#SOWWY EVERYONE! (not sorry)

[martyryo]

me rn

[kondoram]

heheh... litel clown funy 🤡

[kenmaiii]

after two years i finally draw the favorite

[goldyluna]

I got inspired by @rosehippiefield's post about Shin's advice on how to deal with Midori and his own behavior towards Sara (that you can find here!). It made me want to analyze more his reasons behind all of his cruel acts. And how some other people from our main cast were affected because of the death game. So.

People can act very differently in different situations. Their emotions and behaviors are always connected to something they go through. No matter if we understand why and how.

So people that are aggressive, cruel, judgmental, rude, miserable, or every other negative adjective usually have a reason for being the way they are. Knowing the reason is really important for understanding others behavior. Of course understanding the reason doesn’t automatically mean we should like this person or forgive them!

Aggression can happen as a natural response to stress, fear, or a sense of losing control. People also react harshly and negatively when they feel like they are mistreated, people don't listen to them, or they are just frustrated. Fear is a really important factor in how we act too.

In Your Turn To Die we have a really specific situation. A few unsuspecting people got kidnapped and put in an unknown place to fight for their lives.

Death itself is a really strong stressor. So adding to it that basically everything is unknown is really not helping with the pressure.

Like was said before, people can behave differently even in similar situations. Really important are the personality, previous experience and predispositions.

Our main cast experiences different things, and because of that, their perspective and way of going through their current situation can be even more different.

Each of them will react differently because of the trauma and reactions of the body to the situation. Some of them even had traumas before landing in the Death Game by Majority.

There, of course, will be feelings connected with experienced trauma (during and afterwards). There are some that we can also see in the game:

Anger

Numbness or difficulty feeling any strong emotions

Lost

Fear or panic

Grief

Worried

Irritation

Confusion

Restless

Hypervigilance

Shock or horror

Shame

People may be affected by trauma in many different ways. There may be problems with looking after yourself, not being able to have a stable job, being distrustful, forgetting things or they can struggle with low self-esteem. People like that can experience flashbacks, panic attacks, dissociation or suicidal thoughts.

After this long introduction, let's take a closer look at some of our characters!

NAO Nao lost someone very dear to her. She even went a little crazy for a moment. But she is so strong mentally she moved past the death, she didn't give up.

A lot can be said about Nao. That she is rational, really smart, selfless and she is not afraid of making sacrifices for a greater goal. That's why it was her that pushed fake Reko down the pit, saving Sara from making the decision.

She doesn't hold a grudge against Shin. She really pays attention to details, so she notices Reko behaves differently. But she still hits Shin because she got scared (Kai's making) and, more importantly, we get the Massacre Ending.

It is not the greater good, this is not selfless. It is selfish and only for her (and Sara), so she can live. Because it is not fair for anyone to be destined to die.

KANNA Kanna was searching for comfort from Sara. She viewed her as someone safe and trustworthy. Someone she can look up to as a big sister.

I am not saying she was replacing Kugie, but at that moment she needed a sisterly figure and Sara suited this role so well. She gave her support and spent time with her. Sara was the one that was there for Kanna and was from the very beginning.

We see Kanna as someone cowardly, shy and innocent. Maybe a little too trusting. The death she experienced at the beginning didn't help and only made the whole experience worse. But she was with people that she trusted and wanted to help. That she was so brave in the second Main Game, making her death a choice. And even if she lived, her demeanor changed. At least a little. She wants to live for those that died for her and it is making her stronger.

Kanna will always be Kanna, but thanks to all the people that support her, she could show her real self. The prettiest flower in the game.

Q-TARO Q-taro is someone who changed his ways. He could escape with the tokens he got (and did), he could leave Gin for dead. But he wants what he thinks is the best. Being alive was the best he could think of at the beginning.

He is an easygoing and friendly giant with high levels of anxiety and selfishness. He has his moments of doubt, like with the tokens.

When we give him enough tokens, he escapes. Even when Rio tells him that, if he inserts all tokens, everyone else will die. Even when he is offered his tokens back. He just apologizes and turns away from Sara.

When we won't do the trade with him, he can't go with his plan. When his doll talks during the coffin roulette, he admits he wanted to abandon them all even if it meant killing someone. And when he talked with Mai after she woke up, he said that he would do the same as her, but he didn't have the opportunity.

He trusted Mai and didn't blame her for the stabbing because he understood. He made the whole plan of saving others by dying himself. Sacrifice from a guy wanting to live hits so hard.

KEIJI The thing with Keiji is complicated. He is a liar, a murderer and a skiver. But he also is so full of guilt and anger. He is still grieving. Years passed, but he still feels guilty about the death of Mr. Policeman.

He is angry, desperate, lost in the dark thoughts. And he acts on them during his First Trial. But Megumi was his friend once, someone really important to him. They drank together, worked together, spent a lot of time together. So he had another's blood on his hands and the whole death game on his head.

He isn't trusting anyone because he knows he himself has something to hide. But he suppresses all the emotions and hides behind humor and fake flirting. He lies about being a policeman because he thinks that would be the way for others to not think he did anything horrible.

He doesn't feel like someone who can do anything about his situation, let alone theirs all. It is easier to give responsibility to another person, even if she is only 17 years old.

He acts how he believes is the best. He acts without telling the person that is supposed to trust him the most his plans. For the best or for the worst.

The death game isn't really a good supplement for therapy.

SARA Sara is very strong-minded, very befitting for a leader. She is our main character, so it is obvious a lot will revolve around her. But even this is too much. There is just so much on her shoulders.

She is only in high school but she almost died a few times (and she did, probably, as we are the players, so the GAME OVER screen isn't strange for us) in a very short time. She got people she can trust and those that hate her and make her life harder. She became a leader for all of them and they look up to her.

"Are you going to be our goddess of victory... or our angel of death?”

A lot of pressure is put on her. She will be the reason everyone will survive or die. Isn't that comforting, Keiji?

But okay, some may say that she is a born leader anyway, but she holds onto Keiji really hard. He is her anchor after Joe. It is also a way to destroy her if she will ever lose him. Because while Sara is she's extremely competent, she makes mistakes. But we know she will always get up.

Sara is also even more interesting, because we know her rate of survival is 15.5% (and the % of our participants is really curious in itself and deserves its own post). We saw a lot of faces of Sara thanks to simulations. She could be merciless, manipulative and ready to do anything to survive. She is obsessed and selfish, not caring for anyone else, just herself.

And we can't blame her, she wants to live. When we are desperate, we do things that aren't good. Those horrible situations, life-threatening ones, make us different people.

Have you ever heard about the Johari Window?

The Johari Window is a quadrant diagram that is used to show how we know ourselves and how others perceive us. It can be a tool to understand ourselves—how we behave, our character traits, skills, attitudes, knowledge and reactions.

Like the name suggests, there are four parts to this model.

Open Part - there are things that are known to you and others. If you know you are shy and you act shy towards other people, all of you know that you are shy. We know Nao is an artist. She knows that and tells others she went to study art. She was completely Open with that.

Hidden Part - is when there are aspects only known to you. You keep them hidden from others so others won't know those things about you. For example, you can be very opinionated, but you don't show it to others. Then they can't know that your opinions may be different than theirs because they can't hear your thoughts.

Blind Spot - it is the complete opposite of the previous part. There are things that others know about you, but you are not aware of them. Kanna is really clever. She figured out the password to Kai's laptop when Shin had a problem with it and she knew that Shin tampered with her sister's message. But she still thinks of herself as not smart (she says that in chapter 2 part 2).

Unknown Part - this one is really interesting, because about this part neither you nor others know about yet. Mostly it stays a secret, but sometimes, where there is a really unpredictable situation that can, for example be life-threatening, that Part may come to light.

We never can know how we will behave during those situations that we never lived through. We don't know if we will fight, flight, freeze, flop or fawn.

Q-taro and Sara are perfect examples of the Unknown Part of the Johari Window.

Q-taro's high level of stress pushed him to do some horrible things. When he had to actively choose if it was him or Gin that would die, he didn't do anything. He let Gin get hit because he was afraid to die, even if the poison would work slower on him. Some shame him for this, but if we were in his place, would we do differently? Click a button that could kill us. We don't know and we hopefully won't.

We may say we would do or not do some things, but until the situation happens to us, we won't be sure.

Similar with Sara and her behavior. All the things she did, all the thoughts, emotions, relationships and ways of doing things we see are a result of some really important factor. She changes after the logic route, why?

Because of Joe. He is her tranquilizer, her anchor, her morality. He was the person that made Sara care during the death game.

Her whole behavior switched only because of one person.

When we pick Kanna to live, Sara is how we know her. Compassionate, strong, mature. But when Shin lives, Joe dies again, but this time in her memories. It makes the situation similar to those in simulations.

Even Sara is terrified by what she is doing.

SHIN (+ Midori)

And that's why Shin is so suspicious of Sara all the time! But let's start at the beginning with him.

Shin is, like every character in YTTD, a very complex character. We know him as an annoying, scary and cruel man for most of the game. Some of us hate him still and some took him as their favorite.

What he did and his reasons aren't forgettable. But it is nice to see a reason behind his behavior.

Midori is sadistic and really cruel. He torments others for his own amusement and loves to watch them break. He loves to make others be afraid of him—and that's why he always tries to be intimidating by holding eye contact and saying unsettling things. He is mean and childish, but he also is really good at reading people. He uses that for his own use, to push the limits of others, control them and let them fall in desperation.

Shin spent a lot of time with Midori. He was his only friend in school and he was so scared of him. Midori did everything to make Shin uncomfortable, but also unable to leave him.

But thanks to that, he knows a lot about him. Shin knows Midori loves control, so taking it away from him is lethal. He knows that Midori is so afraid of death (even if Midori thinks nobody will ever kill him), he is a coward that cares only about himself.

When Shin gives Sara advice, it is so ironic. He tells Sara she should act how he acts towards her. To try to intimidate Midori, make him scared, take away his control.

The advice is important, because only thanks to that can we see how Shin sees Sara and his situation.

Sara is so similar to Midori. Shin can see in her all those cruel acts that never happened. She is in so much control because she is the leader and makes a lot of final decisions. She can be so intimidating. She has sometimes emotional outbursts (that are entirely justified). Additionally, she has a really high % of survival that automatically makes her the most dangerous enemy.

Of course Sara isn't like Midori. Their reasons are different and Sara is genuinely a really good person. But Shin has problems with distinguishing them.

Shin definitely got traumatized during his "friendship time" with Midori. It affected him so much, he is searching for danger in anything remotly similar to what he already knows. His defence mechanism and heuristic try to save him, but it does more harm than good.

He got hurt by someone close to him, so he is extra careful. He doesn't want to be too close to people, prefers to be distant and mean. He prefers to act as someone he hates and is scared of, why?

Because he is afraid. In his own eyes, he is weak and easy to get rid of if he is useless. He thinks the way to survive is to act as the only person that made him feel the worst.

Intimidation, cruelty, cunning, manipulation, lies. Those are the keys to survival in the world where it is kill or be killed. If he is those things, he may live longer than if he were himself.

But as we know, Shin also isn't like Midori. He cares—for Kanna, Gin, even for Keiji and Sara. And he wants them all to escape, despite everything. But going back to old Shin isn't an option anymore. Too much has happened.

Fear is infinitely connected with anger. Anger makes people mean and impulsive. That's why after Kanna's death, he made the worst Joe experience for Sara. That's why he was so mean to Kanna when it turned out that she isn't the Sacrifice and is ready to die for him.

That's why he hates Sara. He is so, so afraid it hurts.

He wants to destroy any possibility that could hurt him and the only way, in his opinion, for that to happen is to hit first. And that's how they should fight with Midori.

Fight fire with fire.

But if anyone knows how extinguishing fire with fire works, then they know that at the end both fire dies and the forest will still be burnt. There will always be victims, no matter if they are main or side characters.

Fire destroys. Midori is so widespread that he can't be stopped by using only water. Sara is a small fire that Shin wants to nip in the bud before it is greater than the forest itself.

But we are heading towards the end slowly. There are fewer and fewer people. Relations will always be strained but also deeper, on another level. Let's see how they will act in the final chapter!

THE END

Finally, I just want to say: there always will be choices to choose, decisions to decide and fires to fight. We can hate, love or like anyone for any reason, but it is important to understand the other person.

Sometimes life is so unpredictable. We won't know what will happen and what we will do. We don't know ourselves as well as we think we do.

But let's be kind to ourselves and others. We don't know what they went through and what will happen to us.

[dearhaos]

the complete eri guidebook (2023) full version under the cut ♡ pdf ver. happy birthday @xiaojuun !! <3

credits. with the help of: meg (@hozierbyrne) // brina (@aquablues) // aléks (@possession1981) // vianey (@souladies) // lili (@ninqz) // aweks (@awek-s) // miha (@jaebeomtual) // rachel (@gnanii) // mare (@dongkwan) // ro (@sunghanbin) // rosie (@kimjiwoong) // lulu (@fushigojos) // sofi (@yukuz) graphics: gift boxes // broccoli // orange fruit watercolor // lip print textures // notion-style scribbles // healthcare vector icons // human anatomy icons // film cutouts pack // 3d travel icons // drinks vector icon set // coffee outline illustration pack // baby vector icon pack

[horizonmlm]

Ohhh werewolf exorcism Drown MV Matt Nicholls we’re really in it now

[bredforloyalty]

i just want to be like wasn't that scene so funny or that line perfectly delivered or that implication mildly interesting and then people will come out with steel chairs like. 'romanticizing abuse is so problematic'.. about this silly tv show with characters that are shitty people

[lifesver]

@fcused said: ' can i paint your nails? ' + @quietevasions said ' this is a good look for you ' + @meatriarch bc ur kids are here also AGFDSGFDS. don't ask why this is so long sorry for the random drabble

the party at the house over was a bust — and with their plans all but falling through for the night, the group had moped their way back to maria's apartment. the living room was filled with the warm, scratchy hum of her record player, while people settled with their drinks.

sonny and danny on the couch, vaguely heckling whatever movie was playing on the tv. ana was perched on the arm, peering across the room every so often, and putting some more lines down in her sketchpad. she was probably sketching out some of maria's plants, arranged on the mantle. maria and julie were hovering by the kitchen chatting indistinctly, but animatedly.

and leland had sprawled himself flat on his back on the floor, by where connie was painting her nails. she was about done, double-checking them now that they were dried. he tilts his head to peer up at her.

❝ how do you that without messing up? ❞

upside-down connie makes a softly amused sound; ' it's just practice, ' her fox eyes flick to meet his; ' ... here, ' she posits, making a come here gesture, ' can i paint your nails? ' and leland shoots a skeptical brow to her;

❝ do i get to pick the colour? ❞ he asks, and connie huffs a gentle laugh;

' of course. ' and then, she calls toward the kitchen from over her shoulder; ' maria, do you have any blues? ' she holds out the red nail polish bottle she'd just used on herself, to demonstrate what she means.

maria pops her head out from the kitchen with a thoughtful sound and a ' lemme check! ', before she disappears down the hall.

leland's brows furrow playfully at connie; ❝ how do you know i want blue? ❞

connie looks at him like this might be his stupidest question yet; ‘ because i know you. ‘ a small roll of her eyes, and she lightly pokes him in the chest of his blue shirt. well, she was right, anyway; his wardrobe almost entirely boiled down to blues and browns. nothing special, nothing too bright. sometimes he envied the way sonny dressed; unapologetic warm colours and patterns — he always looked cool, leland thought.

a few moments later, maria returns with a small handful of nail polish bottles, crouching to set them down on the low coffee table. they were mostly different shades of blue.

leland lazily rolls up into a sitting position. he pulls his legs to cross under him, scooting closer as he presents both hands, fingers splayed toward connie. his nails are pretty short, kind of scuffed up; probably not great canvases to work on, all things considered.

he remembers back when he was little, april had painted his nails a couple times, too. which dad kind of hated. and sadie had, once, while complaining thoroughly to him about some of the girls on her cheer team.

connie lets him pick from the blues, and he squints between a few options, before pointing out a dark navy. matched his shirt. would probably match everything, right? girls were always worrying about that kind of thing.

' are we doing a makeover? ' julie's head pops out from around the kitchen island. leland immediately tries for damage control, mouth opening and closing dumbly;

❝ wait. that's not — ❞ he's cut off as julie swans her way into the room. she sets her drink down, digging through her purse momentarily for something. she emerges with a makeup bag, before coming to join connie and maria. she sits down, too, and suddenly he's surrounded.

❝ dan, i'm being descended upon, ❞ leland whines, melodramatically, in danny's general direction. who does little more than scoff and reply; ' do your time, chico de oro. '

leland pouts at him; not very helpful, dan.

this was literally just like being home; arguing was futile, the only choice was surrender. he could always wash it off before next practice, right?

leland blinks as he watches them line up their arsenal of makeup and tiny little brushes on the coffee table.

maria perches on his other side, gently parting some of his hair away from the rest. she hums thoughtfully as she pins it back, and out of his face for him with one of her butterfly clips.

it feels kind of weird not to have the cover of his bangs. like his eyebrows were just kind of out there? brows that furrow as he watches the girls arrange themselves, so connie can take one of his hands to place on her knee, and julie can get way closer than he was prepared for. his cheeks flush for a moment, trying to figure out where he's supposed to be looking.

❝ uh — ❞ he clears his throat awkwardly, dodging everyone's eyes. then, he resolves to shoot a vaguely helpless look across the room to ana — who gives him an amused smile as she continues to work.

julie beams at him cheerily; ' it'll be fun, i promise. ' a beat, and she nods to herself resolutely; ' okay! eyes closed, mckinney, ' she commands him.

so he closes his eyes — albeit with a small pout. he can feel one of her makeup brushes dusting over his eyelids. which mostly tickles, and makes him scrunch his nose. she does the same to the other eye, and he tries to resist opening them too early. then she starts with a smaller brush, along the crease of his eyes. and it seems like she works at that forever.

he can tell maria is entertaining herself with braiding a section of hair at the back of his head, undoing it, and repeating the action.

kind of itches. leland's hand starts to move toward his face distractedly, but connie tactically pins it back down; ' those aren't dry yet, stop fidgeting. ' she lightly scolds him, still laser focused on her task of doing his other hand. one eye sneaks open; the blue looked nice, he thought.

meanwhile, julie frowns at her handiwork; ' ...oh. i smudged it a bit, but it still looks ok, i think. '

❝ — you think? ❞ distressing update, to be sure.

' leland, ' connie half-laughs, half-sighs in exasperation.

a blink, and he's paying attention again; ❝ oh. sorry, con. ❞ obediently, he tries his best to keep still. and julie's wielding mascara now, which inspires some mild fear in him. he flinches as soon as the wand gets remotely close to his eye. julie has to pause about ten times, when his eyes get distracted and blink.

' up, look up, lee. ' maria chides, with a laugh. patient as ever. ' you don't want to get poked in the eye, do you? ' he swears he's trying to keep still... and also look up at the ceiling, as julie curls the mascara wand against his lashes. which wasn't a great feeling — kind of weird, really — but he fights not to blink, and ruin julie's hard work.

❝ — so like. you put this on on purpose? this is like... this has to be some type of torture in some country — ❞ he blinks, and does very nearly get poked in the eye for it.

he's never been more aware of his eyelashes.

then, julie's using one of the larger, softer brushes on the highs of his cheeks; ' this is a good look for you, ' she hums, sounds all too proud of herself.

leland feels his face heat up again, suddenly self-conscious; ❝ you're teasing me, now. ❞ he huffs an accusation. julie pauses her ministrations, and purses her lips at him playfully. gives his cheeks a small squeeze between her thumb and fingertips; ' never, babe. i'm serious. you look good. ' he doesn't entirely believe her, but that had less to do with his doubt in her abilities, and more to do with his own face.

his next protest is cut short, as julie administers lipgloss with surgical precision, next. connie's, he realizes. because it tasted like cherry.

' — there, perfect. ' with the finishing touches done, julie beams again, tips of her fingers delicate as she turns him by the jaw to check him over. then, she wordlessly exchanges notes with connie and maria — the way girls do in secret eye-movement language — and the committee seems satisfied. maria carefully retrieves the colourful clips from his hair.

connie turns a pocket mirror to face him, and leland startles out something between a laugh and a slightly choked noise; ❝ — oh. whoa. ❞ useful response. he's not totally sure how to feel, at first. julie had picked out a deep blue-purple sort of colour for his eyeshadow. his face looked sharper than usual. or something.

' see? it totally brings out your eyes, ' julie elaborates. they all chirp and coo their enthusiasm, and leland ducks his head with another sheepish laugh.

' you look so pretty, ' connie reassures in the gentlest of teasing, eyes warming at the corners as she moves his hair back in place for him.

it was pretty, he decided.

... maybe it didn't all have to come off immediately.

confidence somewhat bolstered, leland turns over his shoulder, and bats his newly done-up lashes at their friends. ❝ — what do you think, ana, dan? williams? am i the prettiest girl at prom, or what? ❞ he looks across them pointedly for their individual validation.

' so pretty, ' ana echoes, and danny snorts. sonny turns, looks, and chokes on a sound into his beer, ' very nice, man, ' he says, diplomatically.

' who's next? ' julie chimes, which sounds a little like a threat. ' c'mon, da-ni-lo? ' she sing-songs as she shoots a deliberate look toward the other boys.

sonny promptly freezes like a deer in the headlights — but the speed at which danny bolts upright to leave the room is honestly impressive. ' oh, no you're not, ' danny asserts, and quickly disengages. he dodges julie — with a quick kiss placed atop her head — to disappear around the corner into the kitchen. mumbling something about needing another drink — and abandoning sonny to be descended upon next.

[stackslip]

spent 2-3 days feeling powerless and nauseous. today i mostly spent it angry and sending a lot of emails and making a lot of calls and i'm exhausted and giddy and it probably isn't going to work but i'm gonna make this everyone's problem

[digitalgate02]

Sorry folks.

[angatag2]

Okay so I wanted a new tablet background but I couldn't find any good DST ones I liked. So I made my own and now I'm posting it to Tumblr because yes <3

(I made it slightly too big so I can't see half of Alter but I don't care-)

Versions without Wilson, The title, and the Darkness filter under the cut (with and without the glowy bits)

With glowy

Without glowy

[trio-of-chaos]

A memory about their sibling

[no memories found]

[try again later]

[brofightiscancelled]

Im heartbroken to break this to all the choro stans following me but when I say things like "I hate Chorochan I need to kill him" I am not saying it in an affectionate pookie way I am saying it in a "I hate Chorochan and I need to kill him" way

i also wanted to do the template

[maplesyrupsainz]

˖⁺｡˚⋆˙biscuits | CS55˖⁺｡˚⋆˙

pairing: carlos sainz x baker!reader y/n (she/her)

genre: social media au, new relationship

warnings: nothing rly, jus lots of fun interactions with drivers & some fluff w carlos tehe

summary: in which your baked goods are a hit with the grid (and so is your blossoming relationship)

a/n: hiii i loveee making fics where y/n is bffs with the whole grid lolz & by whole grid it's like 4 other drivers coz i dnt have the time & space to be writing in a thousand diff relationship dynamics nd these ppl r the ones i feel most comfy writing !

request!!!: For your inspiration maybe smau with Carlos and baker reader who gets along with everyone and bakes for everyone . And maybe make it funny like the "meme" you made with Lando *(HERE for reference)*

fc: various brunette girls from pinterest

my masterlist

instagram ->

yourusername

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yourusername happy new year 🎇🫶

tagged: carlossainz55

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carlossainz55

liked by charles_leclerc, lewishamilton, and 623,196 others

carlossainz55 a winter break update

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user6 THE SELFIE

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twitter ->

instagram ->

carlossainz55 posted a story

liked by yourusername, danielricciardo, and 23,555 others

landonorris MY BISCUITS??

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liked by carlossainz55

danielricciardo posted a story

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sry i made a typo it's meant to say FROM our angel lolz

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yourusername

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yourusername my vacay got gatecrashed by ferrari's worst driver 😢

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charles_leclerc why are you always so mean to me y/n

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yourusername 🤫 .

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charles_leclerc

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charles_leclerc winter break + biscuits 🍒

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carlossainz55 lando is going to be so triggered

yourusername i told him to keep it HUSH.

landonorris WHAT IS THIS

landonorris ARE THOSE Y/N BISCUITS

charles_leclerc nooo hahahhh

landonorris im done with you charles lestinks

yourusername oh it's serious

landonorris YES IT'S SERIOUS

user21 someone make that boy some biscuits

user22 we all gonna ignore charles hands in that pic 👀

user23 oh no dw. we're looking

oscarpiastri justice for lando norris

liked by charles_leclerc, landonorris, danielricciardo, carlossainz55

carlossainz55

liked by yourusername, estebanocon, and 822,643 others

carlossainz55 time flies

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yourusername i love u so much cant wait to watch u this race season 🌶️

carlossainz55 my biggest supporter ❤️ i love you

user24 favs omg

landonorris aww is that you guys baking biscuits for me together?? 😊

carlossainz55 sure lando!

yourusername 🤨🤨

charles_leclerc ❤️❤️

scuderiaferrari can't wait to have our favourite girl back in the paddock!

carlossainz55 you & me both

yourusername ❤️

user25 ferrari admin is just like us

user26 the pic of them baking together is too cute

user27 AND y/n in the ferrari jacket😭😭

twitter ->

instagram ->

yourusername

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yourusername & we're back 🐎

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user29 the nailssss

user30 she's so hot

alexandrasaintmleux so happy to be back to seeing u almost every weekend🙏

yourusername ME TOOO squealing & running round

charles_leclerc y/n you cant keep her for too long

yourusername i do what i want. sorry

alexandrasaintmleux 🤭🤭🤭

carlossainz55 my lucky charm 🍀

yourusername blushing omg. i love u

carlossainz55 and i love you

scuderiaferrari lucky us!! everyone wants what we have

yourusername oh stop it you

user31 now kiss

user32 no wag will ever top y/n

user33 most supportive wag

yourusername posted a story

liked by charles_leclerc, francisca.cgomes, and 83,415 others

charles_leclerc 😍

user34 omg sooo cute

user35 she's gorgeous

francisca.cgomes omggg love

yourusername where are u kika we want u with us

francisca.gomes omg tehe love you i'll come see you asap

user36 FERRARI WAGS BFFS

landonorris posted a story

liked by carlossainz55, oscarpiastri, and 201,738 others

carlossainz55 safe flight ✈️

charles_leclerc are you kidnapping her

landonorris no we're not all as crazy as you!

charles_leclerc behave 👎

user37 awwwww taking flights together they're besties

user38 she's just a girl fr

user39 stealing our girl away to smelly england?

yourusername posted a story

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landonorris you should be making biscuits for me

yourusername i might if you stop being so desperate

landonorris 🤨

carlossainz55 cant wait to reunite with you this evening 💘

yourusername me too i miss you tons!

user40 we love u y/n

user41 well deserved :))

pierregasly kika said where's her invite

yourusername we're not even in the same country unfortunately 😢 she knows i wish she was here to hang out

twitter ->

instagram ->

yourusername

liked by lewishamilton, carlossainz55, and 817,019 others

yourusername short stint in london 🇬🇧

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lewishamilton the most beautiful couple

liked by yourusername, carlossainz55

oscarpiastri i love my parents

yourusername strange boy

carlossainz55 dont talk to our son like that y/n

oscarpiastri dad 🥹

yourusername ...my bad

user43 LOLLLL not y/n having no choice but to parent the rookies 🥹

user44 logan too i bet

charles_leclerc monaco next?

carlossainz55 we are literally always there??

charles_leclerc yeah well i miss you guys ok..

yourusername AWWW CHARLIEEE

user45 THE PAPER RINGS WHEN I TELL YOU I SCREAMED

landonorris aww look at you two

yourusername 😘 got some biscuits in the oven for you

landonorris NO WAY

landonorris posted a story

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carlossainz55 my girl is beautiful AND generous

THE END ❤️

[yanderefarm]

.......imagine combining potatoing and the limited amount of words idea, cocksleeves dont need to talk after all :)

that lends so well into my love of making potatos dumber. like going from fully articulated man to a soft little thing that squirms and whines instead of using his words.

this became a whole thing. so enjoy you filthy animals. /lh

cw;; nsft, dead dove, amputation, electrocution, torture, unsanitary

i like that with achilles especially because for him this is the ultimate fantasy the best scenario in his world. completely dependent on you because you chose to take away his autonomy. but he still talks like he's a respectful member of society and not like he's a glorified cock sleeve, its not acceptable.

he also gets to ease into it, starting him with a good amount of words and slowly lowering it. but it gets even lower than noemie did because he doesn't even need to say pleasantries. good morning, good night, hello, its unnecessary. he needs to say yes, please, im sorry, and thank you and that's it. if he tries to waste his words on stupid things like no or stop he's going to end up punished in two ways.

it's fun to show off to your followers the sight of him using up his words. it's just a normal stream, you're playing games and in your lap is your cute little toy. everyone knows your cock is currently buried in your human onahole but you're not bouncing him or even moving, just letting him sit on your lap. someone asks how many words he has left today and so you check. it looks like he's been conservative today and he has about 10 left. so it's time to waste those precious words of your dumb toy. you make him look at the chat and people can pay for him to say things, of course you don't want them to use up all ten in one go so it's limited. the fun of watching him slowly fuck himself over begins.

"how are you doing today, pet?"

he blinks his pretty eyes and swallows.

"uhmm good..?"

"are you having fun?"

"yes!"

"what are you doing right now?"

you give him a good thrust to remind him. he gasps and whimpers with saliva dripping out of his mouth.

"mm.. t-taking master's co-cock."

that's 5.

"do you love your master?"

"yes!!"

"are you happy to be a fuck toy?"

"yes!!"

"do you ever regret losing your limbs?"

he looks back at you as best he can with a pout.

"you can say no this time." you assure him.

"no! i don't!"

that's the other 5.

"how many words do you have left?"

he blinks in confusion like he doesn't know what game you've all been playing.

"10."

that was the very last word. so you press him against your desk and push your cock even deeper into him. everyone is watching you remind him, everyone can see him and they know he's a sex toy.

"tell them thank you."

he's struggling with your cock now slamming into him making his entire body shake.

"tell them thank you." you say more sternly directing his slutty face to the camera.

"th-thank-"

the word barely leaves his mouth and he screams as the electricity buzzes through his body. that also earns him a hard slap on the ass.

"are you an ungrateful bitch? you need to be a good boy and say thank you properly."

"th-thank yyyYOUUU-"

another slap to accompany the shocks.

"thank you for watching this useless cock sleeve."

"ca-caaant-"

he's crying now as you continue to punish him along with the painful shocks. your relentless pounding of his tight hole doesn't stop either it's an overwhelming mix of pain and pleasure.

you pull him all the way onto your cock and sit back in your chair.

"tell me you can't again. see what happens."

"sowwy"

his voice is hoarse as his entire body twitches and writhes with the pain.

"now say it."

"tha-thank y-" a scream. "you fffforr-" more sobbing. "waaaaaatchingggggahh-" his body slumped forward but you pulled him back. "th-thisssss u-" his head fell against your shoulder as his body arched away from the pain. "useless-" he was flailing to get away from it. "co-coooock sleeeeeeeeveee-"

you watched as the poor toy couldn't help but release his bladder all over his stubby thighs and your lap.

"oh no... i think achilles wants to be punished even more."

[bloop-bl00p]

“Fîls de joie” What Poison could have been.

TW: Mention of Sexual Assault, Sexual Abuse, Rape, Drugs, Addiction, Manipulation, Mention of Fetish and sex in general, mention of Sex works, Raphielle II don’t go harras him and respect his pronouns

I’m trying to be a writer and I understand writing about taboos and controversial things is difficult. I only write about what I know which is the effect of emotional and physical abuse and religious traumas. Notheless if I’m trying to do something out of my domain of expertise I’ll research it to respect the concerned part of the audience.

Vivienne Medrano said that people who’ve been sexually abused helped write episode 4. Part of me wants to believe it, it’s most likely true, it’s the best thing a writer can do, let knowledgeable people help and not just rely on sites about psychology. But, with how rape and assault are presented sometimes it really feels like she’s lying.

Angel Dust is the only character whose abuse is presented as serious.

Stolas kept belittling Bliztø and kept talking dirty even when the Man was in danger

You cannot tell me that he couldn't hear the gunshot through the phone, in this scene, he keeps making his disgusting speech. Blitzø was practically forced to make the deal as he wasn't in a situation where he could process his thoughts clearly since he was trying to survive

And it was a joke.

Angels Dusk kept harassing Husk throughout the series but he never once apologized. Yes, it stopped after Looser Baby but he should have a mindful conversation with Husk and genuinely say sorry about his behavior.

“It starts with sowwy🥺” What’s the point of having this song if the characters don’t follow through with the lesson?

Those scenes were mostly jokes.

And I haven’t mentioned Sir Pentious getting dragged while being drunk in a sex room, or Moxie being kissed by Succubus despite mentioning he didn't want any of that.

AAaaAaaaAh look at these men, being uncomfortable because they are touched and talked down despite verbally addressing their discomfort! That hilarious!

I want to believe she cares, I’m a fan of these shows, I know it doesn't look like it but I’ve been hooked since the Pilots. Not only was I disappointed at the final result but I was also shocked to learn Medrano is simply just an asshole with too much money in her bag.

Poison failed where Fîls de Joie succeeded:

Before reading any of what I wrote you should listen to it, there are English subtitles. And honestly, it's a good song on its own.

What’s the context of Fîls de Joie?

A sex worker died and her son is holding funerals for her. You can guess it with the wordplay in the title, Fille de Joie (Girl of Joy) is one of the many ways to say prostitute in French. Fîls (son) de Joie is a way to say that he’s the son of a sex worker.

While sung by the same man, you can notice that Stromae gives us four POVs in the song, the son in the chorus, a client, the pimp, and a policeman.

Everyone besides the son is a hypocrite and relatively an asshole. But even if those verses are self-centered and a pathetic attempt from these men to bring sympathy to themselves, despite never hearing the story directly from the Woman, you can guess exactly how her life was and you sympathize with her. It tells us a story, her story.

This woman was a good mother, and it shows how much the son insisted on leaving her alone, speaking proudly of her despite acknowledging her flaws, and even repeatedly calling her a hero.

But HEY! (But HEY!) Leave my mom alone Yes I know, she’s not perfect, it’s true She’s a hero (She’s a hero) And I will always speak of her with pride

The client is trying to be excused from his actions by stating he’s lonely and addicted to it.

Being alone is not easy And it’s been years since my last time

The hardest part, well, it’s the first time And now what’s hard is to decide when the last time will be

But he’s also verbally violent even stating that as long as he got the money he could pretty much do everything to her.

Maybe this time around we can do it with me insulting her. Yeah everything is negotiablе in life, if you got the money And after all, I’m probably her best customer

With that alone, you can probably guess that it’s not the only violent client she had but she has to endure it because she needs money. Considering that she has a son it’s probably to support his education or something related to her well-being and his.

Then comes the pimp, he brushed off all of his misdeeds by saying he gives them shelter and food and should be grateful for it.

Why does everyone hate me? I’m the one feeding them Their lives would be way more mediocre. Without me, their lives would be shitty

Not only that but his good actions are not for the sake of it, he should have his part of the deals. He doesn't want them to feel like princesses eventually calling them hookers in a very dehumanizing way.

That has a price, Missy. Well duh, in this life, everything comes at a price. Nobody ever told you? They say I’m guilty of human trafficking But 50, 40, 30 or 20% is not nothing

They better not delude themselves and think they’re models Ladies—or should I say: hookers!

Not only does this woman have to endure constant violent behavior from her clients she barely gets enough money despite being the one at work, receiving either 50% or even 20% of what she actually gained. The rest goes to an egocentric pimp that only sees her as merchandise.

While we can technically understand where the policeman is coming from, he’s just doing his job, he’s making a mistake apparent in the other’s verse but much more evident in his.

He doesn't see her as a human.

I know that it’s your job But I gotta do mine, don’t I?

Take back your ID and what’s left of your dignity You’re pathetic, pfft Find yourself a real job!

This song doesn't tell us the story of a prostitute but the story of a financially struggling Mother who juggles between abusing clients and a society that only focuses on the top of the iceberg, the fact that she’s selling her body.

Stromae tries to appeal to our compassion and teach us that it’s important to understand why someone will go their way to sell sex for a few pennies. And rather than rejecting them, we should help them.

Another thing I like about the clip as a whole is the Military. They don’t have a Belgian or French uniform but they wear multiple of them to show that this dehumanization isn’t linked to one country but it’s global, every countries and cultures take part in it, and it needs to be fixed.

What does Poison tell us?

Angel got stuck in an abusive situation and was forced to do sex work for his pimps, it focuses more on the sexual assault rather than his life.

He obliviously regrets his choice resulting in him blaming himself for getting into such a messy situation. A situation he’s seemingly addicted to despite himself, he knows it’s bad but he can’t help it.

What's the worst part of this hell? I can only blame myself

You're feedin' me poison Addicted to this feelin', I can't help but swallow. Up your poison

The poison can also be a metaphor for the drugs he seems to take directly from Valentino’s brand. A drug he either takes himself or is forced to inhale.

He uses the same substance to forget his situation and numbs the pain while also putting on a false Sex-addicted mask to convey that he’s fine and stay on Valentino’s good side. A direct consequence of his abuse is his addiction and his hypersexuality.

I got so good at bein' untrue I got so good at tellin' you what you wanna hear I disassociate, disappear

At the end of the song he’s waisted, traumatized, and finally breaks down as he finally has a short time to process everything that happened. Because here’s the thing, Poison is a fantasy, it’s a mask he puts in to forget the emotional and physical weight that was put on him, hence why it’s so flashy and pretty. The few glimpses of Angel being visibly distraught show that all the parts where he isn't are him disassociating.

See I can analyze stuff and I totally understand what they were trying to do with it but the difference with Fîls de Joie is, that we didn't know the life or personality of The Mother and we learn it through the song.

Angel Dust and Valentino’s relationship is highlighted throughout the shows and Poison doesn't add anything new to the table. The song is POINTLESS. Husk already looked at us and told us that Angel Dust being sexual was a whole persona he puts in.

You can say that the song humanized him since he was basically the “AaahaAH SEX” character but the locker scene already did and… I don’t like the story behind the making of it, why you ask?

Because Vivienne let Raphielle’s work affect her writing.

Visually speaking I believe you can present a disturbing concept with equally disturbing imagery, I understand that the point was to make you uncomfortable and the Dance sequence was Angel Dust disassociating while what was happening was displayed on the screen.

But… can someone explain why they let the work of someone blatantly fetishizing Angel and Valentino's relationship leak into the final product? I don’t even care that Raphielle or Vivienne have a nonconsensual fetish but we can all agree that his content depicting the two men will be inrentently for gooning purposes right? Or am I crazy for saying that?!

Okay, I wanna be clear, Raphielle can do everything he wants what I care about is that his fetishistic content was referenced in the shows.

→ Here’s one of his works. Go at 2:45 if you wanna skip the sexual stuff

→ Click here for more proof

The idea of Angels Dust being “sexy” while his image is projected on screens is from Raphielle II, his work is for sexual gratification but Medrano still referenced it despite Raph being pretty vocal about it.

And that’s not all.

Yes, Vivienne, it’s great marketing to make a cum joke about visuals displaying rape. Because in case y’all forgot all of the sex scenes in the clip are non-consensual from Angel Dust's perspective.

Am I supposed to believe that this woman cares when not only she has a double standard only showing rape and sexual assault as a whole in a bad way when it comes to her favorite character?

Am I supposed to believe that she cares when she associates herself with a fetishizer and references his work in her show?

Why did Stromae managed to make me care about an unnamed fictional dead woman in the spam of 3:57 when she just irked me in 20 minutes with her so-called “well done” representation of sex workers?

Is that really what people call a realistic presentation? How does someone manage to fumble so hard on every aspect of the series, I’m starting to believe that Hazbin Hotel is just rage-bait with the lack of respect she puts into it.

That’s all for me if anyone wants to add anything, the comments are there.