#Screen Innovation

[market-insider]

Optical Film Market's Influence on the Future of Display Systems

The global optical film market size is anticipated to reach USD 48.35 billion by 2030, according to a new report by Grand View Research, Inc., growing at a CAGR of 8.7% over the forecast period. Increasing demand for consumer electronics devices is expected to significantly drive the industry during the forecast period. Increasing demand for better visibility, optimum brightness, and lower power consumption for illuminating automotive instrument panels and displays is creating lucrative opportunities for optical film in automotive display applications. In addition, properties, such aslight control & enhancement, increased brightness, improved contrast, better sunlight durability, and others, are propelling the product demand in various applications.

Optical Film Market Report Highlights

In terms of revenue, the polarizing film segment accounted for the maximum share in 2021. The segment is expected to grow further at a steady CAGRover the forecast period

The smartphones application segment accounted for a significant revenue share in 2021 and will retain its industry position throughout the forecast period

The rising middle-class population, shifting spending priorities, and changing consumption patterns towards more discretionary spending are driving the segment growth

The Asia Pacific region led the global industry and accounted for the largest share of the overall revenue in 2021

Strong manufacturing bases of consumer electronics companies and the presence of several end-use industries in the region are anticipated to fuel the product demand over the forecast period

For More Details or Sample Copy please visit link @: Optical Film Market Report

These applications include automotive displays, televisions, desktops & laptops, smartphones, tablets, signage & advertising display boards. Moreover, the rising adoption of digital & advertising display boards in commercial verticals, increasing infrastructural development, especially in emerging countries, and technological advancement in display products are projected to create product demand in signage & advertising display boards. Asia Pacific is anticipated to progress at the fastest CAGR over the forecast period. China led the APAC regional market in 2021 owing to the rising demand for the product in applications including automotive display, televisions, desktops & laptops, smartphones, tablets, signage & advertising display boards.

In addition, a well-established manufacturing base for consumer electronics in Taiwan, China, and South Korea is anticipated to provide further impetus to the region’s growth. However, the recent outbreak of COVID-19 in countries, such as India, China, and Japan,is impacting the product demand in signage & advertising display boards, smartphones, and otherapplications.Declining demand from end-use consumers, nationwide or partial city lowdown, and a slowdown in manufacturing activities as a result of the pandemic further hampered the region’s growth in the short term.

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[clarabowlover]

Justine Johnstone

By Ira L. Hill (ca.1920s)silent screen beauty

became

[nabaath-areng]

the problem with my n24 is that with the clock going around gradually i have periods of being awake at day and periods of being awake at night, but then because i tend to sleep really badly during night time i spend my daytime days being very tired and sluggish, and my nighttime days are much more productive and energetic. but i cant do just anything i want at night, so i cant get as much done as i have the energy and drive to. and then i also need sunlight to feel sane in the head, and so i hate missing out on daytime wakefulness. but then the sun is also why my sleep quality is much better during daytime. if im gonna stuck with a seemingly incurable sleep disorder since birth cant i at LEAST have the sleep be overall consistent? apparently not lmao

[signofthestriking]

Me at the thought of a disheveled Jack dancing to Gasoline at 3am

[cinemaocd]

Star Wars films ranked in order of their technical innovations:

Star Wars (1977): innovations: motion controlled cameras, immersive sound design, high tech puppets, unified aesthetic that was unique from prev. sci fi films, welded fantasy and sci fi together, brought back vista vision/wide screen technology from the scrap heap and updated it, iconic costumes based on actual military equipment and historic royalty rather than imagining a "futuristic fashion," created Industrial Light and Magic effects company which funded R&D to create new cameras and equipment for the film, used percentages of the film's profit to pay actors and others involved in the project.

The Phantom Menace (1999): The first all digital studio film, computer graphics used for backgrounds/sets/whole environments, extended motion control cameras with digital environment, fucking amazing costumes borrowing from period films and classic Hollywood to bring the universe into a more sumptuous plentiful past, motion capture used to create integrated digital puppets.

Empire Strikes Back (1980): stop motion animation updated to include the motion controlled cameras for more realistic/seamless animation (compare to Harryhausen's Clash of the Titans which came out the next year to see what I mean), Lucas used the profits of Star Wars to expand ILM and give it a permanent home where effects artists weren't working in sweatshop conditions anymore, created a licensing company to try to stem the tide of unlicensed Star Wars products, a fire on the set of The Shining at Elstree studios lead to a dedicated Star Wars stage being built there which is still used to this day.

Return of the Jedi (1983): steadicam which was relatively new tech, customized by the inventor for the speeder bike chases, created THX to try to improve sound equipment in theaters because the sound mix for the film was too complex for the old sound systems used during test screenings.

The Force Awakens (2015):pulled back from the maximalist aesthetic of the prequels using more real sets, environments and models thereby creating a cohesive look that fused the two previous trilogies, made the film without having a clear outline about where the trilogy was going, giving freedom to future filmmakers to make changes to the story or to fill in holes, (not necessarily a good thing, but it was the first time it was done for a blockbuster trilogy), recreated most of the story beats of Star Wars (1977) in the updated sequel.

The Last Jedi (2017): Contains the most practical effects of any Star Wars film, with the most sets and creatures ever built for the franchise, literally set canon on fire, leaving writers and directors free to create Star Wars product that doesn't fit with previous canon/continuity.

Clone Wars (2008): First fully animated film in Star Wars universe, was the pilot for the TV show, integrated materials from the star wars Expanded Universe comics and novels.

Rogue One (2018): Used digital technology to allow Peter Cushing and Carrie Fisher, who had died, to appear in the film by digitally combining their faces onto the bodies of other actors, first attempt to create a "gritty" Star Wars that reflected more of the reality of war, final scene with Darth Vader creeated 100% digitally.

Revenge of the Sith (2005): Lucas used a three camera set up and combined all three digitally, which allowed a much faster turn around time for completing shots, held the world record at the time of the most effects shots ever in a film.

Attack of the Clones (2002): continued with the innovations of Phantom Menace, creating the first entirely virtual film studio (for example some of Ewan McGregor's work was filmed on the Moulin Rouge sets with the actor in an entirely different location than the rest of the people in the scene, fewer models and real sets in general.

Solo A Star Wars Story (2018): used effects techniques such as rear projection and stop motion animation from the OT, but cleaned them up in the digital environment. For the first time used an effects company in addition to ILM.

Rise of the Skywalker (2019) Returned effects to the province of ILM, but the film was produced by Bad Robot, JJ Abrahams company (All the other films either produced by Lucasfilm or Disney).

[adafruit]

LIVE in 15 mins! Desk of Ladyada - ST7796S Screen & So Many Sunday Samples https://youtu.be/2pSYMB8lCgM

Testing ESP programmer board, working on 3.5" Captouch TFT with new ST7796S display & FT6236 touch chips. Board needs redesign for new FPC. Got exciting screen samples (round/bar/rect). Also found great ultra-fine tweezers on DigiKey, for both engineers & entomologists! 🔬🐛🐜

[freckliedan]

besides dan and phil the only youtube channel i'm all in for is positivecouple. NOBODY is doing it like them.

[wallpapersmonster]

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[kirbyddd]

i wonder if nintendo actually have a business plan for the switch 2 or if they're really just flying by the seat of their pants with "save up a few years of switch releases and hope it's enough to push a tantalizing enough first year lineup for a hardware refresh"

[cherumie]

so switch 2 huh

[junk-culture]

👍

[interactivewhiteboardsupplier]

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[dugaodna]

currently blogging 7ft from my laptop

[loki-zen]

tere are lots of mysteries where the audience knows ewho did it from the beginning. most columbo episodes worjk this way

so i have literally written whole paragraphs at this point about how:

a) discussions of genre will often use words in a very specific way, but not everyone will adhere to this usage.

b) genre itself is a fiddly thing - in my last post or two I've been discussing the formation and formalisation of the Detective Mystery in the 20th century as a format for written fiction.

It shouldn't be surprising if, over 50 years later, modern examples of/homages to the genre are innovating and drawing from other (sub)genres (in this case, imo, Noir).

You would expect that, but it doesn't change that (i) the archetypical Cosy Detective Story is something you can point to, that has a given structure, or that (ii) in discussion of Crime subgenres, 'Mystery' often specifically refers to stories that have a specific structure. I've outlined this usage in detail by now I think. It's a 'Mystery' because you are supposed to be trying to figure out the answer. In this context, it doesn't make sense to say "ah, but Columbo is a Mystery, and it doesn't have that format!" because what you are saying, tautologically, is that (that episode of) Columbo is not a Mystery.

Some people might describe Columbo as a "mystery" because (as I understand it; I don't watch it myself) it shares a lot of thematic ground with Detective Mystery/Murder Mystery/Cosy crime fiction. Sharing a lot of thematic ground with and appealing to fans of Cosy detective stories while not precisely replicating the Detective Mystery format in every single episode is a pretty common way to be for a crime procedural. My understanding via osmosis of Columbo suggests that 'crime procedural' is the correct classification of Columbo.

[naruto-ol-protags]

Browser screens promoting Tech Samurai set’s release.

Azure’s bug in coloring hasn’t been fixed yet for these images. Later the mistake was realised and corrected.

[watcherscrown]

@ europe as a whole where the FUCK are your window screens??? why do you love bugs and birds in your house so much???