mind this retcon for story purposes, it still sticks out like a sore thumb, and I wish the Duffer Brothers would take better care with details like that, especially after what happened in S4 with Will's birthday being forgotten.

There is a pamphlet for 10€ that they sell at the Phoenix Theater that gives more information about the play, its cast, and the central ideas behind the story. You can even see it in the picture above with the other memorabilia I collected (next to the t-shirts I bought). If you're going to see the play, I highly recommend purchasing it. It's worth the money.

Overall, this was a well-written play that I'm willing to accept as canon. I hope the events in this play are referenced in S5, and have a role in how the show's story unfolds. I highly recommend getting a ticket for anyone who is a Stranger Things fan! :)

[fictionalmenmistress]

On my second watch, I realized that "Its Raining Men" was still playing, as Nandor literally crashed from the sky in front of Guillermo at his first pride parade.

Guys. Guys. Its raining men. Hallelujah.

[uhbasicallyjustmilex]

ways journalists have really described alex turner and miles kane:

"Wearing matching outfits, gazing into each other's eyes, talking about their instant connection… Alex and Miles' claims that they wrote the Shadow Puppets' album about 'a girl' weren't fooling anyone. Quite simply Alex and Miles are hopelessly, madly, enviably in love with each other. Please lads, just be true to yourselves, embrace your feelings, and have a massive snog - we can't bear the tension any more."    - NME

“If there’s one sexual dynamic at work tonight at the Usher Hall, it’s homoeroticism. The Last Brokeback Mountaineers are a camp pair of strutting cocks, to be sure.”  - The Wee Review

"Speaking to them together feels like interrupting a conversation that's been going on since 2005." - NME

“Looking over at his manspreading counterpart, Kane gleefully points at Turner’s exposed bulge. Not wanting to be rude, I look away.” - SPIN

“Watching them finish each others’ sentences, agonise over their answers to how well they know each other and embrace when it’s time to leave... well, you’d need a heart made of Hoosiers CDs not to find it incredibly sickly sweet.” - NME

“Alex Turner and Miles Kane turn towards each other with fond looks when we suggest they’re best friends. Like doodle in each other’s notebooks BFF status. After spending 15 minutes with them though, we’re pretty convinced they’re going to grow old together in matching tracksuits.” - Sidewalk Hustle

“Miles Kane looks like he’s gagging for a great big man-hug (and maybe more...) off his buddy. These two have spent overly long admiring themselves and each other.” -  The Wee Review

“As soon as I decide to just get started without Kane, Turner accidentally Facetimes him from his pocket, and the two erupt into a fit of giggles, our conversation veering off course for the third time in as many minutes.” - Consequence

“While Turner stares on the ground during his answers, Kane watches him like a lovestruck teenager from the side.” - Musikexpress

“Say this for Lennon and McCartney, or Plant and Page: they never had their own romantic rock ‘n’ roll portmanteau. But “Milex”—Miles Kane and Alex Turner, for the uninitiated—have just that enviable kind of bromance. The two even moved to Los Angeles in tandem a few years ago. No wonder multiple “Milex” pages have cropped up on Tumblr, breathlessly re-posting the duo’s every embrace and droll quip; there is fan fiction, too, the kind that would make a coal miner blush.” - Interview Magazine

'"Alex Turner is like a princess in need of his prince Miles's assistance to get down from a tower." - Dutch Review

"You'd be forgiven for barely noticing anything beyond the front of the stage, though. Like a pair of teenagers egging each other on, Turner and Kane are the most infatuated frontmen since the Pete Doherty and Carl Barat." - Hot Press

"If Miles Kane had a 'hard on' for being a front-man before The Last Shadow Puppets, he's grabbed the opportunity Turner's patronage presented him with both hands. So to speak." - Q Magazine

"The feeling is contagious too, as though we're looking in on star-crossed lovers finally reunited." - Hot Press

[sarafangirlart]

If you think “realistic” means more bad stuff happening (especially towards women) then you don’t actually want realism you just want grim dark stories.

[fruitytea454]

what i want,

I want to be someone who crosses the parapet and lives, and flies over the clouds at Basgiath War College and look down and smile. I want To make the decision that I can’t sit back and watch my country be destroyed.