#SHIT WOULD GET WILD
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cocogum · 1 year ago
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the parallels are so-
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onabisworld · 1 month ago
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Go back to sleep, Bill.
.
.
Thinking about how Ford’s canon deal with Bill sounds suspiciously like marriage vows. Thats it.
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not-equippedforthis · 3 months ago
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forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.
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falafels · 2 months ago
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pt.25!! <pt.24 pt.26>
french translation (please correct me if you know better as my french has got holes in it):
-can we do it again soon?
-get a grip, kevin. yes.
tag gang!! @andrewsleftarmband @blurryhour @you-know-i-get-itt @notexactlythatgirl @strangeoffputtingrat @tessasilverswan @minyard-05 @carbon-dated-gal @bisexualchaosdemon @stormiiflies @watercoloureyes01 @vampire-overlord @iron-sides @azure-wing @buffalo-fox @ohgodnotagainplease @pink-hydrangea @jaywalkerss @ohmynoggin-blog @cosmic-marauder @min-getoutofmy-yard @plazybones @disastersappho @leestars13 @the-witch-forever-lives <333
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viridescenttemple · 11 months ago
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FRIENDSHIP
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shirozora-draws · 10 months ago
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So, uh.... how about that Kendrick vs. Drake Rap Beef 2024?!?!?!??!!?
In all seriousness, I had a mentally ugly April and so I want to thank the early May nuke that was Meet The Grahams blowing up my Twitter feed for getting me back on track. Sometimes you gotta pop out and hyperfixate on something really fucking different to get your brain back on track, which it did. The final draft of the next chapter is ready and waiting, and now I just need to get rid of all the goddamn rust and dust clogging up my arting gears.
I've done and posted multiple iterations of these designs through the years and they're buried in the archives but at some point I have to commit. That point is right now. I have to commit because these are going to be my visual guides for the next act of the story. Man, I hope I can pull this off. I want Din's look to be red for Aq Vetina and made up of scraps while he continues on his quest to rebuild himself. And I want Luke to have SOME color of some fucking kind and also I got tired of capes and thought the contrast to Din would be fun.
Grogu has some tweaks too but I need to stop dawdling and start thumbnailing for the chapter that is waitingwaitingwaiting for launch day so his little "design sheet" will come later. And once the chapter goes live, I'll spend the rest of the summer getting the pop-up shop up and running for pre-orders. Hopefully. Definitely. For sure.
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frostgnawdraws · 4 months ago
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Messy doodles of the owlks + hatchy bc I'm obsessed with drawing little freaks
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devotion-disorder · 8 months ago
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this may be a dumb question but are Kuuya and Noel (I think that's the pink haired guys name) in the same universe as the elves?
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I'd say for now that Kuuya/Noel and the elves (and other fantasy-race characters) are not in the same universe! Kuuya/Noel exists in modern times while the elves in the typical fantasy medieval-ish period? i don't know enough about history to say for sure!
i have kind of toyed with various ideas for the universe in which Kuuya/Noel exists in since rn it is basically just a "vanilla" setting; like maybe yandere-ism is some kind of genetic evolutionary defect, or what if yandere's have become completely normalized in modern existence (which leads to interesting ideas like - mandated yandere identification? special areas with warnings of high yandere populations?) but im not sure if any of these will really come to fruition. for now i kind of still enjoy the classic appeal that yanderes are just kind of...disparate anomalies in and of themselves in contrast to the normalcy of everything. it's all still up in the air though. who knows!
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genericpuff · 6 months ago
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y'all have no clue how wild it is to live in my timeline, because 12 years ago i was a huge fan of these cute lil' zelda strips and at the time i found out through the grapevine that the creator apparently stopped making these comics because they had started drawing NSFW content-
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and at the time i was like "oh ok that's wild but respect"
and now in the present the artist who's making the OMORI manga adaption is under fire for being a shota fetishist and it's putting the spotlight back on the OMORI creator themselves for ALSO being a shota fetishist and oh my god the omocat who made those zelda comics over a decade ago is the same omocat who went on to make OMORI holy shit-
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doublel27 · 10 months ago
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Hey GMMTV, if you just wanna make Our Skyy 3 a compilation of wedding episodes the couples from your biggest series now that marriage equality has passed, I think you could make solid money. Just saying.
We’ll start with every show you let talk about marriage equality/marriage and go from there.
And with all the money from the BL stuff, you can let my favorite teachers, Nida and Bambam officially update their gender markers and get married—and just a trans sapphic wedding would be a personal gift.
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anghraine · 3 months ago
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It's wild to me that I had heard of the prime Kirk/Spock content in various TOS episodes long before I saw them, but had never heard of what IMO is the shippiest moment of all thus far, in an interestingly O_o goddamn I do not want whatever you two have but you do you?? holy shit though what a moment way.
I'm of course referring to the otherwise rather mid episode "Requiem for Methuselah," in which Kirk has an underwritten love affair with a clueless woman whose various secrets have to be discovered before her inevitable death.
At one point in this relationship, her.......uh, guardian??? sort of???????? had Spock play the piano while she and Kirk waltzed, which (in-story) Spock did perfectly while somehow managing to silently exude even more intensity than usual. After the plot (and her life) were over, we end not with the usual cheerful bit of snark on the bridge that ends most episodes, but with a weary Kirk falling asleep with his head on his arms and Spock hovering not for away. McCoy exposits the last bit of detail and then goes on an unprompted and honestly pretty viciously racist speech about how Spock, unlike Kirk, will never suffer from the joys and travails of love because of his inherent lack of feeling as a Vulcan. The speech is longer than usual and just really mean-spirited as McCoy waxes rhapsodic about all the aspects of passionate true love that Spock will not and cannot experience as a Vulcan before he just leaves.
Spock then turns to look at Kirk, and now just bleeding intensity, takes a few slow, deliberate steps towards the sleeping Kirk, lays his hand against Kirk's cheek and neck, and then very obviously mind melds with the sleeping Kirk while murmuring, "Forget."
Is this healthy respectful behavior that honors Kirk's autonomy? No, obviously. Is it god-tier repressed homoerotic passion between two people who should probably just work their issues out and stop inflicting themselves on anyone else? Yes.
#there are a lot of oddly paced slow physical staging bits in the episode so at first i wasn't sure it was significant that spock is so slow#in his approach to kirk at the end - coming right off the mccoy speech about passionate love it was something else#but i wasn't sure what he was even going to do until he laid his hand against kirk's face and i was just thinking wait WHAT#and then the - wait is he MIND MELDING with SLEEPING KIRK as a response to the accusation that he is racially incapable of passionate love?#and then realized that this episode - in which he admits to one feeling ('envy') culminates in him wiping his rival from kirk's memory#jesus. what the fuck. i'm sorry if i ever thought the kirk/spock fangirls of the last decades were exaggerating#blandly healthy and supportive spirk is out toxic yaoi spirk is in#(also there's a bad episode in which shatner is forced to give a godawful ramble about losing command! i'm losing command!#and kirk is just melting down as he and spock get into an elevator and it's just going up floors as kirk loses his shit#and it would just be unforgivably awful but his fixation on losing authority of his beloved enterprise is stopped by one word from spock#spock literally murmurs 'jim' and kirk just sort of collapses on him and then immediately relaxes and calms down. wild shit)#anghraine babbles#star trek#star trek: the original series#long post#spock#james t kirk#kirk x spock#mccoy critical#i actually love him in most episodes but this was awful and out of nowhere#in terms of the stakes at that point. but the fact that it's this huge rhapsodic speech about the grand passion of LOOOOOVE#not only talking positively but also about the torments of love that spock allegedly can't feel#and it leads /directly/ into spock wiping this woman from kirk's memory????? well. i am not blind to the function it serves. let's say.
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hellspawnmotel · 2 years ago
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I finished wild arms yesterday! what a great game
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beargregor · 4 months ago
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MERRY JEWISH BOY CHRISTMAS EVERYONE!!
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epicfirestormer · 11 months ago
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What I love about Hellboy and Abe Sapien's dynamic in the comics is that, if you came into this blind, you'd expect Abe to be the voice of reason or the straight man to Hellboy's impulsive and hotheaded personality. But no, Abe is more often than not the crazy one. Hellboy would deal with fighting evil monsters and bad guys by just sighing and getting it over with, while Abe is going rabid over tearing the creature apart when he does get into a fight. Hellboy acts like it's a 9-to-5 job and will reasonably talk things out with a guy that had nearly killed him before, Abe acts like a madman in a slaughter house and his first instinct is to shoot first kill second and ask third. They're both insane, but on completely different levels.
#wheres that one comic where abe gets into a mission and has to tear down a monster with an axe#then at the end when hellboy appears and sees abe going ham while covered in blood. he's like ''oh hey abe. good job you're doing there''#hellboy was not even worried for a second. he trusts abe to handle things on his own#they both trust each other to do their job but they also know when they can handle a fight on their own and will help if needed.#their trust and bond with each other is so implicit but speaks volumes. they dont need to say anything. they just know#we talk so much about hellboy being like. an alright guy and a whole lot kinder than the world treats him. and that's right#but it really does make Abe look fucking batshit wild in comparison because of it#the entirety of the abe sapien comics is that the guy is on his hinges and the only thing keeping him sane before was his job (which is#debatable.) and the bprd. mostly hellboy and liz and kate and roger. johan and ben are a weird case but he does kinda care about them#i love abe btw. he's such an interesting critter. absolutely crazy maniac of a guy.#tbf i dont blame him considering his backstory. if i went through some of the shit he did; i would not be sane either#also. the moments post hellboy's death in the comics where abe is trying to deal with his passing but never directly says anything about it#until he was confronted by hellboy in his dream. thats the cool bit yknow. we dont need to be told Abe was grieving about hellboy#we just knew he wasn't handling it well. using present tense when talking about hellboy to other people. avoiding saying his name.#its great stuff#the fire burns#hellboy#hellboy comics#abe sapien
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sukibenders · 4 months ago
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Glinda mentions to Elphaba how Fiyero can't stop thinking about that moment in Dillamond's class, or that he's having thoughts in general and how it worries her because it's not something she's used to from him (which is him thinking about actual things), in contrast to Elphaba, who doesn't seem all that bothered and, even more so interested in the manner when Fiyero brings up how he can't stop thinking about when they rescued the lion cub. I don't know about everyone else but for me, even with this scene probably being added for lighthearted value, I also see it as another piece in the puzzle cementing how Fiyero's and Glinda's actions will, eventually, either pull them closer or further away from Elphaba. I lowkey don't like it when people act surprised or confused as to why Glinda was spelled or get annoyed that Fiyero is in her place but I, personally, don't think she would have helped in that moment, specifically in the movie.
Prior to the train scene, Glinda is shown to, not only, be completely rude and spoiled (as shown with her literally fainting over not getting her way), when in class, she publicly points out Dillamond's inability to pronounce her name correctly even though it's an obvious struggle, parading in front of the class how easier it was for her other teachers to do it, then being dismissive during the rest of the lesson when learning the importance of history and why to learn from it (correct me if I'm wrong, as it has been a minute since I've seen the movie). All that already tells me that she doesn't really care for the animals' cause, let alone enough to follow Elphaba and Fiyero into the woods after stealing the lion cub and I think, subconsciously, Elphaba knew that. In fact, I can only see Glinda trying to sway them to leave the cub and how what their new professor wanted to teach probably wasn't all that bad (not saying that she would want the cub to be harmed, just that she would try to rationalize what's going as we've seen her do before). This is the same woman who, after learning that the Wizard was a fraud and responsible for the missing and harmed animals, still tried to justify his actions and berated Elphaba for not "acting accordingly" to the news, but yet we still think she should have been there to save the lion cub? That she would have helped those animals alongside Fiyero and Elphaba? I think it could allude to how Glinda could/will be used to help further push propaganda for the Wizard, especially given how it benefits her socially, as figures of propaganda often don't think too hard, or enough to critique the system around them not because they aren't smart enough too (for the most part), but more so because they understand how their world works and understand the consequences that follow when stepping out of line.
You don't have to like Fiyeraba or even find Fiyero interesting, but to purposely ignore what the movie is presenting you is such a cop-out. Fiyero enters the film being a sort of anti-establishment-like character, caring little if he gets kicked out of Shiz for breaking the rules, or just hardly caring in general (something Elphaba calls him out for), and so on. Why wouldn't he be down to rescue the lion? Even if it was to just feed his rebellious streak, he still would have gone, but when he and Elphaba meet, he's on a talking horse and they are conversing like lifelong friends. That might add another layer to the pair saving the lion. Even if he wasn't on the same level as Elphaba at that moment, the train scene shows that it had a profound impact on him that he couldn't shake. I think, had he been presented with the choice of joining Elphaba or staying, he would have gone, not only for her but also because he now knows that the Wizard is a fraud and most definitely wouldn't stand for what he [Oz] is doing. This is what sets him apart from Glinda which, isn't necessarily me hating on her but just stating facts. Glinda isn't/won't be willing to sacrifice her position and what it brings her, until it's too late (which is the tragedy of her character and her relationship with Elphaba), while Fiyero risks everything, even to some extent his own body (Scarecrow) and, in the end, gets to stand with Elphaba.
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polygarnstars · 6 months ago
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'we get it gar you don't have to keep posting about it' until i get a functioning computer again and can draw her in a field of blue pink and white pnw wildflowers you Will deal with my 'roz is trans'-posting.
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like this isn't 'yes we get it there's coding' this is Just Straight Up Textual
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