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anniestoney · 4 years ago

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Analysis of Sonic the Hedgehog: "Sonic cannot show emotions e.g. crying."

I feel like people literally took the meaning of this. I find that people have misinterpret the meaning behind this mandate. But I will give my understandings on what this really means.

After a year of being a Sonic fan, I've notice that the blue blur is quite reserve in terms of deep emotions. Characters, such as Sonic, who are boys at heart, are usually known as characters that are the most lively and rarely shows deeper emotions beyond it. But it does not mean he is detached from any other emotions other than joy. In games, it is hard to try to tell this in action since in good storytelling, it needs more time (& consistency). So, lets try to see this through the animated series, Sonic X. To make it more clear, I'll based it in the Japanese version due to the fact that Sonic's OG creators at that time played a part in the anime. Let’s start.

Do you remember that one time he cried?

In this scenario, we see his tears but not his reaction. This tells me that for Sonic Team, Sonic's rawest emotions comes every once in a blue moon. He has emotions, he has the capability to cry, but how it is done right is the challenge.

Do you also remember these scenes?

(Note: Pay more focus on Sonic's action, its deceivingly subtle that people often miss it)

The 1st scene is shown of Sonic wearing the now fixed bracelet Amy made for him. Notice how there is a new set of shells along the fact the OG string is not replaced but extended with another one. This tells me of Sonic's dedication and appreciation. It tells me how Sonic expresses himself more in action but here is the catch. No one knows of what he did, the trouble he did to find the new shells for the bracelet. This tells me of how private Sonic expresses himself. He seems to be the type to hide himself when in his most vulnerable. His reason? It is unknown, there are many possible reasons.

The 2nd one is a famous scene, the light lavender rose & his secret words. In this scene, we see Amy asking Sonic to tell her (if) he loves her (in a romantic way). His responds? A rose for her with his voice muted. This implies to me that when telling something very intimate, Sonic shows it not through words but by small (yet huge deal) gestures. The fact that it is muted to the audiences further indicates that any words he says that carry deep meanings, he is very private about it. His most deepest thoughts and feelings are shadowed to the point nobody, not even us, his fans, can know.

Now lets get back to these two pictures.

Notice how many people are with Sonic in these scenes. Only one. When it comes to showing emotions to a specific person, Sonic will only show it to that person. His emotions are not absent rather he chooses the right time to show it or who he'll show it (w/ch is unpredictable).

There are possible reasons for his lack of expressing himself in an emotional aspect. It could be to not have anyone worry about him or possibly going out of control (these feelings include anger & sadness). When in anger, things like this happens.

It could also be due to show the people hope and courage. As a hero that has inspired many by your smile and optimism, it can be very crucial (tho Sonic has a strong support of friends, this can be explored if given the time to tell the story). Another reason could be the unsureness on what to do. As Sonic always find ways to do what he does best, we have never ever see Sonic handle an emotional crisis. This being an example.

As Tails cries for the loss of Cosmo, we see Sonic standing doing nothing. Some might see this cruel for Sonic to not comfort his little brother. But I came to think, that maybe just maybe, he just didn't know what to do. I mean, what could he really say to Tails at this moment who just loss someone dear to him? (tho anything can be helpful but it would still be painful for anyone who goes through what Tails did).

Another possibility (w/ch many will disagree) is the infamous rumor of Sonic the Hedgehog being shy. Yes, shy. The word has many synonyms and one of them is the word reserved. Its no secret that Sonic is not a master in the emotional department so his shyness is an option. As an intellectual property (IP) that is owned by a very reserved country, Japan, its no coincidence that the friendly and open blue blur might have been given this trait.

What can I conclude?

Well, I have just begun my journey in the franchise but I think I've grasp the basics yet I've many to learn about Sonic the Hedgehog and its future. To what I can conclude, Sonic is a reserved person when it comes to emotions, a trait that is hard to be seen when not paid close attention. A trait that, Sonic Team, envision as part of Sonic.

Now the real question is, why won't SEGA let Sonic show more emotions other than being happy go lucky?

There are possible reasons. But I'm going to give (imo) the reasons why. One, it could be due to how challenging it is to portray this because, lets be real, Sonic story writing, when not monitored, can be very bloody when not executed well. Another could be the fact to avoid any unwanted out-of-character (OOC) occurrence, remember, Sonic is definitely a reserved person in emotions thus any extreme gestures or declaration is already OOC for the hedgehog.

So, how can Sonic show emotions e.g. crying without being too OOC?

That is a challenge that a writer must figure out, from what we see in Sonic X, with the guide of Sonic Team, Sonic crying, can be done when there are no prying eyes or not showing the audience the obvious. An example of this scenario would be a person standing in the rain, his tears, not clear due to the pouring rain. His back turned and his face not clear. This does not limit only to crying, it can also apply to any emotions or actions. The challenge is to do it without altering the character’s existing core traits.

Sonic does have emotions, its how it must be displayed with the knowledge that he, Sonic, is a private person when it comes to his emotions. Thanks.

#sonic the hedgehog #sonic emotionless?#emotionally reserved sonic #why can't sonic cry?#sonic x

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another-sonic-blog · 5 years ago

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any advice to write Silver or Shadow?? Shadow it's the most difficult for me to write D:

Disclaimer: I am not a professional writer, but I wrote this with the few fanfiction experiences that I have as well that all of this is based off MY interpretation of Shadow’s character.

I am not going to lie Shadow the Hedgehog is hard to write. Mostly because you won’t have much canon content to work with. Or at least, there’s not canon content that portrays the REAL Shadow the Hedgehog (Besides Sonic 06 and SA2). If you are going to write Shadow then you are going to write it solely based on character interpretation mostly. There’s something I most say, there is a CONNECTION between Shadow and Silver (There’s a connection with Sonic as well, but we won’t talk about that right now). If you think these two hedgehogs are nothing alike … then let me tell you, they are actually very similarly written.

Before we go into writing tips, it’s important to analyze the character at hand.

Let’s shortly analyze the character.

Alright, let’s talk about Shadow the Hedgehog

Shadow’s character has constantly been mis-written throughout the years. Even in the recent IDW Sonic comics, the current writer didn’t do his character justice. The best interpretation that we have of his character is in Sonic 06. (SEGA may have failed to write a coherent plot story but they did great in Shadow’s character and portraying Silver’s character, but will talk about later) There’s a lot into Shadow’s character but to make things simple, I’ll say that there are 3 main traits that make up Shadow’s character (And a few other sub-traits that don’t show up often as well but they are there). First off, Let’s get rid of the idea that Shadow is an ‘edgy’ character. He is not.

So, if Shadow is not edgy? Who is Shadow the Hedgehog? Shadow is this …

1. Determined. This may seem as a simple asset, but it really it is not. The Shadow that we see in Sonic 06 is not the same Shadow from SA2 or Shadow the Hedgehog’s game. After all the turmoil he went through, Shadow still wants to save the world and play an anti-hero character … But, why? After his tragic and complicated past … Wouldn’t he want to disappear and live a peaceful life? Why doesn’t he want to? Simple … He cares for others. (We will talk about this into more detail later) He cares for the world and the friends he made. He cares for Team Dark. He wants to keep saving the world because HE WANTS TO. Not because of a promise, not because of Maria, not because he was created to protect earth. In Shadow’s game, it was shown clearly that Shadow let go of his past and was born a new. If there’s something we all can agree on is that Shadow is the depiction of ‘Determination’ because even when the whole world is against him, he will still fight.

If you are going to write his character, then this is an asset you for sure need to include and keep in mind when writing him. He is determined and he cares.

2. Insecure. Although I really dislike how Sonic brought up Shadow’s past and even dared to compared Shadow to Eggman, the author did something good. He portrayed Shadow’s insecurities. Shadow has made ALOT of mistakes in the past. He had messed up again and again till the point in which he is insecure about the decisions his takes. We can see 2 things in these panels.

1. Shadow regrets and recognizes his past mistakes.

2. Shadow is extremely insecure. (Which is really ironic because of his determination but we will speak about that later)

Alright, so what is there to insecurity? There is a lot actually, Sonic knows that Shadow is determined and he would do anything in order to accomplish his goals. Nothing will stop him, so the blue blur used Shadow’s insecurity against him to get what he wants. Shadow lets Sonic get into his head leaving the faith of the world on Sonic’s hands. Because unlike him, Sonic is a hero, Sonic has never done anything bad. Sonic always makes the right choices … unlike Shadow, Sonic was never evil.

He came to the realization that no matter what he chooses, he is going to be wrong. If he ‘kills’ Eggman and it turns out that he was good, then that would be another mistake. If he lets Eggman go around freely and it turns out that he was evil, then that would be another mistake. In reality, no matter what he choses he would blame himself for whatever the outcome is. The only difference is that he can blame Sonic along with himself as well.

So, we see that Shadow’s insecurities can easily be manipulated by others. Thus, making him do whatever other people pleases.

This is character flaw that plays extremely well with determination, only if written correctly. It is hard to do but it is possible. I’ll talk about that in a few.

3. Caring. One of the best things to came out of Sonic 06 was Shadow’s interaction with Team Dark. Can you see how betrayed Shadow looks when Omega tells him that he would be the one to persecute him? How he says he will remember Rouge will stay by his side no matter what? Like I mentioned before, Shadow the Hedgehog cares for them and he is loyal to them to death. As you can see, he didn’t say anything to Omega nor plans anything against him even if in the future they become enemies. He may not show it often but the bond that he has with Team Dark is the main reason why he wakes up and saves the world from disaster. As well as that he cares for everyone living on it.

So, now that we know his main traits … Determination, insecure and caring … What do we get? Shadow the Hedgehog. These are traits that are hard to write and that’s what is so appealing to this character. One single mistake and you can mess up the whole character. So, here is the question. How can we be determined and be insecure at the same time? Don’t you need to be confident about yourself in order to be determined? Not really and here is why.

If you are insecure but you really care for others, then you are determined to protect them no matter the cost. It doesn’t matter if you will regret your decisions later, as long as the people you care about are safe.

Shadow’s blind loyalty is double edge sword. We can see in SA2 that Shadow is completely determined to blow up a planet because that was what ‘supposedly’ Maria wanted.

“Besides, there’s no way to save anyone.”

This can imply a lot of things. I may be overthinking it but to me, this sentence revealed something about Shadow’s character. Before Amy arrived to ask for help, we find Shadow looking at the Earth, really REFLECTING for a long time. There was a part of Shadow who DID NOT WANT TO DESTROY EARTH. The boy probably actually NEVER wanted to destroy Earth.

“That is the only thing that matters to me now.”

Shadow really didn’t care if he was the real Shadow or not. Shadow is so loyal and he CARED so much for Maria that he puts his insecurities a side (Yes, he has insecurities even here. He is about to blow up a planet, of course he is insecure the boy doesn’t even remember fully who he is and he actually doesn’t want to destroy earth.) His determined side takes over and we can see that he would do ANYTHING, overcome his insecurities (even if it will haunt him later on) and destroy planets just because he really does CARES for others.

With this said, I think you will understand now why writing Shadow the Hedgehog is difficult. He is a complicated character and it is supposed to be so. How can you show that a quiet character cares without it being ‘out of character?’ How can you write a determined character without it being prepotent? How can you show that a character is insecure without making him look weak?

There is clearly a balance and it’s your job as a writer to create such balance.

So, I will pint point SEGA current and past ‘mistakes’ while writing Shadow the Hedgehog.

They want to highlight Shadow’s determination SO MUCH that he comes out as prepotent, arrogant, cocky, egocentric, etc. It just seems that they can’t get the balance right in this one. Let’s take for example this:

“I don’t run.”

So, Sonic IDW. Everyone hated this, calling Shadow a clown and such. Let’s take it into context. Shadow is stopping an army of Zombots to give time for a truck full of Mobians to escape. If you think about it Shadow sacrificed himself so the others could run away safely. That’s actually not bad, it’s a very Shadow thing to do. This panel had so much POTENTIAL to highlight Shadow’s personality but the writer failed to compliment one important element and that is to add Shadow’s caring side.

The writer preferred to highlight Shadow and Sonic’s rivalry (which honestly is non-existent at this point). He wanted to show just how ‘determined’ Shadow was to prove that he is better than Sonic. However, it just came out as plain clownery. It made it seem that Shadow only cared to prove how ultimate he was instead of caring for the situation at hand. The whole story could have been saved if Shadow had said something along the lines of: “If I don’t stop the Zombots everyone is going to get infected … Rouge and Omega, everyone … I can’t let that happen I am going to stop them no matter what!”

That short dialogue alone showed two things, Shadow’s determination and that he cares for others. The author did show Shadow’s insecurity as to how surprised he was when he found out that he was infected. However, it came out short because once again his ‘overly determined’ side showed up.

Like I said before, this panel had potential to show Shadow’s personality. The writer really wanted to highlight Shadow’s three main traits but it wasn’t well balanced and it came out as another bad written Shadow the Hedgehog.

Before we continue, I want to say that I am not writing this to talk bad about Ian Flynn. He has written the other Sonic characters pretty decently, and it bothers me more how he wrote Sonic recently (but that’s another talk for another time) I understand why Shadow is hard to write and that’s why I don’t get as upset when people sometimes wrongly write him. It honestly just shows how complex this character is.

So, now that we know that SEGA’S main problem is the unbalanced systematic writing of Shadow the Hedgehog, let’s jump into trying to keep on ‘character.’

Now, here are some basic tips.

1. Remember Shadow top three traits. He is determined, he cares and he is insecure.

When writing him, always try to think of these traits. Shadow is composed of so much more but including more traits would be complicated to write about and many of your readers may not follow along as well. Especially if you starting to write. Even professional writers have problems writing him, so don’t put too much pressure on you. Ask yourself the following questions: “Why is Shadow doing this? Does this correctly highlight one of his main traits? Am I adding this to put more meaning to the story or the character?

2. One of the main reasons why SEGA has such a hard time writing Shadow is because there has been so many writers throughout the years who wrote character. Everyone has different character interpretations. Although this is not wrong, having different character interpretations in writing is wrong when there is a CONTINUITY. Which is why most of the times Sonic game’s stories aren’t that great. Let’s talk for instance … Sonic has always being a good character throughout the whole games and then suddenly he is bad. Weird, right? It just doesn’t seem right. This is what happens to Shadow in every single game, his character has been interpreted in so many ways that at this point it Shadow is a really messed up character. So, my tip for this is to be consistent. You are going to be the only one writing your story, so don’t be influenced by other writers and suddenly writer Shadow in another way.

3. The game Shadow the Hedgehog really tried to incorporate something about Shadow. That depending on the circumstances, Shadow would react differently. He is a very dynamic character and you never really know how he will react. Allow Shadow to experience many things. For him to experience unknown things and feelings because only that way the REAL Shadow the Hedgehog would come into light. Write stances that are unknown to him. He is at G.U.N. and others are trying to make friends with him? If he likes someone how would he react? What kind of activities would he do for fun? I cannot stress enough how important it is for your character to interact with other characters and for them to experience new things. Explore all of these!

This turned out longer than I expected, and I am actually missing so much more information I want to add but I don’t want to make this too long. Sorry for any writing mistakes, I wrote this on the go lol. I’ll write some tips on how to write Silver tomorrow. For now, I hope this helps you understand a little bit more of Shadow’s character and why he is hard to write but don’t worry! The more your write, the better you get. I’ll give you some Silver tips soon, and explain how he is connected with Shadow’s character.

Thank you for the ask!

#shadow the hedgehog #shadow #sonic the hedgehog #sonic fanfiction #sonic fanfic #writing #writing tips #fan fiction #fanfic #fanfiction

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chocolatejudgepurseauthor · 2 months ago

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I totally hear you guys in the comments. I made the mistake of responding to him when he made this comment about the Archie sonic freedom fighters.

Listen, I’ll admit in the comics aspects of the writing for the story and aftermath of the Mecha madness ark & the Endgame storyline were shit. But as someone who was also like and sees potential in character Chris Thorndyke. Let me just say its always the fault of the writers if the characters act in a way that was poorly.

& also unlike him I do believe the knothole freedom fighters are worthy of redemption, regardless of whatever their past in the comic books may be. I mean for christ sake there were a lot of past stories in Many of the DC & marvel comic book characters have that when looked at with the hypersensitive morality we have today would seem very problematic & weird. Like for example the story were Superman travels back in time to make it look like metropolis wasn’t built on stolen Native American land. Or the weird 80s marvel story where Carol Denvers long story short gives birth to the guy that had sex with her & the avengers practically gave her to him. *

Seriously, look these stories up! Especially the Carol Denvers comic, one could honestly tell the guy who was writing the script for that was doing way too much cocaine.

My point being I tried to be devils advocate & tried to explain to him not once but trice the reason why sonics closes freinds doing this would be someone understandable given the situation and the proper context. But for my first attempt he flashed this response that I felt personally insulted by. Mainly because he said the freedom fighters deserve to be trapped in whatever limbo their in because of the aftermath of Mecha Madness. & then leaving it with an “end of discussion!” Like A principal or an Mr. Sensordoll like character upholding a really stupid and prudish rule.

Sally acorn is NOT an evil character! & the freedom fighters aren’t “scumbag shitheads” just because of two badly written story arks. Any more then the beloved superhero's of marvel in DC aren’t “ evil white supremacist” or “rape apologists” Just because a few writers gave them a few shitty moments were there out of character. Last time I checked, Superman and Captain America are beloved characters in spite of these bad spite of these bad stories.

& this also the reason why people like me who like the comic books & TV shows more then the Canon games! (Yeah thats right Foxy! I’m talking to you when I say the cannon sonic game world [Sonics world is called MOBIUS] is bland & sucks! Sit & spin on it you SEGA video game only Puritan) Sally acorn in spite of these two bad judgments is a kind & noble rebel leader who while tomboyish smart woman warrior still embodies the best aspects of positive femininity. She lead her team through hell, suffered through emotional adversity, & in being of the Mecha Sally arch chose to sacrifice herself to save the world from Eggmans world robotizier & is someone who & the other freedom fighters as the comic goes along also have and in the case of Antione going from & an arrogant jerk & embodiment of the stereotypical French surrender monkey like he was in sonic SatAMs to a noble hero who in issue 234 made nearly made the ultimate sacrifice for King & Country!

& honestly for someone who doesn’t like the IDW comics the whole reason fans like me want the freedom fighters back in is because of the sonic mobile games giving The characters from that comic almost Immediate recognition. While mean while the Archie comics went on for almost two years & won the Guinness book of world records record for longest running comic book based on a video game. & apart from sonic Chronicles bringing up swat bots or sonic spin ball. Not a single other acknowledgment from Sega was made in their games.

So is it to much to ask for a little forgiveness. To look at what was good about these characters & what they did right over the Archie Sonic comics history rather than continually focusing on what they did wrong.

randomthefox was pretty rude to me in debates like when he insulted me many times for pointing out how the phantom ruby in sonic forces is not a literal manifestation of the clone copies, shadow the hedgehog killed a copy of his in one kick that is like asking if it is an exact copy of shadow who survived falling down into earth's ground from its stratosphere, he thinks shadow creating a chaos spear stabbing metal sonic with a melee weapon is bad writing you know making intelligent use with a solid energy weapon is not bad intelligence at all, he defended the sun attack in sonic forces when i called him out it is not an actual sun and would have immediately killed the player character and infinite if they were in close orbit to it not to mention get blinded by its shining lights

.dont debate him just ignore and block

#archie sonic #sally acorn #sonic the hedgehog #freedom fighter’s #in defense of archie sonic #rant #forgiveness

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ordinaryschmuck · 4 years ago

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Why I (Want to) Love Rise of the Teenage Mutant Ninja Turtles

Salutations, random people on the internet who most certainly won’t read this! I’m an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons. I also LOVE the Teenage Mutant Ninja Turtles.

Whether as a kid, or an adult pretending to be a kid, this franchise is one that I’ll always revisit no matter how old I get. So when I heard that a new version of the series was coming out in 2018, titled as Rise of the Teenage Mutant Ninja Turtles, I was excited about it. Then I watched the series...and most of that excitement went down the sewer drain.

Don’t get me wrong, there were some elements that seemed like there was some definite promise for a good series, but other aspects...I’ll have to explain.

But keep in mind, I am going to be spoiling a lot about the series. So if you haven't watched it yet, I highly recommend you do so to form your own opinions. Because while it may not have grabbed me as much, that doesn’t mean the same can’t be said for you. With that out of the way, let's get started with--

WHAT I LIKE

The Animation: If anybody ever tells you that Rise of the Teenage Mutant Ninja Turtles has awful animation, they are objectively wrong. Rise of the TMNT has some of the best, if not the best, animated fight scenes I've seen from any action series in recent memory. Probably because the show understands the number one rule of action animation: Good animation is a requirement. Not an exception.

For an action-oriented animated series, the audience needs to feel the impact whenever characters punch, block, or dodge in each fight. Yes, even dodge. Because if you can feel even the tiniest gust of wind that passes by a character's face after a punch, then you know the animators are doing something right. And trust me when I say that is present in the majority of most fights in Rise of the Teenage Mutant Ninja Turtles. Are there moments when the movements are slow and rigid? Yes...during the dialogue and comedic scenes. Moments where good and quality animation isn't really all that necessary. You see this same technique in most modern anime: The animation is rigid and cheap for the dialogue-heavy scenes so the animators can give extra attention to the epic action set pieces. Not a single person complains about this happening in their favorite anime of the week. But when Rise of the Teenage Mutant Ninja Turtles does this, apparently it's a bad thing? Explain that logic to me!

The animation is phenomenal in this show. Don't let anybody tell you otherwise because those people are either blind or insanely stupid. Either works.

It’s Pretty Funny: And that's about it. It's nowhere near one of the funniest shows I have seen, and previous iterations of the franchise did a much better job at balancing humor and heart, but Rise of the Teenage Mutant Ninja Turtles did a great job at getting a laugh out of me from time to time. It has a very random sense of humor that works well with its manic energy, similar to what Star vs. the Forces of Evil did early on in its first season. Even if one joke fails, about ten more take its place, most of them funnier than the others. There may be an occasional issue where a joke spoils a dramatic moment, but Rise of the TMNT is one of the few shows where that issue doesn't happen often. Besides, the series sets itself up as more of a comedy than other reboots and reiterations, so it wouldn't look good if it wasn't funny. Thankfully, it is, and in a way, the show is a success because of it.

It Tries to be Something New: This is what I respect most about the series. The downside about a reboot is that writers have to find a way to tell the same story but with adjustments that make it seem different. That's the same way Teenage Mutant Ninja Turtles operates as a franchise. The original concepts of the stories and characters are always iconic, and I'll love them with my whole heart, but I will admit, there's a point where the same thing over and over again can be a little tiring. Then there's Rise of the Teenage Mutant Ninja Turtles, which makes changes where other shows would ask "why," this is the one that asks "why not?"

Why not change the personality and backstories of characters that still fit with the spirit of the original?

Why not change the genders, races, and possibly sexualities of these iconic characters?

Why not make something new?

Now, some have argued that the show is a little too new. Which I can kind of see the point of. After all, what's the point of changing characters and concepts so drastically when you could just make an original series? But even then, most of the changes are pretty clever, that I think it’s worth remembering for future iterations. Like making Casey Jones a female. Casey is a gender-neutral name, and I legitimately thought this series would do it for that reason alone. So I feel bad that the writers never got a chance to allow the series to reach its full potential with ideas like this due to Nickelodeon screwing them over (Seriously, never pitch a show to Nickelodeon. It rarely ever works out, and it's not worth the risk). I can see how these ideas could result in an incredible show that might cement the series as one of the best iterations of the franchise. But I can't base a story on potential. I can only judge what I see, and what I see are brilliant changes that impress me from time to time.

The Creators Are Still Fans: Despite making something completely different, you can tell that everyone working on this show loves TMNT as the rest of the fans do. There are dozens of references to previous versions littered throughout the series. Whether it's shoutouts to the 90s cartoon to bringing back voice actors from the last one, there are moments where the crew behind the series emphasizes how much they care about the franchise. There are also times when a reference has such a deep cut to it. For example, the series has the previous VA for Splinter to voice the current version of Shredder. I shouldn't have to explain how that is a brilliant idea, especially given Shredder's relationship with Karai...which I can't fully explain due to it spoiling TMNT (2012). This might be a whole new experience, but it is clear that history is not ignored when it comes to Rise of the Teenage Mutant Ninja Turtles.

The Cast is Colorful: It's not precisely a diversity win to have half the Turtles voiced by black VAs, but it is unquestionably some good sign of progress. The Teenage Mutant Ninja Turtles are...accurately what they are called. So they are not defined by the skin tone of the VAs themselves. So having half of them be voiced by people of color makes me hopeful that maybe future reboots would consider more colorful castings. Hell, maybe one day we'll have a Teenage Mutant Ninja Turtles reboot where all of them are POCs, to the point that we'll have an all-Asian casting for these timeless heroes (which makes way too much sense to me).

And it's not just the casting of the turtles that impresses me. Because the series making April O'neil black is an idea that I'm more than ok with. It's implied that she's black in the original comics by Keven Eastman and Peter Laird, so it works as another deep-cut reference that proves how big of fans the crew is. Plus, who cares? I mean, if we're still having issues of changing the race of a character who was originally white, all I can say is grow the hell up. You can complain if they don't grab you, but if the issue is because of one decision that shouldn't negatively affect anybody, I don't see the problem. Besides, at this point, a character being white is basically the base plate for someone in the future to change their race at another time.

Also, let’s give the people behind the casting a pat on the back for casting Asian VAs for characters who are, well, Asian. It’s the bare minimum of common courtesy and avoids the trouble of having white VAs do asian accents that have become quite culturally insensitive nowadays. So it’s a pretty cool decision if you ask me.

Diversity is never an issue, especially since representation always matters for people who demand to be heard. It's definitive proof that anybody can be anything, whether it's a hero in fiction or the voice of that hero behind the scenes. And you can't really do that when everyone is so white that it's blinding.

Donatello: This is the best character in the series. Not only because Donatello has the most consistent personality (more on that later), but also because I'm a sucker for the cynical super-geniuses. These types of characters always have a quick and dry wit that never fails to get a laugh out of me, and this version of Donatello became my favorite just for that factor alone. Most of the credit goes to Josh Brener, who does a phenomenal job at his performance and comedic delivery. As for the emotional bits, he's...fine, but the drama isn't the show's best strength anyway, so it doesn't matter as much. Because the fact that it's Donatello who earns the spot as best character in a Teenage Mutant Ninja Turtles reboot is an impressive feat in itself that any criticism offered for him is moot in the process.

WHAT I DISLIKE

Leonardo: I'm willing to make half of this a personal issue because I have grown to despise Ben Schwarts in the last four years. No offense to the guy, I'm sure he's a really great person in real life...but he has done nothing but play the same character in FOURS YEARS! Whether he's Leonardo, Dewey Duck, Sonic the Hedgehog, or even M.O.D.O.K.'s son (yes, that's a thing), Ben Schwarts has practically played the exact same character each time. The highly energized, dimwitted, and egotistical character who slowly tries to learn to be a better person in the end. AND SOMETIMES, NOT EVEN THAT! I'm sick of it, as it always breaks the immersion of the series as all I hear is Ben Schwarts and not the character he's voicing. But it's not just the voice behind Leonardo that frustrates me. Because the thing is, I can see how this version of him can be incredible.

It doesn't take a genius to know that this version of Leonardo is meant to be more childlike and carefree so he can morph into the more mature leader we all know and respect him as. The issue is that the writers barely do anything with that idea. Sure some episodes make this Leonardo more like, well, Leonardo, but they're far and few between the ones where he's the same Ben Schwarts character that I've grown to hate. Even when he is at his most Leo-like, as seen in the episode "Man vs. Sewer," it's so drastically different from how he usually acts that it feels less like character development and more like inconsistency. It's a shame too because I really love this idea. With a little more polish, it could work out. As is, it's just a huge chunk of wasted potential.

Raph’s Too Good of a Leader: This is a similar issue to what I've mentioned about Leonardo. Because, again, I love this idea. Raphael, in multiple iterations, complained about how he should be the leader and just as frequently learns why the job rightly belongs to Leo instead. So starting with this role reversal should be a well-executed idea that gives Raph what he wants while eventually giving the fans what they want. And it would be if not for the fact that Raph seems to be too good at his job.

I get it. If Raphael was too incompetent, the turtles would have gotten nothing done, and it would get too tiring too quick as Leonardo constantly proves why he should lead and why Raph should follow. This actually happens from time to time, and it is already tiresom. The issue is that the intention was to make Leonardo the leader in the end. So why spend so much time showing how Raphael is capable at the job and barely any time showing why Leonardo is a better fit? There are even times when Raphael seems like he really is a better leader than Leo, which I feel as though it is contradictory to the point the writers are trying to get across. In the end, it's nothing more than another really great idea met with insanely poor execution.

Master Splinter (Early Season One): ...Did anybody like this version of Master Splinter in the first half of season one? Because this character was atrocious, especially compared to the previous Splinter from TMNT (2012). We went from what is easily the best interpretation of the character to what was, at the time, the worst. He was lazy, selfish, and emotionally distant with his sons to the point where he only acknowledges them by the color of their bandannas. I understand that the writers needed a more comedic version of the character due to leaning extra hard into comedy, but I don't think I laughed once with his antics in the first half of season one. Thankfully, he's been gifted with a softcore reboot during the second half and onward. This Splinter is awesome, serious, he works well as a straight man, and he has a backstory that's easy to follow while still being kind of heartbreaking. It's a tremendous improvement from what we've been given, but it still doesn't change how downright painful he initially was. I won't complain about the results, but I do have the right to complain about what we got beforehand.

Characters are Inconsistent: A common complaint you'll hear about Rise of the Teenage Mutant Ninja Turtles is that the main characters are the same. That's not true because there are definite differences that separate each one apart from the other...the issue is that the writers are not consistent with those changes. I've touched upon it with Leo, but the truth is, everyone in the main cast suffers from inconsistency with their personalities. If Raph is supposed to be the meathead with a good heart, why are there times when he acts like the smart one who occasionally enjoys violence? If April is supposed to be as wild and carefree as the rest of the guys, why are there episodes where she seems to be the sane one? If Mikey is supposed to be kind yet somewhat stupid, why are there episodes where he's selfish and more intelligent than Leonardo? Even Donatello, who is the most consistent out of the whole cast, still suffers through moments when he isn't as clever and cynical as he usually is. These inconsistencies are annoying, and at times, it feels like their personalities are dependent on what the writers need for a joke or for the episode. Characters are the most essential aspect of any story for any medium. If audiences don't care about the characters, they'll find it hard to care about anything else. And how can we care about anyone if we're not one hundred percent sure what their personalities are in the first place?

The Pacing: I sort of expected this when it was announced that this reboot was swapping the franchise's usual half-hour runtime for a ten-minute one, but in all honesty, it isn't that bad. It is slightly fast at times, but that's just as quick to get used to. However, there is one strange phenomenon about this show that I can't let go of.

You see, this series somehow has worse pacing with extended episodes and specials than it does with its usual ten minutes. I don't know how this is possible either. Because despite having as much time as the writers want to establish each plot point, it still feels like they fly through them a little too fast than they regularly would. It makes no sense, but it's constant in every extended episode, especially the series finale (which, to be fair, is partially Nickelodeon's fault. AGAIN!). So keep that in mind when watching.

The Characters Are TOO Overpowered: It feels weird complaining about this. Because making the characters capable of doing anything and surviving much more leads to some of the most epic action sequences in animation history, not just the series or the TMNT franchise as a whole. Despite that, though, there is one crucial thing that is always missing from those fight scenes anyways: Tension.

To fully explain why tension is required in action, I'll have to use Samurai Jack as an example. You see, the titular character can, at times, be just as invincible as these versions of the Turtles and survive even worse. But regardless of him being victorious after nearly every episode, no matter how high the deck is stacked against him, there was always a sense that he fought hard, literally and figuratively, for those victories in the first place. Jack losing articles of clothing or getting cut up gives the illusion that he might not win in the end. He still does, and he always does, but showing the audience that he can and will get hurt makes seeing that victory feel earned. The only times the Turtles, April, or Splinter get hurt is either for comedic slapstick or because the story says so. This is why I consider Shredder destroying the lair is the best fight scene in the entire series. The second he starts destroying their weapons, it gives the tension required to believe maybe, just maybe, not everyone will make it out alive this time. Because if the characters aren't careful, they will face intense consequences as a result. Thus making an adrenaline-pounding moment in the process. Unfortunately, this is the one and only fight scene where that happens. Every action set piece is still epic, don't get me wrong. But there's a reason why writers make even Superman seem less invincible than typical in a fight.

Baron Draxum: THIS is the biggest issue that I have with the series.

As a villain, I didn't give a s**t about Baron Draxum. He was a dull antagonist with a generic evil plot, but other than that, he was perfectly serviceable for a series like this. Even getting a few chuckles now and again...but then the writers decided to make him REDEEMABLE!?

This guy?

The maniac who wanted to commit genocide on human beings, all because of insufficient proof that they'll do it to his species first?

Didn't we already learn how that's awful reasoning after Steven Universe?

Actually, that's not fair...because Steven Universe has a better explanation behind wanting to redeem the Diamonds than Rise of the Teenage Mutant Ninja Turtles does about Baron Draxum! And I'm not kidding! For Steven Universe, the characters believe that it's better to end things peacefully than killing anyone, even if they're the worst criminals. It's a flawed mentality, sure, but it's one you can grasp and understand. What's the reason for redeeming Baron Draxum? It's because he's the reason why Splinter and the turtles are a family...F**k all the physical torture Splinter went through on top of the social ostracization he experienced because of it. No, no, it totally validates the decision to forgive and forget...Oh, wait, no, it doesn't. BECAUSE THAT WOULD BE INSANE!

Who in the f**k honest to goodness thought that would be a good idea? I'm all for finding silver linings in a bad situation, but that is just flat-out lunacy! Because it's the equivalent of saying, "Yeah, this person was a complete a-hole, but they're still the a-hole that made you who you are today." But that is a very dangerous lesson to preach to kids. Because here's the--Hey *snaps fingers* Here's the thing: If a person treats you like garbage, you don't owe them anything for who you are. It's one thing if a person inspired you or cheered you on, but if someone basically ruined your life and physically harmed you and others, don't forgive them. They don't deserve it. ‘Cause f**k Baron Draxum. And whoever thought this was a good idea, you seriously need some help.

Man, is this how it feels to be Lily Orchard? IT SUCKS!

IN CONCLUSION

And that's what I think about Rise of the Teenage Mutant Ninja Turtles.

It's a fantastic series! I just like everything except for the execution of ideas, most of the characters, and the overall pacing of it...that means it's not a good series, is it?

Yeah, it's a real shame that I don't like this. Because I want to. I really want to. The pieces are there, and I can see how this could be a great and memorable version of a series I loved since I was a tater-tot myself. But I don't. I'm sorry, but I just don't consider this to be an A+ series. It's a solid C, for sure, because it's mostly just style with very little substance. I still respect the amount of effort everyone put into this reboot, but for me, it just never had its chance to fully rise to the occasion.

#rise of the teenage mutant ninja turtles #rise of the tmnt #what i thought about #why i want to like

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mashounen2003 · 4 years ago

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Sonic opinions - 2

In large portions of every fandom, it looks like it prevails the idea that you can only take one of two positions: praising the story in every respect, including both the ideas themselves and their execution by the writers, or admitting not to like the story and not to praise any element of it at all. I think my ideas regarding the Archie-Sonic comics and the Sonic franchise in general cannot be pigeonholed into either of these two extremes.

More below the "keep reading" cut.

I loved all the world-building in Archie-Sonic, the elements the comic introduced, their many characters and the potential to tell stories about them; I also really liked much of the art and personal styles of several artists Archie-Sonic has had throughout its history, with very few exceptions (and such exceptions include Ron Lim, of course). That's why, of all the Sonic continuities, I often use the pre-reboot Archie-Sonic comic as the primary source for world-building elements and story ideas.

What really makes me feel bad about that comic, what motivates most of my criticism, is the ideas’ execution by the main writers, as well as aspects that I think are more linked to each writer as a person, the unique way in which each of them has written their stories.

Firstly, Michael Gallagher: the writer for the first few dozen issues of the comic had a terrible sense of humour, and this hurt the comic hugely since those first issues were fundamentally based on that low-quality comedy style. The characterization of the entire cast also suffered greatly from this; in Sally's case, something quite ironic happened too: Gallagher portrayed her as bossy, annoying, temperamental, usually bickering with Sonic, and now that's also how Sally is seen by many fans of the videogames’ continuity (at best). Other than this, not much more could be said about him.

Karl Bollers wrote quite decent stories with some nice comedy, with “Return to Angel Island” being his best work, one of the best stories in the entire comic and perhaps even one of the best in the franchise; but Bollers’s work was "torpedoed" by Ken Penders and then-editor Justin Gabrie, which ruined the stories’ final versions sometimes or led to elements introduced by Bollers being "retconned" and overwritten by whatever Penders smoked and decided to do when taking over. The characterization of Fiona Fox is one of the main examples, with Bollers's Fiona being a quite under-utilized character but with a great potential that would later be wasted by both Penders and Ian Flynn. Another similar case was Sally breaking up with Sonic: Bollers tried to give context to such a drastic decision by Sally and show how she was the one who was suffering the most at that time and also that both she and Sonic were partially right, but Penders and Gabrie didn't let Bollers develop this subplot properly and all we had was a quite infamous scene that unfairly made Sally one of the most hated characters. It’s also known of several plans Bollers had for future stories, and one of them was Antoine being corrupted by the Source of All and turning into a villain; this had the potential to be a good story by subverting the concept of the Source of All and making it an actual threat, but on the other hand, it’d have meant resorting once again to the resource of "this character isn’t doing anything, let's make them evil", something quite disappointing, which later would have disastrous results when Flynn did the same with Fiona a few years later. However, these plans of Bollers were just ideas, and the quality of a story created from them still depends a lot on execution. In the end, I can't say anything about how good or bad Bollers was as a writer, simply because I have no way of knowing what his stories would have been like if he had been given more freedom and had stayed as the writer longer.

There were two writers who influenced Archie-Sonic comics far more than any other writer in its history: Penders and Flynn. The first of them was a retarded pervert with an overly inflated and fragile ego. He became obsessed with the primitive, toxic ideal of "family" North-Americans have. He wrote nonsensical, contradictory stories, having already decided the end down to the last detail long before even thinking about how the story would come to that end (I also made this specific mistake a few times when I was just starting to write fanfiction, I must admit). He increased Fiona's age in order to be able to pair her with the Don Juan that Sonic had become, which also ruined Fiona's characterization forever. The issues 150s -right before being replaced by Flynn- were the worst part of Penders’s run, as Bollers was no longer there to put a stop to his madness in any way, and it was at this time when there was the most egregious case of Penders pouring into the comic his worst perversions and retarded ideas: he hinted at a sex scene in one of the most infamous cases in the history of the entire Sonic franchise, although it wasn’t infamous for the implied sex per se but rather because what happened was technically a rape by deception; to add insult to injury, the writer implicitly blamed the victim some years later when asked about it on Twitter.

I could go on talking about “Ken Perverts”, but I think that's not necessary and would be a waste of time since, as everyone here already knows, he's been the laughingstock of the entire Sonic franchise for years; @ponett even has a whole secondary blog, @thankskenpenders, mainly dedicated to this. On the other hand, there’s still another writer who has also contributed a lot and also made huge mistakes but is not criticized in the least by almost anyone, simply because he was better than Penders.

Ian Flynn usually reduced the characters to slightly oversimplified portrayals, similar to the personalities of the characters in the most recent videogames. Under his pen, Sonic was more sympathetic but his words sometimes sounded too empty and shallow, his apologies for past mistakes didn’t lead to genuine changes on his part, and sometimes he even seemed plain insensitive to all the tragedies happening around him, especially at the Mecha Sally Arc (I nickname Ian Flynn’s Sonic "Plastic Smile" for this). Admittedly, this had already happened several times with previous writers (Penders portraying Sonic as a Don Juan, as I already mentioned), and this is why I think the original Sonic from Sonic SatAM was always better for feeling more "genuine", less "empty", and more heroic and likeable as a result. Perhaps the only ones to escape the oversimplified portrayal have been Shadow and E-123 Omega, whose characterizations in Archie-Sonic were the best in the whole franchise.

Besides, Flynn had strong favouritism for Amy Rose, which only made things worse because this Amy was much more similar to the one in the videogames from Sonic Heroes onwards. Anyway, this also happened with previous writers, like when Amy wished to be younger at the cost of a chance to save Sally's mother and no one ever berated her for it.

Let’s look at the villains. Unlike the typical Eggman from the videogames, with his follies, eccentricities and other absurd aspects, the Robotnik “inherited” by the comic from Sonic SatAM was explicitly a genocidal bastard and crueller while at the same time being sane enough to realize everything he was doing (@robotnik-mun already spoke in detail about this once); however, Flynn tried to combine the two characters into the pre-reboot Archie-Sonic Eggman, and the result created some severe problems with the stories’ tone. Something derived from this was how Sonic let Eggman live and even felt sorry for his fall into madness, in addition to treating him as if they were the Sonic and Eggman from the videogames, Sonic X or Sonic Boom; it’s worth remembering this Eggman technically is a sort of reincarnation of the SatAM Robotnik (his exact nature is quite complicated and includes parallel universes, but yes, he’s supposed to be exactly the same as the SatAM Robotnik, with memories and everything) and this Sonic is supposed to have fought a bloody decade-long guerilla war against him just like his SatAM counterpart.

Scourge was turned into a massive Mary-Sue who achieved easy victories, as subtle as a huge neon sign saying "the bad guys win"; he was also an abusive manipulator towards Fiona Fox, and Flynn was unable to show that properly for fear of making his pet look no longer cool, which makes you wonder how alike Flynn and Penders might actually be in some ways. To clearly understand the horrible damage this has caused: it not only created a generation of young Sonic fans -mostly boys from the USA- who romanticize abuse either consciously or unconsciously, but also there are even women -including scholars, committed feminists and transgender people who are also activists for social justice- who either sympathize with Scourge or think Fiona made a right, wise, rational or informed decision by joining him in the story (I’ll not give names of those women, I’m not really eager to get into heated fallacious discussions about “the true meaning of Feminism”); to top it off, among the writers who started working with Ian Flynn either on IDW-Sonic or the last years of Archie-Sonic, there’s at least one person who got the job of writing official Sonic comics after gaining quite a bit of fame with a fan-comic where they used the pairing of Scourge & Fiona to inspire its readers to feel sorry... for Scourge. And speaking of Fiona specifically: the subplot of her career as a villain was ill-conceived, was built by using as a cornerstone the A-story of Issue #150 (that quite infamous and widely known story written by Penders where Scourge may or may not have raped Bunnie by deception), and was also seemingly "abandoned" as Fiona ended up merely being Scourge's new abuse victim girlfriend and her status as a traitor didn’t even have a significant emotional effect on the Freedom Fighters.

Flynn also followed something like a pattern of taking tropes from famous works and then using them when writing the comic but not actually understanding why those tropes had worked in the first place. Perhaps the prime example of this was Scourge giving Sonic the Joker's "One Bad Day" speech: it almost felt a bit like giving the same speech to the Batman of Batman vs. Superman, as Sonic had already had a whole "bad decade" and was still a hero despite it; also, Sonic's answer to that speech (telling Scourge it only takes a tiny bit of selflessness and decency for him to be a good person) wasn’t that great, not at all compared to the mildly masterful answer Batman had originally given to the Joker in The Killing Joke, and it even made Sonic look more like a bad judge of character.

Lastly, the entire Mecha Sally Arc was poorly planned, had some contradictions with itself and with previous stories, was stretched through dozens of comic issues no matter if that felt forced, and the main events and plot twists throughout the story arc were heavily based on shock-value without giving any substance to this or making it a bit more sense when putting it under scrutiny; meanwhile, Flynn always seemed to have quite a hard time when writing long story arcs, so these long stories looked like he was trying and outright failing to imitate Toriyama (someone quite known for putting together stories ad-lib according to what seemed most convenient at the time).

Despite this, it looks like those Sonic fans who are still interested in material outside of the videogames will keep buying and reading whatever Ian Flynn or one of his colleagues writes, simply because they’re better than Penders... even though it's been 15 years since Penders wrote something official about Sonic. Seriously, we should have gotten over it by now, instead of continuing to compare all material in the franchise with Penders's work, which sets the bar too low for any official content creator. Now that I think about it, Penders's work is to the North-American Sonic canon what Sonic 2006 is to the videogames: people can criticize the latest games all they want, and rightfully so, but if someone even casually mentions Sonic 2006, any Sonic game from 2010 onwards instantly becomes a masterpiece just for being marginally better than Sonic 2006; the same happens between Penders's work on pre-reboot Archie-Sonic and any other North-American Sonic comic written by Flynn after Penders left.

Right now it looks like it's also forbidden to criticize Flynn as a writer at all just because he's much nicer in his personal life and engages with fans more directly through his podcasts, or because Flynn is truly progressive while Penders claimed to be progressive and a feminist and was affiliated with the USA Democrats but his work showed how misogynistic, perverted, retarded, reactionary and downright sick he was. Also, now saying something about Flynn other than total blind admiration for him and his work, even asking for the Freedom Fighters to return in the IDW comics, has become synonymous with agreeing with those assholes who cry "Rally4Sally" or "Udon4Sonic" on Twitter: "nostalgic" fans of SatAM and Penders's work on Archie, in their 40s or 50s, deeply conservative and absurdly paranoid, who claim that those new inclusive cartoons such as Steven Universe or She-Ra "are ruining their childhood", are mad at Flynn just because he hinted Sally and Nicole may be a lesbian couple (and in a rather platonic way, not even romantic in the traditional sense), and try to justify their own warped ideas and fantasies about SatAM by ignoring any “liberal” political messages SatAM may have had at the subtext level.

#sonic fanfiction by mashounen #sonic opinions by mashounen #sonic #sonic the hedgehog #archie sonic #sonic comics #sonic satam #michael gallagher #karl bollers #ken penders #ian flynn

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cutegirlmayra · 5 years ago

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So i saw your answer about sonamy ship, what made you on the inside feel like this is the ship that is meant for?

For further clarity, I asked @prettygoodsonicartist to elaborate :)

Reply from them: When you first saw the ship were you like *claps hands together* BOOM BEST SHIP! or just like meh it's a ship. Also I read your other sonamy posts and what is the game that gives the most sonamy vibe to you? Thank you for your time. I am a pretty big sonamy shipper so i was wondering why this ship and why do you support it? And how happy are you that sonamy is actually canon?

Me:

1. When I first saw Sonamy, I just thought it was cute. Amy was so forward that I felt that was kinda odd, and Sonic seemed to freak out a little too but he was never rude to her affections. In fact, it looked like he just submitted to them and then tried to get away. It seemed like a typical boy thing to me, when a girl flirts for them to rush off. I first saw Sonamy through Sonic X. I felt like I wanted to support Amy because her intentions weren’t bad, and Sonic didn’t seem too deterred from her either. So, after I watched the whole thing (very young, mind you) I saw so many times where Sonic valued Amy’s safety and happiness, even over his own, which made me think... maybe he does have a hidden feeling for her? There weren’t ‘fandoms’ at the time, so I just kept these cute thoughts to myself. But I was into other shows at the time as well, and my own OCs to really ‘ship’ but I did support her and their growing bond :) It took more time before I was like, “Woah, why aren’t they growing more together like in Sonic X?” When I played some games, I got even more curious. “What does the Japanese script say?” And the more I studied them, the more I realized how subtle their relationship actually was. We only see the surface level, of Amy’s doting nature and Sonic’s introverted aloofness... but when you really search for it, there’s a lot of feeling there... just private and between those two ^///^

2. Thank you! I’m so glad you enjoyed my Sonamy posts! I really like Unleashed because of the emotions you can see a lot better through the beautiful animation. You can tell Sonic really didn’t want Amy to run off, but Chip convinced him he was a hideous, scary monster and so he let her go, and it really hurt his pride to do so. I think there’s a side to Sonic that is shown wonderfully in this sequence with him and Amy that he really does value his time together with her and even some vulnerability when he won’t tell her it’s him who saved her. He doesn’t want her to pity him, he wants her to see him as her handsome hero, and I think that image bothered him. However, in the game, Amy continually reassures him. It’s so cute, she knows he doesn’t like the form, so she says she does prefer him as himself, knowing he feels that way too--but then beautifully reminds him that it’s not his looks she’s into, but his noble heart/free-spirited soul. I think that, during this game, the writers knew Sonic was struggling with his self-image and the darkness inside him, even submitting to fear at one point in the game. This game brought so much emotion out of Sonic, that he needed Amy’s words and presence to be there for him. That’s why I love that game and it’s powerful scenes of them! They seem cute and innocent on the outside, but Amy truly is a light in the darkness for Sonic. Always positive and supportive, which is what he really needed at the time.

3. I’m a big fan too! I’ve researched it so much, you know? It’s hard to hate something you understand. And though there are still many secrets SEGA keeps to themselves (much like Nintendo or other Japanese children’s games companies, their heroic men are usually hard to read sometimes... and they keep their ‘love lives’ private to the characters. XP Lame! lol They’re like celebrities, we want to know everything! haha) but that doesn’t mean they don’t leak out a cute insight or two. ;) I think this is the most time I’ve ever devoted to a ship, and that’s why it’s my number one, though I do have many ships xD I support them because, in the end, they have so much--AND I MEAN A WHOLE TON OF A LOT--of potential in how they can grow, have beautifully written and animated scenes together that really teach about good and healthy relationships between girls and boys, and also just their dynamic in general. Sonic has always been about ‘breaking stereotypes’ and ‘rebel generation’. I think Amy being so proactive in ‘chasing the boy’ is very different from the typical “The Flower doesn’t chase the Bee” standpoint. That’s what makes Amy’s core character about in Sonic’s universe, she’s not your typical ‘shy Japanese wise but strong woman figure’. She’s ‘outgoing Japanese girl who can be naive at times but her heart is her most powerful weapon, even if she does carry a huge hammer and is a ‘girl’ figure, not a woman just yet.’ I think this makes her so much more than what we usually see in video games, trying to make role models, but Sonic IS NOT A ROLE MODEL. He’s the outcast, the ‘in and out’ kinda hero. He doesn’t stick around for praise, or go rogue and turn anti-hero. (Though he apparently can and has sometimes.) He’s just the teenage rebel child that doesn’t live by the rules, but still does what’s right. (the bad boy that does good things lol Robin Hood and what not.) So I see Amy as fitting into the genre, and they specifically designed her to be all about Sonic, but to be different than the usual take on that ‘main heroine lead’ type of deal. And as her creator once said, “Isn’t that more interesting?” They purposefully made a ‘different’ kind of girl character than what was around at the time, because they wanted Amy to be interesting.

4. I personally don’t like saying, ‘It’s canon!’ because it’s not really canon until it happens. Sonic has yet to reveal his full feelings and confess them (either verbally or non-verbally) to Amy just yet. (I know the french scene says he did, but hear me out.) Sonic has hidden emotions regarding Amy, yes, that is true. However, they’re not a traditional couple. They are confirmed to go on dates, you can date people but not be in a committed relationship to them yet. I think they need time to develop and grow more. It IS CANON that Sonic has feelings for Amy, but it is NOT CANON that they are ‘together together’ yet. Still, the fact that they share feelings for each other is enough to grow excited about, but I honestly just can’t wait to see how they build to showing that more on the screen... so it can really be announced as “CANON!” lol

I hope that makes sense! Thanks for your questions ;)b To me, Sonic and Amy are growing towards Canon, it’s just a slow process, surprisingly, lol. Though, I think at their pace/in their case, it’s faster than the eye can see!

Honestly, these moments are too precious, how can you not see a future where they have one another and are together?

Let’s support them forever! And hopefully, give the couple a good rep and name so that we can see more of these adorable bonding moments and self-sacrificing scenes in the future! :’D Let’s get more emotional moments into Sonic The Hedgehog!

#sonamy #sonicxamy #sonic and amy #cutegirlmayra #ask cutegirlmayra #cutegirlmayra ask #sonic x #x!sonamy #sonamy x #sonic unleashed #unleashed!sonamy #sonamy unleashed #sonamy analysis #sonic the hedgehog #amy rose #sega #sega of japan

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mobius-prime · 4 years ago

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248. Sonic the Hedgehog #179

House of Cards (Part Two: Royal Flush)

Writer: Ian Flynn Pencils: Tracy Yardley! Colors: Jason Jensen

Sonic and Tails are still embroiled in their fight from last issue, with Sonic trying to convince Tails to stand down so he can rush off to stop Rosemary and Amadeus from doing anything stupid. Tails, of course, refuses, hitting him again, and Sonic angrily tells him that while he understands sticking up for his parents, he's not cool with this whole "punching your best friend" business, to which Tails simply yells that Sonic's had this coming for a long time.

Oof, this is even worse than we previously thought. Rosemary and Amadeus approach the castle's side entrance, and Amadeus is suspicious when the codes he enters on the keypad let him in without a problem, realizing that since they haven't been changed since his arrest this must mean Elias is inviting him in. Indeed, inside the castle we see Elias urging his wife Megan along with their baby daughter Alexis to take shelter inside the nursery while he deals with the revolutionaries breaking in. He quickly orders Nicole, standing nearby, not to wake up his father under any circumstances, just as Amadeus and Rosemary enter the room.

I mean, while you have a point, Elias, the city is hardly going to fall to anarchy the moment it stops being ruled by a monarch. Keeping the peace is kind of the entire point of a democracy. Rosemary calls him out, insisting he should listen to his people who were just calling for a reformation earlier that same day, but Elias insists he won't step down, so Amadeus draws his sword. Elias reveals two honestly pretty cool-looking short double-ended blades beneath his royal cloak, and thus, the two parties clash swords…

And speaking of a clash, Sonic has finally gotten tired of fighting Tails inside the jail, heckled as they are by all the onlookers. Sonic rushes outside, and Tails follows him angrily, and what follows is possibly the most bizarre and scattered string of accusations he could possibly make. He calls Sonic out for, in order: leaving him behind on a lot of missions when he was younger, teasing him when he talked about his own adventures (to which Sonic objects that he teases everyone), and finally not immediately breaking his father out of prison when he got arrested. Sonic is truly baffled by the last one, considering Amadeus wasn't even in jail for a full twelve hours, and then Tails finally screams out the real reason he's so angry - Fiona. Yep, that's right, he's still hung up on Fiona - or should I say, Ian is still hung up on using her as a weird plot point in Tails' character arc.

Okay. You guys already know how I feel about the whole "Tails loving Fiona" thing. It's weird and unnecessary and just doesn't seem to fit literally anything else about Tails' character. But let's assume for a second that it is a valid thing to be upset about and that the whole plot point isn't weird as hell. A ton of things have just fallen into place with his little speech here. Tails has indeed been acting weird ever since Sonic returned from space, and he and Sonic haven't had a single good, honest heart-to-heart about it in all that time. Things have been strained between them for a while, and honestly, I'd say this is even less about Fiona than it is about Sonic being careless and forgetting to show Tails that he actually respects him. He's gotten so used to taking Tails' devotion for granted that once things started getting tense, he didn't know how to handle it, and ended up settling on the less-than-healthy option of ignoring the problem and hoping it would go away. I've seen plenty of people point to this issue as a bad case of these two being totally out of character, but the problem that people cite always seems to be that Sonic and Tails are fighting at all, rather than what they're fighting about. And frankly, while Tails' initial stated reason for fighting Sonic - to help his parents overthrow the government - didn't make a ton of sense, anyone who knows anything about psychology knows that when one person is mad at another but isn't able to properly express why, those bottled up feelings can come bursting out in all sorts of bizarre ways, including many that don't seem to make any outward sense. And, of course, this can include blaming the other person for things that seem totally out of the blue - because that's not actually what they're angry about at all.

My takeaway from all this is that, again, Tails is not angry about the Fiona thing so much as that the Fiona thing represents a lot of what he has actually been upset about, and he's been carrying around these feelings of resentment that have been slowly building up for years. It's a very believable and reasonable reason for these two to end up butting heads, especially considering Sonic can be quite arrogant and self-centered at times, even without meaning to. In essence, what Tails is ultimately expressing in this whole outburst is that he's no longer content to simply be the forgotten sidekick who always has to take a backseat to Sonic's glory. And if you're wondering why Tails in the comics needs this character arc but not Tails in the games, that very premise is mistaken from the get-go - because he did get this moment of character growth in the games, just under totally different circumstances. Remember how the comics' Sonic Adventure arc never included Tails battling the Egg Walker or saving Station Square from the missile Eggman fired? In the games, that was a very important part of Tails' growth as a character - learning that he could be independent from Sonic and didn’t always have to rely on him or trail behind him, that he could be a hero in his own right. But that entire sequence was cut from the version of the story we got in the comics, and thus, Tails was still left as the sidekick, the little kid, the dependent younger brother without a family of his own. I would imagine that he had to teach himself a lot of that lost independence in the year that Sonic was missing - and it had to be jarring once he got over his initial joy at having Sonic back in his life, the realization that to Sonic, he was still the little dependent sidekick when he'd grown so much since those days. And since his life situation has so drastically changed even in just the last few weeks, all of these feelings have finally come bursting out of him in the form of siding with his biological parents over Sonic. With his above comments about Fiona and about taking away everything he cares about, the entire situation has just become crystal clear to Sonic, and now he wants to make amends, finally knowing exactly what has been bothering Tails this whole time.

But ANYWAY! While all that is going on above, Elias and Amadeus continue to battle it out, only to be shocked by the sudden appearance of a solid wall of nanites in between them. Nicole cheerfully announces from the doorway that while Elias told her not to wake up his father, he said absolutely nothing about waking up Sally, and that's exactly what she's done, with Sally glaring at the two combatants in stark disapproval.

See, this is why Sally should have been involved in the proceedings from the beginning. Outside, Tails has halted his attack after Sonic's words, uncertain about what Sonic is getting at, so Sonic explains himself.

There you go, Sonic. That was what he needed all along - a genuine apology and understanding of his feelings. Tails calms down once Sonic reassures him he's being sincere, and Sonic lightens the mood by joking that Tails has gotten too good at kicking butt for Sonic to want to continue being beaten on by him. Tails says he still wants to talk a few things out, but for now, they agree to team up, rushing to the castle to try to prevent Tails' parents from doing anything they'll regret. They're quite taken aback when they burst through the doors only to find Amadeus and Elias sitting down to a peaceful talk over tea, having agreed on a compromise. The government will be reformed into a combination of a democracy and a monarchy, with a council of six elected citizens being presided over by the king as a seventh member. This way, the people have a government that actually represents them, while they don't lose their monarchical heritage! That's actually probably the best solution that could have possibly been reached, and I applaud these two for having agreed on such an elegant solution.

Oh, Maximillian, so stuck in your old ways. Honestly, though, all things considered, I actually do not think he's a bad person. He's stuck in rigid tradition, but it was something he was indoctrinated into his whole life, and it's not surprising he'd be so resistant to change, especially after everything he's been through in his life. Remember, this guy can't be older than his mid-forties - it's not like he's some old and wizened ruler who has had time to process his life's experiences, he's barely halfway through an ordinary person's life span! That's a lot to deal with in a short amount of time. Outside, Sonic, Tails, and Sally watch the election take place, and Sonic asks Sally why she didn't run for a spot on the council, to which she slyly replies that it's likely for the same reason that Sonic didn't. I presume that means that she wants to have free time to herself to help lead the Freedom Fighters and not continue to be stuck at home, but we don't get a lot of time to think about that, because out of goddamn nowhere, Dimitri shows up in his little head-bubble and scares the living hell out of all three of the heroes, asking after Knuckles and warning them that Enerjak has returned…

#nala reads archie sonic preboot #archie sonic #archie sonic preboot #sonic the hedgehog #sth 179 #writer: ian flynn #pencils: tracy yardley #colors: jason jensen

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thankskenpenders · 5 years ago

Photo

Yeah, this is the big one. Grab your popcorn

Sally finally gets a moment to talk to Sonic after being ignored all day, and tells him what’s up. With her being put in charge, and Sonic being her royal consort (basically, the guy who’s committed to marrying her someday but isn’t quite her fiance yet), Sally wants Sonic to stop going on away missions and lead Knothole by her side

Look. Let’s set aside all of our preconceived notions about what a Sonic comic should or shouldn’t be. Ignore the fact that we obviously want to see Sonic go on adventures. Forget it. Let’s look at it from Sally’s perspective for a second

Yes, this is the post in which I explain that “The Slap” isn’t that bad. It’s certainly not great, but it’s not The Worst Thing Ever like it’s been made out to be. I wish I didn’t have to spend my evening writing this, but 15 years of hyperbolic fan outrage (note: some Wikia rando added that “reception” section this year) have forced my hand

First of all, again, Sonic is formally committed to marrying her and ruling alongside her someday. This was established ten issues ago. He was already committed to this. Then, Sonic went and died. Sally still spent an entire year of her life thinking her basically-fiance was dead, and had to deal with shit in Knothole without him as things continued to get worse and worse. No one can just bounce back from that unscathed. After his return, she WANTED to help Sonic and go be a Freedom Fighter on the last mission, but her parents forbade her and the royal guards kept her in the castle. (That SUCKS, but is a whole ‘nother conversation.) She wants to fight by his side and keep him safe, but her parents are forcing her to stay home and be the princess, which only makes her more distraught. Last issue, she broke down into tears when she saw Sonic get shot by M over Eggman’s video feed, and her mother had to console her and reassure her Sonic wasn’t dead

Sally very clearly has PTSD over Sonic’s “death” a year ago. She doesn’t want to lose him again. She’s outright said as much

And also... when she says Sonic isn’t the only hero around, she’s got a point?Sonic barely did anything in the last arc! Tails was the one who outsmarted ADAM. Shadow dealt with Eggman. Bunnie did most of the damage to M and took out an entire fucking aircraft carrier on her own. Knuckles, the Chaotix, Rouge, and Amy took out the robot horde. All Sonic did was land the final attack on M--which, honestly, someone else could’ve done. And he got his arm injured in the process

Add on to this all of the chaos of the last few days. Sally’s barely had a free moment to see Sonic since she found out he was alive. They nearly got nuked by Eggman. They’re being harangued by the paparazzi. It sucks. And hell, it goes back WAY further than this! She spent years as a kid trying to save her parents, and now all they do is belittle her. She found out she had a secret older brother, and then her parents decided he was the more important child. She went through all sorts of relationship drama. She nearly died a few times herself. And now, her parents have decided to leave her in charge of their whole kingdom at a time of war, while she’s still a mess from the trauma of losing Sonic. The idea Bollers had was apparently that Sally had been bottling up her issues for years (which she totally had been), and this was just the breaking point

I know Sonic’s desire to keep being a hero is understandable. I know he’s right. That’s all he really knows how to do, and he feels useless in times of peace. And obviously, we the readers want to see Sonic go on adventures. But Sally’s concerns are valid. We don’t have to agree with her plan to have Sonic rule by her side for her emotions to be understandable

Sally’s been on the verge of a breakdown for who knows how long. She should be mad at her parents, but they’ve worn her down to the point where she thinks she’s unable to confront them. (It would be very, very easy to make a case arguing that Sally’s parents are emotionally abusive. Max especially.) She thinks that Sonic is the one person who will listen to her and have her back. They’re betrothed, after all. This is literally what he signed up for. After trying to get his attention ALL DAY, she finally gets a chance to talk to him. But he wants other things in life, and refuses. In front of a crowd, no less

So she lashes out at Sonic and slaps him

Then they both start yelling at each other and crying. Sally asks Sonic if she’s more important to him than fighting Eggman, Sonic can’t answer, and Sally runs away in tears. For all intents and purposes, Sonic and Sally are now broken up. (For now.)

Should Sally be lashing out at Sonic? No. Could this scene be done better? Oh, absolutely. This is not the direction I would want Sally to go in as a character, and if you ARE gonna have them fight, this wasn’t written with the care required to make fans sympathize with both parties. The fact that we’ve seen everything from Sonic’s perspective with barely any insight into Sally’s certainly doesn’t help. But as the several lengthy paragraphs above explain, this does not come out of nowhere. It’s easy to find lots of fans online calling Sally all sorts of names (sometimes very misogynistic or ableist ones) because they think she just flipped out on Sonic out of nowhere. But she didn’t. Sally having some sort of breakdown had been foreshadowed for several issues, and the reasons why make sense. No, she shouldn’t have lashed out at Sonic, but this isn’t just her going “Oh no, my period! Let’s nuke England!” as so many have made it out to be. (And hell, the comics already had a lengthy history of treating Sally even worse than this, with Gallagher making her the nagging girlfriend who bickered with Sonic all the time and Penders sympathizing more with her shitty dad.)

Again, this was supposed to be a turning point in which Sally bottling up all this crap and carrying the weight of the world on her shoulders finally leads to her breaking. It’s a dramatic low point to build back up from. The problem is that Bollers left the series only a few issues later, and Penders and “Chacon” never did much with this. So in hindsight, many view this as her randomly snapping “for no reason,” because the followup stories that would have explored how she’d been bottling up her feelings were never actually written. But it’s not hard to figure out what’s supposed to be going on in her head if you actually go back and look at the preceding Sally scenes

For the most part, this is just run of the mill relationship drama for Archie Sonic. You see this kind of shit all the time in serialized media. Characters date, but the writers need to keep things ~spicy~, so they break up, see other people... then inevitably end up back together, and the process repeats ad nauseum. You ever watch Scrubs? You know how JD and Elliot are obviously love interests from episode one, but they had to do that will they/won’t they shit for years and have flings with other characters to keep up ratings? Yeah, it’s just that. For Sonic, there’s also the added pressure from Sega, who never allowed Sonic to be in any stable relationship for very long. Several writers have talked about how this limited what they could do with Sonic and Sally. Do I like that this cycle of drama is the norm? No. But after over 200 of these comics, I’m used to it

(And hell, at this point in the comics, they had literally just broken up Bunnie and Antoine, and Rouge was starting to get in the way of Knuckles and Julie-Su’s relationship. Between Julie-Su and Knuckles’ first kiss and them actually dating, Penders had Julie-Su get mad at Knuckles and go out with some random other guy. They do this shit all the time)

The worst you can really say about this scene is that Jon’s art is a little too goofy and undermines the drama a bit. In his own words from his website’s FAQ: “I’m sorry. Like I said, I was an overeager noob and I drew what I was given.” But really, he had been drawing these sorts of exaggerated, frantic expressions throughout the entire issue. Not just with Sally. Look at all the panels of Sonic wigging out in the previous pages. I still think his work is fantastic. If anything, it was a bad call on Archie’s part to give this somber scene to a brand new artist with a very exaggerated, silly art style. He just drew what was in the script

You know what really blows about this whole thing, though? Jon Gray is still, to this day, over 15 years later, getting harassed for drawing The Slap

That is so utterly ridiculous and shitty. People have made up all sorts of conspiracy theories about the slap, saying that Jon had some sort of “anti-Sally agenda” and that it wasn’t in the script. (This is completely false.) People are so stuck in the past and bent out of shape over this one panel in a pretty run-of-the-mill Archie Sonic issue that Jon has to block people who come into his Twitter mentions accusing him of “sabotaging” the series on a regular basis. Y’all, Jon’s a good guy, and he doesn’t deserve to be treated like that

And lord. There’s so much nastier shit within this series. Penders hooking a 15-year-old Sally up with a dude in his 20s (and later saying that he wanted her to lose his virginity to said dude). Gallagher making Barby Koala have a creepy crush on Tails. Penders rephrasing a poem about the Holocaust to be about hedgehogs. Penders having Sally rationalize her dad’s attempt at genocide. (I could go on and on with Penders, can you tell)

This whole thing is just, so blown out of proportion. It’s not a great scene, but it didn’t “ruin” Sally’s character. Neither Jon nor Bollers had some sort of “anti-Sally agenda.” They weren’t out to ruin your fucking ship. And for god’s sake, quit yelling at them about it. This was 15 years ago and all parties involved have moved on. It’s just more melodrama in a series that’s always 90% melodrama

It’s a single panel in a comic about Sonic the Hedgehog. Can we move on

#StH 134 #tkp post #the slap #hall of fame

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crusherthedoctor · 4 years ago

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Can we have some unpopular Sonic opinions?

I tried to cram in a lot, so I hope this satisfies you. :P I tried to stick to the ones that I haven't brought up quite as often, since by this point, we all know that I think IDW's storytelling is dire, SA2's story is overrated, X Eggman is an embarrassing portrayal (at least from season 2 onwards), Blaze shouldn't be handcuffed to Silver, Shadow's backstory had issues with or without the Black Arms, Neo Metal Sonic looks silly, etc. But anyway, here we go:

- Knuckles may be tricky to incorporate into plots that don't relate to Angel Island, but making him obsessed with his duties is no better than having him forget about Angel Island entirely.

- I like Marine, and never found her annoying. Oh, I understood what they were trying to do with her, but I honestly wasn't put off by her, and found her Aussie lingo more endearing if anything. Since her debut was during the period in my life where where I couldn't stand Sonic himself, I instead thought he was irritating (and hypocritical) for getting annoyed with her for doing shit he would often be guilty of.

- Silver is just as guilty of being shoehorned into games and plots as the Deadly Six are. Having more fans than the latter is irrelevant, since we're still talking about a character who constantly has to time travel in order to be present.

- Speaking of Silver, if he has to stick around, please do something different with him. They've pulled the doomed future routine multiple times now, and it's been boring every single time. I wasn't interested when it involved Iblis. I wasn't interested when it involved Knuckles drinking the edgy Kool Aid. I wasn't interested when it involved a council of dumbasses... give it a rest already.

- The Tails Doll can work as a mildly creepy thing, with maybe more to it than meets the eye when it's time for a boss fight or what have you. But the memes about him stealing your soul are just dumb, and I thought it was dumb even back in my teenage youth.

- “Eggman is supposed to be clownish!” Yeah, well he's also meant to be a genuine villain with a 300 IQ. These qualities don't have to be mutually exclusive.

- “Sonic is supposed to have attitude!” Yeah, well that's not the same thing as being an absolute cunt. Sonic was only ever meant to come off as having an edge compared to Mario. He was never meant to be a GTA-tier protagonist.

- Rouge is not a villain, and never was a villain. Literally the whole point of her role in SA2 was to reveal that she was working against Eggman and Shadow the whole time, albeit using sneakier tactics to do so. You'd think all those people who exult SA2's story would remember this, but apparently not. She barely even qualifies as an anti-hero, since aside from stealing the Master Emerald, she rarely does anything morally questionable otherwise. She's got a lot more good in her than people give her credit for.

- Captain Whisker is a better Eggman Nega than the actual Eggman Nega. And as far as robot characters in this franchise go, Johnny's design is pretty underrated.

- I don't like Iblis or Mephiles, but I DO like Solaris, and it annoys me that it was out of focus for most of the story due to all the time spent on its less interesting halves. Had they kept the backstory with the Duke and his experiments, and worked from there, I think they could have provided an interesting contrast with Chaos (since Solaris can also qualify as a monster with a sympathetic backstory) instead of recycling the surface level schtick.

- Black Doom may technically be just as bad as Mephiles, Nega, Scourge, Mimic, etc, since he's yet another villain with one-note characterization and fucked over Eggman. But because he never gained a disproportionate fandom, he doesn't annoy me to the same extent. It's easier to ignore him by comparison, and his Dr. Claw voice and face shaped like a lady's delicate part make him enjoyable to mock.

- Likewise, while Lyric is also on the same level as these other villains, it's easier to dismiss him because I was never invested in the Boom games anyway, and being an obvious alternate universe (compared to Sonic X or IDW, which retain the Modern designs and plot elements), it never had an effect on the main series. I also unironically like his design, and if nothing else, at least this snake didn't start a hypnotism fetish across the internet.

- Sally - and the rest of the Freedom Fighters for that matter - have had their importance in the franchise severely inflated. They may have been lucky to be the face of popular media (SatAM and Archie), but they're not these magnificent entities that the game characters are but a speck of dust in comparison to. Having a “legacy” doesn't make them more entitled to shit than any other character, old or new.

- Conceptually, the treasure hunting gameplay is one of the better alternate gameplay styles IMO. But it was let down in SA2 by its one track minded radar (the levels may have been big, but I don't think that would have been an issue on its own if the radar was better). If they brought it back and made it more like SA1's treasure hunting, I'd be all for it, although it would probably be better suited for a spinoff title.

- This goes for a lot of games, but when it comes to 2D, I prefer sprites over models. Not that the Rush models are bad (though the ones in Chronicles sure as fuck are), but the sprites in Mania and the Advance trilogy are just so charming and full of character.

- I actually like Marble Zone. Yeah, the level design is a bit blocky, but I love the concept of an underground temple prison, mixed with lava elements in a zone that otherwise isn't a traditional volcano level.

- I also like Sandopolis Zone. Again, completely understand why it's not the most popular zone around, but I've been a sucker for the Ancient Egyptian aesthetic since childhood (you can thank Crash 3 for that), and Act 1 is visually stunning.

- I prefer the JP soundtrack for Sonic CD over the US version overall... but I also prefer Sonic Boom over You Can Do Anything.

- SA2's soundtrack isn't bad by any means - I love Rouge's tracks, and The Last Scene is one of my favourite pieces of music - but as far as variety goes, it's a step down from SA1's soundtrack.

- If Sonic X-Treme had been released, it probably would have been unenjoyable and confusing. Whatever your thoughts on SA1, it was probably the better option between the two as far as Sonic's first legitimate translation into 3D goes.

- I have no qualms with Modern Sonic and the other Modern designs and characters, but I also fully acknowledge that changing gears from Adventure onwards - and doing it with a great amount of fanfare - was always going to create one of the biggest divides in the fandom, and fans shouldn't act surprised that this happened. The fact that they felt the need to hype up a new design and direction in the first place (compared to Mario, who has mostly been the same since the beginning, with only the occasional minor change with little fanfare) also indicates that they weren't confident enough in Sonic and his universe being the way it was, which often gets ignored by all the “SEGA have no confidence!!!” complaints you see with their recent games.

- Unleashed did not deserve the incredibly harsh reviews it received back in the day... but it doesn't deserve its current sacred cow status either. It had more effort put into it than '06 to be sure, and I can respect that, but much of it was misguided effort, and even if you like the Werehog, you have to admit that the idea came at the absolute worst time. The intro cutscene may be awesome, as is the Egg Dragoon fight, but 2% doesn't make up the entire game. Chip was also quite annoying, and I wasn't particularly sad when he pressed F in the chat at the end.

- On the other hand, while Colours definitely has its shortcomings, and people have every right to criticse those shortcomings, a lot of its most vocal detractors tend to have a stick up their arse about the game because people actually enjoyed it, and it had a gimmick that people actually liked. Yes, it may have been the first game to have those writers everyone hates, but then SA1 was the first game to give the characters alternate gameplay styles and have other villains upstage Eggman, so...

- Forces is absolutely not on the level of '06. It's nowhere close. A game being flawed does not make it the next '06, clickbait YouTubers. Or should I say, the game they want to retroactively apply '06's reception to, since they've been trying hard to magically retcon '06's own quality...

- To echo @beevean, ALL of the 3D stories have their issues. SA1 is probably the most well-rounded of them on the whole, but even that one isn't perfect.

- To echo another opinion, although I do love SA1, I'm not crazy over the idea of a remake, and would prefer them to just take Sonic's gameplay from SA1 and work from there. Because with a remake, you're stuck in a hard spot: Do you keep it the way it is bar the expected graphical upgrades, and risk accusations of not doing anything to actually improve the experience? Or do you try to address past criticisms, and risk the wrath of the fans who will inevitably go on a #NotMyAdventure crusade about it? What people fail to consider is that the Crash and Spyro remakes were accepted gracefully because their original iterations were still unanimously beloved for the most part, whereas SA1 - and especially SA2 - have always been divisive, and have only gotten moreso over the years.

- People take their preferences for the character's voice actors too seriously. I have my own favourites like anyone else, but I don't make a big deal out of it.

- And with fandom voice actors, they usually focus too much on doing a basic impression of their preferred official voice actor, and not enough on the acting. So you end up getting a lot of fan voices who sound like decent impressions of Ryan Drummond or Jason Griffith on the surface, but they sound utterly empty beyond that impression, because there's no oomph or depth to the actual emotions. They think about the actor rather than the character, when it should really be the other way around.

- The thing with Ian Flynn is that he is capable of telling a decent story, and he can portray some characters well. But he's proven time and time again that everything will go off the rails if he's given too much freedom (ironic, given how quick he is to point the finger at mandates when something goes wrong).

- Ian Flynn and Shiro Maekawa are not the only people in the world who are allowed to write for Sonic. I understand that one should be cautious when seeking out new writing talent, but for all the fandom's accusations of playing it safe, they sure aren't in a rush to experiment outside of their own comfort zone.

- And of course, the big one: You don't fix the franchise's current problems by crawling back to its previous problems. It's much more helpful and constructive to discuss the good and bad alike with each of the games. Less “THIS GOOD, MODERN BAD”, and more “This could work, but maybe without that part...”

#Crusher's Asks #Opinion #Sonic the Hedgehog

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that-shamrock-vibe · 5 years ago

Text

Movie Review: Sonic the Hedgehog (Spoilers)

Spoiler Warning: I am posting this review the day the movie is first released in the U.K, so if you haven’t yet seen the movie do not read on until you have.

General Reaction:

It's difficult with today's movie going audience to predict how movies like Sonic are going to perform and be received. Especially when the ad campaign did absolutely no favours for this movie other than convince Paramount that Sonic needed a more truthful redesign than what they originally put out.

Here's the thing. Sonic the Hedgehog to me is trying to be 2020's Detective Pikachu capitalising on that nostalgia of a beloved classic franchise.

However, I do feel that the haters and internet trolls out there are not going to be able to get past the comparisons this movie draws to 2011's Hop, which was a live-action/CGI-hybrid movie starring James Marsden who becomes the companion of a somewhat overbearing CG creature.

But, I encourage all movie goers, including the haters, to go into this with an open mind...particularly if you have any history with Sonic because you will get some enjoyment and walk away afterwards feeling happy overall.

My personal history with Sonic is slightly less-so than I would like. I played the original 2 SEGA games countless times and did watch some episodes of the earlier animated shows.

Having said that, my main Sonic fandom actually comes from the mid-noughties series Sonic X, which I feel this movie could have adapted but alas. Also I played the Shadow the Hedgehog spinoff game and more recently Smash Bros where I actually won as Sonic recently.

Now this movie reminds me of those shows and games practically in no way. I mean there is that opening sequence where you see Sonic running around and looping like he does in the SEGA games, I do also feel like James Marsden's character could easily be an older version of Chris, the boy from Sonic X, but aside from that, the gold rings and Robotnik...there's not a lot for the Sonic fans to spot.

I can't say this is a perfect movie, because it really is not. There are a lot of super speed gags and some of them do stick but some just fall flat and at times feel repetitive.

The worst crime this movie commits in my opinion is stealing Quicksilver's gimmick of speed scenes. By which I mean there are not one but two occasions when time is slowed down to almost a halt and we see Sonic running around still. They even have songs specific for these scenes.

Also, because I'm not fully aware of every Sonic incarnation, I did not understand why Sonic is effectively The Flash with being able to generate lightning. I mean I understand the laws of physics of generating enough friction can create static but I have never known Sonic to have any electric attacks.

I did like how the static electricity was preserved in his quills when they fell off though. In animation and the games you don’t think about Sonic’s realistic hedgehog qualities such as having quills so it was a nice touch.

I am also aware that Sonic has turned Super Saigen before with the help of the Chaos Emeralds I believe, so the fact we see a similar transformation here is quite good to see for that reason.

In terms of story I do think this is a simple plot that has been done numerous times, Hop is definitely one example that comes to mind, but I feel it’s also a very accessible story for non-Sonic fans.

I don’t know if Longclaw the Owl is an original character or one from Sonic mythology but I did not really vest much interest in her. Baby Sonic I thought was cute, but I refuse to accept anyone saying he is cuter than Baby Yoda as no one is cuter than Baby Yoda.

On the subject of age, it was good to see them acknowledging Sonic’s age for a change as opposed to just presuming because up until now I did always think he was some sort of teenager but this confirms it. If Baby Sonic is around 5-9 years old then Sonic in present day is late teens which makes sense with his temperament.

The gold rings being used as teleportation devices, I don’t know if they’re meant to be in the games but loved their use here.

I enjoyed the use of technology in this movie and particularly Robotnik’s commentary on how technology is more reliable than people which ties into his ultimate fate of being stranded alone without another soul on the planet he is sent to which forces him further into insanity.

The fact Sonic’s story is about fitting into society while James Marsden’s character is about figuring out what’s right in front of him are great parallels and do balance each other out rather well.

Also where he ends up with effectively being part of a family as well as a town hero was a nice way to wrap things up.

However, that mid-credits scene showing the arrival of Sonic’s faithful protege Tails to the real world looking for his friend screams for a sequel, especially if this means that more of Sonic’s companions could be introduced in the future like Knuckles, Shadow or even Rouge the Bat.

Characters:

Dr. Robotnik:

I don’t want to say he is the best character because I feel all four of the main cast members do a great job, but my favourite definitely is Jim Carrey as Robotnik. This is Carrey back on form and there were so many great shades of back when he was at the top of his game in the 90s with work such as Ace Ventura, The Mask and The Grinch.

From his first scene he stole every scene he was in. You could tell that he was taking the role seriously while also having the time of his life with it and this is why, back in the day, he was on such high form.

He may not have been the overweight bald megalomaniac, at least with the latter two not until the end of the movie, but he was the evil genius and mad scientist and almost every line he delivered he nailed.

I think “rockonnaissance” is going to be the new “joygasm” for him but it worked for The Riddler and it works for Robotnik.

I’m also happy he was nicknamed Eggman in the movie by Sonic because of the shape of his drones, I thought it was fitting. I can’t wait for Sonic to see the new bald version.

Sonic:

Yes Sonic is second but I said it before, there were times when he was overbearing.

Ben Schwartz by the way does a fantastic job voicing the character, I know he voices Dewey in the new Ducktales series and also for some reason voices BB-8 in the Star Wars sequel trilogy, but this is my favourite role of his voice is so realistic for a wide-eyed and somewhat innocent “alien” hedgehog.

I enjoyed how when he first came to Earth he was this urban legend around Green Hills who spent those 10 years people watching and either making up nicknames for the citizens while also longing to fit in with them but knowing not to.

Also the movie’s comedy was never as vulgar as Ryan Reynolds or immature as Russell Brand. I think they had one fart joke in the movie but the rest was generic comedy movie material which was hit and miss in comedy.

It was quite touching also that he was so protective of Green Hills and the status quo so much so that when Tom said he was planning on leaving to move to San Francisco, he was so offended and I thought it was going to be that trope of “Oh now they’re going to separate only to discover they need each other later” but instead it was a few digs and then they got over it.

I am so happy they did redesign the character because the movie’s original look for him was horrendous and did make Cats look reasonable whereas this is more like the Sonic everyone knows and I did not realise he didn’t have his traditional running shoes until Jojo, the niece of Tika Sumpter’s character, replaced them for him.

I will keep saying I want a sequel just because I am interested to see where Sonic’s story takes him next, especially with Tails now on Earth and the potentiality that others could join.

The Wachowskis

Again I thought James Marsden and Tika Sumpter did very pleasant jobs. This is my favourite James Marsden performance to date. Up until now his roles have been either corny or simply bland for me but here, yes there were a couple of dodgy jokes and moments but overall I thought Tom was a very likeable character and at the very least a driven character.

His wife Maddie, first of all props to the movie writers for having a mixed-race couple front and centre in the movie. But also, Maddie, who is also an accomplished career woman alongside her accomplished career husband, did not weigh Tom down or the story down as simply being “just the wife”.

I also enjoyed Maddie’s sister and niece, Jojo is quite cute and for the little screentime that she has does well with it for a child her age. While Natasha Rothwell continues to grow in my estimations after her fabulous turn in Love, Simon as the very sassy teacher.

Others:

As for the rest of the cast, this was a great who’s who for spotting the great jobbing actors as Lee Majdoub, Neal McDonough, Michael Hogan and Adam Pally all have minor supporting roles that do not go unnoticed.

Meanwhile Colleen Villard (née O'Shaughnessey), who voices Tails in the video games as well as voicing Wasp in The Avengers: Earth’s Mightiest Heroes series and Sora in the Digimon franchise, reprises her role as the anthropomorphic fox in an uncredited mid-credits scene. I am hoping she returns for the sequel because it is good to hear her acting again.

Recommendation:

I do see a future for this movie in terms of a franchise. I do not quite see it crossing over with Detective Pikachu as I know there were rumblings of some sort of Super Smash Bros. movie cinematic universe.

However, if the movie does warrant a sequel, and with a current Rotten Tomatoes score of 64%, considering this seems to be a deciding factor for some cinema goers, I don’t see why not. I am hoping the future of this franchise does see the introductions of Knuckles, Shadow, Rouge and even Amy.

Potentially also spinning off from this franchise, there could be Donkey Kong, Mega Man and maybe even Mario to create that Super Smash Bros. universe.

Overall I rate the movie 8/10, it’s a great movie and definitely has some rewatchability to it.

Having said that I can see where some cinema snobs or even haters may come from as they inevitably target the movie but I encourage everyone not to be taken in by other people’s opinions, not even mine, make up your own minds and see it for yourself.

So that’s my review of Sonic the Hedgehog, what did you guys think? Post your comments and check out more Movie Reviews as well as other posts.

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redbladereviewing · 4 years ago

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Shadow the Hedgehog: More Tragic than Edgy

Sonic the Hedgehog is one of my favorite franchises. Not because of its fast momentum based platforming or rockin’ soundtrack across all its games, but because of its large cast of iconic and recognizable characters and the stories they tell. Whether it’s the classic squad of Tails, Knuckles, Amy Rose, or the comic characters like Bunny Rabbot from Archie or Whisper and Tangle from IDW, or even the mad scientist Dr. Eggman and his humorously dark schemes, the cast of Sonic is what helps make the franchise so iconic. However, one character of the cast holds a strong and special place in my heart. A character that has a lot of strong tragedy attached to him, yet still remains strong of heart and soul. A character that so many writers have failed to understand despite him being pretty easy to figure out. That character (which you already know since it’s in the title of this blog) is Shadow the Hedgehog.

Shadow was created on the Space Colony ARK, a secret government science and research station in space, as part of Project Shadow. The purpose of Project Shadow was to act as the first step in achieving immortality, by creating a creature that could be immune to any disease and act as a base for cures to be created from. The project was led by Gerald Robotnik, the grandfather of Dr. Eggman. His purpose for running this project was to create a cure for his granddaughter Maria, who was sick with Neuro-Immune Deficiency Syndrome (basically AIDS). The project required Gerald to research into the Chaos Emeralds, seven powerful gems which when combined can give its user immense speed and strength. Researching the power of the Emeralds led to Gerald creating Chaos Drives, little artificial shards of Chaos Energy that would be used as a battery by the Guardian Unit of Nations, aka GUN, for their robotic drone technology. It also led Gerald to discover the ruins of Angel Island where the Emeralds were located, along with an old mural depicting a powerful being of gold fighting against an evil force. This mural would become the blueprint that Gerald would use for Project Shadow, but all efforts to follow it failed. That is, until he gained assistance from an unlikely source. A powerful empire known as the Black Arms had traveled past Earth, and during their time near the planet they struck a deal with Gerald. Black Doom, leader of the Black Arms, would offer the genetic material that would help Gerald create The Ultimate Lifeform, in exchange for the Chaos Emeralds 50 years after completion of the project. Gerald agreed, and with the blood of Black Doom, he began creating what would become the Bio-Lizard, and Shadow the Hedgehog.

After Shadow’s creation, he was placed in the same area of the Space Colony ARK that Maria was quarantined since Shadow was created to be completely immune to all diseases. The two grew very close during their time together, growing into what would become a sort of brother/sister relationship. Maria would become the closest to family and love that Shadow would ever feel. However, when the United Federation caught word of Shadow’s creation and the deal that Gerald had made with the Black Arms, they immediately demanded that the project be shut down and all those involved would be either detained or executed for attempted treason. Gerald was immediately arrested, and Maria was shot dead after launching Shadow in an escape pod headed towards Earth. However, Shadow was found and put into cryogenic stasis and Gerald was imprisoned on Prison Island. Since the government still required his research for their experimental drone tech, they kept Gerald locked away and forced to create enough Chaos Drives for GUN to make effective use of and reverse engineer. This period of time had Gerald spiral into contempt and hatred for his captors, resulting in him reprogramming Shadow while he was in stasis with artificial memories to have the same contempt and hatred for humanity that he had. After Gerald was executed, Shadow was locked deep within Prison Island and would be almost forgotten by those that imprisoned him. That is, until the events of Sonic Adventure 2, where Gerald’s grandson Dr. Eggman found Shadow and intended to use him to conquer the world. However, Shadow’s own goal wasn’t to conquer the world, but to destroy it as an act of revenge for Maria. As a cruel act of forcing hatred onto his creation, Gerald had reprogrammed Shadow to destroy the world that took Maria from them both. However, this wouldn’t be what Maria wanted. What Maria really wanted was for Shadow to not let the tragedy on the ARK lead him to destroying all of humanity. So many more people existed on that planet than those that raided the ARK, and even a child like Maria knew that it wasn’t all of them that killed her. However, her grandfather gave in to his rage and spite as it stew away in a prison cell. He let his pain of losing his granddaughter lead him down a road of bloody revenge against the whole world, when the whole world wasn’t responsible for it. This was the ultimate theme of SA2, that even though humans can be cruel and terrible people, they all shouldn’t be judged for the mistakes and sins of isolated groups and individuals in it. This lesson would cost Shadow his own life, as he sacrificed himself to protect the world from being destroyed by the Space Colony ARK as it was crashing towards Earth like a giant meteor.

However, Sonic Heroes would reveal that Shadow was saved at the last minute by Eggman, as he intended to copy his grandfather’s work to make multiple copies of Shadow for his Eggman Empire. Shadow wasn’t on board with that, and reluctantly teamed up with GUN agent Rouge the Bat and a neglected robot named E-123 Omega who wanted to destroy Eggman for locking him away for too long. After they went through the events of Sonic Heroes, Shadow was left wandering the world, as he had lost his memories when he was found and resurrected from the dead. This would lead to Shadow’s own game, where Black Doom and his army of The Black Arms returned 50 years later to fulfill the end of the bargain that Gerald had made. Shadow doesn’t even know what Doom is talking about, but he reluctantly goes along with it in the hopes that he’ll be given proper answers on why he was created and what his purpose for existing is. Once he collects all seven of the Chaos Emeralds, Shadow is told that he was created to act as a sleeper agent for the Black Arms. To assist them, in conquering and enslaving Earth for their empire. Shadow, remembering the dying wish of his closest family Maria, rejected this plan and used the Chaos Emeralds to become Super Shadow. Using this power, he destroyed Black Doom and the Black Arms vessel The Black Comet with the Eclipse Cannon, a weapon that Gerald created as a means of stopping the Black Arms when they returned. With his memories back to him and having destroyed almost every remaining reminder of his past, Shadow leaves the ARK behind him and enlists in GUN. While this may seem like an odd decision since GUN was responsible for the ARK raid that killed Maria, Shadow was more focused on using them to assist in protecting the world that Maria could only ever see from the cold vacuum of space.

So what can be gleamed from all this? Well, Shadow’s backstory when you look into all the details is rather tragic. He was created with good intentions being put upon him, that his existence will lead to a greater future for humanity. However, that was thrown right out the window when one of his creators lost everything that mattered to him and reprogrammed him to be a weapon against the world, while his other creator always intended to use him as a weapon to destroy and control. He was forced into being a weapon of rage and revenge by his creators, with the only person who genuinely loved him for who he was dying right in front of him, and having lost so much in his life. Shadow lost everything to him, and he wasn’t even really sure of what he was meant to do. He knew that he was The Ultimate Lifeform, but that title is the only thing he really had to him. There was, however, one person that showed him that he wasn’t so strong: Sonic the Hedgehog. Sonic was someone who was equal in speed and power to Shadow, even surviving an escape pod that was rigged to explode using an artificial Chaos Emerald created by Tails to teleport out of the explosion. Sonic is a carefree, relaxed, and strong of heart hero that Shadow as created in the image of. Remember that mural I mentioned Gerald finding when researching the Chaos Emeralds? That was the mural in the Knuckles boss fight in Sonic 3 & Knuckles. It depicted the final fight of that game with Super Sonic destroying Eggman’s Death Egg. Shadow was intended to be the Ultimate Lifeform, but he comes to find that he was really just created in the image of Sonic, the real Ultimate Lifeform. This discovery would lead to Shadow having grown to respect Sonic as an equal, but still wanting to prove himself as the stronger hedgehog with the playful rivalry they’d develop.

With all this said, you’d think Shadow would be seen as a really cool dude. Someone who is really strong but not keen on taking the spotlight as much. Kinda like the Black and White Rangers from the Power Rangers franchise. You’d be wrong, unfortunately. Shadow has not really been given the kind of respect that he deserves as many harsh critics of the franchise see Shadow as an “edgy tryhard”. This label is mostly attributed to Shadow’s game and the English localization that had Shadow saying damn, as well as the whole concept of Shadow using realistic looking firearms being an extremely ridiculous idea for a franchise that was mostly seen as a child’s game franchise. This criticism has stuck with Shadow for about 15 years now, with people still mocking and joking about Shadow being “edgy”, as if that’s an automatic bad thing.

The whole criticism of a character or franchise being edgy doesn’t really make sense to me. So something is edgy. So what? Why is it a bad thing if something wants to be darker than what you expect? People always throw edgy around at things to the point where even I don’t know what it means anymore. Regardless, with all that I’ve said about Shadow as a character and his backstory, I’m hopeful that I’ve shown some of you why this hedgehog is the coolest of them all. And perhaps in the future, I can go a bit further talking about what I see in him and what he means to me.

#sonic the hedgehog #character analysis #shadow the hedgehog

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infinite-rabbits · 5 years ago

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hey, hiii just wanted to ask about your thoughts/opinions on shadows character

Do you mean like.... Overall or how it’s been handled lately?

It also kinda depends on which version of Shadow. I mean, obviously from my set of 4 Shadows I have on my desk, I love him.

SO I guess we need to break it down.

Sonic Adventure 2 Shadow: I love this silly edgelord. He’s basically a teenager who’s also woken up from a really long nap. Have you ever had nap brain before? Because it sucks, and I like to think that’s part of why he’s so grumpy and also why he had so many memory problems. He might have been out of cryostasis, but his brain was still waking up. He’s moody, he’s probably going through hormone swings because, you know, teenager, and he’s trying to figure out where he stands in the world. This is the Shadow I was first introduced to when my cousin had the game system and I was watching him play it. I literally made my mom buy me a gamecube and the game because I wanted to play with Shadow. I’m always late to the game with stuff. I mean heck, I only just now started playing Sonic Forces and that’s been out since 2017, but this game REALLY impacted my view on the Sonic franchise.

Shadow in Shadow The Hedgehog: Okay so I know a lot of other people really hate his depiction in this game. They don’t like the idea of Shadow going THAT edge and liking guns and all of that stuff due to his PTSD with Maria. But honestly... I don’t mind it that much? Because there’s the whole thing about him having amnesia again or whatever. And what’s more interesting to look at from this game’s point of view is that, just like a lot of other things in the Sonic Franchise, it’s an AU. This is a choose your own adventure where you can literally decide if Shadow is going to freak out and go down the villain’s path, stay neutral and do his own thing, or realize that he needs his friends and go down the hero’s path. So even if you’re not super into him using guns, you could still have him go down that hero path and find his true self. Plus this thing has one of the most bangin’ theme songs Shadow’s ever had. Like all of his themes from games are pretty awesome, but I personally LOVE this one. Especially the extra m e t a l version by Little V.

Shadow in other games: He can be kind of hit-or-miss in the personality department here. You’ve got him in Sonic Heroes with amnesia... again. And possibly being an andriod. But honestly I love that “date to die for!” scene because it’s so dramatic! You’ve got him in Free Riders for some reason being willing to help Rouge get money in the race even though he’s never actually been willing to help before. In most games he’s just kinda sorta... there, and it feels like the writers don’t fully know what to do with him if he’s not the main focus of the game. There’s one big exception to that though:

Shadow in Sonic 06: The game everyone shits on, mostly just because of some of the graphics being shitty here and there in the actual gameplay and also the whole “Sonic hooking up with a human chick” thing. However, this is one of the best characterizations of Shadow. He cares about his friends, he gets given the support he needs, and in turn he also winds up giving that support to Silver. You know, after giving him a boot to the head. As bad as this game might have been, we did actually get relatively good character development for some of these characters, and Shadow was one of them. His willingness to do his part and take Silver “under his quills” as I’ve seen other people say, properly shows off his compassionate side rather than him just.... being dark and brooding. You know?

Boom Shadow: Eeeeh.... I’m not totally sure how to feel about this one? I love listening to his voice for sure. I like watching his fight scenes. But it feels like they’re making him edgy just for the sake of being edgy. And he’s really easily manipulated? I feel like, while Boom has done some great things with other characters, Shadow has gotten the short end of the stick. He’s kinda bland most of the time when it comes to his actual characterization, and he’s boiled down to a one-note kind of guy. So like, I don’t hate it but I really think I could do better.

IDK comics Shadow: They kinda did the same thing here. Shadow started out pretty darn great in that scene with Sonic and deciding what to do with Mr. Tinker. Seeing Sonic get under Shadow’s skin about it and making him back down was a great way of showing how the two have really gotten to understand each other over the years and that Sonic knows Shadow better than he’s willing to admit. That’s where my praise ends. Shadow then basically disappears until we get him back being stubborn as hell and jumping right into a pit of zombots and BOOM, just like that he’s taken out of the game. We’ll see how things go once this virus thing is over (because honestly I feel like it’s been lasting waaaay too long.) and if they use this to humanize him a bit more or if they keep him being super stubborn and one-note. But yeah, as of now I’m not super happy with how he’s been handled.

Shadow in the Archie Comics: HOO BOY I SAVED THE BEST ONE FOR LAST. And by best I mean worst. Where do I even begin with this one? Let me start by saying that I haven’t read all of the Archie comics yet. I’m working on it now, and I’m reading them somewhere online because they’re expensive as hell to get a hold of. But dear lord, this writing is usually horrible! Some of the writers work well together while others *cough*kenpenders*cough* don’t bother to read each other’s stories or will get pissy about their own plotlines not going anywhere and others having to fix them. Shadow is... yanked around so heavily in this series. In some stories, he’s great. He shows interesting characteristics and shows that he’s learning and growing. In others he’s just kinda.... there. In others he’s going completely against what he’s learned and is treating people like shit unless he’s manipulated to do otherwise. One of my absolute biggest complaint about the Archie series is: Tyrant Overlord King Shadow, from the 25/30 years later arch. It’s so bad, you guys. *disgruntled noises* Ken Penders basically had Shadow do a complete 180 despite everything he’s ever learned. He forcibly married Sally, became a tyrant of a king who ruled with an iron fist, and when Sonic kicked his ass and threw him in another stasis tube and he was brought back later, he unleashed this weird Tikal/Chaos creature out into the world to completely destroy it after feeding her so much chaos energy that he hurt her. Also the writer completely freaking forgot to actually END that story. Sonic and the New Freedom Fighters defeat and re-seal away “Tichaos,” but there’s no closure as to what happens to Shadow. It’s just Ken Penders going: “LOOK MY SUPER SPECIAL AWESOME OCS JUST SAVED THE DAY.” And it’s like.... okay, but what about Shadow? Did he escape? Is he still in the castle? Is there a second part to this? And sadly, that’s as far as I’ve read with that line and I don’t know if it got any further before they had to do the reboot. So yeah, Shadow is kinda shafted in these comics too.

Overall: I think he’s a really great character with a lot of wasted potential. He tends to shine more when the spotlight is fully on him because in that case, the writers realize they need to work on him more. But when he’s a side character, they boil him down to one-note and that’s really not a good thing to do with any character. (I should also note that I haven’t actually gotten to purchase the DLC yet of Shadow’s story for Sonic Forces, so I’ll need to go and watch the cut scenes before I can properly say anything on that particular game.)

The Sonic Franchise suffers overall from a case of: Too many characters. Now I wouldn’t change that about them, especially this late in the game. However we’ve been introduced to so many characters that none of them ever really get their chance in the spotlight anymore. Another artist that I can actually compare this to is actually VivziePop. She designs a LOT of characters for her works, and she puts so much effort into them that they all come across as “main character material” and completely overshadow the actual main character of the story. The biggest time that has impacted her work was in her comic Zoophobia. The main character was some human chick thrown into the world, but then she spent so long establishing all of the almost hundred characters she’d made for the world that the story itself felt like it de-railed. She’s gotten a bit better with Hazbin, but Charlie still gets really overshadowed. Some of the Archie comics got to be the same way. They had introduced so many characters at that point that they needed to do storylines that didn’t involve Sonic, and Ken Penders himself didn’t really like writing for Sonic because it was so restrictive, where as he had a lot of free reign with the other ones he’d made or that weren’t the main character. So he just kept making character after character to throw in there, and that combined with the characters we got from all of the assorted media over the years means a lot more characters to try and focus on. So the ones that don’t get their prime time in the spotlight just kinda never go anywhere. Also Shadow not being the main precious blue boy probably explains why his writing can be so wibbly-wobbly depending on the media he’s in. Because Sega isn’t breathing down anyone’s neck anywhere near as heavily as they are for Sonic.

I should probably stop typing now because I’ve written you a novel. XD

TL;DR: I love Shadow but he gets the shaft more often than not by the writers.

#long post #shadow the hedgehog #sonic the hedgehog #archie comics #sega #sonic writing #Anonymous

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