#SUCH A GOOD UNDERSTANDING OF THE GENRE

[chialattea]

My first playthrough’s Andreas, basically.

[wifegideonnav]

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[hadesknockedupintheunderworld]

The fans: Ugh Sonic was just so preachy. I mean obviously he's supposed to be the good guy, so any uncomfortableness I feel here and any way I feel like Sonic's choices are framed as being why some other people have shitty lives is just bad writing because he is obviously supposed to be right always, but this characterization makes no sense. Isn't he right for the things he did?

Ian Flynn, using Kitsunami to say the (barely even at this point) quiet part even louder: Hey it's almost like ever since the Mr. Tinker event we've been purposely running with the critique of Sonic as being more selfish than he appears. Sonic is upholding a system of Eggman v Sonic that currently benefits him and shuts down talk of how to improve the current system because he likes his own personal enjoyment and he's attached enough to Eggman that he'd rather Eggman pretend to be a good person than be stuck in prison for life. He doesn't even quite practice what he preaches. We are trying to show that the current hero v villain system and Sonic's recklessness currently affects some people poorly and that Sonic isn't a perfect hero.

[lunarharp]

hehe. almost christmas!

[the-crooked-library]

look i don't know how true this is but i hate hate hate in my bones the way that the recent rise of purity culture has intersected with minimalism and irony poisoning

no sex. no dark themes. no "fetishization." no ornamentation. no "unrealistic" lighting and you can't see a thing. actors don't enunciate for shit. no "purple prose" or "overwriting" (it's just an adverb) or "tumblr prose" or whatever the fuck the newest term will be. sincerity is cringe, ew, why would he say that. no colour grading, because we want the big-screen blockbuster to be "realistic," BUT we will shoot it in a room with fake sunlight and slap the effects onto the scene post-production. moral fiction. moral fanfiction. "omg this is craazyyy was the creator on drugs??!!1????" about any form of creative expression. lists of reasons why this short experimental amateur one-shot is Very Bad Writing, actually. s*x smex spice adult fun time p0rn k!ll grape sewer slide.

everything is boring, nothing is real, i am fucking sick of it

[spotaus]

Ah, my English Professor just introduced the class to AU Fan Fiction. I'm unwell.

[voidfishplurality]

Congrats to everyone at @re-dracula on such a masterpiece of an episode. It was emotionally harrowing in the best way possible. Special shout out to everyone involved in the ending song for making such a lovely sounding song with lyrics that made me want to crawl out of my skin in visceral discomfort

[laios-thorden]

To them [people who don't read horror] it is a kind of pornography, inducing horripilation instead of erection. And the reader who appears to relish such sensations-why he's an emotional masochist, the slave of an unholy drug, a decadent psychotic beast.

-David Aylward

horror is about catharsis. it is about experiencing fear or pain or shame or suffering via a piece of media, and being able to sigh in relief when it is done. it is about emotion and flesh and the human condition.

the point of the genre of horror is to inflict the emotion called "fear" or the related emotions "discomfort," "disgust" and "shame." if you do not want to experience and explore negative emotions and the stories that they can tell, you do not actually want to engage with horror. the point of horror is that it might make you feel bad or upset or, god forbid, scared. there are stories that rely on that and it doesn't make horror a lesser medium for narrative than any other genre. it just means that you personally might not enjoy horror.

it's fine to not like horror, but don't pretend like it's something it's not because it makes you uncomfortable.

a lot of takes about horror i see are like, "why doesn't horror have x, y, or z" and the answer is it does. you aren't engaging with the medium or searching out stories that have those things because you don't want to deal with the trappings of the genre (being scared/experiencing negative emotions). liking one piece of horror media doesn't mean engaging with the genre as a whole with all its tropes, trappings, and its rich and varied history.

Ursula K Le Guin writes,

A writer sets out to write science fiction but isn’t familiar with the genre, hasn’t read what’s been written. This is a fairly common situation, because science fiction is known to sell well but, as a subliterary genre, is not supposed to be worth study—what’s to learn? It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

the same is true for horror; people who do not engage with horror as a medium, as a genre, as a way to tell stories and convey meaning do not get to reinvent the wheel. doing so won't be met with gratitude by people who do like horror. it's not helpful. it's condescension.

[citrus-sours]

I like Henry Hotline bcuz he's SOOO clearly sexy bait, and that's so funny, like objectively mocking the trope of people always finding a horror game character to get horny over. But I love him because he's just a dude with a nasty ass headache. Let's take ibuprofen together ❤️

[skunkes]

can we just get one good life sim game please. and Soon instead of 10 yrs from now.

[mulletmitsuya]

guys does anyone have any fanfic recs 😔?

[gayofthefae]

Found a new, concise way of putting it that I'm gonna try and remember so I can reuse it:

To say, as a straight person, that a queer character's queerness is out of the blue or unrealistic is to claim that they understand the queer experience to be able to identify inaccurate representation of it.

To call a character's queerness out of the blue as a straight person is to claim full understanding of the queer experience.

[purecommemasolitude]

monkey man is suchhhhh a good film i have to write a paper on it for religious studies and it's got me actually clawing at the walls. everyone who can stomach violence and the many other mature phenomena in the movie go watch monkey man right the fuck now

[idontmindifuforgetme]

i love anthologies. anthologies are so sexy

[pepperuni]

okay I'm sorry but I need to vent about this-

I tried showing Arcane to my sister over break (because she asked me to) and for the 7 episodes she watched she really Was Not Getting It. Which is like incredibly frustrating but also *fine*, like not everything is for everyone whatever. Until we got to episode 7 of s1. And when the Jinx and Ekko fight started she said. "They just undercut all of that tension by turning it into a music video"